#we will make all of these ladies canonically queer

[menofsweaters]

Okay, I finally broke down and read the MHA epilogue leaks and I'm throwing my thoughts at the wall here so they'll get out of my brain. I fully did NOT seek these leaks out, but I was inundated with them all over tumblr, Insta, and even TikTok.

First and foremost, canon genuinely means very little to me. 90% of my enjoyment of MHA comes from fan works, including creating my own AUs and whatnot with friends, so like... canon being bad can't hurt me. I'm also old and have lived through way worse queerbaiting and fandom wars. There's also probably a lot lost in translation that we don't know yet and won't know until the official release. 🤷‍♀️

In no particular order, here is my brain dump on:

Izuocha and shipping in general

- as mentioned above, I don't really care about canon and I don't think ships need to be canon to be meaningful and enjoyable. I'll ship characters who never meet. I'll ship characters from completely different fandoms. Who's gonna stop me? In general, I think the shippers need to stop putting so much emphasis on a particular ship being canon.

- ALL THAT BEING SAID, BKDK was my first MHA ship and it's incredibly important to a lot of people. I think Hori had the opportunity to do something with that relationship that would have been groundbreaking, and he chose not to. He also had the opportunity to simply not focus on any ships and he didn't do that either, soooo... yeah. I think it's okay to be bitter that we still can't have a canon queer ship in shounen. It's reasonable to be disappointed. BKDK and Togachako were the most moving and complex relationships portrayed in the entire manga, in my humble opinion, and it does sting that they got pushed aside.

- I am not a fan of Izuocha, even though I generally like Ochaco. I just find it boring. I'm not enthused by het ships in general, but Izuocha in particular has zero chemistry in my eyes. They're also very similar characters in their mannerisms and personality, and I prefer "opposites attract" type ships that are more dynamic. I prefer Izuku and Ochaco as besties. They went through such similar traumas during the war, being unable to save someone that truly mattered to them, I would prefer to think of this ending as them helping each other move past their PTSD to rekindle a closer friendship.

- ALL OF THAT BEING SAID, while the chapter did not explicitly pair up ANY couples (except apparently Mushroom Girl and Vantablack? which is?? cute but random???), it's definitely implied that Izuocha is pursuing a romantic relationship. Feel free to tell yourself something different but it is what it is.

The hero rankings and other random plot crumbs

- the rankings also felt so incredibly random to me?? Best Jeanist dropping below Mt. Lady? what??

- good on Lemillion being number one though, I always imagine him in the top spot and I think the MHA world needs a hero like that to lift their spirits after the war. It makes sense that he's popular.

- also makes sense that Shouto is number two but wtf do you mean AIR CONDITIONING HERO

- so many of the updated character designs on the adult heroes are BAD, but Jeanist looks slick

- they changed Shinsou's hero name? for why? and gave him a bad haircut??

- absolutely no mention of how Hawks and All Might are working to revamp the hero rankings system, do not accept this

- Mirio is one of my favorite characters but his scene was weird af

- so many inconsistencies in the art style and messaging

- people randomly saying ominous things with no follow through like "heroes won't be around for much longer" or whatever

- I saw someone mention an implication that Bakugou is married to a woman but I didn't find any sign of that in the leaks, so I think that's fake. I know everyone is upset about Dynamight being number 15, and I agree that's too low, but that irritation is low on my list of grievances.

- the whole conversation between Baku and Deku about joining his agency was confusing and unfulfilling? I get why Deku would say no to being a sidekick, but I also don't feel like that's what Bakugou was offering, and they had the conversation in the car with Kirishima... just awkward. Which segues into my next talking point

Horikoshi's writing as a whole

- I think you can easily track the degradation of Hori's writing from the vigilante Deku arc to now. It's disjointed, confusing, often strays from established themes, and meanders around on weird tangents. It's... not great. It's not awful, but not great, especially for an epic climax/epilogue. Which is fine! He's a human being, not a content machine! But I think it's fair for fans to be disappointed that the writing has gone downhill, especially since the art has improved and become much more dynamic and interesting at the same time.

- in my view, it's incredibly easy to see that Hori lost his passion and was completely burnt out on MHA as we approached the end. The writing reflects a desire to wrap up everything quickly. Vital details are written in text rather than shown on the page. Storylines and themes are abandoned. Characters die, fail, or excel completely off screen. Hori spends more screen time and puts more emphasis on random side characters (see: Dai and the figure escaped a basement and was saved by that grandmother) rather than main characters, probably because it would be too difficult to give better endings to the main characters.

- you can also see the difference between the complex symbolism and plot points set up since the very beginning in earlier chapters, and all of that complexity and the hopeful vibes are bled away at the end. It's sad, actually.

- I saw an interesting take that this final chapter is Hori trying to make everyone happy - implying Izuocha while leaving BKDK still kind of open, making Deku a teacher AND a hero, listing all of the rankings, etc. and I think this is the theory that makes the most sense to me. He's taking a safer route and trying to please as many fans as possible, while unfortunately disappointing everyone.

- I've also heard that there's pressure from editors or Shounen Jump to have the series end this way, but I don't know about that. I'd think they would want to keep milking this cash cow forever. Maybe that partially explains the lack of queer canonical ships.

- SPEAKING OF WHICH, I've heard consistently from the fanbase that Hori is more progressive and more queer-friendly than other mangaka, but I honestly haven't seen any proof of this. Feels like wishful thinking. I've also hear that he's had other canon gay and trans characters, but the only ones I know of are Magne and Tiger, both characters that are simply implied to be gender nonconforming and maybe trans. But these are also not necessarily great portrayals, even if they are intended to be canon. Maybe there are characters in other works of his that I don't know about.

- maybe I'm jaded, but I also can't shake the assumption that Hori purposefully implied Izuocha at the end because he doesn't like his main characters being seen as gay. We've seen this in many other fathoms. Even if Hori didn't want to make BKDK canon, there are other popular queer ships that could have been given a tiny spotlight if he really wanted to have that representation.

- this is going back to shipping a bit, but Hori had this entire manga to create a meaningful relationship between Izuku and Ochaco and he just... didn't? Instead he literally and figuratively pushed them together at the end? Why not show them going on cute dates and getting closer? Why not a kiss? It just feels like a half-hearted cop-out. Ochaco has more chemistry and more screen time with Toga's ghost living in her brain than with Izuku. I am not exaggerating.

- I think Hori has a major case of "oops I accidentally wrote a powerful queer love story" syndrome (see also: Destiel) and just didn't know what to do with that. There's so little room for chemistry with other characters when you make the entire story about Bakugou and Izuku's relationship. 👀

- I think a lot of fans put Hori on a pedestal and expected perfection, but it turns out he's just one guy and he can't please everyone. I never got the vibe that he was a particularly great writer, and I never got the vibe that he was going to make BKDK canon. I think he (kind of like a certain JKR) created an amazing world and beloved characters, and then really fumbled at the very end when all the pressure was on.

Okay, I think I've cleansed my brain enough of all this.

