#we're all doing the best that we can
Explore tagged Tumblr posts
peantisdeliriouts · 5 months ago
Text
According to modern-day puritans, your intrusive thoughts are only valid if you DON'T get aroused by them. Like, arousal is a body's response to stimuli, and just because some people are aroused by their thoughts it doesn't mean it's any less distressing for them. If anything, the fact that it arouses them may make it MORE distressing.
Seriously, what is with this push to make mentally ill people the most sanitized versions of themselves? Do you NOT see how counter-productive it is to push down all the things you and others around you deem "impure" or "immoral"?
You're not going to heal or improve yourself if you're bottling things up and shaming yourself for the ways in which your brain functions (none of which anyone has literally any control over). You're not actually helping anyone but deeming them "degenerates" or "freaks" or any other derogatory words your ableist mind can come up with.
Accepting mental illness is spreading proper information on the ways in which it can impact the way people act, think, and are as opposed to spreading the misinformation that least impacts your personal discomfort.
Your ableism hasn't ended just because you yourself are disabled or because you accept certain palatable symptoms of mental illness.
6 notes · View notes
sskk-manifesto · 4 months ago
Text
Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me
#bsd#bungou stray dogs#About: Dead Apple. Watched this a while ago with a friend and it was a lot of fun!!!#If you're reading this: thank you so much for hanging out with me I had such a good time (ㅅ´ ˘ )♡#Next to general considerations: wow they were right that Bungou Stray Dogs movie sure can Bungou Stray Dogs#It's always nice to see the detailed animation and elaborate backgrounds of movies. The animation quality compared to the manga is–#definitely noticeable and it's nice to see. That said... I still like the season 2 art style more? And I'm speaking strictly of art style.#The s2 one looks more soft and smooth while the da one is so much more rough.#The plot is... Very bsd-esque I don't think there's anything to add.#In my opinion Kyouka's arc is the one that turned out best tbh. I really like her narrative development and personal growth in this movie.#I like the complexity of her state of mind. how full of contradiction she is. I especially appreciate the recurring small changes of–#expression that indicate how she thinks differently from Atsushi even if she doesn't voice them. The fight between her cynicism and her–#kind nature. It's all very interesting.#Atsushi's development is interesting too. Although all the open questions about his ability we still have kind of leave me frustrated#I don't feel very strongly about Akutagawa in this movie? I mean‚ he's there. The ss/kk scenes are always great and in character and a joy–#to witness no matter what they do. He just doesn't shine particularly? Or at least personally I dont find the “proving my strength against–#myself” narrative arc to be particularly interesting. Imo it was a lot better flashed out in the da stage play! With the complexity that–#the dialogues with Chuuya added to the character. Dazai attacking him. And especially Aktgw understanding that Rashomon wasn't testing Aktg#but rather only expressing that unstoppable rage that is also Aktgw's own. About that I checked out the play and I really liked it!!#I only watched highlights (aka: ss/kk and chuu/aku scenes) but there's some stuff I really like. I like the conflict between Aktgw and–#Chuuya and how Chuuya messes up with Aktgw at first maliciously and then amiably. It's interesting how Atsushi himself observes that Kyouka#and Akutagawa get along. And especially the sskk almost-handholding and Atsushi saying Akutagawa has a nice profile were cute akjdhbsawhjb#Next. Da really is shipping paradise (╥﹏╥) Sorry but... It is. oda/zai. daz/atsu. ss/kk. s/kk. fuku/mori. chuu/aku. It really has everythin#and the moments are so good!!!! What else. Wish we'd see more of Tsujimura. And Christie. And women in general tbh.#Also‚‚‚‚‚ Atsushi's tiger form in this movie is ATROCIOUS. I've said it before but it's crazy how a franchises that relies so heavily on–#fanservice came up with something this hideous. Man the movie overall was pretty but Atsushi sure wasn't. Firmly stand by the belief–#that only Akutagawa would find that form attractive.#Oh last note. honestly if we're ready to accept a movie where an antidote has effect AFTER the person has effectively died then we really–#can't complain about any kind of insanity the manga brings up#random rambles
114 notes · View notes
caligvlasaqvarivm · 2 months ago
Text
Serendipity should be required viewing material before anyone tries to analyze Homestuck; not only is John Cusack a universal constant, but the themes and vibes of Serendipity are so fundamentally woven into Homestuck's DNA that several of Serendipity's thesises and conversations could be lifted directly from one to the other.
