#when history has shown that's just not true!

[blackstarlineage]

What It Means to Be an Unapologetic Black Person: A Garveyite Perspective

Introduction: The Battle for Black Self-Respect

Marcus Garvey once declared:

“Up, you mighty race, accomplish what you will!”

This was not just a slogan—it was a call to action for Black people to rise without fear, without hesitation, and without apology.

To be an unapologetic Black person from a Garveyite perspective means to:

Reject white approval as the standard for success.

Prioritize Black self-determination, not assimilation.

Embrace Black history, identity, and culture without shame.

Fight for Black power, not just symbolic representation.

It means standing boldly, unapologetically, and fearlessly in a world that has tried to erase, weaken, and silence Black voices.

It means rejecting the “respectability politics” that demand that black people make themselves smaller, quieter, and less revolutionary to be accepted.

It means being 100% committed to Black empowerment, no matter the cost.

1. Being Unapologetically Black Means Controlling Your Own Destiny

Rejecting the Need for White Validation

Many Black people are conditioned to believe that success is measured by how much white society accepts them.

They believe that getting into white schools, white jobs, or white social circles means they have "made it."

They believe that being "non-threatening" will protect them from racism.

But history has proven:

Even the most “well-behaved” Black people have been lynched, disrespected, and discarded.

Even the most educated Black professionals are still treated as inferior in white spaces.

Even Black people who “play the game” are still seen as outsiders.

Garveyite Perspective: True success is when Black people control their own institutions—schools, businesses, banks, media, and land—not when they are simply "allowed" to exist in white spaces.

2. Being Unapologetically Black Means Prioritizing Black Interests First

Understanding That Black People Have No Permanent Friends—Only Interests

Many Black people believe in coalitions with other racial and ethnic groups under the label of "POC" (People of Color).

They believe that because other groups face discrimination, they are natural allies in the fight against white supremacy.

But history has shown that these alliances rarely benefit Black people.

Non-Black POC communities have a long history of anti-Black racism while benefiting from the Civil Rights Movement.

Many non-Black communities build wealth by exploiting Black people (e.g., non-Black businesses dominating Black neighbourhoods).

When it comes to power and resources, other groups prioritize their own before helping Black people.

Garveyite Perspective: Black people must focus on our own survival, prosperity, and self-determination—not waste time chasing empty alliances.

3. Being Unapologetically Black Means Owning & Defending Black Identity

Rejecting Eurocentric Beauty Standards & Embracing African Culture

White supremacy has conditioned many Black people to hate their own features, history, and traditions.

Many Black people feel ashamed of their dark skin, African names, and natural hair because society devalues them.

Many still believe that lighter skin, European features, and straight hair are superior.

Example: Black celebrities and influencers often change their appearance to fit Eurocentric beauty standards to be accepted in white-dominated industries.

Garveyite Perspective: Black beauty, culture, and identity must be celebrated unapologetically. We should not adjust ourselves to fit into a system that was built to exclude us.

4. Being Unapologetically Black Means Building & Supporting Black-Owned Institutions

Rejecting Economic Dependency on Non-Black Businesses

Many Black people continue to spend billions supporting white-owned corporations while Black businesses struggle.

Many Black communities are controlled by non-Black store owners who do not reinvest in the Black community.

Many Black people believe that Black-owned businesses are less trustworthy or "low quality" unless white people validate them.

Example: Black people made Nike and Gucci rich, but these brands do nothing for Black empowerment.

Garveyite Perspective: Economic power is the foundation of real freedom. Black people must circulate wealth within their own communities first before letting it leave.

5. Being Unapologetically Black Means Defending & Honouring Revolutionary Black Leaders

Respecting the Warriors Who Fought for Black Liberation

Many Black people celebrate white-approved figures while ignoring or demonizing real revolutionaries.

Schools teach MLK’s "I Have a Dream" speech but ignore his later calls for economic justice and Black self-defense.

Black leaders like Marcus Garvey, Malcolm X, and Assata Shakur are often erased or vilified.

Example: White media promotes a weak version of MLK while erasing his critiques of capitalism and the U.S. imperialism.

Garveyite Perspective: Black liberation requires revolutionary leadership, not just symbolic "safe" figures who make white people comfortable.

6. Being Unapologetically Black Means Promoting Black Family & Community Strength

Rejecting White Narratives About Black Dysfunction

The media pushes the idea that Black relationships are weak, Black fathers are absent, and Black families are broken.

The truth is, Black families have been under attack for centuries—from slavery to mass incarceration.

Black love, Black marriage, and Black family unity are powerful acts of resistance.

Example: Black families who practice group economics (investing together) are more likely to achieve generational wealth.

Garveyite Perspective: Strong Black families create strong Black communities. Black love and unity must be protected at all costs.

7. Being Unapologetically Black Means Preparing for Black Self-Defense

Understanding That No One Respects the Powerless

History proves that unarmed, defenceless Black communities are the first to be exploited, terrorized, or erased.

Every powerful nation or group has some form of military or armed protection—except Black communities.

Integration and nonviolence alone have never stopped white violence against Black people.

Example: When Black communities defended themselves (e.g., Tulsa’s Black Wall Street, the Deacons for Defence, the Black Panthers), they were seen as a threat because they had real power.

Garveyite Perspective: A free people must be able to defend themselves politically, economically, and physically.

Final Thought: Unapologetic Blackness is About Power, Not Just Pride

Marcus Garvey did not teach empty slogans or feel-good speeches. He built:

The largest Black movement in history (UNIA).

The Black Star Line, an international Black-owned shipping company.

A Pan-African vision for global Black unity and economic control.

To be unapologetically Black is to:

Build wealth, land, and institutions—not just talk about oppression.

Prioritize Black people first—not chase fake "diversity."

Control your own narrative—not seek white approval.

Defend Black identity, Black history, and Black power at all costs.

The Question Is: Are You Ready to Be Unapologetically Black?

Are you focused on empowerment or just survival?

Are you investing in Black futures or making white corporations rich?

Are you building real power or just talking about Black pride?

Because Black power requires action—not just identity.

[glenheat]

Are you going to make that trend of being an emergency contact video about me? Cause I feel like that trend is going to be over pretty fast. And I'm curious about what you're going to be pulling together. You're so generous there, Brina. Thank you for letting me mess up your algorithm. Maybe that's the sign of true love right there. It being chilly just means that we've got a good excuse to snuggle up together - keep each other warm in creative ways. I'm always being sweet to you, please. I don't think that's ever going to stop, babe. Hopefully our teams will back off us a little bit now that we've shown that we can behave when we really need to. I know how much the grammys meant to you so I wasn't going to do anything to fuck it up. I think we're going to run out of space because of all the awards you're getting, but I couldn't be more proud. We going to get a house just for all our awards. Power couple and all that, ha. I love you so much, too. When the moment is right - I'll get down on one knee, with a ring. Gotta talk to your family and Paloma first - get their permission and all that. Do it right, you know? Feel like Paloma would have my balls if I didn't run those plans through her first. She's just a little bit scary. One day in the far future. Hey, that wig is going down in history. It was amazing. Should I see if I can get hold of it again? One of my best looks, if I do say so myself.

but they're old by the time they make it from tiktok to reels, babe. and by that time the trend's already dead - so lame. you can send me tiktoks. while i have carefully curated my algorithm and the ones you send would totally mess with that, i love you enough to allow it. finland? sounds chilly. i just want to be wherever you are. and a short n' sweet vacation with you sounds lovely. and i'm glad that you only have eyes for me. i trust you with that. my emotions are still too fragile right now, gonna cry if you keep being this sweet. i'll love you forever, if you'll have me. hm, well i'm not going to complain about that. if anything, i really can't lose there. thanks for temporarily behaving with me, babe. and for being there by my side. it made it all the more special having you there. you did deserve it. but you're right - there's going to be many awards in your future. so many that we'll run out of places to store them. well, it's good spiralling. like, holy shit i love you so much that i can't put it into words kind of spiralling, ya know? oh how the tables have turned. the internet isn't wrong. we would make cute babies. and i want that. one day. in the future. you're very cute when you're in uncle mode even in that wig.