TLDR: I think Horikoshi's writing has unfortunately been going downhill for a long time and this is the culmination of that. I feel bad for the man because he's probably under so much pressure and so burnt out - he wants to be done. Maybe we would have gotten something better if Hori could take some extended breaks or hand off the manga to someone else.

I'm disappointed about BKDK but more in an "I'm disappointed that we couldn't have this representation in 2024" way than a personal way. I would have preferred no ships. I'll keep enjoying fan content of lots of different ships that aren't canon and you should too! The canon can't hurt you! I hope we get the queer shounen we all deserve one day.

[thebroccolination]

I started watching GAP yesterday and when I say the opening credits left me dazed.

Like:

Christmas isn’t until Sunday 😭

[captaine-carter]

Still unsure why there’s so little slash in the Star Trek Strange New Worlds fandom. Really feels like a show built for it, so many attractive female characters who give off strong queer vibes

[major-comet]

thinking about red vs blue is crazy because it's like:

this is a story about how you can't keep chasing ghosts forever. there's alien/human mpreg.

holding onto the past is holding you back - you have to learn to let go and say goodbye. ed robertson from the barenaked ladies plays a guy who (jokingly?) tells his soldiers that if he weren't their CO he'd make them call him daddy.

family isn't always defined by appearances and you may find it in those you least expect. the aliens speak entirely in blargs and honks.

everything we do is driven by love - love for your current companions and loves that have been lost along the way. it has one of the most intense and longest running queer-baits i've ever personally witnessed.

veterans aren't given the proper support to be able to return to a civilian life, and this systemic issue causes problems for everyone in all levels of society. there's a homophobic bomb.

you can't change what's happened to you and the ones you love; you just have to find a way to keep moving forward. one of the main characters only speaks in poorly translated spanish.

everyone has the capacity to change and be better. it has two (completely unrelated) insanely complicated time travel plots, and they’re both only dubiously canon.

it's an incredible piece of media and proof that you can create something magical with the limited tools available to you. there are chunks of it that are borderline unwatchable.

it's changed the way I approach storytelling forever. i can't easily recommend it to pretty much anyone.

[washeduphazbin]

Lady Hell

(Lucifer x Fem!Reader x Lilith) NSFW THEMES AHEAD

Hi! Omg, I just saw/read the lucixreaderxlili story and wondered if you could write a story about Charlie and some others catching them "in the act" and just Charlie dying. Of course, Lucifer would accidentally permanently scar his daughter (and Alastor the ace) by turning around to go comfort his child, forgetting the situation for a "brief" (get it lol 😆) moment, and then trying to hide the three of them. Could you do the reactions of the others, either by hearing about it or walking in on it?

@legendarylearner18 I hope you enjoy it. I hope this is what you were looking for. I wanted to try to keep it somewhat canon, lol. So unfortunately we only get a little bit of Lilith.

For being cast to an eternity in hell, as a Sinner, you couldn't exactly complain about your current situation. You were found by Lilith, The Queen of Succubi and the subsequent Queen of Hell. While the Sinners around you looked like different creatures, you looked more human than a demon. Most likely due to the way you died, it wasn’t traumatic or horrific, so you kept most of your human features. The only difference was a pair of horns growing out of your head, and a devil-like tail.

Lilith was enthralled by your pure innocence; she picked you up from the street (literally) and brought you home. She allowed you into her palace and introduced you to her husband, her hands trailing and resting tenderly on your back. "What's your name, darling?" She hummed softly, brushing your hair from your face; you flushed, staring at the man before you, feeling the pressure of the much taller woman pressed against you. Your throat felt dry as you introduced yourself with a little bow; the man hummed,

"Is this a new Sinner, Lili?"

"Indeed. Lucifer, and I'd like to keep her." Your face burned hot as you whipped your head to the woman,

"Excuse me-" You sputtered,

"Oh, sorry. Are you queer?" She hummed, her nails brushing against your cheek, and you could only sputter out a yes of confirmation. She cooed sweetly, pressing your face directly into her tits; you squeaked, "Luci isn't she just the cutest Sinner you've just ever seen!"

"I think you're suffocating her," Lucifer mused, removing his hat and resting it against one of the many hat hooks. "Let me get a good look at her," Lilith released you, gently nudging you towards who you could only assume to be the King of Hell. You made a soft sound as he grabbed your waist; the way he analyzed you made you squirm nervously. "How would you like to stay with us? You have a choice of course.”

"Like here?"

Lilith laughed, grabbing your face and tilting your head to look her in the eyes; Lucifer took your hands and brushed his thumbs across your knuckles. "Yes, like here," she mused. You can say no. We aren't forcing you into a relationship if it makes you uncomfortable."

"You're new to Hell. We can keep you safe, but as soon as you want to leave, we won't stop you." Lucifer reassured, "But we'd like the chance to romance you if you'd let us."

You let out a little laugh, "Romance me?" Lilith giggled behind you as you watched the King Of Hell turn red and fluster. Sputtering out what exactly he meant trying to salvage the situation.

"Oh, you're going to be fun."

"And dangerous," Lucifer added, trying to recover from his embarrassment.

Your life since then has been pretty good. You fell hard and fast for Lilith and Lucifer and quickly became a part of their couple. They never made you feel less than for joining their marriage; you were equally as important as them in the relationship, and most importantly you were happy. When Lilith and Lucifer had Charlie, you were there beside them; helping Lilith through every moment especially when Lucifer was busy. Charolette, the little bundle of joy, only improved all three of your lives. You swore to yourself you would never force Charlie to see you as another parent if she didn't want to, but much to your surprise she did. You were a constant in her life, acting like a third parent to the girl most or the time, one who was constantly there and she loved every bit of you.

--

Charlie hummed, tapping her fingers together, "So that's why asking my other mom to convince my dad is probably our best shot at getting a meeting with Heaven!" Vaggie and Angel Dust glanced at one another,

"Hold on, you're telling me that the king of hell is getting double the pussy, and we're out here struggling ta get any?"

"You don't even like pussy Angel," Husk grunted,

"Not true. I like a certain pussy." He batted his eyelashes at Husk, who grunted, rolling his eyes while dramatically taking a swig from his whiskey bottle.

“I’m a feline or cat. Call me a pussy again, and I’ll shove this bottle up your ass.”

“Kinky I like it daddy.”

Husk promptly flipped him off.

"Not the point!" Charlie huffed cheeks, flushing. She didn’t even like thinking about her parents like that. "I've been scared enough with them to last me a lifetime!"

"Ohhoho?" Angel Dust leaned forward on his knees, "Sounds like you have stories."

"What? Stories? No way, not me." Charlie shook her head rather dramatically, yelping as Niffty ran up her leg, grabbing the collar of her shirt,

"You have stories! Dirty, nasty stories! I can smell them on you! TELL US!"

"You all realize you're asking her to talk about her parents having sex right." Vaggie grunted, "That's fucking weird."

