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softquietsteadylove · 10 hours ago

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I have an idea for the lawyer au. Inspiration from Boston legal season 8 episode 9.

A girl, make her young like sprite, comes to Gil one day and asks if he is a lawyer and if he can help her. Gil thinking she is being a kid jokingly asks how much money she has and when she answers 10 bucks her father comes and wants to take her with her. But she holds onto Gil and says please help me, if I go back to Poland they’ll force me to marry a man in this country. in this moment he realizes it’s a serious matter and protects the girl. At the end of this case it’s a very depressing situation for him. Thena is there to gently lift him up

Im sure you’ll manage to do something with it

"Gil."

Gil didn't even pick his head up. He was all but sleeping in his mug of guinness. "Gil's not here."

Thena didn't let him get away with it. She did pat his shoulder with some sense of pity for him. "Come on, Gil. It's well past midnight and you have another court date tomorrow."

He groaned at even the mention of going into court again. He didn't know if he had it in him after his day today. "I'm not going back there."

Thena shuffled her purse on her shoulder and perched herself on the stool next to his. "You don't mean that."

"I do," he huffed, pushing the goblet away with distaste. All he could smell was the thick, sweet stench of it. "And I should have punched that judge in the face."

"It wouldn't have changed the ruling," she pointed out in a very Thena way. "Unless you want to be barred from practising law for a year, if not the rest of your life."

He shrugged. He wasn't sure how he felt about the law after today. He had always thought he was on the side of the good guys, as cliche as it sounded. Sure, the law was far from perfect, but he really thought he was doing some good with his job.

"You did everything you could for that girl, Gil."

He scoffed and rubbed his eyes. The dim lighting and loud music of the bar were making his vision blurry, and all he could taste in the back of his throat was cheap beer. "Is that what you call letting her get shipped back to Poland to get married to some old creep?"

She was a kid, no older than Sprite. It was a sickening 'case', no matter how sudden or pro bono it had been. She had even offered to pay with the only 10 dollars to her name, kept safe inside the birthday card it came in and everything. But none of it had done any good.

"We don't win every case, Gil."

"Well, you'd think this one would matter more!"

A few heads turned. He had been quietly sulking at the bar for hours, by this point, enough beers in that the bartender was beginning to eye him every time he asked for another.

Thena didn't even flinch.

Gil groaned again, scrubbing his face with his hands even though he'd been touching the bar that was cleaned only god knew when. He sighed, "I'm sorry."

But she understood his outburst, maybe even condoned it. "It's okay. I can't say I blame you for coming here and burying it under...how many is it now?"

More than he wanted to admit to. So, instead, he ruffled his hair and attempted to pull himself up in his seat with some dignity. "Doesn't matter. I'm pretty sure he's cut me off quietly anyway."

The bartender turned around, ears already burning and a towel slung over his shoulder. "Time to pay up, Boston Legal?"

"Very funny," Gil snarled at him. He knew it wasn't this guy's fault he'd had the worst day of his entire career, but that didn't mean he was in any mood for it. He slapped his hands over his jacket, his rumpled tie and then his suit pockets. "Shit."

"Oh come on, man, you're a lawyer, I know you've got-"

"It's okay, I'll pay it," Thena held her hand up, already reaching into her purse.

"Fuck," Gil cursed, hanging his head (as if he needed any more reason to be ashamed of himself tonight). He misjudged the distance, even knocking his forehead against the counter edge. Maybe it would be a little sobering, if he was lucky. "Thena, you don't have to-"

"It's okay," she assured him yet again, but she was still sounding more like 'work' Thena than the Thena had come to know and prefer.

Gil watched as the bartender took her card to close out his tab. He couldn't get any more pathetic anyway--what was a little more humiliation? "What are you doing here? Are the girls okay?"

Thena finally smiled at him, and it was the real Thena he saw, no matter how blurry. "They both asked to have sleepovers tonight. It's rare, but tomorrow is a half day at school, so I dropped them both off. When I asked how you were, the response wasn't all that clear, so I figured I would try here."

Gil made a face. He didn't remember talking with her. He felt around again for his phone, which he didn't so much pull out as clumsily drop it onto the bar. He blinked a few times, really trying to focus on reading his messages.

She had texted him, asking if he was doing okay and where he was. His response was a jumbled mess, but he unfortunately could make out something resembling him telling her that he was going to drown himself in beer and that she could join if she wanted.

He couldn't even remember reading, let alone responding to it. He really did need to be cut off for the night. He wasn't young and in college anymore--he would probably have a hell of a hangover tomorrow morning (afternoon).

