#well that is probably a good choice

[triaelf9]

"how do you enjoy *insert fandom here* I hear they're the worst"

Find the ppl who enjoy the thing you like the way you do. Ignore, mute or block the ppl who don't.

Ta-Da~

[starryeyed-seer]

me: I'm not a bat

Mr pages: (stuffing novels under its robe): I must abscond

[myokk]

first dada class😳✨

[turtleblogatlast]

Leo frowns at his phone.

Or more specifically, at the test on his phone.

Around him, he hears the sound of his brothers tapping their own devices, much faster than he is. Looking up just makes Leo feel worse about his own progress - or lack-thereof.

Mikey’s the fastest, speeding through the test like nobody’s business. He’d been the one to make them all do this stupid test in the first place, so it makes sense that he’s having a blast.

Raph’s slower than Mikey is, but he’s still clearly answering the questions at a steady pace. Sometimes he looks unsure, but he powers through anyway.

Donnie often looks frustrated, which relieves Leo somewhat because at least someone is struggling like him. But that “struggle” isn’t nearly as big as his own, considering that Donnie is answering about as fast as Raph is.

Leo turns his gaze back down to his own test. He’s still near the beginning, he thinks.

He’d put the same answer for the past seven questions - the middle of the road answer, neither a “yes” or a “no.” Then, whenever he does come across one that is more one direction than the other, he second guesses himself and restarts the test!

Sure, there are a few he could definitely give a yes or a no to, but…never the “strongly agree” or “strongly disagree” that the test seemed to want from him.

He eyes his twin sitting nearby, the softshell absorbed in the test. Maybe Leo should copy what Donnie put for some of these…

“DONE!” Mikey’s shout makes Leo freeze in place just as he started to lean over.

“What?” Donnie squawks, “No way you’re already finished, you must’ve been cheating!”

“It’s a personality test, Dee!” Mikey stuck his tongue out, “You can’t cheat at those!”

…

Leo settles back into his seat.

Ignoring Donnie’s mutterings about how it was “just because it’s not an academic test” that he didn’t finish first, Raph smiles encouragingly at Mikey.

“Hey, good job! So what’d you get, Mike?”

Mikey looks back down at his test, reading aloud, “Says that I got the “Campaigner”!”

“What’s that mean?” Leo asks, his phone screen going dark.

“Apparently, I’m an “enthusiastic, creative, and sociable free-spirit”.” Mikey reads, smiling at them, “You think it fits?”

“Oh, to a T, bro!” Leo laughs, giving Mikey a thumbs up, making Mikey’s smile grow larger.

Inside, Leo was feeling a lot more mixed about this. He has no idea how Mikey knew himself so well. Maybe Donnie was right and Mikey did cheat, because how could he answer those questions so easily?

Leo’s phone burns in his hand. He keeps it locked.

“Wow, that really is you.” Raph says, his eyes flitting back and forth between his own test and Mikey, “Do you think it fits?”

“I guess? It’s fun to see at least!” Mikey shrugs with a grin.

“Hold on, I think…” Raph makes a noise of satisfaction, “Okay, done!”

“Sigh, now I’m relegated to the straggler group.” Donnie grumbles, his thumbs moving faster as he tries rushing through the questions.

“Ooh, what’d you get Raph?” Mikey asks, practically bouncing in curiosity.

“Says, uh…I got something called the “Consul”?” He squints his eyes to read more, “Uh, “caring, social, and community-minded.””

“Sounds about right to me.” Leo nods. Can’t be more “community-minded” than being a hero.

“Yeah, no one’s more caring than you, Raphie!” Mikey says, moving to lean across Raph’s shell.

“You do put the community in mind, that’s for sure.” Donnie states, not looking up.

Raph chuckles, a bit embarrassed, “Aw, thanks. It’s just some test, but it feels kinda good to hear that.”

Just a test. Right.

Leo unlocks his screen.

The test stares back at him.

