#weird girl chronicles

[infantandinnocent]

“i don’t really know what kinda girl i am.”

[firadessa]

Please acknowledge Bleakwatch Chronicles, Tinker Bell and the Lost City. I understand that BW chronicles may not have as much fans and are turned off by the art style. Also the author never posted (Zack Loran Clark) much promo for the book unlike Allison, nor mentioned anything about DF on his IG page. It is intended for a younger audience. However, I am much more excited for this book as it pertains to the movie universe. So please, just clap if you believe if you will.

As this is the first book to come out since 2017 that is labeled as "Disney Fairies" and the second spinoff- like this is important. You don't have to buy the book or give it the free promotion, but acknowledge the existence of it at least. WoS is not labeled as DF, if it matters.

Here are some of the reasons why I am more excited for Bleakwatch Chronicles than I am for Wings of Starlight by Allison Saft (Clarion x Milori YA Novel):

It's a post canon story implied to take reference to the cancelled Tinker Academy movie where TB goes to study at the Tinker Academy on the mainland. The art seems like they took references especially when directly compared to the concept art. WoS is a backstory.

It releases first, BWC releases in November 2024 and WoS releases in Feb.

It seems like more of original concept to me, literally because of the new concepts like the Flutterpunks and the implied secret cities of the Bleakwatch and Clockwork Capital.

New characters like Quin and Ozwald will be joining TB on this journey.

It expands on a old concept, and tweaks it in a way that makes more sense. IMO, an idea like a Tinker Academy seems to hold less weight because before the events of Tinker Bell fairies couldn't go to the mainland to spread nature, and it's implied they always stay. It is also implied in GFR that Tinker fairies don't typically go to the mainland even if TB's inventions help them in the intensive summer season (the song implies that's why she's there- it's implied in the first movie she goes there whenever she has a job) Vidia is dismayed by this and says "this is why Tinker fairies don't go to the mainland" whilst TB is checking out the car. In a deleted storyboard for Tinker Academy it is implied that it is a prestigious academy that FM gets into before the events of Tinker Bell, yet to me the idea of underground London tinkers makes more sense to me than the academy. Think about it, it's implied that TB and FM are some of the most brilliant Tinkers in pixie hollow and yet the Tinker population is small. (only Clank and Bobble greet her and we see no one in green outfits) Why do you think that is? I personally like the idea of rogue Tinkers who would scavenge on the mainland for parts and self-exile themselves from Pixie Hollow. It explains why FM calls the lost things junk, if the difference in mindset between the mainland tinkers and the pixie hollow tinkers was that the mainland Tinkers are considered "scraps" (get it) while the PH tinkers are considered more put together and community driven. It makes sense that TB being a brilliant Tinker that outshines even Vidia gets such an audience if brilliant Tinkers do not normally last in PH because they are seen as too curious and ambitious, opting to start their own community of outcast Tinkers in the mainland. Vidia's talent switch in The Pirate Fairy also implies that Tinkers have the gift of thought, and literally think differently (regardless of personality) then their non-tinker peers because it's their talent. There is much potential for this storyline as it adds more nuance to the Tinker Bell movie and the dynamic between the nature and non nature talents, something I think it would benefit from. It makes a lot of sense if the edgier steampunk designs came from a secret Tinker counterculture and not a secret academy imo.

The implication of this book suggest revitalizing the Disney Fairies franchise, possibly not just as a "brand". Not sure what that could mean but it's interesting

IMO, Wings of Starlight has more of a "booktok" vibe I'm getting from it. I'm not just saying that because it's YA, but given the (beautiful) cover design it feels more targeted for what Disney thinks grown fans of Disney Fairies might like based on whatever market research was done (and you know it was). WoS has been receiving better marketing and there are people out here that don't even know two books exist. I'm not saying the book looks lazy, slapped together, or unoriginal- or it will just be corporate and bland, I mean I'm a Disney Fairies fan I don't believe that everything is corporate greed lol and like to see creativity in the "unexpected". But I hope that future Disney Fairies books won't just be going for what is "trendy" to reel people in and instead invest in creative storytelling *in general*, in other words I hope they keep concepts and genres broad and inclusive enough so we have the potential for more creative stories. Not just expanded stories on specific characters and stories like the Twisted Tales series, or sticking to specific genres for this specific niche audience in a way that feels too specific. I feel like there has to be some sort of balance struck, or DF may be a little stuck for a while and may still have "missed potential".

