#what else is new huh

[icarusbetide]

i saw a post somewhere speculating on whether or not hamilton would have been more receptive to george washington's friendship as an aide de camp if his real father, james hamilton, had died at that point. and the more i think about it the more likely i think it is.

would hamilton still have had issues? undoubtedly. i don't think he would've ever reached lafayette levels of adoration and easiness just on account of his personality, and i don't think washington would've wanted an aide doing the work hamilton did with the apparently helpful advice he gave, to be worshippy towards him to that level either. but i'm being unfair to lafayette; i need to know how he worked with washington on a professional level, and i haven't done research on that yet.

but i do think the fact that he wasn't truly an orphan - that his actual father had just fucked off somewhere but was very much alive, would have added another layer to that good childhood traumatic angst. because he's not only an impoverished young man who has big dreams in a new country with no strong connections or standing. he's got something to prove to his old man. and as we know, hamilton never ever got over his lack of family. he was practically a doormat for his scottish relations who hit him up when he was influential for a favor. he continued to ask his father to come join him, and sent him money. the man could've resented his father completely (and probably did to some level) but he never let go.

knowing that, if his commander in chief who's surprisingly hot-heated and grumpy extended affection and sometimes seems to treat you paternally (?), would he embrace that? hell no. his fanon catchphrases "you're not my dad", "don't call me son", etc. are literally true.

but maybe if james hamilton was dead, and had been dead for a good while - maybe then he would've leaned into that friendship more, even if his trust issues towards authority figures continued. not to mention how much simpler his issues would've been if his dad had just died instead of abandoned him.

all this to say fuck you james hamilton. your son could've been better off if you had just died, actually.

[h-f-k]

.

i officially lost myself and i can't find my way back and it's so funny because i guess this is my time to start over but i don't even know how to do that. i wish i could take this time to learn new stuff and improve my skills (like i intended to) but i can't even bring myself to do it because i just lost excitement in everything, i don't know how to build or find myself again. i'm just so empty right now.

[krillking]

YOU.

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[front-facing-pokemon]

[secondbeatsongs]

when you're into the Big Ship™ in a Big Fandom™, you have the luxury of having an OTP - a real One True Pairing, where you can read about just them for ages, and you will never run out of fics, and everything is perfect and beautiful and nothing hurts

but when you go to a smaller fandom, you'd better pray to whatever god you worship that someone else in this room ships the same thing that you do, and that if they do, they're writing more than late-night crackfic, because you're on thin fucking ice!

and how small is your small fandom? is it less than 100 fics? maybe even...less than 20 fics?

welp, then it's time to make peace with that god and either open up a text document or learn how to ship everything, because it's swim or drown babey! and your ship is sinking fast

anyway all of this is to say that after hanging out in small fandoms and shipping less-common pairings for a while, going back into a Big Huge Fandom™ is wild because suddenly it's like...wait, why didn't I ship these people again? I don't remember. why was I only sticking to one ship in this fandom?? boring of me, honestly. these guys should make out.

[luck-of-the-drawings]

!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]

REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[shmorp-mcdurgen]

"Those webs show up everywhere near the church. Its almost like they're growing from underneath the floorboards or from the walls themselves."

[razables]

all, for nothing at all

[drowzyscatterbrain]

stupid ass 2 seconds nightmare.

delulu time it is, then.

[t4tpumpkinduo]

does anyone think abt the fact the cq keeps a fucking manburg flag in the middle of his ender chest. does anyone care

[carnivalcarriondiscarded]

I have a question that I don't know the answer to. And I'm not sure if there's already an answer to this or not.

Why is Wally the only neighbor with no noes and no eyebrows? Was that like a way to make Wally seem like an outcast or something??

It droved me crazy with confusion the first time I realized this.......