In particular, the way Serendipity utilizes coincidence and circumstantially simultaneous events in order to suggest - nay, decree - that the two leads belong together, is highly reminiscent of the way Hussie uses foreshadowing, and not just for romantic couples. It's also a major window into the ultimate stance Homestuck takes with regard to romance, fate, and destiny, and also more specifically, a really good look at Karkat's own personal philosophies of romance. There's a running theme in his movies of meeting someone that perfectly matches your freak, someone you don't ever need to compromise yourself around, who brings out the best in you.
Also, some of yall need to watch a shitty romcom every once in a while and develop some emotions
Tumblr media
101 notes · View notes
aroaceleovaldez · 2 months ago
Note
full on feel like pjo tv s2 is not gonna hold up so they need to drag as much attention to the series as they can by using nico as a sock puppet w tsats2
im fully expecting the show to go the way of the movies. it doesnt help Sea of Monsters is almost unanimously the least favorite book of the first series. People frequently forget it even exists or what happens in it, especially more casual fans.
Heck, just look at how little fanfare the second season has gotten so far as compared to the build up to s1. I wouldn't be surprised if s2 totally flops. It would be a little funny.
#pjo#riordanverse#pjo tv#pjo tv crit#tsats 2#Anonymous#ask#im still sad theyre beating every dead horse in the franchise they can EXCEPT for the graphic novels#the poor graphic novels arent getting advertised AT ALL and the BoO one got cancelled#like. the graphic novels would actually be probably one of the best advertising avenues!#like. hey! you dont need to write a whole new book! just remind people of previous books and give them a way to refresh on it#and given how the first couple of graphic novels were a different artists i could totally see them doing a second version#just to make them all consistent. thatd make sense and be reasonable.#the show has also already kind of trapped itself in a corner in a couple of ways#for one they kind of screwed themselves over failing to plan for the actors. yknow. ageing.#Walker is already taller than like. most of the cast. Percy's gonna be TOWERING over Luke by TLO#i think the main trio is all like almost 16 already? and we're only on s2. its gonna be rough. they didnt think about it. they didnt plan.#also with how theyve been messing with plot and characterization theyre VERY quickly going to start running into hurdles#because they dont seem to understand the more you change earlier on. the less the later stuff will work without also needing change#because. it's dependent on what comes before. so we will very quickly be requiring either MASSIVE canon divergence or a lot of retcon#and retcon in the show is going to be VERY OBVIOUS#though i stand by itll be so funny if they solve too much too quickly in s2 just like the movies and it just ends on#''wait. crap. what are we going to do for s3 now. we solved too much too early. they have nothing to do''
66 notes · View notes
jajanvm-imbi · 3 months ago
Text
Hey remember when I said that this was the most frustrating thing about being a Helluva Boss enjoyer?
Yeah I was wrong.
The most frustrating thing about being a Helluva Boss enjoyer is explicitly stating multiple times that I like show and then get called an anti and homophobic and media illiterate when I complain about the direction it has taken.
I LIKE the comedy
I LIKE the animation and artstyle
I LIKE the more serious plotlines like the government agents plot and the Cherubs plot
I LIKE the themes of friendship and found family
I even like most of the songs!
And ofc the voice cast slays every time
But just because your show has angst and tears and drama and sad music doesn't automatically make it "good".
