#what a fucking bit of characterisation

[itsalwaysforyou]

WHAT???????

[mohntilyet]

Personal headcanon about the "you picked the wrong dellamorte" line, I don't think illario actually likes rook outside the context of them being someone close to lucanis. Like rook on their own isn't much to him, but when they meet it's yet another person talking about his cousin (why isn't he good enough for whatever job they're hiring for?) and on top of that they somehow bring him back from the dead (another whole can of worms for illario). Now he starts turning on the charm, but whether he's actually interested or this is just one more thing his cousin has that he doesn't and it gets under his skin, who knows. Either way, rook ignores illario, the guy who lives off his charm, and is instead interested in the guy who's never even dated before and thinks giving someone a knife is how to flirt. Infuriating

NO THANK YOU !! i am genuinely sorry if i have ever implied illario is into rook like i see some takes about it and unless it like ties into your rook's personal backstory i don't seriously think he's romantically jealous. at all. my enjoyment of that line stems from illario's pathological need to make it about himself and not see his strengths but what lucanis has, and therefore what he doesn't. he's annoyed enough to try and goad you in the middle of a fight about the 'wrong' dellamorte and completely blind to the fact that the venatori are at best, a stupid fucking alliance, and at worst, a cult that will devour the crows from the inside out and illario would have been the one to give them the keys. he sees lucanis make allies, needs his own, and instead of charming the other talons/houses as he should, he (probably spitefully) picks the venatori. or maybe he just thought it would be easier. ugh he makes me want to telekenetically throw him around

[mikalilys]

I absolutely HATE when people see their favourite character making a bad decision/messing up/having questionable morals in a fic and go

“that’s not my sweet little -name- they’re perfect and can’t do any wrong and this fic is now horrible because I don’t agree with how you wrote the characters”

like your right that’s not your sweet little -name- it’s theirs!! It’s the person who wrote the bloody fics characterisation and if you don’t like it then don’t read it omg

[adhd-merlin]

ao3 author: so they have to take part in this ancient pagan ritual. merlin is wearing bottoms made of fur and a pair of ram's horns. arthur chases him as he runs away and tackles him to the groun—

me: horns?

ao3 author: part of the ritual

me: of course

ao3 author: he tackles him to the ground. they are both drugged out of their minds, btw

me: yeah, go on

[gabrielsantar]

it’s truly what warhammer is missing the most re: primarchs. it’s boring if they all like each other, and it’s boring if they all hate each other; there should be an extremely complicated system of primarch relationships in which at least two of them fucking hate each other but sometimes have to tolerate each other because they all have a bestie in common

[yavin42]

just finished the second season of black sails and i gotta say i understand why it makes queers go feral

[thenotoriousscuttlecliff]

Chibnall's Master is just a mess of motivations, and it's no surprise that many struggle with this take on the character, but it's frustrating when some get mad about this, insisting that the character isn't badly written, people "just don't understand them" and then rattle off a load of headcanons to explain them that are exclusively things fans made up to fill in the gaps in Chibnall's characterisation.

[my-insanity-is-an-artform]

Hour 7! Of the Time Loop - Over The Edge And Over Again au.

Skipping to the meat of the AU which is The Last Loop.

By this point, Lamb would be a fantastic Vessel unlike any Narinder has had before. They are charismatic, clever, and a damn good warrior who is devoted on a level he’s never seen before.

Meanwhile poor Lamb is basically pouring everything they are into this loop. They are errecting statues of TOWW, preaching about Death in all it glory, essentially one-shoting all of the crusades they’re going on. They spend time making sure all of the sacrifices and offerings they make are exactly to Narinder’s liking.

And they die. A lot. Mostly on purpose but no one calls them out on it.

Lamb spends time asking their God what He likes, what He’d like to do once He’s free, asking about His disciples.

Narinder indulges them since he’s never had such an effective Vessel before. And this one is so very eager to please him.

Lamb also quietly builds a hut a little larger than the others in a more secluded area near the temple. It is more elegant than the others and decorated to a very specific taste. It has an adjourning hut to house two and lamb forbids any one from going near it.

They do make an effort to be kind to their flock since it’s easier to catch more flies with honey than vinegar and well, they never truly felt comfortable performing the cruelty they knew they were capable of. And they need the cult to be kind in return, kind enough to ease new comers.

