#well I have no real reason

[captain-orphic-al]

I swear your honor. I was just minding my business, then I blacked out only to come back to my senses to find two tall skeletons surrounding the player. I had no part in it

[ohitslen]

Average university experience

[linkemaus]

Not to be that person, but if Kamala Harris were a white man with the exact same ideals, positions, and beliefs, it wouldn’t have even been a competition. Realising that the worst thing you can apparently be is a woman, is truly devastating.

[swordmaid]

they saw u from across the room and they really liked ur vibe (they’re gonna rob you later)

[halorvic]

"Do not let anyone convince you that you need to get sick to be healthy."

[fruityumbrella]

one piece is set in a nautical world with presumably nautical idioms and exclamations to match, right, like swearing by the sea rather than on a god etc. to wit, there's five seas (the four blues + the grand line) so we can assume when you're feeling particularly dramatic, you might refer to all those vast oceans to get your hyperbolic point across.

keeping that in mind, lets live in a stupidly romantic corny ass world for a moment ok? take my hand.

"I swear on all six seas, if you don't shut the fuck up right now—"

"What?" Sanji looks at him like he's stupid. Nothing new, really.

"Ha, even you're going deaf having to listen to your own annoying ass whining all the time, Cook. I was—"

"No, you—"

"Don't interrupt me! Oi!" he yelps as a wooden spoon bounces harmlessly off his shoulder. He's not impressed that Sanji manages to catch it before it hits the counter.

"You said six seas," Sanji states.

Zoro stares back in lieu of an answer.

"Huh, maybe this has something to do with why you're always lost. There's only five seas, dummy."

And ah, now he gets what the idiot cook is on about. He's surprised and a little disappointed, honestly. You'd think the guy would be a little more aware about his own fucking dream, but whatever. He's got that annoying smile, smug and cocky like he's oh so much better than Zoro.

"Would you like me to count them out for you? I know it's a big number, it's probably confusing for a simple creature like you."

Zoro crosses his arms in clear warning, something the cook, as always, blatantly ignores. He's leaning on the counter that's between them now, eyes sparkling with glee. Idiot. Zoro's thoughts do not have a fond tone to them. Thoughts don't have tones at all, thank you very much.

Sanji lifts a hand and proceeds to count off on his fingers with the precision of a drill sergeant.

"I'm sure you at least know our ocean, the East Blue. There's also the West Blue, North Blue, South Blue, and of course the Grand Line," he wiggles all his fingers as he puts his thumb up for the last one like he's emulating fireworks.

Zoro snorts indelicately. "And?"

Sanji frowns with a tilt of his head.

"And?"

Zoro holds up his index finger.

"And," he says, stifling his amusement as Sanji goes cross eyed trying to follow said finger as it arcs towards him, "your All Blue. Dummy."

He punctuates the last word by poking Sanji in the forehead, snickering when he sputters and swats the digit away in a huff. Then Zoro's words finally sink in, and he straightens up almost too fast. It's not endearing at all.

"Wait," he says quietly, "you count it?"

Zoro doesn't like how Sanji's looking at him with an open expression he's not usually allowed. He looks earnest and sincere. Zoro feels suddenly out of his depth.

"Don't you?" he deflects uncomfortably.

"Well yeah, but that's different. You're—" he shrugs half heartedly and looks away. Zoro can't tell if the end of that sentence was going to disparage him or the cook. Odds are likely split down the middle. Sanji keeps looking at him, and he feels pinned. The bright look is gone, replaced by something more reserved but perhaps...searching? Considering, at the least. It's making him increasingly self conscious. He needs to get out of here.

"Okay. I'm gonna steal some alcohol now," he says shortly, striding to the cabinet and swiping a bottle before Sanji blinks out of his stupor.

[padmestrilogy]

^ rare clip of a youtuber talking about the acolyte worth unmuting

[francy-sketches]

rhaenyra could say 'I wish I was a man with dick and balls' and hotd twitter would still be like 'umm she just means she wants freedom and respect but otherwise she is a FEMININE WOMAN stop making her into a man you weirdos'

[what-an-art-blog-huh]

All cats are fueled by autism in their own unique way

[schrodingers-hoarding-problem]

i'll never not be obsessed with feng xin rolling his eyes or mu qing using more swears like YES be changed by the love you share and incorporate the other's habits into your life until its unclear where one person stops and the other begins

[dollypopup]

one day fans will realize that treating real people like fictional characters and fictional characters like real people is, at the core of things, The Problem

[shokupanko]

╰(✿˙ᗜ˙)੭━☆ﾟ.*･｡ﾟSteampunk bunny Mayu for Mayu Monday!

[daily-hanamura]

[naranjapetrificada]

Just a small thing I noticed while being totally normal about the gay pirates:

I've watched The Kiss™ way too many times a normal number of times and my favorite moment is the series of microexpressions Rhys cycles through while Stede is reacting to "what makes Ed happy is...you" because it's just so lovely and masterfully done. While trying to find a good gif of just that moment (no luck so far!) I noticed something that happens while Ed is pulling Stede in.

Stede, darling honey light of my life, clueless useless "oblivious" gay that he is, tilts his head a bit and leans into the kiss too. Before it's even started. On some level he registers that This Is Happening in time to react in a positive way, even before their lips have touched.