Just because your characters are queer doesn't automatically make them good or well written characters
This fandom is so frustrating to deal with when you want to express your more nuanced takes of it
This is probably gonna be the last post I make about this subject and about Helluva Boss in general, this shit is too stupid to deal with
#still cant get over how i got called an anti and homophobic and media illiterate for saying:#'damn i wish the comedy show written by comedians had more comedy in it'#you can absolutely 100% write a comedy show with a more serious plot thread running through the whole thing#some of the most memorable and popular animated shows are just that#you got Gravity Falls The Owl House the Tales of Arcadia trilogy She-Ra ATLA etc....#fuck it even the first few seasons of Voltron for crying out loud#but the problem im having with HB is that its not a comedy with a serious plot thread anymore#its all drama all tears all angst with the occasional joke thrown in here and there#most of the shows I mentioned start off with episodic comedic adventures with hints towards the more serious stuff here and there#but the Stolitz drama started in the FIRST EPISODE#(in my opinion) the best eps of s1 are the ones that have little to nothing to do with Stolitz when we're given time to get to know the team#because we got to have FUN first we got to see the team dynamic in action#if the “serious plot thread” in HB was Blitz's relationships why didnt he apologize to Moxie and Millie in Apology Tour? or Loona?#or his FUCKING SISTER??????#the government agents and the Cherubs plotline makes x100 more sense as a serious plot thread for the premise of the series anyway#i could go on and on about this but I wont cause Im tired of thinking about this#this is stupid#im gonna ENJOY HB when I can#but that doesn't mean that there arent SERIOUS narrative issues with the series#and if you enjoy Stolitz good for you#peace and love#but its not something I can overlook#helluva boss#helluva boss critical#helluva boss criticism#helluva boss critique
47 notes · View notes
good-to-drive · 1 month ago
Text
Abuse, Silence, And Why Kevin Can Fuck Himself
I recently finished watching Kevin Can Fuck Himself on Netflix, and, aside from being the most brutally honest portrayal of domestic abuse I have ever seen, I discovered a beautifully written examination of narrative as power and silence as abuse and how this manifests in our larger culture. 
Without going into too much detail, the show is filmed in two distinct styles that are interleaved throughout each episode to tell a cohesive story. Allison and Kevin’s relationship as seen by the rest of the world is told through a multi-cam, laugh-track sitcom that depicts a very typical “goofy husband, shrewish wife” mainstream comedy. Allison’s life through her own eyes is told through a single-cam drama/thriller about Allison planning to murder Kevin to escape his abuse. 
It’s an absolute masterclass in screenwriting, but more than that, every episode explores the difference between truth, fact, and reality, and how none of these things are quite as much or as little as story. But while the process of transforming the chaotic and plotless reality of life into a story is as involuntary and essential as breathing, misogyny and the degradation of women is just as ubiquitous in our society, and a story that exists at the expense of another person’s lived reality is a refutation of their humanity. 
It's also just a great show for anyone who likes to engage with history (or reality TV or true crime or “real life stories” in general), because while we have to tell ourselves stories about her own lives, we have to tell ourselves stories about other people as well. Eternal silence is narrative death, and the perpetual silence of an unspoken narrative is often the last death we can visit on someone whose story we’d rather ignore. 
I also pulled up some books – Lolita and Disgrace – that dealt with similar themes, but from the perspective of the abuser. And what strikes me the most is that, across three beautifully written stories about narrative and silence within a culture that normalizes abuse, Allison, who began her story within a state of narrative death, was the only point-of-view character who had any chance of surviving. 
One of the main themes of Kevin is that a compelling story is often a story that reinforces what we already believe or like to believe, and while the story may be factual and true it often also exists at the expense of someone's lived reality. The exact same series of events can be a silly joke or a harrowing tale of abuse depending on the lens through which we view it, but historically we've only been willing to see the multicam, laugh track, sitcom perspective on unbalanced relationships.
The alchemical process of turning a series of disjoint facts and experiences into a narrative creates something new and compelling, and erases much of what previously existed. In this way, it’s entirely irreversible. We spin our experiences into a very thin thread, a story we can tell ourselves that elicits something within us, something we need in order to live with the complex, uncertain, and unsatisfying reality of life. In think in many ways the thing we elicit in ourselves is truth. But truth is both more and less than fact, often more a reflection of our own beliefs and desires than the events of our lives. And in telling that truth we may never stray from the facts, but we almost by definition cannot give voice to another person’s reality.
There's a scene in season 2 of Kevin when Allison is hit by a door – a la the classic excuse – because of Kevin’s carelessness. And while he absolutely did not hit her, the way it's written is such an incredible allegory for how Kevin has curated their story and curated their friends' and family’s perceptions of their story such that even if she tells everyone the exact, unvarnished truth of what's happening to her and begs for help, they will only be capable of seeing the laugh-track, sitcom, “Kevin is a harmless goofball and his wife is a total shrew” perspective on the events of their lives. 
