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gyuuberryy · 20 days ago

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𝐕𝐄𝐍𝐎𝐌 !

pairing: venom!jay x reader

genre: venom au, one sided rivalry, loser!jay, office coworkers, superhero

synopsis: when a geeky coworker’s transformation catches your eye, curiosity leads to a discovery far darker—and more thrilling—than you ever imagined. now, blackmail has you entangled with jay and his possessive alter ego, venom, in a dangerous game neither of you wants to end.

warnings: kissing, fighting, venom??

note: where are my marvel girlies at whoo hoo! venom is so pookie and my biggest "hear me out" hehe he got me sobbing in the theatre. jay as venom would be SO hot kjvfbvnjb >< so i wrote this to make up for me going mia for a while, i have too much school work so writing will be slow. anyway enjoyyy reading!!

word count: 2.5k

your office life was a balancing act between emails, deadlines, and… keeping your one-sided rivalry with park jongseong alive. jay(as everyone else called him), with his slightly too-short ties and endearing but tragic fashion sense, was the clueless office geek. he was awkward, quiet, and too nice for his own good. yet, no matter how awkward he was, jay always managed to excel in everything he did, effortlessly snagging the praise you thought should have been yours.

what irritated you most was that jay never seemed to notice your rivalry. he was too busy offering you help or giving you his signature polite, bumbling smile. and sometimes, you’d even catch yourself watching him a little too closely, feeling a reluctant warmth for his harmless, good-guy charm.

one afternoon, you wandered over to his desk, smirking as you noticed his usual setup: notebooks organised to the millimetre, a stack of neatly sharpened pencils, and a sticky note that read “be confident!” in his looping handwriting.

he looked up as you approached, adjusting his slightly crooked glasses and giving you a shy smile.

“hey, park,” you began, leaning casually against his desk. “did you remember to double-check the new client report? i know how thorough you like to be.”

jay blinked, his cheeks turning pink. “y-yeah, i went over it twice… just to make sure everything was right.”

“of course you did,” you replied with a playful eye roll. “wouldn’t want our employee of the month slipping up, now would we?”

he smiled, looking down at his notebook. “just doing my best.”

you shook your head, laughing softly. for some reason, you loved seeing him blush, getting him all flustered with a few well-placed jabs. jay was sweet, awkward, and, despite your constant teasing, he never seemed to hold it against you.

but the next week, everything changed.

jay showed up to work that monday looking like a different person. gone were the slightly wrinkled shirts and too-short ties. instead, he wore a fitted, charcoal button-down with the top few buttons undone, revealing a silver chain against his collarbone. his sleeves were rolled up, showing his forearms in a way that made you do a double-take. and he’d traded his old glasses for sleek, dark-rimmed ones that suited him way too well, giving him a smouldering look.

you did a double take as he walked by, giving you a casual, confident nod. “morning,” he said, his voice low and smooth. the bumbling, endearing jay you knew was nowhere to be found.

you shook it off, convincing yourself it was just a fluke. but over the next few days, you couldn’t ignore the transformation.

he traded in his ill-fitting clothes for tailored shirts, stylish watches, and a few artfully unbuttoned collars that showed off his neck and a hint of muscle. it seemed like his glasses had now permanently changed, now sleek and sophisticated, accentuating his jawline in a way that made you, against your better judgement, find yourself staring a little too long.

and it wasn’t just his style—jay’s entire demeanour was different. instead of blushing and stuttering, he’d catch you looking, smirking with a confidence that left you flustered.

one afternoon, you approached him, determined to regain some control of the dynamic. “wow, park,” you said, crossing your arms. “fancy new look. trying to impress someone?”

he looked up, a slow smile spreading across his face. “why? is it working?”

your cheeks heated, but you forced a laugh. “don’t flatter yourself.”

“oh, i don’t need to,” he replied smoothly, leaning back in his chair. “you do a pretty good job of that.”

his words left you speechless, your usual comebacks fizzling as he held your gaze with a smirk. flustered, you turned away, cursing under your breath.

when had park jongseong become… hot?

over the next week, his flirtations continued, growing bolder and more direct. every time you tried to tease him, he’d have a response that left you stumbling. gone was the stammering, geeky coworker you used to playfully bully; in his place was someone who knew exactly how to get under your skin, his newfound confidence throwing you off balance.

but one night after work, things took an unexpected turn.

you’d noticed him acting strange, glancing at his arms as though trying to keep something in check. he slipped out of the office quickly that evening, his face tense, and curiosity got the best of you. you followed him, keeping your distance as he made his way down the street, eventually ducking into a dark alleyway.

hiding behind the corner, you peeked around, pulling out your phone and hitting “record” just in case. what you saw left you speechless.

jay was standing in the middle of the alley, his body tense, his hands clutching his head. dark, inky shadows pulsed along his arms, twisting and curling like tendrils wrapping around him. his posture shifted, his shoulders straightening as the shadows coiled around his body, transforming him into something that was equal parts terrifying and mesmerising.

suddenly, jay let out a deep, guttural growl, his face contorting as sharp, gleaming fangs appeared, his once-soft eyes turning pitch black.