Lamb bends over backwards to make Narinder happy to the point Ratau pulls them aside with concerns.

They try to brush him off, any attempt to talk is still jammed down their throat, but the old rat merely looks at them with worry and an open invitation. (They never forgive themselves for the loops where he surrendered him to the Fox as few as they are.)

Then they slay Shamura and they know what is coming.

They make sure to get one last visit in before Narinder summons them to die. They spend it in His palm, shaking and refusing to talk or even think about what is to come. They end the visit with a watery smile and pressing their forehead against His fingertip. A silent apology.

‘Forgive me, My Divine, forgive me.’

They are in tears when they refuse their God. They choke down the sobs when they fight Baal, muffle their cries when they battle Aym and it’s nearly brings them to their knees when Narinder breaks free to face them.

But they keep going. They have too. After so many loops, something is finally different.

They win and they are absolutely miserable for it. They spare their Saviour and send Him to the flock.

They bring Him to the hut they had built especially for Him and beg him to wait, just a few more moments, then they will try to explain the Time Loops.

“Time Loops?!” Narinder looks enraged and dismissive but Lamb freezes.

The Loops are over. They think. Only one way to find out.

“Kill me.”

“You DARE?!”

“JUST KILL ME! I NEED TO BE SURE THAT WE ARE BOTH FREE!”

Their God doesn’t even hesitate and slits their throat.

It’s the first time dying by His hand hurts.

It’s the first time they awaken on the hard floor of a hut that was almost got for a God.

The story that spills out of them comes in between manic giggles and a relief so deep that they remain kneeling before their God. They spill things that He never shared in this loop. How he did not truly care for Ratau’s fate one way or another. How he got bored of the same thing over and over. How the Death He had planned was a sweet gentle Death.

Narinder cannot help but believe Lamb, kneeling before him, begging him to understand that they had tried.

That them overthrowing him was a last resort.

That this was the only way.

But now what?

[daily-whistlebreeze]

daily whistlebreeze until spo becomes PoV day 1398

I like seeing how different I can make gray cats by throwing Whis at them; anyways, Spotfur's been on my mind tonight

[fantastic-mr-corvid]

Honestly I wish I wasn't hyperfixated on my ocs. I wish I could engage in fandom and get obessed with canon characters in a way that was more than I love them and their story [and they deserved better]. I wish I formed opinions instead of just nodding along going ooh that's cool. I wish I was hyperfixated on Georgie or hell even Mura instead of just shoving my jjba ocs in the faces of ppl who aren't in that fandom and I wish I has the energy to try and find people who are. I love my ocs but sharing them with people is an almost sisiphean task because on at least half my posts I sound like a raving loonatic and the other have missing context. Every hour I'm awake I'm thinking about them and adding more to their story when I have shared so little of it.

[impossiblepackage]

so fucking tired of media with a super cool and interesting premise and all sorts of fun stuff going on just for it to spend half it's time going on and on about yet ANOTHER mediocre romance. Seems like every time there's a character who gets talked up as being cool and competent and maybe scary who isn't shown immediately, I get lured into a false sense of security until BAM! it's a conventionally attractive man who is often way younger than the way people talk about him would imply. And you just know, right away, "oh okay so our protagonist is going to spend most of her time falling for this guy rather than focusing on any of the actual fucking interesting things going on despite her being the center of those interesting things"

[nostalgia-tblr]

re: my seemingly fringe "I don't think we're meant to think Odin was a dreadful cunt" take, when was Thor 1 actually made? Like... 2010/2011? Because I think Odin is (presumably based on comics canon) meant to be "a bit distant but overall good as a parent" but 2010ish is well after the recent (historically recent, by which I mean since maybe the 1980s) shift in our culture's ideas about fatherhood and what make "a good dad" as well as similarly radical shifts in how we approach disciplining children. MCU!Odin is therefore odd because he's a couple of generations out if he's meant to convince the audience that he's A Good Dad or even an acceptable one. Even the people making the film can't have (all) thought he was any good so with this in mind I'm more open to the idea that Odin is meant to be fairly shit. (But not entirely, and certainly not to the point of him being evil - he's doing his best and arguably the issue isn't him but the culture they've all been born into.)