[briankang]

.

[gaywineauntsstuff]

Every single member of the Batfamily lies about their taste in music

Damian will claim that he only listens to classical music and that everything else is beneath him.

Damian will unironically listen to trashy Arab pop and the absolute worst Bollywood songs known to man (Dick introduced him to them and he hates the fact that sometimes he gets Sheila Ki Jawani stuck in his head during missions)

Tim will put on the most ear grating hyper pop you've ever heard and claim with full chest that these is the peak of humanities capabilities with music (Damian, Jason and Steph have all tried to kill him for this take) He will also play stuff like the living tombstones and sing it obnoxiously loud when he's working on the computer.

Tim however loves his 90s grunge and it's all that's playing in his headphones. (think nirvana, pearl Jam, Melvins, Alice in Chains etc) He has tracked down so many shirts and concert posters and watched every bit of content from the older shows.

Jason will claim he only listens to east coast rap, biggie, Nas, Jay etc and maybe some older metal. He will fight you on east vs west coast music, there will be weaponry involved.

Jason likes rap music... he unfortunately prefers west coast rap and has listened to no vaseline like 500 times. He will deny this till the day he dies...again. (Dick knows and threatens to tell Steph)

Steph will steal the aux and play Taylor Swifts greatest hits until one of the Boys threatens mutiny. Every single one of the bats has had style stuck in their heads during a stakeout at least twice. She will claim that the only rap song she can tolerate in Eminem and the 7/11 is Beyoncés best song.

Steph is an underground fan, think the dude selling mixtapes on the subway type shit. She also unlike Jason genuinely loves East Coast Rap music more than anything and knows every single wu-tang clan song by heart, same with Biggie. Not only does she love the music she also spends any free time binging those "history of rap and its consequences" videos and has been a firm believer that P.Diddy had a hand in a lot of the Death row records well...deaths.

Cass, well everyone thinks Cass has really good taste bc its Cass and she has zero flaws (don't @ me) she never takes the aux and will usually listen to her music while she's chilling or doing stretches. None of them have heard or seen a single one of her playlists except Duke.

its all 2010s top 40s pop music and like the trashy kind too, Beauty and the Beat, Kesha, Katy Perry. It's her turning of her brain time and she will be straight vibing to Rude! by magic or Boom Clap or Shower. she has shown this to Duke, smirked and told him that even if he tried to tell anyone they wouldn't believe him.

Duke is the only one who doesn't... lie. He just hides a few things. Lies of omission don't count as lies when the bats will lie to you about what they had for breakfast, while they are visibly eating breakfast. Duke says he listens to everything and he does. Literally everything. His patrol Jam is offensive bc it with start with Norwegian death metal and immediately switches to "like a G6" followed by kendrick Lamar and then descendants Disney channel movie music.

Bruce... Bruce is just weird, everyone asks him and gets a different answer. Bc he doesn't... like music. Like at all. It's all noise, his mother played instruments so he learned like 14 and he hates how they all sound. He just like vague batwings fluttering in dead silence.

Dick Grayson will obnoxiously play top 40 and radio music religiously around the bats. He claims it's the best music for rhythmic acrobatics and trapeze work and that true! Jason hates this kind of music the most, it's formulaic and holds no substance and drives him insane.

But Dick only listens to that music when he's moving, flipping doing high energy stuff. When he just wants to chill? This man has the most depressing music taste you've ever seen. You know that sad song from ur favorite artist that you can't listen to without crying. Yeah that's his bread and butter. Every single song is just flat out tear inducing, some of these bands have like 100 listeners and he is one of them and it's just their saddest song that reads like suicide note. The titans have conducted an intervention bc its just... concerning. He just thinks it's neat!

[swanpyart]

Honestly, there’s a lot of instances of the game where Jimmy’s intense rewriting of history really shows how delusional he is. And I don’t think these manifest from guilt, but from a victim-martyr complex: a lot of these are used to make himself look good to the audience, but the utter dissonance between these visions and reality make it terrifying instead.

1. The Birthday Party scene

It seems like something obviously scary, but it’s actually what Jimmy thinks his crew should do. He wants to be celebrated, wants to be admired, and up until he dies is still convinced he was just a well meaning guy who did his best. The party was not a guilt and fear ridden hallucination, but Jimmy deluding himself into thinking he’s the hero. His team should be thanking him and throwing him a party, even when they’re all dead by his own actions. In reality: there probably isn’t even any balloons or confetti, and all Curly sees is Jimmy and the rest of the corpses of the crew sitting at an empty table in a dark room.

2. Curly in the Chair attached to Wheels

The scene where Curly is attached to wheels that must be turned for his organs to sit right so you can feed him his leg is also a good example. This isn’t how bodies work, and Curly is a burn victim, so his internal organs being rearranged makes no actual sense; all of his health issues are external. No, this is what Jimmy thinks must happen; that Curly simply can’t keep down his food, and that all Jimmy needs to do is try harder to get him to eat it. Jimmy, in reality is probably just forcibly feeding Curly his own puked up leg chunk over and over again until Curly grows too tired to fight. And isn’t it like Jimmy to shove a square peg in a round hole and insist it’s the hole’s fault? Jimmy already has shown he’s perfectly fine with force feeding Curly already and is not afraid to get violent when doing so. The reality of that situation is that Curly was probably resisting as much as he physically could, but eventually grows too tired of the abuse and just gives in.

3. Swansea with an axe

And with Swansea, the entire sequence of Swansea chasing him around with an axe may be partially true, but a lot less even-sided in reality. Swansea was shown to have a temper, but killing Daisuke was horribly difficult and emotionally crushing, even if he wouldn’t admit it outright. Jimmy on the other hand clearly views Swansea as an axe wielding maniac who kills without remorse and wants to hoard the cryotank all to himself. I think Jimmy was hallucinating Swansea chasing him around, because I think it would be in character for Jimmy to witness Daisuke’s death at Swansea’s hands and, rather than think over his actions, instead become paranoid and fearful that Swansea would target him, too.

Cus think about it: while Swansea is bigger, he’s also a drunken old man whose grieving the loss of a kid he viewed like his own, while Jimmy is a comparar healthy younger man with a gun. Jimmy already has a track record for picking on those he sees as vulnerable (Anya being the only woman with her room not having a lock, Daisuke being the youngest and easy to influence, and Curly being physically disabled and unable to fight back). What’s more likely: that Swansea suddenly goes from sullen and mournful to an axe wielding maniac gunning for Jimmy’s blood, or that Jimmy is paranoid about an older grieving man and holds him at gunpoint to tie him to the chair?

