#when I'm performing

[ya-what--ya-erster]

I've had some pretty rough patches in my life, and even with the ones that are long passed, I still struggle with those rough patches.

Each of those rough spots tend to have a person assigned to them, the person who struggled/struggles through the same thing with me.

It's so amazing to see that person smile a real, big smile, unprompted from something on the outside. Just them smiling because they're happy.

But it also sucks, because I'm not. I'm still hurt too bad to smile like that. I still beat myself up and hurt and hurt and hurt.

So even though I'm happy for those people, I'm also jealous. Maybe even a little bit bitter. Because they seem to manage it so well, seem to have gotten past it.

And I'm still stuck.

[captainzigo]

[captainjonnitkessler]

Things I wish women were learning from true crime podcasts: how to spot early warning signs of abusive relationships, how to escape abusive relationships, how easily domestic violence can escalate to murder, how incredibly unlikely it is to be the victim of a crime done by a complete random stranger as opposed to friends and family

What women are learning from true crime podcasts: I am in CONSTANT danger and every day I survive without being murdered by a serial killer is a miracle. I should react to everyone I meet with distrust and paranoia and live my life as if I am in mortal peril and if anyone suggests that might not be healthy then they just don't understand what it is to Be A Woman In Today's Society

[simplenefelibata]

as much as i love sam knowing about destiel before dean does, there's something about "i mean yeah my brother and his angel best friend are really weird about each other, live together, co-parent a kid, nearly kill themselves every time the other is gone, stand too close and stare at the other's mouth while they talk, but i mean to each their own i guess??" that's so special to me

[khaopybara]

❝Since when did you start liking me?❞

FORCE JIRATCHAPONG as PHOOM and BOOK KASIDET as VICHA KANNULA episode 7 of PEACEFUL PROPERTY

[cinemaocd]

Jack Rackham is my favorite character in Black Sails because Toby Schmitz is the only actor who realizes he is in a prequel for Muppet Treasure Island...

[beif0ngs]

Buggy the Clown || Anime vs. Live Action comparison shots 

[biggest-gaudiest-patronuses]

yes i have personal & intimate reasons for my own (lack of) religious/supernatural beliefs, but it's not dishonest to admit: i am also an atheist bc at no point in my life have i, after completing a slightly unpleasant task, been witness to an angel/imp/sprite/devil/entity-of-any-kind manifesting in all their glory to offer me a pat on the head and a little plastic baggy of crackers (by way of encouragement/reward).

call me childish but in my heart of hearts i cannot truly participate in a belief system that tolerates such negligence

[raplinenthusiasts]

Outro: TEAR

© namuspromised

[deoidesign]

"what do hands mean about a character?"

Their hands mean they love eachother

(webcomic)

[hyunin]

KAZUHA | 240901 • 1-800-HOT-N-FUN @ MCOUNTDOWN

[superfruitland]

|| masterpost || previous || next ||

yeah i wasn't kidding about the new update schedule, lol.

but finally, we get to go get into the meat of this story i've been looking forward to for so long! oh but i don't know where to even begin-- oh? what's this? a poll?

you have one week to choose what - or, rather, who you'd like to get to know better first~

[catsvrsdogscatswin]

I've had this thought swirling in the back of my head for a while, but it's finally congealed enough that I think I can make a coherent pitch, which is: I think RWBY's problems with the more vitriolic part of its fanbase partially stems from the fact that RWBY is a deconstruction that doesn't advertise it's a deconstruction.

RWBY's status as a deconstruction is pretty textbook. It takes apart standard fantasy, shounen, and anime tropes in order to analyze them and their deeper meaning and then reassembles them in new and interesting ways for the plot/characters/series. Thing is, it never says that outright in promotional material, which can lead to later outrage in fans.

See, unless their way of discovering new shows is to close their eyes and stab their finger at random, most people tend to choose series to watch/read based on expectations. Maybe a friend said they'll like it because it has [insert thing], maybe they read the summary and were intrigued, maybe they thought the poster/cover art was cool, whatever. These small pieces of information are generally enough for people to make a snap-judgment of the style and genre of the series, which they can then gauge against their personal tastes and decide whether or not they want to try.