IDK how old the writer was but there could be an intentional generation-gap thing going on there? An "everyone thinks this is acceptable and even good parenting, but it isn't and everyone involved is getting messed up by it." You don't have to go that far back historically before failing to show regular affection to your kids wouldn't be seen as a significant flaw in a father (whereas it absolutely would be in a mother - v interesting that as the status of women in our society has increased our idea of a good dad has shifted significantly towards an ideal that would previously have been considered "maternal" and thus "unmanly." Oh hey, looks like patriarchy is bad for men too!)

I still think a lot of fanon and fanfic overstates it (which is fine until we're at the point of inventing obviously abusive behaviour and then seemingly forgetting that we made that up), and that Odin is at least meant to be 'doing his best' but yeah Them Thor Films must surely be aware that his best is nowhere near Actually Good, yeah? I mean unless they were written by a man who lives in the 1950s, which they probably weren't. (There is absolutely some generational variation in how far the social change has taken hold but you'd have to look for a long time before you'd find a man of any age who'd say "I really wish my father had been more reserved and had spent less quality time with me" rather than wistfully expressing the opposite of that.)

[notebooks-and-laptops]

Why Fenris could Never Cameo in Dragon Age: The Veilguard

In the run up to Dragon age: The Veilguard, I was almost certain that Fenris would be our main legacy character from previous games. Not only has he been central in the comics released between DAI and DATV, he is an escaped Tevinter slave who's plot revolved around magisters, magic and the structural prejudices surrounding elves in Thedas. Not only that, but he's canonically in Tevinter killing slavers currently so he's geographically in the right place for us to meet him.

About halfway through the game though, it was clear to me: Fenris could never cameo in The Veilguard. Because he'd break it.

How the Veilguard treats Thedas is...odd to me, to say the least. I will be writing another post about how much I adored the expanded big lore in this game (the titans, ancient elves were spirits, where the blight came from etc.) and yet while these large lore expansions worked for me, the actual culture of modern Thedas is entirely softened, its sharp edges filed down until it's a sanitised fantasy world devoid of what made the franchise so vibrant and compelling in the first place.

So let's start with Fenris and slavery. In all three games, the reality of slavery is pushing at the corners of the world. In DAO Loghain allows Tevinter Magisters to enslave elves in order to raise money for his war effort. In DA2 Fenris is fighting to be free from slavers who will not leave him be, let alone the reminders that the city was built by slaves which are everywhere. In DAI one of the two possible mini-bosses is Calpurnia who was a slave, and characters such as Gatt and Dorian both show us how much slavery is tied into Tevinters culture and success.

But DATV the first game actually set in Tevinter where we get to see the famed Minrathous...it's like the game purposefully wants to avoid the issue. I can feel it tilting the camera away to not allow me to see. Slavery is mentioned, but never talked about in depth or as a specifically ELVEN problem in Tevinter. This might have been done to be less problematic, it feels ignored.

We are in DOCK TOWN. We are at the DOCKS. You would think that slaves from all over Thedas who are being smuggled and bought by various groups would be everywhere. You would think that the injustice in dock town would be partly built on the back of ships we've seen in the comics crammed with elves in chains. This is the world Dragon age set up for us. And yet...nothing. zilch. A tiny easily skippable side quest where we free a couple of venatori slaves, but only one of whom is an elf.

None of our Tevinter characters seem to have been influenced by their culture even a little bit when it comes to how they view elves; there is no moment when Neve fucks up and says something prejudiced, no moment when Bellara or Davrin are distrustful of her for being a Tevinter mage.

The same goes for Zevran; a character who epitomised the issues with the crows. The crows have consistently been characterised as very morally dubious assassins who kill for the highest bidder and who buy children on the slave market and torture them as they grow in order to assure that they reach maturity able to withstand torture without giving away a client's name. Zevran is very explicit about the fact that if you fail a contract your life is forefit.

Nobody responds particularly to you if you're an elf. Nobody trusts rook less for it in Tevinter. Nobody treats Rook any differently. Even DAI had better mechanics for this; with nobles in Orlais less likely to trust you as an elf.

Considering one of the main plot points of this game and what makes Solas sympathetic is the fact that he was fighting against the slavery of ancient elves...you'd think the game might want to mirror that in modern Thedas. It might want to show us how characters fighting to end slavery in Tevinter are similar to Solas and how the society Solas fought against was similar to the one that characters we love such as Fenris have fought against in modern Thedas. Maybe we'd want to explore how in a world of slavery like this, how could the answer NOT be to tear it all down? Maybe we should have that option at the end of the game so it really can chose whether we agree with Solas and his plans or not.