Feel free to add more examples, this is fascinating

[luvmanifesting]

“But Nothing’s working!!”

LOA explained

Pure consciousness explained

Well duh you made that assumption so now nothing is going to work for you. The sad part about this community is most of you are searching for the same thing over and over and over when creators are literally giving you the answers IN their blogs. like what more do you want? Do you want someone to say you need to listen to 432HZ to manifest your goals? that you need to dance in circle and chant 999 times for your desires? No. The Law of assumption is literally always active. like ALWAYS. Everything you assume is going to be put out there because its an assumption.

What really irks me is when people say you have to “gaslight” yourself into thinking you have your desire, which kind of contradicts the whole point of law of assumption, why would you need to gas light yourself if you know you already have it..? yeah.. those two things don’t mix. Let me go over what an assumption is.. which clearly seems so hard for this community to understand.

The Law of Assumption is when you assume something to be true without needing proof.. Why do you lack critical thinking skills when the whole law basically explains what it is.

You don’t get what you want. You get what you decide. Why is the law of assumption being so overly complicated for no reason. None of yall did this with the Law of Attraction so why are you doing this with the Law of Assumption?? This also goes with inducing pure consciousness.. i hate bringing this topic up so much because people will take my words and make it into the world’s hardest problem in history. Imagine one day you DECIDE to induce pure consciousness and you say “hmm okay today i induced pure consciousness instantly! :D” And then imagine you get comfy and just breathe and then you suddenly induce the pure consciousness. wow so easy right? because you didn’t say “i want to induce pure consciousness” instead you said it like it ALREADY happened. Wants and Decisions are very different so keep that in mind.

What is pure consciousness? basically just a state detached from the physical world NO you’re not leaving the physical world, no you’re not teleporting, you’re basically in like a state of where worries don’t exist and you’re your “highest” self.

Clearing up misinformation.

No you don’t have to be in a deep relaxation

No you don’t need subliminals

No you don’t need a “void” routine

No you don’t need sats

No you don’t need to affirm mindlessly throughout the day

No you don’t need to meditate

No you don’t need frequencies

No you don’t need to be lucky

Yes you can swallow

Yes you can move

Yes you can breathe

Yes you can have inner conversations

Yes you can count to 2 billion

No it won’t start over if you sneeze

You’re literally human doing any of these things won’t affect your outcome when inducing pure consciousness. Whoever said you need to be lucky is beyond stupid btw. Whoever said you need symptoms to induce it, is… WRONG!! you are taking pure consciousness and seeing it as the most hardest thing in the world when its not, you literally induce pure consciousness when you’re asleep you’re just unaware because you’re sleeping.

Example putting the sleep state and pure consciousness (they are not the same thing but do have similar remedies). Imagine you’re getting ready to sleep after showering and doing your nightly routine if you have one. Your main goal after all of that is to just basically GO to sleep right? you’re not even worried about how you’re going to go to sleep you’re just going to do it. Now imagine you’re going and inducing pure consciousness what you should mainly be focused on is NOTHING, not time, not what, if, how, it, so, why, then, where. NO! just let go guys..

Just Breathe, its okay you will (WRONG WORD) you already have it all, just live. its okay reminder the 4D is the true reality and the 3D has no choice but to reflect to what is shown in the 4D or what is SAID by you.

[gay-dorito-dust]

Taglist: @your-favorite-god @cens0r3d @lovelyteenagebeard

Heeding Aemond’s words, you decided that an audience with Cannibal was required. So in the dead of night you slipped out of the red keep through the secrete passages you’ve learned thanks to Aegon, almost undetected had you not almost collided with a rat catcher who was accompanied by the cutest dog you’ve did see, before fleeing into the very same woods upon your first encounter with the behemoth of legend.

Once you got to the cave Helaena’s words had been proven true, Cannibal had been waiting for you as the silhouette of his head could be seen poked out of the dark, just as a pair dark green eyes like Greek fire looking directly at you but you weren’t afraid like last time.

‘Cannibal.’ You greeted as you bowed before the dragon, whom let out an almost purring sound at the sign of respect shown towards him. After all many people who tried to claim him expected him to submit to their will, but Cannibal knew his worth and vowed to never allow a pathetic creature to ride him, but one who’d inevitably catch his eye by accident.

‘I’m going to cut the formalities and be upfront with you and that is because time is limited and I have been so foolishly trying to avoid a predestined fate.’ You tell the dragon who only watched you with curiosity that it made you wonder how many others had been giving the same curtesy, not many you presumed but now wasn’t the time to falter when morning was fast approaching. ‘People, powerful people are going to try and stake claim to you through me in hopes of getting you to yield.’

Cannibal lets out a powerful roar that you felt within your chest, resonating with you in a way that you didn’t think was possible. You could feel his hatred for cowards, weaklings and people who felt the need to claim more than was needed, a spark has been light between the two of you and it was only starting to grow to a fierce but stubborn flame.

‘I had a feeling you would hate that.’ You told the dragon as you moved closer all the while he looked at you, steam puffing from his nostrils, his eyes practically glowing like hellish pits of fire amidst the night. Cannibal was beautiful as he was terrifying and you were growing to like the thrill of having him as your companion, your friend and not just a dragon you simply rode for convince. ‘So here is my proposal, should you accept, you take me as your rider an you shall keep your freedom for I will not clip your wings as you are a dragon through and through, the sky is your domain and I shall not take that from you.’ You added as you watched Cannibal lower his head so that he could meet you eye to eye, interested in what you had to say.

‘Also, there’s just one other thing that I may ask of you cannibal.’ The dragon only huffed as though telling you to go on.

‘Consume any dragon and their rider should their boastfulness overtakes their common sense,’ you told him in seriousness, ‘make them remember to fear the name Cannibal for it is not just a name to take lightly.’ You then took a step back from the dragon and held out of your hand, palm out flat as the nerves within you went wild, this was by far the stupidest and most terrifying thing you have ever done but still you had to see it through. ‘Do we have a deal?’ You finished.

Cannibal studied you for a moment, his eyes looking deep into your own that you felt as though he could see your soul, your true being, before moving his head closer to you and pressing his snout against your hand. It was rough, warm but alive and you couldn’t help but smile at the fact that you had just made history.

You had just became Cannibal’s first rider.

[nortism]

I wanted to talk about @pilferingapples ‘s autistic Fantine headcanon that has been brought up in the Les Mis Letters server because it has rewired my brain and the more I think about it the more I can see my own experiences as an autistic woman reflected in Fantine’s story.

Fantine is introduced as being an outsider amongst the other grisettes. I think Hugo’s intention here was to paint her as innocent and virtuous in comparison to them but the way it reads to me is that she is someone who just can’t quite connect with her peers. She is described as being dreamy and “always having a queer look about her” in the words of Favourite.

The way Fantine is treated by the other girls rings very true to me as an autistic woman in my experience with friendship. She does consider the other grisettes her friends yet they speak cruelly about her behind her back (Favourite saying she puts on airs) and to her face (Dahlia mocking her for crying over a dead horse). Yet she offers no resistance, in fact she barely seems to acknowledge these things as offensive, because that’s just what being friends is.

The friendship between the four grisettes is shown to be truly shallow when after Tholomyes’ “prank”, they all go their separate ways, with Hugo saying it was like they’d never been friends in the first place. Realistically, one of the few examples of female friendship in the brick being portrayed as shallow and catty is most likely down to some lingering misogyny on Hugo’s part but it is something I find relatable as someone who has allowed myself to be treated poorly by others because I thought that’s how friendship was supposed to be. I’m sure a lot of other autistic people can relate to this as well.

