#wednesday spotlight

[ask-diane]

Wednesday Spotlight!

Hello and I hope yall are Happy Wenesday! And let's get started 🌟

So for this week, the randomly generated category is 🥁 Community Caretaker!

This week's winner is someone who always is there for the community, and who always manages to make people's lives a little better.❤

So will you all give a round of applause for our three way victors, the mod of @askdeoxys, @asksavel's mod Skins, and mod H of @askpokecallcenter!

Congrats to all of you Wenesday Spotlight winners, and have a Happy rest of y'alls Wenesday!! <3

[hayatheauthor]

Creating Fear in Your Characters: A Writers Guide

Creating authentic emotions is vital for immersive storytelling, which is why I decided to make this series on how to write different emotions. After exploring rage, and sadness it's now time to delve into fear!

Fear is a powerful emotion that can manifest in various ways, from subtle apprehension to paralyzing terror. Here's a guide on how to write fear effectively, covering different aspects of your characters' behavior and reactions.

Facial Expressions

Fear often manifests first in facial expressions, conveying the initial shock or unease. Describe these expressions to immerse readers in your character's emotional state:

Widened Eyes and Dilated Pupils: Show the eyes widening in response to a sudden threat, with dilated pupils indicating heightened alertness.

Tense Jaw and Clenched Teeth: Mention the clenching of jaw muscles or teeth, signaling internalized stress or anxiety.

Furrowed Brow and Raised Eyebrows: Describe the furrowing of the forehead and raised eyebrows, revealing worry or confusion.

Quivering Lips or Lip Biting: Note subtle lip movements like quivering or biting, reflecting nervousness or fear.

Frozen or Stiff Facial Muscles: Highlight moments of fear-induced immobility, where facial muscles become tense and rigid.

Body Language and Gestures

Fear can also be expressed through body language and gestures, showcasing your character's instinctual responses to danger or threat:

Backing Away or Recoiling: Describe your character instinctively moving backward or recoiling from the source of fear, signaling a desire to retreat.

Raised Shoulders and Tensed Posture: Show how fear causes the shoulders to rise and the body to tense up, indicating readiness for fight or flight.

Trembling Hands or Shaking Limbs: Mention the trembling of hands or shaking of limbs, reflecting nervousness or anxiety.

Covering Vulnerable Areas: Describe your character instinctively covering vulnerable areas like their neck or torso, symbolizing a protective gesture.

Fidgeting or Restlessness: Note any fidgeting or restlessness, such as tapping feet or wringing hands, as signs of inner turmoil and fear.

Vocal Cues and Dialogue

Fear can alter vocal cues and dialogue, affecting how your character speaks and communicates their emotions:

Quavering Voice or Shaky Speech: Describe the voice quivering or becoming shaky, indicating nervousness or fear.

Rapid Breathing and Gasping: Mention rapid breathing or gasping for air, showcasing the physical impact of fear on the respiratory system.

Stammering or Hesitant Speech: Note any stammering or hesitant speech patterns, reflecting the character's struggle to articulate their thoughts coherently.

Sudden Silence or Lack of Verbal Response: Show moments of sudden silence or the inability to respond verbally, highlighting the overwhelming nature of fear.

Repetitive Phrases or Vocalizations: Describe repetitive phrases or vocalizations, such as muttering prayers or chanting reassurances, as coping mechanisms in fearful situations.

Reactions and Physical Responses

Fear triggers various physical responses in your characters, showcasing the body's instinctual reactions to perceived threats:

Increased Heart Rate and Sweating: Mention the character's heart rate increasing and sweating profusely, reflecting heightened physiological arousal.

Dilated Pupils and Heightened Senses: Describe dilated pupils and heightened sensory perception, as the character's senses become more attuned to potential dangers.

Muscle Tension and Rigidity: Note muscle tension and rigidity, as the body prepares for action or defense in response to fear.

Nausea or Stomach Churning: Show how fear can lead to feelings of nausea or stomach churning, as the body's stress response impacts digestive functions.

Fight, Flight, or Freeze Response: Highlight the character's instinctual response to fear, whether it's a readiness to fight, a desire to flee, or a state of frozen immobility.

Types of Fear and Emotional Depth

Different types of fear can evoke varying emotional responses in your characters, adding depth to their portrayal and the narrative:

Startle Fear: Describe the sudden, reflexive fear triggered by unexpected events or loud noises, leading to a quick, intense reaction.

Apprehensive Fear: Show the lingering sense of unease or dread that accompanies anticipated threats or impending danger, heightening tension over time.

Terror: Depict the overwhelming, paralyzing fear that arises from extreme danger or horrifying experiences, impacting the character's ability to think or act rationally.

Phobias: Explore specific phobias that trigger irrational and intense fear responses, shaping how your character navigates their environment and interactions.

Trauma-Induced Fear: Address fear resulting from past traumas or experiences, influencing the character's behavior and emotional resilience in present situations.

Verbs and Adjectives for Writing Fear

Here's a list of verbs and adjectives to help you convey fear effectively in your writing:

Verbs: tremble, cower, gasp, quiver, shrink, freeze, recoil, sweat, pant, gulp, shudder

Adjectives: terrified, anxious, alarmed, horrified, shaken, jittery, panicked, petrified

[steddieunderdogfics]

This week’s writer spotlight feature is:  @cuips-not-cute! cuips_not_cute has six fics in the Stranger Things fandom on AO3 and all of them are in the Steddie tag!

Our anonymous nominator recommends the following works by @cuips-not-cute:

he could be brave

blood is an aphrodisiac

honeyed affection

blinking red light

cyclical

"cuips is a master of taking the reader on an emotional roller coaster ride. The amount of times I've laughed and cried at the same time reading his fics have been too numerous to count. Especially the depth of the sex scenes and the character beats and growth they portray are gorgeous to read - and also very titillating. I love Steve and Eddie in every one of cuips stories, adore the little mannerisms they are given and the way they interact with each other and other characters. Besides the inspiring prose cuips can pull off a plot like few other people I've found so far - since blinking red light is still ongoing, I'll just point to cyclical for that. I'm very thankful to cuips for writing and posting these stories and for being a very active part of this lovely fandom." -- anonymous

Below the cut, @cuips-not-cute answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

i don’t even know. i was happily in the ofmd fandom when i watched season 4 almost three years ago now (oh god) and then the characters… they got me. i fear they’ll never leave.