“finally,” a rough, raspy voice rumbled, oozing from jay’s mouth with a sinister excitement. “let’s go for a little… snack.”

a cold chill shot through you as you held up your phone, capturing the whole transformation on video. your heart was racing, but you couldn’t look away. whatever was happening to jay was unlike anything you’d ever seen.

as he turned, his gaze fell on the man who’d appeared in the alley, a figure holding a crowbar, his face twisted in anger. jay’s lips twisted into a wicked grin as he stalked toward the man, his voice dropping into a dark, predatory tone.

“ohhh, you picked the wrong guy to mess with tonight,” the voice sneered, dripping with a twisted glee. “i am going to enjoy this.”

the man froze, his face paling as jay’s shadows coiled around him, binding him in place. jay’s grin widened, his fangs gleaming as he leaned in close.

“run along, before i decide you’d make a nice little snack,” he growled, his voice a terrifying blend of jay’s and something far darker.

the man didn’t hesitate, stumbling away into the shadows. but as jay straightened, his gaze flickered over to you, and his eyes narrowed. in a heartbeat, he was in front of you, his inky black tendrils stretching out to trap you, pinning you against the wall.

you swallowed, trying to keep your breathing steady as he loomed over you, his dark, twisted grin sending a thrill of both fear and fascination through you.

“you… got that on video?” he murmured, his voice back to normal but tinged with a rough edge.

you held up your phone, smirking. “every second of it.”

his eyes flashed with a dangerous glint, and he leaned closer, his face inches from yours. “we could just… eat you, you know. save ourselves a lot of trouble.”

you raised an eyebrow, refusing to back down. “please. you didn’t even eat that guy. there’s no way you’d hurt me.”

he chuckled, the sound low and dark, his gaze flicking over your face. “hmm, true… i like you too much for that.”

the words left you breathless, your heart skipping a beat as you stared up at him, stunned. his face softened, a small, genuine smile replacing the sinister grin.

“so… about that video,” he murmured, his voice laced with amusement.

regaining your composure, you smirked, crossing your arms as best you could with his tendrils pinning you to the wall. “i think i’ll keep it… as insurance. you know, just in case you feel like getting hungry again.”

he tilted his head, his expression thoughtful. “so… what, you’re blackmailing me now?”

“exactly,” you replied, your grin widening. “you’re going to help me out with a few things, and i’m going to keep my mouth shut about your… secret.”

jay sighed, the shadows retracting as he released you, though he kept his gaze locked on yours. “fine. but don’t push it.”

you grinned, savouring the thrill of having the upper hand. “deal.”

over the next few weeks, you took full advantage of your “arrangement.” you had him running errands, fixing things around your apartment, and even carrying your heavy boxes at work. gone was the bumbling, geeky jay you’d known, replaced with someone who wielded both power and confidence—and didn’t hesitate to let you know it.

curiosity getting the best of you one day, you found yourself pulling him aside. “so… about your little… transformation,” you began, eyeing him carefully. “is he, like, a shadow monster or something?”

jay’s eyes widened, and he looked genuinely affronted. “shadow monster?” he repeated, crossing his arms. “he’s a symbiote. and he’s got a name, thank you very much.”

you raised an eyebrow. “a symbiote? i mean, he looks pretty shadowy to me.”

jay sighed, clearly unimpressed with your description. “no, he’s not ‘shadowy.’ he’s a sentient being that forms a bond with his host—me. he’s venom,” jay clarified, the name coming out almost reverently, and with a slight glint in his eye.

“oh, i see. so, he’s a person?”

“well, he has his own… opinions,” jay replied, wincing as he paused. “we’re a package deal, so to speak.”

“damn right, a package deal,” a deep, gravelly voice suddenly rumbled from within jay, and you felt a slight chill as the symbiote made its presence known.

you stared, both amazed and slightly unnerved. “oh… hey there, venom.”

venom chuckled, the sound reverberating low and menacing. “hello, sweetheart. i hear you think i’m a 'shadow monster.' "

jay rubbed the back of his neck, looking slightly exasperated, but there was a hint of amusement in his eyes as he said, “see? he doesn’t like being called that.”

you smirked, glancing at jay and then back at venom. “got it, venom,” you replied, a teasing lilt to your voice. “no shadow monster remarks. i’ll be sure to remember that.”

that evening, you called him over to help fix a squeaky window in your apartment. when he arrived, his sleeves were rolled up, and those dark tendrils emerged, forming into tools as he worked. you couldn’t help but watch, fascinated as he tightened the screws effortlessly, his movements precise and fluid.

he glanced over his shoulder, catching you staring. “see something you like, darling?” he teased, his voice low, laced with that familiar dark humour.

you scoffed, crossing your arms. “keep dreaming, park.”

jay smirked, his gaze flicking over you with a look that was anything but innocent. “oh, i don’t have to dream.”

your face heated, but before you could respond, he leaned closer, his breath warm against your ear. “you know, all you have to do is say the word.”

flustered, you quickly turned away, ignoring the smug grin on his face.

one night, as you were heading home from work, you felt someone following you. before you could react, a man grabbed your arm, yanking you into a dark alley. panic surged through you, your heart hammering as you struggled against his grip. but before you could scream, a low, guttural growl echoed from the shadows.

jay emerged from the darkness, his face twisted into a terrifying, fanged grin, his body wrapped in shadows that made him look both monstrous and mesmerising. he moved faster than you’d ever seen, dark tendrils coiling around the man’s arms, pinning him against the wall with a force that made your would-be attacker whimper.