"Don't care what's the most embarrassing thing you've ever walked in on!" Angel shouted, slamming his hands on the table, "I need to know!” Charlie chewed on her bottom lip, "You always say sharing is caring, Princess. Now that it's your turn. Are you gonna share your trauma? I've shared mine." He definitely hadn't but Charlie wondered if this was his first step into Angel actually caring about the group redemption activities.

"I...suppose you're right." She cringed outwardly as Angel grinned delightedly and turned to look at Husk. He rolled his eyes at Angel,

"I'll make you drinks; I have a feeling we'll be here for a while."

"After this story we're talking to your mom are you sure you wanna tell them then go see her directly? You don't have too." Vaggie placed her hands on Charlie's shoulders giving them a squeeze,

"It's okay Vaggie, I can do this! For the Hotel!"

—

Lilith hummed quietly, running a brush tenderly through your hair and detangling the locks. You stared at her gentle movements in the mirror, feeling her slender fingers pet your scalp. "You're staring, my beautiful lamb," You felt your cheeks burn as you looked down into your lap. You heard her soft laugh, pressing herself against your back, feeling her chest push against you.

Jesus, you were better than no man.

"Don't get all shy on me." Her fingers lifted your chin so you could turn to look at her. "There's my pretty girl." She purred, and you could melt. She leaned forward to press a tender kiss to your lips. Her other hand cupped the back of your neck possessively. "Do you wanna know something?" She murmured against your lips; she pulled away to look into your eyes as you nodded. "You're my personal Eden." She trailed the back of her hand down your cheek before pressing her thumb against your bottom lip, pulling it down. "I want to devour you; you'll let me, won't you?"

You let out a loud whine, nodding furiously at her, "Anything for you Lili." She raised a perfectly styled brow, "Mistress."

"That's my girl." She pet the top of your head, "I'm sad to mess up your hair after I just worked so hard on it. But, I think it's worth it, don't you?" Lilith's lashes fluttered, and you nodded like the lovesick puppy you were for her. The dynamic you had with the Morningstar's would be peculiar to anyone outside the bedroom; Lilith enjoyed taking the dominant role, Lucifer was a switch, and while you preferred to be more submissive, sometimes it was fun to be more dominant when messing with the devil himself. You shivered in delight at the thought of taking both of them as Lilith's mouth placed kisses against your neck. "Oh, little lamb, did you think you could hide your desire from the queen of succubi herself? You want me to gather Luci for us?"

"Would you be mad if I say yes?" You spoke softly, and she smiled sweetly, pressing a kiss to your forehead.

"Not at all, my sweet thing. Why don't you get yourself ready for our return," She vanished, seeping elegantly into her shadow. You grinned, jumping on the abnormally sizeable plush bed you shared with the couple. Usually, Lucifer enjoyed undressing you, but what Lilith said goes, so you unbuttoned your shirt and slid off your skirt, leaving you just in your underthings. "Your gift is in here, Lucifer," you heard Lilith on the otherside of the door. The man let out a small laugh.

"Whenever you get me a gift, it always puts me on edge." He said lightheartedly, opening the bedroom door. His gaze landed on you immediately, and his cheeks burned scarlet.

"Do you like your gift?" She purred, leaning down to peck his cheek in a sultry manner.

"I mean, who wouldn't? Hi, Ducking!" He stammered, waving goofily. You giggled, waving back cheekily,

"Hi Luci, Mistress." You bowed your head, sprawling out on the bed seductively, your eyes trained on the growing tent in the king of hell's pants. "What role would you like me to take?" Your eyes trailed over to Lilith, who was slowly sliding down her dress.

She hummed thoughtfully, "What do you feel? Also, do you remember the safe word?" You nodded,

"Dominate with you and dominate with Lucifer. Is that alright?"

"M-more than," Lucifer stammered as Lilith reached around to place her hands on his shoulders, nipping at his neck. He let out a shaky groan at the sensation and you hopped off the bed kneeling before the King and Queen of Hell.

“Good girl.~” Lilith praised continuing to nip and suck on Lucifer’s neck her fingers moving to unbutton his top. Meanwhile he whimpered looking down at you as you undid his belt with ease fluttering your lashes innocently. You looked as beautiful as the day you arrived in Hell and he still couldn’t fathom what you’d done to end up in a place like this.

“Your Majesty may I?” You motioned to his hard cock straining against the confines of his briefs. He ran his fingers through your hair and you leaned into the touch,

“You may.” He watched you lick your lips hungrily as you pulled down his underwear, cock springing free bouncing against his stomach. He let out a shaky breath, as your hands groped his aching dick, “Ducking come on.” He whined as you slowly pumped him with a sadistic grin adorning your lips. He felt Lilith laugh against his neck and he huffed, she clicked her tongue grabbing his chin and tilting it up so she could press a kiss to his lips, it was heated as their tongues clashed in a fiery dance. He groaned into it giving Lilith control as he felt your hot mouth wrap around his cock. You bobbed your head skillfully taking him fully, your nose brushed against his pubic hair. You were always proud you could fit him in your mouth entirely, his hands dug into your hair pulling you somehow closer. You gagged but never thought about pulling away, you hollowed your cheeks making sure to use your tongue to trace the prominent veins underneath his shaft. His hips bucked into your mouth, he fucked your mouth with fervor groaning and whining the entire time. “That’s it, so close baby gonna cum-“

You pulled off with a significant pop, drool and pre-cum glistening on your lips and dripping from your chin. He made a heartbroken face in your direction as you licked your lips seductively, “oh my good girl, come to mommy.” Lilith purred as you rose to your feet, her hands wrapped around your waist as she pulled you onto the bed. Her dress had long since been discarded and her perfect breasts hung freely over you. “I’m gonna ride your face like the throne I deserve and Lucifer’s going to fuck that tight little pussy of yours.” It wasn’t a question but a command, “I’m sure you’re wet enough. I know how much you love sucking my husband’s cock.” You could only nod eagerly,

“Can I touch you?”

“You may.”

Your hands immediately shot forward, cupping her breasts between your fingers. She let out a sigh, beautiful and airy as your fingers brushed over her nipples. "That's a good girl," She purred as you began to massage her chest eagerly. Your tail swished wrapping around her waist urging her forward towards your mouth, "How impatient. Lucifer darling?"

"Y-yeah!" He sputtered removing his hand from his cock as Lilith turned to look at him. His shirt was hanging off his shoulders, unbuttoned and his pants were still down around his ankles. Face flushed red standing awkwardly, watching his two loves make out. She tutted and he flushed harder, "Sorry..."

"You're luckily out little lamb here has me in a good mood." She groaned a little as you leaned up as far as you could to nip at her breast. "Oh darling...Lucifer get over here and fuck her."

"Yes ma'am!" Lucifer grinned wiggling his leg and kicking his pants into the corner of the room...well tried to he ended up falling directly onto his face. Lilith sighed rubbing the bridge of her nose while you burst into a fit of giggles. You tried to cover you mouth with your hands as you tilted your head backwards, he raised his head with a nervous smile. "My bad," His voice cracked a little as he fumbled his way over to the both of you.

