#welsh stuff

[gingersnaptaff]

My friend made me a meme. :3

[madbalalaika]

Some Welsh words I learned

[ladybrainrot]

Hi! Whats that holiday you posted about? The one that is said to be like valentines day? When is it? And how is it celebrated? And what do you say to wish someone? And do you like living in wales?

(Sorry for all the questions. I really like wales. Its my favorite country! And im learning welsh!)

okay so dydd santes dwynwen (saint dwynwens day) is basically comparable to valentines day but Welsh. Its celebrated every 25th of January! you basically celebrate it by giving gifts and cards, basically doing anything you want but just celebrating the love you have with your partner.

if you want to wish someone a happy saint dwynwens day you just say "Dydd Santes Dwynwen Hapus!!"

and i love living in wales (for the mostpart) its a beautiful country, beautiful culture, beautiful language. i don't think i could ever move outside of wales honestly.

I'm so proud to be Welsh. Rwy'n falch iawn o fod yn Gymraes.

And thats amazing your learning welsh!!! if you ever need any help with it just send me an ask!!

[tearlessrain]

please help me- i used to be pretty smart but i’m having so much trouble grasping the concept of diegetic vs non-diegetic bdsm!

gfkjldghfd okay first of all I'm sorry for the confusion, if you're not finding anything on the phrase it's because I made it up and absolutely nobody but me ever uses it, but I haven't found a better way to express what I'm trying to say so I keep using it. but now you've given me an excuse to ramble on about some shit that is only relevant to me and my deeply inefficient way of talking and by god I'm going to take it.

SO. the way diegetic and non-diegetic are normally used is to talk about music and sound design in movies/tv shows. in case you aren't familiar with that concept, here's a rundown:

diegetic sound is sound that happens within the world of the movie/show and can be acknowledged by the characters, like a song playing on the stereo during a driving scene, or sung on stage in Phantom of the Opera. it's also most other sounds that happen in a movie, like the sounds of traffic in a city scene, or a thunderclap, or a marching band passing by. or one of the three stock horse sounds they use in every movie with a horse in it even though horses don't really vocalize much in real life, but that's beside the point, the horse is supposed to be actually making that noise within the movie's world and the characters can hear it whinnying.

non-diegetic sound is any sound that doesn't exist in the world of the movie/show and can't be perceived by the characters. this includes things like laugh tracks and most soundtrack music. when Duel of Fates plays in Star Wars during the lightsaber fight for dramatic effect, that's non-diegetic. it exists to the audience, but the characters don't know their fight is being backed by sick ass music and, sadly, can't hear it.

the lines can get blurry between the two, you've probably seen the film trope where the clearly non-diegetic music in the title sequence fades out to the same music, now diegetic and playing from the character's car stereo. and then there are things like Phantom of the Opera as mentioned above, where the soundtrack is also part of the plot, but Phantom of the Opera does also have segments of non-diegetic music: the Phantom probably does not have an entire orchestra and some guy with an electric guitar hiding down in his sewer just waiting for someone to break into song, but both of those show up in the songs they sing down there.

now, on to how I apply this to bdsm in fiction.

if I'm referring to diegetic bdsm what I mean is that the bdsm is acknowledged for what it is in-world. the characters themselves are roleplaying whatever scenarios their scenes involve and are operating with knowledge of real life rules/safety practices. if there's cnc depicted, it will be apparent at some point, usually right away, that both characters actually are fully consenting and it's all just a planned scene, and you'll often see on-screen negotiation and aftercare, and elements of the story may involve the kink community wherever the characters are. Love and Leashes is a great example of this, 50 Shades and Bonding are terrible examples of this, but they all feature characters that know they're doing bdsm and are intentional about it.

