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amu-says-hav-says · 1 year ago

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I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled.

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1. the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside.

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

#good omens #good omens spoilers #good omens season 2 #good omens 2 #GO2 #GO2 spoilers #ineffable husbands #not me going to my basically unused sideblog that isn't GO related because I NEED TO YELL THIS SOMEWHERE #I mean outside of the relationship thing there are so many ways #that Nina and Crowley line up and Zira and Maggie #but the girls story isn't about them as people #it's about this relationship the boys are tryna push on them and what that relationship reflects about the boys #anyway I'm on my first rewatch for all the clue I missed #so I imagine I'll only spot more clues to berate myself about as I go #HOW DID I FALL FOR ITTTTTT #I can't believe I was so blind #OFC the Disaster Puppy Lesbian was Crowley #and OFC the Emotionally Abused Tortoise was Aziraphale

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guardian-of-soho · 1 year ago

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Crowley starts off his confession already terrified, already most of the way to mourning, but his voice really starts to go to pieces when he says “and we’ve spent our entire existence pretending we aren’t. Well, these last few years, not really.” And you can just see it sinking in — after all these years of pretending, this is all we get? These few years of half-admitting, half-having? Never saying it was love?

I think that’s why he can’t get through “and I would like to spend — ”. Whatever time we have left together. Really together. Before it all comes apart. He’s just realizing that after all this time, he won’t get to.

#good omens 2 #he goes from desperation to grief in a moment #because it’s sinking in what’s happening #he’s seen that he’s already lost him #and he’d only just been told he could try to have him #good omens

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pomefioredove · 13 days ago

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Omg hiii! I saw that your requests were open again! Please take your time and prioritize your rest, and as always your writing is such a delight to read! I always look forward to your posts! 💖💖💖

That being said, can you please write for a Yuu/reader that has a love for painting (but is shy about showcasing their skill) , and was absolutely taken by Vil's beauty even before they met him? Of course they didn't know that he was a famous actor at first. What if Vil one day finds their sketches and paintings of him after months of knowing him? (hmm preferably after the events of book 6..? 👀)

SO CUTE!!! kicking my legs back and forth at this anonnn

*ੈ✩‧₊˚ the picture of vil schoenheit

type of post: short fic characters: vil additional info: romantic, reader is gender neutral, reader is yuu

How were you supposed to know?

It's not like Crowley had given you a guide on Night Raven College or its students (though, wouldn't that have been nice?)

I mean, you had to reminded of Trey's last name not two weeks ago. How were you supposed to know who Vil Schoenheit is?

You'd only seem him at a distance. Passed him by in the halls while he scolded some poor first year. He even looked beautiful when he was angry.

He was just made to be painted.

You didn't show your friends the art. You didn't need to give Ace another reason to tease you, and being a stalker would've really been the cherry on top of your weirdness sundae.

Besides, it was just drawing. Practice! Sketches from a distance, doodles done in the margins of your notes, watercolors and paintings from memory...

It felt familiar. This man, this stranger, someone you hadn't even spoken to, made you feel a little closer to home.

"Really, you should have some sort of organizational system,"

Vil leafs through pages of alchemy reports and history of magic homework. "Might I suggest a recycling bin?"

You smile. It's not often that your friend- Vil Schoenheit, that is- has a day off. But today is Saturday, and your room is in desperate need of his touch.

"This is... chaotic," he says, brushing a clump of Grim fur off his shoulder. "And you live like this?"

You shrug. "I try,"

"Well, try no more. We'll have this done before dinner,"

His commitment is touching. Millions of screeching fangirls would give anything just to spend five minutes with Vil, and here he is, tidying your room for you.

It's almost cute. He's humming to himself, hair tied back in a ponytail, in one of your shirts (his are too nice to get dirty), sweeping Grim fur out from under your bed.

"Rook and Epel couldn't make it?" you ask, pretending not to care that it's just the two of you.

"I told them not to bother,"

"Oh?"

Vil tsks. "They would get in the way. We're much more efficient on our own- we work well together, after all,"

That's something he'd said before. You'd always wondered what it meant.

"Right,"

You switch places, going to strip your bed of its sheets for washing while Vil tidies your desk.

Off go the pillow cases, the comforter, the blankets. You're wrestling with your mattress when you notice that he hasn't moved in a while.

He's looking through some of the papers from within the bowels of your desk, smiling to himself, a finger held to his perfect lips.

"What?"

"Hm?" he hums, but he doesn't look at you. "Oh, just... admiring your work. You have quite an eye for detail, have I ever told you that?"

He's being weird. You let go of your bundle of bedding and look at what he's holding, but it's just your sketchbook.

Oh. Oh, no. It's your sketchbook.

"OH! Um, wait-" you say, rushing to his side. "Don't- don't look!"

Vil smirks, and he holds the art over your head. "How unfair. The muse should always be the first to see, you know,"

Damn his height and perfect, slender arms!!! Your eyes widen. "It's not what it looks like! I didn't know you when I did those!"

