#weak in fanon interpretation

[monstertsunami]

nobody will ever understand my truth.. i dont need everyone to love temnolya i just need them to understand the specific way i interpret the two. i truly think that most ppl who dislike it just dont understand olya or temnova as characters. i did not serve 3 years in the yuri trenches just for ppl to say its shallow and fetishized.

[biennatodd]

its so interesting to me that there is this divide in how people-who-prefer-JFM talk compared to people-who-prefer-YZY among the lotus pier fandom (specifically referring to MDZS fans who spend a lot of time headcanoning, theorizing, and writing about WWX, JYL, JC, JFM and YZY as a household, and the dynamics of Yunmeng Jiang as a sect)

in many posts by people-who-prefer-JFM there is a lot more leeway about his motivations, and generally hes given more space for the possibility of other styles of behavior under different circumstances.

The language around JFM is often loose and accommodating. It "seems" like he wanted this; He "tries" to do this; "Maybe if-"; He "could" have done this. It's often framed around how other characters perceive and react to him, rather than addressing him as a cause.

The language around YZY is much more concrete. Very much so "YZY did this, because she is [this] way". The framing is around her actions and how she makes people respond. The fault lies with her. There is no room for hypothetical, and everyone seems to know EXACTLY how she would behave outside the confines of the story despite that being literally impossible. There is no what if, only what is.

Part of this is of course because YZY is more verbose, and thus we have more insight into how she thinks as a character, but I think it goes beyond that as well.

Because people who tend to favor YZY, or at least express more interest in YZY, will have similarly loose and accommodating language when theorycrafting about her, but unlike people-who-prefer-JFM, they tend to still apply that loose language to JFM as well.

There is space for them to be different, or more complex, than what is presented to us.

And this often trickles down to how people talk about WWX and JC respectively as well. WWX is the MOST verbose character in the novel, not just because the entire book is from his POV, but also because he just doesn't STFU (and I love that for him). But JC is more withdrawn and we don't get nearly as much insight to his thought process (although there is still quite a bit).

You would think that'd mean that JC would receive more accommodating/loose interpretive language due to vagueness, while the understanding and descriptions of WWX would be much more concrete but that still isn't the case.

Instead WWX gets slotted into the same more-forgiving category as JFM, while JC gets a much more strict, inflexible interpretation like YZY (unsurprising when taking their characterization into account that they'd be paired together).

People just don't talk about JYL enough for her to even be included 😭

[mekatrio]

i dont rly care for LU itself at all and am more interested in what fans do with its overarching premise, which feels mean-spirited in a way sorry but its true 😭 i think most of the designs are lovely (four's especially), but jojo's comics itself... i dont really care for it 😅

[zeroiridium]

Underlying misogyny in the Mega Man X fandom

Maybe I'm coming across as "too woke" here or reading into things too much, but I'd like to talk about the misogyny surrounding the mmx fandom as I feel it's an overlooked issue .

My first example is the treatment Iris gets in the fandom.

Ignoring the blatant sexualisation she's gotten over the years, Iris is either forgotten (which I don't fully blame people for actually), treated decently or hated and bashed for.......kinda nothing honestly

You see, Iris suffers from this thing called "treating writing flaws like character flaws." A.K.A. hating characters for what is clearly an out-of-universe problem.

The most common example is that characters (usually female) are poorly written, and fans of the media hate the characters for it. It's made even worse when male characters suffer from the same writing mistakes and get little to no negativity.

You can probably see how this relates to mmx. Iris is very much not a well written character. She barely has a role other than "extra trauma for Zero boo hoo," but then again, X and Zero ALSO aren't well written. They just seem better because you see more of them, but truthfully, you only need a maximum of three words to describe any of these characters as they're all shallow.

Fandom misogyny also applies to other female characters, especially in the oversexualisation or complete ignorance department. Another great example of this would be Layer.

In-game Layer is a reserved, calm, collected woman who only really breaks out of that when Zero is around, in which she seems to get awkward, no doubt due to her hinted crush at the man. Even then, she doesn't act all that different. She almost has Garnet energy to her.

In a lot of fanon interpretations though, Layer seems to be sexualised and even demonised despite her barely contributing to the games. Granted colourisim also plays a part in that, not only in fanon content but in canon media as well. Layer is the only black character in the X series, and she is by far the most sexualised, which also contributes to her fanon depictions.

Another character I'll mention in relation to underlying misogyny in the fandom is one you might not expect.

It's X.

Yeah

X suffers from this thing in male characters especially, benevolance, a desire for peace a dislike of violence, or any indication of emotions really, are seen as weak, soft, or you guessed it, feminine traits.

These types of characters are then often infantilised, fetishised, and generally misrepresented in fan made media.

(It's at this point I would like to state there is nothing wrong with soft or weak or feminine male characters on their own.)

X very much suffers from this, as despite fighting several wars, people still portray him as a wimp. Even in the Zero games, which is honestly kinda absurd to me? Seriously, a man who ran an apocalyptic nation for a century would not act the way some people seem to think.

Speaking of the Zero games, this post is about mmx so I'll keep this brief, but there's also a lot of weird stuff when it comes to female characters in that fandom aswell, mostly sexualisation. For Fairy Leviathan, even though I don't like it and think it sucks, I can at least somewhat understand it. She does seem to have the maturity of a young adult and is almost flirtatious in her appearances. However, I can not say the same about certain depictions of Ciel, who is a confirmed CHILD. She's 14 in mmz 1, and she's 16 in mmz 4. No excuses.

Well we've come to the end of this rant where I'd like to say that there is nothing inherently wrong with OOC depictions of characters. People are allowed to have fun and play around with characters they enjoy. That's not at all my problem.

My problem is when fanon is treated like canon, to the point where fan made content is treated as official information, which ofc leads to a lot of confusion and misunderstandings, and it's honestly just plain annoying. Especially since a massive part of megaman series fans haven't actually run through the canon material

There's also problematic aspects like misogyny, racism and others, which I mentioned previously. To anyone with half a brain, it should be obvious why those are bad things.

