#when he actually has a *choice*

[dabidagoose]

Oh. My god. He's a DRUID!!

[gale-force-storm]

Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea

Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party

You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"

In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful

[poorly-drawn-mdzs]

Not beating the allegations.

[First] Prev <–-> Next

[swiggity-swexual-i-am-asexual]

As per usual, it’s DP crossover with (probably) DC, although you could probably adjust it for other fandoms

ANYWAYS

A little kid and his mother are trick or treating in another city, perhaps at some kind of event rather than knocking on doors, and the kid is dressed as Phantom. It’s very adorable, with his little ghost-shaped bucket and clearly homemade and already stained costume—listen, white only works if you can just fly over street grime or phase it out of your clothes—and his slightly I’ll fitting wig. The kid is SO happy to be out and about dressed as his favorite, and maybe even showed it off to Phantom back in Amity Park before his family left.

The hero, insert whoever you wish here, is probably in civvies and just enjoying the event. The kid, meanwhile, is so glad when people ask who he is so he can explain, and so- the hero gets to hear ALL ABOUT the local town hero who is probably pretty small time despite the kid’s clearly exaggerated stories. The hero certainly never heard of him, but the kid’s mom confirms that Phantom really was the town hero, despite some mixed reviews of the poor guy.

“Did you manage to show him your costume?” the hero asks.

“Yeah! We went down to the cemetery to leave flowers and I got to show him my costume.”

Wait. Cemetery? Maybe it was part of theme, because Phantom had to be named that for a reason, but… it sounded like…

The kid ignores the suddenly VERY still hero and instead turns to his mom. “Momma, do you think we should bring him candy? He doesn’t get to trick or treat like we do, and I can work super hard to get him a bunch!”

The kid’s mom just smiles. “We could, but maybe we should bring him something homemade. I bet he’d like something more filling, teen boys like him have a hollow leg.”

The kid wrinkles his nose. “Like Vernie with the pizza bagels?”

“Like your cousin, yes. We can make some cinnamon rolls and take them to his memorial, maybe bring some of the apples from your grandpa’s garden…”

The hero is pretty much forgotten as the two-part family wanders off, not quite intentionally forgetting the hero is there so much as the hero somewhat accidentally ended the conversation when they just froze and didn’t ask anything further.

Not that the hero didn’t want to. But they’d learn something very serious.

One—there was a small town hero they’d never heard of. Two—that hero was apparently a teen. Third—most pressingly, the teen hero was both beloved enough to have kids dressing up as him and dead enough to have a grave.

This… might require some phone calls.

[obibail]

"Still not helpful."

[lygma-nygma]

Honest to god Titans Tower is probably the funniest thing that's ever happened in comics to me? Like, there's so much to unpack here it's insane?? The tear-away stripper Red Hood costume? The knock-off Robin costume with the stupid ass yellow tights that somehow looks worse than if Jason just rocked the bare thighs? The way Jason is drawn like he is fully 35 with two stepkids and a mortgage? Jason inventing fanfiction about Tim and Bruce's relationship in his head because he refuses to believe Tim actually stalked his way into being Robin?? Trying to mimic his crowbar death by beating Tim with his own staff but I as a reader am entirely unable to take it seriously because of those stupid fucking tights-

And then you get to Tim's side of things and he says like, all of 5 things the entire time and three of them are a coded 'fuck you'. He has absolutely no time or respect for Jason's pity party and it's actually hysterical because Jason cannot stop yapping. Meanwhile, Tim is like, definitely losing the fight which makes it funnier?? Then the ending?? Jason scrawling "Jason Todd was here" on the wall in blood (or red paint meant to look like blood, up in the air) and signing it with a handprint like he's a middle schooler who just discovered Creepypasta???? Ripping the 'R' off Tim's costume when he's literally already unconscious?? Zipping away from the scene thinking "damn I actually like that kid, wish I had friends tbh"??

And then it's literally never brought up again.

[rose-tinted-kalopsia]

[stagefoureddiediaz]

The fact that the Eddie we saw this episode was seen almost entirely from bucks perspective and he had this heightened full of life joy about him - that that is how Buck sees Eddie. As this light in his life - full of joy energy and life - even when viewed through his jealous not fully understanding eyes.

[fatherofpuppets]

Dandelions are yellow btw

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[mohntilyet]

they hated illario because he was a d1 yapper who was bad at assassinating people and was so annoyingly drunk and grief stricken at his cousin’s wake that viago had to drug him to shut him up (so what if he was also the guy who set his cousin up to die/disappear) . and also for working with the venatori and selling out the antivan crows i guess.

[batfam-stuff-posts-0]

[bruciemilf]

One of my biggest pet peeves is the justice league being labelled as " The Avengers of DC" and its like. No? The avengers are law enforcement. The Justice League are volunteers

[whetstonefires]

You know I'm realizing one reason you keep seeing mdzs modern AUs where the Jiang parents are alive mainly so they can dramatically fail and betray Wei Wuxian by cutting him off financially--defaulting on his college tuition or formally disowning him etc--isn't just that people want to translate the Burial Mounds II arc into modern terms while keeping Jiang Cheng clean of it.