Additionally, I think it’s interesting how the other grisettes criticisms of Fantine come down to her not acting in the expected way and fitting in with group. Favourite accuses her of putting on airs because she won’t swing like the other girls (therefore let the men look up her skirt). Dahlia laughs at her for getting emotional over the dead horse because her emotions are tainting the happy outing they’re all having. Fantine being empathetic towards animals isn’t an inherently autistic trait by itself but her inability to suppress her emotions or just go along with what everyone else is doing is something I think a lot of neurodivergent people can relate to.

Her relationship with Tholomyes is probably the biggest example of Fantine not understanding unspoken social rules. I’m no history expert and people have definitely written more in depth posts on the relationships between upper class men and working class women in France in this period but from what I’ve gathered it was understood that these relationships were purely transactional. The men got sex and attention and the women got gifts and nice days out to places they couldn’t afford by themselves. There’s more nuance than that I’m sure but that’s the gist.

We know the other three grisettes are aware of this aspect of the relationship. They are eager to receive a “surprise”, an expensive gift they could later sell on. Favourite flatters her lover to his face and says all the things he expects of her but confesses to the other girls that she doesn’t like him because he isn’t playing his role of spending money on her.

Fantine is seemingly oblivious to all of this. Maybe it’s her ostracisation from the other girls that is keeping her ignorant or maybe she knows how it is for them but genuinely believes she and Tholomyes are different. Either way it’s clear to me that her and Tholomyes have very different ideas about their relationship and that subtext has not been picked up by Fantine. For the record, this is completely on Tholomyes, even if he’s supposed to be playing the expected role, leaving his mistress without any financial aid for their child together is bad even by the standards of the time. However Fantine is definitely naïve.

Also if you read Fantine as autistic, her reasons for being in love with Tholomyes make a lot more sense. From Hugo’s description, it doesn’t seem like Tholomyes has many redeeming features: he’s balding and missing teeth, he’s a student in his thirties and he is in poor health. Yet he pays attention to Fantine, he flatters her and spends money to keep her in a nice apartment.

If we assume that Fantine is autistic and has spent her life being an outsider, this onslaught of affection would lead her to let her guard down and believe that this is what love should look like. Even without the autism, Fantine was an orphan, she didn’t have any examples of what a marriage was supposed to look like growing up so how could she possibly resist a man who seems to be doing and saying all the right things?

I think my conclusion is it doesn’t really matter if you want to read Fantine as being autistic or not. I think all the factors I’ve outlined in this post can be explained by her upbringing and her still being very young during her relationship with Tholomyes rather than having to be neurodivergence. However, I think looking at Fantine through an autistic lense has given me a new appreciation for the character and being an outsider in society, a big theme in Les Mis, is generally a relatable sentiment for neurodivergent people and I think it’s interesting to explore that in the context of Fantine.

[iamnmbr3]

Things Draco Malfoy has Done in the Muggle World During His Postwar Probation

Attempted to order from a menu by speaking to it

Almost breached the Statute of Secrecy due to mistaking someone using clap-on-clap-off lights for a muggleborn using wandless magic

Got into a heated argument with the actors in a commercial because he thought the people in the tv were talking to him

Refused to walk in front of a car for fear of bumping into the invisible animals that obviously pull it

Panicked and responded "I have no idea what you're talking about" when asked what the "magic word" is

Complained that his telephone is broken because it periodically emits a loud ringing sound for no apparent reason

Run into Harry Potter unexpectedly in a pub, dropped everything he was holding, and automatically caught it with wandless magic without thinking, thus breaching the Statute of Secrecy in front of 47 muggles and the most famous Auror in Britain

Run into Harry Potter again in the same pub, thanked him for getting him out of those misuse of magic charges and apologized (again) for all of the more unpleasant bits of their history

Accidentally on purpose run into Harry Potter yet again in the same pub to find out why he comes to muggle London so often and how he's doing and to let him know that he's not remotely interested in whether the rumors in the Daily Prophet that he's split up with Ginny Weasley are true (they are)

Met Harry Potter in a pub for drinks to chat about old times except not the sad bits at least until they've had a few

Taken his muggle friends out to a pub that he definitely chose at random but which coincidentally Harry Potter also happens to be walking into so they might as well all sit down together

Had to admit that he may have mentioned him a few times when Harry is shocked to discover that all of Draco's muggle friends seemingly know his name despite the fact that he isn't famous in the muggle world

Met Harry and Harry's friends for drinks and somehow actually had a good time and not been vengefully poisoned by Ron Weasley or cursed by Hermione Granger or stabbed by Neville Longbottom or anything else dreadful

Had to explain to several bemused people that when Luna Lovegood says that they used to live together she doesn't mean they were involved romantically

Invited Harry Potter back to his flat and proudly shown him that he now knows how to make a telephone stop ringing (you just lift it up for a moment and then slam it back down and that fixes it) and then told him off for laughing

Visited Harry Potter at his flat, also in muggle London though protected by the Fidelius Charm for extra privacy, met a very small and excitable owl and had a protracted but good natured argument about which of them was actually better at Quidditch (because obviously if Draco had had a Firebolt he would have won every match)

Got his wand back and immediately transfigured everything in his flat just because he can and because it feels so good to use magic again and then cast Rictusempra on Harry because clearly Draco is the superior dueler and also because he likes the sound of Harry's laugh

Kissed Harry Potter.

[the-trash-site]

My favourite type of fanfiction at the moment has been 'y/n is reincarnated into fandom to save the characters from canon!'. (currently mainly reading for JJK and MHA as that's what I'm obsessed with.) There's something so pure about the plot and how the author has fun with it. With scenes where yn is lowkey simping or the actual character of the fandom being dorky.

I think the appeal (besides the amazing writing and passion given into each chapter of these fanfic, rec list below) of this is how straightforward it can be. You already know the characters, you know the canon. All you learn when first reading is what ability you get and how you fit within the world. Which is usually attending the school or growing up with the character.

But mostly, what I love is seeing the butterfly effect and the new dynamics it can create. But lately, I can't help but wonder about a fanfic that has the vibe of 'careful what you wish for'. And seeing what ripples that could make. (I write mostly of JKK and MHA but these ideas could be apply to AOT or Demon Slayer or any other fandom.)

I find it hilarious if instead, the y/n is older than the main group. Imagine being the milf/dilf of MHA. Being the same age as All Might or old enough to adopt characters like Shigaraki.

Or being the in-between age of Deku and the teachers. Where your options are; hanging out with the League of Villains, working hard asf to be a top hero to be around Hawks/the plot. Or becoming a teacher/assistant to watch over class 1A to change canon. I mean, what else are you meant to do in your early twenties? You literally have to force yourself into the plot lol

Oh, you have a favourite character, like Nanami, Gojo or Choso you want to meet? Here you go, a new life as their child! (probably be a sibling for Choso lol) Oh you met you wanted to rizz them up and treat them right? Nope, sorry, you're forced to tag along and face any challenges that would come as being a child to a; Jujutsu sorcerer/ the strongest/ a half-curse spirit.