Right. Okay. He can do this. He can.

The screen ends up going dark again.

Frustration builds up in Leo. Was he even halfway done with the test? At this rate, soon even Donnie will-

“FINISHED.”

Leo unlocks his phone.

“What’d you get, DonTon?” Leo asks as his thumb taps the top right of the screen.

Donnie puffs up proudly, a self sure grin on his face, “I got the result “Logician” which states that I, obviously, am an “innovative inventor with a thirst for knowledge.” Truly could not have described me better, if I do say so myself.”

“It is pretty accurate.” Raph agrees with a nod, “Even calls you an inventor, so extra accurate.”

“Super accurate.” Mikey jumps in, eyes shining.

“Yes, yes, almost like reading my own character synopsis.” Donnie’s grin had not dwindled since the word “innovative” had left his mouth.

Leo just nods along, eyes on his own screen as he skims the words. “Yeah, kinda creepy how close it got. Could have called you a nerd for extra accuracy, though.”

Donnie turns to him, eyes narrowing, “Have you even finished your test? I can think of a few words that’d describe you fairly well.”

“Test-y, huh?”

Before Donnie can strangle Leo, Raph cuts in.

“Ok, ok, calm it down, guys.” He rolls his eyes before turning to Leo. “But really, you’re not done yet?”

“Leo’s taking this self reflection seriously.” Mikey sports a faux intellectual expression as he gives a jokingly serious nod. “Maybe we all should’ve taken our time.”

“Says the one who sped through the whole thing in a record time.” Donnie mutters.

Leo waves them all off, “Nah, I finished it ages ago.”

He grins when Donnie immediately shoots him a suspicious glare. “Oh, you did, did you? Then what could you have possibly gotten, Nardo?”

“I’m glad you asked!” Leo clears his throat, “Neon Leon just so happens to be an “Entertainer.””

“Ah. That confirms it. This test is meaningless.” Donnie drones.

“Hey-“

“What’s an Entertainer like?” Mikey asks with a tilt of his head, still hanging off of Raph’s shell.

“Glad you asked, Miguel!” Leo exclaims, “It says that “life is never boring” around yours truly~”

He emphasizes this “result” of his by waving his phone with said “result” on screen.

It’s just an image he found of his chosen personality result, but they don’t need to know that.

Raph nods slowly, “Well, I guess that’s true…”

“”Never boring” is one way to put it.” Donnie hums.

“You are pretty fun, Leo!” Mikey says emphatically, because he’s great like that.

“Thank you, thank you, life of the party, right here.” Leo grins, pointing both thumbs at himself.

He’s careful not to go too overboard with it, or else it might tip someone off.

Not that it…really matters. It’s just a test. Like Raph said.

As the topic around him shifts to something else, jumping away from this brief activity as fast as any other among them, Leo finds himself unlocking his phone and pulling up the test again.

Unanswered questions stare at him. He knows what answers Lou Jitsu would pick. He knows what answers Jupiter Jim would pick. Hell, he knows exactly what answers his brothers would pick.

He doesn’t know what answers Leonardo would pick.

Leo stares at the test for a second longer, before he exits the site and throws himself into the conversation happening around him.

It’s just a stupid test, nothing to worry about.

Just a test…

[edwinisms]

on my third rewatch and just got through ep 3 and man. the devlin house is such a strong fucking episode. like quality-wise. acting-wise. plot-wise. etc. that’s not to say the first two episodes weren’t strong, but the devlin house hits noticeably harder and hits different. like it’s the precise turning point episode where you realize oh. this show isn’t just gonna be campy with a dash of angst. we’re addressing some serious heavy ass trauma. and not just magical unreal trauma either like. just straight up abuse. and the boy who’s been unserious and silly this whole time isn’t just like that for shallow comic relief reasons. there is so much more there lurking under the surface. oh man it’s good

[juney-blues]

meat roxy is so funny because that whole thing is indicative of how homestuck is such a deeply transfem story that if you try picking a random character out of a hat to make transmasculine it's basically a coin flip as to whether you're overwriting a transfem narrative of some kind (and it's extra funny because the writers just so happened to roll Snake Eyes, Two Ones, critical failure, and did it to the character with perhaps the most blatant transfem coding of all time that just so happens to beautifully enhance her entire arc)

[hal-o-ween]

Sweet Dreams <3

[sysig]

For Requestober, Req.1

Scri dressed as an angel, Edgar dressed as a demon. It would be fun to see the roles swaped regarding costumes!