Thena nodded as her card was handed back to her, Gil's debt settled. She turned back to him, "think you can walk?"

He grumbled. If he wasn't already, he would flush with guilt at the insinuation. "I'm not that bad, Thena, really."

She was kind to say nothing about him wobbling a little as he got up at first. But he made it to the door easily enough with her behind him. Maybe he did need a little hand on his back, but as soon as he was out in the cold night air it was at least a little better.

Thena pulled her jacket tighter around herself. She should have been at home, relaxing during her kid-free-evening. She could have been curled up reading or watching that funny ghost show she liked with a glass of wine or a mug of tea or something. Instead, she was picking up his drunk ass from a dive bar a block away from work.

"I'm sorry, Thena," he began apologizing, for the first time of many, he told himself. He owed her plenty more, and that was beyond his bar tab, which he would pay back with interest, too. "I just...that kid-"

He pushed his nose deeper into the soft material of her white turtleneck. The cotton or cashmere or whatever it was soaked up his tears. "She was just a kid."

Thena probably didn't consider herself a hugger, but she gave really nice ones. She was really gentle, and soft, and even if she was small boned, she still felt warm. Even in her boots, she was up on her toes just slightly to wrap her arms around his neck, pulling his face into her shoulder. "I know it's terrible. But you did everything you could, and we're just going to have to live with that."

"I know." Thena did know--she had sat in for the final leg of his plea. She had witnessed his loss and she had been the one to restrain him from mouthing off to the judge presiding and possibly losing his license. "It's not fair."

"What are we doing?" he asked, even hiccuping faintly as he closed his arms around her as well. He was a mess, probably stank of beer, and he shouldn't have been here in the first place. But he melted into Thena's good graces, letting her absorb some of his misery for him. "What good is any of this if I couldn't protect her?"

"That wasn't your job today," Thena whispered to him, and it felt as if it was right next to his ear. "Your job was to argue for her in her place, and you did that. You fought with all you had. But the law wasn't on our side, today. And there will be more days like this."

He knew that. He'd had hard cases before, lost cases before. But never anything like this. He'd had his faith in the judicial system and the court system and the social work system waver before--it came with the job. But now he wasn't sure how he was ever supposed to go back to work again.

"You lost a case, and it's never easy. But what that girl's parents are enforcing is not your fault."

It sure fucking felt like it was. Gil could still remember the look on the kid's face as it sunk in that it really was over, that they had lost and that her parents had every right to drag her back with them. He had handed her back the card with her birthday money in it, unable to accept it after their defeat.

"Come on," Thena leaned back, putting a hand on his cheek, probably checking his eyes to see if he was sober enough to make it back to his car. If she even called him an uber and watched him slump himself into it, it would already be more than he deserved.

"Yeah," he cleared his throat, swallowing the lump in it. He looked around the parking lot, increasingly empty by this time on a work night. "I, uh, left my car back at work. It's probably where my wallet is, a-actually. I should-"

"We can get it tomorrow, Gil," she cooed in that melodic voice of hers. She insisted it was like cold, hard ice, but he thought it was gentle and elegant, like a curtain dancing in a window.

"I've gotta get home," he all but whimpered. What a wet blanket he was being, but whatever. He pulled out his phone again, attempting to find an uber she could toss him into and be rid of him.

"I know, come on," Thena pulled at his arm gently. And when he stumbled anyway she leaned closer, letting him rest his big, meaty shoulder against her little one. "I'll get you home."

He just stared. She looked really pretty in the streetlight glow, all blurry at the edges like it was a dream sequence in a movie. "You didn't have to come and get me."

She raised an eyebrow at him. "Was I to leave you drowning in your beer?"

It would be a fitting end, at least. But he shrugged, leaning on her as little as he could afford as they made their way to her car. "You shouldn't have to deal with the aftermath of my shit."

But she shouldered him easily, getting him to the passenger door first and unlocking it with her fob. "We have the same job, Gil. Same job, same shit--I know what it's like to want to dive head first into a pool of cheap wine coolers and forget everything we've ever learned."

But she didn't, that was the difference. Because Thena had other obligations and responsibilities. And took them seriously, unlike how he had come over here without even his wallet somehow.

Gil leaned against the top of the car before letting her elbow him in. She was supporting him under his other arm, tucked into his side. He would rather be supporting her, like he had after she broke her arm. "Thanks, Thena--even if you're seeing me make a huge ass out of myself."