Oh, this time you specified the thought of being dating/married to Aizawa/Geto/Toji as you died? Kinda weird but here you go! Your new life as their spouse! But only, you don't gain memories from this new life, as you only remember about the canon. Don't mind the grief and odd looks the character is giving you, their amnesia darling. It's not like you can't remember the wedding you two shared. (for maximum angst, they have the kids and you're just clueless about being a parent and saving the canon. yikes)

Okay, but what if you get super lucky? You get to be with the main character and do real help! Everything is fine in JJK but Sukuna is dead set on killing you. Every chance he gets, he uses until he kills you. But it's only after he brought you back that you learn it's because he actually loves you. After all, you're the reincarnated of his reincarnated dead wife. (not confusion at all, lol) He was just pissed that you dead centuries ago and couldn't have the life you two planned. It was his way of getting even. Definitely not annoying when trying to save characters.

Okay, for real now. Everything is perfectly fine...But what's this? Yuji and Izuku are actually yandere for you? Oh, that wouldn't change canon that much, right?

Anyway, here are my favourites fanfics;

Otherworldy attraction by Kilkyo851 JJK | on AOE | multiple pairings

When I catch you Gege by Quinnyundertow JJK | on AOE | multiple pairings

Daybreak by sexy-captain-rexy (smolkatsudon) Star wars | poly Obi-Wan, Anakin Skywalker and reader pairing| on AOE

Promise: Thorin x Fíli x reader Hobbit | love angle with true pairing haven't been shown | on AOE (this one is interesting as reader has more visions than knowledge from media.)

Changing History [MHA! Various F!Reader] by summerblack | MHA | on Qoutev

The Future's Keeper [MHA!Various x F!Reader] by summerblack | MHA | on Quotev

[kurishiri]

5 facts you maybe didn’t know abt alfons bc his route is coming (no major spoilers)

at some point after entering the greetia household, he changed his way of speaking. this is especially prominent in the japanese version, when he goes from the more casual or “crude” way of speaking all the way to keigo (or “polite” language). the gap between his polite language and the actual words that comes out of his mouth is part of his humor thats especially prominent in japanese, and a may be bit lost in translation in english.

he is really good at cooking. this is shown in his profile, but he does not show off this skill often. he only shows this skill twice in the entire history of ikevil so far. once in his main story, and once in his second birthday story. so enjoy those moments when you run into them!

in the japanese version, he uses honorifics with everyone (including kate), except one person. and that person is elbie. he calls everyone by the —san honorific, including kate, and he still does even after they get into a relationship. he calls william and victor with —sama, probably because by all rights, they are his bosses. the fact he doesn’t use honorifics with elbie unless he is playing a role or feels like it, in which case he may use —sama (he seemingly switches on a whim using “lord elbert,” “lord elbie,” “elbie,” and “elbert”). the fact he doesn’t use honorifics with elbie indicates a very close relationship, as doing such (in japanese, this is known as [呼び捨て], or yobisute) with those who you’re not close to can be considered incredibly rude.

his last name, sylvatica, means forget-me-not (the flower). specifically, it comes from its scientific name, myosotis sylvatica, and it bears the symbol of remembrance, coming to symbolize various events and people, along with a symbol for alzheimer’s in some regions. since the olden times, it has also been a symbol of true, everlasting love and devotion. this is the surname alfons chose for himself sort of on a whim supposedly. it is unknown if he himself chose the name while aware of its meaning (and thus was trying to convey his wishes through it), though considering he was surrounded by forget-me-nots in a scene during elbie’s route, it may be a reflection of something deeper on the storyteller’s end.

despite his attitude and all appearances, he grows attached to others very easily. this is pretty evident in his past records with elbie, and even roger’s past records. he can’t really bring himself to separate from elbie and when he has thought about it, he initiated a game with him instead of just leaving. and also he was quite drawn to roger at one point in his life. even now, roger does have a place in his mind at least (i have the story regarding this point translated here if you’re curious, but note this is jp only content as of this post). and even with kate, it’s evident that since the beginning, he didn’t want to leave her alone. even before he realizes his own feelings, he’s pretty drawn to her and actually thinks of her as “cute,” “adorable” or “darling.” and even in other routes, especially elbie and roger’s, he seems to show at least some attraction toward kate. so don’t let his facade fool you that much!

10 things you should know before you read alfons route.

[orangeheliophile]

Is my love enough?...

Cw: some cursing, fem!Atreides reader, arranged marriage, one-sided love, angst, bittersweet fluff, Feyd is head over heels for you.

Feyd has always hated physical touch. The kind of intimacy that one would share with their lovers. He felt himself shiver in disgust at the thought of being emotionally intimate with anyone or anything, really.

He never allowed his harpies/concubines to caress him in a soft and domestic way. It made his stomach churn, and he always threatened to slit their throats if their hands lingered for even a second too long.

He never wanted to be hugged by his brother and certainly didn't want any sort of touch coming from his uncle.

Sure, he would play with the slave warriors in the arena, and he let the servants apply paint onto his skin before every match. But he didn't tolerate any of that romantic intimacy.

Feyd-Rautha did not need to be vulnerable with anybody.

That was, until he met you; his arranged wife and daughter of Leto Atreides. You completely fucking bewitched him.

You were the sweetest thing he's ever met. Shy, a bit awkward and with a kindness he's never seen on other people. But you were not a delicate flower. You've been through many things. You were fierce when you wanted to be, yet decided to stay kind.

You had a weirdness to you that you only ever expressed when you were with your family; a weirdness that only ever came out with the people you trust and love. He was, unfortunately, not one of those people.

He only saw glimpses of your personalities, a small crack of light in the many walls you've built to protect yourself. He never knew that he would soon be the one to desperately want to see you. The real, true, and beautiful version of you and not just the quiet, nervous, and grieving version that is shown in the Harkonnen palace.

It made his heart squeeze, and his stomach churn. He absolutely loathed the thought of you being terrified and depressed. Yet it made his heart and stomach drop at the thought of himself being the cause of your miseries.

Yet the tension was still strong between you, and you didn't dare speak a word in fear of upsetting your arranged husband.

Of course, being arranged husband and wife, you had to display little acts of affection to prove that your marriage wasn't weak or easily broken. From time to time, you would hesitantly squeeze his hand and place a small, shaky kiss on his cheek; hoping this would satisfy the public and wouldn't make your arranged husband want to slit your throat.

Feyd-Rautha never thought he would completely melt to such small acts of affection.

Every small kiss, hand brushed against yours, every moment where you would lock eyes-Feyd could feel his heart beating a little faster as his lips would part in a silent hitch of his breath.

Over time, he believed he wouldn't be able to take it anymore; Feyd needed to experience the soft, sweet touch of your hand caressing his face, the honey-like taste of your lips against his and the warmth of your body tangled in his own-

And it wasn't just the physical touch, either. He longed to have silly conversations with you and to hear the music of your laughter dancing like a melody in his ears. He wanted to see your bright, warm smile shining when you saw him; he wanted to learn every habit and detail you had and write gospels about it and put them into the Harkonnen history and culture.

He fucking hated the fact that you both slept in separate bedrooms. The only reason he allowed it was because he valued your privacy; but that didn't mean he wanted to break through those doors and hold you in his embrace until he couldn't anymore.

You were the only thing that would plague his mind every second of the day and entirety of the night. He only cared about you; you and you only.

