#what did she do to deserve to suffer

[faderifter]

my dog is dying and my heart is breaking

[starry-bi-sky]

mmmmmm read a disciple shen yuan/shizun luo binghe fanfic about two days ago where the first chapter was the Immortal Conference arc, and SQQ was the one who had to be pushed into the abyss (he was still the villain) except Luo Binghe was refusing and was like, lowkey losing his mind about SQQ being so close to the edge. SQQ ended up having to be the one to fall in himself because of the system's punishment system. The rest of the fic is leading up to that moment. But like, MMM i've been obsessively thinking about that first chapter for DAYS ever since.

now i've been in svsss for a grand total of *checks watch* a week. but god obsessed with that. I want to write/read a fic where disciple SQQ goes a little nuts down there. Like keep all of the things that make SQQ, SQQ, but just. Throw in a little bit more trauma in there. A little bit of a mental break. Let him go a little nuts as a treat. Just a tad unhinged. I wanna see him go, just a little, "god fuck it, i've tried so hard to change this shitty story's outcome and it feels like everything i've done has been for nothing. I'm going to die in this world no matter what I do, I've been doomed from the start, so might as well die the way I want to." and he just, breaks a little! Under all the stress.

He still retains the traits that makes shen yuan, shen yuan, like his overwhelming kindness. But he's just! yk. A little less patient. Paranoid. Jumpy. Colder. A little more aloof and closed off. A little more Shen Jiu. He's no asshole child abuser, but he was a Number One Hater in his past life and he's leaning into that old habit a little more now.

(On a totally coincidental not-at-all related note, there's not enough SJ-and-SY-are-the-same-people fics out there that i've found. This is totally unrelated...)

The Endless Abyss turns the mind into an over-sharpened blade, and SQQ is both fascinated and perhaps a little excited to explore a place that doesn't have a lot of info on it in the mortal realm, but still terrified out of his mind. And he's no Luo Binghe, he doesn't have the sheer brute strength and power to just bulldoze his way through, so he has to be a lot more sneaky and cunning if he wants to survive.

The fic itself role-swapped LBH and SQQ so that SQQ was the half-demon (which lowkey fucks) and LBH the human, but I'm equally-if-not-more obsessed with the idea that LBH remains the half-heavenly demon and SQQ the human. If only because I keep thinking about SQQ befriending some demons (particularly and specifically a group of succubi) and they grow very attached to this Human Cultivator so through magic plot stuff they create some kind of seal/illusion/talisman that makes SQQ appear as a demon because a human cultivator in the endless abyss may as well be the equivalent of putting a giant neon target on your back.

And iirc Shen Jiu was taught demonic cultivation by that one guy(?? i've only been here a week so im not caught up in ALL of the lore yet) so that could totally happen here.

(On the other end of the realms, poor Shizun Luo Binghe is just. losing his fucking mind over losing his most precious and beloved disciple. About .5 seconds from burning down the peaks himself. somebody sedate him.)

The Endless Abyss sucks and SQQ is having a really terrible time and can feel himself going lowkey mad, but also holy shit look at all this WORLD-BUILDING. look at all this flora and fauna, and oh if he had the equipment for it he'd be writing all of this down. ALL OF IT. He was kinda-sorta-already planning on never leaving the Abyss as some sort of fucked up self-exile and self-preservation thing, but now he might? actually just?? never leave if he can help it, like he lowkey likes it down here.

anyways the next time anyone ever sees SQQ again he's got hair so long its almost touching the ground and he's either in rags and half-feral or he's been completely dolled up by his adoptive succubi sisters and still about three seconds from biting anyone who tries to touch him. (he's also lowkey trying to book it back down to the abyss even if he has desperately missed all of his friends and shizun)

[sysig]

Wuh oh (Patreon)

Bonus:

The novel experience of being crushed by a giant rock, a visual metaphor

[laesas]