What’s your favorite trope to READ?

god, so many. they’re all kinda the same flavor though so i’ll list out what i’m always filtering for to find a new fic: bottom/sub eddie, creature/monster eddie, post s4, canon compliant, soft dom steve, sex pollen, spit kink, rimming (perhaps my FAVORITE ever thing to read), switch eddie/switch steve… the list goes on.

What’s your favorite trope to WRITE?

probably also rimming. there’s just something so romantic about eating ass. and i really love to stick with post s4 canon compliant aus, too, i don’t think i’ve written an actual for real au yet, though i do have an idea for one after brl.

What’s your favorite Steddie fic?

i don’t know if i can pick!! my ao3 bookmarks host my many all-time faves, but if you wanna go by the fic i’ve reread the most it’s probably the affliction of the feeling. it’s so fucking good.

Is there a trope you’re excited to explore in a future work but haven’t yet?

YES!!! i have never written omegaverse!!! which is crazy, ‘cause i like it a LOT. i have a post-s4 omegaverse au kicking around in my head currently, and i cannot wait to sink my teeth into all the messy biology and politics that come with the omegaverse.

What is your writing process like?

chaotic, in a word. usually, i’ll get a fic idea while i’m balls-deep in writing another fic so i’ll shove it to the side and let it simmer while i finish that first one, then i’ll spend a good long while planning it out in ridiculous detail, and THEN i’ll start actually drafting. i like to have a fully fleshed out outline and a couple chapters written and edited before i start posting, and once posting begins i tend to deviate quite a bit from my outline but it’s all good fun.

Do you have any writing quirks?

definitely. i don’t like pointing them out for fear of other folks seeing them in everything i do, but they’re there. one that i don’t mind so much is my absolute abuse of the word “little.” everything is “a little” of this, “a little” of that, but i try to cut my usage down significantly while i’m editing.

Do you prefer posting when you’ve finished writing or on a schedule?

i always TRY to keep a schedule but… yeah. it never works. i’m far too busy for one, but attempts are made. i’d like to one day write a fic in full before posting it, because i think it’d be a whole lot better if i let it sit for that long but lord, i sure do like getting ao3 comments on every chapter. they make the writing motivation go WAY up.

Which fic are you most proud of?

brl, definitely. that fucker is LONG and i’m barely halfway through it. i think i’ve done a lot of cool things with it and i’m going to do some more cool things and i’ve made a lot of really awesome friends in the process of writing it so it’s got some pretty insane sentimental value to me. it’s definitely going to be a fic i’ll miss writing once i finish it, but that’s what the epilogue series is for!!!

How did you get the idea for blinking red light?

from another fic!!! @racketghost is the author of one of my favorite things i’ve ever read, which is the good omens zach and miri au, closed set (https://archiveofourown.org/works/23320960/chapters/55862155 <- hyperlinked), wherein crowley has been lying about the existence of some angelic sex tapes to all of hell, and then he and aziraphale have to actually make the tapes. it’s awesome. it’s gorgeous. brl is one big giant love letter to this fic, because it means so fucking much to me and i think about it ALL the time. 

When writing honeyed affection, what was something you didn’t expect?

hmm, i don’t know? ha is, i think, a pretty easygoing fic with lots and lots of porn stuffed inside it, and that was all i intended it to be so i cannot think of anything i was surprised by!!

What inspired blood is an aphrodisiac?

i just wanted to write vampire eddie. it was july ‘22, kas theories were everywhere, i had to try it. these days i think i would change a LOT about it because my ideas and hcs surrounding the characters have evolved significantly, but i’ll write vampire eddie again and “fix” everything i no longer like about biaa.

What was your favorite part to write from he could be brave?

…the fisting. i genuinely think some of my best writing is in that scene, and while i feel the same way about this fic as i do biaa, the fisting scene will always hold a special place in my heart. i’m very, very excited to write the fisting chapter in brl because of this scene. fisting rules.

How do/did you feel writing cyclical?

i wrote cyclical during a very weird few months of my life, so writing it was sort of my way of dealing with all the insane shit going on around me, and i think it shows. in a good way, though, because cyclical is a timeloop fic so it needed to be a little angsty and insane. i’m stupidly proud of that fic. @ryeallytired actually BOUND it into a PHYSICAL BOOK and SENT IT TO ME and when i tell you that is the singular most precious object i own, i mean it.

What was the most difficult part of writing blinking red light?

PLOTTING THAT BITCH. GOD. i’m so happy to be actually WRITING it now, the planning was genuinely so brutal. my issue was that i was sticking too close to the plot of closed set (<3) which just… did not work for steddie. closed set’s premise centers around crowley lying about making sex tapes, yes, but he lied about them to PROTECT aziraphale, which is the messiest, kindest, riskiest fucking thing ever. and it’s awesome. in the early planning stages of brl, i was trying to put eddie in the crowley role of lying about having made sex tapes with steve, but it reallyyy didn’t work. there was an oc and i absolutely hated him, plus i didn’t like what that premise was doing to eddie’s character… ugh. it was a MESS. it took several rubber duck-ing conversations with my brilliant friend @lollaika and a rewatch of zach and miri to finally realize that it had to be STEVE who brings up the idea of sex tapes so that he could protect eddie, rather than eddie bringing it up to save his own hide (yikes).

Do you have a favorite scene and/or line from any of your fics?

oooh, lots. reallyyyy loved chapter 8 of cyclical with all of the pov shifts, that was super fun to write. i also really enjoyed writing the dry humping/sex tape convo in the first chapter of brl, and i’m stupidly excited to write chapters 12, 13, 15, and 17, because of specific scenes that will happen in each.