"Yes, I saw the dates. You could make a career out of admiring me, you know~" he chuckles. "I'd pay for these. I'm sure Rook would like a few, as well."

You're practically melting with embarrassment. "Come on- give it back!"

Seeing your pathetic, embarrassed whining, Vil relents, handing you the sketchbook with an eye-roll.

"What are you ashamed of? They're fine pieces,"

"It's not that," you clutch the book to your chest. "It's just- uh- weird, isn't it?"

Vil scoffs. "I'm weird?"

"NO! I meant- I didn't even know you, and I drew you almost every day- that isn't... strange?"

He takes a moment to study you, your body language, the embarrassed look on your face. From head to toe. And then he smiles, warmly.

"I am in a dorm with Rook. There are very, very few things that I find strange now. You admire me- I'm flattered,"

He gingerly takes sketchbook out of your arms and opens it again. "Not to mention, you have an artistic eye that any director would kill for."

You stand there, a little dumbfounded, but mostly very, very grateful that he's your friend, and that you can laugh about this together.

"I'm... well... thank you," you finally say.

Vil smirks, and pinches your cheek. "You're precious. Now, back to work. I want this room over with. These paintings won't frame themselves, will they?"

#twisted wonderland x reader #twst x reader #queued #vil schoenheit x reader

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krummholz-go · 10 months ago

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The Final 15 - Aziraphale’s Perspective

I see a lot of empathy for Crowley’s experience during the final 15 minutes of season 2 and it makes sense that we feel deeply for him. What he is experiencing is very human - acknowledging the depth of his own feelings, plucking up the courage to say something, having it come out all wrong, feeling utterly rejected, and then walking away in a mix of pain and anger. Who among us hasn’t been there?

But Aziraphale is experiencing something more complicated, something fewer of us have analogs for. Aziraphale has internally acknowledged his feelings for Crowley for some period of time, probably at least since 1941. Michael Sheen confirms this mental state in a NYCC 2018 interview:

“I decided early on that Aziraphale just loves Crowley. And that’s difficult for him because they are on opposite sides and he doesn’t agree with him on stuff. But it does really help as an actor to go, ‘My objective in this scene is to not show you how much I love you and just gaze longingly at you.’”

Unlike Crowley, Aziraphale’s struggle isn’t acknowledging his feelings. His struggle appears to be two-fold: 1) believing that Crowley could ever love him back and 2) even if Crowley did love him, believing a future for the two of them together could exist within the restrictions of his larger world view.

Can Crowley love?

Angels are, traditionally, beings of love. We see Aziraphale embody this time and again, showing kindness and support to almost everyone he meets, including the amnesiac Gabriel who has treated him abominably in the past. He is attuned to love, remarking on how the area around Tadfield “feels loved” twice in Season 1. As for how Aziraphale personally understands and expresses love, he shows his love to others through verbal affirmation and, to a lesser extent, physical touch. There are many examples of Aziraphale expressing his love for Crowley through positive verbal affirmation, typically by praising him for instances where he has been kind, nice, or good. And on the rare occasions when Aziraphale receives verbal praise, he absolutely interprets it as an expression of love, blossoming with happiness.

But from Aziraphale’s perspective, it may be unclear if Crowley can feel love in the same way. Can demons love? Did he lose that capability when he fell? Crowley can’t feel the aura of love in Tadfield that Aziraphale remarks on, and his reactions to Aziraphale’s praise are always to shrug it off, tell Aziraphale to “shut up,” or in the most extreme case to physically slam him against a wall and get in his face about it. In this last instance he tells Aziraphale, “I’m a demon, I’m not nice. I'm never nice. Nice is a four-letter word.” A four-letter word, like love, that is not in Crowley’s self-defined vocabulary.

If Crowley can feel love, does he love Aziraphale?

Even if Aziraphale believes Crowley is capable of feeling love, he does not always recognize how Crowley expresses it in the moment. Crowley shows his love for Aziraphale through actions, but Aziraphale often misconstrues Crowley’s motivations. In 1793 when Crowley rescues him from the Bastille, Aziraphale initially assumes Crowley is only there because he is responsible for the Reign of Terror. Similarly, in 1941, Aziraphale’s reaction to Crowley’s appearance is to assume he’s just part of the Nazi gang, saying,“I should have known. Of course. These people are working for you!”

Crowley doesn’t help matters in this regard because he is constantly muting and undercutting his signals to Aziraphale. Every time Crowley expresses his love for Aziraphale through actions - rescuing him, saving his books, even taking him to lunch - he does so in a nonchalant, dismissive manner, indicating he ascribes little value or importance to the actions he has performed. “I just didn’t want to see you embarrassed,” he says when he appears in 1941. And when Aziraphale positively glows with happiness about his books being saved, Crowley tells him to “shut up."On top of these confusing signals, Crowley is almost pathologically incapable of expressing his feelings in the verbal love language that Aziraphale can understand. This is heartbreakingly demonstrated in this scene after the bookshop fire:

Crowley can’t even say “I lost you.” Instead he speaks of Aziraphale in the third person while sitting in front of him, saying, “I lost my best friend.” The little hitch on Aziraphale’s face when he hears this is just devastating. Who is Crowley talking about? The last conversation they had before this scene was when Aziraphale called while Hastur was in Crowley’s apartment and Crowley said, “Not a good time - got an old friend here.” Aziraphale is left to wonder - is that who Crowley means when he says "best friend?" Crowley is everything to Aziraphale, but what is he to Crowley?

