#what a fun question <3< /div> Explore tagged Tumblr posts

[iicaru2]

gale is just like me in the sense that he’s a chronic yapper who loves deeply and has a somewhat unreliable moral compass and some kind of poorly concealed god complex but also because at the first minor inconvenience he can and will threaten to kill himself

[starrysharks]

i push my penis into my pies or whatever corey taylor said

[ghost-proofbaby]

It's summer for you, winter for me. Warm me up with strawberry fluff! As always, my muse, your muse, the one and only, Eddie.

Midsummer's night, because I don't have a lot to inspire you with. I'm thinking something cute but weird? Maybe some human body softness where Eddie is a bit of a freak and we love him for it. And we're told our bodies are lovely, even when they're doing weird shit.

I lalalove youuuuu. xo Rhi

RHI!!!! <3 i adore you. thank you for this prompt - i had far too many ideas for it, but ended up on settling for this one, which coincidentally feels like the most subtle of them all? either way, it definitely turned out being the softest. give me an eddie munson who just wants to sniff me like a dog. this definitely got a bit long but i hope you enjoy, my dear <3

the smell of you

warnings: weirdos in love? idk. i have a skewed sense of what is actually weird i think. mentions of death and coffins jokingly. eddie 'manhandles' reader sort of. not edited.

wc: 2.2k+

come enjoy a sweet summer treat with me <3

“Eddie?”

The entire apartment is quiet – too quiet – as you drop your keys into the old crystal bowl on the counter. The clink resonates through the air, louder than the soft murmur of the stereo static you can hear from down the hall. 

“You dead?” you call out again, slipping off your running shoes and tossing down your headphones onto the counter as well now, “Do I need to call the coroner?” 

Your tone is lilted, teasing with airiness as you continue to wander deeper into the apartment and head straight for the room you know Eddie has to be in. Like the waves pulled by the moon, there’s an incessant string tied around one end of your soul that connects you to his, and you follow it all the way down the hallway. The bedroom door is wide open, and you can hear his mumbled yell of a response without clarity before you even cross the threshold. 

You wouldn’t have even needed him to verbally respond to find him in this tiny apartment. You two could get separated on the streets of a bustling city, of a buzzing New York sidewalk, and you still wouldn’t properly lose him. It’s more than just soul ties and his gravity that keeps you pulled to him. 

Something unspoken. Something homely. 

“Sorry, what was that?” you hum as you spy him face-down in the bed, pillow muting him by the mouthful, “Say it one more time, and this time not into the pillow.” 

When he finally properly turns over, he’s a vision. Sleep lines folded into his skin and a bit of drool in the corner of his mouth, eyes squinting in irritation not at you but the sunlight flooding in through the bedroom window. Messy hair, messy shirt, messy everything. A kind of mess you just want to collapse into currently, curling up in all that he is from the day’s exhaustion. 

He’d mentioned wanting to take a nap before you’d left for the gym. Something about the summer heat draining him, trailing off as he’d rambled about how he’d probably thrive as a vampire. 

“I said,” he huffs, sitting up, the frizz of his hair becoming a makeshift halo, “If you call the coroner, request the comfiest coffin possible.”

“Why do you need a comfy coffin if you’re already dead?” 

“You dare deny me of being buried in tempurpedic memory foam? In my hour of need?” 

You roll your eyes as you huff out a little laugh, forcing yourself to turn away from him long enough to strip out of your socks. But just as you reach down for the pieces of clothing, you catch sight of the source of that stereo static flooding the room. 

Your shared record player, spinning a blood red pressing of one of your more recent vinyl purchases. The album has been played through, but the player no longer had an automatic stop mechanism, probably from years of use. 

The center of the record is probably scratched, and Eddie knows it, from how sheepish he looks when you glance over your shoulder at him. 

“Speaking of death,” you walk over quickly, purposefully, before carefully lifting the needle and cutting the static finally, “Care to explain why you’re burning scratches into my Momento Mori vinyl?” 

“I’m sorry,” he quickly apologizes, nearly flinging himself off the bed as he scooches quickly to the end, clearly fully awake now, “I put it on and thought I’d just lay down for a quick second, but then the bed was so comfy, and I thought it wouldn’t hurt to take a quick nap, and then…” he trails off, looking up at you through his lashes with big eyes already pleading for forgiveness, “I’ll buy you a new one. Swear it.” 

It’s impossible to be mad at him when he’s looking like this, inhumanely soft and easily forgiven, “You’re lucky you’re cute, or you really would be dead.” 

He doesn’t respond with words, but instead the outstretch of his hands, fingers flexing as he beckons to you. The needle rests on its perch, the vinyl left behind to gather dust for a few extra moments, as you go straight to him. 

When his palms slip beneath your old t-shirt and meet your skin, they’re pleasantly warm. 

