#when history has shown that's just not true!

[kurishiri]

5 facts you maybe didn’t know abt alfons bc his route is coming (no major spoilers)

at some point after entering the greetia household, he changed his way of speaking. this is especially prominent in the japanese version, when he goes from the more casual or “crude” way of speaking all the way to keigo (or “polite” language). the gap between his polite language and the actual words that comes out of his mouth is part of his humor thats especially prominent in japanese, and a may be bit lost in translation in english.

he is really good at cooking. this is shown in his profile, but he does not show off this skill often. he only shows this skill twice in the entire history of ikevil so far. once in his main story, and once in his second birthday story. so enjoy those moments when you run into them!

in the japanese version, he uses honorifics with everyone (including kate), except one person. and that person is elbie. he calls everyone by the —san honorific, including kate, and he still does even after they get into a relationship. he calls william and victor with —sama, probably because by all rights, they are his bosses. the fact he doesn’t use honorifics with elbie unless he is playing a role or feels like it, in which case he may use —sama (he seemingly switches on a whim using “lord elbert,” “lord elbie,” “elbie,” and “elbert”). the fact he doesn’t use honorifics with elbie indicates a very close relationship, as doing such (in japanese, this is known as [呼び捨て], or yobisute) with those who you’re not close to can be considered incredibly rude.

his last name, sylvatica, means forget-me-not (the flower). specifically, it comes from its scientific name, myosotis sylvatica, and it bears the symbol of remembrance, coming to symbolize various events and people, along with a symbol for alzheimer’s in some regions. since the olden times, it has also been a symbol of true, everlasting love and devotion. this is the surname alfons chose for himself sort of on a whim supposedly. it is unknown if he himself chose the name while aware of its meaning (and thus was trying to convey his wishes through it), though considering he was surrounded by forget-me-nots in a scene during elbie’s route, it may be a reflection of something deeper on the storyteller’s end.

despite his attitude and all appearances, he grows attached to others very easily. this is pretty evident in his past records with elbie, and even roger’s past records. he can’t really bring himself to separate from elbie and when he has thought about it, he initiated a game with him instead of just leaving. and also he was quite drawn to roger at one point in his life. even now, roger does have a place in his mind at least (i have the story regarding this point translated here if you’re curious, but note this is jp only content as of this post). and even with kate, it’s evident that since the beginning, he didn’t want to leave her alone. even before he realizes his own feelings, he’s pretty drawn to her and actually thinks of her as “cute,” “adorable” or “darling.” and even in other routes, especially elbie and roger’s, he seems to show at least some attraction toward kate. so don’t let his facade fool you that much!

10 things you should know before you read alfons route.

[briankang]

.

[tpwrtrmnky]

hindsight

[ID: A two-panel comic with crudely drawn stick figures.

Panel 1: The lime green person is talking to the leaf green person and the moss green person.

Lime: "I... have a confession to make."

Leaf: "Go ahead."

Lime: "I want to rewatch the Wizard Child movies."

Leaf: "Didn't the wizard author get incredibly chromophobic?"

Lime: "Yeah I just... It's nostalgia you know? They meant a lot to me when I was a kid."

Panel 2: The three are on the couch.

Lime: "All right, let's go."

Leaf: "It's so weird how the wizard author just turned chromophobic though. Like I remember this series being pretty good for its time. It'll be weird seeing their work contrasting with their views now."

Moss: "I'm just glad we got the movies for free through normal and legal means. Heh."

End ID.]

[ID 2: Scenes from three Wizard Child movies.

Wizard Child and the Simplistic Morality: A slightly round child with a propeller hat is talking to a child with no hat.

Round child: "I am so fucking fat and greedy I am textually shown to be fat because I am greedy and also evil."

Hatless child: "You are to infer my moral purity from juxtaposition with this fat child. Woe is me for our shared parent has deprived me of a propeller hat."

Wizard Child and the Goodness of Wealth: An adult wizard is talking to the child, who now has a wizard hat.

Wizard Adult: "Wizard child you are secretly extremely rich."

Wizard Child: "I will form biases regarding the bankers all being triangular for some reason!"

Wizard Adult: "Your wealth is deserved because your true parent was Good and therefore you are also Good."

Wizard Child: "Now we should acquire consumer goods. Buy consumer goods!"

Wizard Child and the Dark Family History: A blue-grey horse person is talking to the wizard child.

Blue-grey: "No, wizard child. You don't understand. I am one of the good ones, because unlike the bad ones I don't try to spread my curse that makes you a blue-grey horselike creature to others!"

Wizard child: "Wow uncle blue-grey you are one of the good ones! I forgive you for being a horse because I am so good I would even forgive horses. I sure hope you don't conspicuously get killed off later in this movie!"

End ID 2.]

[ID 3: Oh hell no there are even more of these.

Wizard Youth and the Tokenistic Relationship Dynamics: A square headed wizard youth is talking to the former wizard child, now a wizard youth.

Square Wizard Youth: "Wizard child, as the only person with a square head in this entire series it is my duty to inform you that you are the savior of all people with square heads, too. Let us build a one-sided relationship that only furthers your character development, after which I will immediately lose all plot relevance."

Wizard Youth: "I will do this because I am a maturing wizard youth and need disposable relationships that don't threaten the endgame!"

Wizard Youth and the Escalation of Stakes: The Dark Wizard, a sort of grey-green person with a cloak, is pointing at Wizard Youth.

Dark Wizard: "Wizard Youth, I have returned!"

Wizard Youth: "Dark Wizard! Why are you green now?"

Dark Wizard: "Evil magic made me green! I am green with envy towards all who are good!"

Wizard Youth: "I will not engage with how you are clearly based on fascist ideologies and yet this narrative plays into fascist aesthetic sensibilities!"

Wizard Youth and the Post-Hoc Revelations: The Wizard Youth is leaning over their Wizard Mentor, who is laying in a pool of blood.

Wizard Youth: "Wizard Mentor no! You can't die!"

Wizard Mentor: "It is fine, wizard youth. My death will further your character development into a wizard adult. Also, I was secretly a very very dark purple this entire time. I never brought it up so I could retain narrative approval.

End ID 3.]

[ID 4: Wizard Adult and the Overdue Conclusion. Three panels. I am sorry.

Panel 1: The dark wizard is dueling the Wizard Adult with magic beams.

Dark Wizard: "Evil green beam!"

Wizard Adult: "Good red beam! Despite the enormous variety of magic in this series this is what our final battle looks like!"

Panel 2: Wizard Adult stands victorious over the dark wizard, who is dying on the ground.

Wizard Adult: "In the end, dark wizard, you were defeated because I am morally superior to you."

Dark Wizard: "I was a product of systemic failures. There will be someone like me again someday!"

Panel 3: Zoom in on wizard adult, who says:

"Not if I can help it. Because I am going to be a wizard cop now. The moral of this story is that all systemic issues can be solved by finding a bad guy to beat."

End ID 4.]

[ID 5: Four panels.

Panel 1: Return to the green trio on their couch, watching the TV say "The End." All are are silent.

Panel 2: They are sitting on the couch. Moss is looking at their phone.

Lime: "Yeah so there were maybe a few signs we missed because we were children."

Leaf: "Yeah. A few. Some."

Panel 3: Continue conversation.

Lime: "So what did you think, Moss?"

Panel 4: Zoom in on Moss, who says: "I've been zoned out on my phone since the second movie. They lost me at the magic stuff. Wizards aren't real."

End ID 5.]

Start - Previous - Next

[swanpyart]

Honestly, there’s a lot of instances of the game where Jimmy’s intense rewriting of history really shows how delusional he is. And I don’t think these manifest from guilt, but from a victim-martyr complex: a lot of these are used to make himself look good to the audience, but the utter dissonance between these visions and reality make it terrifying instead.

1. The Birthday Party scene

It seems like something obviously scary, but it’s actually what Jimmy thinks his crew should do. He wants to be celebrated, wants to be admired, and up until he dies is still convinced he was just a well meaning guy who did his best. The party was not a guilt and fear ridden hallucination, but Jimmy deluding himself into thinking he’s the hero. His team should be thanking him and throwing him a party, even when they’re all dead by his own actions. In reality: there probably isn’t even any balloons or confetti, and all Curly sees is Jimmy and the rest of the corpses of the crew sitting at an empty table in a dark room.