RamKing + Venus Flytrap || by kinnbig

[uselessnbee]

what i wish people would also explore more when it comes to Percy is the other side of his feelings about his mom about family and his childhood but this fandom is too afraid to paint Sally even in the slightest bad light (even if it's not bad just acknowledging her flaws because she's a human being and not perfect) that no one will touch on that subject. like yes Sally is the best mom but she also isn't and that's the thing! She isn't perfect! but she tried her best but her best still got Percy hurt and it isn't her fault at all but that's the tragedy of it. i want Percy's feelings about this explored. how he grew up with a loving mom but an abusive step father. how his step father would humiliate him and call him stupid but then his mom soothed him and told him he's not the things Gabe calls him. how Gabe would hurt him and Sally would be there to make him happy and loved but at the same time she stayed with him. i want Percy's feelings explored about how he knows his mother loves him but her absence still hurt him. she would work so much to have money to raise him she did that for him but at the same time it meant Percy was left alone or with Gabe. Sally gave up so much for him, she sent him away to protect him but at the same time he was sent away from his mom. she's the only parent he has because his father is absent and Gabe is not actually a parental figure at all but she's also often absent in his life too and that must have left him with such mixed feelings because it's not all black and white! Sally's love protected him but also hurt him. Percy loves his mom so so so much but there's also this deep-seated bitterness and hurt and anger he never let himself feel and then the guilt for having those feelings because his mom loves him he knows that and she gave up so much for him and she married a monster that abused her to protect him, he knows that but it doesn't make it hurt any less. the mess his emotions are because he knows his mom suffered for him and did it from her love for him but he still desperately wishes she never married that monster that he wouldn't have to have the childhood he had with him that he wouldn't have to live with the trauma he was left with. this all is exactly what makes their relationship so fascinating and also heartbreaking.

or the idea of Percy having weird mixed feelings after Estelle is born because that's his little sister and he loves her with his whole heart and would do anything for her and wants only the best for her but there's also this little jealous monster deep down that wonders why she gets to have a loving mom and a loving dad and a happy normal life but he never got that. why does she deserve it but not him? why couldn't he have that too? doesn't he deserve that too? he was just a child too so why why why??? and then the guilt of feeling that way too it makes me want to scream. emotions are fucking messy and they can be really ugly and they can make you hate yourself and there's no way Percy's feelings aren't a mess when it comes to this and i want to see it explored so badly!

and with Sally too! her feelings about Percy because she did so much and tried her best but sometimes unfortunately your best isn't good enough and it still got her beloved son hurt and she hates it and feels so guilty but she just has to live with that but she can't help to wish it was different. that their lives would be different. better. normal. she can't help but to wish she didn't have to do the things she's done, didn't have to suffer so much just to protect her child. can't help to wish she didn't have to worry so much, didn't have to be so scared about Percy, didn't have to be terrified that one day he won't come back home to her, that she won't be able to hold her son anymore because he will be gone, she just wishes he didn't have to suffer so much, she just wishes and wishes and wishes

and i just wish people weren't so afraid to explore this because it's so heartwrenching and yes if you want something do it yourself but unfortunately i cannot write nor am i able to handle this topic in a way it deserves so i am left only with rambling about it on here thank you

[jonsrightrib]

hey gang. remember that time Percy asked a god if he was broken and she said he was? can we go back to that?

[himehomu]

Homura did nothing wrong. And I stand by that. Because, she didn't do anything wrong towards anyone nor did she do anything with malicious intent. The only thing she did wrong is entirely in regards to herself. Rather than basing Homura's entire character around an act she made out of love or reduce her character to an evildoer with no morals nor love in her heart like some people still do to this day under the poor facade of “valid criticism,” I'm going to explain what Homura actually did wrong in Rebellion and her what her act of selfishness actually was.