On expanded stories, like I said, Disney has done a lot of that and there is an audience for that. However, I prefer the idea of post canon more than a backstory or expansion. From what I know, we know some details of the Milarion backstory and it will be adding more layers and expanding on the dynamics of the existing characters, where the new book seems to be more lore driven in focus.

I don't like Secret of the Wings that much in terms of lore as a lore fanatic. I feel like this book could also retcon other things when possibly trying to explain things that make sense in SOTW. If BWC is good, I can imagine myself thinking about it more after it releases but I can just imagine myself thinking more of how I felt and my emotional reaction after WoS with fading interest afterward, it just sort of feels like the book could resonate with me more y'know? and I got a pretty good gut feeling for that sort of thing.

Underdog bias, just acknowledge it's existence. Do that with the NG graphic novels from 2022, heck the whole Never Girls series. Do that with the whole DF franchise if you are new here somehow. That's it, that's the post.

The mystery. What is the mysterious pocketwatch and who's on the cover?

Copy and pasted plot summary- Tinker Bell loves nothing more than solving a problem. For her, red buttons demand to be pushed, treasure maps need to be followed, and lost things ought to be found. So when a strange fairy crash lands in Pixie Hollow and leaves Tinker Bell two clues to find a mysterious necklace on the Mainland, she really doesn’t have a choice but to help. However, her journey takes an unexpected turn when she discovers a hidden city of fairies living below the streets of London.

In this city called Bleakwatch, she’ll meet the Flutterpunks, the most infamous band of trinket scavengers around. Helping her may just give them their biggest score yet. But when the Flutterpunks’ plan goes haywire, they’ll be forced to choose between a big payday or saving their new friend.

When their adventure takes them inside the glittering Clockwork Capital, Tinker Bell and the Flutterpunks will uncover a villainous secret that threatens all the fairies in Bleakwatch. It turns out there’s more at stake than just finding a missing necklace, and it’ll be up to Tinker Bell to set things right. Luckily, that’s what tinker fairies do best!

[sillyfudgemonkeys]

Aang: Sooooo, who are you again? Kuruk: I'm Avatar Kuruk, the Water Avatar that came after Yangchen and before Kyoshi. Aang: Mmmm hmmm. And what did you do? Kuruk, sweating: Uhhhhhh not a lot. Aang: Really? What was your biggest accomplishment then? Kuruk: Being the baby girl who was lucky to be born between two big boss mommies? Kyoshi: Don't ever call me that again. Or I swear to Raava, you will wish Father Glowworm finished you off. Yangchen: Kuruk, that better not be sexually charged at us. Kuruk: Of course not big boss air mommy. I mean it only in the most respectful way. u_u Yangchen: Fiiiiiiiiiiine, carry on. Kyoshi: No I don't "carry on!" I don't fucking care if it is or isn't suppose to be taken like that, or how true it is, don't fucking call me that again!

[ladyblueberrymuffin]

Thinking how many of my OTPs have the woman literally rip the man out of his eternal slumber.

Of course there's my latest obsession, Lisa and the Creature, the fact that he came back to life just because she was lonely, and she stayed with him when he was dead, and talked to him. How she is ready to die, trusting that he will bring her back. How it makes her become like him, makes them the same.

Then you have Piper, not accepting Jason's death, using her magical voice, her power that would normally be used to lead people astray, to guide him back home, to beg him "Please, come back to me", and he FUCKING OBLIGES, because her love for him is just that strong.

And of course, Lena, my beautiful Lena. With Lisa and Piper it was total accidents, Lena intentionally cracked open the fucking Necronomicon and conducted dark magic on Ethan, which resulted with her Uncle's life being taken to bring him back. It eventually lead to her BREAKING REALITY. Lena's decisions have such dire consequences, and the thing is so fucking what, the forces that rule her world are so cruel, so fucking unfair, that the literal goddess who created it wanted her to break it so she can make it better.

Then Ethan has to die AGAIN, to rebound the New Order they've created, and she doesn't accept that either! Neither of them do! It was a test, they passed, and now the goddess, the Demon Queen, is just sitting back, and watching these crazy kids, one of which is alive, another in the fucking afterlife, working together, coordinating, despite the fact they can't directly talk, and plotting their little crime against the laws of nature AGAIN, so he can come back, and they do do that!