Feyd-Rautha would dream of you, dreams that would feel that they could make ones heart burst with light and love. He soon dedicated every kill to you; a promise that he would return to you safe and whole no matter if he fought a slave warrior or a soldier.

You were praised and worshiped without even knowing it.

You had him completely wrapped around your beautiful finger, yet it was almost laughable of how you didn't seem to notice-or care, in fact.

You still feared the Harkonnens, even your betrothed husband. And you had every right to, Feyd was not delusional. Yet, that didn't mean he didn't feel his heart being stabbed every time you scurried in the opposite direction whenever you caught a glimpse of him.

Feyd-Rautha believed he was falling completely in love with you, everything about you. Soul, body, mind, and all. He would kill for you. He would kill himself if he even thought of laying a finger on you. Yet you still feared him and were too deep into your sorrows to realize this.

But that was alright, he didn't mind waiting. Even if his mind and heart were practically screaming at him to tell you what he truly felt about you, but sadly, he would have to wait. He hated waiting.

But for you? He would wait an eternity. He would wait and count all the stars and the planets as his love grew for you every moment of the day and night. So that when you finally opened your heart, he could overwhelm you with the infinite love he had for you.

Perhaps Feyd-Rautha's love for you would be enough for the both of you. And that would be alright.

Every waking moment, he feels like he will die if you do not tell him you love him back.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[doctorsiren]

Moth Psycho 100 AU

Something that I latched onto for mp100 is the moth imagery for Mogami. More than once is a moth shown as symbolism, but it’s also associated with Mogami more than once, whereas with the other bugs he’s shown associated as, it’s just once i’m pretty sure (even if not, moths show up as symbolism the most so uhhh yeah)

So @cupofchemicalchatter and I cooked up an AU idea :)

Mogami Arc happens as normal except for the very end. Instead of Matsuo catching Mogami’s spirit and trapping him, Mogami is able to go and watch Mob from afar like he said he would: “You made your choice, kid. I’ll keep watching from afar to see if you made the right one.”

At the end of the Mogami Arc, Reigen says: “Anyway, history has shown that no good ever comes from drowning in wealth, fame, or power. Think about it: Mogami let his own powers swallow him up too.” Remember this, as this is important for the AU I’m about to explain. 

And this will go into the next arc, the Separation Arc. The part where Reigen is in the alleyway under the streetlight with those moths above him always felt deeper to a level that it probably wasn’t supposed to be and by that I mean I was connecting it to Mogami’s moth thing.

What am I talking about? Okay well, just imagine the Separation Arc happening as usual UNTIL that moment. The moment where Reigen is in the alleyway:

Mogami had been keeping an eye on both Mob and Reigen, figuring that a way to break Mob was to use someone he cared about, that person being his mentor. So in that moment, Mogami had been possessing / using that moth as his vessel to watch Reigen. The moment that the moth drops dead and Reigen looks up is the moment that Mogami transferred his possession from the moth to Reigen, causing his sudden change. Now he is determined to “become somebody”. Of course, just like in canon and like Mogami did, he starts out by helping people out with their problems. He stated in the Mogami arc: “Mogami? Yeah, I modeled part of my work off him when I started this job.” Mogami stated that “at first, I used my abilities for good, giving advice and solving various problems.” Mogami was the “Psychic Star of the 20th Century”, with Reigen being the “Greatest Psychic of the 21st Century”. Mogami basically told Mob the classic villain thing of “we’re not so different, you and I”, but Mogami now sees that with Reigen as well. Despite the man not having powers, he would prove useful.

Reigen began “developing” psychic abilities. He thought at first that it might have been something residual still left over from when Mob gave him his powers while fighting the Scars, but he soon began to believe that he had dormant abilities that became awoken once he set out on “becoming somebody”. However, it’s actually just the possession from Mogami. He begins to realize that he doesn’t need Mob anymore. He can do exorcisms on his own now! So, he starts pushing everyone away…the people who would be able to actually help him out of this.

Reigen starts to hear a voice in his head. It’s Mogami speaking to him like he did with Mob, but he disguises it as Reigen’s own voice, allowing the conman to think that it’s his own thoughts. Reigen begins to separate himself from this “new” version of himself (which is just Mogami), but not in a way of “oh, these are bad thoughts” but in the way of “this version of me is my only true friend.” Since he’s being possessed, he’s not really thinking rationally. 

His reflection becomes a way that Mogami can communicate visually, while disguised as Reigen, of course. He speaks to Reigen, convincing him further that he doesn’t need anybody. Only himself.

His shadow also becomes a visual way for “Reigen” to communicate (because I thought that would be cool, kind of like Morgana in Ducktales 2017, or in The Princess and the Frog). 

The turning point for where things actually go south is the Supernatural Detective TV spot. When Jodo suggests that Reigen be the one to do the exorcism, instead of letting Jodo trick him, Reigen insists that Jodo go ahead with how the program was planned. In this world, the event is reversed. Jodo actually does the fake exorcism, since it was scripted, but then Reigen steps in and explains there was no evil spirit to exorcise, hence making Jodo the fool rather than Reigen. The host praises Reigen and the child reveals that he was acting the whole time. 

And then begins his true metamorphosis. 

Usually, butterflies are used to represent change, however moths go through that same transformation, but to most, they are held typically in a lesser regard than their daytime counterparts. Not really important, but I just thought it was interesting.

Reigen starts to spiral, becoming more and more of a corrupted conman. He isn’t assassinating people for money like Mogami had done, but he is lying more and more and more. The more he becomes corrupted with power, the more his psychic abilities grow (think Ritsu with Dimple and the student council stuff)/ The idea actually started out by me suggesting that as he gets more corrupted, he starts to cough out moths (sorta like an odd moth-based hanahaki, but having literally nothing to do with unrequited love and he won’t die from the moths. He just coughs them out because we thought that went kinda hard), but of course, he keeps telling himself (as well as Mogami telling him) that he’s fine. 

His powers (Mogami’s powers) are getting stronger and he’s taking out bigger spirits, taking on bigger clients, and becoming a bigger star. He finds himself losing consciousness / disassociating at times, only to wake up and find that he is stronger. It has become a little of a Jekyll and Hyde situation, but while Mogami has control of Reigen’s body, he uses it to consume evil spirits to try and regain the power he lost from fighting Mob. How we’re visually showing the possession is through a scar (like how Dimple has the red cheek spots). He got the scar under his right eye when Mogami exploded that one-way mirror in the Mogami Arc, and since Reigen’s technically being possessed during the duration of the AU (once that moth dies), the scar is visible the whole time.

In the end (we haven’t figured out when but we just know), Mob has to confront Mogami inside Reigen’s head, like he did with Minori. Inside Reigen’s head, it becomes blatant that Reigen isn’t psychic, although Mob’s sorta known that for a while (as it is alluded to at the end of the Separation Arc). But, Mob himself doesn’t want to acknowledge that fact. Reigen always said he had powers! Why would he lie? So although Shigeo knows the truth, Mob doesn’t see it. He pretends that it’s not true. He believes in Reigen’s lies. The student has become the master, in it that Mob is now lying to himself because he can’t bring himself to believe that Reigen lied to him.