How Would It Even Work?

Even when Aziraphale does get flashes of the possibility that Crowley may care for him he immediately runs up against his second mental block - there is no world he can imagine where they could be together. When Crowley first suggests running off together in the bandstand scene in S1E3, Aziraphale collapses under the thought: “Friends? We aren’t friends. We are an angel and a demon. We have nothing whatsoever in common. I don’t even like you.”

While he is obviously in denial, Aziraphale is also under tremendous stress in this moment and is desperately trying to hold onto some stability by falling back onto his world view and ideology. In this state he backpedals all the way to “I don’t even like you.” In his understanding of the way the universe is supposed to work, he and Crowley are hereditary enemies and should not even be friends, much less in love. Aziraphale expresses this core belief throughout the series. What kind of existence could they ever have together in reality?

The Final 15

With this as a background, we can better understand what Aziraphale experiences in the final 15 minutes. Even before the Metatron enters the scene, Aziraphale begins to have his fundamental beliefs challenged which puts him off his footing. The revelation that Gabriel and Beelzebub are in love is deeply impactful. When Beelzebub says “I just found something that mattered more to me than choosing sides” and takes Gabriel’s hand, Aziraphale immediately reaches out to make contact with Crowley, a look of incredulity on his face. Here is proof that demons can feel love and that an angel and a demon can carve out a space together. The road may be difficult, but it is not impossible.

Before Aziraphale can digest this revelation the stakes are ratcheted up: Michael threatens to erase Aziraphale from the Book of Life due to his part in hiding Gabriel. The future that Aziraphale has just barely glimpsed is already under siege. It is at this point that The Metatron enters, offering Aziraphale not just survival and protection, but a version of everything he has ever wanted.

If Crowley is reinstated as an angel, Aziraphale will no longer have to wonder whether Crowley is capable of feeling love. And if they are both angels, there will be no conflict inherent in having a life together. In one fell swoop, the Metatron entices Aziraphale with a future where there are no remaining blockers to an eternal, loving existence with Crowley. It will be “like the old times, only even nicer” because they now have millennia of their shared history to build on together. Of course this logic is horribly flawed and does not take into account at all what Crowley wants, but in the moment it must feel like an enormous gift to Aziraphale.

Unfortunately, not only is Crowley’s reaction to this “incredibly good news” not what Aziraphale expects, the conversation quickly takes a baffling turn for him. Crowley shuts down the talk about returning to heaven and attempts to say what he wants to say. Sadly he once again utterly fails to speak in a way that Aziraphale can understand.

The audience knows what Crowley is trying to say because we have the context of his earlier conversation with Maggie and Nina. But Aziraphale lacks that and thus can’t understand where this is coming from or what it means. Rather than expressing his feelings as Beelzebub and Gabriel did, Crowley recites facts: we’ve known each other a long time, we’ve been on this planet a long time, I could always rely on you, you could always rely on me. He can’t even say the word “couple” when he describes them, referring to them more as colleagues with words like “team” and “group.” And the one time he does try to express his feelings and desires he is physically unable to get out the words: “And I would like to spend—.” He then retreats into his old plea to turn away from heaven and hell and run off together. Nowhere in Crowley’s confession does Aziraphale hear “I love you” or even “I want to be with you.” What he hears instead is what he’s heard multiple times before - Crowley wants to abandon both heaven and hell and default to just the two of them. From Aziraphale’s perspective this will not solve anything for them. They will still be an angel and a demon, at some level fundamentally separated by their very natures.

Having failed in his speech, Crowley then does two things in rapid succession that must be excruciatingly painful for Aziraphale. First, he does the opposite of verbal affirmation by calling Aziraphale an idiot. We have seen Aziraphale become physically radiant in the rare instances where Crowley has praised him, so a direct insult like this must feel poisonous. Then Crowley makes a last desperate attempt to communicate through Aziraphale’s other love language - physical touch - by initiating the kiss. But without context or understanding of what is behind it, Aziraphale can initially only experience it as forceful, angry, and shocking. With more time to parse it I think Aziraphale will come to understand Crowley’s meaning, but in the moment it must feel manipulative and borderline cruel.