Most of the time, this works just fine. Well-written deconstructions also generally give the viewers some warning/buildup before they take a hard swerve. See Madoka Magica: the magical girl paradigm is shaded by the possibility of death as soon as we're introduced to it, then there's an onscreen death with blood, and then a few episodes later we eventually realize the Faustian bargain of it all. Even innocent viewers who stumbled into watching it, unaware of the show's reputation, would go "Oh, wait, this is not going in the direction magical girl shows usually go" by a third of the way through.

The thing is, with RWBY, this does not happen unless you're paying a lot of attention and/or looking for it. And neither the cover art nor the summary nor, I believe, the fanbase gives a lot of warning about the swerves ahead.

In fact, RWBY initially bills itself as a pretty standard shounen anime. The main protagonist is hinted to have Special Powers and gets into the Magic Monster-Hunting School in the first episode, and the first two-and-a-half seasons are taken up by her and her friends' superhero-esque slice-of-life shenanigans as they thwart robberies and terrorist attacks and gear up for a tournament arc against the looming background of a larger conspiracy.

Then in the last half of the third season the villains' entire Rube Goldberg machine of a scheme snaps into completion and the plot twists so hard the entire genre takes a hard right. If you're used to character analysis and common anime tropes, this is not completely a surprise -up until this point, RWBY's character arcs and plot have been subtly traveling in non-traditional directions that hint of greater flexibility in genre treatment ahead- but if you're not... well.

Thing is, people watching RWBY up until this point have signed up for pretty standard shounen and they've been getting it, but the third season's ending smashes that all to bits. From then on out in RWBY, it's like they ordered fries and suddenly got a hamburger. It might be delicious; but it's not what they asked for, what they wanted, or what they paid for, and they are, justifiably, displeased.

So when the reasonable people either adjusted their expectations or sighed, shook their heads, and clicked back out (perhaps with a grumble and a scowl), the unreasonable people dug their heels in and began insisting that everybody was Getting The Show/Character Wrong and that CRWBY is ruining it, because the fact that RWBY's method of deconstruction is to put standard tropes in a blender and then arrange what's left in deceptive patterns means that said unreasonable viewers can scan the bare surface and argue that all the stereotypical stuff is clearly still under there, somewhere.

So they're continually trying to drag RWBY back to the tracks of a typical shounen anime series (it's closest relative), which creates a dissonance between the show they're watching and the show they think they're watching. They're trying to turn the hamburger back into fries, basically, except that doesn't work and just frustrates everyone involved, because you're trying to make RWBY into something that it's not. Hence, this attitude probably starting/fueling some of the more contentious statements in the fandom, i.e.:

"Ironwood was right the whole time" (in most action movies and shounen anime, allied military leaders are trustworthy beyond reproach)

"Adam's character was wasted" (we all know how much shounen loves their powerful warrior antiheroes)

"Ruby and the others are in the wrong about [insert thing]/or for doing [insert thing], and this is bad writing!" (shounen protagonists don't usually make more than One Very Big Mistake over the course of their entire careers, which is usually fixed/overcome/redeemed via an appropriately rigorous training arc)

And to be clear, there's nothing wrong with shounen tropes or shounen anime. They're wonderful storytelling devices in their own way and their own time: but if you want standard by-the-book shounen without any new and interesting concoctions, then RWBY is definitely not the show for you. And most people don't find that out until it's too late.

[theactualsunshinechild]

I think Aventio and Screwtio shippers shouldn't fight. After all, Ratio has two hands!

That's right. Two hands.

One for his chalk.

One for his codex.

Both of which he's holding in an embarrassed death grip as they chat away with each other about him.

[sergle]

this stupid fuckin youtube recommendation was specifically formulated in a lab to piss me off

"RED STATES"? YOU MEAN THE MAJORITY OF THE ENTIRE UNITED STATES???????????

[speakofcompersion]

240712 NeverNever Fanmeeting - Taemin Guilty ♥︎