"You're such a goofball," Lilith sighed now trying to hide her smile from her husband. "You still alright to continue?" She was looking at Lucifer but you knew the question was for the both of you. Embarrassed Lucifer nodded as you responded with a resounding

"Yes!"

"Good then let us continue." She mused clapping her hands together as the lights in the room dimmed and the candles flickered to life. She leaned forward connecting your lips together you moaned quietly against her, her hand coming up under your bra to squeeze your chest gently. "Ready?"

You felt Lucifer's nails trail your thighs and his lips pressing gentle kisses to the skin there. You shivered at the touch and felt him smile against your flesh, "Yes Mistress." You saw her smile, beautiful like the sky back on Earth. She moved with the grace of a queen as she moved to sit on your face, squeezing her thighs against your head. Lilith let out a loud intake of breath as your tongue prodded at her entrance. Your hands moved to dig your nails into her thighs as you ate her out like a woman starved. Meanwhile you felt Lucifer bite at your inner thighs causing you to moan against Lilith, she let out an elegant groan as her hips began to roll into against your mouth. You heard the devil snap his fingers as your bottom half got much breezier, he had snapped your underwear away, thank god they weren't your favorite pair.

He was making sure to mark you up before licking a stripe up your pussy his snake like tongue moving circles on your clit. Your thighs unconsciously clamped around your head and you felt him tut against you yanking your thighs away from his skull. You wined as Lilith ground down on her, filling your mouth with her wetness, nose brushing against her clit. You felt the dynamic switch as Lucifer leaned back thumb massaging your bud and fingers teasing your entrance mercilessly. You tried to get out a mumble out a please, but Lilith's body made your plea sound like nothing but a mumble, "You trying to beg Duckling? It's a shame you can't."

"Aw Luci don't be mean to the poor girl, she's working hard to please me-" She was cut off with a moan eyes fluttering, "I'm close. Don't be mean to her when she's doing such a good job. Unless she's somehow not wet enough but I doubt that."

"Oh she's dripping." Lucifer mused, "But if you allow it I'll fuck her immediately. After all, it's her turn to be throughly bred." You moaned hotly into her and her sweet sounds tangled with your own, her entire body pressed hard into you as she climaxed into your mouth. Her chest heaved as she slid off you, your mouth wet with her juices, as your tongue came to swipe at your lips.

"Lili!~" You moaned your hand reaching out towards her, she hushed you softly intertwining her hand within your own, she looked over at Lucifer, "Please."

She hummed turning to face Lucifer giving a nod, his entire face lit up like the stars, he leaned foward to kiss you tenderly. "I love you,"

"I love you too," You purred cupping his cheeks sweetly. "Don't make me beg,"

"I won't you've been plenty good." He pressed a kiss to your nose causing you to giggle. He gave himself a few pumps before sliding into you with relatively ease. Your eyes rolled back in your head fluttered with a sharp intake of breath. "Fuck...baby-" He moaned, "You're alway so tight around me." You didn't get a chance to respond before Lilith placed her lips onto yours and her hands under your bra; palming at your chest. Lucifer sucked in a needy breath at the sight and your hips began to buck up against him continuing to flutter around him. He took your hint and began to pump in and out of you, you broke away from Lilith spit still connecting the two of you as you let out a loud moan. "That's it...my good girl."

He always felt so big inside you, you swore he'd break you in half, as your toes curled once he hit the spongey spot inside of you. "More." You demanded as Lilith giggled, "Fill me up."

"As you wish, you wanna make me another Daddy-"

"Dad?"

"FUCK ME!" Lucifer yelped his wings suddenly sprouting out of his back in a panic, pulling out of you in a hurry. Your eyes widened into saucers clamping down on him in surprise which caused him to cum prematurely over your stomach. Lilith cursed under her breath, frantically looking around for a blanket.

"Lucifer!" He was snapped back to life by the sound of Lilith's voice his wings quickly shifted covering the both of you.

"Oh God!" Charlie shrieked once she fully processed what was going on, she covered her eyes. The teenager's cheeks were flushed, "What the fuck!"

"We're so sorry!" Lucifer sputtered, moving to get up to explain himself.

"DAD DON'T GET UP!"

"Lucifer!" Lilith hissed,

"SORRY!"

"I'm leaving!" Charlie squeaked out, "Sorry! Sorry! Oh god my eyes!" The door slammed shut with a bang as Lucifer's wings disappeared and buried his face in his hands.

—

It wasn't a surprise that she first came to you with her hotel idea to rehabilitate sinners instead of her father. You shuffled uncomfortably as she held out her drawing cards; she was pointing eagerly to her plans. By her side was her girlfriend Vaggie, the girlfriend Lucifer didn't know about.

She had you wrapped around her finger, and she knew it.

"Charlie, you know I love you and admire your ambition; I always have, but..." You trailed off as she frowned, lowering her papers. Your heart ached, "Shouldn't you be talking to your father about this- and don't say I'm your mother, you know what I mean." You held your finger up to stop her, “it's just. I don’t know how I can help you sweetheart.”

“Well I was…ya know thinking. That you could maybe possibly I don’t know, convince dad it’s a good plan. And well I don't know get me a meeting with Heaven.”

You winced, “Charlie…” she pouted giving you her saddest puppy dog face, “I only have so much power when he comes to controlling your father.”

“But we’re making SUCH good progress. Angel Dust is on the road to redemption as we speak!” She exclaimed, “right Vaggie?”

“Right.” She smiled reassuringly up at her girlfriend before turning to you, “just…try please. If it doesn’t work Charlie will call him and figure something else out. We aren’t asking for him to help,” Charlie opened her mouth to protest, “without seeing it himself first.” She corrected and her girlfriend nodded in approval.

“You two I swear.” You stood on your toes grabbing Charlie’s red cheeks kissing both as she flushed. “If your father kills me it’s your fault,”

“He’d never!” Charlie looked aghast, “he loves you like he loved Mom!”

“I know, Hon. Don’t worry, figure of speech.”

“Oh,” she frowned. “Well, try not to talk like that. Think positive!” Charlie grabbed your hands and opened her mouth,

"I love you, but please don't sing right now." You kissed her knuckles softly, "I need all my brainpower to talk to your dad."

"Understood!" She squealed, "I love you!"

"I love you too. Now shoo, your dad will call you later." She wrapped you in another hug, and Vaggie nodded her head in your direction with a little smile. Charlie pulled away and interlocked her hand with her girlfriend before scampering off. You rubbed your face tiredly; Lucifer and your relationship had been strained since Lilith left. You still loved one another dearly, but her leaving had taken a toll on both of you. While he retreated to isolate himself in his room, you coped in other ways, namely, running his kingdom for him to the best of your ability. The only things you didn't do were meetings and phone calls with the Seraphim or the Angels.

So, things between the both of you have been a little more than awkward and tense. Not knowing how Charlie would react, you both decided it was better to try to deal with your emotions privately instead of telling her outright that you were having relationship issues. You still slept in the same bed, but most of the time, it felt like he was barely there...reminding you that you were just a lover and not a wife.