2. Curly in the Chair attached to Wheels

The scene where Curly is attached to wheels that must be turned for his organs to sit right so you can feed him his leg is also a good example. This isn’t how bodies work, and Curly is a burn victim, so his internal organs being rearranged makes no actual sense; all of his health issues are external. No, this is what Jimmy thinks must happen; that Curly simply can’t keep down his food, and that all Jimmy needs to do is try harder to get him to eat it. Jimmy, in reality is probably just forcibly feeding Curly his own puked up leg chunk over and over again until Curly grows too tired to fight. And isn’t it like Jimmy to shove a square peg in a round hole and insist it’s the hole’s fault? Jimmy already has shown he’s perfectly fine with force feeding Curly already and is not afraid to get violent when doing so. The reality of that situation is that Curly was probably resisting as much as he physically could, but eventually grows too tired of the abuse and just gives in.

3. Swansea with an axe

And with Swansea, the entire sequence of Swansea chasing him around with an axe may be partially true, but a lot less even-sided in reality. Swansea was shown to have a temper, but killing Daisuke was horribly difficult and emotionally crushing, even if he wouldn’t admit it outright. Jimmy on the other hand clearly views Swansea as an axe wielding maniac who kills without remorse and wants to hoard the cryotank all to himself. I think Jimmy was hallucinating Swansea chasing him around, because I think it would be in character for Jimmy to witness Daisuke’s death at Swansea’s hands and, rather than think over his actions, instead become paranoid and fearful that Swansea would target him, too.

Cus think about it: while Swansea is bigger, he’s also a drunken old man whose grieving the loss of a kid he viewed like his own, while Jimmy is a comparar healthy younger man with a gun. Jimmy already has a track record for picking on those he sees as vulnerable (Anya being the only woman with her room not having a lock, Daisuke being the youngest and easy to influence, and Curly being physically disabled and unable to fight back). What’s more likely: that Swansea suddenly goes from sullen and mournful to an axe wielding maniac gunning for Jimmy’s blood, or that Jimmy is paranoid about an older grieving man and holds him at gunpoint to tie him to the chair?

Feel free to add more examples, this is fascinating

[fondcrimes]

the "labru chapter" is the kabru chapter

this is a dungeon meshi love manifesto, but not in the way you think. sorry not sorry for the labrubait

what makes chapter 76 so amazing is kabru’s desperation has little to do with laios specifically. it’s not just about kabru being obsessed with laios and making sure he doesn't cause tragedy, either. I think this chapter emphasizes kabru's struggle with the concept of love and companionship. the point of this chapter is that every critical part of kabru collides at once and renders him useless.

(disclaimer: this post includes a lot of projection/speculation but it's to understand kabru's character arc i promise. for clearer analysis and examination of how kabru's ideologies are constructed, check out this really great post)

kabru is a lone visionary

in ch 76, kabru’s threatened by lycion exposing his true intentions to laios not only bc he wants to prevent laios from joining marcille in her destruction, but also bc laios is also from a short-lived race and kabru needs an ally in his power struggle against elves (esp when the chips are down)

but has kabru really accepted his need for allies in his plight? kabru has spent his adult life suppressing a human urge to connect meaningfully with others. he even keeps rinsha et al. at arm's length in the name of achieving his masculine hero complex/survivor's guilt goals. he's already quite disillusioned bc most adventurers don't have the same goal as he does. so he uses people and gets on their good side for systematic support. he’s well-intentioned and takes care of his party. but the idea that an ally could also protect HIM and make HIM feel safe as well doesn’t really register with him until later on in the narrative bc camaraderie and allyship, at its core, is about acknowledging intimacy. kabru struggles with intimacy sub-textually (his self-neglect and social insincerity) even though he knows how to simulate it to gain others' trust.

but he can’t crack laios, he can’t get him to listen. for lack of a better word, kabru is spoiled by the fruits of his superb perception and emotional intelligence. he also doesn’t cope well with failure (bc his goal is too valuable to ~not~ devote himself to) he puts too much value in conquering laios and when he thinks he's failed, he basically crashes out. the real problem is he still doesn’t understand his true feelings--not feelings for laios, but the root of his desire. the root of his goals and the endless search for companionship.

kabru is a strategic historian

at his core, kabru is a storyteller. he tells himself a variety of stories about his trauma and his goals, which serve as motivation and to some extent, self-protection (as shown in his conversation w mithrun). he deeply understands the role of storytelling in regards to the construction of history and drastic shifts in power.

as an utayan, he understands that the tragedy that overcame his people was not random, but resulted from elven negligence of a disenfranchised people. it is imperative for kabru to cement himself as a voice for otherwise voiceless people. in his story, he has no choice but to handle the hero, if not become the hero himself.

kabru even has a story about his pursuit of laios, mainly that laios is currently the most capable person of defeating the mage and that he must do whatever it takes to ensure laios doesn’t fuck it up. his instincts are right, sure, but at first, he places special value in laios’ capabilities that almost seems unearned… like yes he’s studied the island adventurers with frightening expertise, so it makes sense he would have a good idea about who is the most equipped to succeed. but his early suspicions of the toudens seems to complicate my perception of his knowledge by adding emotional depth and a layer of tinhattery so to speak.

canonically, kabru has been rebuffed by laios multiple times (which is so... lolll) when he's talking with his party, kabru hides behind the excuse of dungeon but he’s been trying to get his attention this whole time. to me it reads like he's got a bruised ego from being ignored and is being a hater about it (so real lol). it's funny bc kabru is usually great at taking shit from others (esp elves) if it means nobody suspects/interrogates his true intentions and he can keep the peace. so why does laios tick him off so bad? now we have to get into the psychoanalysis of it all!

kabru is a cynic

first and foremost, kabru’s cynical philosophy about humans is challenged by the touden mission. but plenty of people don’t care about the impact of their actions, so why does kabru obsess over the toudens at the start? I figured kui changed gears with kabru's characterization following his introduction, but I want to try to connect it to kabru's unresolved survivor's guilt. kabru is the sole survivor of a catastrophe caused by negligence and oversight. he criticizes the negative impact of the toudens' generosity and naïveté and confirms his cynical worldview (the road to hell is paved with best intentions), but still maintains a level-headed perspective. on the other hand, kabru's interactions with laios are tinged with irrational jealousy/resentment/desperation, even prior to kabru learning laios' character/intentions as an adventurer. I cannot emphasize enough that I am employing a neutral definition of jealousy here--it seems kabru is jealous of the freedom to not care the way laios does not care about the fate of the island. this isn't to say laios doesn't care about humans, he does, but he seems so singleminded compared to kabru esp in ch 76. kabru sees laios going to the literal end of the world to save his sister. laios gets to be human selfishly, kind-natured but ultimately self-prioritizing.

kabru correctly assesses motives (besides his own maybe). falin said she’d do anything to protect laios and marcille. laios has been socially rejected by people his whole life, and at first, he only cares about his sister and monsters. kabru has survived horror but only by accident… he doesn't agree with their pov and more importantly, it doesn’t exactly compute with him. the toudens are wholly unaware of their impact, which does not sit well with kabru at all, who understands the impact of negligence better than anyone else, esp how it ends up harming the less fortunate and extremely marginalized in society. it's reminiscent of the age-old trolley problem. while kabru has been the victim of senseless pain, I suspect kabru can’t yet make sense of senseless love. he gets to look down at their cause and call it selfish because it directly contradicts his lived experience.

kabru is an ethicist with a heroic streak

it's easy to glean that kabru wants to be the hero utaya should’ve had. while he's hardcore and intense, but not paranoid enough to do something rash. he uses violence as a means of achieving peace. he's self-aware enough to know his skill limits, which seems rational at a glance but the pressure he puts on himself suggests he views himself as inadequate until he achieves his goal. the races of humans are so split up and he sees that this is a matter of power first and foremost.