Day 3 - Angel and Devil('s Advocate)

[mohntilyet]

not to mention the entire antaam fleet like 😭 that was the PERFECT moment to show off what the lords could do!!! The antaam fucked over rivain, theyve been a thorn in the whole nations side for a long time now, they would not pass up a chance for payback via full scale naval warfare so that the veilguard can do what they need to!! Sure dreadnoughts are dangerous but at this point they probably have tricks up their sleeve, thats one of the few things they have!

also wouldn't it be personal because does solas not try to blow up kont-aar because he's trying to 5d chess tevinter and the qunari into destroying each other. like. i know technically this would not be incredible widespread news because the attack was stopped, but i don't think the wonderful citizens of kont-aar would have missed the tsunami that nearly hit them and the shockwave that actually hit them. rumors go around. and i assume irian/vadis tell varric. who i think would tell isabela. who would tell the group she leads. who would care because ofc, they LIVE IN RIVAIN, and now know that solas and his followers thinks they can trade rivaini lives* to further his plans.

*while i also think there's probably a divide between kont-aar and the rest of the nation, it's one that the rivaini love to jump across and back over. an interesting comparison to be made here with most of rivain having similar sentiments towards dairsmuid and the chantry. like this is the country specifically mentioned to have a lot of citizens who follow the qun/are non-andrastian + it being MUCH more multicultural and accepting than other nations. any attack on rivain, even if it's a qunari settlement, would fan a lot of flames that solas cannot put out so the idea of trying to him taking multiple steps back because he didn't realise how intensely the qun/rivaini/lords would react is very fun for me. it would have been soo interesting for rivain to be a hub for efforts against solas because of how it's not influenced by andrastianism, how he (or his agents) specifically fucked them over, and (maddeningly for solas) also part of this resistance has spirits who willingly guide them against him. this could have even been a plot device where the door goes both ways and solas finds out rook's plans because he manages to eavesdrop through a seer or something.

and on the spirits. all the stuff where the mourn watch regularly communicates with spirits could have been done with rivain as well, and with different takes on being 'friendly' with spirits. iirc there's a spirit in the hall of valor which is so interesting but it's literally just there for flavour text. THERE'S A SPIRIT IN THE HALL OF VALOR THAT DOES NOTHING BESIDES LIKE. SAY HI. ??? bioware i would have liked to see more spirits and seers and the matriarchal pantheists you have talked about please. and also the idea of the peaceful qunari settlement being pushed to protect the country they are part of and what that means for them as qunari vs. rivaini. taash's storyline could have contributed to this . so A LOT less about choosing a side, more about how kont-aar has developed, changed, how rivain has influenced it and what it means to be qunari. not the qunari agents and fighters that we have seen, but their 'civillian' way of life in kont-aar.

complete waste not seeing any of established lore reflected in the lords of fortune or rivain because i stupidly actually thought we were going to see some kind of settlement and be introduced to a very different cultural norms.. in my beautiful mind i like to think taash is a little taken aback by how badly mages/elves/etc are treated. like they understood it was different outside of rivain (they would have been young when the dairsmuid circle annulment happened right? so they don't 'remember' it themself, they likely heard others talking about it when they're old enough to understand) but until they actually saw what was happening first hand, they had a weird dissonance about it. but what we got was a deserted beach, ties to another faction (wardens are fine!! they are great !!!! the fourth blight is interesting!!!! yet they are not the faction with a lack of info about them!!!!!) and also the hall of valor that exists as flavor text with nothing meaningful behind it besides a pub used in a few cutscenes and a minigame.