(Despite the fact that the internal logic of Jiang Cheng's character is largely built around him being a person who would abandon someone he intensely cared about under these specific circumstances.)

It's because it's hard to set up a modern analogue for the way that Jiang Cheng is responsible for Wei Wuxian, as his Sect Leader.

We live in a highly individualistic society. People are trying to write Wei Wuxian Tragically Wronged, and because there's a normative expectation that people in the position of parents will provide you with resources, and certainly won't withdraw them without warning, but no such assumption that people in the position of siblings necessarily owe each other support, making this work in modern setting with Jiang Cheng in his canon role would require a lot of extra work, just to get a less readily resonant result.

But I keep thinking about it. Because something that's getting lost here is, not just the nuances of character and relationship, but like...it's sort of key to the story that cutting Wei Wuxian off was, in fact, Completely Socially Appropriate.

The level on which it was a betrayal is subtle, and deeply cutting. And intensely tied up in the very different opinions each of Jiang Cheng's parents had about what obligations existed in their family wrt Wei Wuxian, and what these meant.

The level on which it was the obvious, normal course of action is blatant. That is to a huge extent why it happens: because Jiang Cheng's instinct to conform is a survival instinct, reinforced by trauma, and Wei Wuxian's choices meant he had no coherently compelling reason not to obey it, and enormous peer pressure to do so.

The fact is that Jiang Cheng was making a reasonable choice, the actual thing 'anyone would do in that situation,' unlike Wei Wuxian and Jin Guangyao's respective wildly warped ideas about what that is.

Wei Wuxian wasn't betrayed by Jiang Sect like your foster parents cutting you off because you're disobedient. Wei Wuxian was betrayed by Jiang Sect like your brother refusing to drop fifty grand to bail you out of jail.

Of course Wei Wuxian tells him not to. And of course the fact that Jiang Cheng already chose in the moment not to pay a cent because Fuck You Wei Ying still stands there glaring, a precedent that can never be taken back.

And then later he's betrayed by Jiang Cheng like your brother cooperating with a police investigation into a manslaughter you really did commit, that's being handled like domestic terrorism. And then like your brother calling the cops on you. And then like your brother helping the cops find where you're hiding.

I'm personally fascinated by the way Jiang Cheng's lifelong resentment for the way Jiang Fengmian reliably bailed Wei Wuxian out of everything informed those decisions to do the normal thing, the way he's reacting against his dead father as well as against Wei Wuxian and the actual situation.

But even without that daddy issues angle, the fact that the person who made that choice was Jiang Cheng, and that it was simultaneously the reasonable appropriate normal upstanding citizen rational thing to do and so shitty Wei Wuxian would be entitled never to forgive it is sort of. The Point.

Of the scenario, and also to a considerable degree of the entire finely tuned narrative construct that is Jiang Cheng.

[elfcollector]

I feel ill. All the fools and villains who ever fell for my ploys, they're — they're here!

[starcurtain]

A Very Rambling Rant about Alhaitham and Aranara

Sigh. Everyone on twitter is all excited over this idea that Alhaitham can see aranara, and I don't mean to be downer but like... I kind of hate this. Not the idea of Alhaitham seeing aranara, which is very cute, very nice, yes, but more the way this kind of thing unfolds.

It's a classic example of unconfirmed material, extraneous to the actual game, getting put out on social media like it's canon: Someone tweets "ALHAITHAM CAN SEE ARANARA!!" and suddenly it's running rampant in the fandom and people are completely convinced it's canonically true, without the actual game or any confirmed story-relevant materials genuinely supporting the idea. This is exactly how misinformation gets spread. (I'm looking at you, "Jade enslaved Aventurine" Star Rail fandom brainrot.)

And it's this "bandwagon canon" that leads to constant issues in the fandom when people point out that even some widely accepted stuff is actually fanon. People are literally vicious over defending things that don't actually have any evidence in the game itself.

I really wish this fandom was better at distinguishing "This thing is factually true" and "This is a really cool idea and there might be a few hints for it! I'm going to make this my headcanon!" Watching stuff in fandom go un-fact-checked genuinely makes me terrified for people's ability to fact check real world issues sometimes!

Not to mention the way this conversation is happening is just really unpleasant too?

I saw multiple tweets with thousands of likes going around saying things like "Of course Alhaitham can still see the aranara; he has child-like wonder while Kaveh is traumatized and had to grow up too fast, so it makes sense he can't see them."

Which like... This is so gross to me? Are these people just missing the massive unfortunate implications of their own words--the idea that traumatized people can't experience wonder for the world anymore? That they're somehow broken and can't experience any child-like joy??? It's a deeply unpleasant take to me.

And not only that, it directly contradicts actual canon, because Yoimiya's entire second story quest was about a girl going through a traumatic illness that confined her to a wheelchair and led to her experiencing guilt and depression--and about helping her to see that everything that made life worth living was still there for her, and that she had never lost her wonder or will to live in the first place.

