#what was up with that netflix

[geraskierfanficprompts]

Prompt 6

After the mountain, Geralt finds his bard and apologizes, but saying "I'm sorry" just isn't enough. His bard deserves better! He needs to to do more to prove how much his bard means to him! So he'll take him to the coast, just like he asked. But it'll be a surprise :)

Jaskier is just sure Geralt still hates him.

I mean, he won't even tell him where they're going! Why else would he be so quiet all of a sudden?

[almondcroissantsandink]

they slayed at the sake of my sanity i'm afraid

[oblivioustothevampirediaries]

my contribution for the netflix avatar remake

[chremes007]

You when your friend told you his ex turned into the moon.

ref pic:

[freuleinanna]

The Fall of the House of Usher is many things and I'm making a conscious choice to not scream about every single one of them rn, but what left me staring at a wall in tears is just... kindness. Death was kind. She gave every choice, every reason to stop. She would take these kids anyway but she also regretted having to take them like that. She cared when nobody else would, even though they kept making the wrong choices.

She's never cruel for cruelty's sake. She wasn't cruel to Lenore. She just sent a child to sleep as lovingly as she could, with kind words and kinder touch.

And I don't even know how to express the absolute heartbreak with blinding warmth among the cracks, when Death herself kneels before one man, worst man, honest man, who refused her offer – and thanks him with such respect.

Mike Flanagan, you fucking did it again. Carla Gugino, you... I don't even have words for you. That's a whole-ass masterpiece of human soul, meaning, and searching right there.

Kiss Death with kindness in the end

And when she parts

You part as friends

[harmonizingsunsets]

Colin: I think I’m in love with Penelope.

Audience:

[choccy-milky]

(ominis is already on his family's plan but he's there to annoy seb anyway)

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x01 - “Heavy is the Crown”

[epicmarrowbonesoup]

Headcannon that postcannon Charles doesnt like leaving Edwin alone for long streches of time.

You know the way he did in the beggining of the show, leaving Edwin alone so that Charles could be with Crystal or just giving Edwin space to be with other people(Monty or Niko). I think post-Hell Charles Rowland would feel uneasy about not having Edwin in his line of sight while at the same time not wanting to make a big deal out of it.

Like how in the last episode Edwin is alone and Charles leaves others to pack so he could check up on Edwin, that sort of thing. Or how he was hessitent to follow Crystals plan at first becouse he has to rescue(see) Edwin ( to me it also looks like Charles was so busy rushing to Edwin he didnt noitice Nikos body but that might just be me)

Anyways i think it would be a fun direction to take Charles's characther in. Considering in s1 he is already weary of Edwin spending time with the Cat King, youd get that whole jealousy thing but doubled and mixed in with his feeling of inadequacy as the brawn. But also s1 establishes Charles as being at least partially insecure about their bond: having to correct Edwin whenever Edwin says how Charles would move on quickly and constanty seeking reassurment from edwin about their friendship (ep 1 when he asks what would happen if death came, ep 4 with his fight with the night nurse, seeing Brad and Hunter the best friends as him and Edwin)

And then you also have the reversal of how Edwin was jealous of Charles spending lots of times with Crystal and now Charles is protesting every second Edwin isnt with him. And ofcourse Charles does it from a place of fear and love but Edwin would maybe interpret it the wrong way, who knows?

And, from what the writers have told us, Edwin in s2 spent at least some amount of time flirting with other men (hopefully without Charles lurking in the background) and from what we know from that one cameo Jayden and George did, there was a lot of tension between the boys...

Now im not a writer i didnt write the s2 script or anything, im not saying this is what would have happened in s2 but.... i think the tension might have come from that. From Charles seeing Hell as a traumatic expirience and his PTSD manifesting as his insistence on Edwin not leaving his side, Charles's insecurities and his fear of losing Edwin being at an all time high. While Edwin, who has learnd how to forget Hell, is acting as if nothing happened at all, exploring his sexuality and making new friends in the process.

It would make Charles confront all of the skeletons he's been hiding in the closet but also it would ask the simple question of why is Charles so insecure in their friendship? Why is he constantly mentioning them being best mates? Why does he need it so much? Why is he constantly searching from reassurences that they are best friends?

And for more angst, from Edwins point of view he is doing everything Charles wanted him to do in s1. Hes accepting and letting the dead boy detectives workplace to grow and change, he is being more open and friendlier, he is encouraging Charles friendship/relationship with Crystal and he is no longer playing trauma Olympics at the drop of a hat. So why is Charles so mad? Hes working through his shame and his supiriority complex, hes growing as a person and Charles is still stuck at the staircase.

[gwentbleidd]

still my favorite thing about all this is that joey batey really woke up one day, said 'hell yeah queer jaskier' and made thousands of people SO mad

[afusionoffandoms]

I'm already seeing a lot of people doing the same as they've done with JKR going "I ALWAYS knew he was shitty, his stories have ALWAYS been bad," etc etc, mostly to make themselves feel better about having liked or maybe even still liking what he wrote.

Not only is this an unhealthy way to process your grief, but it also perpetuates the idea that bad art can only be made by bad people - and even worse: that good art can only be made by good people, and that idea is exactly why people are still in denial about JKR and why it took this long for the Gaiman pustule to burst.

It doesn't mean that we are immoral for having liked it when we didn't know any better, or still having fond memories, for having created fan art or gotten tattoos or whatever else.

But keep in mind that we need to be careful about perpetuating that idea as well, because that mindset has consequences.

Edit: And also, obviously, boycott the shit out of that fucker.

[koko2unite]

movies from disney are like "generational trauma!! generational trauma!!! generational trauma!!!" while netflix are like "unloved?? here is an old guy he's your father figure from now on"

[densewentz]

Heterochromia

Sandman Inktober Day 1! I'll be using the cringetober prompts bc reasons, and today gets Delirium with bonus!Dream 💕

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[unknown-cold]

Amanda (writer of Arcane) said: (She's asking Cait for the impossible. But that's what grief does to you🖤)

Even the writers and actors explain the impossibility of the situation, and these kids still don't get it.

These people literally forgot what Caitlyn went through and are now calling her a fascist cop and a dictator. Just bc she wants revenge on the person who ruined her life and also wants to protect her people.

[jetkast]

Arcane S01E04

I'm sure this has been mentioned -- this clip made me think about how Heimerdinger's long life experience is contrasted against Viktor's shortened life expectancy. This conversation/framing must have made Viktor feel undervalued. I don't know if the professor's species difference means he can't identify the clear deterioration his health has undergone, or if he's just too jaded by the shorter lifespans of humans, or what, but saying a decade will pass "in the blink of an eye" is brutal to say to someone in Viktor's position.

On top of that, on this rewatch and knowing what happens later, what is at stake, the microexpressions between Viktor and Jayce masterfully reference entire conversations that have happened off screen in the time skip. The animation style is able to capture that so well. Jayce's silent concern for Viktor, bracketed with getting swept away in the council and performance of it all, can be so easy to miss.

Comparing Heimerdinger's engagement with Viktor when he's known him longer with presumably significant positive regard... To Jayce's... It's just interesting to me.