#what kind of love story can you tell in that world??????

[deathbxnny]

Helloo!! Arcane is ending soon, so I was wondering if I could request the Arcane cast reacting to a reader who suspiciously seems to know everything that’s gonna happen in the plot? They always appear where the action is, and they warn about dangers before they happen, trying to ”subtly” change the outcomes of horrible events. Tragedies are a core element of the story, so I feel that the narrative would create another disaster if one event got prevented, but the thought of these characters being safe and happy after all they’ve been through would be so healing :3 It’s up to you which way you want to take it 🐁💖 I’m fine with both platonic and romantic, but I’d love to see Vi, Jinx and Caitlyn if that’s ok :)

I love love love your writing, reading your HC’s before bed has become an important part of my day and it’s always a joy to see your work pop up in the tags <3 Thank you for letting us read your creations 💖 I can’t wait to read the second part of your Caitlyn fic!!

The Timekeeper. | Vi, Caitlyn, Jinx x Gn!Reader

I absolutely LOVE this idea, Anon, and I appreciate your request so much!! Also, thank you for your kind words. It really means the world to me reading something so sweet!<33

Content: Angst, can be read as either platonic or romantic tbh, time traveling, fluff, bitter sweet, cursing, spoilers for season 2?, sfw

Reader has no set pronouns.

((Not proofread))

You were always a mysterious figure to them. One that appeared at the right time in the right place whenever they needed you the most.

You never revealed a thing about yourself. You never even told them your name. But one thing they did know was that you had always looked out for them, like a guardian angel in a way.

And on one fateful day, after another evaded tragedy, they finally caught up to you just before you could leave again.

》VI

"Who the hell are you?" She asked completely out of breath after having practically chased you down through the dense crowd of the undercity. She had seen you so many times before. So, so many times. And every time she did, you were somehow able to save her from certain death by subtly showing her the right way to survive.

It took her a while to piece together that you must've known the outcome of every situation she had ever been in beforehand. That was the only logical answer to the many questions around your existence she could come up with, but it wasn't enough to satiate her desperate curiosity. There were times she had chosen against your signs, and the consequences ended up being almost grave. So whoever you were, you must've had otherworldly knowledge about everything and everyone.

Because whilst she didn't know a thing about you, you certainly knew everything about her.

Raising your hooded head, you idly played with the pocket watch in your hand, piercing eyes meeting her own. "Does that matter?" You ask, and truthfully, it shouldn't. Who cared about your identity when she knew she could trust you? But that wasn't enough. "Yeah, it does to me. Now tell me who you are already. I... I've been seeing you everywhere for years now. You have always been there and I..." She trailed off, suddenly losing her confidence.

She had thought of this moment for years now, imagined exactly what she would say to you. And yet, ultimately, she found herself speechless in your presence that seemed to drown out everyone else around you two. "I see... but my apologies, we were not supposed to meet yet." You said calmly, seemingly undisturbed by her appearance. "Time and fate... they both are so tightly intertwined and yet also so far apart from each other... how odd that the timeline changed so suddenly again, no?" Your words made zero sense in her mind, but that just added to your mystery.

"What-" "-Are you happy with the way your life is going?" You ask, and that made the woman pause in thought. The answer was positive, of course, but only because you had a strong hand in it once she accepted your help. She thought of Powder back home, who was probably happily tinkering away with the young girl Isha they recently took in, and that made her finally nod. "Yes. All thanks to you." "Not at all. It was you who chose your fate. I only showed you the alternative paths."

You two stood there in silence for a moment before she shoved her hands into her pockets and looked over to a nearby bar she liked to frequent in-between missions. "Let's go grab a drink and talk. It's on me." Deciding to accept this new path the timelines had given you, you accept her invitation with a smile.

》JINX

"You're terrible at your job." "Am I? I like to pride myself in my good work ethic, actually." Jinx was idly swinging her gun back and forth on her index finger whilst she rested up in the ceiling above you, clearly having followed you around secretly. But she knew that you already knew that from the start.

Scoffing at your words, she jumped down and landed in front of your indifferent figure as she pointed the gun right at you. "Pah! You're a funny one... so what are you? A time traveler?" "Ah, I like the title Timekeeper more." You were aggravating but at the same time a familiar face she had grown to appreciate deeply. You were the reason she was doing well in life now, even if she ignored you for a very, very long time. She thought she knew better despite all the odds pointing against her, especially you. Ultimately, she learned her lesson when she finally just listened to you.

"Ugh... whatever. Can't ya at least tell me your name?" "No." "Man, you're such a pain in the butt!" "Likewise." Rolling her eyes, she lowered her gun and lazily leaned against a wall, arms crossed tightly as she observed the crowds passing by from outside the abandoned building you were in. An admittedly comfortable silence fell between you two, one that relaxed her shoulders and made her sigh in defeat after a while. Your presence was always so comforting.

"So, you let me catch up to you this time. Finally tired of the cat and mouse game we've been playing?" You lowered your head at her question, a sly smile on your face that made her narrow her eyes in interest. "Perhaps. Or maybe I just wanted to ask you how you're doing?" What an odd question, considering the context of your meet-up. And yet, it was somehow fitting coming from you specifically. Wasn't your whole mysterious mission revolving around her well-being anyway?

"Shouldn't you know the answer to that, oh so esteemed 'Timekeeper'?" You found no offense in the mockery of your title. Just pure amusement. "I'm afraid that mind reading was not in the initial job listing." Jinx took a moment to think about your question carefully then, deciding to indulge you despite her better judgment. Things were good now, after all. She, Isha, and Vi were together again as a family, including Vander, even if they had yet to find a way to turn him back properly. But everything was happy otherwise... because you made sure that the end to her story wouldn't be a painfully tragic one.

"... I'm fine. Everything's fine." She muttered, and your smile widened at that answer. "So... I'm not terrible at my job, after all?" Pressing a playful hand to her chin, Jinx acted as though she was in deep thought. "Hmmm... I guess I'll need more convincing than all of this to decide." "Of course... then how about we start with running away before the Enforcers show up to raid this place in approximately... 2 minutes?"

Jinx rolled her eyes again with a grin but agreed to follow you, very much glad to have learned her lesson at your side throughout the years.

》CAITLYN

She was ignorant towards your judgment from the start, especially as she was able to analyze very quickly that you weren't all you claimed you were. You were too smart, too fast, too aware of everything. It was clear that you already knew how her life story especially would come to an end. But that didn't mean that she'd always listen to you.

Caitlyn believed to know better, even going as far as to protest against your word, which she had learned to be fate itself. And sometimes she'd nearly get away with her life, and on others, you'd be the one to show up just in time to save her. It was embarrassing and at times even near humiliating, but you never judged her, just silently left every time she attempted to confront you.

And this time she had finally succeeded.

Now dressed in a formal uniform, she watched your still form stare out of a window in her estate, as though you weren't practically trespassing. But Caitlyn was used to that. "It's going to rain soon. I wonder if the construction workers will get done with the restoration on time today before the first drops fall." The navy haired woman came to stand next to you, ears finely tuned to your calming voice she had heard in her dreams and mind for so many years. It felt surreal to stand next to you at last.

"You already know the answer... but I think Mother will send out guards soon to retrieve them." Her mother, who had only narrowly escaped her death, if it wasn't for you. She had only gotten a little injured from falling debris, but that was all that happened. All of the councilors and people in the building had survived the Jinx attack. No grave injuries. All because you prevented it by throwing Jinx slightly off balance enough to make her shot not as precise.

"... Thank you." "For what?" The right answer would be absolutely everything, but she refrained, noting that you didn't seem keen on praise. You saw it as your job. As your duty to her for a reason unknown. "For saving my mother." That should do.

You nodded at her words in acknowledgment as your eyes spied Ambessa retreating with her troops in defeat. They were practicing chased away by the council since their help was unwelcome. Served them right for meddling with the business of other nations. You had exposed their ulterior motives in secret, and that's all it took for the tide to turn against them. "Just my duty." "I knew you'd say that... but I want to reward you for all you've done. If it wasn't for you... then I... I don't want to know what I would have become."

You glanced at her with an unreadable look in your eye, and that reconfirmed her suspicions regarding how deep she would have fallen otherwise. It's best not to think of it.

Humming to yourself in thought, you gave her a small smile. "Very well, if you insist... you can treat me to some fine tea and cookies." Caitlyn weakly mirrored your grin, relief filling her senses at you accepting her offer. She was worried you wouldn't. "Of course. Follow me." Linking your arms together carefully, you made your way through the dim halls.

A chuckle left your lips when it indeed began to rain.