“didn’t anyone tell you?” he snarled, his voice laced with dark satisfaction, his grin widening to show those gleaming fangs. “not to mess with what's ours.”

the man’s face turned ghostly white as he struggled against jay’s grip, terror flooding his eyes. jay’s smirk only grew, his shadowed form tightening its hold as he leaned in close, as if savouring every second of the man’s fear.

“i should just eat you,” jay’s voice growled, laced with menace and barely-concealed delight. “but you’re too pathetic for even a snack.” with a dismissive sneer, he released the man, letting him stumble away in blind terror, tripping over himself as he fled into the night.

when you looked back at jay, his inky tendrils had retracted, his monstrous form dissolving into something closer to the man you knew. yet his eyes still held that dangerous, possessive glint, and his breathing was still heavy, his gaze locked onto you with an intensity that made your pulse race.

“you okay?” he asked, his voice softer now, but with an edge of something raw and wild. his hand moved to rest on your arm, fingers lingering as if to reassure himself you were safe.

you nodded, swallowing as you tried to steady your breathing. “thanks to you…”

a wicked chuckle escaped him, his head tilting as his eyes darkened with a new, eerie glow. you could feel the presence of that “other” entity in him, lurking just beneath the surface. “oh, she’s safe with us,” it rumbled, making your skin prickle. “but i think she owes us something, don’t you, jay?”

jay’s gaze softened for a moment before that twisted smile took over again, his features shifting, the shadows flickering as he allowed his alter ego to take control.

“you really think i owe you?” you asked, trying to keep your voice steady despite the thrill that coursed through you.

“absolutely,” jay, or rather venom replied, his grin widening. “we didn’t just save you. we protected what’s ours. and i think a little… reward is in order.”

you arched an eyebrow, unwilling to back down. “and what kind of reward does a shadow monster want?”

jay leaned closer, his breath warm and tinged with something dark. “i have a few ideas.” he chuckled, his sharp fangs glinting in the low light. “but don’t worry, sweetheart. we won’t bite… unless you ask nicely.”

your cheeks flushed despite yourself, but you kept your cool. “i don’t think you’re as scary as you want me to believe,” you teased, meeting his dark gaze. “you wouldn’t hurt me.”

his eyes gleamed with amusement. “oh, i could… but where’s the fun in that?” he tilted his head, observing you with a dark curiosity. “besides… jay likes you too much. and, maybe… so do i.”

the admission left you momentarily breathless, your heart pounding as you stared up at him. just as you were about to respond, his face softened, his gaze flicking to your lips before he leaned in.

without waiting another second, jay captured your mouth in a fierce, consuming kiss. the roughness in his embrace was offset by a possessive tenderness that made you melt, your hands gripping his shirt as he pulled you closer.

when he finally pulled back, his eyes flickered between jay’s gentle warmth and venom’s dark amusement. “so, boss,” he murmured, his voice laced with that familiar, playful edge, “any other tasks?”

with a grin, you pulled him closer, “i think i can come up with a few.”

jay chuckled approvingly, his voice a husky whisper against your ear. “good… because we’re just getting started.”

and with that, he leaned in once more, his mouth claiming yours in a kiss that promised this was only the beginning of a thrilling, dangerous new game.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

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richarlotte · 2 months ago

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How I got my life together.

Getting your life together, and I mean really getting it together, should be a priority of yours. You can’t miss out on your life by staying in a pattern of losing it all, pulling it together as quickly and as carelessly as you can, and then losing it all again because you weren’t ready enough or devoted the first time. I made a choice to pull my life together when I was 18, and I’ve stayed improving myself ever since; I bettered my mental health, fixed my body, changed my mindset, found an aesthetic and style that worked for me and that I loved, and have done my part to keep steadily improving my life and my mindset. If you are devoted to yourself and your life, you will do well and find that the path towards your future will become much clearer as time goes on.

Exercising.

You need to be exercising, bettering your body, and taking the time to nourish yourself and your health. This means eating whole meals and taking the time to cook and prepare them, considering removing heavily processed foods and alcohol from your day-to-day diet, and taking the time to do at home or in gym workouts. I do Move with Nicole videos in the morning, finish up with a quick yoga session, go to the gym in the evenings, and make sure that my body is being fueled by real foods and being properly hydrated throughout the day. You will live in the same body for the rest of your life; you need to make sure that you’re caring for it and nourishing it in ways that will let it support you for the rest of your life. You won’t regret a health journey, and you should actively be on one.

Socializing.

Isolation will kill you, and if you already have anxiety, it will worsen it. You should be meeting people, getting to know them, leaving your comfort zone, and trying new things. Your late teens and early twenties are all about taking the time to know people, making and losing friends, and figuring out the sorts of people you want to have in your life forever. You have to socialize, go to social events, join clubs and different activities, and get out of the house. I’m a person who believes in spending time around and loving other people, and that has saved my life. If you aren’t sure how to socialize, don’t have friends, or aren’t sure of what you like, now’s the time to learn how. You don’t become good at meeting people in one day; it takes time and failure, but the more you do to leave your comfort zone, the easier it will become as time moves along.

Studying.