And PLEASE don't see this as an ask of me "JUST noticing now". I noticed a month ago (ever sense I first started loving Welcome Home as a hyperfixation) but I kept it to myself because I was too embarrassed to ask to really know. And it's really ok if you don't know either.

oh yeah no to my knowledge we don't know why that's a Design Choice That Exists! could be to make him look a little more unsettling than the others (more out of place within his own niche to kinda mirror how he's Different despite filling the role he's made for & existing in the place he Should Be In) bc this is a Horror project, or just because no nose/eyebrows looked best on him-

but it might be something we're not In On yet! lore we haven't learned! we just don't know

[mulders-too-large-shirt]

s3 episode 2 thoughts

(racing against time because a thunderstorm is rapidly encroaching but i need to know what happens next)

and for once, a storm did not disrupt my streaming experience! but i almost wish it did. because this episode made me very sad. let's jump in.

we got another “previously on the X files” at the start... is that what is gonna happen every time now?? not sure if i like that or not. but i'm sure it was useful back when you had to wait a week in between episodes, to jog the memory.

noooo not the alien gassing scene again!!! it was featured in our recap. and it was just as evil as the first time.

so now the story begins.

we're back in New Mexico. Albert is talking about the story of the gila monster. it is a great story! i wonder if they had cultural consultants for this season, or hired an Indigenous writer.

Albert announces that a great event took place on the plains!!! a white buffalo was born on the same day mulder was revived…. this is a powerful omen of great changes.

(and the buffalo didn’t look white, but tbh, probs hard to find one for such a scene, so perhaps washed out lighting was the best they could do. i understand the constraints)

does the theme sound slightly off? almost like it starts on a different beat now. OH they cut the whole thing short. well that would explain the difference i felt. why would they do this to me? i was well-accustomed to the rhythm! can't a girl groove a little?

okay, NOW we're back to the gun off between scully and skinner. and it’s tense!

mulder bursts in and I’m CACKLINGGG. please, this had to be the last thing he was going to expect. his boss and his bestie with guns in each other's faces. i’m cryinggg

(also her face. her face when she sees it is him. it's sooo good)

“you okay, scully?”, he asks, adding his gun to the fray “yeah”, she says, as she looks at the man back from the dead... ohhhhhhh... the sense of relief

and OHHHH they BOTH pull guns on skinner to get the tape back!! i'm SOOOOOOO seated. this is juicy.

and i hate to say it, but skinner is lowkey making sense here with his campaign to keep the tape. he says that they don’t want it back in "their" hands. skinner seems deeply confused regarding whatever the hell just happened but they finally agree that he should hold onto it for now.

this next part, when they leave his place. man. i'm just gonna keep it verbatim because it captured a lot of emotions:

"OHHHH LOOK AT HER FACE WHEN THEY GET ALONE TOGETHER OHHH SHE’S SOOOO CUTE OHHH THE LITTLE SMILE OH I’M DEAD"

it was SO sweet. she couldn't believe it. he tried to say something but she cut him off, saying she went to his father's funeral and told his mom she would be okay, because she knew it. she didn't know how, but she knew it.

(they were leaned in so close for so long... for a split second i thought they would kiss and then the elevator closed... ohhh. maybe they did and we just didn't see it)

((maybe this is the part where they kissed in the bloopers i have seen floating around? if so. i get it. i think i would have done the same had i found myself acting in such a scenario))

but the sweetness cannot last, and we are back to the hospital, where poor mrs. scully is dealing with learning her OTHER daughter was shot in the head. the head!!! a terrible place to be shot!!! they put melissa in an induced coma!!!!! melissa did not deserve this and scully doesn’t even KNOW this has happened!!

ohh, i’m sad. but we’re back with the lone gunmen, and things are okay in scully’s mind, because mulder’s back and they have a trail to chase and she doesn’t know yet that her sister was shot in the head. and i’m sad because she doesn’t know such a horrible thing happened, but also i want to be happy because she’s happy. her face when she saw him. i will think about it for decades.

operation paper clip mentioned... ah, yes, i have heard of this. they mention a nazi named “Victor Klemper”... is he real? verdict is in, one search later: victor is NOT real. but he has a very similar name to a real famous german historian!