“You were right,” you admit as his knees spread, delegating even more room for you to stand in front of him as your hand wanders to cradle the side of his face, fingers tangling in sweaty curls from his rest. Your thumb mimics his on your own skin instinctively, tracing a large arch right up over his cheekbone, “It’s hot as balls outside.” 

“Told you so,” he murmurs, smiling softly in satisfaction as he leans lazily into your touch. 

“You did,” you agree quietly, half-entranced by his relaxed face, no sight of pride in the room currently. 

He resembles a cat as he continues to preen under your gentle hand, and you almost expect him to start purring right before you find the strength to pull away, removing his hands from where they'd wandered to your lower back. 

One swipe of his finger along your sweaty spine, and you’d remembered what your original intentions had been immediately upon getting home. 

“Wai- Where are you going?” he’s seemingly brought back down to Earth the moment he loses the pattern your thumb had been tracing, the press of your fingertips into his scalp. When he reaches back out to latch onto you again, you take a step back, “Get back here-”

“I need to shower,” you laugh, shaking your head and smacking his hands away as he continues to barter, “I’m all sweaty and smelly, let me go clean up and then we can nap togeth-” 

“You can shower after we nap,” he nearly whines, finally catching your shirt between his fingers and tugging, uncaring for if he stretches the fabric. A small price to pay to have you close to him, “C’mon, sweetheart. I know you’re just as exhausted as I am.” 

You swear you meant to take another step backwards, but somehow, you end up back between his knees, “Did you not hear me, Munson? I stink.”

“Good.” 

He doesn’t give you any time to react – in an instant, he’s throwing his face forward, burying it against your stomach as you let out a gasp and immediately try to pry him away with far too gentle of hands in his hair. 

“Eddie!”

If it were anyone else, you’d probably be mortified. But Eddie just takes a dramatic deep breath in, nose buried just shy of your belly button, and when his shoulders start to shake with muted laughter, you can’t stop the smile from breaking. Your fingers are still twisted in his hair, still pulling back in an attempt to get him away from you, but he’s resilient. 

And all your faux resistance is weak in comparison. Soon enough, you’re back to melting into him. 

Only once you’re relaxed once more, no sign of trying to pull away again any time soon as his hands once more evade the space beneath your shirt to wander up and down your sticky skin without a care in the world, does he lift his face away from you long enough to breathe and speak, “I’ll have you know – I love your stink.”

“Shut up.”

“I’m serious.” 

“You’re an idiot.” 

“I’m your idiot.” 

The game of banter is cut short when he goes back to pressing his nose into your clothes that surely can’t smell good. No amount of deodorant or perfume could erase that underlying stench of sweat. Hell, the shirt is still a bit moist from it all: from the walk to the gym, from your workout itself, from the walk home. It’d been through the ringer, and you’re back to tugging him away from you. 

“I refuse to believe you like how gross I smell right now,” you reinforce, eyes darting towards the bathroom connected to your master bedroom, “I promise I’ll be quick with the shower.” 

“Baby,” he fights back, wrapping his arms around you securely, no intention of losing this battle, “You remember that time we went to the fair, and you were complaining about how you were sweating, so I tried to lick your face?” 

Your nose scrunches quickly at the memory, “I do, unfortunately.”

“You really think I’d be willing to lick the sweat off your body but be afraid of you smelling a little bad while we cuddle?” his shoulders drop as he looks up at you, head tilted, almost as if amused with the conversation, “What kind of man do you take me for?” 

“The kind that gets off on annoying me.” 

His jaw drops, putting on a fake look of offense before he dramatically throws himself back onto the bed, laying flat as he makes a fist to mimic stabbing his chest, “You wound me.”

You’ve heard those words a thousand times in a hundred different ridiculous voices. You’ve seen this scene enough to have it mesmerized at this point, down to the over-exaggerated pout of his lips and the lingering of the fist against his sternum. 

You never grow tired of it. You never will. 

“Need me to kiss it better?” you joke as you prop a knee up on the bed, following the same script as always. 

And he hits his queue perfectly when he lifts his head eagerly at the expected response, wiggling his brows a bit. “Absolutely. Doctor’s orders, in fact.” 

“Great,” you see an opportunity, and take it, “I’ll get right to it, after my showe-” 

You don’t even get the final syllable of the word off your tongue before he’s clenching his thighs around your own, knees pressing hard before he wraps his legs the rest of the way around your waist to pull you in. A squeak of surprise leaves your lips as you begin to fall forward, but Eddie is quick to break the fall with ease. Catching you with his eager hands, maneuvering for you to half drop to the mattress while some of you still lands atop of him. 

He has you right where he wants you, turning his head to be face to face with you, noses nearly brushing, “Unfortunately, the doc said you have to kiss it better now, or else you’ll be comfy coffin shopping.” 