Do you have any upcoming projects or fics you’d like to share/promote?

i do!! after brl is completed i’ll have to choose from two story ideas (because i cannot have two wips at once or i’ll get SO stressed), one being a semi-realistic steddie cowboy au based off my own experiences with growing up on a farm and featuring messy, earnest cowboys and not-fully-human eddie, and the other being the omegaverse au i want to write, which will have a very fun mix of vampire eddie, dubcon bitching, and accidental mating bites!!!

Outside of these questions, Is there anything YOU would like to add?

i cannot think of anything!! this was super fun :D

Thank you to our author, @cuips-not-cute, and our anonymous nominator! See more of cuips_not_cute's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[jamiesfootball]

word: quiet (or loud, if you don't have that one)

Oh what a gem you have hit.

"They didn't break my contract or anything, they just stopped all my campaigns. Went quiet for months." Jamie snorted. It was a dry and humorless sound, one that grated against Roy's earliest memories of him like nails on a chalkboard. "Didn't hear a word from them until well after Zava left us to hang out to dry. Then after that I'm on a hot streak, getting the call up for England, and suddenly they're stumbling over themselves to get me seen in their new line. Even made me a custom hat--the one that Isaac hates, you know, with the letters?"

"The I-COG one?"

"Yeah, the one that Isaac hates."

"It does make you sound like a fucking Apple product."

Jamie shrugged. "He says its more about the kerning on the letters? Isaac's picky about graphic design. You wouldn't believe what he's picked up on of TikTok. Says it makes them look desperate, like they couldn't source their idea on short notice."

[batpham-discord-highlights]

Wip Wednesday

It's Wip Wednesday :D This piece is a writing excerpt but remember that art wips are encouraged too!!!

Today's Piece:

"I'm sorry Damian," his friend mumbled lowly, so that he could feel the apology vibrate in his bones. "It's my fault you're here. If I had known somebody was going to be put into that thing, somebody not apart of these assholes I would've-" "You would've been powerless to try," Damian interrupted. "My grandfather has been around for a very long time, and for as long as I can remember he has seen the Lazarus pits as a perfect panacea; the key to unlimited power and eternal life. He had always thought of ways to turn that outwards, so that he could have the perfect weapon under his control. That he found you was a coincidence. That he used you was inevitable. There was nothing you could have done to stop this, so do not try to apologize for something you could not control." A small wet plat echoed in Damian's cell, and it took him a few moments to realise that his eyes had begun to glow. Damian reached up, not entirely surprised to feel wet streaks as he brushed his cheek. He didn't know why he was crying, but there was an emptiness swallowing him and it felt like the only emotion he could feel right now to cope with it was sadness. Here, in this dark cell miles below ground, Damian let himself cry. Both for his death and the treatment of his friend. It was only after his eyes had dried and he'd laid back down that his friend spoke again. "Thank you."

Creator's Socials

tumblr - @half-dead-ham

ao3 - Half-dead Ham

A little about the project :D

An as-of-yet unnamed fic about Damian becoming a halfa through an experiment performed by Ra's. He and Danny are trapped together and must reach Damian about his new ghostly aspects while trying to undermine Ra's and escape.

Interested in showing off your current wip? All submission are taken in server, so send an ask to the blog and get your link 💗🥳

[jandjsalmon]

Be Kind, Rewind by @ozmathegreatand (8/8 -T)

Summary: “I’m going to say something crazy, and I need you to believe me.”

Enid frowned softly, but nodded. “Ok.”

Wednesday took a deep breath. “I’ve already lived through this day. Eight times.”

A puzzled look crossed Enid’s face. “You’re… having déjà vu? Or a vision? You had a vision of how this day is going to go already?”

Wednesday shook her head. “No. I’m cursed, I think. It’s happened before. I’ll go through today and if I do something wrong, I’ll wake up and the day will start over again.”

Enid’s eyes went wide. “You’re Groundhog Day cursed?”

Notes: One of my favourite fics ever. Definitely has my favourite scene in all Wenvier fic (get to the dance with the red-paint rain and you'll see what I mean). I felt it was festive and should be shared today. Enjoy!

[tideswept]

WIP Wednesday

My brain is yelling at me that I already did this for WIPW even though I don't remember/can't find it in my tags, and then I realized it was for an ask game. Brain, why are you like this??

Obikin AU! Anakin is trying to start a camboy side gig. (It's not going well.)

He closed his eyes and extended his hand for the bottle of lube on the nightstand. Next to it was a slim glass wand. It wasn’t the most impressive toy, but he wasn’t ready to fuck himself with anything bigger. Padmé was the only person he’d ever slept with, and she’d been happy to use her fingers on him, but they’d broken up before they could try something more adventurous than that.

And Anakin just… hadn’t been willing to date anyone else since then. Not when he was constantly comparing them to Padmé and Obi-Wan and seeing how far they fell short. 

It really sucked that he'd fallen for the most amazing people in the world before he could even legally buy alcohol. At least Padmé had been willing to give it a go. But Obi-Wan? Obi-Wan had made his stance abundantly clear the day Anakin turned eighteen.

That was the day Anakin almost didn't notice the engagement ring glinting on Satine's finger when she stopped by to congratulate him. He almost didn’t see the grimace as Obi-Wan read the yearning that Anakin couldn’t quite cover up fast enough, and he almost missed the pointed head shake.

Almost. Was there another word out there that could feel more like the slow grind of a knife in the gut than almost?

Prickliness welled up behind his eyes. He hesitated only for a moment before decisively clicking the OFF button, then snapped his laptop shut. His chest heaved and fell as if he'd just sprinted a marathon. He felt like a giant, aching bruise of a human being.

Okay, note to self; think less depressing things when trying to do porn. Anakin rubbed his eyes to wipe away all traces of wetness. It’s a real fucking downer.

[capitaletele]

WIP Wednesday

And now for something completely different!

Of course, I didn't expect to start this at all, but I don't make the rules about what I get to write 🤷

[Mature language under the cut!]