As so often happens with abuse, their friends and family saw Allison being hurt because of Kevin. But the alchemy of creating a narrative around Kevin and Allison is irreversible, and the series of events they witness can only be spun together to a joke, an accident, a silly, childish mistake. Allison’s reality, Allison’s pain and fear, is completely elided. Like a lost sound in the middle of a sentence, her experience goes silent, and their larger understanding of her relationship never has to change. And you feel so acutely how Allison lives her entire life in that silence. 
Storytelling is human, it’s essential, there’s no other way to engage with our own lives. And it’s not lying. It’s never lying to tell the truth. But it doesn’t reflect every reality, either, because another person’s reality can’t be reflected within our own narrative, because that’s what it means to be another person. To spin two different threads.
And because narrative is the essential process by which we understand our reality, denying someone their own narrative, or denying that this narrative be heard, is inherently abusive. To allow someone a voice is to give them humanity, and to suppress it is to strip that humanity away. 
Disgrace, by J.M. Coetzee, follows the story of a professor, David, who rapes a student and then fails to protect his daughter, Lucy, from being raped by intruders in their home. He destroys his daughter’s life  – not through failing to protect her, but through twisting her rape into a story about why the rape of his student wasn’t wrong. The main theme of the book is generally considered to be exploitation, but Coetzee doesn’t deal with the exploitation of the rape. That’s too direct, too immediate, too easy for the reader to understand as misogynistic and wrong. Rather, Coetzee delves into “the innocuous-seeming use of another person to fill one's gentler emotional needs” (Ruden).
The rape is how we understand David as a fundamentally exploitative person, a person who denies others their humanity by converting them into a vessel for his own desires, who erases their voice in order to speak through them and give himself the things he needs. And that’s how we recognize that the way he absorbs and claims the stories of his daughter and his student is another kind of violation of their humanity. Another way of turning women into vessels for men’s pain and fear and need. 
What’s fascinating is that David's student finds her voice – files a complaint against him – and is eventually able to continue with her life. The woman he raped is less damaged by him than his own daughter, because she was the woman he couldn’t permanently silence. 
In Lolita, another brilliant novel about abuse, dehumanization, and storytelling, Humbert turns to the reader at the end and says, “Imagine us, reader, for we don’t really exist if you don’t.” 
It’s not that Humbert knew he was fictional, but that he knew everyone was fictional. Believed the entire world only truly existed in his own mind, because anything beyond that was irrelevant to his needs. He coped with the collapse of his ability to dehumanize Dolores (who he called Lolita) by demanding that his voice be resurrected. Demanding immortality. Demanding his narrative exist in another person’s world, and thereby be given the existence and humanity that Allison and Dolores and Lucy and David’s student were denied. 
Pushing his needs, finally, onto the reader, because we are the only person he has left, and a person like him can only exist through the use of another. In that way, Humbert was powerless. In that way, Kevin and David were powerless, too.
In Disgrace, David’s dream is to write an opera, and at the end of the book he realizes he’ll never finish his magnum opus. He’ll never be able to terminate the process of converting himself, his world, into a story. But he does learn to decenter himself in that narrative. And it’s when he loses all fear of death, and any conception of the self, that he gains the ability to give dogs – who he generally equates to women – a voice within his opera, his life’s work. 
It’s in death that we discover our true unimportance as human beings, that we learn to let go of vanity and our conception of the self entirely. And David had degraded women so thoroughly in order to justify how he used them to meet his own emotional needs that it was only in losing all value for his own life that he could gain the ability to see them as equal voices. To actually put those voices into his own life story. It's at the cost of himself that he allows other people to truly exist, in the death of the self that he finally allows the world to exist outside of himself. It’s almost a positive character arc. Almost.
When Kevin finally loses the ability to abuse Allison, he, like many abusers, loses all desire to live. His world was built on a structure of superiority and inferiority, on beings and vessels, on the inherent value of men and the inherent meaninglessness of women’s lives. The system on which he based his entire reality has been destroyed by Allison’s declaration of the self. And, if he was a being because she was a vessel, then in losing the ability to treat her as a vessel, to fully and completely dehumanize her, he has lost his own humanity. 
It may be perfectly summed up here: “Become major. Live like a hero. That's what the classics teach us. Be a main character. Otherwise, what is life for?” (Coetzee).
