#what if she was purple

[chloesimaginationthings]

This is how Michael Afton was born in FNAF

(Based off this comic by @/the_angler_mann)

[egophiliac]

since Eng is getting 7.5 soon(?), I felt motivated to go back to my Meleanor rig and make her a couple of lesson animations! ...except for alchemy, because the cauldron bubbles proved too hard to photoshop around, whoops.

maybe she just got lost on her way to the classroom...?

(credit: backgrounds are from the game, I just put her on top of 'em)

(aside from the backgrounds, this is not an edit, I drew her from scratch! please do not tag or treat as an edit!)

[atompalace-official]

[technically-human]

Reverse Verse poster!

This is another commission for @i-am-as-normal-as-you-are because we are obsessed with this verse and have like a million things planned, but somehow a poster never occurred to me

[inkedberries]

Ker (keres, plural) goddess of violent death

it has come to my attention that when there is Thanatos, the god of gentle death, then there must be another personification of death but of the violent kind and i just found out that they're called the Keres. very shallow research later and i wanted Ker personified in hades game style fashion

took some liberties on how they've become a horde of battlefield body scavenging daughters of Nyx and Erebus, Night and Darkness, and made them all start from a single goddess (Ker) but violent deaths suddenly came at a surplus and so more help was needed hence the death-spirits known as Keres. These death-spirits are likened to the very first iteration of Ker so they're more savage with a single-minded focus and purpose. They did not inherit her capacity of speech nor for scavenging of little trinkets in battlefields.

[apollos-boyfriend]

my favorite part about the dsmp as it currently stands is that since the creators are done they’re over it you can just say whatever the fuck you want. there’s no possible future canon to dispute it. there’s no creator who’s going to step out of the woodworks because they’re not touching that again with a 30 foot pole. i can say the most insane bullshit never be proven wrong and i think that’s beautiful

[ipostmysimpingstuffanonymously]

Oh my god i forgot to share this! A few weeks ago we got jjk spoilers with some GLORIOUS Shoko crumbs. Of course I needed to draw her in my style!!!!!! QUEEEN IS SLAYING

[saintlesbian]

hey. wake up. they've invented a new kind of citrus fruit that is also a Girl. and they're calling her Mabel

happy birthday @girlballs! here is shark picture 4 u.

+ lemonade variants

[08-47]

mirage chilling wit the kagome veggie juice pack

[signodelacruz]

some old nadja sketches that i still like lol☆

[chloesimaginationthings]

Michael teaches FNAF movie Vanessa, Aftons never win

[sollucets]

23.5 trailer + most important character latte cameo

[yaspup9000]

I can finally use this meme

I am the first person to make fanart of the Queen’s alt design from the PS3 theme

Why is she so ourple 💜💜💜

[nataliescatorccioapologist]

Let’s talk about Nat’s makeup and how it represents her mental state and character development✨

Juliette Lewis said in an interview that Natalie’s signature thick black eyeliner is her “war paint.” I absolutely love this quote because it is a perfect way to describe the way Natalie uses her physical appearance to guard herself. Natalie’s eyeliner and fashion sense serve as a physical representation of the abrasive walls she puts up to hide the softness and vulnerability underneath.

The Pilot episode script introduces Natalie’s character with this descriptor:

This line makes it clear right off the bat that Nat’s makeup is a front she puts on; a mask. While most of her classmates may put on makeup to attract others, it’s clear that Nat’s makeup is meant to push people away. That dark, smudged eyeliner paired with the safety pin and bullet necklaces and the thick leather jackets are all screaming “I’m intimidating, stay away from me.”

But, unlike her appearance suggests, Nat is actually one of the softest and most compassionate characters on the show. Her trauma both with her father and out in the wilderness have shown her that she is a dangerous person, and that she needs to remain guarded and walled off from others in order to avoid hurting them. Her makeup hides her softness both for her own protection and the protection of those around her.

We see that Nat puts makeup on like armor. Before Doomcoming, she’s seen putting on black eyeshadow in the mirror right as Travis walks by, preparing to deal with all of the insecure feelings she still has around their breakup. In the Wilderness, Nat is pretty much never seen without makeup smudged around her eyes, despite the difficult circumstances. Even when she’s carrying Jackie’s body back to the plane you can see she’s got some eyeliner on. In the adult timeline after Travis’s death, Nat is seen putting on probably the heaviest makeup we’ve ever seen her in. Immediately after she puts this makeup on she texts her drug dealer with the intention to relapse. All of this shows that Nat’s makeup is her defense, which is why she goes to such great lengths to put it on even when she’s stranded out in the middle of nowhere.

It seems that the heavier Nat’s makeup is in a given scene, the more guarded, vulnerable, and/or threatened she feels.

Which is why it is so significant when Nat stops wearing heavy makeup after spending time at Lottie’s compound. When Nat first arrives, we see her clinging to her old forms of protection. She’s given some (purple) clothes to change into, but she rejects them in favor of staying in her black leather pants.

She keeps the thick eyeliner, too. That is, until she goes on her little adventure with Lisa to Lisa’s childhood home. After Nat processes her trauma around feeling like she is poison to the people she loves and has that great talk with Lisa in the bar, Nat notably changes her clothes and lightens up her makeup the next day. She is seen in a purple and navy sweater, but she still keeps her black leather pants on and her eyeliner is still there, albeit a little bit lighter, showing that she is starting to change almost in spite of herself.

Then, directly after the hypnosis scene with Lottie in which Nat finally begins to come to terms with and process her guilt, we see her in a purple dress and cozy Birkenstocks with socks. The thick eyeliner is gone and so is her tendency to push people away, as she readily embraces all of the other survivors as they arrive at the compound (even Misty). This is heartbreakingly the last outfit we ever see Nat in, but it shows the audience how much she has changed and forgiven herself in her final days.

I’ll leave you guys with this beautiful quote about Nat’s transformation:

“I wanted to show that Natalie became her soft self. I don't know how long that would have remained comfortable for her, but she liked it. She liked being clean. She liked being comfortable. She relinquished her eyeliner, which was her war paint.”

-Juliette Lewis for TheWrap Magazine

[cornskin]

Red *pointing to a flag in Chloe’s room*: Is that the Auradon flag

Chloe *choking on her drink*: No that’s the…that’s the lesbian flag

[vanhn]