[notlongtolove]

the cup holds the tea

It hits you all at once and you’re out of the booth in a flash, Spencer right behind you. You’ve barely made it to the sidewalk when the drinks betray you—straight onto Spencer’s shoes. The world blurs, and all you can think, mortified, is that you’ve just broken one of the cardinal rules of dating.

pairing: spencer reid x fem!reader (second person, no y/n)

genre: fluff

content: bau!reader has too much to drink and its up to bf!spencer to get her home. and brief mentions of puke... oh reader...

word count: 3k

note: well personally i don't know if i could ever love someone enough where i would lay on my bed in my 'outside clothes' but good on you spence! once i slipped and fell in someone's puke and cried all the way home.

a line: They’ve seen Spencer look at a thousand things with fascination—books, theories, puzzles, statistics. But this? This is something else entirely.

It is a kind of love, is it not? How the cup holds the tea, How the chair stands sturdy and foursquare, How the floor receives the bottoms of shoes Or toes. How soles of feet know Where they’re supposed to be. - Pat Schneider

The room hangs on your words, the perfect moment of suspense stretched like a tightrope. You let it linger, savoring the pause.

“And they ate every last drop of it!”

The punchline lands, and laughter spills out around the table, loud and easy. You beam. Spencer watches you, his gaze warm, almost reverent. He’s always known you had this gift—how you could spin a story, command a room. If he weren’t so completely in love with you, he might’ve envied it. No amount of books or degrees could teach him your knack for recounting stories with such flair, or your ability to whip up comebacks at speeds that leave even Derek speechless.

Spencer’s lucky, and he knows it. His eyes trace the curve of your smile as you sip from your glass, your third—or fourth? He’s lost count. He notices you’re not wincing at its taste anymore and well, you know what they say when the drinks start to taste like water. The fact that you’re tearing up at something Garcia’s showing you—a sloth video, from what he can tell, doesn’t ease his worries in the slightest either. He's not entirely sure what Emily has been ordering for the table but whatever it is, it’s clearly doing its job.

It’s one of those rare nights out, the kind where the team sets work aside and pretends, for a few hours, that the weight of the world isn’t on their shoulders. Rossi had insisted, his treat he said, but Spencer suspects it was just an excuse for the team to watch you two loosen up, to let your guard down. A carefully orchestrated opportunity for the team to see something they hardly ever got to see. They’ve seen you two in the field, sharp and focused, in sync like clockwork. But tonight it's the way you lean into Spencer’s side without realizing it, the way Spencer gently moves your glass out of harm’s way when you gesture too wildly. This is a glimpse of something sacred, something rare.

It’d only been about a month since you and Spencer had made it official. Everyone saw it coming long before you did, but that didn’t stop the teasing once the news broke. They could barely pick their jaws up from off the floor even tonight when Spencer had his hand resting lightly on your waist, steadying you through the crowd as you laughed yourself breathless, stumbling. At work, you both keep it professional, steering clear of anything that might make Hotch raise an eyebrow. But the dim light of the bar is ever so tempting. The bar is full of loud laughter and clinking glasses and you just can’t help but take Spencer's hand into yours, fingers laced without hesitation. 

Spencer catches the way Derek’s eyes light up at the sight, the subtle nudge he gives Emily. He knows they’re going to bring this up later, probably all week.

But he doesn’t move his hand. He doesn’t let go.

The booth is packed tight as you’re all wedged together, shoulders brushing. Everyone’s smiling, unwinding in a way you rarely allow yourselves to, laughter bouncing in overlapping bursts. Spencer sits nursing his water, content to observe. His eyes are drawn back to you over and over, catching on the way your eyes crinkle when you laugh and the animated gestures of you make as you speak.

“C’mon, pretty boy, live a little,” Derek teases, “Just one drink.”

Spencer gives a sheepish smile, waving it off. “I’m fine,” he says, eyes flicking over to you once more.

He can’t keep his eyes off you tonight, it seems. You’re laughing, and It’s unmistakable, the adoration in his gaze, something so un-Spencer-like that makes Derek smile.

He knows Spencer’s not one to drink. You, on the other hand, seem a little too eager, maybe encouraged by Emily’s coaxing, and you’re already on your next drink, cheeks bright and eyes sparkling. You lean into Garcia’s cheers, your glass lifted high. Your laughter is bright and unrestrained, pulling everyone else along with it.

Spencer considers saying something when you're giggling a little more than usual, laughing too hard at a joke that doesn't warrant it. But he knows how you’d take it. You’d wave him off with that familiar insistence, the same as always. It wasn't like you couldn't hold your own, Spencer knows that. You’d held your own at Rossi’s birthday last year just fine, outlasting nearly everyone—everyone except Rossi of course. And that’s probably why he’d already taken his leave tonight, not wanting to get caught in the tail end of whatever chaos this night will inevitably bring.

But that was then and now— Well, it’s different now. Now, the role of boyfriend sits heavier on his shoulders, a title he’s all too happy to hold. And tonight, it’s a card he’s all too happy to play. It gives him leverage, an edge that makes him feel like he has a little more room to step in without you pulling the I don’t need anyone to take care of me speech. 

Spencer sees his opening as lean back into his side a little too comfortably. “Here,” he murmurs, pressing his glass into your hand. “Drink this.”

He hopes you’re just tipsy enough not to ask too many questions, as long as it’s something from the bar. For a moment, it seems like it works—you sit up, eyeing the glass cautiously, then take it from him with slow deliberation.

Almost there, he thinks.

You peer into the glass, squinting at the clear liquid, then give it a small sniff. Spencer’s heart sinks as your expression shifts.

“This is water,” you say, suspiciously.

“Yes, it is,” he admits.

Your brow furrows, the faintest pout tugging at your lips. “I’m drinking vodka.”

“And now you’re drinking water.”

“Why?”

“Because I love you, and I’d rather not carry you out of here tonight,” he says softly, the faintest flush colouring his cheeks.

You look up at him, unimpressed, but he stays firm. “Just drink the water, sweetheart,” he says quietly, his voice barely cutting through the noise.

He braces himself for your resistance. Instead, you huff, give him a pointed glare, and drink it. He watches as you sip, your nose scrunching at the lack of a bite. Spencer lets out a breath he didn’t realize he was holding. 

The night winds on, the team louder than usual, swept up in Derek’s overly dramatic retelling of the prank war that once took over the bullpen. But you’re quieter, Spencer notices, the drinks maybe finally settling in a little too fast. Your smile slower, your laughter softer, head resting on his shoulder now and again. 

And then, suddenly, you’re not looking so well. It hits you all at once. The queasy welling in your stomach, the cold sweat prickling your skin. You’re out of the booth in a flash, Spencer right behind you as you stumble toward the door, your hand clamped over your mouth. 

You’ve barely made it to the sidewalk when the drinks betray you—straight onto Spencer’s shoes. The world blurs, and all you can think, mortified, is that you’ve just broken one of the cardinal rules of dating.

Of all people it had to be Spencer—germ-conscious, always-prepared Spencer—your lovely boyfriend who at this moment you’re not sure you can ever look in the eyes again Spencer. 

You don’t have to look up to see the team’s reaction as they round the corner, wide-eyed as they process what just happened. Derek’s mouth falls open in disbelief, Emily stares in shock, and Garcia whispers a dramatic, “Oh, no…”

They’re frozen. Because Spencer—Spencer, who uses hand sanitizer like it’s an extension of his arm, Spencer who’s the first to scrunch his nose at anything remotely messy—has just had his shoes christened in the worst way. You know they’re waiting for Spencer’s reaction, the tense recoil, the carefully contained grimace.

But it doesn’t come.

Instead, Spencer pauses, takes a measured breath, and steps closer to you, his hands steady on your shoulders. “Hey,” he asks, voice low and soothing as he crouches to meet your gaze. “Sweetheart, you okay?” He brushes your hair away from your face, his touch careful and kind.

“Spence—” you mumble, your voice cracking with embarrassment. Your hands fly to cover your face. “I’m so sorry. Your shoes—oh my God, your shoes—”

Spencer shakes his head, a quiet laugh escaping as he crouches to steady you. His voice is impossibly gentle, calm in a way that eases the edges of your shame. “It’s fine. They’re just shoes,” he says softly, brushing a strand of hair away from your flushed face. “Let’s get you home, okay?” 

You nod, eyes shut, clearly mortified but he doesn’t let you dwell on it. He takes your hand, his grip firm but gentle. For a brief moment, Spencer contemplates asking the bartender for a glass of water to rinse off the mess, but he glances at you—your slightly swaying frame, the way your head droops just a little—and decides against it.

Getting you home safely takes precedence over everything else. Shoes can wait. You can’t.

Emily’s mouth falls open slightly as she watches, “Did Reid just…?” she murmurs, half to herself, as Derek gapes beside her. “Didn’t think the kid had it in him,” Derek says, shaking his head, a grin slowly spreading. Garcia sniffs, dramatically dabbing at her eyes. “I knew he loved her, but this? This is another level.” she says letting out a dreamy sigh. 