“what would he be doing in a photo with your father”, asks scully. and why did she say this in a manner that was, to me, seductive? you know what? i think honestly it’s a me problem. shame on me for being distracted from the narrative by such things.

frohike and mulder reunion!!! it is sweet. but only for a moment is it sweet, because he breaks the news on scully's sister, who is horrified.

she runs really fast to try and go see her, but mulder catches up to her in the stairwell when she is almost out the door, and says the people who meant to kill her will be waiting at the hospital. oh, and melissa's earlier words from s2 episode 8, about mulder trying to get even, are prophetic here… “cause the only thing you can do for her right now is to try to crucify them", he says. it is a shame her wishes for peace and acceptance instead of violence couldn't be honored, and that going to visit her wouldn't be safe.

at the UN alien council. they are discussing this "serious mistake", of shooting melissa instead of scully. OH! the man from the funeral is there!!!

(for the sake of this episode, he shall bear the moniker "funeral man". but if he has a real name, please feel free to share. i'm asking you to do so. because i come up with these things on the fly. and i really could read the credits i guess but this is mostly just a one person operation with google only serving to check historical accuracy, not things as risky to spoilers as the NAMES of the CHARACTERS!)

((but i did see cig man/cancer man referred to in my notes once as "csr" which actually made sense. because i had spun one of those "fuck marry kill" wheels on here and gotten "csr x files" and i had no idea who that was referring to. but it turns out i did know him. kill btw))

funeral man is calling out cig man’s “ridiculously ineffectual assassins”, which, honestly, what did we expect from krychek? and oh, he is digging INTO cig man. it's enjoyable to witness. he’s being called out for mulder not really being dead AND the tape not really being in his hands like he claims. cig man LIES (average thing for him to be doing, all things considered), and tells the others on the alien council that “i’ll have it here for you tomorrow” which is an awful big promise. a very very big promise. 

next scene: a greenhouse! it's quite lovely until it isn't, because the old man tending to the flowers is victor, a nazi who got clemency under operation paperclip. so a very very bad fellow. scully is being mean to him, but obviously he deserves much, much, much worse. 

he asks about a formula and scully knows it, then says the photo was from west virginia. those are the only cryptic clues he offers. okay, off to a very mountainous road trip. god bless their poor souls. dealing with motion sickness on top of all the mess at hand.

funeral man is receiving a call from victor. they know each other? he snitched that mulder visited the greenhouse. and victor says funeral man was “venal”. new word learned! meaning susceptible to bribery!! is this the truth...?? i mean i THINK mulder comes from money due to the whole martha's vineyard thing, but does he have enough to buy his way out of this?

also. let's ask the real question. why is victor calling and dropping clues. is it fun for him.

anyway, the rest of the alien subdivision of the UN says that they are calling in “their friends who will handle this matter more satisfactorily” because krychek obviously sucks at his job 

KRYCHEK SPOTTED at the hospital! wait no it was actually just another random well-dressed guy stalking about. BUT YOU KNOW WHO IS HERE: ALBERT!!!!

did he come all the way here from New Mexico or was he is in the region... 😭😭 Albert, you deserve more than this earth will ever give you. so much has been taken from you. and yet you continue to give.

our agents are pulling up to west virginia. it looks like a ghost town, and i’ve heard that is an accurate depiction. they walk into an abandoned place. with bats in the building!! be careful!! they are rabies vectors!!!

(can you imagine if the show just ended here because mulder got rabies and died. pause to imagine this with me. then i will walk you back to the stuff that actually did happen)

ohh, and as they enter this place, the score is going wild!!! i'm rocking with it. i love a good score. the suspense is building. i ALWAYS want there to be violins to indicate suspense.

they find some locked doors with keypads, and they’re putting in 27828. it’s not working so he’s like "are you SURE scully?" and she says “i’m positive, Napier’s constant is the basis of all natural logarithms” and i giggled. and maybe also kicked my feet and twirled my hair. 

(i am learning, through this liveblog, that nothing makes me blush more than pretty people reciting semi-obscure facts. make of that observation what you will, because op will be contemplating it for a while)

they finally get it open!! i never doubted your number skills, scully. but before they go in, she’s worried about how he’ll feel!!!! what if his father was a bad guy :( “I just know how it would affect me” :((((( she is so thoughtful...

