#whatever post youre thinking of

[softbutchthatlovesyou]

I know it's just so haha funny to joke complain that people stand on the airpprt moving belts but can you guys actually be tired of joking about disabled peoples accessibility tools not working in your favor? I'm standing still because I'm in fucking pain and still need to reach the other end of the airport. That's for me and other disabled people to get around easier with heavy luggage. Not because you feel the need to larp sonic as a grown adult.

[introspectivememories]

was it casual when i sat in your lap in public? was it casual when i said "recently my heart is crying because you're leaving"? was it casual when we decided how your last name would fit with mine? ("yuki tsunoda-gasly" / "no tsunoda, only gasly" / "yuki gasly?") was it casual when we sang adele's "someone like you" together at your going away party? was it casual when i knew it was you just by touching your ass? was it casual when i knew it was you by smell alone? was it casual when "will you miss me?" / "for 2-3 minutes maybe" / "i'll take that. even if it's just 2-3 minutes, i'll take that"? was it casual when that bus was completely empty and we still sat right next to each other, all the way in the back? was it casual when i picked you up multiple times so you could dunk a basketball? was it casual when i begged to come over to your house multiple time and then you finally let me and we cooked fried rice together? was it casual when we played christmas twister together and i said "your big eggplant is touching my ass"? was it casual when we were pressed up against each other on a scooter going two miles per hour? was it casual when-

[dukeofthomas]

I find the fact that the confrontation at the end of UTRH is often summarized as Jason asking Bruce to kill the Joker for him fascinating.

Because that's not what happened.

Jason holds a gun up to Joker's head, gives Bruce another, and tells him that if Bruce doesn't do something (shoot Jason), he will kill Joker.

Jason doesn't give the gun to Bruce so that he would shoot Joker. He isn't expecting Bruce to pull the trigger on the clown. He's asking Bruce to do nothing. To be inactive. Because that will still be a choice, and despite having done nothing, everybody clearly agrees that Bruce would still, at least in part, be responsible for Joker's death.

...And to me, this moment is a kind of- microcosm, of the rest of Jason's point. Because after being captured and carted off to Arkham, the villain will escape again, and will kill more people. The only way to truly prevent that from happening would be to kill them; Bruce refuses to do so, and I respect his right to choose such a thing for himself, but it is still a choice, and if we agree that Bruce's inaction during the confrontation would leave him at least partly responsible for the Joker's death, then we must also agree that his inaction in permanently preventing the Rogues from killing more people means he is also, partly, responsible for all of those deaths.

[aria-greenhoodie]

You see, @localcanadiancryptid22, I’m a motherfucker who LOVES drama, so I fw anything that can create that.

I’m normal. Btw. In case you were wondering.

[traumasurvivors]

If you have trauma as a result of dealing with delusions and/or psychosis, your trauma is valid.

Trauma is largely about how you feel and how something impacts you. And even if you know something isn’t “real”, it doesn’t mean your feelings aren’t real. And it doesn’t change how real it feels to you.

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! 🤷🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[cozylittleartblog]

happy pride month. i did not make this up for th ememe

[vaspider]

It is truly wild how much that, like, having a Following on any social media makes you this weird poppet onto which people project their weirdest hangups. Does the thing have anything to do with who you really are? Nope! But it sure says a lot about that person, the things they project onto you.

Like, my friend, this is a parasocial relationship you have with that person. It's just a negative one. Your obsession does nothing to them, and it's bad for you.

[afterthelambs]

This is how Shido's bossfight went down, trust me

[kennelkorn]

Don't care how much its overdone🔥🔥 I love when writers make Jack blurt out whatever he feels whenever he drinks too much GRAAHHH

[theminecraftbee]

you know the excellent quadruple life fan comic has me thinking about double life again. and MAN. thinking about the soul bonds mechanically. like, before I get into my meta-analysis it’s worth noting that non-diagetically the soulbond mechanic being based on how many hearts someone has is basically the only way I can think to do it in minecraft that’s sensible, but diagetically…

so do you ever think about how the marker of what made people soulmates in double life was pain?

like, soulmates share injuries/pain! that’s the whole premise! like, to the point that day one people were making up elaborate ways to hurt themselves so they could test for their soulmates! you met your (very romantic-coded) partner and confirmed they were the person you were looking for by hitting each other, generally!

