#what is going on with this society

[spill-to-t]

I’ve seen too many posts about people wanting to starve themselves to look aesthetically pretty… *sighs*… 1. Don’t starve yourself, it’s not healthy honey. 2. Your body should not define your aesthetic 3. You won’t be happy, because you’ll feel miserable every time you eat… which is not good, because your body needs the nutrients 4. Don’t think you’re unworthy if you’re not skinny wth

[oidheadh-con-culainn]

as an aroace person with limited sexual experience, no interest in watching porn, and poor sex ed as a teen, there IS something simultaneously funny and vaguely tragic about being 28 adult years old and realising how extremely tiny your frame of reference is for genitalia and deciding you should expand this to better understand bodies (yours and others). and then you're just there like "okay so what the fuck do I even google right now, anyway"

[symphonyofsilence]

Let the poor man rest.

[captainjonnitkessler]

The second you start talking about some mysterious "they" that are controlling society in some fashion, you are engaging in dangerous conspiratorial thinking even if you're being woke about it. "They" did not institute the 40 hour work week specifically so you would be too tired to revolt. "They" did not invent the sleek minimalist aesthetic in order to crush the spirit of art in the common people. "They" are not pushing mediocre media into the mainstream in order to poison people's critical thinking skills.

Your best case scenario after that is you talk to someone who actually knows what the fuck they're talking about and you get embarrassed because you can't answer basic questions about your own ideology because you never learned anything past "the ruling class/capitalists/politicians are making things bad and if we got rid of them the bad things would all go away!"

Your worst case scenario is obviously the woo-to-fascist pipeline and you end up believing Jews are poisoning American food supplies with GMOs in order to turn us all into beta cucks, so like . . . maybe just stop blaming "them" before you fall down that route.

Obligatory round of disclaimers: Yes, sometimes people do bad things. Be specific about exactly who is doing what instead of ascribing it to some vague group of shadowy elites. Yes, sometimes things in society are bad. Learn to identify the root causes of complex social issues instead of assuming that they're actually extremely simple to fix and we're just not doing it because of some vague group of shadowy elites. Yes, minimalism isn't for everyone. Learn that some people don't share your tastes and get the fuck over it for the love of god.

[anna-scribbles]

last one i promise(<—lie)

[musubiki]

balor 🥰

[knifearo]

being aromantic is like. hey btw you're going to live a life that is the culmination of most of society's worst nightmares. sorry lol ✌️ but then you turn around and take a really good hard look at it and it turns out that living in that nightmare is fucking awesome and you get to wake up every day and take that fear that other people have and laugh and hold it close until it's a great joy for you instead. and being happy is a radical act that you define instead of someone else. and you're sexy as fuck that's just a fact of life i don't make the rules on that one

[gremlingirlsmell]

"i dislike the terms tme and tma" why do you dislike terms that are useful for transfems discussing their systematic opression? do you dislike the terms cis, hetero, white, too? you need to understand that tme & tma are not created to make "new binaries" or whatever, theyre for discussing our real material opression. realize how close you are to saying that transmisogyny isnt "real" or that it "affects everyone". do you also think reverse racism exists, or that homophobia or misogyny targets cis hetero men instead of benefitting them? or do you believe in intersectionality until it's about trans women and transfems, then the intersection of misogyny and transphobia basically becomes meaningless? you "dislike" when transmisogyny is brought up, just as existing?

[spitblaze]

If you’re gonna care about prison abolition and justice you are necessarily going to have to care about the people who DID do those crimes and just want to reintegrate and live a normal life without hurting anyone. You're gonna have to be cool with the fact that the guy scanning your groceries might’ve raped someone. You're gonna have to relax about the possibility that your bank teller used to be a career criminal. The person sitting next to you on the bus might’ve committed three different murders, and as long as he's not about to commit a fourth right now, that's not your fuckin' problem. People don't disappear from society after they commit crimes, and most of them really just want to live a normal, stable life instead of going back to that. And the best way to make sure they don't relapse is to ensure they're able to live that peaceful life instead of freaking out because the guy next door used to run a dogfighting ring. You don’t have to be friends with them, you don't even have to like them, but you're gonna need to be okay with them existing in society. Sorry.

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[purpurussy]

was letting youtube autoplay videos while messing around in photoshop last night and it played the top dan memes of 2022 and now im thinking about this again. dan let me in please. let me into your beautiful mind i need to know what this all means. "the confrontation of who your personality is as shaped by nature or nurture" pleeease listen to your man he's right it would be a REALLY good video essay... drop the self-indulgent rambling 2-hour-long dinof yap sesh about gender presentation/identity/nature vs nurture/the rat that lives inside the sister daniel veil and pulls on your hair to control you and turns you into a completely different powerful godlike entity please please let me in lemme iiiiiiiinnnnnnnnnnnn

[penelopecolinb]

it seems like some of you don't really understand the social implications in regency england for an unpopular debutante when her good friend who also happens to be one of the most eligible bachelors of the ton declares that she's not worthy of courting in her own damn garden after being seen taking multiple liberties with her.

it has nothing to do with the fact that he doesn't return her feelings. it has everything to do with how absolutely careless he was with her. even if he didnt realise he was leading her on, that's what he did. he made things harder for a woman who already had so little by her side. he used to be one of the reasons she could stand being part of the ton, but in that moment he instantly became just like one of her bullies. and obviously that breaks her until she becomes what we saw in the sneak peek for s3.

people will see how her friends treat her and think it's fine to mock her to her face. she is the embarrassment, the laughingstock and it was fine when she thought she had the bridgertons by her side. but now she knows what colin really thinks of her. he validated all the bullies she had, when she was mocked for her looks or her shyness. that is such a painful betrayal, especially when not TWO FUCKING SECONDS ago he claimed that she was special to him!!!!!!!

is that not worthy of grovelling?????? cuz i fucking think it is.

[stromblessed]

Mizu was wrong to let Akemi be taken because they both deserve better

First, a confession. When I saw this for the first time:

I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.

When Akemi does this:

I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.

So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?

Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.

Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.

Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.

Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.

But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."

"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.

One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.

In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.

Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.

Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.

Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.

Mizu had the power to help Akemi, and simply chose not to.

Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.

Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.

All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.

[fadedkat]

can’t look him in the eye

[cosmicalls]

i'm no film or visual arts expert but ☝️ one little detail i like in dead poets society is how often there are shots of todd looking up at neil. often in admiration, i'd assume--

--which is of course mirrored in the shot of neil looking up at todd after he does his poem;

also,

looking up towards the sky after The Incident. what does this say? i don't know actually. but it feels like something. don't know what

not to mention when neil is finally on stage. everyone in the audience is looking up at him in that case, but i'd say it still makes sense?

they hjust admire each other so much i think. Ouuhg

[hayaku14]

Sonoko and Shinichi are forced to attend high society parties together, mockumentary style

Interviewer: What do you do during these parties?

Shinichi: Sonoko and I people-watch. It's a great way to hone your observational skills and kill time. Sonoko is actually surprisingly good at it. Maybe the Queen of Deduction isn't too far off a nickname. (He says snickering)

*shot of Shinichi leaning into Sonoko and whispering something. Sonoko giggles and whispers back*

Sonoko: People-watch? *scoffs* Oh no, we gossip.

*shot of Sonoko whispering something to Shinichi as they both turn their heads slowly towards a man with messy hair straightening his tie. Shinichi whispers something back and they snicker for a second before swiftly turning their heads away when the man looks at them*

Sonoko: We gossip the entire time. (She says with the biggest shit-eating grin)

*the man leaves and Shinichi and Sonoko slowly look at each other and burst into giggles*