with the canaries, kabru submits to political pageantry to make a separate case for innocent people. senseless tragedy is unforgivable, but so is the "too little too late" reality of the canary system. he takes on the impossible task of rallying people together to save the dungeon. one read is that he's saving his childhood self from trauma perhaps by saving those like him… he's wishing someone did something before it got bad, wondering why nobody intervened when they had every opportunity to step in. it’s deeper than a sense of duty or fairness, this is about betrayal and retribution.

throughout his life, kabru struggles with the material inequity and limits of love. the human population is fundamentally segmented into a hierarchy due to lifespans and access to power/resources. his mother was the only one who loved him in utaya and she was ostracized because of his appearance and then she was killed due to senseless tragedy. his frustration with the elves encapsulates this idea perfectly, because he is aware of of the limits of their empathy as a long-lived race and adjusts his strategy and rhetoric accordingly. I think milsiril’s love for kabru is genuine, but still infantilizing and smothering due to the racial imbalance. this continues to inform his politics, as he views their perception of short-lived races with contempt. the worst offense is that their bigotry is nonsensical, meaning their hearts cannot be reasoned with.

dungeon meshi is a story about power and politics, yes, but genuine love and acceptance are the catalysts of change and equality. the "invisible gulf" that marcille is referring to is the inability to view other races with love and care. such is the essence of camaraderie. kabru's backstory, family history, and beliefs/motivations raise two important questions for me: who gets to be loved enough to survive, and then to thrive?

kabru is a monster

the emphasis on distinguishing between humans and monsters is quite interesting too. of all sentient beings, who qualifies as worthy of "human" treatment? who deserves empathy and acceptance? kabru seeks these answers to fix the world, but also to justify his place in it.

kabru's lack of self-worth is evident here, but what’s more interesting is he knows many humans suffer worse fates than some monsters. the dehumanization/neglect of fellow humans does not compute, if the premise is humans are superior to demi-humans/non-humans because mutual empathy and understanding. he clings to the superiority of humanity as an appeal to ethos to those in power despite what he might actually believe about himself. to kabru, the true injustice is that humans won’t even save “inferior” humans despite being the same. his unclear heritage manifests as guilt, as he feels directly responsible for his mother's suffering because he is monstrous. then here comes laios, a human who somehow can find it in himself to love monsters.

kabru doesn’t want laios to love him, per se, but laios’ love for monsters and for falin reveals life-altering possibilities for kabru: there is a world where someone could love him even if he were a monster. there is a world where somebody would go to extreme measures just to save him. kabru does not know the extent of laios' trauma but recognizes a sort of kindred spirit but inverse. taking off the ship goggles here--it has less to do with laios specifically, and more to do with what his beliefs/abilities represent for the trajectory of the world (because kabru studies how beliefs/abilities manifest into material reality, after all)

kabru is seeking the power of love

in a different story, kabru would be laios’ archnemesis. they would have a disastrous battle of opposing worldviews in their struggle for dominion. kabru has every right to want to take laios out bc while his affinity for monsters is sympathetic and even charming, it is still a natural threat… kabru has the true hero pathology. he believes he only deserves to live if he can save people for a variety of reasons/traumas. he should do whatever it takes to exterminate laios. but the expectation is subverted in chapter 76 bc we see kabru’s curiosity and ongoing quest for understanding win over his worst fears.

I feel like I’ve been projecting a lot but bear with me... a huge part of kabru’s character is him trying to figure out how to matter to people, or figuring out why people matter to others in general. it’s not to say he doesn’t matter to his friends or milsiril, but why else would he bother with all the manipulative people-pleasing? it would be less meaningful if he had ulterior motives like greed or power, but he plays into people's expectations/desires for a disastrously noble cause. he’s still actively living in his trauma as a deeply traumatized adult. it’s pure serendipity that laios can send him right back to his past and then pull him right out again. I don't think it's crazy to say kabru (correctly) projects a lot of shit on laios bc he doesn’t know how to deal with those injustices and barriers between people himself.

this is also why I believe kabru's beef with laios is as personal as it is strategic. we have to consider the trajectories of their character arcs (their big missions, respectively) in relation to one another as foils. if laios' love for falin can move mountains and do impossible things, kabru is subconsciously drawn to the magnitude of that love like a magnet. his response to cognitive dissonance is quite remarkable as well. at the root of his unbelievable capacity for understanding and curiosity is the deep wound of being unloved and unprotected. kabru does not avoid or run away from his fears, he quite literally keeps running toward them and follows it down to hell. he wants to identify the true source of his deepest wound.

to me, this omake connects his childhood curiosity to his search for love, almost as to ask “is there enough room for me to be loved?" and the same can be said for marcille's character arc/ backstory. her biracial heritage has caused her great existential pain and social isolation.

in dungeon meshi, the issues of protection and justice continue to be interpreted through love. if kabru were to go back in time and save utaya, he would’ve needed incomprehensible magic, a supernatural power to save himself, his mother, his hometown. in contrast, laios' mission to save falin is just one manifestation of the surreality of love, all of the impossibilities it permits. the touden party wade through invisible gulfs to save falin, but also each other. kabru doesn’t hate their story, he just can’t fathom it yet.

kabru is a skilled strategist and communicator. and does not listen to his heart or body until he’s absolutely forced to do it. he has insane goals and expectations for himself and will go to great measures for those goals. as cerebral and cold as he might seem, it’s critical to understand that his character arc is about love too. in my opinion, it’s almost as if he’s trying to change his reality in hopes of finding love. my favorite thing about kabru is that he has all the narrative makings of the perfect misunderstood villain who self-destructs at the end of the story. but kabru is too smart for that, too focused on the big-picture impacts and the historical trajectory of the cause. instead, kabru finds the wherewithal to stand down once he understands that laios is capable of loving humanity like he does, or that he could help him see the value in humanity at all.

to love is to understand, and then to surrender.

[gaywineauntsstuff]

Every single member of the Batfamily lies about their taste in music

Damian will claim that he only listens to classical music and that everything else is beneath him.

Damian will unironically listen to trashy Arab pop and the absolute worst Bollywood songs known to man (Dick introduced him to them and he hates the fact that sometimes he gets Sheila Ki Jawani stuck in his head during missions)

Tim will put on the most ear grating hyper pop you've ever heard and claim with full chest that these is the peak of humanities capabilities with music (Damian, Jason and Steph have all tried to kill him for this take) He will also play stuff like the living tombstones and sing it obnoxiously loud when he's working on the computer.

Tim however loves his 90s grunge and it's all that's playing in his headphones. (think nirvana, pearl Jam, Melvins, Alice in Chains etc) He has tracked down so many shirts and concert posters and watched every bit of content from the older shows.

Jason will claim he only listens to east coast rap, biggie, Nas, Jay etc and maybe some older metal. He will fight you on east vs west coast music, there will be weaponry involved.

Jason likes rap music... he unfortunately prefers west coast rap and has listened to no vaseline like 500 times. He will deny this till the day he dies...again. (Dick knows and threatens to tell Steph)

Steph will steal the aux and play Taylor Swifts greatest hits until one of the Boys threatens mutiny. Every single one of the bats has had style stuck in their heads during a stakeout at least twice. She will claim that the only rap song she can tolerate in Eminem and the 7/11 is Beyoncés best song.

Steph is an underground fan, think the dude selling mixtapes on the subway type shit. She also unlike Jason genuinely loves East Coast Rap music more than anything and knows every single wu-tang clan song by heart, same with Biggie. Not only does she love the music she also spends any free time binging those "history of rap and its consequences" videos and has been a firm believer that P.Diddy had a hand in a lot of the Death row records well...deaths.

Cass, well everyone thinks Cass has really good taste bc its Cass and she has zero flaws (don't @ me) she never takes the aux and will usually listen to her music while she's chilling or doing stretches. None of them have heard or seen a single one of her playlists except Duke.

its all 2010s top 40s pop music and like the trashy kind too, Beauty and the Beat, Kesha, Katy Perry. It's her turning of her brain time and she will be straight vibing to Rude! by magic or Boom Clap or Shower. she has shown this to Duke, smirked and told him that even if he tried to tell anyone they wouldn't believe him.