Adding Fenris to this game would entirely break the game because Fenris refuses to allow you to look away from this horror. He is a sympathetic character who had to learn to trust mages again because of course he didn't trust them. Of course he didn't. Fenris wouldn't allow the camera to shift focus because he's literally covered in the lyrium scars that show how slaves are used as experiments in Tevinter. Fenris WOULD question Neve on how she feels about elves and slaves. Fenris WOULD have things to say about Lucanis and the crows (let alone the fact Lucanis is an abomonation). So he could never be in this game; he'd drop a bomb on it's carefully constructed blinders to the very society its supposed to be set in.

And yet, in DATV, the crows are presented as...a found family of misfits and orphans? The politician who opposes the crows having absolute power in Antiva is framed as a comically evil idiot who doesn't understand that the crows are ontologically good. Yet...they're NOT. Crows in this game act more like a secret rebel group than an assassin organisation. We see no crow taking contracts with the VERY RICH venatori magisters despite being hired killers. We see crows just refuse to kill people despite having a contract because 'its crueler to leave them alive'. The crows don't feel like the crows here, they feel like a softened version of a cool assassin group who are cool because they wear black and purple.

Our pirate group are also sanitised; the Lords of Fortune are good pirates who only steal treasure that's not culturally significant. Theyve clearly read the modern critiques of the British Museum and have decided to explicitly stop anyone levelling similar critiques at them. There is no faction of the Lords of Fortune who aren't like this, no internal arguments about it. Everyone just. Agrees. And is able to accurately tell what a cultural artifact is vs. what treasure that you can have yourself is. Rather than showing us why a pirate stealing cultural artifacts might be bad (like in da2 where such a situation literally causes a coup and a war) it just tells us it's bad. But also pirates are cool so we still want them in our world.

This issue seaps into Thedas and drains it of any of the interesting complexity and ability to SAY anything that this franchise had before this game. It becomes a game about telling and not showing rather than the other way around. The games have ALWAYS asked questions about oppressive structural systems and their interplay with society, religion and culture and how these things can affect even the most well meaning character. Dragon age at its best IS a game about society and how society functions both for and against it's characters and what happens to societies built on cruelty and indifference. The best bad guys dragon age has given us are those who are bad because they embody these systems or have been shaped by them. Our main characters have had to wrestle with questions surrounding how to exist in these systems, fight against them, learn and grow.

Yet every group you come across in DATV is sanitised and cleaned up to the point of being as non problematic as humanly possible. None of our cast of characters have to wrestle with where they came from or the world that shaped them. None of them have to confront their own biases. They start the game perfectly non-problematic and end it that way too.

And this just...isn't what Dragon Age has been in the past. It isn't why I love the franchise. The whole game just felt, in a way, hollow. And this was a CHOICE and it is why the legacy characters are few and far between. Too many dragon age characters are just too...angry and complex for this game. You can feel them pulling their punches on this one. I have to imagine they did this because they didn't want to be criticised or have too much controversy? But I think it honestly goes far too much in the other direction and just makes it bland.

I can't imagine what I say here will be unique, but it is the basis for a LOT of my other thoughts on this game so I wanted to get it out of the way first. The softened Thedas and characters make this game by far the weakest in the franchise.

[seiwas]

I reached fuxkinf 30 tags 😭

the way he’s shaking oh my god kit he’s so nervous i actually feel like crying just — that whole interaction, the laugh, the tears; everything is so vividly thick with emotion oh my GOD

And he cracks a small smile thinking he might cry too?! OH baby i am 😭😭 then he fucking says it ‘you told me to do it scared’ GOOOOOD KIT THAT FUXKING CALLBACK 😭😭 WHAT IT MEANS 😭😭 how he’s listened to you all this time, how he’s carried that lesson with him for YEARS 😭😭

So he’s asking u to marry him scared. That you’d say no. That he’s stutterz godgodgodgodgod *head in hands*

and when reader asks have you asked me ? And he’s like, he was gonna have a speech THEN GETS CHOKED UP ABT IT ARE U SRS RN I THINK IM IN LOVE W HIM 😭😭😭😭 and he’s like ‘maybe ill have to save it for later’ oh GOOOD he rlly would do that. I think he’s just so the type to prepare these things and have it all he thrown to the side in the last minute 😭