“A fatal wound?” you gasp, nearly mocking him. It doesn’t offend him – if anything, his boyish grin only grows wider, “First, I’m smelly-”

“Again, I like when you’re smelly.”

“-And then I inflict a fatal wound upon my lover? Oh, how dare I.”

Slowly, all your insecurity of how you currently smell is simply fading. The entire ordeal has become an art of childlike, whimsical jokes – and Eddie is an artist. A professional at the dance, locked and loaded with his incomparable skill set equipped for disarming you this way. The ability to make someone feel loved, imperfections and weirdness aside. 

He likes you, even when you claim you don’t smell your best. And you like him, even when his hair is tangled beyond recognition and one of his socks is half-hanging off his foot from a nap.

You like him when he’s embarrassing you in public, tongue chasing after you with the threat of licking your sweat away, and he likes you when all you can do in response is a weak palm to his chest (that isn’t even making an effort to push him away) as you giggle relentlessly. 

You like each other on the good days, the bad days, the weird days. 

Disarmed entirely, you don’t even notice when his face conveniently slots itself far too close to your armpit as you two scooch further up into the bed. You’re more occupied with the way your legs tangle up, toeing each other’s socks off properly as he slings a heavy arm across your torso. 

“We’re gonna have to wash the sheets,” you mumble, exhaustion catching up as the two of you finally settle. 

He hums absentmindedly, nuzzling into your skin a bit further as he makes himself comfortable. “And wash away your sweet, sweet stink? I don’t think so, sweetheart.” 

“Oh, fuck off,” you laugh, unbothered as your fingers start to trail up and down his back over the t-shirt, smoothing out wrinkles along the way, “I’m serious. We need to change them soon anyways, I think I got crumbs in the bed the other night with those crackers.” 

“Bury me in the crumbs of all your midnight snacks,” he almost slurs, clearly drifting back off. 

You snort in response, relaxing and letting your own eyes shut. Matching all your deep breaths with his own, a million different last words crossing your mind to whisper to the boy you’re sure is once again asleep. 

I love you.

I adore you. 

I would like to spend the rest of my life with you, if you’ll have me. 

And maybe some of those unspoken thoughts slip out without you realizing, because he squeezes you just a little bit tighter, presses his face just a little bit deeper into your skin as his scruff tickles you. 

The only actual thought you can know for certain that you say, though, is, “Do you think they actually make coffins with memory foam inside?” 

To your surprise, even despite the almost-snores that had been escaping him, he answers in a heartbeat. 

“Oh, definitely. We’ll order two.”

[deoidesign]

Time and Time Again comes back tonight!

Thank you all for being so patient with me, I know it was a long hiatus.

My health was struggling, my arm was (is) hurting, and I decided it wasn't worth it. I'd rather be slow!

So thank you for giving me that grace, and I hope you'll be there with me for the rest of the series.

[lorebird]

In which Ford struggles so badly to relate to other people that he wonders if he’s really human at all. The more isolated he becomes, the harder it is to reconcile with his own humanity.

[rawliverandcigarettes]

Thinking about Mass Effect, as you do, and how I'm kind of sad that the way it's been engraved in pop culture has more to do with the way internet reacted to it at the time than what the actual game is about. Yes sure, it's about romance (and not that much all things considered) and it's pulpy (but not solely because of hot lady aliens), but it's also intricate worldbuilding that touches on a lot of sharp ideas, and a complicated tug-of-war between a genuine and vulnerable belief in reconciliation and community VS post 9-11 US military propaganda and steadfast belief in heroic exceptionalism, and the melancholic yet energizing mood, and the daring narrative systems, and so so much more than the 'We'll Bang OKs" and the "There's No Shepard Without Vakarian" and the whole ME3 ending situation

It's all there, but I'm sad the impact of the series is often reduced to (what I think is) the least interesting parts of its sum

[anbaisai]

Happy birthday to @crystallizsch and the lovely Yuusha! May you have another wonderful year full of happiness and currynoodles💜

[jodoesnew]

On the other end

A small dcaXy/n idea I had

Premis: Y/N works part time in the daycare but doesn't really interact with the dca which doesn't mean the dca didn't notice them there.

Start of the story

Y/N gets messages from an unknown number and decides to answer

They start messaging thinking that they don't know each other at all

They notice that the tone and wording in the messages switches completely throughout the day but get used to it way too fast

Y/N's life is a complete mess right now so Unknown is a pleasant distraction

They never tell each other their real names but use nicknames instead

Both share how they feel often and text about life and just anything that they think of

Someday y/n just calls their unknown friend to share some great news because they have no one else they want to share it with

They don't pick up but call back later

A male voice they have never heard answers. A pleasant one. They talk for hours.