Anyway I saulte for making it the end of this, thank you for listening to my ultimately not that clear way of presenting topics

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[starry-bi-sky]

more about og tue timeline twins danny and dan/jamie

very touchy with each other. you might even say. ccclingy. its to be expected, they're two halves of a whole after all and all they've got of each other. worryingly co-dependent. do not separate. ever.

Danny was really weak and sick after the initial separation, and was for a while after. Jamie knew internally that if Danny died, he'd take the whole world with it. He was the one sole caretaker for him while he got better -- not for lack of trying on Vlad's part, but without his ghost powers he was nothing more than a feeble (albeit handsomely rich) man, and James looked ready to bite his head off if he got within ten feet of either of them.

Vlad is intimately aware that James (or Danny, if he tried) could snap his spine in half like a twig, and is uncomfortably aware of his own lack of ghost half now. It makes him feel self-conscious and exposed, so he never fully returns back to "cocky and self-assured billionaire Vlad Masters". Making deals with other brands feels a lot harder now that he can no longer possess them anymore.

Speaking of, he very quickly has to come up with a cover story as to why there's now a James Daniel Fenton to the public, when no records whatsoever of him existing existed prior. Lots of forging false government documents on his end. James and Danny do not help because it's his fault this happened in the first place.

(Regardless of whether or not Danny actually willingly chose to rip out his ghost half/humanity in canon is true, or if that was Vlad Masters speaking out of his ass, a large part of the blame still falls on Masters.)

(As his primary caretaker and guardian, it's his responsibility to ensure the health and safety of his charge, and since Danny was in clear emotional duress at the time, it can be argued that he was not in the mental state to make such a decision. And, allegedly, couldn't do it on his own which is why he asked Vlad for help.)

I chose "James" as Dan's name since it's a popular fanon middle name for Danny, and since he's half of Danny, it felt like it just made sense lol. Also because of the ensuing comedy of the two of them introducing themselves as "James Daniel Fenton" and "Daniel James Fenton". It's got the same energy as "danny with a y" and "danny with an i" and it's the exact kind of name bullshit you expect parents to give their twins.

I don't have their exact personalities down, but something I am actively writing into this au's bible is that I think Danny should be the quiet and (ig technically) meaner one. There's a lot to go into about interpretations for ghosts, halfas, and the incident itself, but TL:DW; Danny is technically soulless, or at the very least missing half of his soul (altho Jamie is too just in a different direction).

Pair that with the trauma of losing his family in front of him + having his ghost half ripped out + all the trauma he would've sustained as a hero, and he's not doing too hot mentally! i think if the twins met good timeline!Danny, Danny would've mistaken Danny for Dan and Jamie for the original half.

He comes off to others as pretty apathetic and indifferent to a borderline terrifyingly calm degree. He doesn't go out of his way to insult people, but he also doesn't care enough to consider the other party's feelings so he doesn't filter himself, which makes him come off as rude. The only times he looks truly comfortable is when he's near Jamie or talking to him.

His standoffish, ice prince demeanor makes Jamie look like a saint in comparison. When really he's not all that much better? He's more outwardly emotional than Danny, whether that be positive or negative, but at the end of the day he doesn't trust or care about anyone else any more than Danny does, and he's got a bit of a sadistic streak. Danny reigns him in when he starts becoming too destructive.

(Which I think makes sense. Danny asked Vlad to rip out his ghost half specifically so he could stop feeling his human emotions. Dan, despite his monotone voice, does exhibit emotions. He's smug when he asks Valerie if he likes his ghostly wail, sardonic when he reunites with Sam and Tucker, annoyed, shocked at Danny's ghostly wail, etc. He enjoys wreaking destruction and chaos.)

(If Danny had survived his encounter with Dan and if Vlad was successful, then I imagine he'd be rather apathetic to his other half as a whole. That'd be interesting.)

Overall though they're both hurt, bitter, and distrustful of the world around them, with abandonment issues a mile wide. They can get better and they can heal, but it takes time and patience and proper support.

On the DPxDC side of things, they do genuinely hold some kind of respect or regard for Bruce. They also don't become vigilantes for a while. Neither of them are jumping at the bit to enter heroism again, not when it was heroism that killed their family in the first place.

In fact when they find out Bruce = Batman they think he's foolish for it. They think its a fool's errand, and they've been so spurned by their time as Phantom that for a few weeks, Jamie even refused to call Bruce anything but Sisyphus. Danny called him Tantalus, and the two of them had a faux-argument about which one was more accurate.

Bruce does, though, worm his way into both of their hearts, and that's like, the main reason they become vigilantes to join him. So that they could keep him safe and not because of any desire to return to the heroic life. Relearning to care and finding satisfaction in helping others was an unintentional side effect.

(Bruce is so very smug)

Essentially:

The Twins: this is our squishy and fragile adoptive father. If anything happened to him, we're becoming mass extinction events.

Bruce: Nnno.

[erumai-maadu]

Just noting down some things about Tenten that influence my view of her characterization/personality. primarily for my own reference as i’m writing, as well as to kind of get a more mature and consistent characterization of her than i had before. this gonna be an extremely long and rambling post, (where I think I repeat myself a whole lot oops) and there’s not really anything profound, just some traits i’m pulling from canon and interpreting.

most of Tenten’s ’canon’ characterization comes from filler and databooks, which I then further interpret, so a lot of her characterization in this post is three degrees of fanon/headcanon, with some liberties taken where I dislike the interpretation.

We’re introduced to Tenten during the chunin exams, where she’s seen throwing kunai at a target dummy that Neji is sitting under. She casually throws her kunai and hits the target dead center, instantly showing her marksmanship skill, but also Neji’s implicit trust in her since he doesn’t even flinch and the target is pretty much right over his head. This ties in later but basically, he fully trusts that she will not miss.

We see Tenten again before the first round of the chunin exams, while Izumo and Kotetsu are blocking the door. The thing I find notable in that scene is Tenten not being immune to Sasuke LOL.

(Manga panel grabbed from @tentenarchive)

it's interesting to me that her thing is specifically that there's not a single scratch on him, and that he's "cool". Makes sense given that she's on a team with Gai and Lee and she desperately wants them to be cool too. And she dislikes weak people so yeah, of course it's cool to her that he's untouchable.