They linger, watching as Spencer guides you steadily toward the car with careful patience. He helps you in, crouching to fasten your seatbelt. You’re still mumbling apologies, your voice thick with embarrassment, but Spencer doesn’t falter. Instead, he shrugs off his jacket, draping it over your shoulders even as the mess on his shoes remains. There’s not even a hint of disgust on his face—if anything, he’s focused, caring, murmuring words of reassurance as he tucks his jacket around you. His hand lingers on yours, his thumb brushing over your knuckles in a silent promise that nothing about this has shaken him. 

“I’m so sorry, Spence,” you whisper again, your voice small and heavy with guilt. “I ruined your shoes. And your jacket. And—”

“It’s fine. You’re fine. Besides, I was planning to throw them out anyway.”

You shake your head weakly, your tone petulant even through your embarrassment. “Nooo, don’t throw them out because of me.”

His lips twitch, amusement flickering in his eyes. “Well, what do you suggest I do with them, angel?”

“I’ll wash them,” you declare, your words slow and sleepy.

Spencer raises an eyebrow, clearly entertained. “You’ll wash them?”

“Mhmm,” you murmur, already halfway to drifting off against the seat.

“How about we get you home first and then worry about the shoes, okay?” he says gently.

“’Kay,” you whisper, your voice barely audible as sleep begins to take hold.

Spencer stands, glancing back at the bar where the team is gathered. They’re not even pretending to hide their stares anymore, and he knows he’s going to hear about this for weeks. He raises a hand in a small, sheepish wave before climbing into the driver’s seat.

Derek shakes his head, laughing softly. “He’s gone,” he says, his voice carrying just enough awe to balance the humor. “Kid’s completely gone.”

Emily doesn’t need to ask what he means. Neither does Garcia. Because they’ve seen Spencer look at a thousand things with fascination—books, theories, puzzles, statistics. But this?

This is something else entirely.

The ride home is quiet, save for the occasional slurred apology from you. Spencer reassures you with the same soft patience each time, his hand steady on the wheel and his gaze flickering to you every so often, checking to make sure you’re okay. By the time he gets you home, your protests have faded, replaced by the heavy pull of exhaustion.

His arm remains firm around your waist, steadying you as he helps you inside, careful and methodical in the way he moves. He guides you to the bathroom, where you try to freshen up, fumbling with the faucet and splashing water on your face. Spencer steps in without hesitation and takes over when your movements falter. His touch is featherlight, but there’s no mistaking the care in every movement. The closeness makes your cheeks flush, though whether it’s from lingering embarrassment or something else entirely, you’re too tired to decipher.

“You don’t have to,” you murmur, your words sluggish but sincere.

“Of course I do,” he replies, his voice light but firm. “I want to.” 

He guides you to the bedroom with careful steps, his hand steady on the small of your back. Once there, he sets a glass of water on the nightstand, the gentle clink breaking the quiet.

“Drink,” he coaxes softly, his tone patient but firm.

You take the glass without protest, sipping obediently. Spencer watches, a small smile tugging at his lips. He considers making a playful comment about how quickly you’re drinking it now—so much easier than earlier—but he decides against it.

You’ve been through enough tonight, he thinks.

When he finally tucks you into bed, you’re too tired to resist. You mumble something incoherent, your hand brushing his as he leans in. Spencer pauses, his gaze lingering on your face—peaceful now, the traces of the evening’s mishaps melting away. He presses a light kiss to your forehead, his lips lingering for just a moment longer than necessary.

Spencer steps out of the room, leaving the door cracked just enough to hear you if you call out. He lingers in the hallway for a moment, his shoulders sagging slightly now that the night’s adrenaline has begun to wane. He glances down at his shoes—still damp and stained. With a resigned sigh, he makes his way to the kitchen, grabbing a plastic bag. He slips the shoes inside, tying the bag tightly before heading outside. The cold air bites at his skin as he steps toward the dumpster behind his building.

He stands there for a moment, holding the bag. The sight of the shoes, oddly enough, makes him smile. It’s ridiculous, he knows. They’re just shoes. Ruined, stained, completely unsalvageable. But they’re also a reminder of tonight—a reminder of how he’d taken care of you, how you’d let him take care of you. 

With a soft thud, the bag lands in the dumpster. Spencer dusts off his hands, turning back toward the building. When Spencer steps back into his apartment, the soft hum of the heater greets him, a gentle reminder of the warmth waiting inside. And there you are, standing in his shirt in the doorway of his bedroom. Spencer thinks it's a sight he'll never get tired of.

There's a pout tugging at your lips. “Where’d you go?” you ask, your voice thick with sleep and just a hint of a whine.

“Had to throw out the shoes angel,” he says as he steps into the kitchen to wash his hands.

Your gasp is exaggerated like he’s just committed an unspeakable betrayal. “I thought I told you I’d wash them!” you exclaim, your voice rising. 

“And I thought I tucked you into bed,” Spencer counters, his laugh soft and full of affection. “Why are you out of bed sweetheart?”

You shuffle closer, blinking up at him with drowsy eyes. “Missed you,” you say simply, your earlier outrage regarding the shoes already forgotten. “Wanna cuddle.”

Spencer’s expression softens, but he gestures to his clothes. “I’m dirty,” he reminds you gently, pointing to the coat still hanging off his shoulders and the shoes he’s yet to remove. “Outside clothes, remember?”

“Change then,” you reply stubbornly, tugging at his sleeve as though that’s the simplest solution in the world.

“I need to shower first,” he says, his voice patient as he begins to guide you back toward the bedroom.

“I didn’t shower either,” you argue, leaning heavily into his side as though that somehow strengthens your case.

“Because you’re drunk,” he replies with a small smile.

“Am not,” you insist, though your tone is far from convincing.

“Wanna tell that to my shoes?” Spencer teases, raising a brow.

You ignore him, brushing past his comment with a huff. “You’ll take too long,” you complain, your bottom lip jutting out in a pout. “I’ll miss you.”

“And I’ll miss you too,” he replies, his voice tinged with amusement as he tucks a strand of hair behind your ear.

“Then cuddle,” you plead, your tone slipping into that sing-song quality you know he can’t resist. “Pleaseee”

Spencer hesitates, the logical part of him warring with the sight of you—soft, vulnerable, and looking at him like he hung the stars. He knows you’re usually the enforcer of the outside-clothes rule, a stickler for order when sober. But right now, you’re anything but sober, and he can’t find it in himself to deny you.

“Pleaseee,” you say again, drawing out the word for emphasis, “i’ll buy you new shoes,” your eyes wide and imploring.

he knows you probably will.

“Enough about the shoes,” Spencer rolls his eyes fighting back a smirk, “just help me change the sheets tomorrow,” he relents, his voice warm with affection.

he knows you probably won’t. but he lets you drag him toward the bed anyways.

You beam, looping your arms around his waist in triumph. “Knew you wouldn’t say no,” you mumble into his chest.

Spencer laughs softly as you settle against him, burying your face in his chest with a soft, muffled sigh. He feels his heart swell in a way he can’t quite put into words. He’s never been one for mess—for dirt, grime, or anything out of place. Heck, he hadn't even wanted to shake your hand the first time he met you. It’s in his nature to keep things neat, orderly, clean. But now, with you?

His shoes could be ruined, his clothes crumpled, and the night an absolute whirlwind. And still, all he can think about is how peaceful you look now, your eyelids fluttering shut as sleep starts to claim you.

Spencer presses a kiss to the top of your head, his hand moving in slow, soothing circles along your back.

For you and only you, he thinks, he’d make an exception every time.

⋆✴︎˚｡⋆ hi if you're here! thank you for reading! feel free to like or reblog or comment or reply!

[reboundttv]

Here's a Bunch of Words Expressing Frustration with Online People Part 2 I Guess? Arcane.

(Part 1 was about reactions to Wonder Woman #14, but that was on Twitter and it's gone now.)

It's been long enough. People who haven't seen it have successfully avoided spoilers. SO. Let's talk about the CaitVi sex scene.

Because there are a LOT of opinions about how it was handled, how it was written, etc. And I've seen a lot of...basically, Purity Culture, over how they never worked out their feelings, and Caitlyn never had to answer for trying to kill Jinx, or getting Vi to become an Enforcer or hitting her in Ep.3 or the dictatorship or the fascism or-

Here's the thing: Neither Caitlyn nor Vi know what's going to happen. They don't know tomorrow. They don't even know six hours from now.

We don't need a bunch of preceding episodes where somehow they have the time to get psychoanalyzed on-screen so that when they're finally intimate it's completely moral and unproblematic.

Arcane was never about being unproblematic. It was a show about broken people doing horrible things for selfish reasons, for better and for worse. Singed LITERALLY TELLS YOU AS MUCH (Season 2 Episode 5):

Caitlyn: "Why? Why do all this?" Singed: "Why does anyone commit acts others deem unspeakable? For love."

For context, he wants to conquer death so that he can save his daughter. And look at how it's worded. "acts others deem unspeakable." The awful things he's doing, he's rationalized them as necessary so that he can accomplish his goals. Whether it's him, or Viktor, Jayce, Caitlyn, Vi, Jinx... ALL of the characters in Arcane are like that. No one in this show was perfect. Far from it, actually.