And its so real so true. You not needing anything else but just him asking it. To hear him say it. Ih god the devotion

And and and an ddint even get me started when he takes your hand, still shaky, runs his thumb across ur ring finger 🥺 dont eeeeven get me started there ill cry aksmdkdnn and he says ‘ok ill do it’ oh my fod biggest dork ever i love him

GET ON WITH IT HAJIME 😭😭😭😭

Then he kisses where the ring would be 😭🥺😭😭 then looks up at you even while youre scared 😭😭😭 will you marry me murmured into your knuckles oh my god ig my gohs skisbssinsiensincjrnd im gonna pass oUTTTG

Holding himself uprigjt to kiss u properly? Oh i would rusjsjdjdjdjdndn

And their banTER AFTER. How he places the rinf on you. THE BAAAANTERRRRR

His eyes are so soft that you knkw theyre for you <- ARE U KIDDING ME RN . RU FUCKING KIDDING ME RN 😭😭😭😭😭😭😭😭😭😭 im waging wars for him . Flinging myself across the ocean

KIIIIIT I LOVED THIS SO MICH as you can tell lol im barely coherent but like . I loved this so much i have no words

you told me to do it scared

Iwaizumi was sixteen when he lost all of his fear.

He doesn’t really remember exactly what it was that the two of you were talking about, or when, but he remembers how his voice echoed in the alleyway home — the shortcut, he called it.

Iwaizumi remembers rambling and he remembers that you let him; you were never one to cut him off. He was a good listener, as it could be especially hard to get a word in around people like his group of friends, but you?

Around you? He couldn’t shut up.

He was rambling on and on about something — he forgets what, but it was big for his sixteen-year-old self. Nerve-wracking.

“Are you done?” he remembers you asking, side-eyeing him as you walked.

“Uh, yeah. I’m done.”

“Great. What are you even worried about, Hajime?”

(He still doesn’t know what. It turns out that you were right, and it was so insignificant that he can’t even remember what was bothering him to this day.)

“I don’t know. Rejection. Failure—“

“Oh, please,” you scoffed. “Yes, because Hajime Iwaizumi is known for failing.”

He furrowed his brows. “Don’t be mad that I’m nervous.”

“Scared, Haji.”

“I’m not—“

(You gave him a look and he shut his mouth.)

“So what?” he asked then, dropping his hands in his pockets. You never really knew why he was so good with you, why he talked so much — you never dared question it. “How do I get over it and just do it?”

You smile, shaking your head.

“You don’t get over it. You do it scared.”

“What?”

“Fake it ‘til ya make it, Haji.”

(Iwaizumi doesn’t remember what he did, but he knows he did it terrified; he did it well, too. Passed the test, won the game, cleared the hurdle, got the job. Whatever it was.)

Iwaizumi was sixteen when he lost all of his fear. He’s twenty-eight when it all comes crawling back.

By now, he’s more than a decade older with a bunch of fearlessness under his belt, from spiders put back outside to funny noises in the yard. He’s carding his fingers through your hair on the couch you both picked out, and he hasn’t been this scared in a really, really long time.

(Probably not since you told him that he just needed to do it.)

Iwaizumi is scared because, for the first time in the three months he’s been carrying your ring in his pocket, he really wants to fucking give it to you.

He’s always wanted to — no shit, it’s why he bought it — but tonight is the first time he wants to ask you. He doesn’t just want to picture it on your finger, he wants to feel it against his hand when he holds yours.

The same movie you’ve seen four times plays on the TV. You’re leaned right against him; your eyes are heavy, you’ve yawned a few times.

Half of him wants to do it, half of him knows it’s late.

It’s just — it’s you in his shirt, in his sweatpants, in his arms. He has been yours for way too long to not have done this sooner, but neither of you have ever been in a rush to do anything.

Until now, half past midnight on your long weekend and all he wants to do is plan a wedding.

Iwaizumi can’t even sit in his imagination for long, because soon enough you’re sitting up with a look of confusion and you’re lifting his hoodie up, putting a hand over his heart.

“What?” he says, half a breath and half a laugh.

You look … concerned. He can’t tell whether he thinks it’s cute or distressing. “You don’t feel that?”

“Feel what?”

“Hajime, your heart is racing.”

“Is it?” he asks. He sets his hand beside yours. “Nope, don’t feel it.”