if I'm talking about non-diegetic bdsm, I'm referring to a story that portrays certain kinks without the direct acknowledgement that the characters are doing bdsm. this would be something like Captive Prince, or Phantom of the Opera again, or the vast majority of bodice ripper type stories where an innocent woman is kidnapped by a pirate king or something and totally doesn't want to be ravished but then it turns out he's so cool and sexy and good at ravishing that she decides she's into it and becomes his pirate consort or whatever it is that happens at the end of those books. the characters don't know they're playing out a cnc or D/s fantasy, and in-universe it's often straight up noncon or dubcon rather than cnc at all. the thing about entirely non-diegetic bdsm is that it's almost always Problematic™ in some way if you're not willing to meet the story where it's at, but as long as you're not judging it by the standards of diegetic bdsm, it's just providing the reader the same thing that a partner in a scene would: the illusion of whatever risk or taboo floats your boat, sometimes to extremes that can't be replicated in real life due to safety, practicality, physics, the law, vampires not being real, etc. it's consensual by default because it's already pretend; the characters are vehicles for the story and not actually people who can be hurt, and the reader chose to pick up the book and is aware that nothing in it is real, so it's all good.

this difference is where people tend to get hung up in the discourse, from what I've observed. which is why I started using this phrasing, because I think it's very crucial to be able to differentiate which one you're talking about if you try to have a conversation with someone about the portrayal of bdsm in media. it would also, frankly, be useful for tagging, because sometimes when you're in the mood for non-diegetic bodice ripper shit you'd call the police over in real life, it can get really annoying to read paragraphs of negotiation and check-ins that break the illusion of the scene and so on, and the opposite can be jarring too.

it's very possible to blur these together the same way Phantom of the Opera blurs its diegetic and non-diegetic music as well. this leaves you even more open to being misunderstood by people reading in bad faith, but it can also be really fun to play with. @not-poignant writes fantastic fanfic, novels, and original serials on ao3 that pull this off really well, if you're okay with some dark shit in your fiction I would highly recommend their work. some of it does get really fucking dark in places though, just like. be advised. read the tags and all that.

but yeah, spontaneous writer plug aside, that's what I mean.

[hometoursandotherstuff]

[giveamadeuschohisownmovie]

The Deadpool variant with the flag of Wales on their chest is even funnier when you realize Welshpool is an actual place in Wales.

[oidheadh-con-culainn]

Hi, with the arthurian legenda being entirely christian, aren't there welsh legends believed to be where the arthurian legends were drived from? Sorry if i misunderstood your point but tmk the christian elements were added later. Not trying to start anything tbc i am honestly curious

the welsh material is also christian, hope this helps 💚

[gingersnaptaff]

They're so cute!!!! Also, I'm petitioning to have your flag made into Wales's official flag.

@gingersnaptaff so that's my new Welsh flag, handmade by Moi at the kiddie table

and that's a Kirby with his new sugar skull buddy, all ready to say hi to seasonal spirits/devour them whole as appropriate

[gingersnaptaff]

HI me again back with another Welsh law bonanza. For some reason I don't know, u guys really liked the Gwenhwyfar divorce post I did a few weeks back, so allow me to shed some light on how divorces worked as well as marriage payments, and the role of a queen in Welsh law. (Which doesn't have much on it but is FASCINATING.)

Also, I am SUFFERING from cramps so I apologise if I ramble.

First off, Marriage Laws.

So, as previously discussed there were two ways a woman could marry: she could either be given by her family, or she could elope. Now, a woman who eloped would still be entitled to the same monetary payments as a woman who was given in marriage by her kin,

So, the Dues Payable are as follows: Amobyr, Cowyll, Agweddi, Gwaddol, Argyrfreu, and Wynebwerth.

I'm gonna cover Amobyr and Cowyll today, as well as do a lil write-up about Queenship so yeah.

It's a maiden fee! Now, this and the Cowyll are BOTH maiden fees, however, they differ as Cowyll - and we'll get onto it later - is a fee maybe to the lady herself. Sort of a wedding morning gift, I guess. 'Sorry I slept with u, or not, have some money.' Which, is extremely crass.

The Amobyr was fixed to a lady's status and it goes from King, Chief Bard or Storyteller, Chief Officers (so a Distain, which is what we Welsh would call a Seneschal), Minor Officer's daughters, Uchelwyr (so knights or lords), and then your middling noblemen, to peasants, foreigners, and slaves.