What Homura did wrong was condemn herself to suffering as an immortal deity, the Devil whom acts as a rebellion against God, The Law of Cycles, strict laws of the original universe, which included Madoka Kaname not existing. That is what she did wrong, but not in the black and white, Good-vs-Evil way most people interpret this as. Yes, they are meant to be enemies one day, but because God favors rules and always doing the right thing, whereas the Devil favors her desire to stay in a world where Madoka is happy, where her friends are happy, where they are safe and have a chance at a life. A desire for happiness vs maintaining order of a broken world for the greater good, even if maintaining order means making sacrifices and making hard choices that directly rebel against that desire and yearning for happiness.

But, here is why Homura is wrong in dooming herself to her fate as the Devil. It's very subtle, but seconds before the Flower Field scene, as they are walking, Madoka turns and tells Homura that it really hurts her seeing her in so much pain and not being able to do anything about it. This may seem like a simple thing a friend would say, but remember that Madoka lost her memories as a goddess. And, as a goddess, she was stuck alone in Heaven having to watch life go by, Homura's life go by, and wasn't able to interfere. Think about that for a second. Think about being Madokami.

Think about when she could finally understand just how much Homura did for her, just how much Homura fought for her in all those time loops; the moment she's able to reciprocate her feelings, she fades from existence as the consequence. Wanting so badly to comfort Homura as she bears the psychological burden of being the only person to remember her, to know her, to miss her, to grieve and mourn her. Thinking the only time she’ll ever be able to see let alone talk to Homura again is when she’s essentially dying from all the grief, the pain, the guilt, the sadness of not being able to save her from her fate of being a goddess trapped in isolation. Think about that, then look at what she says here again. Of course it hurts Madoka seeing Homura hurting so badly and feeling powerless to do anything about it. Because that's what she's been doing as The Law of Cycles. Much like how she said she'd never make the decision to become a Goddess in the first place a few seconds later, she says this because this is the real Madoka who loves and cherishes Homura, who hates to see her hurt.

Take that into consideration when looking at what Homura turns herself into at the end of Rebellion, how she's suffering and you can see the exhaustion on her face and in her eyes, how you can see the immortality essentially sucking the humanity out of her to the point where she herself believes she is evil. This was never about Good vs. Evil. This is about Homura hating herself so much not only for being unable to save Madoka, but possibly even for loving her in the first place considering her love is what made her powerful enough to condemn herself to her fate as a Goddess trapped in Heaven with her wish. This is about Madoka hating herself so much to where she only deems herself worthy so long as she's helping others, her self-loathing making her reduce herself to a sacrificial lamb and throwing away her life for the better of everyone else, caring so little for herself and being unable to even fathom that she'd be mourned or grieved if she were to die, thus sacrificing herself over and over, seeing herself as a means to an end if it means freedom for everyone she loves. Madoka has always been there to comfort Homura and protect her since the first timeline. How can she do that if her memories and powers to do so are locked away? She can't. Because Homura doesn't believe she deserves Madoka's love.

Homura doesn't believe she's worth Madoka's sacrifice in becoming a God and Madoka doesn't believe she's worth Homura's sacrifice in becoming the Devil. Madoka cannot understand that she is so so much more than what she can give to other people whilst Homura is the only one that does. Homura can't understand that dooming herself to immortality pains and hurts Madoka because she can't do anything about it thus she can't save her from her suffering like how Homura ceased her suffering. It's a cycle. A snake eating it's own tail. A pumpkin that spins round and round and round. They're both selfish and they're both selfless. Homura is selfish in the sense that she's not taking into consideration how Madoka would feel if she knew how much she were suffering as the Devil for her sake yet she is being selfless because she's only suffering as the Devil for Madoka and her family and their friends to have a happy life. Madoka is selfish in the same sense that she's not taking into consideration just how psychologically damaging it is for Homura to not only have to watch her die over and over again throughout 100 timelines but to then erase herself from existence with Homura being the only one to remember her and she is selfless by of course only sacrificing herself so much because she cares for everyone and all Magical Girls, Homura especially included. They both love each other enough to sacrifice themselves for the other but they both hate themselves so much to where they believe they are undeserving of the other's love hence they keep dooming themselves to suffering in isolation and in turn dooming each other.