Duke is the only one who doesn't... lie. He just hides a few things. Lies of omission don't count as lies when the bats will lie to you about what they had for breakfast, while they are visibly eating breakfast. Duke says he listens to everything and he does. Literally everything. His patrol Jam is offensive bc it with start with Norwegian death metal and immediately switches to "like a G6" followed by kendrick Lamar and then descendants Disney channel movie music.

Bruce... Bruce is just weird, everyone asks him and gets a different answer. Bc he doesn't... like music. Like at all. It's all noise, his mother played instruments so he learned like 14 and he hates how they all sound. He just like vague batwings fluttering in dead silence.

Dick Grayson will obnoxiously play top 40 and radio music religiously around the bats. He claims it's the best music for rhythmic acrobatics and trapeze work and that true! Jason hates this kind of music the most, it's formulaic and holds no substance and drives him insane.

But Dick only listens to that music when he's moving, flipping doing high energy stuff. When he just wants to chill? This man has the most depressing music taste you've ever seen. You know that sad song from ur favorite artist that you can't listen to without crying. Yeah that's his bread and butter. Every single song is just flat out tear inducing, some of these bands have like 100 listeners and he is one of them and it's just their saddest song that reads like suicide note. The titans have conducted an intervention bc its just... concerning. He just thinks it's neat!

[luvmanifesting]

“But Nothing’s working!!”

LOA explained

Pure consciousness explained

Well duh you made that assumption so now nothing is going to work for you. The sad part about this community is most of you are searching for the same thing over and over and over when creators are literally giving you the answers IN their blogs. like what more do you want? Do you want someone to say you need to listen to 432HZ to manifest your goals? that you need to dance in circle and chant 999 times for your desires? No. The Law of assumption is literally always active. like ALWAYS. Everything you assume is going to be put out there because its an assumption.

What really irks me is when people say you have to “gaslight” yourself into thinking you have your desire, which kind of contradicts the whole point of law of assumption, why would you need to gas light yourself if you know you already have it..? yeah.. those two things don’t mix. Let me go over what an assumption is.. which clearly seems so hard for this community to understand.

The Law of Assumption is when you assume something to be true without needing proof.. Why do you lack critical thinking skills when the whole law basically explains what it is.

You don’t get what you want. You get what you decide. Why is the law of assumption being so overly complicated for no reason. None of yall did this with the Law of Attraction so why are you doing this with the Law of Assumption?? This also goes with inducing pure consciousness.. i hate bringing this topic up so much because people will take my words and make it into the world’s hardest problem in history. Imagine one day you DECIDE to induce pure consciousness and you say “hmm okay today i induced pure consciousness instantly! :D” And then imagine you get comfy and just breathe and then you suddenly induce the pure consciousness. wow so easy right? because you didn’t say “i want to induce pure consciousness” instead you said it like it ALREADY happened. Wants and Decisions are very different so keep that in mind.

What is pure consciousness? basically just a state detached from the physical world NO you’re not leaving the physical world, no you’re not teleporting, you’re basically in like a state of where worries don’t exist and you’re your “highest” self.

Clearing up misinformation.

No you don’t have to be in a deep relaxation

No you don’t need subliminals

No you don’t need a “void” routine

No you don’t need sats

No you don’t need to affirm mindlessly throughout the day

No you don’t need to meditate

No you don’t need frequencies

No you don’t need to be lucky

Yes you can swallow

Yes you can move

Yes you can breathe

Yes you can have inner conversations

Yes you can count to 2 billion

No it won’t start over if you sneeze

You’re literally human doing any of these things won’t affect your outcome when inducing pure consciousness. Whoever said you need to be lucky is beyond stupid btw. Whoever said you need symptoms to induce it, is… WRONG!! you are taking pure consciousness and seeing it as the most hardest thing in the world when its not, you literally induce pure consciousness when you’re asleep you’re just unaware because you’re sleeping.

Example putting the sleep state and pure consciousness (they are not the same thing but do have similar remedies). Imagine you’re getting ready to sleep after showering and doing your nightly routine if you have one. Your main goal after all of that is to just basically GO to sleep right? you’re not even worried about how you’re going to go to sleep you’re just going to do it. Now imagine you’re going and inducing pure consciousness what you should mainly be focused on is NOTHING, not time, not what, if, how, it, so, why, then, where. NO! just let go guys..

Just Breathe, its okay you will (WRONG WORD) you already have it all, just live. its okay reminder the 4D is the true reality and the 3D has no choice but to reflect to what is shown in the 4D or what is SAID by you.

[gay-dorito-dust]

Taglist: @your-favorite-god @cens0r3d @lovelyteenagebeard

Heeding Aemond’s words, you decided that an audience with Cannibal was required. So in the dead of night you slipped out of the red keep through the secrete passages you’ve learned thanks to Aegon, almost undetected had you not almost collided with a rat catcher who was accompanied by the cutest dog you’ve did see, before fleeing into the very same woods upon your first encounter with the behemoth of legend.

Once you got to the cave Helaena’s words had been proven true, Cannibal had been waiting for you as the silhouette of his head could be seen poked out of the dark, just as a pair dark green eyes like Greek fire looking directly at you but you weren’t afraid like last time.

‘Cannibal.’ You greeted as you bowed before the dragon, whom let out an almost purring sound at the sign of respect shown towards him. After all many people who tried to claim him expected him to submit to their will, but Cannibal knew his worth and vowed to never allow a pathetic creature to ride him, but one who’d inevitably catch his eye by accident.

‘I’m going to cut the formalities and be upfront with you and that is because time is limited and I have been so foolishly trying to avoid a predestined fate.’ You tell the dragon who only watched you with curiosity that it made you wonder how many others had been giving the same curtesy, not many you presumed but now wasn’t the time to falter when morning was fast approaching. ‘People, powerful people are going to try and stake claim to you through me in hopes of getting you to yield.’

Cannibal lets out a powerful roar that you felt within your chest, resonating with you in a way that you didn’t think was possible. You could feel his hatred for cowards, weaklings and people who felt the need to claim more than was needed, a spark has been light between the two of you and it was only starting to grow to a fierce but stubborn flame.

‘I had a feeling you would hate that.’ You told the dragon as you moved closer all the while he looked at you, steam puffing from his nostrils, his eyes practically glowing like hellish pits of fire amidst the night. Cannibal was beautiful as he was terrifying and you were growing to like the thrill of having him as your companion, your friend and not just a dragon you simply rode for convince. ‘So here is my proposal, should you accept, you take me as your rider an you shall keep your freedom for I will not clip your wings as you are a dragon through and through, the sky is your domain and I shall not take that from you.’ You added as you watched Cannibal lower his head so that he could meet you eye to eye, interested in what you had to say.

‘Also, there’s just one other thing that I may ask of you cannibal.’ The dragon only huffed as though telling you to go on.

‘Consume any dragon and their rider should their boastfulness overtakes their common sense,’ you told him in seriousness, ‘make them remember to fear the name Cannibal for it is not just a name to take lightly.’ You then took a step back from the dragon and held out of your hand, palm out flat as the nerves within you went wild, this was by far the stupidest and most terrifying thing you have ever done but still you had to see it through. ‘Do we have a deal?’ You finished.

Cannibal studied you for a moment, his eyes looking deep into your own that you felt as though he could see your soul, your true being, before moving his head closer to you and pressing his snout against your hand. It was rough, warm but alive and you couldn’t help but smile at the fact that you had just made history.

You had just became Cannibal’s first rider.