[bitchthefuck1]

Who would you cast as Kaz? How about all the Crows?

You're going to be disappointed in this answer, but my preference would be to go with a cast of unknown/newer actors, which inherently means that I can't give you a cast list :/ idk I just feel like that would be the best choice for the story practically and thematically.

That being said, I honestly feel like the best way to adapt soc would be in animation. I know that would literally never happen, but in general when it comes to stories with very vibey worlds and magic systems I feel like animation is almost always the best way to go. It's really easy for the sets and costumes to look cheap or super generic in live action, and that's even more true for any effects for the magic system. Soc has such a unique flavor and atmosphere that even if an adaptation had, like, game of thones money and an insane powerhouse creative team, it's just really hard for me to see it getting done right in live action.

[marcmorrigan]

finally delivering on the princess tutu headshots i promised... love these dysfunctional teens ��💖💕

LOTS of notes about headcanons/design choices under the cut! like. a lot. dont say i didnt warn you

starting with my specialest guy fakir:

i had a suuuper clear vision for fakir, and i couldnt be happier with how he turned out, he looks exactly how i imagine him! trying to translate his Bird-Shaped Hair into my style gave me SERIOUS homestuck flashbacks. my affinity for knights with Problems knows no bounds...

adding the hyperpigmentation around his eyes and his acne scars is what really solidified this for me-- i put those in and was like oh!!! there you are!!! my boy!!! and you can tell because i gave him acne scars + thick eyebrows that he IS my boy... there are very clear trends among my headcanons for my faves lol. big noses, thick eyebrows, skin imperfections, heavy eyebags, long dark hair... and fakir truly has it all 😤 he is so Ideal Character Design to me

i think fakir is actually pretty self-conscious about his appearance tho! we see characters like pike and lilie say hes handsome to ahiru, but i dont know how often he actually hears that? and im sure its hard not to compare himself to mytho, who is straight out of a fairy tale; being a regular teenager dealing with regular teen body stuff is hard enough without your roommate being a magically beautiful eternally youthful storybook hero. i think he probably internalises more that people see him as scary and angry, and that the girls who do have crushes on him always frame it in contrast to mytho, who is Good and Kind and Handsome, implying (or sometimes outright stating!) that fakir is Bad and Mean and... Well...

fakir is very sensitive but quiet about it, so i think its a very private point of self-consciousness. i think he puts a lot of semi-secret effort into his appearance; canonically he has a lot of very funny and clearly customised clothing, and he chooses to keep his hair long and in a very particular style (i have a whole breakdown in my mind of how he achieves that style and it involves a surprising amount of pins and an unsurprising fuckton of teasing. i think his hair is a little fried from heat damage!), and i think that probably extends to other things, too, like manicuring his eyebrows and doing a lot of very Teenage Skincare that doesnt actually help his acne much lol. i think he probably has a lot of self-injurious habits and BFRBs like skin picking and chewing, mostly at his acne and around his nails (both of which he hates, because he knows he shouldnt but does it anyway). i think if he does it enough that theres noticeable evidence it feels, like, world-ending for him, ESPECIALLY if anyone asks what happened lol. do not perceive him except in the very specific ways and contexts he approves of THANKS

on to the narratives favorite princess, mytho:

again, i had a pretty clear idea of the vibe i wanted mytho to have going into this-- i want him to have, like, extreme prince charming vibes, very Classically Handsome without necessarily being 'conventional.' i thought a lot about 'the happy prince' story while i was working on this, and really wanted him to look like a cross between how the prince statue looks in my head and a porcelain doll. and also a cross between jonny brown and brigitte bardot? lots of very direct influences for him lol. so! lots of gold tones, gemmy eye color, cute little tooth gap, quivering wide-eyed thousand-yard-stare doe eyes and big ol dolly anime lashes, which were the very last thing i added because i was NERVOUS about pulling those off lol. they turned out cute tho! ive only done a handful of pieces for this series and i can already tell princess tutu is gonna make me up my lash drawing game considerably, these kids all look like they blink and cause a hurricane from the gale force wind of their falsies