The Results

In a very compressed time frame, Aziraphale has to move quickly and radically through multiple mental and emotional states. For 6000 years he has believed he and Crowley cannot be together. Suddenly, with the revelation of Gabriel and Beezlebub, that foundational belief is challenged. Before he can work through what that could mean for him and Crowley, the Metatron offers an even cleaner solution - they can be protected from retribution and be on the same side again. When Crowley rejects reinstatement wholesale, it makes Aziraphale feel that he and his loving offer of a life together have been personally rejected. Then that rejection is further confused through the shocking experience of the kiss which Aziraphale does not have adequate context for or time to understand and integrate. In his emotional turmoil, Aziraphale falls back on his default crutch for dealing with sadness and anger - forgiveness - which further cuts him off from Crowley. Taken all together, this is a tumultuous rollercoaster of whiplash emotions that pull at every part of Aziraphale's self- and world-views.

Compared to what Crowley is going through, I think Aziraphale is going to have the tougher road in Season 3. Crowley may still need to better reconcile and integrate his feelings for Aziraphale, but Aziraphale has 6000 years of foundational ideology to challenge and evolve to reach a place where he and Crowley can be together as their authentic selves.

#good omens #aziraphale #crowley #aziracrow #ineffable husbands #good omens meta #good omens 2 #gomens #essay #final 15 #crowly x aziraphale #good omens s2 #good omens season 2

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theonevoice · 1 year ago

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Evidently I like to keep breaking my own heart, but you know, I don't think Crowley was about to say:

"And I would like to spent the rest of my life with you."

If you skip the "I mean, the last few years not really" parenthesis, I believe his full confession/proposal was going to be:

"We're a team, a group. Group of the two of us. And we've spent our existence pretending that we arent. [...] And I would like to spend it not pretending anymore."

And that's because he had prepared his little speach before Aziraphale came back, he had rehearsed it in his mind, taking their togetherness for granted. They had always been together, they had already spent their lives together and they were surely going to spend them together anyway forever.

Being together was not the point, because not being together was simply unthinkable. The point was stop pretending and finally become "an us" - openly, honestly, fully. The possibility of being separated never crossed his mind, it would not make sense for him to ask Aziraphale to be together, it would imply the existence of a reality in which they are not.

So when he pushed through and decided to say what he was going to say, he got to that part and the realization started to creep in that he might actually have been too much of an optimist. The possibility of them not being together did exist, it was coming into existence in that very moment, in front of his eyes, making the "stop pretending" part suddenly incongruous. And all the rest of his speach fell apart.

Now the point was "are you going away?", "what about us if you go?", "what is happening?", "why is this happening?", "how can this be happening?". Now the important thing that needed to be said was "let's be together, if you don't feel like stop pretending because it's dangerous then we can run off somewhere, far from Heaven and Hell and their threats, but just please let's stick together."

That's, I think, why he chocked on his words.

He was ready to take a little step forward, and he found himself falling a thousand steps backwards.

#good omens 2 #go2 #crowley #good omens thoughts #aziraphale #good omens #go 2 speculation #go2 spoilers #good omens 2 spoilers #coping with grief

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ineffableigh · 1 year ago

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Wait what the hell is Aziraphale mouthing here. Lip-readers sound off!!

This is RIGHT before "The Metatron! I don't think he's as bad a fellow - well I think I might have misjudged him."

His line was: "I, um... [mouthing something]" THEN the above line.

This can't be nothing. Can it? "We need to get out"??? Not sure. EDIT: I agree with @maximumpenguinpuppy here, I think he's saying

"WE NEED HELP."

Further deep dive on the most painful conversation I've ever seen:

Azi makes the most INTENSE EYE CONTACT I'VE EVER SEEN during "I think I might have misjudged him."

"PLEASE HEAR WHAT I AM SAYING TO YOU RIGHT NOW."

After a few intercuts with the flashbacks we get to the really painful bit.

"He said that I could appoint you... to be an angel." His voice is so strained and high pitched even for him, here.

"Like the old times, only even NICER!"

The super nice old times where you couldn't be together at all, eh?

Crowley starts his confession and we get the "What the blazes is he doing?" face as he starts to realize Crowley is NOT picking up on any of this. Azi's breathing heavily here, revealing how very stressed the fuck out he is.

After this point is when things get really hard to interpret. Aziraphale sounds so genuine about "Come with me!" and "We can make a difference, I'll run it and you'll be my second in command." It feels like Crowley starting his very real confession broke through the charade of 'The Metatron knows something and we're in fucking danger'.

He blathers about Angels and Doing Good before breaking again, letting the "I need you!" slip. We get this HALF A SECOND look of the most profound sadness right before the "I don't think you understand what I'm offering you."

"You idiot. We could have been us."

Azi looks like he can't believe just how badly this went. This is right before he looks away.

OH NO NOW I'VE SEEN CROWLEY'S FACE RIGHT WHEN HE STARTS TO GO OVER FOR THE KISS AH MY FEELS

Azi is not hiding his emotions well, right before the grab:

Then of course we get the I Forgive You, which sounds like his most bitter one yet. A flash of anger and resentment, frustration, immediately followed by remorse and grief.

Having seen all that, my best guess now is:

Metatron made the (barely) veiled De Facto Partnership threats, implying he knows about the body swap and, implicitly, threatening Crowley with Holy Water, at least to some extent.