And in that scene, Caitlyn and Vi are two broken, messed-up people. Their whole worlds have been upended. Vi believes that she's lost everything and everyone important to her, and that it is of her own doing. Caitlyn is questioning the only thing that's ever made sense in her life: her duty to Piltover and how that's run up against her own morals and how she has changed to accommodate them, rather than stayed true. Caitlyn also has guilt over being intimate with Maddie. (fuck maddie all my homies hate maddie)

And the only thing they have, in that moment, is each other. The only kind of, sort of constant in their lives. Is it perfect and unproblematic? No. Is it healthy? Arguably not. The scene is messy, and clumsy, and for fuck sake they're having sex in a prison cell.

But are those the things that actually matter? Is that the story that's trying to be told? NO. No, it is not. Broken people, just trying to make sense of what's going on around them. Trying to find others to hold on to, to anchor themselves. Find that closeness and intimacy, and even if it doesn't work out the way they want, they'll still have each other.

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[newkatzkafe2023]

Hi!! It's me again. I want to request again, and I'm sorry if I sent the request at the wrong time.

Anyway, what if Y/n is a gorgeous woman (who is taller than Monkey Kings + Destined one 👀), has a graceful, charming, and loving personality, but turns out she is a Manipulative yandere? So she hides her true sadistic personality with her graceful 'mask'.

The greatest manipulation is to convince others that they are in control, when in fact you are the puppet master pulling the strings-Robert Greene

(Lmk Wukong) Man he would never know that your playing him, like an Lute. You were always so kind and supportive of everything he does and so open to helping him in his goals. Now as for the sadistic part, it would be very suitable as it would come out in concerns or threatens but quickly hide it with tears. You would act scared and worried for your husband and twist him into doing whatever you want, while hugging and kissing him the way he deserves. Also with Wukong's sky high pride and ego he would go out of his way to keep your eyes on him even taking his armor off infront of you. Needless to say Wukong was always yours, and he never had a choice either😈

(HIB Wukong) With this method cater to his cubs and he will soon follow, especially with his trauma and insecurities. It's easy to manipulate both Luier and Silly girl with your kind, loving, protective concern mother mask. Don't get it twisted you love the children and they Quickly became your property but it was Wukong You were truly after, and the way you handled him sweeten him to the idea of marriage. Treat him like the king he is, whisper loving sexy compliments to him, heal his dying ego and give him what he wants. Once he becomes addicted to you, There will be no going back for him.😈

(NR Wukong) Maan you would have lots of fun with this, especially since he eccentric and all over the damn place. Though you still remain very careful and would just leave suitable Hints and suggestions for him, acting all shy and unsure of everything and Wukong would end up exactly where you want him to be. S*x appeal also works hand in hand with your innocence and charm, you would wear some Rather scandalous clothes telling him they make you look pretty and he would be down bad. So yeah Wukong would be under your thumb by the end of it.

(MKR Wukong) Ohhhhhhhhhh the best way to manipulate him is to always play into his emotions, and his frequent emotion Rage. You fuel his thoughts love and obsession also anger, vengeance and hatred for everyone who wronged him. You had educated him and Fruity into listening to only you and told them both that the world was out to get them, and we have to protect each other. You love him so much and want to keep him forever, so fuel his hatred, vengeance and resentment make him forever yours to control and love😈

(Netflix Wukong) Look at him, so desperate for approval and acceptance that he had to brag loudly for attention. Just so he can fill the hollow void that is his self-esteem man, you really didn't have to do much. Just show interest in his stories and accomplishments it's so easy. Although at the same time you make sure to reward and show support for is wacky and unrealistic goals, because when he fails he'll run back to your tall loving arms begging you to take him back and stay and that is never your fault 😈

(BMW Wukong) His pride, arrogance, and ego are both your advantages and his downfall. You would charm and flirt with him acting all impressed with his reputation and powers, while sometimes acting as a Dansel in distress. For Wukong, you act like you can't stand to be away from him, inflating his pride and ego in an alarming rate. Soon, your compliments become the fuel to Wukong's power and now goes out of his way to impress you further keeping your eyes on him at all times. That was until you started looking elsewhere seeing the other strong demon men you acted impressed by and just like that Wukong few into panicked desperation and started pulling out all the stops to win you back, and that's how you knew he was yours forever😈

(Destined one) Now honestly with the destined one I feel would be the hardest to get too, he's got way more brain activity then BMW would. He is a man of focus, discipline, determination, and very goal Oriented until you found out about the silent monkeys rather ugly jealousy. You show your kind loving mask and charm him into spending time with you, while you go shopping together until you heard multiple wold whistles and cat calls. You went to try on a rather revealing dress that you liked the colors of and you spotted a dark look on the destined one's face. He looked calm, but you felt his murderous aura from the dressing room, and that became your meal ticket. Soon, the destined one was under your spell toomaking sure nobody tried to take you from him and vise versa.

FEEL FREE TO REBLOG🤞

[blessedarethebinarybreakers]

I’m a transfem Christian, and sometimes I worry that I’m twisting Christianity to suit my politics and views rather than the reverse. I was raised as a Southern Baptist and left for the Episcopal Church, with the conservatism of the former church being a large reason for my departure. I really don’t want to have to chose between either being able to transition and being a good Christian, but I’m so worried that I’ll have to make that choice.

Hey there, I am so sorry for the delay in responding to this. I don't for a second believe you are "twisting" Christianity to suit your views by living into your true self:

Jesus tells us that we can know a thing by its fruit — if the fruit is good, the tree is good; if the fruit is bad, the tree is bad (Luke 6:43-45; Matthew 7:15-20).

What are the fruits of transition? Joy, community, reconnection with your own body? Life?

What are the fruits of the things preached by ultra conservative churches? Hatred, fear of difference, violence? Deportation instead of love of stranger, judgment instead of mercy, control via terror instead of liberation through God's love?

Near the end of this webpage of mine about a liberatory framework for reading scripture, I address the accusation that queer Christians are just "reading into" the Bible what we want to see. To sum it up, I agree that all people bring our biases to the text — heck, the biblical authors brought their own biases to the text!

“The truth is, you can bend Scripture to say just about anything you want it to say. You can bend it until it breaks. For those who count the Bible as sacred, interpretation is not a matter of whether to pick and choose, but how to pick and choose. We’re all selective. We all wrestle with how to interpret and apply the Bible in our lives. We all go to the text looking for something, and we all have a tendency to find it." - Rachel Held Evans

Many theologians say that when we accept both our own biases and the biases of the people who wrote, edited, and compiled the books of the Bible, the best way to determine what is Divine in scripture is to follow The Rule of Love:

"Any interpretation of scripture is wrong that shows indifference or contempt for any individual or group inside or outside the church. All right interpretations reflect the love of God...for all kinds of people everywhere, everyone included and no one excluded.”

- Shirley Guthrie

The webpage offers more details about this way of reading the Bible, if you are interested. But at the end of the day, the main thing I hope you can come to believe not only in your head but in your heart and your body is that you are beloved. That God created you exactly as you are with purpose and delight. That you have vital gifts to share with the world that the Body of Christ is not whole without.

If you need further assurance through theology, I invite you to check out Austen Hartke's Transgender and Christian YouTube series.

You may also find Rev. Nicole Garcia's story encouraging; she's a trans pastor who once said that she has experienced two vocations in life: one to ordained ministry, and one to being a woman.

God is calling you, too. I pray that you can feel Their presence and love in your life -- even when it's hard to believe in it yourself. <3

(For more, I have a trans tag and an affirmation tag and trans women tag and also an FAQ you might like to peruse through)

[eerna]

First of all thank you SO MUCH for being a safe space to be critical of the new arcane season. I wanted to love it. I really really did. But there’s just too much I can’t look past. It’s nice to have a blog I can scroll through where everyone is in a similar boat.

The more I think about it the more I take issue with the concept behind episode 7. Don’t get me wrong from a stand-alone perspective it’s the best episode in the new season and had my favorite moments. But the more I think about the more it feels…icky. I’m absolutely not opposed to seeing a well adjusted Powder I love Jinx and her tragedy is the hardest hitting part of the show for me. That said, season 1 gave me the impression that powder was always going to grow up “bad” due to the circumstances she was born into.

Even from the beginning, we see she experiences psychosis, and likely other unnamed mental conditions (I resonate most with the idea of her having bpd.) OBLIGATORY mental illness OBVIOUSLY does not make you a bad person—I deal with a lot of them myself—but Powder was growing up in a situation where the world was against her. She was in a triggering environment that exacerbated her mental health issues. In my opinion, Powder’s tragedy was about how the situation she was born into took a vulnerable young girl, chewed her up, and spit her out as a “monster.”

Then we get episode 7 where… everything is ok?? Don’t get me started on the peace between zaun and piltover its ridiculous and that’s all been said. The scenes on the bridge especially irk me WHY are people so freely traveling between the two cities what happened to the classism WHERE IS THE SOCIOECONOMIC INEQUALITY??