[iamnmbr3]

Things Draco Malfoy has Done in the Muggle World During His Postwar Probation

Attempted to order from a menu by speaking to it

Almost breached the Statute of Secrecy due to mistaking someone using clap-on-clap-off lights for a muggleborn using wandless magic

Got into a heated argument with the actors in a commercial because he thought the people in the tv were talking to him

Refused to walk in front of a car for fear of bumping into the invisible animals that obviously pull it

Panicked and responded "I have no idea what you're talking about" when asked what the "magic word" is

Complained that his telephone is broken because it periodically emits a loud ringing sound for no apparent reason

Run into Harry Potter unexpectedly in a pub, dropped everything he was holding, and automatically caught it with wandless magic without thinking, thus breaching the Statute of Secrecy in front of 47 muggles and the most famous Auror in Britain

Run into Harry Potter again in the same pub, thanked him for getting him out of those misuse of magic charges and apologized (again) for all of the more unpleasant bits of their history

Accidentally on purpose run into Harry Potter yet again in the same pub to find out why he comes to muggle London so often and how he's doing and to let him know that he's not remotely interested in whether the rumors in the Daily Prophet that he's split up with Ginny Weasley are true (they are)

Met Harry Potter in a pub for drinks to chat about old times except not the sad bits at least until they've had a few

Taken his muggle friends out to a pub that he definitely chose at random but which coincidentally Harry Potter also happens to be walking into so they might as well all sit down together

Had to admit that he may have mentioned him a few times when Harry is shocked to discover that all of Draco's muggle friends seemingly know his name despite the fact that he isn't famous in the muggle world

Met Harry and Harry's friends for drinks and somehow actually had a good time and not been vengefully poisoned by Ron Weasley or cursed by Hermione Granger or stabbed by Neville Longbottom or anything else dreadful

Had to explain to several bemused people that when Luna Lovegood says that they used to live together she doesn't mean they were involved romantically

Invited Harry Potter back to his flat and proudly shown him that he now knows how to make a telephone stop ringing (you just lift it up for a moment and then slam it back down and that fixes it) and then told him off for laughing

Visited Harry Potter at his flat, also in muggle London though protected by the Fidelius Charm for extra privacy, met a very small and excitable owl and had a protracted but good natured argument about which of them was actually better at Quidditch (because obviously if Draco had had a Firebolt he would have won every match)

Got his wand back and immediately transfigured everything in his flat just because he can and because it feels so good to use magic again and then cast Rictusempra on Harry because clearly Draco is the superior dueler and also because he likes the sound of Harry's laugh

Kissed Harry Potter.

[the-trash-site]

My favourite type of fanfiction at the moment has been 'y/n is reincarnated into fandom to save the characters from canon!'. (currently mainly reading for JJK and MHA as that's what I'm obsessed with.) There's something so pure about the plot and how the author has fun with it. With scenes where yn is lowkey simping or the actual character of the fandom being dorky.

I think the appeal (besides the amazing writing and passion given into each chapter of these fanfic, rec list below) of this is how straightforward it can be. You already know the characters, you know the canon. All you learn when first reading is what ability you get and how you fit within the world. Which is usually attending the school or growing up with the character.

But mostly, what I love is seeing the butterfly effect and the new dynamics it can create. But lately, I can't help but wonder about a fanfic that has the vibe of 'careful what you wish for'. And seeing what ripples that could make. (I write mostly of JKK and MHA but these ideas could be apply to AOT or Demon Slayer or any other fandom.)

I find it hilarious if instead, the y/n is older than the main group. Imagine being the milf/dilf of MHA. Being the same age as All Might or old enough to adopt characters like Shigaraki.

Or being the in-between age of Deku and the teachers. Where your options are; hanging out with the League of Villains, working hard asf to be a top hero to be around Hawks/the plot. Or becoming a teacher/assistant to watch over class 1A to change canon. I mean, what else are you meant to do in your early twenties? You literally have to force yourself into the plot lol

Oh, you have a favourite character, like Nanami, Gojo or Choso you want to meet? Here you go, a new life as their child! (probably be a sibling for Choso lol) Oh you met you wanted to rizz them up and treat them right? Nope, sorry, you're forced to tag along and face any challenges that would come as being a child to a; Jujutsu sorcerer/ the strongest/ a half-curse spirit.

Oh, this time you specified the thought of being dating/married to Aizawa/Geto/Toji as you died? Kinda weird but here you go! Your new life as their spouse! But only, you don't gain memories from this new life, as you only remember about the canon. Don't mind the grief and odd looks the character is giving you, their amnesia darling. It's not like you can't remember the wedding you two shared. (for maximum angst, they have the kids and you're just clueless about being a parent and saving the canon. yikes)

Okay, but what if you get super lucky? You get to be with the main character and do real help! Everything is fine in JJK but Sukuna is dead set on killing you. Every chance he gets, he uses until he kills you. But it's only after he brought you back that you learn it's because he actually loves you. After all, you're the reincarnated of his reincarnated dead wife. (not confusion at all, lol) He was just pissed that you dead centuries ago and couldn't have the life you two planned. It was his way of getting even. Definitely not annoying when trying to save characters.

Okay, for real now. Everything is perfectly fine...But what's this? Yuji and Izuku are actually yandere for you? Oh, that wouldn't change canon that much, right?

Anyway, here are my favourites fanfics;

Otherworldy attraction by Kilkyo851 JJK | on AOE | multiple pairings

When I catch you Gege by Quinnyundertow JJK | on AOE | multiple pairings

Daybreak by sexy-captain-rexy (smolkatsudon) Star wars | poly Obi-Wan, Anakin Skywalker and reader pairing| on AOE

Promise: Thorin x Fíli x reader Hobbit | love angle with true pairing haven't been shown | on AOE (this one is interesting as reader has more visions than knowledge from media.)

Changing History [MHA! Various F!Reader] by summerblack | MHA | on Qoutev

The Future's Keeper [MHA!Various x F!Reader] by summerblack | MHA | on Quotev

[infimace-blog]

Thinking about rap as a technical artform and rap as a cultural artform, with respect to Tumblr's incompetence at dealing with either. Tumblr can just barely grasp the former because, like all forms of Black music, it's been repackaged in various ways that are more palatable to to white audiences. I talked last month about how what Tumblr was calling rap while trying to defend its taste in music is more akin to filk songs, but I should admit, sometimes Tumblr cites people who actually rap. It doesn't fix the problem or absolve them of their bullshit, but it is true.

The failure then becomes an inability to recognize or care about how rap functions culturally.

People on Tumblr will take Dungeon Meshi and intricately pick apart how a single chapter connects back to real-world neurodivergence issues and the cultural differences between the West and the East when it comes to handling them, and then look at any given rap song and assume it's skin-deep. Unless it's Hamilton back in the late 2010s, before we all decided it was cringe, in which case they'll gladly dig into the history of the early USA and, like the play itself, sidestep the racism whenever possible.

Take Weird Al, one of the many names that's been thrown around in Kendrick and Drake's wake. Weird Al is technically a rapper. He has done rap. We cannot ignore that as a factual statement. He's not even that bad as a rapper. But he has no engagement with rap as a cultural object; he engages with the artform as a parodist. "Amish Paradise", probably Weird Al's most popular rap parody, doesn't say anything; it's here to riff on a religious minority. But you dig into it just a little and you can see the kind of complexity that Tumblr usually loves to talk about. The song is, after all, a parody of Coolio's Grammy-winning "Gangster's Paradise", which is literally about being a black man in an environment dominated by organized crime and fearing the constant threat of death in that life, but was also created specifically for the movie Dangerous Minds, a middling white savior movie about Michelle Pfeiffer teaching a bunch of bad stereotypes of what people think inner city non-white students are. A movie that was, in turn, based on a white woman's memoirs about teaching in a bad school near San Francisco. You've got this interplay between a white woman's real-life efforts to teach her black and Latino students (I can't speak to how effective she was, mind you), a fictionalized version of that same woman being shown as the sole guiding light for her underdeveloped gangbanging students - and a white actress's crappy Kipling-ass 5/10 film getting Coolio his Grammy. It was tailor-made to be Coolio's big hit with white audiences, getting the push of Michelle Pfeiffer, having slow and deliberate rapping, and lacking the swearing in most of Coolio's oeuvre (Stevie Wonder mandated no swearing in return for letting Coolio sample his music). And, though I suspect this was unintentional, the song plays into the same narrative that the movie does, how this rapper is doomed to his life because "nobody's there to teach [him]", with dramatic choir and strings underscoring the dire fate that awaits this rapper if some charitable white person doesn't help him - the same dramatic choir and strings that Weird Al uses for comedic effect by comparing it to Amish farmwork.