being a soulmate in the double life universe isn’t about being compatible, it’s about literally sharing pain, and it’s just… I think about how for some pairs, they share the burden between each other, and it brings them closer. for some pairs, though, the only way they know how to communicate is by hurting one another. and the thing is, this isn’t just a literal thing. like, mechanically, the thing soulmates do is share pain and communicate with pain, but metaphorically, can you say desert duo doesn’t have trouble communicating because half of how they know how to exist is either sharing in pain or causing it for each other? can you say that ranchers’ strength wasn’t a pair of people who understood each other’s pain and desperation to be better than they’ve been before? can you say that divorce quartet isn’t, well—

so pearl wins after scott hurts them one last time don’t you ever think about that,

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[secretagentspydetectiveninja]

can't get over how fucked up and weird nahyuta is... like i don't mean in the surface-level haha "what's crack-a-lackin homie" way, i mean this kid who grew up on the run as essentially a wanted criminal, who got separated from his brother in the middle of his childhood, throwing himself into monk training and religion to find some semblance of peace and meaning to his suffering, only to end up tortured and held hostage by his own aunt and having years worth of blood on his hands from all the people he sent to their deaths... helpless and drowning with his sole hope being that dhurke would save him, then finding out that dhurke was already dead and he'd lost his chance to ever reconcile... and not wanting to lose apollo on top of it too, but not able to bring himself to sacrifice rayfa for it!! watching his mother get shot in front of his eyes!! his family members all being used against each other as chess pieces to control him!!! and there's nothing he can do!!!!

and like even just as a person the way he's so down to just infodump about whatever he's been researching and how his interest in science alongside his deep spirituality complements his partnership with ema, who he is way nicer to than literally any other prosecutor ever treats their detective, he's so weird and curious and genuinely sweet under the cruel façade... he is so much. can't get over how he's a prosecutor AND a monk and even a prince. he's literally the actual prince regent of a country. he's THE androgynous icon. and he's hot!!!

[sigsfigs]

i'm mrs. manhattan

[deoidesign]

Thinking about vampires, death, life, and the space they occupy in between

[vaguely-concerned]

on the one hand I think inner demons could stand to have a bit more romanced rook specific content, but on the other hand the underlying in-built implication that 'yours is the one true voice of comfort and safety in my inner world' is a sentiment and intimacy so way beyond the romantic or the platonic or any secret third thing you could care to name that it makes me lose my entire poor little mind a bit. it's so big and fundamental — near-existential — that in that exact moment at least the distinctions kind of seem irrelevant.

all the people lucanis' mind conjures up along the way are relationships he has that are unavoidably mixed and fraught in some ways even when they're also full of love (they are fraught BECAUSE they're full of love) — the good in them inseparable from things that hurt him at the same time. (it's about: the basic disorganized attachment patterns this poor guy is dragging around with him. careful with those, they're dellamorte heirlooms. what you love also inevitably hurts you and you won't be allowed to have one without the other, you have to surrender parts of your soul to hold on to what little you have left: this is the story up until now.) and the idea that rook isn't that to him — that beneath the fear of wanting them when romanced (which is more its own separate thing because within this psychology, actively wanting something and not just clinging on for dear life to even a meager status quo lest you lose it is in itself dangerous bordering on catastrophic), this is a relationship where there isn't resentment, or guilt, or shame, or dread, or rage, or self-hate, or any of the other emotions that keep him paralyzed, unable to move this way or that. no debts, nothing owed of yourself and your soul's substance except what you can freely and safely and happily give. love and freedom don't coexist — but, I mean, you're almost starting to make me think........... unless...👀👀👀. the unconditional and undramatic 'you are here and I am here with you, you can be exactly how you are right now with me and it's safe for us both even though you're afraid it won't be, I'm not going anywhere' acceptance rook shows him here that he returns to them in the big romance scene, when it's rook who needs it. the way he's just. standing there in the center of it all, like a child desperately helplessly waiting to be found, hiding in the place he hopes you'll know to look first. (rook does know. it's one of the first things they say in there.)

in short the most important room in his little mind palace for the romance is the very first room — the one where rook isn't. where, in fact, rook cannot be, because they disprove the entire structure of the place with their existence and presence in his life. with everyone else he's putting words in their mouths about what they think of him, and rook is the one who actually gets to come in to speak their own words to him — and have him listen. ('he'll listen to you, he always listens to you', 'your voice is a comfort'.) of course rook isn't present anywhere else in there — at the risk of stating the obvious to a tedious degree, they aren't one of the locks, they're bringing the key. in the very finest 'the messenger and the message' sort of way.