🕵️‍♂️

“Stella Spotlight?” It must have come out louder than he expected, because he cut himself off. He repeated it in a half-whisper, as if he was worried someone could overhear them in the giant apartment even though she'd told him that Stella was out and the rest of the staff had the day off. “You’ve slept with Stella Spotlight? Oh my god.” 

“Well you’ve fucked the richest man in the universe!” 

“It’s not the same!” he protested. “He wasn’t the richest man in the universe then! He was just some millionaire’s uptight son I was supposed to look after.” 

“And look after him, you did!” She winked exaggeratedly. 

“I would never have touched him if he’d been Zéro Janvier Zéro Janvier back then. But you! Stella Spotlight, holy shit. Do you know how much we used to talk about her in the barracks?” 

🕵️‍♂️

[its-wednesday-sparkle-on]

[perfectlyoongi-main]

4 more shows and i'm done for the summer 💆🏻‍♀️💆🏻‍♀️

[ask-diane]

Wednesday Spotlight Update!

Hello and I hope yall are having a happy Tuesday everyone ^^

So since I have been a little ghostly I thought I should do some sprucing up around here begone I answer my next ask.

So to start out, I'm going to update Wednesday Spotlight a bit 🌟

(Wednesday Spotlight is just a little thing I have to spread and boost positivity to others ^^)

The first new change will be there will be a theme every other week based on a theme wheel I shall be spinning on every other Sunday. And that will first decide what Wednesday Spotlight winner shall be chosen for ^^

Second, once the winner is chosen, I will either reach out to a few people from the community to say some nice things about the chosen one, whether it's just something nice in general, why they best are the best fitter in that category, etc.. Or I will explain and give some kind words as to why you were picked 😋

(And also feel free to reach out to me to see who the winner is if you would like to give some words of encouragement 💪)

And lastly the Spotlight winner will get a random doodle done of one of their Oc's ^^

[hayatheauthor]

The Writer's Guide to Authentic Wounds and Fatalities

Writing fatal injuries in a story requires a delicate balance between realism and narrative impact. The portrayal of these life-altering events can evoke strong emotions in readers and shape the trajectory of your characters' journeys. In this blog, I will explore the intricacies of depicting fatal injuries in a manner that feels authentic, engaging, and respectful to the gravity of such circumstances. By understanding the nuances of fatal injuries, you will be equipped to craft compelling narratives that resonate with your readers.

Writing Fatal Injuries

When it comes to writing fatal injuries, it is crucial to approach the subject with care and accuracy. Fatal injuries carry immense consequences for your characters and can shape the trajectory of your story. By delving into the intricacies of portraying fatal injuries authentically, you can ensure that the gravity and impact of such events are effectively conveyed to your readers.

Choosing the right injuries for your story

Selecting the appropriate fatal injuries for your narrative involves considering various factors. Ask yourself: What purpose does this injury serve within the story? How does it affect the characters and the overall plot? Conduct thorough research to identify injuries that align with your story's context and resonate with the emotional journey of your characters.

For example, in a historical drama, you may research common fatal injuries during a particular era, such as battlefield injuries, diseases, or accidents prevalent at the time. In a crime thriller, you might explore the portrayal of fatal gunshot wounds or traumatic injuries resulting from violent encounters. By aligning the injuries with the context and themes of your story, you create a more immersive and believable experience for your readers.

Researching the mechanics of fatal injuries

To portray fatal injuries convincingly, it is essential to delve into the mechanics behind them. Understand the specific anatomical structures and systems involved, as well as the forces or mechanisms that can lead to fatal outcomes. Explore medical resources, consult experts if possible, and gather insights into the physiological and psychological implications of such injuries.

For instance, if your character suffers a fatal stab wound, research the anatomy involved, the potential organs affected, and the potential consequences such as internal bleeding or organ failure. By understanding the specific details and implications of the injury, you can describe the physical and emotional toll it takes on the character with greater accuracy and depth.

Depicting the immediate aftermath

When writing about fatal injuries, vividly describe the immediate aftermath to capture the intense emotions and physical realities. Consider the sensory details, the shock and disbelief experienced by characters, and the chaotic environment that often surrounds such events. Balancing realism with the needs of your story, create a scene that immerses readers and evokes empathy.

For example, if a character experiences a fatal car accident, you can depict the chaos at the scene, the character's disorientation, and the reactions of witnesses. Emphasize the sensory details such as the sound of screeching tires or the smell of burning rubber, creating a visceral experience for your readers.

Emotional and dramatic impact on the narrative

The impact of fatal injuries extends beyond the immediate moment. Explore the ripple effects on other characters, relationships, and the overall plot. Delve into the emotional responses, grief, guilt, anger, or determination that arises in the aftermath of loss. Utilize these emotional arcs to deepen character development and drive the narrative forward.

For instance, the loss of a loved one due to a fatal illness might lead to grief and strained relationships among the remaining family members. The emotional journey of a character grappling with guilt and seeking redemption after causing a fatal accident can become a central theme in your story. By delving into these emotional arcs and their consequences, you add depth and resonance to your narrative.

Writing Minor Injuries

While fatal injuries may capture our attention with their dramatic impact, it is equally important to pay attention to the portrayal of minor injuries in your writing. Minor injuries, though less severe, can still significantly affect your characters and contribute to the authenticity of your story. In this section, we will explore the art of depicting minor injuries, ensuring that they are not overlooked or trivialized. By delving into the nuances of minor injuries, you can add depth and realism to your characters' experiences.

Types of minor injuries to consider

When crafting your story, it is essential to consider a range of minor injuries that can occur. These injuries can include cuts, bruises, sprains, minor burns, or even minor fractures. Each type of injury carries its own unique characteristics, associated pain levels, and recovery processes. By understanding these distinctions, you can create accurate and believable depictions that resonate with your readers.

For example, a character who sustains a cut on their hand may experience sharp pain, the sight of blood, and the need for immediate first aid. On the other hand, a character with a sprained ankle may struggle with mobility, experience swelling, and require rest and care for a few days. By paying attention to these specific details, you can enhance the realism of your storytelling.