[quietwingsinthesky]

the last unicorn post from earlier has me thinking about the master. that yana is still in there, you know? is still someone he was, if even for a brief flash across the life of a time lord. there’s no way to unlive that life. there are ways to twist it later, sure, to make utopia into hell on earth. but the life was lived. in much the same way that the doctor can remember, can feel, the love he held onto as john smith even as that life is ripped out of his hands. the doctor choose denial and then grief and then to shutter it all away. and so john smith died, and so professor yana died, and the doctor and the master live on. the doctor has done this before, and he lives in orbit around humanity, trying to keep the best parts of them and hold them deep enough to take root (which he can pretend he gets to choose, as a time lord. as a human, it all floods in and can’t be dug back out.) but what about the master, right?

to borrow a turn of phrase: i think there are two time lords left in the universe, and they both learned how to regret.

[noscomnias]

"even though we may take different paths, i am... still his little sister."

[giantkillerjack]

Betty is so relatable I would do the same shit for my wife

[theladyfae]

i think human nature/family of blood is a really good two parter in how it manages to show how full of shit ten is 🫶

[relicsongmel]

Was doing some thinking today and realized that one of the reasons I'm really drawn to Kieran is because he's a rare example of a character that's shy (and usually good-hearted) but still has some rougher edges to him.

I feel like all too often shy characters are shoved into being portrayed as either "smol bean who would never hurt anyone and just wants friends uwu" or "brooding loner who snaps at people to cover up the fact they don't actually know how to socialize" with not a lot of wiggle room in between. While I can and do enjoy characters that (arguably) fall into those respective categories, they're a bit reductive in the sense that things are very rarely that black and white in reality. Even the kindest people have a limit to what they can tolerate. They have bad days or respond poorly to events around them that cause them stress. And the same can be said in reverse as well—point being, people are multifaceted and don't always behave as predictably as we'd like to think.

And I think Kieran reflects that dichotomy perfectly. When we first meet him, he's meek, timid, and relies heavily on his more brash and forceful older sister to help him navigate social situations where he would otherwise lose out on something valuable because he's too afraid to come forward and ask for what he wants (like how she has to ask the player to battle him on his behalf). He's often quick to cower whenever she starts to get heated, but he's also not afraid to point out when he thinks she's wrong and sometimes even gets sassy with her himself. He's undeniably sweet and gentle and shows eagerness to make friends with the player, but he becomes much more curt when he notices we're lying to him about Ogerpon. The rest of the Teal Mask storyline shows him fluctuating even further—yelling at Carmine and the player for keeping secrets from him, punching things in fits of anger...then backpedaling and apologizing for the trouble he caused a few scenes later. Spreading the truth about Ogerpon to everyone in the village to help make her happy...then selfishly demanding a battle to see who's worthy of being her Trainer when she has already clearly chosen the player.

After being lied to and suffering repeated losses at our hands (including the Pokemon he's idolized all his life choosing us over him), he leans even more heavily into his bitter side during the Indigo Disk—being cold and ruthless to pretty much everyone around him, but at the end of the day it's primarily overcompensation for what he perceives as his own personal weakness (because he's still just a kid trying to be taken seriously). He's shown to drop the act on multiple occasions—most notably when he's caught off guard by our appearance at Blueberry Academy and at a few points during the Area Zero expedition. He antagonizes the player up until the moment of his defeat and tries to catch and use Terapagos in a last-ditch moment of desperation that ends up going horribly wrong, but after everything resolves he's quick to admit his mistakes and asks the player for forgiveness and if they can still be friends. After the epilogue he's mostly back to his old self, but still seems to get worked up when provoked (e.g. when he yells at Drayton for refusing to stop calling him "ex-Champ" in one of their League Club Room interactions).