It's essentially equal to the revenue the father would get for his land, but EVERY SINGLE WOMAN would get it, regardless of status. High-born or low. The amount's payable regardless of whether you have one penny or seven thousand.

Now, amobyr could be recovered by suit as it was payable to the King and was essentially like protection money. If you made off with somebody's amobyr you were in BIG TROUBLE. HOWEVER, and I really love this fact, the King's daughter's amobyr would be payable not to him BUT TO THE QUEEN, as well as other daughters of high rank like your Pencerddau, chief groom, etc.

Amobyr was payable once a couple had cohabited for the first time, and even had to be payable if a man boasted that he'd shagged a woman and gotten her pregnant, but actually hadn't. Presumably because a) these laws are BIG on honour bonds and things and because you'd lied you'd tarnished that woman's honour and your own, and b) you'd kinda claimed that Lady as yours because you've made her unchaste.

Because it's a maiden fee it - like the Cowyll ' could only be paid ONCE. No more, no less. If you were a widow or wanted remarry, you can't get the amobyr again. Also, if you'd eloped with a dude and your family had caught you before you'd consummated your relationship they didn't have to pay cuz you're still a virgin. Also, if you were raped then the rapist had to pay amobyr to your family in recognition of that.

Finally, a lady who'd had a fling which had resulted in a bastard child* but she hadn't declared who the father was, then she was responsible for the amobyr. However, if she HAD declared who the father was then he had to pay the amobyr instead.

The Cowyll, as I've already said, is a personal payment to the lady that's made on the first morning after marriage.

Now, in North Wales it's always given as money even if you're a King's daughter, BUT if you're in the South then you get la lovely chunk of land. So if you married a prince of Gwynedd, bad luck, just money for u. If you married a Prince of Deheubarth then you are QUIDS IN! (THAT'S YOURS FOR LIFE BABYYYYY)

(Ignore the Agweddi for today. Or don't. Think of it as a tantalising glimpse into the next law I'm gonna cover.)

Cowyll is both paid to just married women AND those who were violated against their will. The wife / lady who had been violated had the right to specify what they wished for their cowyll to be in service of. If she didn't then it just went on stuff for the couple, so I'd imagine whatever the medieval equivalent of IKEA flat pack furniture would've been, that would've been what they'd have chosen.

Also, it's kept entirely separate from the husband's property so he Could Not pinch from it, or use it in service of himself. You couldn't even be deprived of it if you'd had an affair or did any naughty business. That's YOUR MONEY AND BY GOD YOU CAN KEEP IT. Even if you divorced your husband or he you, you would be allowed take your cowyll with you.

Now, finally, QUEENSHIP.

(Particularly handy if you are, like me, doing an Arthurian-inspired, Welsh-set novel and you GOTTA KNOW WHAT GUINEVERE DOES.)

There is not a lot on it because it isn't something that's studied that much (idk why. Wales has tonnes of cool Queens even if they didn't become regent) but we make do with what we can!

You, as King, could marry ANYBODY (Within reason, nobody is marrying a peasant girl) within what would be termed your Cenedl (that's your family.) or out of it.

Kings, we know, often married their first cousins, or second cousins to keep the balance of power within Wales (you gotta remember Wales wasn't united back then! Gwynedd, Powys, and Deheubarth fuckin squabbled like dogs over bones, and Do Not get me started on the littler kingdoms like Arwystli or Senghenydd.)

Seriously, Gwenllian ap Gruffudd ap Cynan (Gwynedd) eloped with Gruffydd ap Rhys (Deheubarth) and they were like distantly related. Or, Gwenllian's brother and v famous boi, Owain Gwynedd married his first cousin, Cristina (and, in doing so, ensured that after his death Gwynedd would have a power vacuum because of squabbling that wouldn't be sorted until Llywelyn Fawr took the throne and overthrew his uncles. It's always fuckin Gwynedd. Even Gwenllian's son, The Lord Rhys, married one of his first cousins, who was also named Gwenllian.)

