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my comic is now on Comic Fury! reblogs super appreciated!
#comic fury#the-house-of-monsters#webcomic#webcomic site#webcomic series#online comic#boost#signal boost
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Champion's Plight
I thought I'd repost this for new followers! This is my short webcomic prequal for my System Collapse project! I'm really happy with the final results, and it gave me an opportunity to test a style I'd like to try going for for System Collapse!
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@drake-the-highlander @kingnice1219 @alexcanine @reformedladyfandom @jaysmily2919
I have a new webcomic site I post more of my webcomics at I might decide to make other webcomics besides just my main webcomic series Adean the Dream Guardian that is now on there although I plan on someday writing and posting other webcomic stories on there but please check out my Duck Webcomics account where I’ll actually post more of my webcomics besides just on here on Tumblr and on my Deviantart pages.
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(via 554 What's the Dealio)
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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
#my favorite out of these is comicfury because it gives you the most control out of all of them#and you can offer monetization tools like ads and patreon links#it also offers super easy tools to help build your own site if you're new to that#it's as close to “running your own site” as comic hosting can get#but you can also learn how to run your own site if you want undeniably full control without fear of the platform host shuttering#also look into collectives like SpiderForest!#they basically operate as a co-op where people host their work with them and get ad opportunities#but you have to apply to get in#ama#ask me anything#anon ama#anon ask me anything#webcomic tips
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well - webtoons is over, gang
#sci speaks#if everyone would please just read the blog at it's intended home on tumblr#and please stop getting me to waste my energy on all these other sites that i hate then that would be primo wonderful#tapas and webtoons are actual shitholes. convenient to read sure whatever. but i hate the format anyway#and how they treat their creators.#not to mention the way tapas gamifies their interface so you're like on a fucking gambling site?? like if temu were a webcomic service?#what happened to the internet being a free and fun place for anyone to post anything.#noo. copyright laws because we want to make money we can't just host anything out of the spirit of fun and freedom#what about the money??? what if we risk money??#internet used to be a better place. i hate the earth as it is right now. the internet is like a mine that corporations dug into.#and destroyed. right in front of my eyes.#it used to be a beautiful green pasture with wildlife roaming and now it has been flattened and turned into an ugly shopping mall.#the things i do for you guys who really. really wanted me to archive it somewhere else.#i''m not doing it anymore. it is here until tumblr dies or we all enentually die and all our efforts are lost to the sands of time.#nothing matters in a cosmic sense anyway. enjoy it while it's here.
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I didnt know that I'd be drawing Calypso angst, but i like to procrastinate with my uni homework. Hope yall like it
#epic the musical#epic#fanart#fan comic#webcomic#artists on tumblr#calypso#my fav toxic lonely girl mess#boy the Titanomachy would be dope as musical#yes calypso glows like rest of the deities iv drawn#no reposting to other sites without permission#carack comics
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Aphidclan is now available to read on ComicFury!
#some of you already found out before I had finished uploading everything to the site lmao#silly early birds#go check it out!#clangen#wc clangen#warrior cats#wc#warriors#art#my art#comicfury#webcomic#webcomics#comic#comics
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The Housecat Philosophy - Ep 37
Ep 00 || < Prev || Next >
Read the next four episodes on Patreon || support me on ko-fi~✨
#the housecat philosophy#artists on tumblr#original comic#webcomic#original art#my sketches#ah i love writing sal and lu in the same place#can't wait to get deeper into them they have probably the most ridiculous relationship i've ever made up#anyway as a psa#i was actually hoping to post this one with an announcement that the comic was finally on webtoon but!!#the process of prepping it for the site is turning out to be surprisingly long ????#apparently my meant to be read top to bottom comic is too meant to be read top to bottom for the read top to bottom site#i've drawn panels that were nearly too long for the max length allowed by the site hahaha........#wow cropping strip 38 is gonna be a nightmare#ANYWAY just to let you all know im working on it#who would have thought letting 37 strips pile up would mean having 37x the work to do not me that's for sure#i absolutely did not call this upon myself in no way whatsoever
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It's not far from the sign marking the exact latitude and longitude of the Earth's core.
Earth Formation Site [Explained]
Transcript Under the Cut
[Cueball is standing in front of a sign in a field of grass. Rocks and plants are scattered across the ground. The sign reads:] HISTORICAL MARKER EARTH FORMATION SITE --- 4,450,000,000 BCE --- At this location in the year 4,450,000,000 BCE, a cloud of dust and gas gravitationally collapsed to form the Earth.
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Start Reading :: Latest Update :: Read The Rest Of CH1 Now
Hello everyone, and happy friday!! It's been a hot minute since I made an update notice post, and that's because when I got back from my trip I got the exciting news that Heart of the Storm had been accepted into the SpiderForest collective!
So these past couple weeks I've been busy setting up the new independent Heart of the Storm website (!!) and integrating everything into the collective.
From here on out the new website is going to be one page ahead of the ComicFury mirror, so you might want to subscribe to the new site instead!
Also, I'm currently catching up on commissions, but once I'm back on track with my queue I'm going to finalise the last few thumbnails for chapter 2 and start working on the final pages..!!
My Patreon at the moment is two pages ahead of the free release, but as soon as I finish the first page of chapter 2 I am going to start posting the entirety of the rest of chapter 1, and then pages from chapter 2 will go up as and when I finish them. There's currently 99 pages projected for chapter 2, so it's going to be in the making for a while! You can also become a supporter on Ko-Fi for the same benefits if you would prefer!