Actually on this topic, Tenten's taste seems to be "cool people"? In a filler episode (naruto 162) she thinks that the lord of a local land is really cute when she sees him get down for his palanquin. The lord's whole thing is that he's like cold and cool and pensive etc. so this seems to be Tenten's taste to some degree. He turns out to actually be a girl in the end so yknow. bi Tenten confirmed.

Here's her page from the first databook (screenshotted from The Narutoversity). She gets annoyed at Lee injuring himself for Sakura's sake, which I'm pretty sure isn't really out of care so much as it is that they're in the middle of the forest of death in like. the worst situation possible. Love how Ino's just standing there like "what the fuck kind of medical care is this".

I generally dislike the stats since I find that they’re inaccurate to what we see on-panel (a whole rant I could go on another time tbh), and Kishimoto tends to skew them egregiously in favor of characters he particularly likes. Ex: genin era Neji’s total is 21, and shippuden Tenten’s is 20.5. You cannot seriously be telling me that Neji as a genin is stronger than chunin Tenten three years in the future. Come on Kishimoto. There are a few things of note here though, so let’s go through them anyway.

Tenten’s highest stat is her speed, at 3, which is the same as Sasuke from the same databook. So clearly, she’s fast, especially since Sasuke is known for his speed. She's not as fast as Lee, but still quick on her feet and dexterous, with fast reflexes. Makes sense, since the second databook describes her fighting style as “dancing flexibly and firing speedily”.

Her strength is a 1 and her stamina is a 1.5, which is insane to me. Like she’s on Team Gai???? They do 500 laps around Konoha and 1000+ pushups every day???? I reject canon here, fuck u kishi, I know she’s actually buff as hell and has hella stamina.

Her intelligence is a 2, which might seem super low but it matches Sasuke's intelligence, and is only 0.5 lower than Neji and Temari's. I think it just goes to show that the scale for these stats is skewed as hell. But basically what this means is that she operates at a similar level to Sasuke, Temari, and Neji, where she picks up on the things around her, and while she isn't operating on the level of Shikamaru, she's still a good strategist.

Back to the actual show, we get to the elimination round and her fight against Temari (episode 43). I’m basing this part off the anime because their fight in the manga is like three panels long.

So technically, this is “filler” (as if any tenten fan really cares lol).

From the Hokage's commentary, her battle sense is pretty good. She positions herself a perfect distance away from the enemy. She's trying to bait Temari into attacking, to see what her power is and figure out how to counter it, and Temari calls her out on it.

Tenten isn't a 200 IQ genius strategist the way Shikamaru is, but she is still a smart fighter. We can see she thinks in a similar way to him (and Temari) feeling out the enemy's power and what they can do before counterattacking strategically. I need them to be best friends tbh.

Her first reaction when she throws her shuriken at Temari and misses is surprise. She is deeply confident in her own abilities, so it's genuinely shocking to her. She yells "I missed? There's no way!" and in the stands, Gai also insists up and down that Tenten never misses.

She has the utmost confidence in herself, and from the rest of her team. None of them have any doubt in her, and this also ties back to that introductory scene. No wonder Neji let her chuck kunai at targets near him. It's probably something she does regularly too.

Tenten loses to Temari, and is immediately down on herself. We see a lot of this in Shippuden 237, where she's lying in the hospital and loses all her confidence in herself and her abilities.

Shippuden 237 shows us that Tenten does actually have self-esteem issues, even before this fight with Temari. During their first year as genin, when Lee keeps getting defeated by Neji, Tenten tells Lee that he really should just give up on beating Neji, because he's a genius, and Lee is not. It's clear in the voice acting and the expressions that to some extent, Tenten isn't just speaking about Lee when she says this, she's also speaking about herself.

She seems to compare herself a lot to others, often in a negative light, talking down about herself when others are better than her, but still trying her best to surpass them.

But the way she talks after losing to Temari is much worse. Her match with Temari affects her deeply, and likely for many years to come. I think it becomes one of her primary motivations to become stronger, as she keeps holding that moment as her lowest point and vowing to never be that helpless against an opponent again.

Headcanons here. After her fight with Temari, Tenten also throws herself into learning 1) fire jutsu to combat Temari’s wind (this is why she develops that dragon bomb jutsu she uses during the Konoha Crush filler episode), and 2) seals that can absorb/store away opponents’ attacks.

I think Tenten’s primary chakra nature is actually lightning, which is also why she is so weak to wind chakra. I love this post by @/fineillsignup that goes into detail about chakra natures, and a lot of the traits listed under lightning nature fit with my interpretations of Tenten. I also am heavily biased toward the idea of Kakashi, who is basically student-less during the interlude period, teaching Tenten lightning jutsu since she's his husband's friend's student.

Going back to that scene in shippuden 237, I do think her talking down to Lee in their first year as genin is also interesting. Even though I love the idea of Lee and Tenten being besties before Team Gai and her standing up for him, I think the reality is that she probably didn’t really talk to him in the Academy, and once they were on the same team, she was kind to him, and learned to work with him.

Lee very specifically mentions in a flashback in episode 100 that nobody told him anything encouraging, sensei or student. This obviously includes Tenten. So while she wasn’t outright mean to him, she also didn’t have the greatest opinion of him.

She very quickly found herself relating with him, and that probably made her take out some of her own self-loathing on him at first. Eventually they become close, and form a very deep friendship, but things start out pretty rocky.

Kishimoto confirms that every day for a month between the second and final rounds of the chunin exams, Neji and Tenten train together in secret to help him reverse-engineer the 8 trigrams 64 palms and the rotation. It’s interesting that everyone else goes to train with a jounin and only Neji chooses to train with his teammate.

I think this implies Tenten to be a good secret keeper and evidence that Neji already told her about the cursed seal and all the clan drama. During Neji’s speech to Naruto, Tenten’s reaction is shown alongside Hiruzen and Hiashi’s, both of whom already know all about the curse mark and his father’s death. So Neji has told Tenten as well.