Aziraphale tries his damnedest to communicate to Crowley that Something is Fucking Wrong and they Have to Go to Heaven to Fix It.

Crowley, having been primed by the various chats with Nina and then the 2v1 chat with Nina and Maggie RIGHT before this, clearly timed by the Metatron, fully misses all of this and takes it all at face value.

Crowley starts to give his confession and Aziraphale realizes what he's trying to say, tries to adjust his Heaven Pitch to hinge on staying together as a team to fix things."

"You cannot leave this bookshop." "Nothing lasts forever." Azi has chosen the worst way to make another attempt at saying he has no choice but to leave the bookshop. I don't think this is about the Second Coming, given his reaction to the info later.

Everything deteriorates from there as Aziraphale tries again to imply something is Fucking Wrong by going back to the "Angels! Doing good!" shtick, but it's too late. It's always too late.

"I don't think you understand what I'm offering you." He doesn't but Azi is also communicating it very badly, likely because the Metatron is indeed watching.

Crowley thinks this is all real so he gives his No Nightingales line, etc etc. Aziraphale can tell there's no fixing this, gives up.

Crowley swoops in with The Kiss as a last ditch effort to get Azi to listen. Azi WAS listening, but cannot respond other than in anger and frustration that Crowley, in his view, refuses to listen to him again, has called him an idiot again. This happens multiple times throughout the show so there's history to fuel that assumption.

This is the precise outcome the Metatron was vying for, to split them up and emotionally/psychologically weaken them, to ensure there was no chance of a united front as there was for Armageddidn't.

My heart hurts, ow.

#aziraphale #crowley #the metatron #ineffable divorce #ineffable husbands #good omens meta

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amuseoffyre · 1 year ago

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I’m emotionally ruined by the fact that Aziraphale hasn’t broken out of his heavenly conditioning. He still loves doing good. He gets happy when people tell him he’s an angel and says “it’s nice to tell people about the good things you’ve done now that I’m not reporting to Heaven”. He will literally put himself in harm’s way to make sure he does the Good and Right thing.

It can’t be understated how much Heaven’s influence still impacts on him. Aziraphale has been created, ordained and conditioned to believe it and he can’t just switch it off or walk away. Crowley didn’t get the choice. He was Fallen. He was kicked out and - as per the rules of toxic and terrifying cults - Aziraphale was always told for centuries and millennia, Falling was the worst thing that could happen. If you’re bad, you’ll be forced out. If you’re bad, you’re not one of Us. You’re one of Them.

When he did something he perceived as Right (ie. saving innocent children from death), but knew it wasn’t what Heaven intended, he broke down. Crowley found him a crying, shaking wreck afterwards because he was so convinced he was Evil. He was so convinced he was going to be dragged to Hell and that he was now a demon because he did one thing that saved some children but because it wasn’t a specific directive, it was Bad.

It shapes so much about him and it’s why the whole series looks like he’s having so much fun doing silly human things, but there’s this brittleness to it. He’s happy and excited and he’s doing his human-life things and having a lovely time, but he’s also constantly stressed because of the Need To Do Good. From the moment Gabriel turns up, he’s a nervous wreck and is trying to hide it by Doing Good, by Solving the Problem, by Fixing Things, by being so active and reactive rather than letting himself think about it. It’s a sign of exactly how frantic he is that he starts giving away his books and letting humans touch them.

Watch his face when the Archangels show up unexpectedly: that isn’t joy. That’s blind terror. He’s so afraid of doing the wrong thing in Heaven’s eyes, even though he made the active choice to do so because it was the Right thing to do. He’s a Guardian and he will protect, but he is so very afraid of the repercussions, even now.

At the end of S1, Crowley said “they’re gearing up for the big one” so Aziraphale’s not oblivious. He knows a big one is coming. He knows something worse than the Antichrist will be on its way. And he’s trying so hard to pretend that everything is normal and fine and if he ignores all the looming bad stuff, it won’t happen. If we don’t say anything about it, nothing has to change.

But then the changes come knocking at his door holding a box and the choice is gone. He can keep trying to blinker himself to it, but then there are angels and demons in the bookshop and he’s had to use his halo and everything is falling apart.

So when he realises that he can get himself into a position where he can guarantee those repercussions won’t happen to Crowley? He will absolutely take it. He says himself “I don’t want to go back to Heaven”, but the instant the Metatron offers him a free pass for Crowley, to take Crowley out of both Heaven and Hell’s sightlines, to keep him safe (Another bee inside the hive, if you will), no wonder he grabs it with both hands.

The tragedy is that Crowley thinks that when they saved the world together, that was the end of Heaven’s influence in Aziraphale. When he was cast out the split between him and Heaven was sharp and clean. He doesn’t - he can’t - understand how deeply it has tangled around Aziraphale. It’s built into Aziraphale’s entire being and unravelling it isn’t that simple. Aziraphale’s trauma is a horrible, terrible Gordian knot and Crowley can’t understand that he couldn’t simply cut through it, because that’s just not how Aziraphale works.