And I think this varied and sometimes contradictory behavior is precisely why Kieran is such a cohesive and believable character—because it shows how even kind, well-meaning people may have a hidden darker side that can show itself under the right circumstances. How they might let their insecurities get the better of them. How a shy, timid kid might not have the experience to know how to deal with sudden feelings of frustration and/or jealousy that are far too strong to keep to himself, so he lashes out as a result. How despite all this he remains kind, sensitive and loving at his core and shows willingness to learn from his mistakes. And that is what makes him so compelling to me.

[iwasbored777]

The most beautiful thing in the entire Trolls franchise will always be Branch's character in the first movie when he wanted Poppy to understand that life isn't as perfect as she thinks but when she got betrayed and hurt and lost all hope he did everything to make her happy again because he wanted her to understand the pain but not experience it because she didn't deserve that and he didn't think that others have to suffer because he did.

[geometricalien]

It's 3 am. I can't sleep. And I'm still a little drunk so I'm going to word vomit into the void about Last Night in Soho.

I absolutely adore this movie. The acting, the directing, the cinematography, the themes- it's all fantastic! ... except for the character John. And this has nothing to do with the actor portraying him but John's place in the narrative as friend/romantic interest to Ellie while being a foil to Sandie's own "Johns".

Ellie's John is everything Sandie's aren't: kind (apologizing for taking her coke and offering to give it back, saving a seat for her in class, checking up on her through the semester), respectful (of her boundaries and her passion and personhood), supportive (showing up for her exhibition), and helpful (offering to look for Sandie in missing person cases and moving her out of her apartment at the end of the movie). Even Sandie - the character who hated men most - pardons him and absolves him of any perceived wrong doing, "Save the boy downstairs"; although just minutes ago she stabbed him in the gut and left him for dead.

Unfortunately, it reads alot like "Not all men!! ☝️"

For a movie to be so focused on the relationship between two women and one of them understanding the other as if she was herself, the crux of the film, the resolution of it is Sandie saying "You can't save me, it's too late for me. Save yourself. Save the boy downstairs." And it's only then that Ellie goes to safety, she saved herself to save a man.

It's frustrating.

It's also frustrating that any other girl around Ellie's age is vapid and facetious "So brave ❤️" or an insecure bully dragging people down. Of course, this serves to make Ellie's attachment to Sandie stronger but writing John as a woman without romantic connotations would not stop her from being starstruck by Sandie. It would only highlight the sisterhood theme.

Sandie saying, "Save the girl downstairs" would make way way more sense for her character, Ellie's character, and the themes.

You can still have Ellie bring home someone near Halloween and still have his name be John and still have him respect her boundaries when the vision bleeds into reality.

Gotta keep in mind that this would edge itself closer into the black best friend being a prop/support for the main white character without being afforded their own personhood cliché, but that could be easily circumvented with decent writing.

Overall, it would tighten the film's message of sisterhood, women supporting women, and advocating for each other. This film is at its best when Ellie is showing kindness to Sandie by pulling the blanket over her feet. Her being protective over Sandie by shouting, "She said no!" Trying to hug her and show her she isn't alone. Her hugging Alexandra and seeing Sandie. Her refusing the Johns' their revenge. By taking Sandie's side time and time again. And Alexandra asking Ellie after the dance when her John left, "Did he hurt you?" As if she would hobble down the street that very second with a knife to track him down.

Another girl must not suffer in that room. Not under that roof. Not in the whole damn world. Not if Sandie or Ellie or I have anything to say about it.

[asmallcafethatslove]

white influencers will literally be the worst kind of tourists ever like what is with this bali belly thing going on…. Like you know what causes Bali belly and how you can prevent it yet it seems like they’re going to Bali just to get food poisoning on PURPOSE…. literally dumbest people alive

[aq2003]

series 3 is so frustrating because there is like a shining core of pure diamond underneath the problems . like conceptually it rocks so incredibly hard. but the problems