also wait i lied the very last thing i did was add his freckles/beauty marks because he needed that little extra oomph and those were It. i think he probably has some on his hands/wrists too 💕

i was a little unsure if my idea for his hair would translate with this flat-color approach but im pretty happy with it! its supposed to be afrotextured hair (somewhere between 3b and 4c i think? wide range of potential i knowww but im still kind of hammering out my headcanons okay, this is exploratory lol) thats been rolled and finger-styled into his little feather shapes. i think loose, chunky twists would be another fun way to interpret his hair and twists are one of my fave styles to draw do i might draw him like that at some point too...

i guess fakir is the one who styles his hair for him before mytho gets his heart back? i imagine fakir is pretty meticulous about maintaining mythos health and appearance, even at the worst stages of their relationship. i think itd be hard for fakir to frame the way he treats mytho as For Mythos Sake if he wasnt doing some level of actually beneficial care for him, so being really fastidious about things like mythos diet and sleep hygiene and hair care and such gives fakir an outlet for his 'you just have to do what i tell you' thing that helps him convince himself it really is helping, no really, hes doing this for mythos benefit and he just has to be strict with him because mytho doesnt UNDERSTAND he needs PROTECTING and fakir is the ONLY ONE who can do it so mytho HAS to let him because if he doesnt then why does fakir even EXIST, if he cant manage this then what is he good for, and--

yknow. the usual complexes. and their relationship is so complex!!! but also so simple, but like. in a good way. fakirs behavior is complicated but his motivation regarding mytho is SO straightforward which makes that downward spiral into harm really easy to map out... i wont go much into that in this post since this is about visual/appearance-related headcanons but just. augh. i love this show and i love these characters!!! and i hope its apparent in my work that i do love them so <3

im hoping to do a set of these for the girls next!!! i have some other stuff to finish first but hopefully... Soon... Some Birds...

[nellasbookplanet]

Do I actually think Imogen is going to turn on the party? No. I don't think it’s any more likely to happen than I did Fjord releasing Uk’otoa, or Caleb returning to Trent and the Vollstruckers.

Given the nature of the game, any character turning fully dark is unlikely, seeing as it would take them away from the party for a time or potentially even turn them into an npc, replaced by a new pc. So far the only time we've gotten close to seeing something like it happen was Yasha siding with Obann, which could only happen specifically because Ashley was gone from the table for a long time (it was also the product of mind control, not an active choice to turn dark, and as such still doesn’t really count as a pc turning on the party in my eyes).

But the possibility is there. The seeds planted. Travis has talked about how, after he threw the falchion away, he briefly considered having Fjord leave the party and retun to the coast and Uk’otoa. Liam has mentioned that, early on, Caleb returning to work for Trent was a very real possibilty. It can happen, if the players and narrative are open to it.

And now, canonically, Imogen is desperately and understandably searching for a reason not to have to fight her own mother. She is, however briefly, questioning whether the Ruby Vanguard might have a just cause. Much as she hates it, she also feels the allure of the power Ruidus gives her. Her closest ally is someone who has repeatedly assured she will stand by her no matter what she chooses, even after she voiced the possibility of letting Predathos get out. None of these parts of Imogen are evil, and all of them are understandable and deeply rooted in pain and ostracization, but they could very easily be turned into justification, were she pushed enough.