I believe that life is meant for learning. It’s important to always be learning, to always be bettering yourself, and to always be keeping your mind busy. While I strongly believe that every woman should have a university education and a degree, I understand that it’s not always feasible. If it’s not possible for you to get a degree, you have to learn a trade, a skill, a language, or find something to occupy your mind so that it’s not idle. It’s important to always be doing something, and it’s important that you’re pursuing a passion; life isn’t much if you’re not passionate about what you’re doing, so you have to find them and do more with them. Education can come from work experience; it can come from pursuing projects, cultivating wisdom, and spending your time nourishing your mind and reading books. Life is a learning experience, and you should be in constant pursuit of educational excellence.

Seeing More.

Life is about seeing more and seeing things you’ve never experienced. If you’ve always wanted to watch a tennis match, step into the ocean, or see the sights in a new city, now’s the time to start making plans to do those things. We all deserve to see and experience beautiful things, so it’s important that we find the time to do so. If I hadn’t made the time to find beauty in the mundane, I wouldn’t have made it far. You don’t have to spend money pursuing beauty; I find the most beauty I’ve seen in my life is found on short walks and time spent around my city. You should spend your time both looking for beauty and becoming beautiful too.

Doing More.

Doing more is next. I’ve spent my life trying new things, failing, succeeding, having a good time, and learning about what I enjoy. You should be doing more; your twenties are for moving away, visiting new cities, trying new foods, working jobs you hate and finding jobs you love, going to new restaurants and getting into new relationships, and doing more with yourself. All of the greatest women I’ve ever known have told me that they spent next to no time resting in their twenties because they had so much life to live. I’d encourage you to do things without holding yourself back, and if you don’t know what to do with yourself, find things to do. You can't waste your youth being idle; now is the time to get out of your room, see the world and what it has to offer, and do more with yourself and your gifts.

Richarlotte x

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gingersxng · 1 month ago

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Metal Attraction

Pairing: f!reader x Mingi x Yunho

Genre: smut 18+

Summary: Mingi and Yunho finds out the innocent looking hot girl isn’t as innocent as she looks..

Notes: sub!reader, dom!yungi, reader is a virgin, bigdick!yungi, reader has tattoos & piercings (tongue, nipples & clitoris), Mingi has tattoos and piercings (eyebrow, labret, PA, nipple & thick horseshoe earrings), loneliness, making out, nipple/breast play, bigperv!yunho, horndog!mingi, cursing, oral (f&m receiving), unprotected sex (DONT), one slap, threesome, double penetration, stomach & throat bulge, deep throating, swallowing, fingering, spitting, trading body fluids, petnames (honey, little one, peaches, good girl), they call reader slut/cumslut, cum cum cum, degrading, Mingi goes too far, bickering, overstimulation. May have forgot something!

Words: 3.5k

Mingi, Yunho and you bumped into each other a few months ago at a boring party held by some people in your school. You were the black sheep in your friend group which lead to them abandoning you in that club filled with smoke and drunk collage students. Sitting by yourself in a corner sighing to yourself you were met by two tall guys standing in front of you, their giant bodies made you feel so small and vulnerable. “Hey little one, why looking so scared?” one of the boys said chuckling while he glanced at his bigger friend. You quickly relaxed your shoulders trying to look like they didn’t make you uncomfortable. “I’m not scared.. I just got surprised that’s all” you defended yourself. You obviously knew them, they did their last year in collage and you did your first.

They were always together no matter what, you wouldn’t be surprised if they even went to the bathroom together.. they had kinda similar but yet different looks, the older of them Yunho, had kind of a “good boy” nerdy style while Mingi had more of a “punk/badboy” style. All the pretty girls in your class always drooled over the duo and they surely enjoyed the attention they got, Mingi with the black spiky hair, tattoos and piercings and Yunho with the clean look, not a thing on his body. Despite having such different aesthetics they had one thing in common…SEX.

“Mind if we join you?” Mingi asked as he pointed at the empty seats. What would they want with you? They’d never talked to you before, sure you’ve been met with a smirk or a wink in the hallways but this.. “Sure, don’t think I’ll be here for too long tho” you said taking a sip of your drink. “We were thinking the same thing, right Yunho” the younger gave the older a dark glare. Mingi put his arm around you giving your shoulder a squeeze, Yunhos hand rested on your bare tattooed thigh, he traced a finger along the outline of a rose tattoo smirking to himself.

You were the perfect girl for them, you always thought they wanted the “clean” and “pretty” girl since they got so much attention from them but you may have been wrong all this time. They loved themselves a lonely, messed up girl with tattoos and piercings. By the looks of it they knew you must’ve had a traumatic childhood of some sort based on you looks, Mingi would know since he’s on the same train. Yunho btw just got dragged into this mess when he met Mingi in high school and got addicted straight away. “Why are you even spending your time with me?” you asked, looking at the big guys which sat very close on each side of you. “Guess three times?” Mingi said looking at you. With all the music and noise around you it took some time for your tired mind to catch up with what Mingi meant. After a couple of seconds it finally clicked.. your eyes widened, you covered your mouth with a shocked expression. Both of them smirked at you but didn’t say anything, you shook your head in neglect not believing what they had in mind.