Plus Tenten is uniquely suited to help with Rotation, since she can throw a billion knives no jutsu.

During Naruto vs Neji, Tenten gets used as the mouthpiece to explain Neji's attacks, which also shows how well she knows him after training with him for the Chunin exams, but she's also genuinely impressed when Naruto wins, and even compliments him.

There's a brief scene during Shikamaru v Temari where Tenten comments about how she couldn't beat Temari. Also look at her arms. A 1 for her strength stat??? with those arms??? sure kishi.

Okay, we move on to when Orochimaru attacks Konoha, and there’s this filler episode (shippuden 192) where Hinata gets kidnapped by Kumo shinobi. This episode has some small Tenten moments, where you can also see how Neji thinks of her, and I like them a lot.

We start off with Tenten going to check in on Neji after his conversation with Hiashi, and he actually opens up and tells her all about what they had just spoken about, another sign that he's told her about everything with his clan.

When Hinata is kidnapped and the Hyuuga Elder makes Neji go get her, Tenten comes with him, not out of any particular concern for Hinata, but purely to back up Neji. I doubt she likes Hinata much at first (my eyes were opened after this post by @tentenismybitch), so she’s doing this more for Neji’s sake.

As they're chasing after the man who kidnapped Hinata, they get caught in a trap, and Tenten tells Neji to leave her behind (strategic thinking) and Neji only hesitates for a second before agreeing and going on ahead. Neji expresses that this is because he knows Tenten can handle herself.

We see her using a new jutsu (the Dragon Bomb), which as I mentioned before, I think she developed with Temari in mind.

During the Hokage’s funeral we do see her in funeral attire looking sad but is she really? debatable. I think no, but it’s not entirely relevant. This is all personal headcanon here, not based on canon evidence beyond extrapolating from what I’ve seen.

Tenten doesn't strike me as someone burning with loyalty to the village and harping on about the “will of fire” and whatnot. She does her duty, and that’s about it. It doesn’t go further than that. She cares about the people dear to her, but not really about the village specifically.

After the Hokage’s funeral, Tenten doesn’t appear again until the end of the Search For Tsunade arc, which I think is her last non-filler appearance in the original series other than a few flashbacks.

She’s excited about Tsunade coming to the village, and tells Neji after he trains, and asks him to come with her to go see Tsunade. Neji tells her he’s not interested, and Tenten looks a little disappointed.

We see Tenten in some flashbacks to Lee's genin years (episode 100). As Neji is talking down to Lee, Tenten doesn't really say anything, which matches with what i said earlier. But, when Gai tells them that with hard work, anyone can be a shinobi, Tenten has a similar reaction to Lee, while Neji just looks annoyed.

What Gai says seems to give her hope. That with enough hard work, anyone can become great. She doesn't think of herself as a genius, and if anything, seems to group herself with Lee in terms of ability. This is also shown in Shippuden 237, which I'll discuss later.

After this we only see Tenten in the end-of-series filler, which will be part 2 of this post since it's already really long. We'll finish off by looking at data book 2, which came out after the manga for the first series had finished.

From the second data book (screenshot also taken from the Narutoversity), we see part of her personality is being a "busybody" LMFAOOOO. So yeah she's inquisitive and curious, being a research enthusiast, but also uses that same nature to get in on everyone's business too. We can assume she's also observant and detail-oriented, can probably read people pretty well.

I like this a lot! I think Tenten is a good people person, and many find her easy to get along with. She’s probably one of those people that you accidentally find yourself telling really important or deep stuff to without really knowing why. She’s just got this air around her that’s very chill and comfortable.

But I do think she’s nosy, and does wanna know about everything, just to be in the know. She’s a little detective LOL.

The research enthusiast part is a fun thing too. She strikes me as a tinkerer, messing with new weapon designs or seal ideas, constantly turning something over in her head.

The first and second databooks list her hobby as fortune-telling, which is also really cute. I think she knows palmistry and does readings for her friends, and has some knowledge of astrology. She isn't overly superstitious, but she does believe in ghosts, and gets fairly nervous when she sees or hears something that can be considered a bad omen.

She has pride in her weapons, clearly, and her arsenal is implied to be the largest and strongest of any ninja. I’d like to assume that some of her pride comes from the weapons in her arsenal that are of her own design.

Her 'carefree, smiling face' is also an interesting point. At first I was unsure how to interpret this, but to me it reads as her being rather laid-back and carefree, despite her power and lethality. Again, not very sure how to interpret this line and I'd love to hear how anyone else sees it!

It’s cute that Tsunade coming to the village and becoming hokage made Tenten train harder. I think aside from her defeat to Temari, this becomes another major motivation for Tenten. She wants to impress Tsunade, the kunoichi that she admires most.

She says she'd like to fight Sakura, so I think there's some kind of jealousy or something to prove there since Sakura got to be Tsunade’s apprentice and Tenten didn't. This goes back to her low self-esteem and those issues she’s been having since her fight with Temari.

Shippuden 237 touches on this but Tenten did actually try to become a medical ninja for a bit, she just didn’t have the chakra control necessary. Obviously this adds to her insecurities when Sakura turns out to be a natural at medical ninjutsu with unnaturally good chakra control.

I’m not a huge fan of the ‘trying to be a mednin’ part of this ngl, I think she’s a little too fixated on weapons to truly care about medical ninjutsu, and wants to emulate Tsunade just for the ‘strongest kunoichi’ part rather than trying to be her exact carbon copy. Plus, I think (headcanon) Tenten’s chakra control has to be at least decently good in order to do seals, but that’s a different rabbit hole. I tend to disregard this in my fics and will likely continue to do so.

I do like the thing of being jealous of Sakura in some way for being Tsunade’s apprentice, though. It’s some nice flavor and I appreciate the one-sided rivalry. I think it would be funny for Sakura to think of Tenten as the cool senpai and look up to her, meanwhile Tenten is struggling to not immediately challenge her to a duel, Gai-style.

Since this is already super long, I’ll do a part 2 for all the filler arcs she’s in, and then a part 3 for shippuden.