But the voice tells them to only call at night bc he can't talk on the phone while working. But texting is fine

Y/N falls in love over late night phone calls and long text convos

They ask if they could meet up and hang out

He doesn't answer

The connection goes silent

The last thing he sent is "I'm so sorry. But I can't" written only a few minutes after their question (in the middle of the day)

Hours go by and they get no answer from him anymore

Hurt and worried Y/N is in a daze of crying and starring at nothing for the rest of the week

This is when Y/N misses their break bc they stayed in the daycare closet to cry

As they step out the daycare is dark sth that Y/N was never there to see

Then they hear it. The voice of the person they love singing from where the kids are sleeping.

Y/N stumbles through the dark until they reach the kids and lock eyes with the daycare attendant

Moon goes quiet and his eyes betray him and show his shock

Y/N is stunned

"It's you?"

Awkward

[thedarkrebeldesires]

My reaction to seeing the rose today:

PLEASE THE ROSE BE IN THE MOVIE.

PLEASE THE ROSE BE IN THE MOVIE.

PLEASE THE ROSE BE IN THE MOVIE.

PLEASE THE ROSE BE IN THE MOVIE.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[inkly-heart]

Hi! I hope you don't mind answering this question but seeing the animals in the BC world made me wonder, do Hueväris eat them too? (I love the designs so much by the way! 😍💕✨)

Like some of them, not all. Like how humans eat cows, pigs, lamb meat, fish etc. It's just me curious about it~ If so, is this considered like a "monster cuisine" (definitely not referencing Dungeon Meshi)

Thank you and have a nice day! 💕✨

.

[luck-of-the-drawings]

"I think this is the most inhuman; and human, that I've ever felt.." MUCH CAN HAPPEN IN A YEAR. IN FIVE YEARS. A DECADE. imagine how much can happen in a century. just ONE (1). How will you grow? what phases do you find? even in 5 years, you will find patterns.

[vynnyal]

Turns out Sunlit Trail isn't quite done just yet, so after all that they just send you to a dead end 😂

[nightseeye]

Dogged of the days + plus a relatable lil buddy!

Also that piloted!dogday by itself:

[this-is-a-name-dont-worry]

"Wait is that lore?" moments in Antoine's return stream

These ones are likely jokes, but (you can use it in your headcanons):

With Tubbo, explaining his absence by saying "I was dead, I think, but not anymore, I was tired of being dead"

"I couldn't explain to you, it's out of my understanding how I'm dressed. The human mind cannot comprehend how I'm dressed and so the human brain shows it that way, but it isn't exactly like that. It's not powerful, it's just weird"

"You know me well!" "Heh, I know you as if I made you!" *silence* (closest to maybe serious)

These ones are more serious:

He isn't romantically interested by Cucurucho, he just likes his ass (that totally a human is aro that's what I mean)

He really missed Pomme, he stopped coming because without her it wasn't interesting anymore (this one is just cute)

Very invested in knowing what happened to the eggs while they were away

Accidentally gave Pomme one of the books Ourson (I think it's this one?) gave him, immediately panicking when he realized. When Pomme asks what it was, he first tries to pretend not to understand, and is pretty serious when he tells her that it's nothing; he'll tell her about it one day, and it's his little secret garden, everyone should be allowed to have secrets, don't she think? she isn't against secrets, right?

Certain that the eggs went to some kind of other dimensions/got doubles?? I mean there was a theory inspired by Stranger Things but despite what Pomme is saying he's not letting go of the idea

After asking Pomme if she met dark Cucurucho and she talks about the Watcher: "Je crois pas qu'on parle de la même chose. Là tu me parles de l'oeil, et moi je pense que je te parle de quelque chose d'autre. Je pense que tu me parles du Watcher... là où moi je te parle d'autre chose." ("I think we're not talking about the same thing. Here you're talking about the eye, and me I think I'm talking about something else. I think you're talking about the Watcher... when me I talk about something else" again how does he know the name "Watcher".)

Knows that Maximus is dead, when all the other players seem to have decided to play the "don't know if he's alive or dead" card (bonus: Antoine and Pomme talking about telling Aypierre, and Pomme thinking she won't be able to find the right words "I don't think there are right words..." ok im sad now thanks). Since we're at it, when reading Pomme diary where she worries about Baghera and Antoine being dead, saying they can't be dead, he doesn't share that worry in the slightest, as if he knows Baghera's not dead (this one's dubious and I am very willing to put it as cc!Antoine not thinking rp)

He and Pomme are talking about what she remembers of the Watcher and honestly the whole conversation deserves to be clipped and transcribed. To go with him name dropping the Watcher, he is now only calling it the creature with one eye because that's how Pomme calls it

Pomme explains that the Watcher was observing her and Richas and there was a threatening aura to it, so they immediately fled. Antoine in a very serious voice "You were right to, you were right to, you were right to. Because I think it's this person who was at the origin of your disappearance."

[starflungwaddledee]

offering three cookies 🍪🍪🍪

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