"Wyll is boring!" "No, Halsin is boring!" Calm down, neither of them is boring, they are both great characters with a strong moral compass who suffer from having their content cut and/or hastily rewritten
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At some point, I think people have to contend with the fact that misgendering isn't a completely a universally agreed upon concept in the specific sense that misgendering can be very personal.
What may be misgendering to you will not be to other trans people - even if they have the same gender as you. You may be misgendered if somebody used the wrong label to describe you (e.g., somebody calling you "girl," even if it is slang), but that does not mean that that will apply to everybody.
It's important to recognize this because so often, people will say things like, "you can't use this label/phrase/term for any trans person who is a [gender]! And if any trans person who is a [gender] uses those labels/phrases/terms, they're wrong and bad!" and that is simply too broad a generalization.
It's fine to be uncomfortable with certain things like this. It is fine if you don't want to be misgendered, and indeed, I share in that sentiment. However, that does not mean that your comforts and discomforts apply to all trans people or all trans people who share your gender. There's a difference in that, I think.
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laios and kabru being very explicit narrative and character foils of each other means you're primed to expect some extent of honesty and candor from laios at every turn throughout, even if it's to negative effect, while your impression of kabru means you expect his every action and word to bely ulterior motive or manipulation, even if it's out of good intentions. and how thoroughly this is subverted in the end, when kabru is forced by pressure and circumstance into painfully, awkwardly honest confession and conduct, forced to stand back and spectate instead of trying to pull strings and control. and laios rises up out of nowhere with an underhanded scheme so shocking and thorough it tricks everyone, and suspends them into inaction and speechless disbelief, clearing his path to the throne. i just think it's neat how they're foils and opposites until they embody each other's core traits at some of their most pivotal developmental moments
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stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff
and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing
like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)
stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context
while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands
ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is
idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok
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can we please stop with the ‘Mickey is objectively a bad person’ shit PLEASE.
I get it comes from a place of holding him accountable for his actions which is fair but going straight to “he’s a bad person” just completely disregards so much of his growth and development, and the nuances of the show.
I get Mickey fans got a reputation in the past for excusing everything he does and yea that’s annoying. But to counteract that by saying “he’s objectively terrible!” is so one dimensional and also completely goes against everything that shameless is about.
the point of shameless isn’t that all of these people are terrible, it’s to show the effect living in poverty has on a person and the lengths that are necessary to go to survive in that life, and the mistakes that ultimately causes people to make along the way.
no shameless character is perfect. that’s the point. even some of the worst things that characters have done have been because they are victims of their circumstances and situations. they are nuanced complex characters that can’t be put into boxes of good and bad
they’ve all done things to hurt other people and themselves. but the point is is that most of them have good within them, but all the factors against them make it harder to let that out.
“He’s a bad person” is a lazy reading of the show that completely lacks nuance in my opinion
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Dean is such a paradox for me because on the one hand, I have been actively triggered by him in the show, there are moments where, intentionally or not, the writers managed to create a portrayal of manipulation and abuse and control issues that it sets off actual alarms for me. And on the other hand, I would not have him any other way. There is something — not comforting, that’s too soft a word — about knowing where Dean’s actions stem from, having seen and learned all that we do about his childhood neglect and parentification and the trauma he goes through repeatedly in the show, and that he doesn’t come out clean. He comes out a goddamn mess who ends up hurting the people around him in reaction to his own pain!
There’s a reality there that’s. Almost nice, actually. Distressing to watch, but it is a fucking mess, it’s a good mess! He’s got zero healthy coping skills and a healthy relationship with say, his brother, is terrifying because it leaves him open to abandonment!
I’m not sure I’m wording this correctly. There is a way to be a good abuse victim. Take the pain, martyr yourself on it, and then, even if you have no support or idea how to, then you have to become a Good Person who never hurts anyone the way you have been learning to your entire life. Simply toss everything that shaped you out the door and emerge a saint with a tragic backstory. And Dean is not that. And that’s so fucking good. Everything that he has gone through continues to effect the way he treats the people around him, and he can’t fight the behaviors he might recognize as harmful because he also sees them as protecting him (or protecting Sam by keeping Sam with him.)
And sometimes, idk. It feels good to see a guy who didn’t heal the “right way.” Who mostly didn’t heal at all, just keeps the wound open because it’s easier that way.
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So The Bear ends season 2 with Carmy fucking up his pretty serious relationship with Claire. They spent an entire season developing this relationship between Carmy and Claire, and now it's over, and not just over, but abruptly and painfully over. Throughout this same season, they continue to develop Carmy and Syd's relationship, incorporating undeniable nods toward an eventual romance.
Then in season 3, they have Carmy dealing with the fallout of his painful fuckup, that ended a relationship that was, as I said, pretty serious, and was developed over the course of an entire season. They do this while continuing to develop Carmy and Syd's relationship, and while their interactions are mostly tense this season, they continue to incorporate blatant nods toward an eventual romance.