You roll your eyes, yanking his sweater back down as you sit at his side. “Well, something is making you two steps away from arresting right here. Spill before I call an ambulance.”

“It’s nothing, seriously. Watch the movie, will you?”

“But I’m nosy, damnit. Don’t you know me at all?”

God, so fucking well. Somehow, not well enough. Tell me more. Tell me everything I already know.

“It’s nothing!”

“Hajime,” you say, and finally your voice is stern. “Whatever you want to say, you know I could never be mad at you for it.”

Iwaizumi takes a deep breath. The box in his pocket feels like it’s made of fucking lead.

“I—“

“Stop. It.”

(He does. He stands up instead.)

“Okay, wait,” you start again, “I didn’t mean leave.”

“Give me a second, damn,” he groans, dusting off his pants, checking it’s still there. Of course it’s still there, but if it wasn’t, this would be bad.

Iwaizumi knows you deserve a thousand flowers and a candle-lit beach, and maybe he’ll give you both. But he’s neck-deep and the water is rising; it’s now or within the next hour, really.

“Hey, are you alright? You’re pale,”

“I’m fine,” he reassures you. Iwaizumi kneels in front of the couch.

“Hajime,” you say again, face contorted in worry. “Seriously, are you—?”

You don’t just trail off, you jump off the road.

In one of his hands is a box. A small one, fitting for a ring. His other hand rests on your knee.

“Are you—“

“—dead serious? Yeah,” he says, sounding way less strong than he looks. “I am.”

He opens the little box, showing you what’s inside. It’s in your colour, a pretty diamond glistening beneath the warm light of your table lamp and the movie. You swear you even mentioned that shape once, probably years ago.

“No,”

“Yeah,” he says, “yes.”

“Are you serious?” you whisper, feeling your tears jerk to the surface, rimming your eyes. You rest a hand on his.

He’s shaking.

“Hajime,” you laugh, wiping a hand under your eye. “You’re shaking.”

He sighs.

“I know,” he nods. Iwaizumi cracks a small smile — he thinks he might cry, too. “You told me to do it scared.”

Your brows furrow and unfurrow in the matter of a few seconds. Yeah, you did say that.

(You were sixteen and talking about less major things, but you did say that.)

“So I’m doing it,” he finishes. “Scared.”

“Scared of what?”

He shrugs. “That I’d stutter when I ask you to marry me. Or that you’d say no.”

You smile. “Have you asked me?”

“Not yet. I was gonna make a speech, but I,” he slows. He stops — he has to, he’s getting choked up. “I might have to save it for later.”

“I don’t want a speech, I wanna hear you say it.”

“Yeah?”

“Yeah.”

“Okay,” he says. Iwaizumi takes your hand in his shaking hold, his thumb swiping over the top of your ring finger. “I’m gonna do it now.”

“Get on with it, Hajime.”

You’re unmistakably excited.

Iwaizumi kisses where the ring will be if you tell him yes. Scared and all, he looks up at you.

(He speaks the words you’ve been waiting for into your skin. Will you marry me? murmured into your knuckles.

You don’t even tell him yes. Not coherently, anyway.)

You throw yourself into his chest and he has to hold himself up against the coffee table behind him to kiss you upright.

“Yes,” you answer again, over and over. “Even if you were scared to ask.”

“It just means I love you, doesn’t it?” he murmurs, taking your hand and moving it back in front of him. He slips your ring onto your finger. “Just scared on the off chance you were gonna spit in my face—“

“Shut up,”

“Hey, don’t talk to your fiancé like that.” Iwaizumi hesitates, looking up from the ring to your face. His eyes are so soft that you know they’re for you. “That has a ring to it, doesn’t it?”

“Fiancé,” you repeat. Husband to be.

“Yeah. That does sound pretty good, doesn’t it?”

“Just imagine how I think fiancée sounds, honey.”

“And look — you didn’t even stutter.”

“Oh, come o—“

“Careful what you say, now. Happy fiancée, happy life, Hajime.”

“I don’t think that’s the saying, but okay.”

note; tagging @shotorus because this is your man :3 happy late birthday sel!

[hauntingofhouses]

top/bottom discourse in the satosugu fandom is wild like why are yall so mad about someone else's preferred ship dynamic ???? 😭😭 just block the ppl you find annoying and move on GEEZ

[lit-in-thy-heart]

two hundred pages of slow action was worth it for this chapter