Death is temporary. I'll love you forever

Listen to me. You can do this. Come back. You’re going to be fine.

I’m here. Don’t go. I’m not going anywhere. And neither are you...

[scouting4love]

My predictions for ice and snow....

and no. I Do Not accept criticism.. unless it's funny

[soupiero]

1 2 3 … “laurie seemed to be proud to be the weirdest person alive” —

[brightwoods]

Does anyone else feel like almost all of the conflicts that had to do with the various character dynamics in Chain of Thorns didn’t actually get resolved, they just unexplainably ceased to exist after two books of building them up because CC didn’t feel like writing them anymore and she didn’t know how to resolve it naturally after how she’d built the issues up so much?

Like how none of the characters but Cordelia and Thomas had any clue about the Alastair and Charles situation and then suddenly in CoT it was like who doesn’t know? Of course Matthew knew and didn’t say anything before and then randomly brought it up to Cordelia in Paris while assuming she knew too

Or how Alastair and Thomas went from how things were at the end of CoI with Alastair thinking it could never work because Thomas’s friends hate him to oh look everyone suddenly is friends with Alastair with no grudge with no development of that in this book at all, just an abrupt shift

Especially the Alastair and Matthew dynamic where Matthew hated Alastair and wanted him to have nothing to do with any of their friends and he spent CoI ranting about him to Cordelia. And then suddenly in CoT it’s like of course Matthew is supportive of Thomas and Alastair and oh look Matthew and Alastair are suddenly not just tolerating each other for Thomas’s sake but friends despite barely interacting and no development actually showing and never getting any mention of the other in their own POVs, just having Cordelia be like Alastair stop being dumb, you’re literally friends with him now

Or like everyone other than Christopher and Grace where it was like oh we don’t like her for how she’s treated us and her friends straight to anyway she’s one of us. Like yes Grace was useful and yes Tatiana manipulated her whole life, but none of that was why anyone changed their minds or opinions? It was just suddenly the flip of a switch when it was convenient for CC

Or Anna and Ariadne where it didn’t so much develop as Anna just acted mean to Ariadne on and off throughout the series and at the end of CoI she wanted nothing to do with a relationship and then in CoT she was just suddenly like sure I guess I do. Also, slightly different note, but I did not like that Anna barely interacted with anyone else for the entire book and she was just off in the corner being an irrelevant romantic subplot for almost all of the book except when she showed up to barely even be shown in the background being sad about her brother being dead

(Although Anna still got more of a reaction than everyone else and his death was poorly executed all around in the sense of how did you write this so predictably and poorly that no one even knows when he died and it’s so background and 99% of the characters don’t care at all and we don’t see his parents finding out or much of Thomas’s reaction or anything and it’s just as if he wasn’t a character anymore 2 seconds later which is a different genre of issue with CoT but similar problem in the sense that both issues made the book feel a lot more emotionless to read)

And how the issues of Thomas and Alastair being together as two men and Anna and Ariadne being together as two women in this time and the issues of what would happen if the fact that Charles and Alastair were gay got out to the entire Clave just disappeared and never got addressed at all. We know how the ClVe reacted to Alec Lightwood YEARS later. We know society was homophobic at the time TLH is set and that it seems like shadowhunter society was a lot less open-minded than mundanes a century later

I understand that Charles being blackmailed and making shitty decisions was annoying but it was like suddenly everyone finding out wouldn’t have consequences and all the other queer men characters were like how could you possibly be worried about this :/ as if they haven’t spent the whole series knowing they have to be careful about who they tell. And then suddenly it was just of course it’s totally fine and safe to have everyone find out and why wouldn’t you be fine with that. And it was really written in a way that had other queer characters like oh Charles is such a coward for not being ready to publicly tell a bunch of homophobic people his sexuality and it just wasn’t it??? And super weird after Thomas was terrified of telling even Anna and Matthew for years. And also, I did not care for the fact that when Charles did go risk getting outed to finally do the right thing, we didn’t even get to see it through any character’s perspective or how that important meeting went, we just got one line of dialogue from somebody else saying that it happened with no details at all. And I can’t think of other examples right now but there were quite a few moments like that where we got one line saying that something had happened that was important to the plot and to characters’ development that seemed like it would have been more interesting than some of what we did get to see where it was just totally breezed over and way too easy and totally background to less important stuff