[lotsofdreamb0ats]

kakyoin and his parents are a really weird and underdiscussed part of stardust crusaders. on the watsonian level, there are multiple interpretations you could have of this, and i think its an interesting show of fanon for a character that is pretty beholden to fanon interpretations.

a fairly common consensus i've seen about kakyoin's parents are that they were abusive or at least maliciously negligent.

for the record, i am totally cool with this! kakyoin's family really isn't elaborated on in canon and you can take his subtleties a lot of ways. whether its whump for whumps sake or projection, people are free to interpret the empty holes however they wish.

that being said, i've found myself... idk. not opposed, but disinterested in that take, because the view of kakyoin and his family presented by canon feels way more interesting to me. here's my take & discussion on it!

[meta headcanon-ing below the cut]

from a very young age, kakyoin is an extremely private & emotionally isolated person. this is a trait he has developed from years of feeling like explaining himself to anyone was a futile juncture because no one would believe or understand him, not even his own parents.

when kakyoin's teacher informs his mother abt his lack of desire to make friends, mrs. kakyoin (at least in the anime; cant attest to the manga) shows concern and almost... futility towards the situation. it isn't that the other students don't want to befriend noriaki. rather, noriaki doesn't want to befriend them.

we actually see a similar sentiment in holly, at least through subtext. holly is not wholly unconcerned by jotaro, but she is overly accepting of his poor behavior and struggles to acknowledge her son's flaws. holly views jotaro as younger and less in control of his behavior than he is to the point of willful ignorance.

kakyoin, meanwhile, is in a constant fight with himself over "letting" DIO manipulate and brainwash him. kakyoin is often victim-blaming towards himself -- he is weak and should've known better, should have never let his fear consume him, should have never lost control of himself and given it to DIO.

(dubiously canon material ahead, but shining diamond's demonic heartbreak is vital to my interpretation of kakyoin. treat this as you will.)

kakyoin is at his most distressed and personally tormented when he feels weak and vulnerable. he laments this weakness in himself -- immaturity, he calls it, although that is a translation -- and says no one is to blame for what DIO did unto him except himself.

and all of this, if you continue treating this version of events as canon, is with the added layer that kakyoin was literally protecting his 8-year-old cousin (ryoko-chan <3) while fighting DIO.

(as a side, hierophant green's lesser used powers (notably utilized while kakyoin has a fleshbud and almost never again) involve extreme control and precision. he is quite literally shown to puppet others from the inside using hierophant while operating his own body as well. kakyoin himself says no one can understand him without hierophant green; it isn't farfetched to say hierophant green's abilities reflect its user.)

all of this to say: i don't believe kakyoin's family was abusive in the traditional sense. i think kakyoin is the adultified child to jotaro's infantilized one.

i don't doubt kakyoin loves his parents, but it stands to reason that -- like jotaro with holly, if not more so -- there isn't a respect for his parents authority. adultified children often develop a lack of trust in the people and agencies that are supposed to protect them, like parents or teachers.

if kakyoin has felt like he could only trust himself and hierophant green his entire life, how is he supposed to seek support or protection from his parents? i honestly don't think he would. with hierophant at his side, it's easier (less disappointing) to uphold himself to this extreme standard of strength and maturity than be vulnerable with anyone.

noriaki's mother and father have eachother. noriaki has no one.

(taken from kakyoin's character profile, which you can see in full here.)

based on the flashback, i personally believe kakyoin's parents just... left him to his own devices. if noriaki doesn't want to make friends, it wouldn't be right to push him, is it? he's independent, well-mannered, an excellent student. responsible, trustworthy, far from a delinquent. so isn't it better to accept their son as he is?

even if they're not sure who he is?

as kakyoin is all shattered parts, crumpled against a water tower with a hole in his stomach halfway across the world, he looks at the clock and thinks of his parents.

...but not in search of comfort.

seeing as this is the first and only time kakyoin's parents are mentioned, i honestly wonder if kakyoin just... didn't mention them at all. if he didn't call attention, save the odd comment about being a student, to his age. to the immaturity he's so ashamed of.

(again from kakyoin's character profile.)

kakyoin went on this fifty-day journey to egypt without even consulting his parents, who earnestly believe he ran away from home and are worried to death about him.

and kakyoin KNEW they would worry, and then he knows he is dying, and all he can manage is thoughts of them sleeping and an apology. he doesn't regret going on the journey. even as he's dying, 17-year-old noriaki kakyoin treats his own demise as a necessary loss. in kakyoin's mind, life is something he could (should) wager for those he cares about, and thinking of those who care about him in return isn't enough to convince kakyoin otherwise.

all of this to say, i think kakyoin and jotaro are two sides of the same coin.

[sorcave]

After spending some time thinking about Peter Pettigrew, I’ve realized there’s a huge disconnect between how he’s portrayed in canon and how the fandom—especially within Marauders fanon—handles him. Let me preface this by saying, I get it. The Marauders era is filled with beloved, tragic characters like Sirius, Remus, and James, who are all charismatic in their own ways. It’s easy to frame Peter as the villain, the weak link in the group, because, well, he is the one who betrays them. But I can’t help feeling like fanon’s interpretation of him has become deeply flawed and even unfair in its simplification of his character.

Peter Pettigrew, as written in the books, is actually a much more complex figure than the rat-betrayer caricature that fanon often makes him out to be. He’s not some mustache-twirling villain, nor is he just a pathetic hanger-on who was lucky to be in the Marauders’ circle. If you really pay attention to the way his character is written, he’s someone who’s constantly underestimated by the people around him, including the very friends he ends up betraying. He’s not powerful in the traditional sense, but his cunning is what allows him to survive the chaos of two wizarding wars. He’s not a mastermind, sure, but he’s resourceful in a way that deserves more recognition than he gets. Canonically, it’s clear that he isn’t just bumbling around until he stumbles into Voldemort’s arms—he’s making calculated choices, and we need to give those choices the weight they deserve.