She gave him a really sweet smile as she separated herself from him at last, letting him get into the car seat. "Quite impossible."

She even closed the door for him, being a real gentleman to his drunk ass. Gil crossed his arms, tilting his head as he looked out her windshield. "I don't think that's true."

But she climbed into the driver's seat without a word, not wasting any time as she began backing out. "I've only picked you up a few times, but I believe I remember the way."

"You'll be fine," he murmured, still with a slight slur to his words. He would let her go and if he really had to correct her, he would. "Just look for a depressing bachelor complex and I'll be on the left."

Thena let out a laugh, which added at least some levity to the night.

She had a cute laugh. He looked at her again, although hopefully with her focused on the road she would just think he had a sore neck or something. "Y'know, maybe we should change firms."

"What makes you say that?"

He shrugged, his eyes getting fuzzy again. He was tired. "I mean, we're not allowed to do any pro bono work, which sucks. I know it's a small firm but come on."

"I do agree with you on that one," she muttered quietly. She could act all 'ice queen' if she wanted to, he knew she also had a soft spot for the kids they ended up working with.

"And the guys at the office," Gil made another face, but Thena was driving so she couldn't appreciate how funny it was. He made a noise to accompany it. "I don't like the way they look at you."

Thena didn't answer for a few minutes, probably trying to actually focus and navigate amidst his yapping. "I didn't think you noticed."

He blew a a raspberry, although with his dry lips it really sounded more like a wet fart. "Please, those pigs think they're being subtle when they look at you like--well, they're not, is what I'm getting at. And they wonder why I don't like them."

Thena let out a faint laugh again as she made a turn. She was driving a little slowly, but that was probably because she was afraid she would jerk him around too much and risk him hurling on her nice off-white interior. "I figured you were just too nice for their crass tastes in drinking buddies."

"Not disgusting enough, more like," Gil huffed again. He had to reel himself in and keep from divulging anything else. He didn't ever want to have to repeat to Thena the kind of language he'd heard them use to refer to her when they thought no one was listening.

And it didn't matter how many times he told them not to talk about her like that. All it ever did was get them convinced he was sleeping with her and beg him to tell them all about it.

"You would leave the firm just because of them?"

He slumped down further in his seat. He wasn't paying nearly enough attention to direct Thena if needed, but it was kind of nice just being in the car with her. Just them, a quiet drive, not even Sersi or Sprite or the loud, bouncy pop they liked to listen to between them.

Well, he did like some of the music they made him listen to.

"It wouldn't be just for that reason, there are more," he sufficed to say. But then he dragged himself up again and looked at her. "But I wouldn't leave without you."

Thena, driving, spared him a quick glance. She seemed surprised. "You wouldn't?"

"Of course not," he scoffed more lightly this time. Because that question was actually funny. "If anything, you're the reason I stayed past my probation period."

He wasn't supposed to tell her that. Well, he hadn't wanted to admit it to her, and certainly not like this. Whoops.

"Well," Thena began as they pulled into the parking lot of his building (unfortunately). Her voice really was like a lullaby. He had to wonder if he would even make it inside, at this rate. "If you decide to leave...then so will I."

#Thenamesh Family Law AU #thank you so much for the ask!!!#I actually did look up the clip you were talking about #what a gut wrenching case #and of course Gil is devastated that he couldn't win for her #she's just a kid!#Thena does keep him from telling that judge he's gonna kill him #he high tails it out of the courtroom already pulling his tie out because he can't be here right now #Thena tries to go after him but loses him in the crowd #Sprite and Sersi were both asking about skipping the useless half day anyway #so when they ask to have sleepovers she says great I'll drop you off with everything you need #Gil is here thinking he's making himself look like such an idiot #meanwhile Thena has been waiting for a response from him forever #and when she gets the text that he's clearly drunk #she gets up and goes to get him of course #because they're idiots in love #she gets him into his apartment and he's so miserable #he says welcome to my sad apartment #it's actually quite nice for a man cave #he thanks her for rescuing him and kisses her hair and drags himself into his bedroom and flops down on the bed in his suit #Thena can't exactly lift him #but she takes his shoes off and rolls him onto his side so he can't suffocate himself at least #the next day the girls are like where's Gil we should all hang out this weekend #Thena is like well #he wasn't...feeling the best yesterday so let me just call him #he's hungover to high heaven and barely makes it into court

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not-poignant · 11 months ago

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hihi pia! youve said before that you like to leave a lot of the visuals up to the readers imagination with what you write, but i thought to ask can you explain maybe the layour of garys cottage? 😭😭 im so bad with stuff like orientation and space, and i struggle so much sometimes when i read and think ok, now where is that door they came from and where is that chair next to the table and that window. rereading the teacup incident & i just really cant make it work. its fine if not. ily!