To return to Powder, I get what they were going for. I do. I personally have OCD that only flares up when my mental health is bad and is mostly unnoticeable otherwise. I get that one episode isn’t much time to explore things, but I take issue that after LOSING HER SISTER powder would just? Be okay??? Well adjusted?? Maybe I’m biased. One of my favorite things about Jinx are her struggles with mental health—it hits close to home. It hurts to see Arcane mostly drop that in the second season. Does au!Powder have psychosis episodes? Does she ever hallucinate Vi? What about her abandonment issues? It feels so cheap to me to say actually if Powder had never accidentally blown up her family she would have been completely healthy and fine actually—her path to becoming Jinx always always had a societal problem at the root of it.

And maybe you’ll say well powder has a better support system so of course she’s doing fine and I can almost accept that… except for the apparent peace between piltover and zaun?? ARCANE WHERE IS THE SOCIOECONOMIC INEQUALITY YOU CANNOT TELL ME YOU FORGOT? She’s not facing the same kind of discrimination and hardship that main universe Jinx experienced and that made her story so compelling. Now again, one episode isn’t much to explore and perhaps she has issues bubbling under the surface, but it feels strange to completely drop that part of her character in favor of everyone is happy and fine and alive (except vi fuck you vi).

Tldr; Jinx’s story stood out to me as a tragedy about how a bad environment can exacerbate already present mental health issues. She was ALWAYS doomed—she did not have the kind of support and care she needed. Jinx’s problem was never that ooooooog trauma (and silco’s parenting) made her evil. Jinx’s problem is that the world simply doesn’t give a fuck about her and throws her to the wolves. You can remove the trauma from the Powder, but you can’t ever forget that she’s living on the underside of Piltover’s boot.

I can see what they were going for with well-adjusted powder and don’t get me wrong I LOVED her she was so cute. But in combination with some of the other uhhh decisions this season made it just feels like a cop out. Her issues with mental health are nonexistent and yay piltover doesn’t hate poor people anymore, isnt that great? If I could change even one thing I’d give her a little psychosis episode in the scene where Ekko questions her about VI’s death—tying her back to Jinx and causing Ekko to break down the boundaries even more between his mental schema of Powder vs Jinx.

Also don’t even get me started on how I’ve seen some people in the fandom respond. I’ve already seen “awwww ekko should’ve gotten to keep sane!jinx” which. HELLO???

Np~ I am glad to share people's thoughts with the world!! It's nice to read similar thoughts and opinions to your own.

Yeah T.T I enjoyed the p so much, but it was still riddled with the same issues that plagued the rest of the season. The largest is definitely the fact that none of the kids had proper childhoods because the system they live under doesn't allow them peace. You are so right on Powder's episodes - when Ekko started pressuring her and she told him to get out before she does something she'll regret, I legit thought we were about to witness one. She had the body language and the tone of someone who IS about to go off, but then she... Just didn't... Add to that the unrealistic economic situation, which I've already ranted about, and you remove the two unshakeable factors which contributed to Jinx' downfall. Once again the writers are forgetting that the characters didn't start having issues in s1e1, but were suffering long before the show started.

The point of the episode is sort of Dynasties and Dystopia 2: Electric Boogaloo, in that it's dedicated to Ekko's mental separation between Powder and Jinx breaking down. But where in the first instance the breaking came from a really organic place - him realizing mid-battle she remembers their childhood friendship as well as he does - this time it's much simpler. Like. Of COURSE he would start caring for her again if he met her under the most perfect circumstances, where loving her is super duper easy. Letting Powder exhibit her "Jinx"ish tendencies more often would have been a much more interesting situation. I did appreciate the ones she'd had - creating a Vi doll, treating her like she's still alive - but it could have gone even further imo.

As for those saying he should have gotten to keep her as Powder... No what. The point of the episode was that the Powder he'd met made him miss the Jinx he'd known. He wasn't tempted to stay in the perfect world (akhem Heimerdinger akhem) because none of those people could understand him. It's the reason he trusted Vi despite her suspicious return to the Undercity - he can't help but feel connected to those who went through the same trauma he had back then. And that's my fav aspect of why he still cares about Jinx - for the longest time, the two of them were the only survivors of THEIR Undercity. She chose Silco, but she was still the only one who could understand his pain, even across enemy lines. I missed this in s2, too. He said he'd given up on the Undercity becoming a better place, which is bs, he absolutely never did. The only thing he'd given up was her!! SO the speech really should have been about that, and the alienation he'd felt.

In short, I don't really think the episode should have had a "perfect" AU to show Ekko a lesson. It would have been much more interesting to keep it realistic. But oh well, I suppose that's just the chorus of s2

[kinardsevan]

motivation monday

one more, just because this is kind pouring out of me right now. more on words never said in a story that didn't end (aka, mel does a helicopter crash fic, but not the one I have planned quite yet).

-

They’re somewhere over the east ridge, about a mile off from the fire when the helicopter suddenly makes a sharp dock to the right and Evan slams his hand against the door, glaring over at Tommy. 

“What the fuck!?” 

Tommy glares back at him as he rights the chopper, getting them back on level flight. Evan narrows his gaze at the man, ire setting into his expression. 

“Did you do that on purpose?” He asks a bit incredulously. 

“I said now was not the time, Buck,” Tommy growls back at him. 

Evan huffs, his eyes widening at the other man. “Then when is, Tommy? Because it’s not like you’ve exactly made it easy in the past few months. You don’t reach out, you ignore calls, you bubble but don’t send any actual text messages. So when the fuck am I supposed to be able to tell you anything?” 

“What could there possibly be to say at this point,” Tommy bickers back. There’s a mild rattle from the helicopter, but Evan doesn’t notice it. “You’ve moved on, as you should. You’re better off without me anyway.” 

“And since when did you get to start making all the decisions in this relationship without me having any input on it all,” Evan argues. “It’s like you decided that whatever I feel isn’t relevant because you get the last word in it all, no matter how I feel.” 

Tommy glances over at him, his expression softened slightly. “Look, Buck-..” “And would you stop fucking calling me that,” Evan growls. “Buck is- is a fucking mask. It’s- it’s distance, a-and a shield, and separation between who I really am and the outside world. Any version of that for you died the first time I let you fuck me.” 

Tommy gulps at Evan’s statement, momentarily silenced at his words before he remembers that he had a point. 

“I- look, like I said, you’re still figuring out-..” 

“I don’t need to fuck other people to know I’m in love with you!” Evan growls at him. “So if there’s some god damn number, please name it so that we can circle back to this conversation.” 

Tommy looks over at him, completely speechless, and the helicopter docks again, sharper this time, and hard enough that their shoulders slam into each other. 

“Tommy!” Evan yells. 

Tommy’s breathing picks up and the way his blood flushes out of his face tells Evan immediately that it wasn’t the pilot who made that shift that time. Before either of them can say anything though, suddenly at least three different sensors on the dash are flashing and blaring with noise. 

“W-what-..” 

Tommy forces a breath down, swallows down the bile desperately trying to rush up his esophagus and pushes the button for the open line.

“Mayday. Mayday. This is pilot Kinard in rescue 1701. I have firefighter Buckley with me. We’re roughly a mile and a half off the east ridge and in distress. I have-..” He glances down at the dash again. “Losing altitude, trying to-..” 

“Tommy,” Evan repeats, panic rising in his voice. 

“Near the cliffs,” Tommy continues. “Trying to find a safer-… we’re going to need assistance. Evan!” 

Tommy’s hand fists around the collar of his turnout, yanking him as far over as he can. This close together, this close to the ground, there’s no hiding the panic in Tommy’s eyes. There’s also no way to hide the same look reflected in them Evan recognizes from every time he was this close to Tommy. 

“I love you,” he repeats, his heart surging in his chest. “I-I love you.” 

Tommy opens his mouth to respond, but they slam hard as the landing skids hit the ground and then the chopper is down with Evan slamming into the door, skidding across the cliff. And then silence. 

