#what in the homoeroticism

[stripedstarsblueflags]

we seriously need to start reevaluating what constitutes a “ship war” because here i would’ve thought it was wars between the fans of certain ships but nothing i repeat NOTHING any f1 rpf fan can create will come even close to the efforts the ships themselves are taking to outdo each other

[notscarsafe]

I'm finally catching the demonologist VOD and upon discovering the character customizer the very first thing the gang all do is make themselves look like this. Skizz commented that it looked like they'd put on Canola oil for a photoshoot. Tango called the effect "glistening".

...why are they Like This

[a-person-on-the-internet]

Only Epic the Musical could have a solid 50% of the fandom say "ooh kinky" after watching a graphic torture scene.

I do not blame any of yall. I can see it.

But also. Damn.

[planetvries]

…y’think they ever explored each other’s bodies

[ghostlightsahead]

They're so royal family coded

Like its giving royal tour of the empire

[renshengs]

beyond evil (2021) occupies a very interesting space in the larger expanse of crime shows. like, it is a Cop Show. it is undeniably a Cop Show even if the two main characters, who are both cops for very different reasons, are handled with significantly greater awareness and intention than usual.

it is also, impressively, a show that pierces the real ugly rot of 1) police corruption and its overlap with capitalism 2) atrocious real-life lawmaking 3) the poor handling of femicide in stories. i cannot express how abruptly shocked i was to discover that i did not hate the way this show was carrying itself, despite its crime drama genre, narrative about two homoerotic cops, and its murder mystery premise featuring a plot about a serial killer with solely female victims. here is a story that understands its purpose and is so clear-eyed about it that i did in fact tentatively suspend all my wariness about Cop Shows to watch it—and what i got was a scathing response to every serial killer and true crime documentary out there. a narrative that said: enough. enough. look at the way grief rots people from the inside out. look at the way loss ruins lives. do not forget the sufferings of the innocent.

far too many crime dramas possess an incredibly dehumanizing analytical tone to them that goes, “what if these poor women died in brutal gruesome tragic ways? anyway, look at these men and their heroic journey for justice!” it’s why i can’t fucking stand to watch them for the sake of my blood pressure. while beyond evil is not exempt from using such gruesomeness as a part of its horror aspect, the women in this show, particularly the women who were murdered, occupy such a heavy weight over the narrative that it is impossible to reduce them to what they’re usually reduced to: numbers in files, or cold cases. and because the purpose of beyond evil is to examine the ways grief and loss bring about destruction to people’s lives and communities, these women cannot be seen as numbers. they need to be vivid and real; the audience needs to feel their loss as deeply and gnawingly as the townspeople do. as we would in real life.

personally i’m still surprised at myself for liking a Cop Show this much—because the law enforcement sympathy is unavoidable in a cop show—but then i’m also shocked at how immediately this show establishes its awareness of police power. i don’t mean it gives a passing nod, like a brief disclaimer. i mean that you watch until the end and you’re like: oh! the entire fucking show is about police power and its consequences! this entire goddamn show is about cops’ potential for harm and how it destroys lives! the main character only ever became a cop out of desperation because he realized it would protect him from suffering further at the hands of the police. because he realized it was the only way for him to get access to both the information and the legal power needed to take his own steps to solve his sister’s murder. it’s not radical—it’s a cop show. but it is novel. a cop whose relationship with his own occupation is bitterly resigned at best and traumatic at worst.

this is far from an original thought, but truly i think what makes beyond evil worth watching is that it is so incredibly careful with itself. its meta awareness of its own genre heightens it to a tier above other crime dramas—it knows and rejects voyeuristic perspectives into the lives of people who’ve suffered real loss and tragedy, and so it makes the loss inescapable. every direction you look, someone’s life has been irrevocably altered by the murders you learn about in the story. it gives you no space to push away the murder—no, you need to sit directly in its field of impact. all the fucking time. you are not watching the town suffer, you’re suffering with the town. the story sucks you in and makes you live alongside the rest of them; it's why the first watch hurts so raw. because the story refuses to let you take a true-crime approach. because it refuses to prioritize the narratives of perpetrators over human lives. you are there, and you are hurting.

man. really, if you're going to watch anything, watch this.

[azukisprouts]

asajksjdjkksjdkk DEAD PLATE

Full painting under the cut!

I am. so normal about these three.

[cadillacjohnf1]

this is a group I like to call 'Men Who Didn't Have To Do All Of That'

[bulls-chargers]

Cullen and Lavellan La Belle Dame sans Merci style — or well, in this case Le Beau Garçon sans Merci

[k-wame]

KYLE GALLNER as 'Benson' & JOHNNY BERCHTOLD as Randy Bradley The Passenger (2023) · Film · Drama · Horror · dir. Carter Smith

[savagegood]

is it the nhl or is it sean cody

[kalashnikovlobotomy]

highest possible praise

[beanghostprincess]

zolu is a very asexual couple in the sense that they do have sex and are attracted to each other but their attraction doesn't come from the arousal of seeing each other's bodies sexually. it comes from possessiveness and passion and the privilege of worshipping the other to the point of needing to touch and pleasure each other. their relationship goes so beyond love and sex that their way of making love is indescribable. they need each other emotionally and physically in every way.

[bakudekublogblog]

talking to normal people about mha is always so enlightening because someone told me they didn't like season six and i was like???? THE BIBLE??????? YOU DONT LIKE THE BIBLE??? BAKUGOU KATSUKI RISING?? THE APOLOGY??? THE CHASING AFTER HIM TO FIGHT SHIGARAKI, THE REVEAL KATSUKI HAS BEEN WORRIED ABOUT IZUKU, IZUKU'S FERAL RAGE WHEN KATSUKI IS STABBED, KATSUKI BEING THE ONE TO FIND IZUKU AND THEN THE ONE TO BRING HIM HOME??? YOU DONT ENJOY THE SACRED TEXTS?? and then i'm like oh right not everyone is a fujoshi high on that sweet, sweet bkdk yaoi

[fanfic-gremlin-ft-trauma]

The “Googoo eyes when the other person isn’t looking” trope IS Zukka.

[meteortrails]

genuinely so fucking rough for Kevin that he spends, like, the entirety of the first two books unconsciously trying to build something as weird and all encompassingly intense as what he had w/riko with Andrew and Neil only for both of them to turn around and be like actually. we are weird and gay for Each Other and not you. like obviously Kevin has never in his life had the self recognition necessary to think about it in those terms but also if the two guys I had latched onto with all my hopes and dreams and trust ended up fucking each other and NOT me???? you’d never hear from me again. I’d have to leave the fucking country.