If you've been waiting for chapter 2, consider becoming a patron/supporter! The more supporters I have the less commissions I need to take and the more time I can dedicate to making HotS Real :)
#spiderforest#webcomic update#webcomic#heart of the storm#I put a lot of love into the hots website it looks basically the same as the comicfury site but this was not an easy task LMAO...#i had to get right into the guts of the php files to do this. ive never worked with php before please clap#also i copied the existing comments from comicfury over bc it looked so empty without them...#theyre not live mirrors though i did that manually so new comments on comicfury wont be carried across#unless i decide to import them every now and then or smth. who knows
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[ID: A scene with Murphy, a pale woman with wild hair, standing at a payphone. She is holding the phone to her ear, looking distressed. The background has a simple silhouette of an empty desert landscape. Evidence of the Unknown is written in the upper left corner.]
Murphy Nye is obsessed with finding proof of alien life, so much so that she’s isolated herself in the process.
When a real alien shipwreck practically falls at her feet, she has to re-evaluate not just her expectations of the alien, but her relationships with other humans. The fate of both their worlds may be at stake, after all.
Evidence of the Unknown is a new science fiction webcomic series, publishing one page a week starting next week! New updates will be both on tumblr and other sites as I get them set up!
#webcomic#aliens#queer fiction#queer comics#science fiction#its almost hard sci fi but I take some liberties lol#Still deciding which other sites to host on. I'd like to get my own site set up but comicfury is also looking like a good option
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Chapter 3 Page 15
#my art#visionary#webcomic#comicfury#I hate writing the dialogue transcripts for pages on the site it makes me embarrasseddd#Its for the sake of easily searching later... i dont know if it will help anyone but i feel like i need to
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New scene up on the webcomic! shorter than last update but hey we're still going! Also a lot more fantrolls in the background, thank you again to everyone who offered their OCs!
#All the pages work this time on launch- im still like not a coder and the editing side of the site is a lot slower#but its still worth it for me personally to keep going and boy am I#sauron is a lier and a fraud smite him/j#fr though still a bit bumpy but i swear im trying my best to keep it going#aleph null#aleph null update#webcomic#aleph null webcomic#next update SHOULD actually be the closing of chapter one... that was fast i know#but hey last update was a full 40 pages#hopefully the site doesnt break... still tinkering away between like... everything else in the world rn
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#thought I'd share the first comic here its silly#unfiction#webcomic#artists on tumblr#dreamcachers#sleepwalkers#a very special project!! check out the site a bit!!! for a Time#itpuddle
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All the cool kids use ComicFury 😘
Hey y'all! If you love independent comic sites and have a few extra dollars in your pocket, please consider supporting ComicFury, the owner Kyo has been running it for nearly twenty years and it's one of the only comic hosting platforms left that's entirely independent and reminiscent of the 'old school' days that I know y'all feel nostalgic over.
(kyo's sense of humor is truly unmatched lmao)
Here are some of the other great features it offers:
Message board forums! It's a gift from the mid-2000's era gods!
Entirely free-to-use HTML and CSS editing! You can use the provided templates, or go wild and customize the site entirely to your liking! There's also a built-in site editor for people like me who want more control over their site design but don't have the patience to learn HTML/CSS ;0
In-depth site analytics that allow you to track and moderate comments, monitor your comic's performance per week, and let you see how many visitors you get. You can also set up Google Analytics on your site if you want that extra touch of data, without any bullshit from the platform. Shit, the site doesn't come with ads, but you can run ads on your site. The site owners don't ask questions, they don't take a cut. Pair your site with ComicAd and you'll be as cool as a crocodile alligator !
RSS feeds! They're like Youtube subscriptions for millennials and Gen X'ers!
NSFW comics are allowed, let the "female presenting nipples" run free! (just tag and content rate them properly!)
Tagging. Tagging. Remember that? The basic feature that every comic site has except for the alleged "#1 webcomic site"? The independent comic site that still looks the same as it did 10 years ago has that. Which you'd assume isn't that big a deal, but isn't it weird that Webtoons doesn't?
Blog posts. 'Nuff said.
AI-made comics are strictly prohibited. This also means you don't have to worry about the site owners sneaking in AI comics or installing AI scrapers (cough cough)
Did I mention that the hosting includes actual hosting? Meaning for only the cost of the domain you can change your URL to whatever site name you want. No extra cost for hosting because it's just a URL redirect. No stupid "pro plan" or "gold tier" subscription necessary, every feature of the site is free to use for all. If this were a sponsored Pornhub ad, this is the part where I'd say "no credit card, no bullshit".
Don't believe me? Alright, look at my creator backend (feat stats on my old ass 2014 comic, I ain't got anything to hide LOL)
TRANSCRIPTS! CHAPTER ORGANIZATION! MASS PAGE UPLOADING! MULTIPLE CREATOR SUPPORT! FULL HTML AND CSS SUPPORT! SIMPLIFIED EDITORS! ACTUAL STATISTICS THAT GIVE YOU WEEKLY BREAKDOWNS! THE POWER OF CHOICE!!
So yeah! You have zero reasons to not use and support ComicFury! It being "smaller" than Webtoons shouldn't stop you! Regain your independence, support smaller platforms, and maybe you'll even find that 'tight-knit community' that we all miss from the days of old! They're out there, you just gotta be willing to use them! ( ´ ∀ `)ノ~ ♡
#comicfury#support small platforms#webcomic platforms#webcomic advice#please reblog#also i'm posting my original work over there so if you want pure unhinged weeb puff that's where you can find it LOL#and no this isn't a 'sponsored post'#but i have been paid in the currency known as good faith to promote the shit out of it#because i don't wanna see sites like this die out#we already lost smackjeeves#comicfury is one of the only survivors left
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