If you’re not to be a main character, if there indeed is no split between major and minor characters, between people and the paper dolls that populate their story, between living beings and the vessels into which they pour their need – what is life for?
Nothing. At least, not for people whose narrative must exist at the expense of another. 
And that’s why I say that only a narrator like Allison could survive this kind of story. Despite beginning her story trapped in eternal silence, her reality fully elided no matter how immediate and obvious it became, Allison was the only point-of-view character of any of these three stories who didn’t establish her power through the degradation of another. Who didn’t conceptualize the world via being and vessels. Whose narrative didn’t exist, by necessity, at the expense of another person’s humanity. Whose thread could exist in a larger tapestry without destroying her sense of self.
Don’t get me wrong, she’s not generally a likable character. She’s misogynistic, cruel, selfish, jealous, desperate, afraid, and in pain. Like anyone in an abusive relationship, she’s not at her best, and she’s often pushed to do things that are ugly and disturbing because she’s simply been pushed too far. 
But, for me, the power in her character is in how her last scene never felt like a final scene. Her story didn’t have to be killed, her conception of the self didn’t have to be killed, in order to reveal the brutal reality of stories twisting and intertwining without any inherently superior truth or narrative among them. Allison’s story was one of declaring herself. And that’s why it didn’t feel like it ended at the end. Instead, this felt like a beginning.
38 notes · View notes
skydigiblogs · 9 months ago
Text
Tumblr media Tumblr media
this was originally supposed to just be the first image and i was supposed to stop there
then i decided to shade and finish it bsdhfbshjdfvdsjfds
i've never been able to draw devimon and finish a piece with it at the focus before now so i'm pretty proud of this
also the wings are heavily inspired by ST-344's artwork!! it's giving distressed jeans vibes (/j)
124 notes · View notes
babbimetal · 9 months ago
Text
BABYMETAL IN LEAVE IT ALL BEHIND
97 notes · View notes
oatmealcrisp-freak · 6 days ago
Text
Chicago inspired Victuuri AU where Yuuri gets thrown into the slammer after he kills a shitty manager, gets very talked down to (JJ maybe?), then promptly seduces (mostly accidentally) The Best Defence Attorney This Side Of The Country Victor Nikiforov, who initially is only in it for the money until Yuuri pins him with his big'ol eyes and despite his attempts to resist, is immediately doomed. Plus side, Yuuri's on the highway to hell with him in the passenger seat so aaaaye
Now they just need to make sure Yuuri doesn't get the death penalty but in the meantime, well.... Yuuri's already in jail for murder, making out with his lawyer can't be any more against the law...
23 notes · View notes
cinnamart · 2 months ago
Text
Tumblr media
to spiral out, to try and float
to see a friend, to see a ghost
28 notes · View notes
imminent-danger-came · 10 months ago
Text
Tumblr media Tumblr media
The 1x00 AHiB -> 4x06 glowup
#this just reminded me I need to make a ''being there for your friends when they need you'' post#because that shit is EVERYWHERE#LIKE THAT'S ALL THEY FUCKING TALK ABOUT#''It's okay sandy! You're always there for us when we need you. The least we can do is be there for you when you need us.'' (4x06)#''No! Mei is my best friend. I'd never abandon her when she needs me—we're heroes! It's what we do!'' (3x10)#''You don't know! We'd risk it for sure! I won't abandon them when they need us'' (4x02)#''As long as I'm doing something to help out a friend- I don't mind what it is! I just want to be there for 'em when they need me.'' (2x08)#''Wukong only values people by how useful they are to him'' (3x08)#''No no honestly—this is exactly what I need right now. I'm trapped under a mountain- but the 6-earred macaque brought me a peach!''#(4x11)#Literally just the shit off of the top of my head#and then. And then that in contrast with#''I get it. I'd do anything for my friends! But at the cost of the world?'' LIKE GOD DAMMIT LEGOS#You took the basic bitch ''Help you friends'' theme and went ''But what if helping your friend hurt others'' like come on man#Hello#Where am I#I'm dying. I'm dying#Okay imma go do hw......I guess....whatever....#lmk#lego monkie kid#lmk parallels#lmk Sandy#lmk Mei#lmk Pigsy#lmk Tang#OH GOD ALSO. ''I will become someone they can depend on...the way I can always depend on them!'' (3x08)#AND#''But you're always there when I need you- so it's time for me to return the favor!'' (2x04)#Which also just ties into ''we'll figure this out together'' as a whole right#what. ever.