I put that last paragraph together with two or three hours of Wikipedia, and you can do the same kind of analysis with a lot of hit rap songs (and Genius is right there if you need a helping hand - I wouldn't have understood much of Kendrick's Euphoria without it), and I think this drives a lot of my frustration? Tumblr loves to see something cool and then take a few days to write an in-depth post about how cool it is under the surface. So the lack of this when it comes to rap does show a deep disinterest in thinking about it when it isn't fun. And there's so much cool shit to learn about rap. Did you know that Baby Got Back was inspired by the anti-black fatphobia Sir Mixalot's model girlfriend was dealing with in her industry, and was pushing back against the media's general preference for skinny white women? Did you know that there's a Turkish hip-hop scene specifically in Germany because, as a minority that was brought to the country for cheap labor and then forced to exist as second-class citizens, they ended up relating a lot to the music? Just. Dig a bit. There's so much.

[terrythemerry]

I just watched Wish (2023) and it made me realize something kind of sad about Disney’s treatment of villains.

So Disney has a long history of villainy from the OG Evil Queen who is willing to murder a girl just for being pretty to the misguided like Auto thinking he’s protecting humanity in Wall-E. They are mean, jealous, prideful, vain, and many relish in just being the worst of the worst. However every now and then we get a glimpse of more complexity. Zootopia’s Bellwether dealing with years of racism and mistreatment, Gantu trying to stop what he thinks is a monster in Lilo and Stitch, Up’s Muntz being a heroic explorer before paranoia consumed him, etc. The thing that makes me sad about these villains is that not one of them has ever had a chance at redemption or change in Disney’s eyes and nowhere is that sadder to me than their latest villain, King Magnifico.

(Spoilers below)

King Magnifico is the magical founder of a utopian society that accepts people of all races, religions, and backgrounds. Who created this wonderful place after what is heavily implied to be a violent invasion destroyed his homeland when he was but a child. This past trauma led him to study magic and become a powerful sorcerer so that nothing could hurt him or the people he cared about ever again. His magic is a protection that he extends to all who choose to live in the city. The city is vibrant with a colorful community full of artisans, musicians, and dancers. He takes no taxes from them, but does take their one true wish upon joining this society.

When given these wishes it is understood that he will ensure their safety and possibly grant them one day. Something important to note about the physical manifestations of the wishes is that they give off a warm and comforting aura as they represent some of the purest parts of a person’s soul. Magnifico has been surrounding himself with this magical comfort for a very very long time by himself and I don’t think it’s unfair to say he has become addicted to their presence. The wishes are giving him a magical comfort through the kind souls within them, a feeling he could’ve probably also gotten if he had spent more time with his people.

It doesn’t look like he ever really got the chance to commune with his people properly because somehow the society kicked off on his wish granting abilities. People had to give him their wishes if they wanted them granted and eventually the ones that he couldn’t grant in good conscience or out of fear started adding up so he began locking them away. Keeping them safe so no harm came to the people. The rare occasions that anyone else interacts with these wishes is during wish granting ceremonies that the people are borderline rabid for. With good reason, it is their souls they’re thirsting for after all even if they don’t really know it.

However, Magnifico clearly doesn’t see it that way. He sees it as he’s given these people a wonderful safe haven from the horrors of the outside world where they can be whoever they want to be, do what they want to do, make what they want to make, and still all they see in him is a tool to fastpass to something else they want even more than the peace he’s given them.

This is clearly shown early on, before any of his evil behavior starts to take root, in relation to his assistants. We get a expo dump after the first song telling us that Asha wants to become one of his assistant to increase the odds of her grandfather’s wish being granted as there is a correlation between past assistants and having wishes granted. Something important here is that there have clearly been many assistants, suggesting that it’s a revolving door position without really explaining why. Who would want to keep finding assistants over and over again, when really you should find someone who could do the job long term right? Well we get to find out the likely reason when Asha steps up for the role.

When Asha comes to interview for his assistant position he sees she is nervous, he tries to calm her down, and he even manages to relate to her through fond memories of her kindly father who he clearly knew. After seeing her true resolve to do good he decides to trust her with something few people in the entire kingdom get to see, the vault of wishes. To which Asha doesn’t even hesitate to ask, after politely being told not to prior, if he’ll grant her grandfather’s wish.

Magnifico is blatantly stricken by her request, sadly remarking that most people at least wait a few months before doing so a.k.a pretend to be interested in helping him rather than trying to use him to grant a wish. This is likely why the assistant job is a revolving door. Magnifico tries to find someone who he thinks will truly and selflessly fulfill the role only to discover time and again that people are just using it to get direct access to him to ask for a wish. Then he can’t trust their true intentions anymore and moves them along.

After Asha makes her request he does take the time to look at her grandfather’s wish but dismisses it as too dangerous because it is the vague desire to inspire the next generation. Clearly we as the audience know that her grandfather means to inspire them to do good, but we have to remember Magnifico has seen the worst of society. He has seen the darkest wishes and desires of mankind and survived them. He brushes Asha off telling her she’s too young to understand, which is honestly true. She’s lived her entire life cloistered in peace and comfort thanks to him and the rules he has made. She has never had to know war, strife, or hardship thanks to him, yet she doubts his decision without understanding the trauma that guides it. This is what I believe pushes Magnifico into his villain arc, something that I don’t think we’ve ever really witnessed in a Disney movie.

Usually a villain already is the villain by the time the film rolls around, even the twist villains. Lotso had already been deliberately sentencing other toys to torture. Prince Hans was already planning to murder his way to a throne. Evelyn was already plotting her revenge. Magnifico wasn’t though. He was the hero. He had saved his wife and a whole city’s worth of people from whatever drove them from the mainlands. He wasn’t physically abusing/mistreating people like Gaston even if he was vainly basking in their adoration.

When Asha pushes him on the wishes he pulls back from her, identifying her in his mind as a threat and treats her as one. He dismisses her and tells her that her family’s wishes will never be granted by him, but he will still keep them safe as he has been doing. Essentially meaning nothing will change for her from what it has been. You know a happy loving existence of complete acceptance and wholesome family life or as Asha interprets it, a fate worse than death.

His interaction with Asha triggers him, as she’s pushed at the flaws in his reasoning for holding onto the wishes. The flaws are true, but his mind is clouded by fear of a lack of control, likely stemming from the horrors he witnessed in his childhood when he had no control. He also likely has a bit of an addiction to the warm fuzzies that the wishes give on top of his fears. While he’s ruminating on that some massive wave of magic blows through the kingdom and messes with the thing he’s already stressed beyond reason about, the wishes.

Magnifico frantically searches for any answer, even considering a dangerous tome of forbidden magic that he knows is trouble before his wife manages to talk him down.

The fact that he could even be talked down rather than ignoring her outright shows that Magnifico does have good in him. He’s just reacting out of a genuine panic. His panic is only worsened by huge mob continuing to beg him for wishes in exchange for doing what should be the selfless act of defending their kingdom from what is essentially perceived as an attack. Not having any faith left in his people he turns back to the evil book to give him the key to stopping this perceived attack.

Just to be clear King Magnifico goes to the big bad evil book not to gain more power for funsies, but to try to find a way to stop a perceived threat. Everything he does from this point on, such as threatening his wife, can no longer be fairly tied to him, because as the movie repeatedly tells us he is under the EVIL book’s influence. His wife even looks through the same book to try and see if there is a way to break the sway she knows it has over him, but says she can’t because the EVIL book said no.

Yada yada yada and Magnifico is sealed inside a magic mirror and smugly told to rot in the dungeon by his previously loving wife.

Seriously?! What the heck?! This guy was the perfect candidate for rehabilitation. He wasn’t flawless, but he wasn’t a murderous psycho like most of the other Disney villains. Disney loves to preach kindness, acceptance, and good will with their heroes, but never does it allow the message of change.

I was shocked going back through the catalogue and slowly realizing none of their villains, regardless of how tragic their origins are, are ever truly allowed a second chance. The hero may offer it, but the baddy never is truly expected to change or reform. Which is honestly super messed up to me. People make mistakes. Some can be small/insignificant, but some are big and do hurt people sometimes. That doesn’t mean they can’t change for the better.

Now I’m not saying every villain is redeemable or good, it’s just a bit surprising that for all the messages of kindness and acceptance we haven’t really gotten forgiveness in 100 years. Seeing the “bad guy’s punishment” just deeply bothered me this time. Probably because so much of the bad that Magnifico does is clearly a trauma response and as a punishment for not acting appropriately to said response he gets sentenced to eternity is magical cell.