#good omens s2 #good omens season 2 #good omens #good omens spoilers #gos2 #go s2

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agoodomenssideblogiguess · 1 year ago

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I dont think I'll ever be able to get over the "I work in Soho, I hear things," line Aziraphale says in 1967. Cuz like if you exam the scene background for more than a couple of seconds you realize how fucking ridiculous Crowley and Aziraphale are being.

Because, Crowley KNOWS where the bookshop is. Crowley was probably there when Aziraphale came up with the idea and when he chose the property and for sure was there for opening day. Crowley KNOWS it's still there in 1941, they go back at the end of the magic show for wine.

The fucking Dirty Donkey is established as being across the street from the bookshop with a perfect view to the inside during s2e4.

See how the crossed out windows the zombies are looking through are visible through the window over Crowley's shoulder. If Aziraphale were heating up the tea kettle on his little parlor stove, he might even be able to see the pub's entrance or any cars coming up the street.

And I doubt that the pub moved locations in or around 1967 only to be moved back by 2023 so we can safely assume that what's visible in 1941 is visible in 1967 during Crowley's meeting.

I went back to the 1967 bit in s1e3 to figure out where the fuck Crowley is parked and I'm pretty sure the ramp he speaks alone to Shadwell in front of is the same ramp that Marguerite's restaurant has.

And in s2e5, as Aziraphale leaves to invite all the shopkeepers to the 'meeting' we see Marguerite's sign through the windows to the right of the front door.

Which means Crowley's conversation with Shadwell is fucking visible from the front door of the bookshop.

And it also means those fucking strip tease signs that Crowley has parked the Bentley in front of are covering up the record shop and the window over Aziraphale's desk (Which I'll admit, unfortunately means that the ramp isn't visible through the window and might only be seen via the windows of the front door of the shop). Why are these windows covered up? Maybe the set designers wanted to give the illusion that they are on some different part of the street. UNFORTUNATELY I CAN FUCKING SEE THE BOOKSHOP PILLARS IN THE CORNER OF THE SCREEN YOU CANT FOOL ME.

Let's put it all together now: Crowley drives the Bentley, his ICONIC Bentley(no doubt who's fucking Bentley that is if you see it come down the street through the window), just past the bookshop, and parks. He has to get out on the bookshop side of the street and backtrack, PAST THE FUCKING BOOKSHOP DOOR, and to the pub that is in perfect view of one of the (only unblocked) bookshop windows, and has a conversation with a strange man in view of the bookshop's front door.

"I hear things" Aziraphale, baby girl, you didn't have to hear anything you can literally see Crowley at every moment.

And also Aziraphale, you're not off the hook for ridiculousness either. Why the fuck did you teleport into the Bentley. THE BOOKSHOP IS RIGHT THERE. You fucking depraved me of a full cravat outfit shot because you wanted to spookily and mysteriously appear to your beloved demon. YOU'RE KILLING ME AZIRAPHALE.

#good omens #good omens 2 #go2 #gos2 #for the most part you can just sort of rely on the audience's suspension of disbelief to make up for moments of necessary inconsistency #but i think its a lit funnier if we just decide that actually Aziraphale and Crowley are just THIS ridiculous

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halemerry · 1 year ago

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I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

#good omens #gos2 spoilers #good omens spoilers #good omens meta #kind of #is it meta if its mostly me pointing and yelling?#come suffer with me #you have no idea how many times i had to watch these sequences for this #crowley #aziraphale #the bookshop

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shiplessoceans · 1 year ago

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Good Omens S2 Episode 6 confession scene speculation:

Aziraphale didn't respond to the love confession from Crowley because he didn't realise it was one until Crowley mentioned the Nightingale and kissed him.

Allow me to explain.

---

Aziraphale interrupted Crowley to give him the news from Metatron, so when Crowley starts his spiel:

"We've been together a long time, I could always rely on you...we're a group....we've spent our existence pretending we aren't...if Gabriel and Beelzebub can go off together then we can...we don't need heaven/hell they're toxic...you and me whatya say?"

Aziraphale interprets everything Crowley is saying as his rebuttal to the 'good news', not a separate declaration of his feelings.

What Aziraphale just told him shaped Crowley's confession, instead of finally telling Aziraphale how he feels about him, he's now backed into a corner and trying to change Aziraphales mind. Offering to run off with him as the alternative to the Metatron's offer.

The repetition of the phrase: "go off together" from the bandstand fight in season one feels very intentional here. It would be easy for Aziraphale to think 'this is just Crowley's response when the divine plan interferes, he always wants to run away'.

Aziraphale believes that he just needs to make Crowley understand the situation and opportunity that this is and everything will be alright:

"Come with me! To heaven, I can run it, you can be my second in command. We can make a difference!"

Crowley is looking defeated already, in his mind he's bared his soul and Aziraphale is a brick wall. So if he can't tempt the angel into staying with the love he has for him (which Crowley thinks he's declared but he really hasn't), he'll get him to change his mind by evoking something else he loves:

"You can't leave this bookshop."