71 notes · View notes
puppyeared · 11 months ago
Text
i wrote this as a joke because I wanted to strangle a guy watching tiktoks without headphones on the bus, but im genuinely disturbed that we've gotten to a point where convenience comes first. and it depresses me even more that its used to justify and monetize greed
#like we have so many ways of doing things that could help us in the long run but because we're told it requires more work we just cant#its too resource intensive. or maybe its too much to maintain. we have to overlook benefits so money can go into more important things#we teach each other to do things a certain way so it works for everyone but who was it convenient for first? what abt who it might hurt?#i have to wonder if the rules our current system uses is worth listening to or following if it doesnt have our best interests in mind. u an#me and the ppl around us.. would we be better off if i ate my meals knowing the person who grew it wanted to feed others the way they could#feed themselves? and that isnt to say we're going to be happy doing it but i guess satisfied that its helping someone instead of quietly#accepting that itll eventually go in the dumpster behind a grocery store because it stopped looking appetizing or it wasnt on sale anymore#what about building homes so we can shelter each other? what if we were satisfied with what we did because we knew it would be paid back#with kindness? isnt that what we evolved to do?? heal each others bones and tell stories and help each other??#why dont houses come with solar panels or generators unless we find a way to make people pay to use the sun? why is our pooled money used#to fund genocides instead of education and hospitals? whose interests and convenience came first when we started this??#i wont pretend to know the answer because i dont. but we all know we're miserable and im sorry to say that i cant see myself fighting#for a world that wont fight for me too. why do we work if we cant live from it?? why did they stop us from plucking more teeth from our#bosses until they could build more walls around themselves and then go back to underpaying us??#im so tired. i cant even imagine making it to age 70#yapping#vent
77 notes · View notes
coollyinterferes · 2 months ago
Text
The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…
Tumblr media
They are getting closer… and closer… and closer…
…and closer…
……until..................
Tumblr media
"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.
Tumblr media
"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.
Tumblr media
"...BUT! We're back!" And hopefully for good this time…
#[HI HIIIIIII~~ HOW'S EVERYONE DOING?? 8)]#[IDK IF ANYONE REMEMBERS ME OR MY MUSES ANYMORE?? BUT HELLOOO]#[one million years later but we're backkkkkk]#[i'd like to start by apologizing for completely disappearing for months without any announcement]#[life has been far from kind all this year so far and this has greatly and negatively impacted me emotionally]#[like..very VERY badly (harmful stuff and etc)]#[all to a point where i've had to take some time off from most social media]#[and which is also why i haven't checked or replied to any messages anywhere in a while]#[not that i'm the most social and most active person ever but you get what i mean here ;v;]#[the original plan was to come back here like a month or so ago but as you can guess i was unable to due to the same irl issues]#[i'm not gonna lie i'm still not doing well]#[but i wanted to come back or at least try to]#[since writing for these two and the ogre street guys always brings me joy and i also missed everyone here!]#[i'm still unsure if dropping threads will be the way to go for now or not#because i have no idea if my partners are still interested in any threads we had prior my unannounced hiatus]#[or if anyone's still interested in interacting with me and my muses again ;v;]#[so if we have ongoing threads i'll likely be jumping into your IMs over the course of the days to ask about it]#[i just need to check my thread tracker first because i can't remember what i owed last time ;;;;;;]#[as always: we can start new stuff any time in case you're no longer feeling whatever threads we had]#[and we can also start from scratch if that's best too]#[so no worries there!]#[enough blablah from me for now]#[i missed you all so much!]#[and to the new followers this blog somehow earned in my absence: Hi!! Thank you for following and I hope we can interact soon!!]#[hope everyone has been doing great during my absence!! <3]#;speedwagon says (( ic ))#;jonathan says (( ic ))#;ic#(??#;speedwagon withdraws coolly
27 notes · View notes
moiraimyths · 3 months ago
Note
Before we call anon rude because let’s see it from their perspective, imagine getting an entire feast to eat. That can be pretty hard to start with so much that’s going on, but if they start with one thing they know they’ll like (aka one character they like) that can be the start for them leaping to other characters to finish the story and the bigger story. I struggle the same way to start book series if I don’t have at least one character that drives me to read it, it’s all about what can be the hook to push them through. Sounds like the anon is neurodivergent (just a guess) so they might genuinely not see it as rude and see it as a solution to even play the game to start with.