[cosmicanakin]

╰ ﹒ (sorta) long awaited PART 2 to this DEAN BLURB. 🍋‍🟩

i'm shit at writing a second part to any standalone FICS or BLURBS so i'm rlly sorry if this isn't the 'makeup sex' type blurb yall were lookin' for <3

⎯⎯ warning(s) smut | emotional vulnerability | strong language | semi-public sex | rough sex | praise kink | dirty talk (yum) | jealousy | overstimulation | POSSESSIVE!DEAN | power dynamics | mirror sex. ఌ︎ EIGHTEEN PLUS! ADULT CONTENT | minors do NOT interact.

the bar is loud, filled with the familiar hum of conversations, clinking glasses, and the occasional burst of laughter. you sit at a table near the back, surrounded by a few of your close friends—hunters like you, women who know the life, know the dangers, and are just as good at blowing off steam after a successful hunt. tonight, the drinks flow easily, and the laughter comes even easier. it's rare to get a reprieve like this, to have a night off where you can just relax and enjoy yourself. you deserve it. you know you do.

but even as your friends trade stories and jokes, your mind keeps drifting. keeps circling back to him. DEAN WINCHESTER. it's been weeks since you left him in that motel room, since you walked away without an explanation, with only a hastily written note. you haven't spoken to him since, haven't called, haven't reached out. not because you didn't want to. GOD, you wanted to. but fear held you back. fear of what he felt, of what you felt, of how everything had changed with those three words he'd let slip between gasps of pleasure.

i love you.

you still hear his voice in your head, still feel the way his body had tensed beneath you when he realized what he'd said. you'd thought about calling him a hundred times, a thousand times actually, to tell him you felt the same. that the reason you ran was because you were scared—scared of how much you loved him, how deeply you'd fallen without even realizing it. but every time you picked up the phone, you hesitated, and the moment passed.

now, sitting in this bar, surrounded by friends, you can't help but wonder if you made a mistake. if walking away from him was the worst decision you could've made. but before you can spiral any further, you hear it—a laugh. a deep, familiar laugh that sends a shock of recognition through your entire body.

you freeze, your drink halfway to your lips, as you turn your head and see him. DEAN WINCHESTER. standing at the entrance of the bar, his brother, sam, by his side. dean doesn't see you at first, too busy scanning the room, probably taking in the scene out of habit, always the hunter, always alert. but then his eyes snap to yours.

it feels like the air is sucked from the room. your heart stutters in your chest, and for a moment, you can't move, can't breathe. he looks just like you remember—broad shoulders, brown leather jacket, that chiseled jawline you've traced with your fingers more times than you can count. but there's something in his eyes, a flicker of something raw and unresolved, and you know he's thinking about that night, about the last time you saw each other.

he doesn't move. neither do you.

but his gaze lingers on you, even as a blonde woman sidles up to him, clearly trying to get his attention. she's pretty—tall, curvy, the kind of woman who turns heads in a place like this. but dean barely spares her a glance, his eyes locked on you like he can't tear himself away. you feel a surge of something hot and uncomfortable twist in your chest—jealousy, anger, desire. god, you miss him. you miss him so much it hurts.

and it's not just him. it's the way he made you feel, the way he looked at you like you were the only thing that mattered, the way his hands felt on your skin, rough and gentle all at once. the way he'd held you that night, the way he'd said he loved you, like it was the most natural thing in the world. like he couldn’t help it.

you tear your gaze away, pretending to focus on the conversation at your table, but your mind is spinning. your body is buzzing with the awareness of him, of how close he is, of how much you want him. but the thought of facing him, of having that conversation, of admitting how you feel... it terrifies you.

so you do the only thing you can think of. you excuse yourself, telling your friends you need to use the bathroom, and slip away from the table, weaving through the crowded bar until you reach the small, dingy restroom at the back. you close the door behind you, the fluorescent lights flickering overhead, and lean against the sink, staring at your reflection in the cracked mirror.

your heart is racing, your skin flushed, and all you can think about is dean. about the way his muscles flexed under that leather jacket, the way he looked at you like he was starving for you. heat pools low in your belly, and filthy thoughts flood your mind—thoughts of him pressing you against the mirror, fucking you from behind until you're a mess, just like he did that night in the motel.

you squeeze your eyes shut, trying to push the thoughts away, but it's no use. your body wants him. you want him.

and then the door creaks open.

your eyes snap open, and you see him—dean, standing in the doorway, his eyes dark with that same hunger you feel. he steps inside, closing the door behind him, locking it with a click. your heart pounds in your chest, and you can't move, can't speak, as he crosses the small space between you, his body heat radiating off him in waves.

he doesn't say a word. he doesn't have to.

his hands are on you in an instant, rough and desperate, pulling at your clothes, as you do the same to him. his leather jacket hits the floor, followed by your shirt, your jeans, his belt clinking as he yanks it free. his breath is hot against your neck, and he's whispering in your ear, his voice low and gravelly.

"you're such a bad girl for leaving me like that," he growls, his teeth grazing the sensitive skin of your throat. "but god, y'feel so fucking good... s'perfect."

his words send a shiver down your spine, and you can't stop the whimper that escapes your lips as he spins you around, pressing you against the mirror. your breath fogs the glass as his hands grip your hips, his body pressing against yours from behind. he wastes no time, thrusting into you with a force that makes your knees buckle, but his strong arms hold you steady, keep you grounded.

you're a mess beneath him, a blubbering, trembling mess as he fucks you hard and fast, his hips pistoning into yours with a desperation that matches your own. he's everywhere, all at once—his hands, his mouth, his body consuming you, and you can't think, can't breathe, can't do anything but feel.

"you're mine,” he growls, his voice rough and possessive in your ear. "you've always been mine."

and it's true. you know it's true. you've always been his.

you lose track of time, of how many times you come, his name spilling from your lips like a prayer, your body shaking with the force of it. by the time he finally pulls out of you, you're spent, your legs trembling, your breath ragged. but dean takes care of you, cleaning you up, pressing soft kisses to your skin as he helps you back into your clothes, his touch gentle and tender, so different from the roughness of moments ago.

when you're both dressed, you turn to him, your eyes meeting his, and without thinking, you pull him into a kiss. it's not like the others—it's not fueled by lust or desperation. this kiss is soft, slow, full of something deeper, something you've been too afraid to admit 'til now.

when you finally pull away, dean looks at you, his eyes searching yours. "what was that for?" he asks, his voice quiet, vulnerable.

you take a deep breath, your heart pounding in your chest. "i love you," you admit, the words catching in your throat. "and i'm sorry for leaving you like that. i was scared. but, fuck… i love you too, dean. i always have."

the smile that breaks across his face is like sunrise, brilliant and beautiful. he pulls you close again, pressing his body into yours. "yeah?"

"yeah," you whisper back. "turns out you're kind of hard to resist, winchester."

he laughs, the sound rumbling through his chest where you're pressed against him. "good thing i'm not trying to resist you anymore either, sweetheart."

when you eventually make your way back to the bar, sam takes one look at your slightly disheveled appearance and dean's stupid grin and rolls his eyes, but he's smiling. your friends are also giving you knowing looks, and the blonde from earlier has long since found another target.

none of that matters, because dean's hand finds yours again, and this time, neither of you are running anywhere. he also pulls you close to him again, his lips finding yours in a kiss that was both tender and passionate, a promise of something more.

something real.

꣑୧ UNOFFICIAL TAGLIST. @anqeliclust @aileenunfiltered @embarrasingmf @stereotypicalbarbie @ninii-winchester @suckitands33 @ohheyguyss @spxideyver @artyandink @titsout4nicholas 𓂃 ݁ 𖦹

[chickenkurage]

"The Author" (Reality Warped AU)

This is the villain.... "Alan"

He's not that scary yet XP...... Anyways, lore!

· • —– ٠ 📜 ٠ —– • ·

Summary/Synopsis:

Imagine sitting at your desk, writing the ending of your own book. When all of the sudden you wake up in a world that you literally made! Goodness this is an author’s wet dream! At least that’s what Alan is supposed to feel, until he remembers what kind of person “Alan” is in his story….

Where Alan Becker, the author of Animation vs Animator and his standalone Animation vs Minecraft (kudos to Mojang) was suddenly sucked in his own book, now he finds himself in place of his self insert character named “Alan”.... He’s supposed to be glad because he’s meeting his own creations (his own characters! Can you believe that?!), until he remembered he’s the “supposed” villain of the story.

Oh well, he can change things up right?

Ugh, right…. He is the villain, and being a villain means it’s hard to gain your character's trust (why did he even write his character as a villain?......a right because he couldn't think of any other villain, so naturally he wrote himself as one.... ugh).

· • —– ٠ 📜 ٠ —– • ·

LORE:

“Alan” in this AU is the villain, the creator of victim, The Chosen One, The Dark Lord and The Second Coming: The Chosen One’s Return. He was the worst out of the worst, he only thought of them as some play toy. Telling them what to do, and such. He was the fucking worst, at least to their point of view…. Actually, scratch that, he was the worst to everyone’s eyes. Even the Color Gang hates Alan (and somehow, they were the “chillest” out of them all). They were so used to Alan treating them like dirt at this point. Then all of the sudden he’s all kind now? What games is he playing?

Alan Becker is just an author, a really well-known author that created Animator vs Animation, originally a story he created as a teen then he tweaked it a little bit when he got older (his writing was atrocious, it clearly needed some work). But nevertheless, he was proud of his work, he even gained a fandom because of it. Met a lot of people too, and friends too! As a child, he always wanted friends on his own computer, always fantasizing how he would be with them and how fun it would be. So naturally he made a story, and that story became a sensation years later. He really should be thankful for his family and friends for giving him a push to actually publish it. After losing his interest in drawing (he clearly was not improving) he decided to just hone his writing skills better, after all a lot had said he was better at writing than drawing. And somehow, he’s glad he actually continued it. So, tell him, why the fuck did he suddenly wake up in his own story?!?! Not only that, but he also has no face?! Oh god he has no face (actually it was his fault for not really going in depth on how “Alan” looks like, now he suffered the consequence of losing his own face).