Conveying pain and discomfort

When writing about minor injuries, it is important to effectively convey the pain and discomfort experienced by your characters. Consider describing the sensation of pain, the throbbing or stinging feeling, and how it affects their daily activities or interactions. Showcasing the emotional impact of pain, such as frustration, irritation, or vulnerability, can deepen the readers' connection to the character's experience.

For instance, if a character suffers from a sprained wrist, you can describe the dull ache that persists, making simple tasks like typing or holding objects challenging. By capturing these small but significant moments, you immerse readers in the character's struggle and create a more realistic portrayal.

Balancing realism with narrative pace

While it is important to depict minor injuries realistically, it is also crucial to strike a balance with the overall pace and momentum of your story. Consider the significance of the injury within the larger context of your narrative. Some injuries may require more detailed attention and impact the plot, while others may serve as background elements. Adjust the level of detail and focus accordingly, ensuring that the portrayal of minor injuries aligns with the narrative's flow.

For example, a small cut on a character's finger may not require an extensive description unless it becomes infected or triggers an unexpected consequence. By aligning the portrayal of minor injuries with their narrative relevance, you maintain a consistent pace while still acknowledging their impact on your characters' lives.

Writing Bloodshed And Realistic Blood Loss

When writing about wounds and injuries, it is essential to consider the amount of blood loss your characters may experience. Realistic portrayal of bloodshed can enhance the authenticity of your scenes and immerse readers in the gravity of the situation. In this section, we will explore the factors influencing blood loss and techniques for accurately depicting it in your writing.

Understanding blood loss and its impact on the body

To authentically portray blood loss, it's crucial to have a basic understanding of how the human body responds to injury. Research the circulatory system and the role of blood in transporting oxygen and nutrients throughout the body. Consider the different types of blood vessels and their potential for bleeding when injured. This knowledge will help you create realistic scenarios and determine the appropriate level of blood loss for specific injuries.

Factors influencing blood loss in different injury scenarios

The amount of blood loss can vary depending on the severity and location of the injury. Factors such as the size of blood vessels, the rate of bleeding, and the body's ability to clot play a significant role. For example, a deep laceration in an artery will result in more substantial blood loss compared to a superficial cut on the skin. Consider these factors when describing injuries and their resulting bloodshed.

Techniques for accurately portraying blood loss in writing

There are several techniques you can use to convey the realistic impact of blood loss in your writing. Describing the color, consistency, and flow of blood can provide vivid imagery. You can also include physical symptoms such as dizziness, weakness, or fainting that may accompany significant blood loss. Additionally, consider the emotional response of your characters and how they react to the sight of blood or their own injuries.

By incorporating these techniques, you can create scenes that evoke a visceral response in readers and enhance the authenticity of your writing.

Bruises: Colors, Progression, and Pain

Bruises are a common result of injuries, and understanding how they form, change in color, and cause discomfort can greatly enhance the realism of your writing. By accurately describing bruises, you can bring depth to your characters' injuries and portray their healing process convincingly.

Understanding the stages and colors of bruises

Bruises go through distinct stages of color as they heal. Initially, they may appear red or purple due to the broken blood vessels beneath the skin. Over time, the color changes to blue, green, yellow, and eventually fades to a brown or yellowish hue. Understanding this color progression can help you accurately describe the age of a bruise and the healing process.

For example, a fresh bruise might be vivid purple, indicating recent trauma, while a fading bruise may have a yellowish tinge, suggesting that healing has begun. By incorporating these color details, you can add realism to your characters' injuries and track the passage of time within your narrative.

Depicting the progression of bruises over time

As bruises heal, they often change in appearance and size. Initially, a bruise may be small and localized, but it can gradually spread and become more extensive. Describing this progression can provide a sense of the healing process and the passage of time within your story.

For instance, a character who sustains a significant blow to the face may develop a bruise that starts as a small spot near the eye but expands to cover a larger area over the next few days. By accurately portraying the progression of bruises, you enhance the authenticity of your characters' injuries and their recovery.

Conveying the pain and sensitivity associated with bruises

Bruises can be painful, sensitive to touch, and affect a character's movement and daily activities. Describing the pain and discomfort experienced by your characters can create empathy and immerse readers in their physical ordeals.

Consider conveying the tenderness of a bruise when pressure is applied, the throbbing sensation, or the limitation of movement due to the pain.

Remember The Side Effects

Injuries, whether minor or severe, often come with a range of side effects that can significantly impact your characters' lives. These side effects can extend beyond the physical realm and encompass emotional, psychological, and social aspects.

Physical side effects

Injuries can have profound physical side effects that go beyond the immediate pain and discomfort. Consider the potential consequences such as limited mobility, impaired coordination, chronic pain, or the need for assistive devices like crutches or braces. Describing these physical side effects can add depth to your characters' struggles and provide a realistic portrayal of their healing journey.

For example, a character who sustains a leg injury may experience difficulty walking, require physical therapy, or have long-term complications that affect their day-to-day activities. By addressing these physical side effects, you create a more nuanced depiction of the aftermath of injuries.

Emotional and psychological side effects

Injuries can have a profound emotional and psychological impact on characters. They may experience fear, anxiety, trauma, or a loss of confidence. Consider how the injury affects their self-image, relationships, or mental well-being. Explore the emotional journey your characters undergo as they navigate the aftermath of their injuries.

For instance, a character who survives a near-fatal accident may develop post-traumatic stress disorder (PTSD) and struggle with recurring nightmares or panic attacks. By incorporating these emotional and psychological side effects, you can deepen the complexity of your characters and their responses to traumatic experiences.

Social implications and changes

Injuries can also lead to significant social changes for your characters. They may face challenges in their personal relationships, encounter stigma or discrimination, or experience changes in their roles or identities. Explore how the injury affects their interactions with others and their sense of belonging in the world.

For example, a character who sustains a facial injury may encounter judgment or stares from others, leading to self-consciousness or isolation. By addressing the social implications and changes resulting from injuries, you can create multi-dimensional characters and explore the impact of their injuries on their social dynamics.