This is happening at the same time they have opened a restaurant, and Carmy is under enormous pressure, pressure that has been made worse by his breakup. Pressure to make the place a success, to live up to his potential, but also to make sure that Tina has an income, that he gives Marcus's mom what she wanted for Marcus, that Ebra, elderly and at the point where he really needs to be retiring, continues to have a job, that he doesn't endlessly waste his uncle's money, and crucially, so that the restaurant can earn that star Sydney is dreaming of, and that Carmy didn't even want.
And yet there are people genuinely criticizing The Bear for not canonizing SydCarmy this season, when...?
The man just went through a devastating breakup -
At the same time he opened a goddamn restaurant -
And is clearly going through the crisis of a lifetime -
And on top of that, he's just quit smoking.
Do you think, in real life, that it's realistic someone in that situation would immediately turn around and start seeing someone else? Do you think the writers would have spent a whole season developing Carmy's relationship with Claire, just for Carmy to shrug it off like it was nothing when it ends?
I'm even more baffled by the idea that SydCarmy not becoming canon this season is because the writers this whole time, have just been, what? Fucking with you? Straight-baiting you? Or do you think that just because they didn't canonize SydCarmy this season that this is indicative that they didn't intentionally allude to a future romance between Syd and Carmy?
I will tell you right now that The Bear is one of the most purposefully written shows I've ever seen. And while I will say that this season might be the weakest so far and wasn't what I was hoping for either - Nothing on that show is an accident. Nothing means nothing.
The writers of The Bear are too good to have accidentally implied SydCarmy was a thing. They are also far too dedicated to their vision for The Bear for them to be throwing things in just to fuck with you.
Have some patience maybe? When was the last time you watched a show that didn't hand you something the moment it was hinted at? Aren't you tired of watching shows that skip to the good part? Which is, as a result, not as good as it would have been?
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( random conversation I thought of, not sure if it's something that I would consider canon. Might be ooc for characters)
Blue: Aaaaand that's everything that happened today! Which.... isn't a lot but whatever.
Red: ....
Blue: .....( Leans back) Sooooooooo. How's things for you? You haven't, ah, really said much since you came back down Mt. Silver...( Tries to perk up a bit,forcing a smile) You're usually such a chatter box, you know?! Gotta be something interesting for ya today, right?
Red: .....
Blue: ........( Grimaces slightly, still trying to keep smiling. His voices lowers, as if the whole world would hear if he goes any louder) Come on Red, you- throw me a bone here, something-
Red: ( his eyebrows furrow slightly) .....
Blue: ( immediately back pedals) O-only if you wanna, I don't - you don't - ( he sighs, exasperated) Green? H-have you at least talked to Green?
Red: ( he flinches at that. The punch to his face still fresh in his mind. It was a year ago. And even so-) .....
Blue: ( he should back off. He really should-) Your mom? Have you at least talked to your mom?
Red: ( that causes him to outright glare at his....friend? Rival? Babysitter? What are they now? He doesn't know. But he doesn't like this conversation.) . . . .
Blue: R-right! Right, of course you- ( he takes in a breath. Why does he feel so sweaty.) Sorry. Sorry, that was just- Let's just forget I said anything, yeah?
Red: ( his glare softens, looking at his....whatever they are to each other, with concern. He doesn't know if he'll get used to Blue Oak apologizing for anything ever. He raises his hand to sign-)
Blue: ( he raises his hand before Red does, eyes pleading) Let's just forget I said anything, okay? ( Please )
Red: ..... ( He lowers his hand. He hates the look blue is giving him. He blames himself for it, as always) ( Okay )
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More notes for Roach conlanging. Roach has grammatical gender, in which only Male, Female, and Object are grammatical genders, whereas Worker uses feminine grammar, Queen and King use a slight variant on feminine grammar, and Drone, and Queen-Alate use masculine grammar. This is because King is derived from Queen, due to their similar positions in a colony, and Queen-Alate is derived from Drone, as both are forms of alate.
Queen is an alteration of feminine grammar that functionally just adds a handful of extra syllables to it, and King is an offsprout of Queen that uses the same grammar with different pronouns. Queen-Alate, despite the name, is derived from Drone, as they are both for referring to different types of alate ant.
Most Roach dialects are intelligible to speakers of Snakemouth Den Cordyceps Roach, but Snakemouth Den Cordyceps Roach is not entirely intelligable to speakers of Roach dialects due to a mix of the excessively specialized vocabulary caused by the specific needs of its speakers, the fact that its speakers do not necessarily have Roach mouthparts and thus may not pronounce syllables in a similar way, and due to the fact that Inanimate Object is a full grammatical gender that does not exist in any other dialect of roach and replaces a decent chunk of terminology for things that previously had Other Words For Them.
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