The seeds are planted. Again, I don’t think it will happen (she seems firmly against the evil plan when reminded of how evil it is), but there’s certainly nothing strange or hateful about engaging with and being interested in the darker possibilities as presented in canon. It isn't character hate to acknowledge that Imogen has the potential to go dark, much as Fjord and Caleb and Yasha. To me, it’s what makes her character interesting. I want to see her clash with the party, whether because she’s desperate to save her own mother or because she’s high off the power of Ruidus and lured in. I want to see Laudna have to choose between the world and her promise to stand by Imogen no matter what. I want to see the fallout, the slow healing and redemption and coming to terms with bad choices. I eat that shit up, and if it doesn’t happen in canon I'll probably go read some fic about it to get my fix.

[triglycercule]

dust and horror angel and demon themes,,,, they could totally parallel each other...... :3

dust=angel of death described in the delta rune prophecy (self declared) (i DEFINITELY elaborated on this one waayyyy before but anyways dust with a fucked up savior complex SAVE ME SAVE ME.... death is a blessing ass guy. life is torment and he will be the one to liberate monsters from their bodies and with the strength they provide to him be able to take down evil evil creation of pure misery that is the human ✨✨✨ dont worry his evil cackles are to HIDE HIS PAIN of saving everyone....... trust)

horror=demon that dragged everyone in horrortale into hell (as perceived by everyone else) (i think it would be a cool hc if everyone outside of snowdin viewed horror as literally a demon. maybe undyne preaches that. anyone outside of snowdin might be WAYYY worse because they starve for longer and literally take part in cannibalism so they might not have the same sort of mild sanity that snowdin residents do,,,, besides he DID kinda bring them all eternal suffering. kinda. nobody but undyne knows what happened at the core so she could totally just paint the story to blame horror fully)

ANYWAYS i like the possible dynamics this could have :333

dust to horror (please let me kill you PLEASE let me kill you i can end it all so peacefully wouldn't it be nice??? i promise ill make it quick just for you),,, horror to dust (i want you to live and suffer with what youve done i want you to watch all of your choices hit you one day and i'll be there and laugh at you. i'll keep you alive just to keep you suffering ok?)

OR dust to horror (you dont deserve to die you dont deserve to even be hurt by me. not because youre the exception but youre the Exception i absolutely loathe you so youll never get the sweet release of death :3) and horror to dust (just let me die already i dont wanna be here. youre supposed to be a savior right??? an angel?? then why don't you save me already when i need it more than anyone else)

[fallloverfic]

I've seen some very odd takes about certain language used in the scene where Mizrak rebukes Olrox at the end of Castlevania: Nocturne, which I think might be due to lack of knowledge about the historical context of certain things.

CW: historical racism against First Nation groups

I know reading academic articles isn't for everyone, but I have to wonder if a lot of people in the Castlevania: Nocturne fandom have not watched things like, say, Disney's 1995 animated Pocahontas, which, for all its many, many flaws, features the song, Savages. I'm not going to quote it in full here, you can find the song lyrics elsewhere (though the European colonizers do use the lines "vermin" and "barely even human", among other epithets). It's not a great song for a lot of reasons (among them being it tries to "both sides" things). But to look at the scene in CN where Mizrak, a Christian working in a European Christian church with at least some Europeans, calls Olrox, a First Nation man, an animal without the understanding of how Christian European colonizers (typically as part of or at least backed by some Christian churches) have viewed First Nation peoples and treated them, and certain epithets used for them, and how European Christian dehumanization of "new world" groups and non-Christians generally worked/works?

Well.

[skrunksthatwunk]

idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.

the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.

yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.

but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?

this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.

yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.

i think yusuke is gifting each of his friends an honorable warrior's death.

so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.

because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.

he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.

but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.

yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.

[beneaththebloodylake]

my take on the localised names thing is that eustace winner is actually a better name, it clearly shows his obsession with being the best while also showing hes a loser, and the name that should be getting hate but doesnt because its established since the first game is miles edgeworth. its completely random and the only part they managed to keep was 'edge' as in swords have edges which is a bit pathetic when you think about it