Now he's stuck as his own self insert character, forced to play a villain role, before deciding, fuck it and fed his characters kindness and love, because for the life of him he cannot act like an asshole; he feels too bad............ Naturally, he also knew how the story would end, and it won't end on a good note. So thankfully, acting kind will MOST PROBABLY change their ending... Hopefully, oh god out of all books he gets sucked into, it's his own book which probably has so many plot holes?! Someone please save him now!!!

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Here is your well-deserved lore everyone! We finally got another Alan who isn't crazy, turned crazy, evil, a terrorist need I say more? - S

[ningningeve]

⋆˚࿔ ℒove in the mix .ᐟ daniela avanzini

daniela suggests a baking day at home, even though neither of you is particularly skilled in the kitchen. what starts as a simple idea quickly turns into a delightful disaster.

pairing daniela avanzini x fem reader, established relationship genre fluff wc 1.6k

♫ — stuck with u - ariana grande, justin bieber

it feels like years since you last saw your girlfriend, daniela. between your packed schedule as a full-time college student and her whirlwind of a life as an international idol, finding quality time together has been almost impossible. even the phone calls you manage to exchange always feel far too short.

but this week, everything changes. daniela managed to carve out a short break in her busy schedule just to spend time with you, and you couldn’t be happier.

now, you’re standing at the airport, bundled up in your favorite sweats and sweater, nervously fidgeting with the drawstring of your hoodie. the lively conversations and the occasional sound of luggage rolling by do little to calm the excitement bubbling in your chest. it’s been so long since you’ve last seen daniela in person, and the thought of finally wrapping her in your arms again makes your heart race.

you glance at the arrivals board for what feels like the hundredth time, checking to make sure her flight hasn’t been delayed. the wait feels endless, but you know it will all be worth it the moment you see her walking through those sliding doors.

its almost as if you’d sense her arrival. the moment your eyes flick to the sliding doors. there she is. her curly blonde hair catches the light, looking as beautiful as ever, and the familiar, heart-melting smile spreads across her face— the one she saves just for you. for a second, the noise of the bustling airport faded away, and it’s like the world narrows down to just the two of you.

she continues walking towards you, her eyes sparkling with warmth, and you feel your breath hitch. it doesn’t matter how long it’s been or how far apart you’ve been. in this moment, everything feels right again.

the moment daniela is within arm’s reach, she lets her bags fall to the floor with a soft thud and closes the distance between you. her arms wrap tightly around you, pulling you into the kind of hug you’ve been dreaming of for months. she buries her face in your shoulder, her curls brushing against your cheek as the faint, familiar scent of her floral perfume, wraps around you.

“i love you,” she whispers, her voice so soft only you can hear it. it makes your heart swell.

as if holding her close could make up for all the lost time. for a moment, nothing else matters. not the bustling crowds, not the announcements overhead. just her, safe and real in your arms.

“i love you too,” you murmur softly. the words feel so natural, like they’ve been waiting to fall from your lips since the last time you saw her.

by the time you arrive at your shared apartment, the excitement of being together hasn’t faded. you help daniela unpack her things, placing her belongings in their usual spots while she tells you stories about her travels. even though you already know most of the details from your daily phone calls.

as the afternoon sun streams through the windows, daniela suddenly brings up an idea. “let’s bake something together!” she exclaims. neither of you is particularly skilled in the kitchen, but the thought of spending more time together… it’s impossible to say no.

before long, you’re in the grocery store, wandering the aisles with a small shopping list in hand. daniela insists on making a blueberry pie—her current favorite dessert. she tosses a box of cookies into the cart “just in case,” and you add an extra pint of blueberries, knowing full well some will never make it into the pie.

daniela manages to sneak a few candies from the bulk section while you pretend not to notice. by the time you check out, the cart holds far more than you planned, but neither of you mind.

later that evening, with the groceries spread out on the counter and the recipe open on your phone, the fun begins.

you start by preparing the crust, mixing flour, sugar, and a pinch of salt in a large bowl. daniela insists on cutting the butter into the mixture herself, declaring, “i’ve got this!” as she carefully works it in with her hands. “does this look crumbly enough?” she asks, holding up a handful of the mixture. you laugh and nod, reaching over to steal a bit of the dough and earning a playful nudge from her elbow.

next comes rolling out the crust. the two of you take turns with the rolling pin, softly giggling as the dough sticks to the counter despite your best efforts to sprinkle enough flour. eventually, you manage to press it into the pie dish.

for the filling, daniela measures out the blueberries, sneaking a few into her mouth when she thinks you aren’t looking. “stop! you’ll eat the whole filling at this point!” you tease, swatting her hand away as she grins that silly smile. together, you mix the blueberries with sugar, a pinch of cinnamon, and a squeeze of lemon juice.

carefully, you pour the filling into the crust, and daniela gets to work on the lattice top. her eyebrows knit together in concentration as she weaves the strips of dough, a look so adorable you can’t help but smile. “am i a baking expert or what?” she says proudly, stepping back to admire her work. you can’t help but let out a small laugh and nod your head yes.

by the time you slide the pie into the oven, the kitchen is a complete mess—flour on the counters, sugar dusting the floor, and a few stray blueberries rolling around—but neither of you cares. daniela leans against you with a contented sigh, her arms wrapping around your waist. “we make a pretty good team,” she murmurs, her voice warm with affection.

everything seems to be going smoothly as the pie bakes in the oven, the sweet aroma of blueberries filling the kitchen. but, as you clean up the counter, a creeping sense of unease starts to build. something doesn’t seem right. daniela notices your furrowed brow and asks, “what’s up?”

you glance at the recipe on your phone, then back at the empty measuring cups on the counter. your stomach sinks. “i think… i forgot the cornstarch,” you mumble, your voice barely above a whisper.

daniela tilts her head. “is that bad?”

your heart drops. “it’s the thing that thickens the filling. without it, the pie will probably be a soupy mess.”

daniela bursts out laughing, trying to lighten the mood, but you don’t join in. instead, the weight of everything—the messy kitchen, the forgotten cornstarch, and the pressure you put on yourself to make this day perfect—comes crashing down.

as you try to salvage the moment, disaster strikes again. while pulling the pie from the oven to check on it, daniela accidentally tips the edge of the dish against the oven rack. the lattice top slides to the side, and some of the filling sloshes over the edge and onto the bottom of the oven, sizzling and smoking.

panic sets in as you grab a towel and fan the smoke detector, but it’s too late. the piercing alarm fills the apartment, and you can’t hold back anymore. tears blur your vision as you set the towel down and press your palms to your face.

“i just wanted today to be perfect,” you choke out, your voice trembling. “you’ve been gone for so long, and i thought-”

daniela’s arms are around you in an instant, pulling you into her chest. she strokes your back gently, murmuring, “hey, it’s okay. don’t cry. it’s just a pie.”

you shake your head. “it’s not just the pie. i just… i wanted to do something nice for you. i wanted it to feel special.”

she pulls back slightly to look at you, her hands cupping your face. “you being here with me is what makes it special. i don’t care if the pie is perfect or if the kitchen looks like a war zone. i care about you.”

her words are soft and sincere, and despite your tears, you feel a small smile tugging at your lips. “even if the pie is soup?”

“especially if the pie is soup,” she teases, earning a soft laugh from you.

daniela wipes away your tears with her thumbs, her gentle smile never faltering. “come on,” she says, her voice soft yet playful. “let’s clean up and give this pie a second chance. worst case, we’ll just grab ice cream and eat it out the tub.”

her lightheartedness makes you laugh, and you nod, letting her pull you toward the mess. together, you tackle the chaos—blueberries on the counter, flour on the floor, and the slightly lopsided pie cooling on the stove. It’s not perfect, but by the time the kitchen is somewhat back in order, it feels like home again.

later, you both sit on the couch, the salvaged pie between you on a plate, topped with a generous scoop of vanilla ice cream. daniela takes a bite first and immediately breaks into a grin. “okay, it’s not so bad. definitely not soup,” she says, holding out her fork to you.

you try it and let out a small laugh. “you’re right. it’s… edible.”

she leans her head on your shoulder, her voice warm and teasing. “i think we should make this a tradition. every time i come home, we’ll bake something and see how it goes. disaster or not.”

you glance up at her, her golden curls falling across her face as she smiles contentedly. your heart feels full, and you realize that it doesn’t matter if the day wasn’t perfect. daniela’s here, and that’s what truly matters.

“deal,” you whisper, pressing a soft kiss to her plush pink lips.

the pie might not win any awards, but as you sit together, laughing and sharing bites, it feels like the most perfect thing in the world.

