#webcomic site
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unavailable-yarrow · 5 months ago
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my comic is now on Comic Fury! reblogs super appreciated!
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chrystallink · 8 months ago
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Champion's Plight
I thought I'd repost this for new followers! This is my short webcomic prequal for my System Collapse project! I'm really happy with the final results, and it gave me an opportunity to test a style I'd like to try going for for System Collapse!
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adeanthepurpledragon · 7 months ago
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@drake-the-highlander @kingnice1219 @alexcanine @reformedladyfandom @jaysmily2919
I have a new webcomic site I post more of my webcomics at I might decide to make other webcomics besides just my main webcomic series Adean the Dream Guardian that is now on there although I plan on someday writing and posting other webcomic stories on there but please check out my Duck Webcomics account where I’ll actually post more of my webcomics besides just on here on Tumblr and on my Deviantart pages.
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tehandeh · 1 year ago
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(via 554 What's the Dealio)
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genericpuff · 5 months ago
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Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.
hahaha it wouldn't tho, sorry 💀
Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):
Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.
Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself
Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.
Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.
Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)
Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.
If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:
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(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).
The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.
And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.
So what can we do?
We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.
For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.
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franeridart · 11 months ago
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The Housecat Philosophy - Ep 37
Ep 00 || < Prev || Next >
Read the next four episodes on Patreon || support me on ko-fi~✨
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todays-xkcd · 6 months ago
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It's not far from the sign marking the exact latitude and longitude of the Earth's core.
Earth Formation Site [Explained]
Transcript Under the Cut
[Cueball is standing in front of a sign in a field of grass. Rocks and plants are scattered across the ground. The sign reads:] HISTORICAL MARKER EARTH FORMATION SITE --- 4,450,000,000 BCE --- At this location in the year 4,450,000,000 BCE, a cloud of dust and gas gravitationally collapsed to form the Earth.
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diosmaden · 3 months ago
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Start Reading :: Latest Update :: Read The Rest Of CH1 Now
Hello everyone, and happy friday!! It's been a hot minute since I made an update notice post, and that's because when I got back from my trip I got the exciting news that Heart of the Storm had been accepted into the SpiderForest collective!
So these past couple weeks I've been busy setting up the new independent Heart of the Storm website (!!) and integrating everything into the collective.
From here on out the new website is going to be one page ahead of the ComicFury mirror, so you might want to subscribe to the new site instead!
Also, I'm currently catching up on commissions, but once I'm back on track with my queue I'm going to finalise the last few thumbnails for chapter 2 and start working on the final pages..!!
My Patreon at the moment is two pages ahead of the free release, but as soon as I finish the first page of chapter 2 I am going to start posting the entirety of the rest of chapter 1, and then pages from chapter 2 will go up as and when I finish them. There's currently 99 pages projected for chapter 2, so it's going to be in the making for a while! You can also become a supporter on Ko-Fi for the same benefits if you would prefer!
If you've been waiting for chapter 2, consider becoming a patron/supporter! The more supporters I have the less commissions I need to take and the more time I can dedicate to making HotS Real :)
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evidence-of-the-unknown · 6 months ago
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[ID: A scene with Murphy, a pale woman with wild hair, standing at a payphone. She is holding the phone to her ear, looking distressed. The background has a simple silhouette of an empty desert landscape. Evidence of the Unknown is written in the upper left corner.]
Murphy Nye is obsessed with finding proof of alien life, so much so that she’s isolated herself in the process. 
When a real alien shipwreck practically falls at her feet, she has to re-evaluate not just her expectations of the alien, but her relationships with other humans. The fate of both their worlds may be at stake, after all.
Evidence of the Unknown is a new science fiction webcomic series, publishing one page a week starting next week! New updates will be both on tumblr and other sites as I get them set up!
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kodas · 1 year ago
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aroaessidhe · 3 months ago
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2024 reads / storygraph
Outdrawn
f/f contemporary romance
two cartoonist who’ve been rivals since uni, and now have competing webcomics online, have to work together on the relaunch of a cult classic at the comic press they both work at
they both struggle with art-related physical and mental health issues, and complicated families
#outdrawn#aroaessidhe 2024 reads#sapphic books#I thought this was decent! I liked the concept (even if I got distracted by some art related things…)#and the dynamic between the characters was good. I enjoyed their relationship development broadly speaking#and the emphasis on communication; though it was a quick flip into being together all of a sudden.#The sketchbook doodle flirting was cute. Some interesting exploration of their complicated family situations too.#There’s a lot of exploration of burnout and carpal tunnel and the dangers of artists overworking which I think are important conversations#and are done with some nuance. But it’s pretty much all discussed in the context of the personal pressure they put on themselves#rather than the industry corporate greed and artificial competition created by the comic platform - which are significant in this story!#It felt odd that that connection wasn’t really ever made?#I know that this is a romance and nitpicking the background plot is beside the point and also that I am not a big romance reader#but the premise that the comic hosting site archives everything; wipes the leaderboard; and out of nowhere has a comic competition for#new weekly chapters…I’m sorry but the art world would riot. Even if people enter because they’re desperate for the cash they’d be pissed#People live off the income from their webcomics! if they were erased (temporarily) with no notice…..there would be crimes committed istg#I simply don’t believe that it would be doable to create a new weekly webcomic with no notice while you also have a full-time comic job#(especially as the only stylistic choices mentioned are full-colour) - not to mention what happened to their 8-years-running webcomics#that were archived? they don’t think about them at all after the beginning? surely they’d care about that?#And then with their new comics they make for this competition (after work I guess) we get vague snippets about them but barely anything#- if they’re consuming that much of your time I would expect to feel like they’re thinking about them all the time#rather than the vaguest discussion about genre and cast numbers only.#I guess I just think the whole comic site stunt felt unnecessary for the plot anyway -#it would have worked exactly the same if they were just competing on the normal leaderboard with their normal comics???#anyway - I’m not judging TOO hard about all that because again I know it’s not the point and maybe the industry is like that in some place#Unfortunately it was distracting enough to affect my feelings on the book tho lol.#Lastly: the audiobook………oof. The narrators talk at different speeds; for one.#And Sage’s VA does this deeply weird raspy-anime-teen-boy voice for Noah which is such an odd choice#and doesn’t match her character at all.#unforch my library only had the audiobook (what I usually prefer) so I just had to sort of….translate the narration into a normal voice lol#anyway the romance is good tho
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whatlurksbean · 1 month ago
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are you still posting to instagram? latest page still isnt there, just wondering
I tried posting that page twice and could not get the dimensions to work, and then promptly forgot about it.