Mingi grabbed one of your wrists and Yunho the other one, they placed each hand on their crotches for you to feel how hard they already were. They must’ve planned this cause theres no way they could get this worked up from the small talk you just had. “Y-you wanna…?” You whispered to Mingi looking him in the eyes with big puppy eyes. That sure did something to him, you could literally feel him twitch in his pants, a low groan came from his chest and he nodded slowly to give you an answer to the question. Yunho pressed your hand harder down on his clothed dick and he leaned in to your ear. “We just couldn’t resist a hot and sexy girl sitting all alone” he whispered, tracing his tongue along your earlobe. You gave it a quick thought, it was a big choice for you since you still were a virgin… but you couldn’t tell them that, by the way they’re talking they must think you’ve been fucked by lots of guys. “Well, I guess anything’s better than being here right” you said looking at both of them with a smirk. Your top had ride up a bit revealing a panther tattoo on the small of your back, Mingis eyes widened and he felt how his cock was about to explode, he licked his lips as he stared at your ass. Yunho gave him a light smack. “Fuck” “You guys coming or should I maybe fuck myself?” You looked down at the two giants, they flew up from their seats and followed you out.

When you reached the empty hallways you got slammed to the wall full force by Mingi, he attacked your lips and locked your arms above your head. You soon gave in and opened your mouth to let his tongue inside. Mingi opened his eyes when he felt the metal ball on your tongue, he went rougher on your mouth and closed the gap between your bodies pressing his hips against your lower abdomen. “You’re so fucking hot, just perfect” Mingi groaned as he bucked up his hips. Your only response was to moan from the friction of his dick poking you.

Yunho slid his hand under your top and undid your bra, you gasped and pulled away to look at him but Mingi was quick to put you back in your place. Yunhos slender fingers reached your nipples and he couldn’t believe what he felt, a low “fuck” escaped his veiny throat as he played with the metal bars going through your buds. “She has nipple piercings too Mingi, such a dirty girl” he pinched your nipple making you jolt. You couldn’t help but blush at his comment, Mingi pulled away from your lips and joined Yunho pulling your bra and top up to reveal your breasts, they were both playing with your hardened nipples. The cold metal buds added more pleasure to you, you closed your eyes trying to hold in your moans. Mingi worked his way down onto his knees, he looked up at you with lustful eyes and brought his hands to your skirt. “What else are you hiding from us peaches?” His voice roared in his throat as he slowly lifted your skirt. There was something small poking the fabric of your panties, Mingi swore he was about to cum on the spot seeing what was in front of him. A thread of curses left his mouth, he was about to rip of the small piece of fabric off you but Yunho stopped him. “Better take her downstairs before someone walks in on us, don’t wanna experience that again right” he said trough gritted teeth as he glared down at his pincushion friend. Mingi bit down on his labret ring in frustration, he brushed his hand over your clit before standing up again. You whined when they stopped their actions on you, you took off your bra and tossed it on the ground pulling your top back on. Hearing footsteps and laughter coming your way the boys hurried to get you all out of here.

Mingi lifted you up in his arms and Yunho picked up your bra so there wouldn’t be any evidence, they took you downstairs to the basement where no one ever came by. It wasn’t much of a basement cause it only had one toilet but that wouldn’t stop them from getting into your panties.

Yunho opened the toilet door for Mingi and you to step inside, he closed the door behind him and locked it. Being locked into such small place with these two hot guys was so exciting, all you wanted was to get fucked real good and messy but at the same time something also scared you to not know what it would feel like. Mingi sat down on the toilet seat with you straddling him, your back was pressed against his chest. The feeling of his what you now imagined “big dick” poked you right where you wanted him.

“Gotta be a good girl for us honey, huh?” Yunho placed his hand on your cheek rubbing your bottom lip with his thumb. “Yes, I’ll be your good girl. Always” you spreaded your legs apart and lifted your skirt to invite him between your legs. Yunhos pants got painfully tight around his crotch as he stared at your panties which now were stained with your wetness.

Mingi kissed your neck and shoulders while Yunho got down on his knees between your legs, he didn’t hesitate to pull your panties to the side to reveal your pretty pierced pussy. He was toying a bit with your clit before placing his tongue between your wet folds, he held your legs spread apart to make it a bit more painful for you. Mingi was yet back to play with your tits and nipples, turning desperate he started humping you from underneath to get some kind of friction. Your breathing became heavier as Yunhos tongue penetrated your hole, his big nose brushed against your clit piercing just perfect. “Fuck hurry Yunho I can’t hold it in much longer, I need to fuck” Mingi complained to his friend who was happily eating you out. Yunho gave Mingi the middle finger, head still buried between your legs.

“Ah f-fuck Yunho don’t stop, it feels so good” you moaned out, your hand flew up to Mingis hair. These first couple minutes felt like heaven, sure you’d made out with many guys before but never anything euphoric like this. Mingi lifted you up and away from Yunhos glistening face, you stood up and looked back at Mingi as a complaint. He quickly unzipped his pants and pulled them down together with his boxers enough for his cock to spring free, it stood up right under your entrance dripping precum. Your assumptions about him having a big cock were more than right.. that boy was enormous, it was long and girthy and best of all it was pierced as well. Yunho rolled his eyes as he saw the expression on your face seeing the Prince Albert, just like all the girls they’d fucked.