And then there was the whole no one reacting to Ariadne and Anna dancing together publicly thing was like yeah that’s nice I guess but not realistic and it doesn’t go with the way things have been presented up to that point, it also just feels like a situation where CC was like well this would be easier for me so there just won’t be consequences and then they can easily end up happily together

And then there was the whole Thomas and Alastair thinking they couldn’t realistically be together thing and knowing they couldn’t get married or be known to be together by anyone they’re not close to and then at the end it’s still not really addressed how they’re going to be together? Like there was the laziest write off of the family tree being wrong and then we still are just left to assume that eventually they move in together and suddenly it’s not a problem and everyone’s fine with it? And then I also feel like we don’t actually know if everyone found out about Alastair and Charles’ sexualities after the blackmail or if people are going to assume about Thomas and Alastair or if that’ll cause issues or if no one knows outside of who they’ve told and they have to be careful or what. Which like wouldn’t necessarily need to be addressed if it wasn’t for the logistics of being together as two men in that time being part of the obstacle that they were struggling with being in their way and then it felt like it was totally forgotten to even be one at the end by CC

Idk like I’d love to think they just lived in a world where homophobia didn’t exist but it felt like homophobia was a plot point when CC wanted it to be an inconvenience and then suddenly disappeared just to make her writing easier the moment she didn’t want it there anymore instead of actually addressing the plots she raised with it if that makes sense?

And sorry, I really did not mean to go on a rant this long. And maybe everyone else had a very different reading experience than I did and other people don’t agree with some or all of this. I personally am just very confused about how the book was almost 800 pages long and it felt like so much of the development in it was us abruptly being told that development had happened rather than actually getting to see it and how so many of the issues were abruptly solved in an I don’t want to write this issue anymore kind of way rather than anything actually needing to be worked at outside of the Belial situation

Edit: You know what, I mentioned it in my tags but I feel like it’s annoying enough to put in the body of the post and make it even longer. What the fuck was with everyone outing or potentially outing everyone else just so that characters could openly talk about the queer characters and tell them to do what they want them to? Why did Matthew out his brother multiple times? Like yes, the people he said it to coincidentally already knew, but he didn’t know that. And why was Thomas outing Alastair? The straights got to keep their secrets as long as they wanted and fix their problems more naturally. Why did I have to sit through queer characters constantly having their sexualities and romantic histories to everyone else when they clearly had not okayed it? Why were the queer characters doing so much of the outing? Why were people who cared about them and knew what it felt like to be afraid of the wrong person finding out just broadcasting their sexualities to make it easier for CC to breeze past development to have their things get resolved fast? Why did no character have an issue with it at all?

[lalizah]

so after Book 3, I really really wanted to draw Liz, so here's another M-mancing clown!

[ragnars-tooth]

Heyyyy girl, are you the consequences of the industrial revolution and an uncaring society? Cus you're making my world really warm rn *winks badly with both eyes*

This is also my chance to inflict you all with my correct opinions headcanon that zanna's a redhead

And one more that didn't fit the colour scheme </3

[infantandinnocent]

apples and oranges

[barnbridges]

when anne decided pandora and marius should actually be narrators... it''s like she added boomers to a kindergarten class..... its so tonally hilarious i wish i could describe to anyone

[a-concert-just-for-me]

Living in the us south is so annoyinggg bro people will be teasing/making comments about you and you never know if they’re laughing with you or at you

[deus-and-the-machina]

ngl one of my least favorite theories around 3 is stuff about random characters being related to other past ones. Like. ok in future redeemed it warrants some discussion but stuff like “cammuravi is pyras kid” or “ashera is dunbans”. idk I know its anime and they usually use hair and eye color to denote relation but. more than one fire blade exists sobs. Who would Dunban even have kids with.

Like I personally don’t mind the cast of future redeemed being so interconnected and related bc first off its kind of funny. they’re a big family road trip. and second there’s clearly a sadness behind it bc rex and shulk probably dont want to tell these versions of their kids who they believe dont have long left that “hey you have a family but you’ll barely get to enjoy it”. Like Nia in the base game, they have to put aside their feelings as parents while also giving their kids support when they can.