(i'm torn between making a genuine observation on the fact that despite she just learned her sister is dying, she still makes time to be certain mulder is okay with proceeding because it could be upsetting to him. and the other thing i'm thinking about is that that one meme that says "pearl is so kind" and i'm just imagining scully there instead of pearl. i suppose there is room for both)

back to skinner’s office. cig man has arrived. skinner is approaching him like an animal its prey, while bill clinton looms over the corner. 

skinner says he MAY have found the cassette and cig man is PISSSSSED at the implication he would “work deals”. well king!! you may have no choice!

(i hope that what skinner REALLY has is an identical cassette that just has syllables that LOOK like Navajo code but actually mean absolutely nothing. that would be evil and entertaining to me)

cig man looks like he is gonna CRY he is so desperate! but he is basically saying he’ll kill skinner if he has to, so watch out. and AGAIN. banger tv score as all this goes down.

our agents are in an old mine. it’s very dark and full of records!

(turns on the lights and sees the rows of cabinets stretch for what seems like eternity) “lots of files” “lots and lots of files” <- so true

mulder kinda sounds like he’s gonna have a breakdown. all the files have tissue in them... gross???? he asks when she was born so they can check that year’s files AND SEE IF SHE IS IN THEM. OH GOSH. 

and they find her file right away!!! it has a tissue sample and everything, and it’s recent, and that means the project must still be ongoing, despite how abandoned this mine is.

THEY FIND HIS SISTER’S FILE!!!! we are getting so close to answers. but there is a sticker over her name, because the file was originally his. so someone swapped his sister for him???

he’s freaking the fuck out at some large noises, and he runs and leaves her in the archives. something is hissing. AN ARMY OF ALIENS SCAMPERS BY???? they are running from something. HUH??? dana scully alien encounter??? did they just run by her or was that a different corridor in this endless mountain maze. did she see them. it was like a stampede. very hard to miss.

it seems that the aliens from the spaceship are coming and mulder is drawn to them. HIDE! HIDE FROM THEM! THEY WILL TAKE YOU!

he sees a GIANT spaceship flying over the compound. like giant and it’s super bright and it just. flies over. well, I guess west virginia isn’t a bad place to hide such things. due to the lack of people there.

this is not a dig at west virginia it's just rather sparsely populated.

scully is down in the archives still, and a whole lot of people are rolling up with guns. NOOO!! they are shooting at him!!!! with a stormtrooper aim. he is escaping their bullets as if this is just a jungle gym for him.

REUNION in the dark archives!!! scully found a back way out, where it seems the aliens left!!!! they're running into the woods together!!! it’s almost romantic!!!

skinner cam. he’s in maryland. at a nice little diner in the middle of nowhere. WITH OUR AGENTS!!!!

mulder says the hit squad looked like CIA, and i assumed there was some CIA-FBI tensions, but i’m unfamiliar with the lore, in terms of both real life and txf universe. it seems it’s severe though. skinner says he’ll negotiate their lives for the tape but mulder is like NO the public deserves the truth. which is lovely. i love ideals and sticking to your morals. and he’ll die for it bitch!!! he did once!!

“in your wildest dreams, what do you possibly hope to find, agent mulder?” “why they killed my father. and what happened to my sister” ohhh mulder sounds so scared and hurt... because he is. all this talk of truth and morals guiding his life but also this whole thing is so intensely personal for him, it seems impossible to separate one cause from the other. ohh i'm emotional. 

“and what they did to agent scully”, he adds OHHHHH oh man. his family. they took his family. and he needs revenge, he needs to know. and she is included in that. MAN.

scully says they should make the deal, he says “what makes you think there’s any such thing as justice?”, it’s heating up. again, i say: replace the cassette with out of context Navajo syllables. hire me for the FBI.

i was concerned about scully advocating for the deal- does not the truth mean something to her? of course we know it does, but she is being realistic. the truth won't mean much if they're on the run forever, and there is no one to corroborate their story. but she clarifies:

"i want exactly what you want. but i need to see my sister” :((( they both look so sad

“it’s up to you, scully” he’s mad and torn but he leaves the choice to her because her opinion is the one he cares the most about :( and really there are no good options, it's an awful situation

she said to make the deal, but not hand over the tape until mulder says to. hmm. will this plan work?