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[doctorsiren]

Moth Psycho 100 AU

Something that I latched onto for mp100 is the moth imagery for Mogami. More than once is a moth shown as symbolism, but it’s also associated with Mogami more than once, whereas with the other bugs he’s shown associated as, it’s just once i’m pretty sure (even if not, moths show up as symbolism the most so uhhh yeah)

So @cupofchemicalchatter and I cooked up an AU idea :)

Mogami Arc happens as normal except for the very end. Instead of Matsuo catching Mogami’s spirit and trapping him, Mogami is able to go and watch Mob from afar like he said he would: “You made your choice, kid. I’ll keep watching from afar to see if you made the right one.”

At the end of the Mogami Arc, Reigen says: “Anyway, history has shown that no good ever comes from drowning in wealth, fame, or power. Think about it: Mogami let his own powers swallow him up too.” Remember this, as this is important for the AU I’m about to explain. 

And this will go into the next arc, the Separation Arc. The part where Reigen is in the alleyway under the streetlight with those moths above him always felt deeper to a level that it probably wasn’t supposed to be and by that I mean I was connecting it to Mogami’s moth thing.

What am I talking about? Okay well, just imagine the Separation Arc happening as usual UNTIL that moment. The moment where Reigen is in the alleyway:

Mogami had been keeping an eye on both Mob and Reigen, figuring that a way to break Mob was to use someone he cared about, that person being his mentor. So in that moment, Mogami had been possessing / using that moth as his vessel to watch Reigen. The moment that the moth drops dead and Reigen looks up is the moment that Mogami transferred his possession from the moth to Reigen, causing his sudden change. Now he is determined to “become somebody”. Of course, just like in canon and like Mogami did, he starts out by helping people out with their problems. He stated in the Mogami arc: “Mogami? Yeah, I modeled part of my work off him when I started this job.” Mogami stated that “at first, I used my abilities for good, giving advice and solving various problems.” Mogami was the “Psychic Star of the 20th Century”, with Reigen being the “Greatest Psychic of the 21st Century”. Mogami basically told Mob the classic villain thing of “we’re not so different, you and I”, but Mogami now sees that with Reigen as well. Despite the man not having powers, he would prove useful.

Reigen began “developing” psychic abilities. He thought at first that it might have been something residual still left over from when Mob gave him his powers while fighting the Scars, but he soon began to believe that he had dormant abilities that became awoken once he set out on “becoming somebody”. However, it’s actually just the possession from Mogami. He begins to realize that he doesn’t need Mob anymore. He can do exorcisms on his own now! So, he starts pushing everyone away…the people who would be able to actually help him out of this.

Reigen starts to hear a voice in his head. It’s Mogami speaking to him like he did with Mob, but he disguises it as Reigen’s own voice, allowing the conman to think that it’s his own thoughts. Reigen begins to separate himself from this “new” version of himself (which is just Mogami), but not in a way of “oh, these are bad thoughts” but in the way of “this version of me is my only true friend.” Since he’s being possessed, he’s not really thinking rationally. 

His reflection becomes a way that Mogami can communicate visually, while disguised as Reigen, of course. He speaks to Reigen, convincing him further that he doesn’t need anybody. Only himself.

His shadow also becomes a visual way for “Reigen” to communicate (because I thought that would be cool, kind of like Morgana in Ducktales 2017, or in The Princess and the Frog). 

The turning point for where things actually go south is the Supernatural Detective TV spot. When Jodo suggests that Reigen be the one to do the exorcism, instead of letting Jodo trick him, Reigen insists that Jodo go ahead with how the program was planned. In this world, the event is reversed. Jodo actually does the fake exorcism, since it was scripted, but then Reigen steps in and explains there was no evil spirit to exorcise, hence making Jodo the fool rather than Reigen. The host praises Reigen and the child reveals that he was acting the whole time. 

And then begins his true metamorphosis. 

Usually, butterflies are used to represent change, however moths go through that same transformation, but to most, they are held typically in a lesser regard than their daytime counterparts. Not really important, but I just thought it was interesting.

Reigen starts to spiral, becoming more and more of a corrupted conman. He isn’t assassinating people for money like Mogami had done, but he is lying more and more and more. The more he becomes corrupted with power, the more his psychic abilities grow (think Ritsu with Dimple and the student council stuff)/ The idea actually started out by me suggesting that as he gets more corrupted, he starts to cough out moths (sorta like an odd moth-based hanahaki, but having literally nothing to do with unrequited love and he won’t die from the moths. He just coughs them out because we thought that went kinda hard), but of course, he keeps telling himself (as well as Mogami telling him) that he’s fine. 

His powers (Mogami’s powers) are getting stronger and he’s taking out bigger spirits, taking on bigger clients, and becoming a bigger star. He finds himself losing consciousness / disassociating at times, only to wake up and find that he is stronger. It has become a little of a Jekyll and Hyde situation, but while Mogami has control of Reigen’s body, he uses it to consume evil spirits to try and regain the power he lost from fighting Mob. How we’re visually showing the possession is through a scar (like how Dimple has the red cheek spots). He got the scar under his right eye when Mogami exploded that one-way mirror in the Mogami Arc, and since Reigen’s technically being possessed during the duration of the AU (once that moth dies), the scar is visible the whole time.

In the end (we haven’t figured out when but we just know), Mob has to confront Mogami inside Reigen’s head, like he did with Minori. Inside Reigen’s head, it becomes blatant that Reigen isn’t psychic, although Mob’s sorta known that for a while (as it is alluded to at the end of the Separation Arc). But, Mob himself doesn’t want to acknowledge that fact. Reigen always said he had powers! Why would he lie? So although Shigeo knows the truth, Mob doesn’t see it. He pretends that it’s not true. He believes in Reigen’s lies. The student has become the master, in it that Mob is now lying to himself because he can’t bring himself to believe that Reigen lied to him.

After everything, Mob is able to separate Mogami from Reigen (but of course, not without everyone getting their fair share of trauma). The scar goes away, as he is no longer possessed. He’s back to being powerless, and now he knows that it was Mogami the whole time. However, Mob says that line. He says how he’s known that his master is genuinely a good guy, because it wasn’t on his own that he did all that conning and evil spirit stuff. It was because of Mogami’s corruption and influence. I think Matsuo would still somehow come across Mogami’s spirit and capture him, just so that it can come in handy later when he’s used in the World Domination Arc bc I don’t wanna mess that up lmao

Anyways yeah that was my attempt at compiling some frantic and excited discord DMs about this AU into something somewhat cohesive! Now here’s art for the AU, because I wanted to share them, but I needed to explain what was going on first!

This was the first one I did for the AU, when I knew I needed to draw something up for the concept of him getting corrupted and coughing moths 😄

And then the shadow and mirror thing (I LOVE the one of “Reigen” in the reflection oughhhh)

If you remember that post where I said I woke up and found I had written “twink controlling a twink” the night prior, this is what it was in relation to 😭 why did I call Mogami a twink very very late at night? Who knows. The important thing is that doing so altered everything and now he is one in my mind, so I can’t do anything about it. Don't ask why this page seems really fruity, it was like 3 AM and over a week ago so I don't know (/silly)

These were from when I was rewatching the Mogami Arc to pick up details for the AU

Moths have the patterns on their wings to mimic eyes, so there’s that inherent aspect of deception and lying. It makes the moths seem like a bigger threat than they actually are. (also I have him wearing Mogami's blazer and shirt)

And then just the moths and such with Mogami’s spirit

And me pulling a quote from when Dimple was explaining who Mogami was.

YEAH I just really love drawing stuff for this AU bc of the fun moth symbolism.If none of any of this makes sense, I’m so sorry. I just needed to finally post about this AU bc it’s given me brainmoths (like brainworms, but y’know)

We kinda came up with the AU backwards and filled in random spots here and there after the fact of our original conjuration of it, so I had to try and piece it together HAHA 

[ddollfface]

𝐒𝐡𝐨𝐫𝐭 𝐃𝐫𝐚𝐛𝐛𝐥𝐞

𝙋𝙞𝙘𝙠𝙡𝙚 𝙭 𝙧𝙚𝙖𝙙𝙚𝙧

Okay, right now I'm cooking up some more headcanons for Baki the Grappler men, but I just couldn't keep this idea cooking in my brain.