Also it’s a dlc and not a main story game so it being a lot of legacy characters also doesn’t bother me as much. Like when all but one of 3′s main party followed the Xenoblade trend of being “just some guys” overall (yes Noah had a reincarnation thing but Noah/N in general doesn’t have a bloodline connection he seems to just have been a kid from the Bionis) the fact that they went a bit ham on the fanservice here feels a bit more deserved, if that makes sense.

That being said I do generally dislike the idea important characters have to always be related to just some other important character. It’s boring and makes the world feel smaller and I heavily dislike implications that to be important you need to be related to someone important. just leaves a bad taste in my mouth.

[quemirabobo]

I had to study so of course I started to procrastinate and looked a little more information on the international scholarship I intended to apply, and I realize that I don't qualify and now I'm fucking sad

[weirdgirlblogging]

it doesn’t matter how much I cool off, your burning sensation will alway stay under my skin

[ramshacklefey]

It's amazing to me just how good the Mormon church has been at hiding just how bad they really are from public view. Even the shit that gets spread around is the relatively harmless bullshit. They had a crazy prophet with magic glasses. They believe in god-mandated polygyny. They think everyone who is good enough will get their very own planet after the world ends. They wear magic underpants. Mormon men are all paladins.

Here's one of the ones you hear less often:

See, like many other Christian sects, the Mormons really do believe that the existence of Christ obviates the existence of Judaism. Judaism was just a placeholder until the "real" church could be established by Jesus.

And the Mormons in particular believe, dead ass, that the entire inheritance of Israel has been given to them, because the Jews failed to recognize the Messiah when he was on Earth. They really do. They have this whole system where people are given a "divine revelation" about which of the Tribes of Israel they're a member of (don't worry, they decided that most people belong to the two tribes that are willing to "adopt" people. Only the most specialest boys and girls are members of the original ten).

Let's sum up so far. The Mormons believe that they are the people of Israel, chosen and protected by God. If Jews want to get back in on that party, they can always repent and convert to Mormonism, the one true church to which God gave all the rights and blessings that were originally bestowed on Abraham's house.

But it doesn't stop there!

The Mormons also believe, in all seriousness, that all Indigenous peoples of the Americas are descended from a small group of Jewish people who left just before the fall of Jerusalem (~600 bc iirc). Their entire weird-ass extra bible is a chronicle of those people's history in [unspecific part of America]. At the very beginning of the book, two brothers in the original family turn away from god, so they and all their descendants are cursed with dark skin, so that the good Nephites (who remain "white and delightsome") will always be able to tell themselves apart from the wicked Lamanites.

So, you've got supposedly Jewish people running around the Americas. And the "good" ones are white, and the "bad" ones are brown. Then, ofc, Jesus comes to visit them (I guess supposedly that's part of what he was doing during his dirt nap? Or possibly after he left again, it's not clear), and they all convert to Christianity, which they think is clearly the natural evolution of Judaism. Well, at the end of the book, all of them become wicked, in a kind of weird pseudo-apocalyptic series of events. They are all cursed with dark skin, until such time as they repent for their ancestors sins and return to the gospel.

But of course, Mormons being the good and kind people they are, they want everyone to receive the blessings of God and be brought into the houses of Israel etc etc. And it isn't the fault of those poor little Indigenous children that their distant ancestors turned away from God and became wicked.

So what's the natural answer? Well, Mormons are real big on missionary work, as we all know. But apparently that wasn't enough in this case.

Because the Mormon church has been one of the big players in abducting as many Indigenous children as possible, in order to indoctrinate them into being good Mormons, so that they can turn white again and be blessed. My mother remembers hearing talks about this in the 70s and 80s. The church literally had a "Lamanite Adoption Program," where families in the church were encouraged to get as many Indigenous children as possible away from their families and not let them be reunited until they were fully assimilated and ready to go back and proselytize about how wonderful the church is.

The church leadership literally talked about how wonderful it was to see these children becoming whiter. Actually whiter. Like, saying that when they finally saw them with their families again, it was beautiful how much paler they were.

I'm pretty sure this program has been officially ended, but it doesn't take a genius to speculate about who might be behind the curtains on the movement in the western US to gut the ICWA....

So yeah. Next time someone tries to tell you that the Mormons are just harmless weirdos, please remember that they're an antisemitic cult that advocates for the forced assimilation of Indigenous children to help them escape the cursed brown skin of their ancestors.