Cursing inwardly at the thought, you loved Lilith; you missed her smile, her voice, and her kindness. But it was hard not to feel bitter at times; she left you and Lucifer...alone...for going on seven years.

It had not only devastated him, but Charlie, and you as well. Despite your wishes those bitter thoughts, were getting more and more common.

You let out a shaky sigh before you smoothed out any wrinkles in your dress as you approached his workshop. You knocked softly on the door. You heard frantic rustling and fumbling of what you could only assume was another rubber duck project before the door was hurriedly thrown open. His eyes squinted like he was trying to gather what you were doing here before he let out a panicked, nervous laugh.

"Duckling!" you could hear the nervous tremor in his voice, "What-ugh- what are you doing here?"

"I live here? We sleep in the same bed." You deadpanned,

"No, I mean! Er, my workshop,"

"Charlie stopped by-"

"She did?!" The panic in his voice was even more evident now that you mentioned the possibility that his daughter was here you watched as he ran his fingers through his hair. "Is she still here? You got her to leave right? Did she ask about me? I'm not prepared and-"

"Luci," Your tone softened, cupping his cheeks and running his thumb across the apples of them, "She's not here. She had a message she wanted me to relay to you."

"She...asked you and not me?" He murmured, and you chewed the inside of his cheek,

"It wasn't a long visit; you were very busy."

"Yes...I was busy."

You both stared at one another, tension seeping into your bones. Your tail flicked restlessly, and Lucifer's claws drummed nervously on the wood of the doorframe. "Welp!" He clapped his hands together, "If that's all." He moved to spin around back into his duck-filled workshop,

"I didn't even tell you what she wanted..." You spoke quietly, reaching out to touch his shoulder but he flinched away before you could make contact again.

"Fuck, I didn't mean to flinch. It's just Lilith and...and I know we haven't been intimate- It's just-" He rambled,

"No, please don't apologize." Your smile was strained, and your hands clutched the top of your dress. "I understand completely, Your Majesty."

He said your name, pained, "Don't do this-"

You held up your hand, silencing him, "It's fine." You doubled down on the earlier statement before sighing, shoulders slumping, your entire body felt heavy. "I love you but I don't know if I can keep doing this..."

"Please stop." He reached forward to grab your shoulders, in a frantic way to prove he wasn't afraid to touch you.

"Lucifer, I'm tired." You looked up at him and already felt the stinging behind your eyes, "I miss her so much it hurts...I miss you. I'm so lonely I feel like I could die again."

"Don't say that." He said seriously, hands moving from shoulders to your cheeks, "Never say that. If you died, I couldn't bear it."

"The great Lucifer Morningstar would live, I'm sure. Although he'd have to rule his own kingdom again." Your lips twitched in a sad smile,

"I don't think I would." He chose to ignore the second part of the statement, "I know." You watched his throat bob, "I haven't been fair to you. I've shut you out, and I shouldn't have, and it breaks my heart that I made you doubt my love for you." His fingers brushed against your cheek, wiping away tears that began to roll.

"Lilith is your wife, and I can't imagine what you're going through-"

"Out of everyone, I think you're the only one who can relate to what I'm going through." He laughed airily, "I'm a mess. I'm depressed, and what kind of man am I? My wife left, our daughter hates me, and you can't stand to be in the same room as me."

"But that's all I've wanted!" You shouted, not unkindly, "I want to be with you, I'm meant to be your rock, your support how can I do that if you shut me out."

"I never meant to!" He exclaimed, "I just- I hate myself all the time-"

"Join the club!"

"Fuck. We're both messes, aren't we?"

"More than," You laughed, rubbing your eyes. "Look, Luci..." He blushed a bit at the nickname, and it made you smile. "Can you promise me we'll work on it, work on everything, together? No more shutting one another out."

"Promise." He stood on his tip toes and leaned forward, hesitating slightly, "I don't want to pressure-" You grabbed his lapels and pulled him close, pressing a hot kiss to his lips. He groaned a bit into it, his arms wrapping around your waist, pulling you close. "I missed this, I missed you," He mumbled against your lips. "I'll be better. To both of you-"

"Oh." You snapped your fingers, pulling away from him, and he made an 'eh' like sound. "Speaking of Charlie wants you to get her a meeting with Heaven."

"WHAT!"

[crescent-moon-mollymauk]

Sometimes I just feel so lucky that all of Bells Hells is canonically queer (aside from Dorian who isn't confirmed queer, iirc, but I mean, look at him and tell me it isn't heavily implied). Like, it's just awesome. Just so casually queer in a way that isn't ignored but also never makes you feel like it's being done for brownie points. To have two nonbinary party members, one a sweet little queer robot and one a scrungly punk who is definitely somewhere on the bi/pan disaster scale, two sapphic lovers (imo a psychic lesbian cowgirl and a demi-bi, socially awkward undead lady), a sad little gay man, a polyamorous bi/pansexual (and probably demiromantic, imo) who is living her best flirty life, a scruffy, old, little bi/pan werewolf, whatever fruity thing Dorian's got going on, and the absolute biggest bi/pan disaster paladin I've ever seen. Like, it's just so incredible that we get to witness this kind of story, and for free!

It's so weird whenever I watch more main-stream media and it's just so very cisgender and heterosexual. I've gotten so used to such gorgeously gay and queer stories that I don't want to go back to anything else.

[ladybirdvariant]

be so glad Brigerton only made Francesca and Benedict canonically queer bc if yall are tweaking over that you have no idea how much worse it would be if I was in charge bc I'd spite everyone if I was the show runner after that goofy outrage over TWO gays. Kate Sharma? SAPPHIC QUEEN. Anthony Bridgerton? BICON. Eloise Bridgerton? ARO ACE LESBIAN. Cressida? GAYEST FUCKING LIPSTICK LESBIAN TO EVER LIPSTICK. Lady Danbury? LETS MAKE HER A LESBIAN WHOSE SECRETLY FUCKING VIOLET BRIDGERTON. Lady Featherington? YK WHAT SHES IN A POLY RELATIONSHIP WITH VIOLET AND DANBURY. Queen Charlotte? WE ALL KNOW SHE AND DANBURY HAD A THING ON THE SIDE WAY BACK WHEN. That one featherington sister? REGENCY CHAPPELL ROAN I TELL YOU. Daphne and Simon? THEY NEVER COME OUT OF THEIR ESTATE BECAUSE THEYRE EACH OTHERS BEARDS LIVING OUT THEIR LIFE WITH THEIR COUNTRY SIDE SAME SEX PARTNERS. That prince in season one? WELL GUESS WHAT HE WAS A PANSEXUAL TRANS MAN ALL ALONG. Edwina? GAY. Colin? DEMISEXUAL KING. Pen? SURVIVED A SAPPHIC SITUATIONSHIP WITH ELOISE. Fuck it Hyacinth? LETS WRITE IN A TRANSMASC HYACINTH JUST TO HEAR THE SCREAMS OF *THOSE* BRIDGERTON FANS. LUCKILY EVERYONES RELATED OR ID MAKE A RIVERDALE STYLE QUAD BETWEEN EVERY SINGLE CHARACTER. IF YALL THINK JESS BROWNWELL WAS ADDING IN TOO MANY QUEER PROTAGONISTS YALL SHOULD BE FUCKING GRATEFUL NO ONE PUT ME IN CHARGE