After everything, Mob is able to separate Mogami from Reigen (but of course, not without everyone getting their fair share of trauma). The scar goes away, as he is no longer possessed. He’s back to being powerless, and now he knows that it was Mogami the whole time. However, Mob says that line. He says how he’s known that his master is genuinely a good guy, because it wasn’t on his own that he did all that conning and evil spirit stuff. It was because of Mogami’s corruption and influence. I think Matsuo would still somehow come across Mogami’s spirit and capture him, just so that it can come in handy later when he’s used in the World Domination Arc bc I don’t wanna mess that up lmao

Anyways yeah that was my attempt at compiling some frantic and excited discord DMs about this AU into something somewhat cohesive! Now here’s art for the AU, because I wanted to share them, but I needed to explain what was going on first!

This was the first one I did for the AU, when I knew I needed to draw something up for the concept of him getting corrupted and coughing moths 😄

And then the shadow and mirror thing (I LOVE the one of “Reigen” in the reflection oughhhh)

If you remember that post where I said I woke up and found I had written “twink controlling a twink” the night prior, this is what it was in relation to 😭 why did I call Mogami a twink very very late at night? Who knows. The important thing is that doing so altered everything and now he is one in my mind, so I can’t do anything about it. Don't ask why this page seems really fruity, it was like 3 AM and over a week ago so I don't know (/silly)

These were from when I was rewatching the Mogami Arc to pick up details for the AU

Moths have the patterns on their wings to mimic eyes, so there’s that inherent aspect of deception and lying. It makes the moths seem like a bigger threat than they actually are. (also I have him wearing Mogami's blazer and shirt)

And then just the moths and such with Mogami’s spirit

And me pulling a quote from when Dimple was explaining who Mogami was.

YEAH I just really love drawing stuff for this AU bc of the fun moth symbolism.If none of any of this makes sense, I’m so sorry. I just needed to finally post about this AU bc it’s given me brainmoths (like brainworms, but y’know)

We kinda came up with the AU backwards and filled in random spots here and there after the fact of our original conjuration of it, so I had to try and piece it together HAHA 

[whateversawesome]

Spy x Family Ch. 108: Fear

Don't get me wrong, that panel with Twilight remembering his friends was beautiful. I think he feels nostalgic for that connection with other people. However, I think what really caught my attention in this chapter was Melinda.

Come on, look at this:

Look at this face of terror. And she was just remembering her husband's eyes!

A long time ago, when we just met Melinda, I wrote this theory about her being afraid of her husband. Today, it was finally confirmed.

I feel so sad for her. Melinda has probably been carrying this alone for a long time. I doubt she's shared her fears with any friends or family members because, who would believe the illustrious political leader could be an abusive man? This is especially true if there's no actual physical violence in the relationship. However, like I said before, violence is more than that.

Something tells me that the violence in their relationship is mostly psychological. Donovan Desmond uses his authority to tell Melinda what to do, to create fear, to keep her away from their children.

Melinda appears as such a composed woman who has her life together in front of others, and only someone as emotionally perceptive and caring as Yor would notice something is wrong. There's a shame component in abusive relationships: "How did this happen to me? I used to be so strong and brave," combined with disbelief: "Am I overreacting? Is he really that bad? Why am I afraid of him if he hasn't really done anything to me?"

Hopefully, in time, Melinda will realize that fear is not only her responsibility; even if her husband wasn't physically abusive, his behavior caused her fear.

Without a doubt is a complicated issue, which brings me to something that will probably complicate things even more:

Yup, Twilight.

I'll admit that this is the first time that I felt very uncomfortable with what Twilight is about to do, but that's exactly the point. Good fiction/literature is suppose to move something within us, even if at times, it makes us feel uncomfortable.

You probably imagine why: Melinda is a person in dire need of therapy. She deserves (and needs!) a true professional and instead, she getting someone who is only trying to gather information.

HOWEVER...

Time and again, Twilight has shown that despite his line of work, he'll always try to do the right thing and the least amount of harm. So, I'm hoping he will apply that in this specific situation. My guess is that it will start as a way to get information (his classic "for the mission") but then, as Melinda opens up, he will actually give her good advice and hopefully empower her, as a real therapist would do!

Something else to keep in mind is that Melinda story of domestic violence could trigger Twilight himself in some way, given his own family history. We will have to wait to see how that goes.

Bonus

A final note on Melinda's beliefs in occultism: it makes sense.

I won't comment too much on the specific meaning of the cards because my knowledge is limited and I'm skeptical about that. But I will say that it makes sense that someone with so much fear and uncertainty in her life would believe in something that would bring her reassurance that everything will be okay or try to know the future in order to protect herself. (I really want to give Melinda a hug.)

On the other hand, you know who doesn't believe in that?:

Yup, our dear Becky, who is one of the most authentic character in sxf, who is protected and loved by her parents and Martha. That makes sense too.

[fandoms--fluff]

Hiii I hope you’re well. I love love LOVE your stories and was wondering if you could do one of Elijah mikaelson? In this context the reader is a werewolf and was his wife since the 1800s but has been on the run from him for ages (for any reason I’ll leave that up to u) Elijah finally hunts her down in mystic falls taking her back to their mansion. You can do whatever you like with this suggestion really. Also no smut but maybe lots of tension? Like pinning her against the wall during an argument or smth.

His

Immortal female werewolf reader x Elijah Mikaelson

Warnings: Swearing, fighting, mentions of death?

A/n: I had fun writing this <3

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I knew it was too good to be true, you think to yourself as you quickly pack a duffle bag of clothing, money, and other essentials around your apartment. Which happens to be located right in the middle of 'downtown' Mystic Falls.

You rush around the space that has brought you comfort over the past couple years. But of course everything has to end, the friendships you made here, the comfort, and having a life. Now you have to start all over again. Hopefully this time where he can't find you.

You've heard whispers about the originals and Klaus around the small town, mostly within the group of the Salvatore brothers and the others. You have made acquaintance with them after the killings started happening around a year after you had moved here. It was okay, for now, you thought, Klaus hasn't actually shown his face yet.

Until Elijah kidnapped Elena, and gave her a less than friendly warning, not to mess with the wrong people. No one knows what that means, and you're glad they haven't traced it back to you. They don't know your history beside being an immortal werewolf and basics like that. And you plan to keep it that way.

Which is why you need to leave. Now. Before he gets to you.

And that 'he', is no other than Elijah Mikaelson. The husband you once loved and have been running from for the past two centuries.

You both had once loved each other very dearly. Until it came to the night that ruined everything and made you go on the run, not standing to be near him. And you've been running ever since. You're quite surprised you've made it this long without being caught by him. Or even one of his siblings, Klaus especially.

Your thoughts are all jumbling together as you rush around your apartment. A place that brought you security and comfort, now being torn away from your grasp. Because if you stayed, then you can't even think about the pain it would leave you in by taking that action. As you try to leave as fast as you can, you can't help but think about the past. The reason why you're so frantic and have the urgency to get out of the small town in Virginia.

It had all began when you were younger, still innocent, enough that is, to the cruel dark side of the world. Of course, you already knew about your werewolf side and it had been activated when you were very young on your seventh birthday. You could never figure out why you hadn't needed to kill anyone to activate it. But it was clear you were special from a young age.

You were eighteen, mastered full control of the wolf inside you and hadn't brought pain to any one beside a few woodland creatures. You tried your best in the world, keeping your secret while also keeping up with societies rules as a young woman, as the people of your village would murmur around about you. About how you had not found yourself a suitor. A husband. But how could you? with a secret like yours? So, you kept to yourself.