Aziraphale scoffs fondly. 'Silly demon, you were just suggesting we run off together and abandon it only a moment ago!' He thinks Crowley is trying to 'work' him here and the old serpent might even be selflessly trying to spare the angel the loss of his beloved bookshop in order to restore Crowley and help the world, which would be just like him to be so covertly protective. So Aziraphale reassures him, a bookshop doesn't matter to him as much as Crowley and the world. It's just a collection of objects really. Humanity is more important. Crowley is far more important.

"Oh Crowley, nothing lasts forever."

Crowley is crushed. Nothing lasts forever. Not even the two of them. So he covers his sadness with his glasses, walls back up, and he tries to leave.

Aziraphale is baffled. He just reassured Crowley that he was alright with change if it means things could be better. Why is Crowley leaving? Is he worried that they won't spend time together anymore? That he won't have time for his friend as a supreme archangel?

"Crowley come back!....we can be together, angels!...I need you!"

Crowley can't even look at him in that moment. Why would Aziraphale say that? The two of them together only if he accepts heaven again? Conditional love? That's not fair. It hurts.

Aziraphale meanwhile is hurt by Crowley's turning away, his silence and a bit incensed at what he perceives as ingratitude. Aziraphale didn't really want to go back to heaven, but he'd do it if it meant Crowley could be happy and safe and Crowley doesn't seem to appreciate that:

"I don't think you understand what I'm offering you."

Crowley went through the fall. He asked the questions. Did his best to protect humanity and it has brought him nothing but suffering. He's well aware what's on offer. He's seen heavens cruelty and capriciousness firsthand and been burned by it repeatedly. How can Aziraphale choose them over him and still think everything will work out?

"I understand. I think I understand a whole lot better than you do."

Crowley loves Aziraphale's big foolish optimism and kind heart and he thinks it's the very thing taking the angel away from him. This isn't how it was supposed to go. It's all slipping away from him.

"Listen. You hear that?"

Aziraphale can't even keep up at this point.

This is what comes of thousands of years of 'not talking about it' and living under threat of holy retribution if they are discovered. They're talking past each other, having two different conversations. Obfuscation and code has become their communication medium by necessity and it's failing them.

It's frustrating Aziraphale that he can't get a grip on this conversation:

"I don't hear anything!"

And Crowley drops the bomb.

"That's the point. No Nightingale's."

Oh. Suddenly we're on the same page. You can see from Aziraphale's face that he understands to what Crowley's referring. The Nightingale in Berkely square. Angels dining at the Ritz...

"You idiot! We could have been... us."

Crowley's talking about the big unspoken thing between them. Their relationship, thousands of years of dancing around each other like binary stars gravitationally and inexorably drawn together over and over. The thing Aziraphale was beginning to be bold about, (dancing notwithstanding) before Metatron came along and distracted him.

And it seems to Aziraphale that gut-wrenchingly, Crowley is finally acknowledging their mutual love only to point out that it's gone. Lost. They could have finally been together, an us, but Aziraphale ruined it because he's an 'idiot'.

After being quietly in love with Crowley for years, for Aziraphale to have his offer to return to heaven together and his unspoken love rejected in one fell swoop is devastating.

Overcome, he begins to cry and turns away, not wanting Crowley to see how hurt he is.

Crowley for his part is desperate. He has to do something. Maybe Aziraphale doesn't understand what Crowley is offering him! One fabulous kiss and va-voom right?

In a final desperate act, he kisses Aziraphale. Tries for passionate. Tries to show him that he loves him and show him what they could be because his words clearly aren't working.

Aziraphale is shocked and angry. He wants to kiss Crowley of course. But not like this. Not as a taunt. Crowley just told him their chance is over so what else could this be but a final insult. A kiss to punish the angel. It's a cruelty he didn't believe Crowley capable of.

And despite how mean it is. It's also what Aziraphale has wanted for so long he can't help but melt into it for a brief moment. Allow himself to feel what it would have been like to be that close before losing it forever.

Then Crowley lets go and Aziraphale breaks away on a sob, feeling wounded. Hurt beyond words that Crowley would use his feelings against him like this, gutted to be losing the man he loves and not understanding why.

The worst part is that Aziraphale doesn't have it in him to hate Crowley, even if he thinks the kiss was a cruel gesture. He still loves him. So he gathers himself and does what Aziraphale does when someone hurts him.

He forgives.

"I forgive you."

I forgive you for rejecting my attempt to restore you and make you happy, I forgive you for rejecting God and heaven yet again, I forgive you for acknowledging our love and then rejecting it. I forgive you for kissing me, giving me a fleeting glimpse of what we could have been to each other. I love you and I forgive you all that.

Crowley is done. Breath knocked out of him on a last sigh. He tried. And the Angel forgave him yet again for something he never asked or wanted forgiveness for. He doesn't want to be penitent for loving Aziraphale. Shouldn't have to apologise or regret wanting them to be together.