“You’re not the only one with a secret peaches” Mingi helped you sink down onto his cock, the cold ring gave you chills as it penetrated your tight walls. His cock stretched you out making your eyes to roll back in your head. Mingi almost came as soon as he bottomed out. “Fuck you’re so tight, I’m gonna cum if I move” he groaned. Yunho placed sloppy kisses on your inner thighs as his younger friend collected himself to finally being able to move. Seeing how he struggled, Yunho wanted to tease him a little so he placed a sharp slap on your thigh making you jump up. Mingi let out a painful groan when you clenched around him.

Yunho stood up and undid his pants too and he was almost as big as Mingi, not as girthy but so freaking veiny and long. Your mouth watered watching him stroke himself a couple times. “Open wide pretty little one” Yunho demanded you as he took a step forward, you took his length into your mouth making him throw his head back in pure pleasure. Your pierced tongue did wonders on his aching tip, you licked him from the base all the way to the head before taking him all the way down your throat.

Meanwhile Mingi had set a good pace that worked enough for him not to cum in one second. His hands were everywhere, squeezing your tits, your stomach and rubbing your swollen clit. Mingis big cock created a bulge on your stomach, you could see every move it did as it poked your cervix and the feeling of his cock piercing kissing your tight insides. The small space you were locked inside of was turning into a sex dungeon, the smell of sweat, sex and perfume lingered in the air.

Yunho placed his hands on your head pushing you further down his cock until you gagged on it and your mascara began to roll down your face. He held you down on his cock for a couple seconds and then let you go to get some air, then he did it again and again. As Yunho abused your poor throat Mingi abused your pussy, he fucked you like a starving man that got his first bite of food. His fingers kept toying with your clit and rubbed fast circles over your piercing and soft moans kept coming from you with each touch. Mingi grunted and moaned behind you like he was about to fall apart, he grabbed you by your hair and pulled you up from Yunhos cock only to place rough kisses and marks on your neck. Yunho growled at his friend raising a brow.

“Ah fuck let me cum inside you honey” Mingi said in a shaky breath. You clenched around him and dragged out yet another groan from him. “Fill me up Mingi” you answered as you pulled him in for a messy kiss. He slid inside you one last time and came to a halt pushing his cock inside as far as he could. His cock twitched and you felt warm strings of cum spurt inside you, loads of it. With his head thrown back and adams apple on display he looked so fucking hot moaning and cursing while emptying his big load inside you.

You looked down between your legs where you two were connected to see his cum pouring out and onto the toilet seat, you clenched around him yet another time wanting more. You grabbed Yunhos cock again and deep throated him, you bobbed your head along his dick like a pro. Yunho bit down on his bottomlip as he watched you take him deep down your throat, he grabbed your throat and pressed on it lightly. The feeling of his cock moving in your throat almost made him cum, he slowly began to fuck your mouth wanting release.

Mingi pushed your head down onto Yunhos dick further holding you there, a shit eating grin painted his face as he saw his friend almost losing it, one more time and Yunho came down your throat making you gag hard. Mingi let go of your head and both of them watched as the thick white fluids ran down your chin, your makeup was all ruined and you began to feel sick (it was your first time swallowing ofc). You burped and cleaned of the remaining cum off on your top.

“Are you alright there?” Yunho asked trying hard to sound like he really gave a damn. You gave him a little nod and smirked lightly up at him. “Such a good little girl” he purred. Yunhos arms came down fast to grab your body off of Mingis cock, a deep rumble left his chest at the quick loss of contact. Yunho slammed your body against the red wall making you whine, they were rough with you but even tho it hurt you couldn’t dare to say anything, after all you were having the night of your life.

Your arms were locked at your sides in a tight grip by Yunhos big hands, he pressed his forehead against yours and his wet dick against your swollen cunt. “You’re gonna continue behave like a good little girl or should I even dare to say slut”. He let go of one arm and sneaked down to stroke himself, his hot breath touched the skin of your neck like a soft feather, you tilted your head to give him even more access to mark you up as his. “Grab it..” he growled, slapping his dick against your pubic bone. Your hand went down taking it in a firm grip making him groan and twitch in your small hand, you bit your lip and gave him a kinda innocent yet sexy look. With a half smile he tilted his head “put it in”. Your pussy felt like a damn waterfall hearing those filthy words leave Yunhos mouth, you didn’t hesitate a second and pushed his pulsating cock up into your dripping cunt, your mouth fell slightly open but he just smirked at you.

Yunho fastened his pace very quick and fucked you without any mercy, he lifted one of your legs to get even deeper access reaching your cervix. Being lost in this fog of pleasure you never noticed Mingi sneaking up behind you until you felt a pair of hands on your tits, they’d trapped you between their big bodies with no escape possible. Did you complain tho? No.

“Ready for one more.. slut” Mingi grinned and twirled your pierced nipples. Yunho slammed his cock in deep making you moan loudly, you hummed and nodded to give him a yes. Mingi smirked for himself and turned his gaze down to watch his cock disappear inside you already occupied pussy, the cold metal ring stung as he slowly slipped his dick inside alongside with Yunhos. Your eyes began to tear up and your legs weakened but they held you up straight as they both fucked you. Yunho kissed you sloppily, Mingi grabbed your chin and turned your head around to kiss him instead which didn’t make Yunho that happy, as Mingi rocked his hips into you he gave Yunho his middle finger without you seeing. It was all a game between them, which one who could fuck you or make you feel the best without maybe being too interested in what you actually felt.