That was until a new family arrived in your village. A very wealthy and mysterious family of apparent four siblings. Word spread around the small village of their names, Klaus, Rebekah, Kol, and finally, Elijah Mikaelson. Though no one knew where they came from or why they had came to this specific place. Except it was clear they had major influence.

You didn't trust them, it felt weird how they just appeared out of no where over night, something seemed off about them. You stayed clear from the new residents of the village, minding to the apothecary shop your parents owned in the corner of town.

It didn't last long though until one of the Mikaelson's came into the shop. At first you hadn't acknowledged them, hoping they would pick something up, buy it, and leave. Or just leave entirely, not even wanting them to buy anything. But luck wasn't on your side.

The strange man comes up to the counter where you're standing. "I don't believe we've met, I'm Elijah" The man, Elijah, says to you. Smiling weakly at him, just wanting him to leave, you have a bad feeling, "I'm Y/n."

He continued the conversation and left after a while. And you we're surprised to have a wish of hope that he would've stayed longer. Maybe you we're wrong about the new family. You hadn't known what you'd just gotten yourself into for the next centuries.

And so, the handsome man has come to the shop everyday since and you couldn't be anymore exhilarated. It's been so long since you've felt happiness like this.

It had been good, or so you thought. The relationship you guys had was romantic and lovely, and anything you could ever wish for. It soon turned to marriage, and you loved him and he loved you. That was until the night everything went wrong. The night you ran and have been ever since. From your one true love.

You didn't mean to eavesdrop, really. But you had been on the way to the kitchen to grab a glass of water when you heard voices in your husband's study. It was him and Klaus, talking of the plan going just right with the werewolf.

Elijah had 'discovered' you were a werewolf about the same time you suspected of him being non human as well. Just you weren't expecting him to be a vampire. And it was quite strange how he wasn't surprised of you being a wolf. Which should have been your first clue. But you overlooked it, filled with love for the man. Which was a painstaking mistake. Especially when discovered after many tests that you were no longer aging after your twentieth birthday.

Your eyes widen as they mention a werewolf. Are they talking about me? You wonder, as you continue listening.

"Y/n suspects nothing of it, right?" Klaus asks his brother. "Nothing, I love her, but she can't know what we have planned, not yet" Elijah answers him from across the room.

Tears well up in your eyes as they continue talking. "There's a chance my curse will be broken by using her?" Klaus asks. "Yes, by the next full moon in two days, there is a best chance with her willing or unwillingness of the ritual, that it will be undone. You will be a full hybrid, Niklaus" Elijah grins to his younger brother, taking a sip of his drink.

You quickly cover your mouth and walk away as quickly but quietly as you can while tears run down your face. You thought Elijah loved you, just as you do him. But of course it's not. He just pretended to get close to me, you think as you get to your guys' room. You grab your cloak and nothing else before sneaking out of the massive house.

There's no point confronting your husband, it was clear there was no love to be shared between the two of you. Instead, a need to get far away from here as you can before you get caught. You should have never fallen for the original, should have never spoken to him like your gut told you to.

You stealthily make your way to the stables. No one has caught you yet, making it easy to get on the horse and start the galloping travel through the woods.

It's not until you're deep into the forest when you hear voices and men shouting. When you hear Elijah shouting for you, anger enriched in his voice. But you never look back, only making the horse go faster until you're so far that they can't keep track of you.

Until now. Elijah is here, or at least close to here. You know Elena had met with him, unwillingly. And you can't risk anything else.

You finish zipping up the bag and leave the apartment behind, going outside where your car awaits. Unlocking it, you throw the duffle in the trunk before speeding into the driver's seat.

Driving above all speed limits, you get to the border of the town before a man, a man that you could recognize anywhere appears in the middle of the road.

Fear sparks in your eyes, and instead of stopping like any sane person would do, you swerve the car and press on the gas, passing him.

It doesn't turn out so well, when you hear a thunk on the top of your car and then the man crashing his fist through the windshield, making you slam on the breaks. The breaks emit a loud and jarring squeaking sound as your breathing picks up at the sight of your husband.

Before you know it, you're manhandled out of the car and whisked away to a mansion. You fight your way out of his grip, "Let me go!" You exclaim.

He lets you out of his hold, raising his arms up. "It's been a while, my Y/n" He says, and you swear you could hear a smidge of longing in his voice. "What? Since you used me and pretending to live me just to break your brother's curse?!" Your voice booms with emotion.

After everything, a small part of you still loves the vampire in front of you. A part before you found out his plans, when he was still mysterious to you. But you can't let that cloud your vision, speech and thoughts right now.

"It wasn't like that" Elijah takes a step forward, making you take a step back, not wanting to be close to him. You scoff, "I'm not so naive now, Elijah. Of course it was like that. You knew I was a werewolf before you pretended to find out and tell me you were a vampire, a god damn a original at that" You lash out, anger and resentment coming out.

"Just hear me out my darling-" You interrupt him, "No, you can't just hunt me down for 200 years and then once finally catching me, make me listen to your lies and justification. You we're going to what? kill me? Why not just do it instead of pretending to love me and then fucking marry me."

Elijah's face falters before grabbing your arm again. He slams you up against the wall, pinning you against it. His grip on you is hard and painful.

Your eyes flash into the amber colour out of anger. You try to struggle out of his grasp, but have no luck.

"No need for those eyes, darling. For your knowledge, I did love you and marry you because of that love. To this day I still love you. Even after the running away stunt you pulled." Elijah explains to you with a hard voice.

"Good for you, but I promise you, those feelings are definitely not reciprocated" You ground out, still struggling against his hold. Elijah just leans in closer to you, you can feel his breath on your skin. "I could never love someone like you after what you planned for me" you spit in his face.

Elijah falters for a moment, giving you just enough time to switch it around and have him pinned against the wall in his place. You use your werewolf strength to hold him down. "Now, I think it's best for both of us to just move on with our lives. I mean it" You say in a loud and clear voice, no pain whatsoever leaking out. All you want to do is leave and never see this man who has caused you so much pain.

"You don't mean that" Elijah's mouth twitches up into a loose grin. "I assure you, I do" You claw your nails into his skin, making his gasp out.

With an ounce of strength, Elijah gets free from your hold and wraps his hands around your neck. They're not tight enough to block your air supply, just to get you to not move.

"We both know your feelings aren't gone for me. You love me. You just can't admit it. I have been after you for so long, you're my wife whom I love."

You scoff, "A wife who you still want to do the ritual. let me think about it" you pause to 'think'. "NO!" You exclaim in his face. Elijah's vampire face comes on display for a moment before he calms himself. "You don't need to be in the ritual. there's another way now. A new one, my darling. We can finally be together. No more running or hiding, or secrets. I give you my word" He come's closer to you again.

You pause, not knowing what his plan is. There's no way he really means those things. His 'word' may have worked two centuries ago on you, but not now. "And how am I supposed to take you seriously? Or believe a single word you just said? Just because I'm technically your wife still, doesn't mean I have to act like it." You finally tell him.

"Then I truly am sorry, darling" Elijah takes another step closer, you being a couple inches apart now. "For what?-" You get cut off.

Elijah grabs hold of you and twists you around. He quickly wraps his arms around your neck, placing a hand on your jaw and twists your neck. Breaking it.

He's lost you for this long, he's not going to take any more chances. He'll make you remember your feelings for him, whatever it takes, You're his. Even if it means keeping you as a prisoner.