[i-hate-accidents]

i hate accidents: the between

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, intersectional low self-image of y/n, positive/supportive families, retelling of recurrent microaggressive homophobic experience with y/n’s family member in [II.vi], short description of almost throwing up (not related to low self-image) in [II.vii]

word count:  9.1k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

tagged: @omgsuperstarg @bedobeeeee @stvrdustalexx @anisas-nonsense @crazymar15 and all who have liked the story so far: the author extends her gratitude for your engagement with the first section. <3

𝄆 ⚘ ✸ II.i ✸ ⚘ 𝄇

“have i told you that you are the best model who has ever sat for me?”

it has become a common occurrence.  whenever you read while in the drawing room, benedict asks if you can be his model for his hand studies.  you oblige, seeing how you are already so still while reading aside from the occasional page turn, and—more so—you want to support how benedict progresses in his craft.  today, you and benedict are sat at a table as hyacinth plays a solitary game of cards on the floor and kathani and anthony sit at a couch with some delicious smelling tea.  you had come over to meet eloise and penelope first thing but were soon informed that the two young ladies were still at the markets with colin.  that made you smile; your loud friend is, no doubt, inserting herself emotionally and physically in between your two friends in love.

you feel yourself scrunch your eyebrows at benedict’s comment.

“surely you are exaggerating.”

“hyacinth was my last model; she was horrific.”

you hear an aghast gasp and do nothing to hide the amusement in your smile.

“it is difficult to sit still!”  the youngest bridgerton yells.  

“hyacinth, it is not becoming of a young lady to ye— ow!”

you see somewhat in your periphery how kathani puts the hand she used to thwack her husband’s arm back on her teacup handle, smiling.  benedict, in the meantime, groans and seems to be focusing even more intently on his sketch as not to make eye contact with his youngest sister.

“yes, i understand it is difficult, but you did not sit still for even eight seconds.”

you have not shifted your position in the past half hour or so as not to ruin the angle of your hand for benedict; but you need not visual confirmation to already know that hyacinth has rolled her eyes in response to her brother and returned to her game.

“well, what about the art academy?”  you continue.  “there must have been very good models there for you to draw.”

and very beautiful ones, at that.

“it is true, there were; but,” you see him smile as he smudges his paper, “none are comparable to you.”

you feel your cheeks light aflame and, with a cough, focus even more intently on your passage.

“then i ought to give up on my profession as a basket weaver and put in my request as a model at the art academy.”

“you do realize that you would have to pose—” you see how he pauses his drawing, looking to see where the youngest is in the room, and lowers his voice as he leans forward towards you; (you attempt not to roll your eyes), ”—nude, in order to be a model there, y/n.”

“yes, and what issue is there with that?”

you look away from your passage to benedict to make a point with your stare and are startled to see how startled benedict looks, the familiar ocean of his eyes almost entirely gone and replaced by the black of his pupils.

“nothing.  there is no issue.  no issue at——” he coughs, scratching the back of his ear, no doubt smudging it with charcoal, “would you like to see my progress so far?”

𝄆 ⚘ ✸ II.ii ✸ ⚘ 𝄇

< in the gardens of number five.  penelope, eloise, hyacinth, and gregory are adventurers looking to save the princess benedict from the banshee y/n.

< hidden behind a hedge, y/n and benedict bicker. >

“you are a middle child on a technicality, benedict.”

“what is that supposed to mean?”

“you have seven siblings.  anthony the eldest, hyacinth the youngest—and everyone in between simply a middle child?  you all could not be more different from one another, and you are at the very top; you are practically an eldest child.”

“i’ll have you know that no one, myself included, sees me as such.”

“i’m familiar.  an eldest sibling with a penchant for peculiar tea is not one i would describe with an overwhelming sense of duty.”

“how do you know of that?”

“kathani told me.  she recounted to me her first dinner with the family and how transcendently in the most literal sense you had behaved.”

“so you two talk of me?”

you feel the tips of your ears heat, but fortunately your hair hides your embarrassment sufficiently.  you roll your eyes.

“is that what you gleaned?  do not think too deeply about it.”

“i shall think about it deeply and often,”  he states with a twinkle in his eyes.  in an attempt to ignore your fluster and flutterings, you roll your eyes again and shove him.  he laughs, his nose scrunching and eyes crinkling adorably whenever he is truly delighted.  despite your best efforts (you put in no effort), you smile at him.  it cannot be helped when you are around benedict.

“now, make haste; hyacinth is about to cast a spell, and she needs a princess to save.  may i grasp your arm?”

“grasp my what?”

“your arm!  i need to pretend as if i am holding you captive, but i am not simply going to take hold of it without permission.”

“how chivalrous of you.”

“i suppose i’ve learned from a sufficient enough gentleman.”

benedict grins and offers his arm.

“i am yours for the taking.”

it is preposterous how much this man makes you want to roll your eyes.  and how much you welcome it.  in the moment, however, you refrain yourself and, instead, smile at him in return as you yank yourselves both out of the hedge to be seen by the others.

𝄆 ⚘ ✸ II.iii ✸ ⚘ 𝄇

< on a morning before she is off to number five, y/n realizes that her last remaining skirt still needs to be cleaned after she had spilt a bottle of ink on it.  (she was devastated by losing so much writing material and money in one fell swoop.)  she had been so preoccupied with work that she had forgotten to clean it. 

< in a rush, she looks throughout her house for extra skirts but to no avail; the only thing she finds that she can wear is a pair of trousers from when her father was younger.  she finds this suitable enough, puts them on, and runs off to bridgerton house.

< upon arriving at the drawing room wearing trousers, y/n hears a choking sound. she looks over and sees that benedict has somehow spilt tea all over himself.  as the bridgerton family makes comments of curiosity and support of y/n’s current attire, benedict excuses himself, y/n hearing how he mumbles that he needs to change his clothes.

< after some time, benedict returns, but y/n notices that, aside from removing his coat, he still wears the clothes he was in.  she remarks to herself:  how can he have been gone for long enough but still be in the same clothes? >  

𝄆 ⚘ ✸ II.iv ✸ ⚘ 𝄇

you gasp.

“wait!”

you do not wait to hear a response from your companions; you right about turn, swing open the door to number five, and run into the house, straight towards the drawing room.

“benedict!” you shout, “you must come see!”

“wha—��

you grab his hand, pulling him up from his slouched lounge.