I’ll see if i can get that page up when im home. Im unsure how much i’ll keep posting there.
i might do chapter 30 too just to see how it goes, and if it goes well I’ll continue maybe!
it’s pretty annoying to post to though, and the traction isnt that great. Feel like if im dealing with annoying posting i might as well be on deviantart.
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boinday · 1 year ago
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Episode 43, Disarming, is now up on Webtoon Canvas!
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hjeojeo · 7 months ago
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it's...missing smackjeeves hours..
telling myself if no one makes a good alternative for smackjeeves in the next like five years, im gonna start making one myself (only 10% serious)
i just miss like that atmosphere of 100% unmarketable, just comic sharing/making space.
where we all knew that 99% of the time the comics we see will never get finished bc ppl get busy, kids grow up and change interests ,etc. (i mention kids bc most of my memories of smackjeeves was when i was a teen, so it was a significant like developmental years as an artist kind experience for me)
like i remember most of the comics were like
barely legible sketch pages with like text written in mspaint.
there was absolutely no quality standard. and that's why it was so good
it made me as a kid feel like oh i can do comics! cause it can be WHATEVER YOU WANTED IT TO BE AND LOOK HOWEVER WAY.
and the collaborative ones on smackjeeves were so fun to look at
just overall.
having that. rough, crude, unmarketable space for art/comics was significant.
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jonahmagnus · 4 months ago
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NOMADS WEBTOON IS BACK PEACE AND LOVE ON PLANET EARTH FOREVER!!!!!!
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genericpuff · 8 months ago
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All the cool kids use ComicFury 😘
Hey y'all! If you love independent comic sites and have a few extra dollars in your pocket, please consider supporting ComicFury, the owner Kyo has been running it for nearly twenty years and it's one of the only comic hosting platforms left that's entirely independent and reminiscent of the 'old school' days that I know y'all feel nostalgic over.
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(kyo's sense of humor is truly unmatched lmao)
Here are some of the other great features it offers:
Message board forums! It's a gift from the mid-2000's era gods!
Entirely free-to-use HTML and CSS editing! You can use the provided templates, or go wild and customize the site entirely to your liking! There's also a built-in site editor for people like me who want more control over their site design but don't have the patience to learn HTML/CSS ;0
In-depth site analytics that allow you to track and moderate comments, monitor your comic's performance per week, and let you see how many visitors you get. You can also set up Google Analytics on your site if you want that extra touch of data, without any bullshit from the platform. Shit, the site doesn't come with ads, but you can run ads on your site. The site owners don't ask questions, they don't take a cut. Pair your site with ComicAd and you'll be as cool as a crocodile alligator !
RSS feeds! They're like Youtube subscriptions for millennials and Gen X'ers!
NSFW comics are allowed, let the "female presenting nipples" run free! (just tag and content rate them properly!)
Tagging. Tagging. Remember that? The basic feature that every comic site has except for the alleged "#1 webcomic site"? The independent comic site that still looks the same as it did 10 years ago has that. Which you'd assume isn't that big a deal, but isn't it weird that Webtoons doesn't?
Blog posts. 'Nuff said.
AI-made comics are strictly prohibited. This also means you don't have to worry about the site owners sneaking in AI comics or installing AI scrapers (cough cough)
Did I mention that the hosting includes actual hosting? Meaning for only the cost of the domain you can change your URL to whatever site name you want. No extra cost for hosting because it's just a URL redirect. No stupid "pro plan" or "gold tier" subscription necessary, every feature of the site is free to use for all. If this were a sponsored Pornhub ad, this is the part where I'd say "no credit card, no bullshit".
Don't believe me? Alright, look at my creator backend (feat stats on my old ass 2014 comic, I ain't got anything to hide LOL)
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TRANSCRIPTS! CHAPTER ORGANIZATION! MASS PAGE UPLOADING! MULTIPLE CREATOR SUPPORT! FULL HTML AND CSS SUPPORT! SIMPLIFIED EDITORS! ACTUAL STATISTICS THAT GIVE YOU WEEKLY BREAKDOWNS! THE POWER OF CHOICE!!
So yeah! You have zero reasons to not use and support ComicFury! It being "smaller" than Webtoons shouldn't stop you! Regain your independence, support smaller platforms, and maybe you'll even find that 'tight-knit community' that we all miss from the days of old! They're out there, you just gotta be willing to use them! ( ´ ∀ `)ノ~ ♡
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