By incorporating these various side effects into your writing, you bring depth and authenticity to your characters' experiences and showcase the wide-ranging impact of injuries.

Conclusion

Writing authentic wounds and fatalities requires attention to detail and a deep understanding of the physical, emotional, and psychological aspects involved. By following the guidelines and exploring the subheadings discussed in this guide, you can create compelling and realistic portrayals of injuries in your writing.

Remember to conduct thorough research on the specific injuries you want to depict, understanding their mechanics, symptoms, and potential outcomes. Consider the immediate and long-term effects on your characters, both physically and emotionally. Incorporate sensory details to immerse readers in the experience, describing the pain, bloodshed, colors of bruises, and the progression of healing.

Additionally, don't forget to address the side effects that injuries can have on your characters' lives. Explore the physical limitations, emotional struggles, and social implications that arise from their injuries. By delving into these aspects, you can create well-rounded characters and compelling narratives that resonate with readers.

I hope this blog on forging epic battles will help you in your writing journey. Be sure to comment any tips of your own to help your fellow authors prosper, and follow my blog for new blog updates every Monday and Thursday.  

Looking For More Writing Tips And Tricks? 

Are you an author looking for writing tips and tricks to better your manuscript? Or do you want to learn about how to get a literary agent, get published and properly market your book? Consider checking out the rest of Haya’s book blog where I post writing and publishing tips for authors every Monday and Thursday! And don’t forget to head over to my TikTok and Instagram profiles @hayatheauthor to learn more about my WIP and writing journey! 

[steddieunderdogfics]

This week’s writer spotlight feature is: thisapplepielife! @thisapplepielife has 37 works posted to AO3 in the Stranger Things fandom and 24 of them are in the Steddie tag!

Our anonymous nominator recommends the following works by @thisapplepielife:

Tuesday's Gone With the Wind

Take the Money and Run

You Oughta Know

Never Not Mine

Let the Boy Be Merry

"They are my favorite Corroded Coffin writer. I found by accident their fic “Tuesday's Gone With the Wind” and loved everything they wrote since!" -- Anonymous

Below the cut, @thisapplepielife answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

Steve Harrington. I found myself not connecting with S4 when it premiered, and decided that I probably just needed to rewatch the other three seasons again first, since it'd been a while between seasons. Well, Steve was always my favorite, but I left that re-watch with his voice fully lodged in my brain. So, I had to write something for him, just for myself. That was You Oughta Know. We all knew Eddie identified as a runner, and that just felt like the story to tell. Then somehow, for some unknown reason that I still cannot possibly explain, I decided to actually post it. I still don't know what possessed me to do that, honestly.

What’s your favorite trope to READ?

I love a good second chance fic: A divorced couple that eventually rekindles. A missed first chance that they get to take another crack at, later in life. I also like a good heartbreaker of a fic. I know, I know. Don't get me wrong, I still love happy endings, but I don't require them. Break my heart. Do it.

What’s your favorite trope to WRITE?

Slice of life? Is that considered a trope? I know I like to write about things we all deal with in real life, from the small and inconsequential: a mattress with a bad spring. The delight of clean sheets. Or the bigger: the real life heartbreak of unavoidable loss and grief.  And older Steddie is my favorite, I think. I love to spend time writing for them. These boys that turned into men, who made a full life together, and it's great. Maybe not perfect. But they wouldn't trade it for the world. That makes me happiest.

What’s your favorite Steddie fic?

The One in Which a Time Loop is Fucking Exhausting by badpancake is the one I think of that grabbed me first, and did not let go. I still need to read the final part of the trilogy! My fic TBR is so, so long because I definitely struggle with writing and reading at the same time. I know there is amazing work out there that I've just never read yet. But I look forward to it, absolutely. It's just something I've never figured out how to manage well. Joining Tumblr has helped that immensely, though! Reading the shorter fics here has been wonderful, and I've enjoyed it so much. There are amazing things being posted every single day! And I gotta say that don't start (too late) by Ark is one of the best "first time" fics I've ever read in any fandom. Eddie's inner voice is wonderful. I believe every word he thinks while he experiences this brand new thing with Steve.

Is there a trope you’re excited to explore in a future work but haven’t yet?

It's not brand new to me, but there's a found family one that I've been tinkering with for a very long time, and that excites me.  And I do love events for tossing me situations or prompts to write for that I may not have thought of, independently. @steddiemicrofic especially has been so, so fun. I think it was the very first event I wrote for on Tumblr, and the challenge of having a very limited amount of words, but still trying to make it feel like a whole story has been told, has been a blast. Thanks to @wynnyfryd and @steddieas-shegoes for challenging us all each month!

What is your writing process like?

I don't outline or anything. I just write, and edit, as I go. And I'll edit obsessively. I'll tweak and change small things over and over, ad nauseam. And even then, I know I still miss mistakes. But my mistakes are my own, I have no beta, because I kind of like being solely responsible for anything I write. Right or wrong. Here it is, take it or leave it. I also talk things through things in my own head a lot, especially dialogue, or I'll open a document, and just see where that takes me. And if I'm writing a long fic, like Tuesday's, I write totally out of order when scenes come to me. I wrote on every single year of that fic all at once. Then kept writing until they'd stitched themselves together into a full story. That's my last part of writing. Putting in the transitions from one scene to the next, when needed.  Sometimes ideas are more fully formed before I start putting words to the page, and other times I literally just start and figure it out as I go. There's one fic I wrote for Steddiemas last year where I sat Steve down at a mall food court and then just started writing. I had no idea what that was going to be. (It was Eddie turning up as the Mall Santa.)  Also: Research, research, research. I love the research aspect of writing. I'm curious in general, and if I can even think to look something up to see if it's true, or of the right time period, I will. And I like to add mixed media to my fics. That was a huge part of Take the Money & Tuesday's. All the newspaper articles and such. I felt like they were needed to make it feel like this really happened to these characters we all love so much. I did newspaper articles all throughout writing Tuesday's. In fact, I think that main article, the one at the top, was written and designed very early on in the writing process. They weren't all done at the end, they were done as the story needed them.