“quickly!  you must make haste!”

adrenaline and joy rushing in your veins, you lead benedict out of the drawing room and towards the entrance where, upon returning, you see giles, with a large beam on his face, holding open the door.  you laugh, shooting him a quick nod and grin of your gratitude, and bring benedict outside, pass penelope and colin, pass the gates of bridgerton house, towards the road, and halt yourself and benedict in place.  

you shoot your forefinger outward, pointing towards the sky, your grin ever growing.

“look!”

benedict has been looking at you incredulously, as if you’ve completely lost your mind, and perhaps you have, but you’d be damned if you got to see this and benedict hadn’t.  he shifts his gaze and grin from you towards the sky, and as you had expected, as you had hoped, his expression transforms from gleeful confusion into complete awe.

“see?  it is just like your palette of ideas!  the oranges, the reds, the yellows, the purples, the pinks.  here it all is, made by mother nature herself, and you have already managed to capture the hues in the pigments of your paints!”  laughter bubbles out of you.  “it is amazing!  you are amazing!”

you hear a soft buzz in your ear, causing you to turn towards the familiar sound.  a bumblebee swirls about your head, and it makes you giggle.  you always had a fondness for the sweet creatures; how wonderous one has come to greet you at such a moment!  the bee lands on your nose, as if to give you a kiss, causing you to giggle even more, before it departs and flies off into the sky.

as you stare at your departing friend, as you stare into the sorcerous colors of the sunset, as your smile feels permanent in this moment, you ask benedict,

“isn’t it beautiful?”

“yes.”

you turn to benedict, expecting to see his side profile tilted towards the sky when, instead, you connect with his ocean eyes.  gazing at you.  

your smile fades away as you quietly suck in air through your nose.  you feel a soft caress at your hand, and looking down, you see that you are still holding hands with benedict, him gently rubbing the side of your hand with his thumb.  you look back up, and with indecipherable ocean eyes and a soft smile on his lips, he still gazes at you.  butterflies flutter maddeningly within you.  the way he looks at you, it makes you feel scared.  but you’d be damned if you allowed your fear to tear yourself away from benedict.  so, instead, you smile back and gently rub the side of his hand with your thumb too.

“well!”

you and benedict reel back from one another, letting go of one another’s hands.  as you feel the loss of his touch, you whip your head towards the voice and see a smirking colin, by the side of a smiling penelope, both approaching the two of you.  

“while i hate to get in the way of two— friends in the midst of a conversation, i must fulfill my duties and escort miss featherington to her home.”

you roll your eyes as you promptly ignore the fire that burns on your cheeks.

“you rich people and your escortings.  penelope lives across the way!  she would have already been home if you would have let her, colin.”

“yes, that is true,” pipes up penelope, “but then i would have missed out on such a beautiful sight,” and instead of gesturing at the sunset as her words imply, she keeps her eyes locked on you and benedict.

menaces.  i am friends with menaces.

with smugness in their smiles and delight in their eyes, penelope and colin nod their heads in farewell.  as they move past, you feel a soft squeeze on the side of your arm and see penelope giving you a wink.  you stare off at the couple, penelope featherington and colin bridgerton, your absolute menaces of friends who have left you and benedict stunned in spot.

benedict.

benedict!

you turn your head to face him.  he must have realized at the same moment as you, for you are greeted by an equally speechless expression.  feeling yourself staring into his ocean eyes a moment too long, you cough and look away.

“right, i suppose— i, going— i should be going.”

“of course— yes, that is— right, yes, very good—— not!  you going!  you going is not— not good!  i— we— are more than glad to let you stay!— not let you, but!  but have you stay with—— us!  stay with us!—”

“benedict,” feeling the instinct to touch his hand again, you hesitate and, instead, touch the side of his arm.  you offer him a smile to his (adorably) flustered state.  “i understand what you are trying to convey.”

he huffs out a breath and smiles warily in return, and it is truly absurd how beautiful he is when his suave falls away.  when he takes off the façade he performs to the world and is just himself.  not a bridgerton, not a second eldest son, not a gentleman.  just— 

benedict.  

the one you—— care for.  

the one you care for.

the one i care for.

“thank you, y/n,” you hear him say, “for sharing this with me.”

“of course.  you were first to come to mind when i saw it.”

“shall i— shall i escort you home?”

you snort, inadvertently breaking whatever odd energy has grown between the two of you, and he grins in response.

“goodness, no.  i am fully capable of walking there myself.  besides, it is too far from here, unlike miss featherington,” you intonate the last of your words with mockery.  you will battle colin bridgerton one day.

“i enjoy a long walk.  and with such a beautiful sight, it would be much more a blessing than a burden.”

“daylight is fastly fading; the sunset will not last another eight minutes.”

“yes, the sunset.  because that is what i was referring to,” he says as he stares at you with a lopsided grin.

rolling your eyes, and feeling the violent flutterings in your stomach, you shove benedict by his shoulder, which causes him to laugh and throw his hand up in mock surrender.

“good evening, benedict,” you finalize as you walk away, a smile quickly forming on your lips once out of his sight.

“good evening, y/n,” and you hear the smile in his voice.

𝄆 ⚘ ✸ II.v ✸ ⚘ 𝄇

“it is here!”

you had just begun to cross your writing when you look up and see kathani enter the drawing room, paper in hand.

“what’s here?” you inquire.  the viscountess smiles.

“perhaps you should be the first to see,” and she hands you the sheet.

taking it into your hands, you are immediately struck by the ornate illustrations of flowers and foliage ornamenting the borders—they are printed on! rather than hand drawn.  you run your fingers against the paper to test your observation.  you’ve only seen such a feat in the books you’ve borrowed from the bridgertons, so it impresses you (though perhaps it shouldn’t surprise me, you remark to yourself) that kathani has found a press to accomplish this feat for her printing. 

you then take in the lettering and read,

a ball in titania’s garden court

“come, now a roundel and a fairy song.”

the company of

is requested at bridgerton house, number 5 in grosvenor square, on thursday evening, jul. 6, 1815 at 9 o’clock p. m.

“you helped inspire the theme,” kathani remarks.  you look up from the paper to her; her eyes are intently on you.

“me?  how so?”

“with our reading of his work, and our conversations with eloise and penelope, he was naturally on my mind when planning for the ball.”

you beam.

“how wondrous!  your first ball in the city, and you are bringing the fairies to it,” you turn to the others. “you must tell me how it goes!  i’d be delighted to hear what the dresses were like, with the theme and all, and if any larks ensued.” 

you note to yourself how penelope will likely know of all of the latter far better than any of the bridgertons, but it would be intriguing, nevertheless, to hear their perspectives.  you turn to the viscountess once more, “it is a brilliant idea, kathani.  i’m honored to have had some part in it.”

you see her open her mouth in response—

“oh good!” 

—when you hear anthony’s voice at the entrance of the drawing room.  

“you’ve accepted!  that is wonderful news.”

you furrow your eyebrows as he approaches.

“accepted?”

“the invitation.  to the ball.”

“what?”  

anthony looks around the room to his family and then back to you.

“i— am beginning to think that is not what you were responding to.”

“how quick of you, brother,” deadpans colin.