This brings me to why I think fanon’s insistence on reducing Peter to a one-dimensional villain is so misguided. There's this huge trend in Marauders fandom where Peter is either villainized beyond recognition or, worse, completely written out of the story. He’s often replaced in fanon with a random “better” Marauder, or he’s ignored entirely, as if his betrayal somehow disqualifies him from being part of the story. And here’s the thing: canon compliance isn’t a crime! In fact, canon gives us a far more interesting story. The tragedy of Peter’s betrayal is that he was their friend—he shared their dorm, their secrets, and their history. His actions were not driven by some inherent evil but by fear, survival instincts, and yes, cowardice. It’s a much richer narrative than reducing him to a monster.

In the fandom, there’s often this hyperfocus on moral purity when it comes to the Marauders, especially when it comes to ships and rewriting dynamics. Peter, however, disrupts that neat narrative, so fanon tries to erase him to preserve the integrity of the fan-created relationships. But that oversimplifies everything. Why should we villainize people for sticking to canon when canon is, arguably, what makes the Marauders’ story so compelling in the first place? The fall of the Marauders—this group of young, talented, promising boys—hinges on Peter’s betrayal. You can't just ignore that without losing a fundamental piece of what makes their story so tragic. He’s not a random character you can swap out. He’s the pivot point.

Peter’s character also raises some interesting discussions about how we view heroism and villainy in fandom spaces. For instance, we’re often quick to forgive other characters—Sirius, for all his bravado, is reckless and cruel to people like Snape, but we don’t hold it against him in the same way. We empathize with his trauma, his tragic backstory. So why is it that Peter, who is also a product of his circumstances, is written off? He wasn’t born evil; he was shaped by the same war that shaped all of them, but his path led him to make different choices. There’s something so fascinating about exploring how someone who was once a friend could betray everything. It’s a conversation about human flaws, not just villainy.

And yes, in a world full of Marauders fan content, it’s fine to like your AUs or write your fix-its. But let’s not pretend that sticking to canon, and appreciating Peter for the complex character he is, is somehow less valid. The fandom would benefit from looking at Peter as more than just “the betrayer” and instead as someone who, like everyone else in the story, is a deeply flawed person whose mistakes have devastating consequences. That makes the story richer, more painful, and ultimately, more meaningful.

forgive me for the ramble but Im going insane with my term paper and my thesis, unfortunately I've been diving too deep into the marauders again

[bronbrons]

canon vs fanon (feat: Osamu Dazai)

Canon vs. Fanon: Dazai Osamu

1. Intelligence & Strategic Mind

Canon

Dazai is a genius tactician, one of the most intelligent characters in Bungou Stray Dogs. His ability to manipulate situations, people, and enemies into doing exactly what he wants is nearly unmatched. This is evident in:

• His strategic dismantling of the Port Mafia from within.

• Outsmarting Fyodor multiple times.

• Planning several steps ahead, such as preparing contingency plans even when captured.

Dazai does not flaunt his intelligence for praise; instead, he lets his results speak for themselves. His intelligence is not about being effortlessly overpowered but about careful planning, psychological manipulation, and reading people.

Fanon

Fanon Dazai is often portrayed as an omnipotent, godlike mastermind who can never be outsmarted. Many fanworks suggest that he always knows everything in advance, never faces real struggles, and can predict events with supernatural precision. This version of Dazai removes any tension or stakes from the story, making his victories feel too easy.

2. Suicidal Tendencies

Canon

Dazai’s suicidal tendencies are deeply tied to his existential crisis. He doesn’t seek death purely for comedy; rather, he desires a meaningful death that would provide an answer to his existence. His past in the Port Mafia, especially his time with Oda, made him search for a purpose beyond destruction.

• His suicide attempts often have a level of sincerity despite their dark humor.

• In Dark Era, Dazai’s depression is explicit—his apathy and longing for an escape from life are serious, not exaggerated for laughs.

• While the comedic element exists, it serves to mask his underlying issues.

Fanon

Many fan portrayals treat his suicidal tendencies purely as a joke, making it seem like he randomly attempts suicide for fun, rather than as a coping mechanism for his existential despair. Others go to the opposite extreme, portraying him as constantly on the verge of breaking down, crying, and needing to be saved. Canon Dazai does not openly express his suffering in an emotional way—he masks it with humor, charm, and misdirection.

3. Personality & Interactions with Others

Canon

Dazai is charismatic and manipulative, but not necessarily a “nice” person. He can be cold, ruthless, and indifferent when needed.

• He deliberately provokes people to test them (e.g., teasing Akutagawa mercilessly to push him).

• He has no problem using others as chess pieces (e.g., how he manipulates Chuuya, Ango, and even Atsushi in certain situations).

• He is not particularly affectionate—he rarely gives genuine praise and instead teaches through tough love.

• He does care about others (e.g., he saved Kunikida from being framed, respects Ranpo, and deeply cared for Oda), but he does not openly express his emotions.

Fanon

• Some fanon interpretations turn Dazai into a soft, affectionate caretaker who babies Atsushi, Chuuya, or Akutagawa.

• Another common fanon portrayal is “flirty playboy” Dazai, where he is overly smooth and romantic, when in reality, his flirtations are often comedic and exaggerated (not serious attempts at seduction).

• A lot of fanfiction also portrays him as highly emotional and prone to outbursts of sadness, which contradicts his actual character—he buries his emotions rather than showing them outright.

4. Relationship with Chuuya

Canon

Dazai and Chuuya share a complicated history as former Double Black partners. Their relationship is based on mutual reliance but also deep animosity.

• Dazai frequently insults Chuuya, knowing it will provoke him.

• He is well aware of Chuuya’s strengths and weaknesses and manipulates him accordingly.

• They respect each other’s abilities but do not share a traditionally affectionate bond.

• Dazai never truly expresses deep emotional care for Chuuya, nor does he show signs of romantic interest—he sees him as a useful but annoying partner.

Fanon

• Many fan interpretations exaggerate their bond into an overly affectionate or romantic relationship where Dazai secretly adores Chuuya.

• Some portray Chuuya as constantly worrying over Dazai’s well-being, which is inaccurate—Chuuya is more frustrated than concerned most of the time.