Do you have any writing quirks?

Short paragraphs. I love 'em. You'll pry them from my cold, dead fingers. Also see: Long sentences.  Honestly, I do like to throw out the rules, a bit. I write by feel. How does it sound, to my own ear? If it works, for my character, my fic or just me in general, I'll use it. "Don't use two "ands" in a sentence." Okay, but sometimes I'm gonna when that flows the best. Or: "That's a run-on." Okay, but I like the way it reads. "You don't need a comma there." But, I like the way that it breathes, so it's getting one. All this is especially true if writing from someone's POV. I know I don't always think in proper grammar, and I don't expect them to either. I don't want things to feel hard to read, but I do want them to feel natural. If that makes sense. I walk around, pacing as I write or edit on my phone, as if the moving somehow lets me see it differently. I think it does! And I don't know if this is a quirk, but some of the characterizations formed while writing Tuesday's have stuck, hard. Gareth is Gareth Jones, and where you find him, you'll probably find Di. Freak is Goodie. Jeff is Jeff Williams. These things have been decided in my brain, and now I feel compelled to take them with me, fic-to-fic. I didn't intend to build a headcanon I wouldn't be able to shake, but here we are.  I feel like I can transplant Steve and Eddie anywhere, into anything, and be comfortable changing things up. But the Corroded Coffin boys are cemented, as they were created, for the most part. Maybe that's because I did have to do so much shaping for them. Steve and Eddie, we know. We're all working off a decent amount of canon content. Corroded Coffin only had a few moments on screen to help flesh any of us flesh them out into real characters. And now that I've made my choices, for good or bad, they're here to stay.

Do you prefer posting when you’ve finished writing or on a schedule?

Finished, definitely. My three long fics were all mostly written before I started posting, and I still struggled to get the last part of All of Across the Universe out in a timely fashion. Tuesday's was posted over one week, one chapter per day, and I really enjoyed that fast schedule. It didn't give me any extra time to overthink the finished product. It was going out, and that was that. I had to trust that I knew what I was doing when I deemed it finished.

Which fic are you most proud of?

Tuesday's Gone With the Wind. I truly thought I was done after Take the Money and Run. And then this idea slapped me in the face, and I spent five months just lost in their world. These versions of the characters came so naturally, and they are still with me today. I feel like most of what I've written since then is shaped by those versions. Also, that was the last fic I wrote without anything else coming down the pipe. The last one before I joined Tumblr. The last one that had my full, and utter, undivided attention. It's really special to me, and I'm beyond grateful to everyone that has embraced it and recommended it to friends. I know it's got some scary warnings, but for those that have dove in and let me know that it spoke to you in some way, you've made me so happy. It spoke to me, too.

How did you get the idea for Tuesday's Gone With the Wind?

By watching the documentary "If I Leave Here Tomorrow" about the band Lynyrd Skynyrd. As I was watching it, there was an interview section where one of the band members spoke about their assistant road manager, saying: "He was like a bartender roadie. Where he took care of us really good, you know? Anybody who was sick, or needed a little more attention, he was just there for you. He was like the big brother, and sister, and your mama and everything." My brain whispered, Steve Harrington.  And that was that. Corroded Coffin were going to get Road Manager Steve Harrington, and he was gonna take care of them as they headed towards this unavoidable disaster. I wrote like 5k words the first night. It was just in there, waiting to spill out, somehow. And I think it's also an anomaly for me, but I'm fairly certain I started that fic with what turned out to be the opening. That first bit of Eddie's first interview section. I think that's where I started telling the story, and it held throughout. That's pretty rare for me. (Fun fact: I wrote all the interview bits in a separate document, and then just fit and tweaked them into the story, as needed. But not that opening. That was the launch pad into everything else.)

When writing Tuesday's Gone With the Wind, what was something you didn’t expect?

It's not exactly a Steddie answer, but - Gareth! Gareth Jones, my beloved. I wasn't on Tumblr when I wrote Tuesday's or any other social media in a fandom way. I was in my own bubble, doing my own thing. So, I didn't know the fandom had given him a fanon surname. I chose my own, and now he's just Gareth Jones to me, and always will be. He's also Eddie's best friend. I've pondered on more than one occasion on if Take the Money and Run would be different if I knew that first, lol. Just exploring my version of a character that had so little screen time to work off was incredibly fun. And has remained fun. Gareth is definitely gonna show up again in my future works. He's to Eddie, as Robin is to Steve in my head now and forevermore.

What inspired Take the Money and Run?

These lyrics from the song "Me and Paul" by Willie Nelson: Almost busted in Laredo But for reasons that I'd rather not disclose But if you're staying in a motel there and leave Just don't leave nothing in your clothes I had a literal shower thought that made me laugh. And thought, well, why are they even in a motel? Oh, they must be on a road trip. So, I wrote that little scene mainly in my head, but jotted it down, just in case, and assumed that was the end of it. But then I just kept writing it. Until I was knee deep in maps and mileage and research trying to figure this road trip out from a logistics standpoint. All because I thought it'd be funny if Eddie left weed in his pants and Steve got all put upon because of it.

What was your favorite part to write from You Oughta Know?

I loved getting to include all the fun 90s things, since that's when I was a teen, and can remember a lot of it very distinctly, first-hand. And I loved getting to use El's powers to look in on Eddie, so while they might not know where he is, they did know that he seemed to be doing okay out there in the world. Also, if I could go back and change one thing about it, I'd fix that I said Eddie's never had an acoustic guitar. I didn't notice his acoustic in his room until my re-watch. Oh well. This version of Eddie didn't, I guess, lol. (This might be from the second part, Eddie's POV. But still. It's my Roman Empire. I think of this mistake at least once a week and beat myself up. If I'd been on Tumblr at the time, I feel this would have never happened, because someone would have blogged about it, drawing my attention to it, surely.)

How do/did you feel writing Never Not Mine?