*Gets slapped with a wet fish* Sorry, I was rambling.

Now, kings did also marry for political alliances. Gruffudd ap Cynan himself married Angharad ferch Owain (can u sense a theme with the names?) because she was from a well-off, noble family who had ties to the Anglo-Saxons when Gwynedd was in a bad spot with the Norman's. Llywelyn Fawr married Joan, the illegitimate daughter of King John of England, when relations became... tense, shall we say.

So, lemme go over some stuff regarding laws real quick before I tell u why I've highlighted these three ladies. (Cuz they're fun and I'm in love with them- uh, you what?)

So all the Codes (North, South, Mid) attach the following to the Queen: a steward, priest, chief groom, door-keeper, and a handmaiden. In Gwynedd she was also given a page, a separate cook (presumably because of poisoning attempts), and a candle-bearer (would LOVE to be that. No joke.) Whereas in Deheubarth she was given a groom of the rein, a sewer, and a footholder. (For all u lovers of the Fourth Branch of the Mabinogi out there this is a win for u.)

The line of Cunedda which (and, fuck me, I can't believe I'm saying this) IS BASICALLY ALL OF THE KINGDOMS OF WALES allowed for transition of royal dignity through a the female as well as the male. That means u could contest ur throne using your mam's blood and status as well as your dad's. Owain Glyndŵr, as I have previously mentioned, did this when he started his rebellion against Henry IV, as his mother descended from both the houses of Gwynedd and Deheubarth and his father descended from Powys. Truly, the people's Prince.

Now, a queen had her own privy purse (Go her), and one-third of the income the king received went to the Queen for her personal use. She also received land grants that went directly to her.

Now, finally, why tf did I highlight those three Queens that I spoke about earlier? Okay, so, Queens couldn't be regents, BUT they absolutely could and did use their power in any way they could.

Angharad ferch Owain was the mother of Owain Gwynedd, Gwenllian, and Cadwaladr. Owain Gwynedd ruled Gwynedd after his dad died in 1137 and led Gwynedd to become Wales' most successful kingdom at that time. He is also the reason why the Prince of Wales is called the Prince of Wales. ANYWAY. He and Cadwaladr had a falling out in 1143 and Angharad, not liking the way Cadwaladr was being treated, took his side. (Dunno why, he killed her step-grandson, Anarawd. Like, Angharad pls. Priorities, del.)

So, Owain ordered his son, Hywel, (yes him of bardic fame) to BURN DOWN Cadwaladr's castle in Aberystwyth. Cadwaladr, enraged, hot-footed it to Ireland where he and the Vikings invaded Gwynedd in an attempt to make Owain give him his lands back.

Angharad supported Cadwaladr by allowing him to beach his forces in her lands of Abermenai in Ynys Môn (Anglesey.) and also tried to intercede on her son's behalf with his brother. Anyways, the brothers were reconciled (for a brief period. Cadwaladr was aligned with the Normans so he remained a thorn in his big bro's side.) and Angharad lived until 1162. Her death led Owain Gwynedd into a melancholic spell.

Gwenllian ferch Gruffudd ap Cynan waged war against the Normans during the Great Revolt. Fighting against the Normans was very much a family affair for, you see, her brothers Owain (previously mentioned cousin-marrier) and Cadwaladr also waged war against the Normans at this time, and their dad, Gruffudd ap Cynan also fought against them SO HE COULD BECOME KING OF GWYNEDD. After her husband left Deheubarth to go and plead with her father for troops and aid men flocked to her and they waged a guerrilla war against the Normans until 1136.

This pains me to say but a Welsh lord betrayed Gwenllian after the Normans - seeking to win back the territory that Gwenllian and Gruffydd ap Rhys had recovered - waged war against them. She and her two eldest sons, Morgan, and Maelgwn died. Morgan in battle, and Maelgwn and Gwenllian were beheaded at Castell Cydweli.