• The trope of Chuuya being the only one who understands Dazai is common in fanon but not strongly supported in canon. Dazai does not confide in Chuuya the way he did with Oda.

5. Relationship with Atsushi

Canon

Dazai sees potential in Atsushi and helps shape him into a stronger person. However, his approach is not gentle:

• He throws Atsushi into life-threatening situations to force him to grow.

• He rarely offers straightforward encouragement and instead challenges Atsushi to think for himself.

• He does care for Atsushi’s well-being but does not dote on him or treat him as a younger brother.

Fanon

• Some fanfictions depict Dazai as an overly protective, fatherly figure to Atsushi, which contradicts his actual tough-love approach.

• Others exaggerate their bond into something more personal than what is shown in canon.

Conclusion

Canon Dazai is an enigmatic, morally ambiguous strategist who hides his true self behind layers of manipulation, humor, and misdirection. He is neither an omniscient mastermind nor a helpless, emotionally fragile man who needs saving. His suicidal tendencies stem from existential despair rather than comedic effect, and his relationships are more complex and layered than fanon often depicts.

While fan interpretations are always valid in creative spaces, understanding the distinction between canon and fanon helps appreciate Dazai’s depth as a character.

[teh-nos]

fandom goes into deep denial about the attempted infanticide of baby loki because the imperialism reading of it works against the text and requires that the baby be stolen not abandoned, and that this theft be for the most nefarious and imperialist purposes we can think of. whereas actually - and i was going to say this is 'the obvious parallel' but no it's not even a parallel it's what's clearly happening there - the baby's been left out to die for being disabled hasn't he?

the word 'runt' gets used but adult loki compared to other frost giants is not just slightly on the small side, he's probably equivalent to a human with dwarfism, which definitely brings this into Infanticiding The Disabled Child territory. which a) laufey cannot be allowed to do because that's a fucked up and horrible thing to do* b) we also can't allow that odin just kept that baby because by asgardian standards there was no obvious disability there. (the social model of disability, but with giants and less-giants**) "why would you be throwing out this baby, laufey? it looks normal-sized. it doesn't even have an unusual number of limbs. yeah, i am taking this baby as a friend for my similarly-sized bio-son. mine now. finders keepers." i point this out because the disabled baby is not saved by someone thinking disability-based infanticide is wrong - at least not necessarily so - but by being found by someone who doesn't recognise the supposed problem. to whom it simply does not exist.

and of course fandom loves sad little feeble loki being weak and pathetic in fic, but i have somehow never seen this tied to the fact that he is canonically undersized for his species and likely has some connected internal fuckery going on with his organs. we have no idea what made him that small or what it'd do and - here's the fun kicker for you angst fans! - probably nobody on asgard would either. when's the last time any of them had to look after even an entirely able-bodied jotun? how likely is it that they can just write off to jotunheim to say "hey what's up with that kid your king tried to murder? how would we fix him if he lived here? yeah, our king kept him. no, we didn't eat the baby! can we borrow a medical textbook? what do you mean you don't have paper there. well how do you write down how the orientalist belly-dancer outfits are to be worn? well then how... no, come back. did you just hang up on a letter???"

sorry, i digressed. what i was aiming for was that there is a very obvious reason why loki might be unusually weak for a lad who looks healthy to us and who doesn't seem any smaller or less able-bodied than the people around him, but i just don't see it being deployed in fic or in meta or whatever. is this because the 'laufey just left his baby out for some fresh air like norwegians do' reading kind of relies on that baby not being seen as a burden to be got rid of and we all kind of agree that... no. no, i shall not finish that thought. it is too depressing. it probably is that though isn't it?

anyway. this is me wondering what is up with that. other than maybe some kind of 'echo-chamber effect' where even the wildest ideas can become commonly-held fanon and where it'd be easy to just straight-up ignore a very obvious implication of baby-murdering because someone leaving you to just fucking die for being disabled is somehow not enough oppression for a blorbo in these enlightened times. or because it breaks a popular fandom interpretation of events. or something like that?

*in fairness i'd say humans from earth are probably within the group that's allowed to just not care about humans from earth getting invaded and killed.

**i say 'less-giants' because look:

look at this literal giant among men. tiny scrawny little thing, so smol and so freakishly tall to the humans. i call this 'the social model of smolness.'

[cartoonartistpng]

Mephiles the Mind, Iblis the Heart

Basically a breakdown of how I interpreted 06 but also a foundation I use for all my AUs.

Mephiles is highly intelligent and apathetic while Iblis relies on emotion and is more like a wild animal. Mephiles does not have full access to Solaris' time powers, but Iblis does. However, Iblis does not have the mental capacity to actually use them.

Things that are less “interpretive” and more “theory”:

This is why Iblis needed a powerful emotion to be released

In the original timeline, the one which led to Silver’s future, it was Elise’s death which released Iblis. Because the seal was broken improperly, Mephiles could not recombine with Iblis. Therefore, he would need to look for a different way, but he can’t with Sonic being there and being an obstacle (not while Mephiles is still weak). Hence why he brought in Silver—a powerful hedgehog determined to save his future no matter the cost—who is also a completely new factor to change the timeline. Silver would keep Sonic busy while Mephiles figured out how to properly release Iblis… Since letting her die didn’t work last time. When Silver began figuring out the charade, Mephiles didn’t care enough to try hard with his manipulations, especially if it meant Silver would help keep Elise alive. However, once Mephiles realized the way to release Iblis was via an extreme emotion from Elise well… how convenient that the Princess grew attached to a certain blue hedgehog. Turns out killing Sonic really was the key all along. And if you want something done right… you gotta do it yourself.

Essentially (to explain Mephiles’ weird planning in canon), Mephiles did not know the seal was reliant on Elise’s emotions in the beginning, so he sends Silver to distract Sonic while he figures out how to actually free his other half. How ironic that killing Sonic is indeed what needs to happen. Mephiles basically has a “wait, it’s actually that simple?” moment

The strong emotion can be anything—grief, anger, joy, fear—it just has to be strong. Like a “consuming your mind” kind of strong.