Our boy is a creature of instinct, and when he acts on his emotional instincts without thinking too much he knocks so much shit out of the park. Instinct is part of why "you wear fine things well" hits as hard as it does. Instinct is how he can woo Ed as easily as he does. Instinct is how they were able connect so deeply so quickly, because his instinct is to be open and non-judgemental to this beautiful man waiting beside his sickbed and asking about fine fabrics.

Stede's thoughts are still too clouded by his trauma and self-loathing to be useful for him, and he can end up thinking too much about what he "should" do or what other people do. Thinking is part of the reason he's so quick to believe Chauncey in the woods. Thinking means succumbing to beliefs about his perceived worthlessness, which leads to his biggest mistakes. Thinking tells him to adjust what he says about Blackbeard in that tavern of townies, when his instinct was to say how "absolutely lovely" Ed is.

Obviously man cannot live by instinct alone, like he definitely should have thought for a minute about making a deal with Geraldo to fence the hostage. Stede needs to learn to balance the two and when to listen to either/both of them. But I was just so excited to see him leaning in the way he does because it underlines a feeling I've had for a minute, which is that Stede's instincts are those of someone crushing and then falling in love, and that never wavers.

He lacks the context and vocabulary to identify what's going on without outside intervention, but he also deeply gets it in a way that's extremely queer and that I hope starts showing up more in the fanon. I do a little happy dance every time I see this in people's fics and I just need so many more of them! Give me more eager Stede who is Ready To Go once he's given the right context for his feelings about Ed!

[mishy-mashy]

3 reasons I can think of, for why the first Three vestiges were too hard to find information on

[Reason 1]

The time they were born in.

Their births, and any records of them, could just be completely undocumented or non-existent.

They were born in times where systems and governments were down, and it's everyone for themselves.

People aren't going to register their existence, especially the Metas, when they all want to stay under the radar and hide from everyone else.

If you're in the middle of a war zone that spread to where you live, and your baby brother was just born, are you really going to go [Oh no! I have to register his birth for that sweet sweet child tax!]?

Or something like that. But still.

There are more important things, like survival, than registering a baby's birth and going through hospital paperwork. And it's been explicitly stated that the first appearance of Abilities caused a Great Depression all over Japan.

The government is gone. There's no point in registering anything anymore.

Yoichi was literally born at a riverside, and never went to a hospital. By the time the first Three are toddlers / young children, Japan is already chaos and up in flames.

Children are actively avoided because they're the most likely to be Meta Humans. No one wants anything to do with them.

Chances are, the records about the first Three never existed, or were destroyed in all the strife.

Or maybe, if some did exist, Kudo destroyed them. I can see him doing that, to protect themselves from AFO or anyone else having the chance to track their personal histories down.

It makes them ghosts. Exactly what would be best for not only their own survival, but anyone affiliated with them. Like family. It makes them untraceable, and invisible to bodies of old authority.

[Reason 2]

The three were a part of the Resistance. They could've kept information about themselves under lock and key, to protect themselves.

Like how Kudo is referred to as Leader, and never by his real name. Even in the void, up to the very end, Bruce still says "Leader" to address him.

I actually HC them as using codenames in the Resistance, exactly to protect themselves from each other, and outsiders. This makes Yoichi an anomaly among them, for going by his real name. Meanwhile,

Leader, Boss = their leader

Bruce = a reference to his Quirk

Codenames about their Meta Abilities, or roles in their cause, to better remember whose nickname belonged to who.

Outsiders won't know the Resistance members' real names. The Resistance can't betray each other by selling each other out for personal information as easily, if no one knows each other's actual names.

At the same time, this alienates them from who they are, and their humanity. They have to make tough choices that would classify them as monsters. And they're locking themselves under a false name.

They're protecting themselves from everything and everyone, including themselves. At least the person committing all these atrocities is [CODENAME], not me.

[Reason 3]

Bruce, when he was supposed to pass previous information to Shinomori, couldn't.

Maybe he didn't have enough time to tell Shinomori the whole story.

Or maybe he did, and passed on the previous holders' histories, but Shinomori didn't pass those on himself.

Or maybe reminiscing Yoichi and Leader as actual people just broke him, and he could only stick to the bare minimum of the history of this Factor.

Notably, the OFA story is known as "All For One's younger brother was sickly and frail, but he had a strong sense of justice."

We never, ever hear Yoichi's name in the spoken history of OFA. All Might couldn't even get their names. And since AFO hides himself so easily, and birth records just don't exist for him as an undocumented birth, Yoichi legally doesn't exist even as a birth.

Bruce is the first one to find the existence of Yoichi's "unformed dud". The Factor that let him pass on his current Quirk to others. How could the information of that dud be passed on, if not from Bruce?

Somewhere, the information breaks during Bruce or Shinomori's turn with OFA.

Bruce never passed on their names. Or maybe Shinomori didn't. But their names weren't necessary to pass on anymore. All Might only managed to dredge what he could, starting from the time society started trying to stand on its feet. Exactly because that's as far as the records went.

[Reason 2] could add credence to why the first Three's names were never passed on. Bruce could've kept quiet about Yoichi and Leader's personal details, not just to help himself stay together, but to protect anything they might've left behind.

[uniiiquehecrt]

Voice actors are NOT the same as actors.

It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.

Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.

The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.

This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.

Actors are not the same as voice actors.

And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.

I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.

People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.

Voice Actors ≠ Actors.