"Don't bother."

Aziraphale looks surprised Crowley is leaving because he genuinely is. He can't understand how it's all gone so horribly wrong. He gasps, shocked and can't even call out to him to stop, come back.

He cries, touches his lips where Crowley had kissed him. Tries to gather himself and barely has 10 seconds before Metatron is back.

At the end of that scene:

Crowley thinks he confessed his love and Aziraphale chose heaven over him because he didn't want to stop being a demon.

Aziraphale thinks Crowley rejected heaven, then rejected Aziraphale and threw their love back in his face as a final unkindness.

Aziraphale leaves and goes to heaven anyway because in his mind he's already lost Crowley and there is nothing left to stay for. If he doesn't have Crowley he needs a new purpose and it's going to be saving the world. He'll convince himself of it. And he'll push that broken heart down and the pain will fade if he just smiles through it. It will be enough, to make heaven better. It has to be. Maybe if he proves that he can make a difference Crowley might see the error of his ways and speak to him again? Surely. Hopefully.

---

Both of them are hurt and confused and lost and oh dear hell I really feel for them.

#good omens meta #good omens 2 meta #good omens s2e6 #gos2 spoilers #good omens 2 #good omens 2 analysis #gos2 meta #ineffable #ineffable husbands #aziraphale #crowley #good omens spoilers #gos2

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actual-changeling · 1 year ago

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This post is going to show you the EXACT moment that tear forms with indisputable evidence that consists of several screencaps, detail shots, and slowed down video proof, which will be at the very end.

The tear and I are getting married, her name is Trina and I love her.

Let's get right into it. Be prepared for uh. Very painful facial expressions! And tears (at the end).

We're going to look through the final fifteen chronologically with pit stops at important emotional points that I think would make sense to cause a tear.

As you can see, we go into this argument with mostly dry eyes, a little glistening here and there but those are NOT tears. Probably just the contacts plus the lack of blinking making his eyes a bit more moist than your usual pair. The tear will be obvious.

Obvious disbelief when Aziraphale tells him about the Metatron's bullshit, yes, but Crowley soldiers on through.

Now a scene that I personally thought would be most likely to cause tears - "tell me you said no". However - his eyes stay dry! Both before and after Aziraphale's non-answer. No tears.

The best spot to look at is his waterline, and as you can see it's free of any sad tears.

We have reached the "go off together" stage, Crowley is yelling, they're both emotionally perturbed, a very good foundation for tears. Yet when you look at his eyes during and right after, they're still dry!

We are now right before Crowley says "you can't leave this bookshop" and when he does BOOM the tear is suddenly there!

This is what our tear looks like, and we have a very narrow time frame during which it can appear. So it is time for the grand reveal because by now you're probably yelling at me "okay but WHEN does it show up??"

I will tell you. Or rather, I will show you first and then tell you what Aziraphale said right before that triggered it. Ready?

There it is. Left - no tear. Right - tear. (no i will not make the trivago joke again i want to but i wont.)

Come with me! To heaven! I'll run it, -> no tear yet. It appears after the next part.

you can be my second in command THAT is what causes the tear to finally show up. Right as Aziraphale finishes his sentence you can watch as it appears.

As promised, here is the video evidence, slowed down by half and zoomed in on Crowley's face at the end.

Alright, have you seen enough tears? Good! Let's look at the emotional reason. Because your question is probably what is so special about that sentence that it tips Crowley over the edge?

That one sentence, that one "promise" Aziraphale makes him, destroys everything. All of it in one go.

It is not just about Aziraphale choosing heaven over him, it's not about him saying no to running away (Crowley probably saw that coming anyway). What Aziraphale does is he takes them, their us and eliminates it.

Not just is he telling Crowley that he's an evil demon tm who needs to be an angel to be worthy of staying in Aziraphale's life, but "second in command" takes that even further.

Not "ruling together" or "ruling side by side" or any variation of those. No, Aziraphale is telling him that they are not equal and never have been. That Crowley has always been inferior to him and always WILL BE even if he stops being a demon and does what Aziraphale wants.

This is why Crowley no longer things of them as an us after all of that. Aziraphale took every single meaning it had and inverted it, crushed it up, and then threw it away.

Yeah.

Crowley is telling him he is gay and in gay love with him. Aziraphale takes that and says "you can be my employee at gay conversion therapy which i will run #straight besties".

Crowley hears "second in command" and it is the last puzzle piece falling into place. It's the final straw and that is when we get the tear. Before that he was saying we can be together, be an us, just the two of us, you and me. He was referring to them as free equals who don't need heaven or hell, who are happy with everything the way it is. An Aziraphale who loves Crowley no matter what his former occupation might have been.

We could have been us. (I wanted us to be an us)

And Aziraphale's answer to that is there has never been an us and we never will be. i don't love you the way you love me.

Anyway, see y'all on my next angst post or in the tags. Have another devastating screencap to wrap this all up nicely 💚

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #ineffable divorce #the final fifteen #good omens meta #good omens 2

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