After her death, South Wales rose in rebellion against the Normans. Her brothers, once word reached Gwynedd, invaded Norman-controlled Ceredigion (which was Deheubarth's territory.) and won back Aberystwyth, Llanfihangel, and Llanbadarn. The Welsh battle cry for many years was 'Dial Achos Gwenllian!' Revenge for Gwenllian.

Finally, Joan, Lady of Wales. She's referred to as Siwan in Welsh. She was the daughter of King John (as previously said.) She often mediated between her father and her husband, Llywelyn Fawr. The Brut y Tywysogion writes: 'Llywelyn, being unable to suffer the king's rage, sent his wife, the king's daughter, to him, by the counsel of his leading men, to seek to make peace with the king on whatever terms he could.' I'll probably do a full post about her at some point but yeah, she's cool!

Anyways, hope u enjoyed this!

Okay, hywl fawr!

[mizgnomer]

David Tennant - Host of the BAFTA Film Awards - February 2024

for Tennant Tuesday (or whatever day this post finds you)

[bram-stoners]

every welsh deadpool and marvel fan just cheered

[hometoursandotherstuff]

[dougielombax]

“bUt NAeBodY sPakeS iT¡ tiS a DEaD LAnguaGe, sHUrE¡ WHiT’s tHe PoiNt? Let iT DiE.”

Okay.

Okay.

Could you perhaps tell us WHY the language you fear so greatly is threatened or dead?

No. Do go on.

Tell us.

Why is it dead? What happened to those who spoke it? Why weren't they able to pass it down the generations?

Why is this so?

Because they sure as shit didn’t just stop speaking it for the sheer hell of it!

You don’t know?

Oh dear.

No it’s not natural.

And it’s not about nativism, you daft shite!

Imagine being scared of a language!

Why does it threaten you so?

Why do you act like it shakes the foundations of your state?

Tell me.

Pathetic!

…

Many such cases.

MANY such cases!

[catre33]

men I want the Gender from (part 2)

Michael Sheen

Part 1 Part 3

[realredbanana]

Totally random thing, I’ve got no idea if this has already been mentioned but, Percy Jackson’s reasons for getting expelled were so obviously not his fault (I get that that’s the point), like:

‘See, bad things happen to me on field trips. Like at my fifth-grade school, when we went to the Saratoga battlefield, I had this accident with a Revolutionary War cannon. I wasn’t aiming for the school bus, but of course I got expelled anyway. And before that, at my fourth-grade school, when we took a behind-the-scenes tour of the Marine World shark pool, I sort of hit the wrong lever on the catwalk and our class took an unplanned swim. And the time before that… Well, you get the idea.’

I’m sorry but, both of those were a case of the adults being incompetent.

1) Why would you let a 9-11yr old, who is known for doing stupid and impulsive things, be that unsupervised on a school trip? (like, I knew kids who had to hold a teacher’s hand (and stay next to a teacher during lunch) the entire time because they did impulsive stuff that was nowhere near that extreme)

2) Why was the revolutionary war cannon functional? And if it was meant to be, why could kids get to it? And why did it have accessible ammunition? And how long was Percy out of a teacher’s sight for him to be able to load, “aim”, and fire a cannon? (I’m not saying Percy should’ve done it, but I am saying that it shouldn’t have been able to happen)

3) Why were the kids able to access the shark pool catwalk lever? How does the catwalk retract in order for everyone to fall in? If it went upwards, then everyone could, reasonably, walk back off the catwalk. If it went downwards, sure, everyone might fall in, but why would it go down? It might hit the sharks. If it retracts back into the wall, how fast would it need to be going for everyone to fall in? Also, why was the lever to control the catwalk on the catwalk? That seems like an atrociously bad idea. Also, just, generally, why were there not precautions in place to prevent this from happening? (Once again, not saying that Percy was right to do it, but he shouldn’t have been able to do it)

In summary, none of those events were completely Percy’s fault. It was literally just a combination of the sites having zero precautions in place and the adults not supervising him well.

[sickfreaksirkay]

arthur’s inseparable companions…