This one is heavily inspired by the Taylor Swift song imgonnagetyouback. It was fun to dig into a slightly angstier world for a bit. Because things don't always work out, or if they do, not always the first time around. I like to think they'll find each other again, in any universe, but they might not take the easiest path. They aren't perfect, and that's realistic.

What was the most difficult part of writing Let the Boy Be Merry?

Crying while writing it. This one slapped me around a little while writing. Life isn't always as romantic as fic leads us all to believe which, the audacity, honestly, lol, but the kind of love and relationship in this fic? That feels real to me. Old, and familiar, and even as well as you know a person, you can't read their mind. You don't always get what the other needs immediately, you don't get how important things can be to them, but figuring out how to compromise is love. Real, lasting love.

Do you have a favorite scene and/or line from any of your fics?

This question was hard! I'm gonna pick two from Tuesday's: For the first, I cried while writing and then cried again while editing the scene where Eddie and Steve hash out how serious their relationship is, and realize they've kind of been on different pages. There are two scenes in Tuesday's that got to me, and made me cry while writing them, over and over, and I don't even know why. (The other is Gareth picking that fight with Steve. Yeah, yeah, I know. Neither of these parts are the saddest parts of Tuesday's. But they stripped me raw, for whatever reason.) And a second, more fun, favorite: I'm gonna go with the scene where Eddie's naked and tripping on mushrooms in the backyard while Steve hangs out with him, and Eddie thinks they've written "Tom Sawyer" by Rush. That was so fun, and just a feel good write, if that makes sense. That whole summer they spent at the lake I look back on writing fondly. They are so in love there. They are all happy. And this scene is carefree in a way that they won't always be, due to circumstances coming down the pipe.

Do you have any upcoming projects or fics you’d like to share/promote?

I run @corrodedcoffinfest and I've got a whole list of planned pop-up events coming up over the next few months for that. Steddie is absolutely welcome, so if anyone would like a little more Corroded Coffin works in their life, consider coming to join us! I also finally updated my masterlist, so everything I've written for Stranger Things is finally gathered together. There's a lot that's still only on Tumblr and not on Ao3 at this point.

Outside of these questions, Is there anything YOU would like to add?

Thanks so much for including me and my works in this! And to the person who nominated me, thank you, thank you! You really made my day. It was fun to think about these fics again, and answer these questions. I've really enjoyed writing for Steddie, and I've also enjoyed making friends in the fandom. Thanks for welcoming me. Thanks for showing my fics love, and commenting or leaving kudos or reblogging. Just, thank you all so much. And I'm sorry if these answers were too long, lol. As a habitual "end notes" kind of writer, that's just the way I roll. 

Thank you to our author, @thisapplepielife, and our anonymous nominator! See more of thisapplepielife's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[melancholic-cinnamon-roll]

J'ai pas de wip vraiment en cours - en tout cas rien que je pense publier - mais j'ai ce petit texte que j'ai écrit il y a quelque temps, j'aimerais bien continuer sur ce thème, mais en ce moment j'ai peu d'inspi pour écrire, donc on verra bien

[batpham-discord-highlights]

Wip Wednesday

It's Wip Wednesday :D This piece is a writing excerpt but remember that art wips are encouraged too!!!

Today's Piece:

Control comes easiest when one understands the nature of the human mind. And Ra’s, long-lived that he is, knew enough of the hearts of men to know when there is a pattern. Knowledge too, is a form of power, and this is one he exploits to the fullest. Even the Detective, for all his cleverness, will never be able to tear himself away from his own human nature. (What is Love, after all, but the sweetest of poisons?) And then his grandson enters the world, quiet and bloody and all too aware, and Ra’s knows with the same certainty of the sun rising in the east that this child is not normal. (He would even reach to say inhuman, but the blood work proved otherwise.)

Creator's Socials

tumblr - @avaritia-apotheosis

ao3 - avaritia_apotheosis

A little about the project :D

Annhialation (in my image) is another installment in the Hey Brother series where Danny is reincarnated as Damian Wayne's younger brother. The fic is in the past and explores Danny's second childhood at the League of Shadows through the eyes of Ra's al Ghul.

Interested in showing off your current wip? All submission are taken in server, so send an ask to the blog and get your link 💗🥳

[music]

Music Spotlight: Karly Hartzman of Wednesday

Wednesday is a band from Asheville, North Carolina. Their new album Rat Saw God is out now alongside a video for single “Quarry." Get to know vocalist Karly Hartzman below.

How did you get started in music?

I started singing in front of people for the first times at my synagogue and in a community theater production of Wizard of Oz. Then I was in a pop punk band for a little while but I had a really hard time getting into that music. When I started writing my own songs under the Wednesday moniker was when I finally felt like I had the relationship with performing music I always wanted.

What is the story behind your band name?

Just liked the word! I kind of don’t like to think of titles for too long since I think so intensely about lyrics. Did a similar thing with the album title, just went with something that felt right and didn’t think on it more than a split second pretty much. 

Can you tell us about your new album Rat Saw God and what you hope people take away from it?

It is an album for rats by rats. I hope people hear this album and see that stories of the people who live in the American South have beautiful and complicated lives that are worth sharing and remembering.

Dream collaboration(s)?

Oh lord… I’m kinda nervous to meet most of my heroes. I have a tendency to clam up and really make a fool of myself. Lucinda Williams would be incredible. PJ Harvey obvi but I would shit my pants on sight. 

One thing you can't go on the road without?

Anxiety medication 

What’s the funniest photo that you have on your phone (either share or describe it)?

I’m really obsessed with this photo of my band mates piss drunk at a bar after our show in LA. My phone did this weird background erasing thing when I tried to put it on here?? Kinda goofy! 

Lightning round! Describe each of the following in one word: Who you are, what you value the most, and what you’d be if you were a food item.

Who you are: Dummyhead

What you value the most: Homeostasis

What you'd be if you were a food item: Artichoke

Come join the band at TV Eye in Ridgewood, Queens this Saturday, April 8th, for Mr. Rat’s Flea Market featuring 11 vendors from New York, Asheville, Philadelphia, Baltimore, New Jersey, and LA.