[satureja13]

None of Rubyn's many antennas and devices at Mos Verdantis was able to establish a connection to the Boys deep in space. She was so worried. But at least she could track the ship. Great A'Tuin was still on her designated route to Batuu. But the ship flies on autopilot, so that doesn't tell her anything about the wellbeing of the Boys...

It's Albaleyh's ship, so Rubyn decided to call her. Maybe she has an idea.

Not the best time for a call, though. Albaleyh is stressed beyond measure. She'd been sent on another diplomatic mission and had to take Seon Mi and Joon Gi with her. The kids are depressed more than ever because aside from their father being captured and taken from them, their beloved pet went missing a while ago.

So when Rubyn's call came in, she was just trying to get B.D's kids to eat, which they refused... as so often. Albaleyh really hopes these are some good news for once...

She went over to answer Rubyn's call. Albaleyh: "Please tell me they found him!"

Rubyn: "Eh... not - yet. How are you doing? Are the kids ok so far?"

Albaleyh told Rubyn about their misery. Albaleyh: "I don't know what to do anmore. They are acting so weird." Rubyn: "Weirder than when they planned to steal that TIE Fighter? Or when they helped repairing B.D's shuttle? Or when they tried to get the password from the First Order for the Gas Platform?" Albaleyh huffed a laugh, even though she doesn't feel like laughing: "They'd been always weird, huh? Like their father. Ach, I miss him nevertheless. But they are so quiet. At the moment, they are reading!"

Rubyn: "Oh no... I will tell the Boys to double their efforts. When I'm able to reach them again, that is. Say, do you have any idea what to do when the communication system of a... eh ... big ship is - kind of broken?" Albaleyh sighed: "A big ship like Great A'Tuin? You've lost contact to them?" Rubyn: "Don't worry. Great A'Tuin is still on her way. Just thought..." Rubyn told Albaleyh in which sector the Boys currently are. Albaleyh put Rubyn on hold and checked the whereabouts of her contacts. Albaleyh: "Rubyn? Mr Kim is near them. I'll send him over to check on them." Rubyn: "Oh my, thank you! I'm sure they are fine and they are going to bring him back, hm?" Albaleyh wasn't so sure. Why had she agreed to this crazy mission?What could those Boys do what she couldn't? She knew that's not fair to them. Her diplomatic hands are tied, she can do nothing for B.D.

She went over to the kids. Seon Mi missed her dad - and now their pet too. She was crying again. Joon Gi: "Is he dead?" Albaleyh sighed, there was no use lying to them: "Ach, no. But the possibilities of rescuing him just furter decreased. I never should have trusted Rubyn with those Boys. How are they supposed to bring your father back when they have no experience, never been at a space ship? They can't even deal with a broken communication device..."

Joon Gi looked at his sister: "Never tell me the odds. He will come back." Albaleyh just wished they acted more like other kids. She never knows how to deal with them - or how to comfort them. And she wished they'd watch less Star Wars movies...

'Sounds of laughter shades of life are ringing Through my open ears inciting and inviting me Limitless undying love which shines around me like a million suns It calls me on and on across the universe

Jai guru deva, om Nothing's gonna change my world'

The Beatles - Across the Universe

From the Beginning 🔱 Underwater Love 🔱 Latest

Current Chapter: starts ▶️ here Last Chapter: 'Here comes the Sun' from the beginning ▶️ here

📚 Previous Chapters: Chapters: 1-6 ~ 7-12 ~ 13-16 ~ 23-29

And if you want to read more about Albaleyh, B.D and their odyssey through space, their story starts -> here

[dreamwreaver]

I'm not here, I'm just living in the world where the entirety of the show is set in the pilot era (same designs, personalities, back stories, voice actors) and Charlie and Alastor are as wildly in love with each other as ever.

Whatever makes you happiest Nonnie. Personally, I don't mind the change in Vaggie's backstory on principle. I just think that it should have gotten the focus it deserves. In a perfect world the seasons would be 20 episodes minimum and the vaggie reveal would have been the mid-season finale. Then the second half of the season would have focused on the impending extermination and the fallout of that reveal.

Vaggie seems to be the real sticking point for me on a lot of these issues huh? I don't mind the change in va because Stephanie beatriz is awesome but she's kind of... wasted here? Like we see far less of Velvette and know exactly what she's about. Stephanie doesn't really get a lot of dialogue or character to work with for Vaggie which sucks all around. I'm torn on some of the changes. I think Blake and Michael sound enough alike that most people can't tell the difference, Amir and ed certainly could have split the difference for Alastor since Amir can sing with a transatlantic accent better than Ed and vice versa Ed can speak better than Amir. There's a lot of little changes that I think should have been worked on with the pilot. But maybe it'll be like what happened with helluva boss. We had some voice changes there from pilot to series and they're all for the better in the end.

I do think Alastor and Charlie should be madly in love too though. They just make too much sense together not to be.

[papaya-inspiration]

This is really interesting! I hope you don't mind if I do a bit of analyzing of your loglines, because this is also something I struggle with and I'm interested in seeing what I can learn by breaking down the ones you've posted.

Some quick context first: I haven't read any of your longform fiction. I know from my sister (she's a fan) that they would probably be right up my alley (and I fully intend to read WtC, it's just long and I haven't quite gotten to it yet.) So I can't how accurately these capture the actual stories, but I can analyze them from the perspective of someone in the target audience who might pick up one of these books on the strength of the logline.

The thing that stands out to me most is that nearly all your loglines break up nicely into two parts: the first clause sets up the context of the story and the second clause provides the main thrust of the plot. In your stronger loglines, it is immediately apparent how those two things play off each other. In the weaker ones, the two parts feel disjointed or don't have an immediately obvious connection, and thus are missing the "twist" or "hook" that draws potential readers in.

Let me explain through some examples. I think your strongest logline here is the one for Shadows of the Limelight. The set up is both clear and snappy ("In a world where fame gives you power") and the plot hook immediately sets up several dramatic questions (what is protagonist going to do with all this sudden and unexpected power? what expectations come with it? how does the hero he saved feel about this? how does the protagonist's status as a "fanboy" affect with that?) The relationship between the set up and the plot is immediately obvious and it comes with the "twist" built in.

On the other side of things, I think several of your other loglines suffer from the same issue, particularly The Dark Wizard of Donkerk and Millenial Scarlet. Both have a set up and a plot hook, but the relationship between the two isn't clear. For Dark Wizard, how does "being raised by dark wizards" affect going on an adventure? Does it hinder the protagonist, or prepare them to approach their quest in a particularly unique way? Does it make them a particularly unlikely duo with the wayward princess? Are adventures a normal thing for this world? I think a stronger logline would tie the protagonist's unique background to how their quest will go down, which also has the added benefit of preparing the reader for what the tone of the story will be.

Similarly for Millenal Scarlet, the logline would be stronger if we got some sense of how the dead mother's plans came into conflict with the protagonist's job. I love the set up--"gig-economy demon hunter" is an inherently interesting premise (at least to me) and it sure seems like the kind of job that could bring you into conflict with a loved one's last wishes. But the logline doesn't actually tell us enough about the nebulous "plans" to show that there is a conflict, or what it is going to be.

So yeah! I hope something in there is helpful to you, or at least minimally annoying to receive. It was fun to look over your examples and think about why some of them jumped out as more appealing to me than others (and hot damn I really do need to read WtC one of these days.)

Also, in the spirit of practicing and improving I'll tack on attempts at loglines for two of my own stories (though they are currently not available to read publicly anywhere, alas):

Zivanka at Baytown - In a harbor town ravaged by unpredictable storms and unfriendly to outsiders, an orphan girl discovers the lengths she will go to secure a place for herself.

Death and the Doctor - Accompanied by the personification of Death itself, a plague doctor must free a village from a strange malady with otherwordly origins.

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[lovesodeepandwideandwell]

Continually baffled and disturbed by the roster of classic rom-coms that fling themselves headfirst into the conversation about destroying gender stereotypes and differences and then? Conclude that they're all correct?

[deoidesign]

hi. I just read your entire comic in one go and I’ve gotta say I am in love with it. as a trans guy with hair that looks so much like Steve’s and who loves werewolves, I had to physically restrain myself from squealing out loud upon realizing he was trans, because I am currently living in a room with five other people in a small community in rural Alaska and didn’t want to explain to them the joys of seeing yourself in a character and then realizing “oh shit they’re trans like me”. I hope you are doing well, and may the gods of creativity and carpal tunnel bless you with much fruit in your artistic endeavors.

how could I ever show how deeply messages like this touch me... I never know what to say, I want so badly to have the proper words to show you how grateful I am

This is why I write. so that people get to feel like this, and I could never reflect that properly with just my words... But I want you to know that.

I hope to make something that is worthy of your love, and I hope every day that my work is sufficient to show I love you. so I'm relieved that it's succeeding and you feel seen.

Thank you for sharing this with me, I love you