“Hey let me have her back!” Yunho hacked. Mingi let go of your mouth and gathered a lump of spit, he raised an eyebrow at Yunho before he guided your mouth open to spit in it. You whined as you swallowed it and smiled, you finally began to feel a burning sensation in your stomach with the stimulation Mingis PA gave your weak spot.

“I I’m gonna cum” you whined. Your whole body tensed up and your pussy clenched around the two cocks for its life. Suddenly you had two hands toying with your clit, one hand was clean and slender while the other was big and covered in rings. They fucked you in the same pace they played with your clit until you finally came. Your juices covered their dicks deliciously making it even easier for them to slide in and out of your poor cunt. “Gonna take our cum honey? Be our good little cum slut” Mingi breathed behind you. “Wanna swallow honey?” Yunho gave you a kiss on your nose. Your brain was like porridge getting into overstimulation mode, it all happened so fast. They both stopped and gave you their big loads of hot cum, the toilet was filled with deep moans, grunts and heavy breathing. All your mixed juices spilled out between their cocks and down onto the cracked tile floor. Yunho quickly pulled out feeling more coming, he took a step back and grabbed your head bending you forward till you was in height with his throbbing cock. You opened up and welcomed his filled cock into your mouth to take what was left of his hot cum.

Mingi took the opportunity to fuck you some more rocking you forward having you gag on Yunhos dick. You cried out loud feeling the warm liquid flow down your throat, your numb pussy being overstimulated made you cry even more. Cum dripped down your chin when Yunho pulled out his softening cock, he softly stroked your cheek. “Done fucking you jerk?” Yunho nagged on his horny friend who was abusing your stretched hole. You were about to fall when he hit you harder from behind, Yunho had to hold you in his arms until Mingi had finished..

“Gonna cum again M-Mingi mmph! Can’t ta- take anymoreee” you cried out, your voice hoarse from the screaming and crying. “You’re not done until I’ve filled you up once more” Mingi snapped. “You and your stupid dick” Yunho mocked. You both came together this time and you collapsed in Yunhos arms, Mingi pulled out and rubbed your wet folds pushing his cum back into you.

Yunho moved you to sit on the toilet. “I need to get cleaned up I can’t walk out like this” you mumbled as you slowly came back to reality. Yunho knelt down between your legs and you felt his hot tongue tracing your inner thighs and around your vulva cleaning the remaining mess. Your hand found his hair and tugged on it. Mingi put his cock back in his pants and gave you your bra, the panties did he put in his back pocket.

You slowly wobbled up on your jello legs fixing your skirt and top, there were only one thing missing.. “where’s my panties?” You shot a glare at both of them. Yunho looked at Mingi, “I don’t think you’ll need them anymore tonight” he said giving you a wink.

And you sure didn’t, you later ended up in the hallway on an old and dusty sofa sandwiched between them with both holes stuffed with their fat cocks.

Wanted to be tagged: @yuyuyuyumesblog @mingisdimple @wisejudgedragonhairdo @londonbridges01 @star-my @innieslut @tunafishyfishylike 🥰

#ateez #ateez imagines #ateez fanfic #ateez scenarios #ateez smut #kpop smut #mingi #mingi x reader #mingi smut #song mingi #yunho x reader #jeong yunho #yunho smut #yunho #yungi x reader #yungi smut #yungi

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blueiscoool · 4 months ago

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Stunning Tang Dynasty Murals in a Tomb Unearthed in China

A Tang dynasty tomb unearthed in China dates from the 700s, and the murals on its walls give an unprecedented view of daily life at the time.

Archaeologists in northern China have unearthed a centuries-old tomb decorated with stunning murals portraying daily life during the Tang dynasty, which ruled much of central and eastern China from A.D. 618 to 907.

The tomb includes never-before-seen depictions of daily life, including men threshing grain and making noodles.

One of the murals also depicts what appears to be a "Westerner" with blond hair and a beard who probably hailed from Central Asia, Victor Xiong, a professor of history at Western Michigan University who wasn't involved in the discovery, said in an email.

The tomb was discovered in 2018 during roadwork on a hillside on the outskirts of Taiyuan, the capital of China's northern Shanxi province, but archaeologists only reported on the completed excavations last month.

According to an article from China’s government-owned news agency Xinhua, an epitaph in the tomb states it was the burial place of a 63-year-old man who died in 736, as well as his wife.

The tomb consists of a single brick chamber, a door and a corridor. Scenes from life during the Tang dynasty adorn the walls of the tomb, the door, the corridor, and the platform on which the coffin was placed. The domed ceiling of the chamber is painted with what may be a dragon and phoenix.

Tomb guardians

Several figures painted near the door represent the "doorkeepers" or guardians of the tomb; they are wearing yellow robes and some have swords at their waists, according to Xinhua. Other murals portray natural landscapes, as well as men threshing grain, women grinding flour, men making noodles and women fetching water from a well.