The original explosion which killed Elise was too sudden for any strong emotion to pop up. (Even in her last moments, she had faith Sonic would save her.)

Mephiles is the mind while Iblis is the heart. Only once combined does Mephiles—or Solaris now—actually feel feelings. However, Solaris is still adjusting after the disoriented episode of being literally split in two and so acts completely on his anger toward mortals for taking advantage of him.

At the end of 06, Solaris isn’t destroyed but rather is scattered/subdued, and everyone will already be long gone by the time Solaris’ pieces are reunited. Like “after Dark Gaia and Light Gaia have restarted the planet” kind of long time. They are gods after all. Time is different for them.

The rest of this is sparked from my “Trinity Gods” fanon. Aka, Gaia, the Master Emerald, and Solaris are the three gods who created Earth, as well as any planets prior to Earth. The Master Emerald is also called “Mother Chaos”.

While Gaia slumbers, Mother Chaos and Solaris watch over the planet to protect it. During Earth’s creation, Mother Chaos took on a physical form (ie. The Master Emerald) to live on Earth amongst its creatures. Curious about all Mother Chaos learned whilst living amongst mortals, Solaris decided to also take on a physical form and live amongst them. However, this meant limiting his ability to see the future—or rather which future would come true. Thus, Solaris did not see what the humans planned on doing with him until it was too late.

Gaia and Mother Chaos are A-Okay with Solaris destroying the planet. I mean, it wouldn’t be the first time one of them has, after all. It’d be a bummer for it to end so soon, but they can just make another one. It’s because of this that they don’t interfere with Solaris’ plot… as well as the fact that their creations had hurt their friend.

It’s also this familiarity that means the Chaos Emeralds will so easily obey Mephiles. Doesn’t matter who posses them or if they’re on the other side of the planet, if the gods call, they answer.

[starpelted-dove]

I personally think that the fanon interpretation of tfp ratchet and starscreams portrayal of mental breakdowns should be swapped more often.

Instead of the usually messy and crying starscream, which i think is pretty unlikely, id like to see more catatonic disassociation. I feel like starscream is the kind of person to go from blind, lashing out and feral rage, to a state of numbness in a matter of seconds. Ive never really been able to see him in a state of actual emotional vulnerability such as crying.

Ratchet on the other hand, should be shown crying more in fan media. Hes actually a very emotional character compared to most. Hes similar to that of arcee, in the sense that hes very emotionally driven, and quick to emotional outbursts. The amount of times where he has literally been seen on the verge of tears compared to the others speaks for itself(examples: the scrapyard scene after op’s “death” and the scene where the team return from cybertron and break the news that their “only hope to restore cybertron” is destroyed.)

Starscream is an emotional character, but his range of emotion is usually restricted to fear, anxiety, rage, and jealousy. He doesn’t tend to show “weakness”(in his mind) like crying. He’s moreso the kind of person to cover up any sort of vulnerability by lashing out and redirecting with violence.

All this to say, i still enjoy portrayals of an emotional tfp starscream, but id like to see more of the other end of the spectrum.

[chaifootsteps]

wr.t. leaks (spoilers, duh!). Viv really chose the most boring and uninspired rendition of Alastor possible, and I could not be more disappointed. The signs were definitely there in Season 1, but if you wanted to you could easily dismiss as sloppy writing and one-time reactions to extraordinary events.

Like, I know no fan is *entitled* to have their particular interpretation of a character be validated, but... really? He's been reduced to the form of a one-dimensional, entitled manchild you might find as the villain of a self-insert fanfiction. Ohhhh nooo luci hurt his feefees and Rosie didn't actually make him an all powerful god, so time to storm out and whine about it. Why make a deal in the first place? Well, duh, he gleefully murdered so many people for trivial inconveniences he didn't wanna end up a tortured soul in Hell. He's basically Valentino, but, on the 'good team', and not a rapist (yet.), or Adam, or Vox, or Mammon, or Stella (frankly, you could even put Stolas in this bucket, if he weren't so unintentionally manipulative). A parody of a threatening character, incapable of creating conflict in any way that doesn't involve waving around a big stick and reminding everyone and the audience who the author blessed with magical power don't you forget it!

I've said this about pilot!fanon!Lucifer too, but, the fandom interpretations are just objectively more interesting. It's not like you can't write a story, or even a good story, about an entitled man drunk on power obsessed with his own image and getting what he thinks he's owed. But why would you 1) choose an enslaved racial minority character (!!!) to do this and 2) do it instead of multiple more compelling options given you already have multiple of this exact character on the cast?

Fanon!Alastor has emotions other than anger and insecure whining, he just can't express them because decades of crawling his way up two different hostile societies have beaten into him never expressing vulnerability. His very smile is symbol of societies like Hell ultimately victimize both the powerful abusers and their victims. Fanon!Alastor had a deal with ___ not because he's drunk on his own desire to murder but because he's vulnerable to the very same weakness and temptation he's learned to exploit in others. Fanon!Alastor has a natural dual conflict with Charlie: Alastor's connections and practical knowledge represent a way of making her dream a reality, at the cost of potentially corrupting her and having her get there in an incorrect/immoral way. And Charlie's dream presents Alastor with a pathway to more power and stability, but unbeknownst to him threatens to unwind his entire psyche in allowing himself to care about something. Fanon!Alastor, far from being image-obsessed with a need to be constantly in the limelight, is capable of being subtle, fading into the background when it benefits him.

I could go on, but I'm just tired. It hurts me that, come release, fan works which I enjoy making and reading will be expected to comply with this. I don't want to write Alastor this way. I don't want to be told I'm writing him 'wrong' for not doing it. I hope that in some way the earlier fanons are preserved and kept alive even as canon is polluted with all this slop.

It's sad and exhausting, for sure. It also doesn't help that the standom will attack you pretty viciously if you have the audacity to prefer the pilot to the actual series.

[seeveekat]

Everyone is for fanon interpretation until a character is drawn fat.

Weak minded tbh

[littyjam]

Making this poll made me experience guilt. sorry for making you guys choose between these messes

anyway just pick the one that makes you want to rip your skin off less than the other ones