Throughout history, in multiple ancient civilizations, touching one's forehead with one's own has shown different means, all deep and personal. For example, the Maori, natives of New Zealand, have/had a formal greeting where one would press their nose and forehead against the other's forehead. This was a sign of respect and sharing a spiritual connection. Not only that, but in Ancient Egypt, it was a tradition for the Paraoh and High Priests to press their foreheads to the dead, sharing a spiritual link that would hopefully help the dead through the afterlife.

Honestly, the list goes on and on, just proving my point. No matter where you are in the world, it's clear that something about the closeness of the faces while in such a position is special, vulnerable even. And, I'd have to assume, this would carry through to times before human civilization, to a time when we were more animal than human, back to Pickle's time.

At this time, there was no such thing as verbal communication, rather than grunts and growls, so they (assuming that there were other cavewo/men during this time) had only physical communication to observe. Now, it's my belief that there was no such thing as polyamory during Pickle's time, instead, there was mating for life. You found your one, the person you'd raise a family with and protect. This is why Pickle takes your safety seriously, not letting any of the fighters within a ten-foot radius of you (likely more, if we're being honest).

There's no way he'll let any man near you. You're his mate, whether you understand that or not doesn't matter; the look in his eyes tells you enough, accepting that you have no say in the matter.

Besides that, I think that Pickle, seeing as he can't communicate verbally, would show his affection through his actions, providing food, warmth, and protection is his means of love. He'll curl his body around your, much smaller, frame and hold you tight, not letting you slip from his grip for a moment, far too afraid of losing you. He's much like a possessive puppy once his owner comes home, except he's far more deadly than some pup.

Back to the forehead thing, since Pickle can't say 'I love you,' he has to resort to other ways to say so. One of these ways, I think, would be pressing his forehead against yours, letting his eyes close shut, and bringing your body closer to his.

The two of you will be far closer than necessary, his arms wrapped around your head, his hold suffocating. Of course, Pickle will have to be on his knees, bending down to reach your level. The two of you will share air, inhaling the others' exhalations. Though uncomfortable, you admire and are astonished at how trusting Pickle is in you, seeing as his eyes are closed and his muscles loose. Everything about him screams comfortable, homey, and in love.

The action displays trust, exposing such a vulnerability would be dangerous in any situation, but Pickle trusts you, knowing you're his mate, the one person he can trust in this cruel world. He's been brought into this odd place, where nothing's the same, and he's constantly being introduced to new friends, but he's found you. Your presence allows him to relax and understand that, though he's in a new world, he has you, his mate. (I especially see this being true if reader's a reincarnation or was brought back with Pickle, y'know?)

And it does nothing but shock the other fighters, unable to comprehend how a monster of a man like Pickle could seem so calm, so at home, around someone like you (whether you're a cavewo/man, civilian, or fighter). It's incredible, the bond you two have for each other, how just a look from you can calm Pickle.

Anyway, it's just a thought, y'know?

divider by: @benkeibear

[haine-kleine]

i thought the ending couldn't be more disappointing and then this japanese tweet proved me wrong

because all of this is true. Ochako and Izuku will never forget Toga and Tenko and half of their epilogue was about this, however messily done. Ochako dedicated herself to creating better conditions for people like Toga, because she saw how badly Toga was suffering and despite failing to save her and give her a brighter future, she committed to building that future on her own, selflessly gifting it to others. Izuku had failed to save Tenko despite wanting to, and this weights on his conscience eight years later, and will continue to haunt him in the form of Shigaraki's ghost watching him, not letting him forget himself in the happy ending of joining his hero classmates and achieving his dream.

it's still messy and unfaithful as fuck, but at least these two endings still show that the consequences were there. the unfair deaths of the villains weren't simply swept under the rug and forgotten after a few sad talks about them.

and the thing these two cases share in common? Ochako and Izuku really didn't owe it to Toga and Shigaraki to save them. they didn't. they were hero kids thrown in the middle of the war these very villains waged on them. they both were younger than their respective villains, they both were hurt by these villains, they had no prior history with them, and having shared a few conversations was enough to make them emphasize with and humanize the villains. nothing that happened to Himiko and Tenko was inflicted on them by Ochako and Izuku, and yet just seeing that, hearing about that was enough to ignite sympathy in their hearts. because, you know, they are heroes. they are there to save people from suffering. and even when those people are the ones actively hurting them and their friends, they are mature enough to set that aside and attempt to save their human lives.

enter the star of the show, the only character in this story who despite having committed truly villainous acts, is allowed to go consequences free without a single care in the world. Enji. the person who had single-handedly fucked Touya up to the point his mental state was too messed up even for AFO to deal with. he had given life to this baby, and he was constantly made aware of how badly his attitude is affecting this child by Rei. and he couldn't be bothered to do anything for him, not even to look at him. the fire on Sekoto was 100% Enji's fault, not only because he couldn't be bothered to come visit his son on his day off when Touya had asked him to, but also because the number two hero on his day off was too slow to come to the forest near his house to save Touya from the fire or from All for One. this makes Touya being kept under AFO's care for the following 3 years Enji's responsibility, as he was the only one who could have saved Touya from AFO. even after Touya wakes up from his coma and immediately runs to his house as fast as he can, it's Enji's behaviour alone that makes him decide against making his presence known to the family for the following 7 years. this excuse of a father can't even mourn the death of a son he explicitly blames himself for in such way that won't make his entire existence feel meaningless to him.

and after Touya reveals himself to Enji personally as Dabi? he proves that he still hasn't changed at all and utterly fails to do anything about the situation while Shouto has to repeatedly remind him of it. not only was he procrastinating, the narrative was coddling him the entire time, with the support of other heroes and sidekicks, who despite being shown the truth about Enji, choose to ignore it. even the family he has been abusing for years, the family who was mourning Touya together, joins their efforts to support Enji.

Touya's only desires were to be seen and to be heard. both went unanswered, as after showing the world the unfiltered truth of the misery his father had caused to him, the world covered their earths and turned away. after showing himself to his family, they keep looking at Enji, not at him.

even at the very end, the end of the family's hell is more about Enji than about any other character. he is the only one allowed to talk about his feelings in depth, while the rest of them are reduced to barebone imitations of their previously established characters used as props for supporting Enji's character resolution (with the exception of Touya, who is physically unable to speak for longer than 5 minutes a day anymore. wow). even Natsuo cutting off Enji is less about the latter being a horrible excuse of a father and more about Enji's great stoicism accepting everything the family throws at him with a heroic face. Rei's character no longer makes sense because exactly a month ago her mental state and the trauma inflicted on her by this very man didn't allow her to face him at all. and now she is suddenly okay with becoming his caretaker? why is she taking her responsibility for Touya and not talking about Enji's responsibility at all? this was a man who had abused her so badly she had a psychotic episode. you don't just shrug off things like this. you don't sit in a psychiatric ward for ten years after that, waiting to be let out and jump on the first chance of making yourself useful for your abuser. you don't set aside the relationships with the children he had hurt and he had made you hurt to devote yourself fully to your damn abuser. someone take this poor woman out of this Stockholm syndrome relationship.

at this point Touya not being allowed to die is the worst offence, because the survival wasn't granted to him to heal. it was given to him for the singular purpose of making Endeavor look slightly less bad. Enji never even talks about failing to save Touya (and neither is Shouto allowed to). if you wanted to save him, then him being stuck immobile and isolated from the world with only months left to live is not 'the time Shouto gave us with him' it's a failure. he's not your damn pet, why is the narrative making him into one?

Touya had wanted to die. Shouto points this out, Touya himself talks about it. Enji was the one who didn't want him to die. he also didn't want to die himself. somehow, his desire is the only one that is fulfilled, while even Shouto's dream of eating soba with his older brother goes ignored.

and afterwards? Enji happily moves on from this with the new family he had found for himself, while Touya's childhood desire of his family looking at him is fulfilled in the most grotesque way possible. and the family's dream of having a home away from Endeavor? not a chance lmao