Anon, very unfortunately, I am not an architect, and I just spent 30 minutes trying to draw this out which has highlighted to me that I know what the layout is but my job is actually writing and not...drawing the layouts of homes. (If only)

You can always just look up cosy cottages and then use that, anon!

The job of a reader (imho) isn't to imagine things exactly as they are, but go from the details they've been given and often relate that back to what they already know. Sometimes that might mean looking something up if it's genuinely something you've never seen before (karri trees), or relating them back to a tall tree you're familiar with (sequoias). In fact no reader imagines the same thing when they're reading. I could spend 1000 words describing a red cabinet and people will imagine 1000 slightly different variations anyway. Everyone has a different idea of 'red' and a different idea of 'wood' and a different idea of 'cabinet' and even if I lock down into the nitty gritty, if we're not living in the same country, our power sockets look different, our heating and cooling systems (and accommodations for them) are different, the fabrics we use are different (unless we all go to IKEA), the smells of the home are all slightly different.

I think even if I did draw it out successfully in two hours (which is not time I really have spare at the moment :/ I wish I did because I think it could be fun except that I don't want to download architecture software to make an actual blueprint of an entire cottage that's in scale but also shows exactly where the furniture will go which includes interior design as well x.x - and I do know exactly how it's laid out mentally, so I know I could make it work. (And I still might, maybe, but probably not while I have a 15 week old puppy I'm sorry anon D: ) But yeah doing it on paper has proven to me that actually writing out the location of like 50 different things means the blueprint becomes too small and messy to still tell what's going on. I wrote 'table and chairs' over the table and chairs and now you can no longer see the table and chairs in my sketch which is not useful!

There's a difference between the layout of a house and the layout of the objects and furniture in a house. I may have worked for an architecture firm, but I am not a house designer. *cries*

But! All you really need to know is that Gary can't see the kitchen cabinets from where he sits on the couch. Which means if someone crouches down and opens the cabinets, he can't see them either. There are a lot of houses that have layouts like this, especially houses that have a counter not just up against the wall, but in the middle of the kitchen.

For example in this image, if a couch was in front of the kitchen counter that's free-standing, and a person was sitting on the couch and looked at the free-standing kitchen counter, they would not be able to see the kitchen cabinets from the free standing kitchen counter, or what's in them. They can only see the counter. If the lounge was lower than the kitchen, they'd see even less.

In this image, if the couch was where the stairs are, you'd not be able to see what Efnisien was doing in the kitchen at all until he stoop and held up the teacup. If he kept the teacup low in his hands, you'd not be able to see it at all.

Because Gary's cottage is small, but open plan, the lounge has a view to the kitchen, but not directly into the kitchen.

There's lots of houses that feature this kind of architecture, so if you really want to go down that rabbit hole, you can just search different kitchens in cottages until you see one where if you sit on the couch, you can't see someone crouched in front of the kitchen cabinets.

Gary's free-standing kitchen counter is also multi-level like this is multi-level:

So someone could stand there and make a coffee and a person sitting on the couch wouldn't be able to see what they were doing. Ornaments and vases and notes etc. can go on the raised bit, and kitchen stuff can happen on the lower bit.

Ah marvel at my use of technical terms *cries again*

Anyway! I hope that helps somewhat. I'm mad that I can't draw this layout for you because I do wish I could just...mentally take people on a tour through this cottage. And it would be great to do that. But I am looking at the saddest most pathetic sketch in my sketchpad right now, and I used to work as an artist, but I'm just very very very very bad at this kind of technical drawing.

But maybe the teacup scene will make a little more sense now :)

#asks and answers #pia on writing #pia on failing at writing lmao #underline the black #setting description is tough because like #unless you yourself are actually drawing a layout anon #which almost no one does #what most people get instead is just a 'sense' of where things are #they might know the bedroom feels like it's in the right place if it's too the right or the left #or they might imagine something cosy for them #when you don't get that sense #you can then go to looking up cottages #like 'australia cottage bushland' or something #and get an idea of the woods and furniture used in some of the nicer small ones #if you find something you like you can use that #just like writing is an artform #reading is also a bit of an artform #the best part is you transform the story as you read it #it's not meant to look like how i imagined it exactly #it becomes something entirely new in your head #but i still hope this post helped!!!!

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