“i’m sorry about your sister, scully”, he finally says, and she replies that “i just need to know she’s going to be okay”. but i’m not sure it’s looking so good for her and that makes me SO SAD. on the ride home, she sits in the back and lets mulder take shotgun. and i realize, this is because she’s probably gonna cry back there and try to hide it. OUGH.

albert back at the hospital! he prayed over missy for two days. have we said thank you to him? and if so we should keep saying it until we all perish.

but he has received news from the north: the white buffalo calf that was such a strong omen is no longer drinking its mother’s milk. and the mom is sad, and then she died. this is not a good sign. “for something to live, another thing must often be sacrificed”, he says, and it becomes clear someone is not making it out of this episode. i hope against all hope it was krychek that was going to bite it.

it was not :(

skinner here at the hospital to see melissa. he tells scully’s mom that dana is okay, but in a very serious situation they hope to reverse :( 

albert points out that some guy has been snooping in on their room (and it wasn’t krychek, whose name corrects to all caps in my phone, because i only speak of him with hate in my heart) but just some other similar looking guy. skinner says albert, you stay here, i’m going off. hopefully for some hospital violence. hospital violence ensues!!! and this time krychek IS there.

but the violence does not go in the direction i hoped for, which was for skinner to kick some ass. it's three on one, they beat him and leave him in the corner and take the tape!!!! noooooooo!! poor skinner, i was coming around to you.

also leaving this next part verbatim because it is funny:

"fucking krychek i hate everything about you and i hate your new slicked back greaser hair and i hope you trip and fall and all of your limbs fall off and the doctors wonder how they can even happen because they have never seen it before WHAT NOW HE’S RUNNING??? the car blew up before he ran away. and the folks he was running from SEE him running away so he literally can’t even do a good job at bailing"

(if you need a translation: krychek's fellow assassins stopped to grab some drinks, so he pocketed the cassette and left before their car blew up)

back at the greenhouse. our agents are looking for victor, who apparently died yesterday. and funeral man is here!!! they openly accuse him of killing victor. he does not deny this claim.

funeral man is going on about roswell, operation paperclip, and mengele. he’s going on about hybrid orchids and mulder realizes that victor must have been trying to create an alien-human hybrid. which would explain the smallpox vaccination scars in the alien bodies found in New Mexico. FUNERAL MAN. WHOSE SIDE ARE YOU ON??

he's on the side of whoever can solve his little riddles i guess

mulder is MAD his dad was involved with this, but scully says it can’t be true, because DNA wasn’t even a thing people knew of until 1944. i mean, they’re lying about a whole lot. why not lie about the timeline of DNA discovery, too?

funeral man says men like mr. mulder were instructed to gather genetic data on the general populace, and that his dad had objected strongly to its true purpose. allegedly this experiment was for post apocalyptic identification, which doesn't really make sense to be, but okay. hundreds of millions of americans had their info collected from smallpox vaccine data.

scully is saying that it’s all a lie, that he’s saying everything mulder wants to hear, and i'm agreeing with her. funeral man says “why would i lie to you?” um better question: what would you gain by telling the truth??

mulder flat out yells that she was abducted by aliens and this doesn’t go over well as you can probably guess. she is working overtime to NOT think about that. so she walks away from the whole thing.

leaving just the two conspirators. OH, listen to this: funeral man claims they took his sister as insurance because his father threatened to expose the project!! “you also threaten to expose the project. you’ve become your father” <- hmm. that is a bold claim. because mulder has never willingly engaged in the creation of alien-human hybrids. 

chat, do we believe him? i feel that samantha’s abduction being an act of random and horrific tragedy seems more likely. and possibly more poignant. 

krychek is on the phone with cig man. “i’m alive. isn’t that a surprise?” “yes, yes, good good good. where are you?” <- LMAOOOO king of playing it casual