They are rendered in the traditional "figure under a tree" style that was popular in the Shanxi region at the time, the South China Morning Post (SCMP) reported. As its name suggests, the style features people carrying out activities underneath beautifully depicted trees.

Many of the figures in the murals look like the same Chinese man and woman, and archaeologists think they may have been the two people buried in the tomb. The woman, in one scene, is dressed in a colorful gown and is leading four horses, alongside a bearded man holding a whip.

Other murals show mountains, trees and camels, and the series of paintings around the coffin may represent the Chinese tomb owner at different stages of his life, Xinhua reported.

Traditional style

The murals in the tomb appear to be well preserved. "The most familiar theme depicted in these murals is that of human figures under trees — a tradition that harks back to the Han dynasty [206 B.C. to A.D. 220]," Xiong said. Similar murals had been found in China's Xinjiang, Shandong, Shaanxi and Gansu regions.

He noted that the blond "non-Han" man leading camels has distinctive clothing. "Based on his facial features and outfit style, we can identify him as a 'Westerner,' likely a Sogdian from Central Asia," Xiong said. (The Sogdians were a trading people along the Silk Road routes between Asia and Europe at the time, living mainly in what are now Tajikistan and Uzbekistan.

He added that many of the murals gave "never-before-seen" representations of daily chores and labor during the Tang dynasty.

By Tom Metcalfe.

#Stunning Tang Dynasty Murals in a Tomb Unearthed in China #Taiyuan #Shanxi province #China #ancient tomb #ancient grave #ancient murals #ancient artifacts #archeology #archeolgst #history #history news #ancient history #ancient culture #ancient civilizations #ancient china #chinese history #chinese art #ancient art

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sexybritishllama · 10 months ago

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strap in folks it's time for another neopets drama update

some background reading before we begin: back when neopets wanted to introduce customisation (i.e. dressing up your pet) in 2007, they decided to 'convert' all existing pet art to align with a rigid body structure, rather than all having unique poses. it was just not feasible to create new pieces of art for hundreds of different pet poses every single time they released a new clothing them

customisation had been highly requested up until this point. however, the conversion was NOT popular. in some cases, particularly for basic colours, the change wasn't huge, but in other cases.... uh....

you get the idea. the more expensive colours like plushie, faerie, grey, royal and darigan got the worst of it because they had the more unique poses pre-conversion, and therefore it was largely agreed that the change to the stiff 'samey', frankly kinda goofy converted look did not look great

most users did not get a choice in having their neopet converted and it was done automatically, but if you had one of these colours where the change was huge, you were given the choice of converting or retaining the old pose (but not having the option to customise your pet). those pets that retained the old, pre-conversion poses are therefore referred to as 'unconverted', or UC for short

once a pet is converted, there's no returning to UC. you also couldn't create UC pets anymore, making UCs a limited resource that would only increase in value with time, particularly as people abandon their pets, leave the site, get frozen, etc.

i could write an entire dissertation on the drama that UC pets have caused for the pet trading economy, the neopet account black market, and general retention of the userbase, but to sum it up, people REALLY want UC pets. they are the single most coveted status symbol on the site

we skip forward now to 2023

the neopets team are planning to introduce UC pets back to the site, so that people will be able to create their own UC pets again for the first time post-converstion (legally at least)

they drip feed bits of information over the year about what this will look like. the main points are

changing a pet to UC will be done via some kind of item bought with neocash, the premium currency on neopets that you need to spend real money to get

putting this item on your pet will give it the UC art style appearance

so. not much really known. but expected release is set for january 2024

yesterday, they hosted an AMA focusing on the new UC pet system and how this was going to work. noticeably absent is any explanation of how much this is actually going to cost and whether it is going to involve any kind of gatcha mechanic, so that's causing our first lot of concern

second lot of drama is that the new UCs aren't actually going to be COMPLETELY the same as the old art, as they're making some small changes for style consistency, see below (old on top, new below):

the biggest drama, however, comes from how they're dealing with the 'original' UC pets. ALL pets will be getting forcibly converted on the 23rd, with anyone who has a pet that is already an original UC immediately receiving the UC neocash item. there's mention of possibly some kind of trophy or badge recognition for particularly old pets, but it's vague, and generally seems like it won't be possible to distinguish between the original UCs and these new ones

the people who already have OCs are not happy about this

people are allegedly pounding their pets, cancelling their premium, and quitting the site in protest. the boards are flooded with people complaining about the changes and laughing at the downfall of the 'neo-elite' in equal measure

it's t-minus 5 days until the second great conversion goes live. let's all pray for our souls

#eloise talks #neopets #neotag #this isnt even going into peoples displeasure at the fact you dont even need to be the og colour to make it oc #i.e. from what we can gather you can have a red kacheek #apply this nc uc item #and then it can look like an uc faerie kacheek?#AND the drama over this now destroying the uc market and possibly requiring people to get gift boxes for trading #i can keep going

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linkspooky · 6 months ago

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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.

With Great Power… You know the rest.

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.

Now I’m going to drastically oversimplify what a character arc is.

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.

Should I save the villain?

Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.

#mha meta #ygo meta #mha 423 #bnha 423 #mha 423 spoilers #bnha 423 spoilers #izuku midoriya #deku #shigaraki tomura #tenko shimura #judai yuki #yubel #soulshipping #yu gi oh gx #yu gi oh

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