And the whole thing just smacks of a fundamental misunderstanding of why adults can't see the aranara in the first place. It's not because there's some sort of magical "You must be 18 or younger to see aranara" rule. It's because the aranara themselves choose not to be seen by adults. They protect themselves by making themselves invisible. They're not invisible by nature! Everyone can see them--when the aranara want to be seen. Conversely, this means that adults with "childlike wonder" are not just automatically seeing aranara left and right. No matter how happy and childish at heart an adult is, they will only see an aranara if the aranara personally trust them and want to be seen.

The aranara trust children because children are generally good-hearted (and also probably easy to escape from), so there is usually no need to keep themselves invisible to children, but even among children, they are invisible until they choose to be seen. (I think everyone forgot the quest where you find the child who was kidnapped by the Fatui in the forest, saved by an aranara who chose to reveal itself to her, but then she refuses to go back to the village, so you leave her at the aranara nursery--only the aranara there at the nursery choose not to reveal themselves to her because they don't know her yet.) Even with children, aranara don't just go running up on them--they're incredibly cautious creatures who only show themselves after they're sure they'll be safe. They distrust adults because adults deliberately use "growing up" as an excuse to abandon simplicity, kindness, and gentleness in order to embrace concepts that include getting ahead of others and seeking profit--two things which could be particularly dangerous for a vulnerable forest fairy population.

There's also an extremely complicated intersection between the aranara and memory, as they represent and upon "death" return to being the forest's living memory itself. Avin, the girl in Yoimiya's story quest, is a child--but still loses the ability to visit her aranara companion because her illness keeps her away from the forest so long that she simply forgets her aranara buddy ever existed. Even aranara who would love to continue playing with their human companions find themselves forgotten over and over again, because they simply don't linger in human memory well. It's a giant metaphor for how fleeting and temporary human existence is in comparison to the natural world! It's a metaphorrrrrrr.

(There's also the fact that aranara freely move between reality and dreaming--something which Sumeru's adult population only recently regained the ability to even do.)

And like... does no one remember that Yoimiya could only see the aranara because Traveler was there to introduce her to them? She doesn't just automatically see them even though she has all the childish wonder possible in her heart.

I even saw tweets saying that anyone who thinks Alhaitham doesn't have child-like wonder in his heart and wouldn't automatically be able to see aranara fundamentally misunderstands his character and I just... First, see the point above--this is already a misunderstanding of how aranara work.

Second, am I just crazy, or is there absolutely nothing about having wonder and curiosity and passion for the world around you that is confined to children? Are we really going with "Having an imagination is for kids" as our takeaway from all this?

Alhaitham absolutely is passionate! He loves Sumeru as much as Nahida does! The mysteries of the world fascinate him, and he wants to be doing nothing more than ravenously learning and taking in new information at every opportunity!

But finding wonder and joy in life's mysteries is absolutely not restricted to children!

There's nothing inherently "childish" about loving fiction and the fantastical world of books, having a vivid imagination, being passionate about learning new things, and just plain out enjoying life. I'm sorry everyone else has apparently become such miserable adults that the only way they can believe Alhaitham finds joy in the world is by assuming he must have maintained a "child-like" inner nature. Please go read more books and touch more grass and maybe you too will experience adult wonder and joy???

Alhaitham's vivid curiosity about the world isn't remotely "child-like." It's based on the same sort of philosophical obsessions that drove Plato and Aristotle to redefine human thinking. To Alhaitham, Sumeru is likely much more vivid and beautiful and full of intrigue because he is now an adult who has the ability to freely think, formulate deeper questions, and the means to pursue research into his personal passions. His teaser trailer is literally about how he took the job of the Scribe because the Scribe records truth--not child-like faith in the magic of the world, but a constant unfilled yearning to get closer and closer to what is real.

If Alhaitham can see aranara, it's because he's earned the trust of the aranara by his deeds, not because he's secretly still an innocent, sweet baby boy deep down who has chosen not to grow up. (And like, if "traumatized people don't see aranara" is really what we're going with, are we actually arguing Kaveh is the only traumatized, "grew up too soon" one here? Did everyone just forget Alhaitham is an orphan with zero surviving family members left in the world and that he spent his entire childhood friendless, at least as far as we've been shown?)

Winning the trust of the aranara is something anyone could do if they show strong enough positive traits--just basic kindness, gentleness, and patience, which I promise you, adults can have.

At the very least, if we're going to suggest Alhaitham is child-like, can't we at least point to his actual childish behaviors, such as constantly pulling Kaveh's pigtails like a schoolboy with his first crush? Throwing hands with anyone who pisses him off too much? Being a jokester who continually sends Paimon books because she picked on him for his choice of reading materials once? At least y'all could have started there... Come on, now.

Phew, this really was a whole rant, but I just needed to get that off my chest. The Hoyo fandoms on twitter are so, so bad. Like man, don't claim people are mischaracterizing someone while not even knowing the lore yourself... Sorry if that sounds harsh, but...