“somewhere where you’ll never find me, you double crossing son of a bitch” hmmm. the double crosser gets double crossed. shocked pikachu face. he threatens to make cig man “famous”, which i wouldn't be opposed to, which is NOT the same as endorsing him or his actions. 

cig man says there is no deal to make regarding the files and the agent’s lives. oh, so he thinks he can just have both, i see how it is

very sudden cut to mulder at his mom’s house at 2 am. asking his mom if she ever had to choose a favorite child. she keeps denying and denying until:

“no. i couldn’t choose. it was your father’s choice. and i hated him for it. even in his grave i hate him still” OHHHH this is adding validity to the theory that funeral man was telling the TRUTH???? poor Samantha :(

wait this is SO sad. and to think of how harsh his dad was to him while he was alive. how he must have expected the absolute best from his son because he knows he chose him over his sister. and how the only consolation for having to make that choice is to expect his son to be Perfect. which could never happen. just leaving him in deep distress. man. that is truly messed up.

man. i feel like we need space for that revelation.

but cig man is at skinner’s office. lighting up. as usual. skinner says he has the tape in exchange for the safety of the agents, but cig man says he knows skinner is bluffing

HOLY FUCK: “you ever wondered what it would be like to, uh, die in a plane crash? of botulism? even a heart attack?” <- HUH???? his melodic cadence makes this even scarier. goodness that escalated quickly.

“i’m not finished yet” (skinner fetches Albert) ALBERT??? I LOVE HIM TOO MUCH FOR HIM TO BE AT THIS SCENE. GET HIM OUT OF HERE. KEEP HIM SAFE. OH: ALBERT CAN RECITE EVERYTHING FROM THE TAPE. 

albert please do not bring this risk upon yourself, i mumble to myself OH! he told 20 other people from the tribe. “so unless you kill every Navajo living in four states… that information is available with a simple phone call. welcome to the wonderful world of high technology” wow. skinner if you had access to the tech i know about i think you would be so pleased. or maybe not. regardless, a good play. just KEEP albert safe i am NOT messing around.

cig man gets scared and leaves. as he should!

mulder at the hospital. scully is sitting alone. NO??? NOT MELISSA??? 

no, it can't be true, but it is: melissa died in surgery.

they both agree they need to get back to work so they have something to keep them from going insane with grief. their whole exchange was very emotional and powerful, but i was too sad to make extensive notes, so i'll have to circle back to that someday.

and she says “i’ve heard the truth. now what i want are the answers”. he holds her while she sits and stares at her sister's empty hospital bed. 

NOOOOO. i am filled with such sadness. scully now has to live with this belief that her sister died for her, and that she didn’t get to say thank you. and i’m very sad because i liked melissa a lot and scully deserves no pain. and her poor mother... oh, there are real tears in my eyes while i type this.

and mulder, forced to know that his father chose him over his sister, that his father was involved in what he sought to destroy, that had his father picked any other line of work, he could have had a normal, happy childhood. what the fuck. this is sooo evil. i’m sad!!! yeah i’m crying about the damn alien show. so what!!! so what!!!

listen, just because an episode is sad, does not mean it wasn’t good. it was a very good episode. i’m just sad. sometimes multiple things can be true.

grief of our main agents and their families aside, my top concern is Albert. is he going to be safe and protected? can he continue to spread the oral tradition? maybe get it written down too, for extra insurance? typed up? saved? backed up? written in notebooks? stored in archives? is he even telling the TRUTH? do other Navajo men actually know to recite the files and how to decode them? that seems like it will take a very long time to learn.

my main takeaway from the episode is to not work for the government because they will ruin your life.

it was a good episode. a great episode, even. but I’m gonna need about 30 beach episodes to make up for it. and also for the og theme to come back because you can’t change that up on me once I’m in a pattern. 

[jays-doodle-spool]

Okay I’ve gotten kind of super invested with this design for Kon, Don’t Judge Me. 

[thedeafprophet]

when you click on a link to someones blog from another profile and you find something that implies There Was Drama here and it leads you onto a research spiel into some interweb of drama of people you literarly know nothing about and are entierly unrelated to you