Btw absolutely adore the game, the complex and rich characters making them all so unique is amazing. The art is so pleasing to the eyes I love it!! I’m waiting for it all to get out at once so I don’t get too impatient. Shae however interests me the most, which routes will have the most lore for them? Will there be routes that give more lore in general based on decisions you make or do they all share the same amount? (I mean general lore not just Shae lore)
Apologies; we are not trying to accuse any asker of being rude! We are simply explaining our perspective as the developers / are trying to broadly encourage folks to dip their toes into other areas of the story outside of the main route(s) they're interested in, especially considering some routes will be made available sooner than others, and these other routes will likely contain additional scenes/lore of everyone's fave(s) regardless! We want to give each main cast member an equal amount of love (and lore) regardless of their overall popularity, so our goal is not to tut-tut anyone for having strong preferences for one character over the others, but rather to explain that you may be surprised by how much *more* you learn about your preferred characters in the other routes. That's all!
For Shae... Well, they were a foot soldier for one of the worst periods of the War. Lore wise, any other story that touches on the War will likely have content relevant to them and their experiences. ^^
Tumblr media Tumblr media
#ask#clotho answers#edit/final note: we got a *few* asks on this subject and will not likely answer all of them for the sake of our followers' dashboards#but we also want to note that part of our encouragements here come from the fact that Flan/Keagan are our most popular characters by a lot#and we want to do what we can to gently nudge folks who may not want to romance the fem / nb characters into checking out their stories#despite not being into them romantically. this is half of why we have platonic routes to begin with#we recognize veterans to the dating sim world may feel less inclined to romance characters that don't align with their irl orientations#this isn't a bad thing. some people steer clear of dating sims altogether because they're aro or just not interested in romance stories etc#but the unintentional side effect of this is it has a chilling effect on developers even in the indie sphere to make less diverse stories#if Flan and Keagan are our most popular characters then they will be our most *profitable* characters in the long run#and as much as we would love to not care about money and just produce the story we want to tell#we live in a society (tm) and need to eat#if at the end of ndm's development we see that 90% of our engagement went toward the boys it is hard to ignore the financial incentive#to redirect our energy toward leaning into the 'tried and true' formula that assures we can buy groceries and make rent#basically what i am candidly saying here is capitalism is pretty bad for creative liberty unless you're already rich / able to self finance#which we are not. and currently none of the core devs make *anything* from ndm#it would be nice if it does turn a profit but that isn't a guarantee - which the team has accepted as a normal risk in game development#anyway this is getting rambly but the Point is that this goes beyond us wanting to make sure all sides of our story are equally appreciated#it is *partly* that - we do want players to experience the entirety of our artwork#but it's not just for our egos - it's so we can keep making art like this#i considered including this in the body of the post but money talk suuucks man#and i don't want anyone to think we're glaring at them in a holier than thou 'ah-ha! you don't want to play maeve's route because she's a#woman!' sort of way because i think that's a reductive way to look at things#people like what they like and there's nothing intrinsically wrong with that#but if you like that we're making a diverse story#with masc routes fem routes and nb routes#even if you don't personally want to romance x or y#it would help us if y'all play the platonic routes#we are trying our very very best to make the fem/nb routes interesting for Everyone so those stories don't get sidelined#and if you don't like them for their own sake - fair enough! can't win em all and we'll deeply appreciate that you tried anyway!
27 notes · View notes
puhpandas · 1 year ago
Text
Tumblr media Tumblr media
here are some of my thoughts on how beckory could be if ggy never happened and gregory continued to live a normal life being abnormal
96 notes · View notes
aro-culture-is · 1 year ago
Text
hey all. it's been a while. life has been not... bad per se, but I certainly haven't had the energy to keep up with this blog in quite some time. I'm closing submissions for now, and gonna try to queue up the whole of what has previously been submitted.
i'll let you know at the end of all that if i'm gonna continue at all. if I decide to abandon this blog, I do intend to keep it up as a resource and will not delete it.
thank you all for a great time
--- mods, kee system
103 notes · View notes