“i have just entered!”

“and have proceeded to make a fool of yourself,” eloise counters.

“it’s appropriate for the theme, really,” colin turns to kathani.  “sister, perhaps you might change the dress to costumes?  anthony would make an excellent bottom to your titania.”

“i am—” you start, “still lost.” 

kathani gently nods her head to the paper in your hand.  you look down again.  previously neglecting it for the printed words and illustrations, you now read what is clearly in the viscountess’s handwriting between ‘the company of’ and ‘is requested’:

miss y/n y/l/n.

“this is an invitation.  for me.”

you look up from the invitation and are greeted by kathani, and the rest of the bridgerton family at number five, expectantly staring at you.

“but—— but—”

“now, i understand that this might be quite overwhelming,” begins kathani, “but after speaking with the family, we all agreed that it would be most wondrous if you were to attend the ball.  we would make certain that you felt prepared, beforehand, with lessons in dance and etiquette, hence why i’ve prepared the invitations earlier than customary.” 

“not!  to assume that you are not already competent in these,” adds colin.  “you certainly have more grace than eloise— ow!”  and he rubs the part of his arm eloise just smacked. 

“but if it would appease your mind,” violet interjects, “and help with your concurrence, then we would be more than elated to offer them, and to do them with you.”

“your attire would be paid for,” anthony states simply, “and we would pay the business of your employment their missed earnings for the days in which you will be preparing for the ball and resting from the event’s happenings.  and, if you shall allow it, we would support you and your family from your abstained days of wages.”

“balls are dreadful,” asserts eloise, “but!” she continues swiftly, and exasperatedly, upon seeing her family’s reaction, “with your presence, this one would certainly be more bearable.  pleasant!, even.”

“we,” hyacinth gestures to herself and gregory, “cannot attend the ball, but we will help you in any way we can before then!”

“and we will be there on the morning and afternoon of, if you would like!” gregory exclaims. 

kathani was wrong.  

this is not quite overwhelming.  this is overwhelmingly overwhelming. 

you do not even know where to begin in processing all of the information with which you have just been bombarded.  the wages, the etiquette, the paying, the attire, the dancing, the days off, the ball itself.

but what strikes you most of all—

“you all… agreed?  of wanting me at the ball?”

you look around the drawing room.  your friends’ countenances are illuminated with beams.  all, but one.  you turn to him.  he was the only one not to have stated his case in the family’s proposal. 

before you can start to ruminate on the implications of such, he offers you a smile.  small, but enough for those stupid, stupefying butterflies to flutter within.

“we did,” benedict says.  “we do.”

you exhale.

“then,” though weary from the turn of this day, you offer a small smile in return, to benedict, to the family, “then yes.  i shall go to the ball.”

hyacinth and gregory nearly knock you over in the chair you’re sat in by the sheer power of their hugs.  violet, clapping her hands, laughs with delight at the sight.  eloise exclaims something about penelope finding out.  anthony states he shall begin the ledger.  colin, for whatever reason, starts talking about the cakes that will be there.  kathani remarks that there is much to do and that she, and all of the family, will be there every step of the way.

and benedict smiles.  still small.  still enough.  with those damned ocean eyes.

i shall never understand the absurdity that is this family.

and how delighted you are by that.  how grateful you are for them.

𝄆 ⚘ ✸ II.vi ✸ ⚘ 𝄇

“your rehearsal partners will be myself and gregory,” states the viscount.

you try to withhold your sigh.  you have been dreading this day since kathani first told you of it.  you are utterly delighted to be a student under the tutelage of the viscountess; you are utterly petrified of being a dance student.

“and why do benedict and i not have the privilege to dance with y/n?”

it also does not quell your petrification that the entirety of number five has decided to be present for your lessons.

“because, colin, you two are unmarried men; i am a married one; and gregory is a child.”

“i have just entered my adolescent years!”

“precisely,” anthony grins, “a child.”

“kathani and hyacinth can be potential partners,” you suggest, diverging as not to join hyacinth in her laughter at gregory’s disgruntlement.  despite the anxiety that somehow both swells and knots within you, you are resolute on being intentional and present during your lessons.  “the former is married, and the latter is a child.”

anthony opens his mouth to respond but suddenly closes it shut.  he blinks.

“why have you not considered eloise?”

“because she is unmarried.  i am assuming that you do not want me to partner with colin or benedict, for fear of some sort of— romantic attraction forming.  so i’ve applied the same logic to eloise.”

there is a small silence.  you can see how anthony (and perhaps the rest of the room, you sense) is busily processing within his mind (and theirs) what you have said to him.  

kathani pats her husband twice on his back and smiles at you.  

“that is an excellent idea, y/n.  we will rotate your partners amongst myself, anthony, gregory, and hyacinth.  let us begin.”

and so you do, and it is quite horrendous.  or rather, you are quite horrendous.  

kathani is, unsurprisingly, a marvelous teacher, but not even she as a guide can prevent you from stepping on her, anthony’s, hyacinth’s, and gregory’s feet.  you apologize profusely each time you do so, and so you apologize frequently and often, but each of your partners still smile at you without a drop of deceit or regret in their expressions despite their winces.  they encourage you in all their particular ways.  kathani gently knocks the foot you stepped on her to where it ought to be placed.  anthony pacifies that you are doing well.  hyacinth recounts how she had struggled as you when she first began her lessons.  gregory assures that you are not nearly as heavy-footed as eloise.

even those who aren’t your partners encourage you.  eloise confirms gregory’s statement, not once peeking into the book she holds in her hands.  colin claps his hands to help you keep the tempo of the steps.  violet, at the pianoforte, enthuses how much progress you are making with each passing dance.  penelope, who joined the drawing room part way through a rather disastrous cotillion with anthony, begins to clap her hands excitedly upon seeing you.

the only bridgeton you haven’t heard from the entirety of your lessons is benedict.  while rehearsing a sequence in a quadrille with hyacinth, you notice the vacant spot next to eloise where he once sat.  you try to feign to yourself that your following misstep is due to your ineptitude in rhythm and nothing else.  certainly not the lack of presence of a particular someone.

after you curtsy and kathani bows upon finishing a scotch reel, she beams at you.

“i believe that is enough lessons for today.”

you sigh with every bit of your lungs, your attempt at perfectly squared shoulders immediately slumping in relief.  the family chortles in response and gives you a pleasant round of applause.  you feel your cheeks go flush with embarrassment, completely unbelieving that your horrific display of dancing deserves any sort of praise, but the sentiment warms your heart.

“i would like to pardon myself, if that is all right,” you request towards kathani, “for a moment, is all.”

“yes, of course,” and she takes your hand.  “and we do mean it, y/n.  you have done well today.  you should be proud.”

before you can respond to her, she gives a gentle squeeze of your hand and turns to walk towards anthony.  blinking, you shake your head out of your thoughts.  the bridgertons and penelope seem to respect your want of excusing yourself as they grin or nod their heads in your direction but make no move towards you.  you take a moment more to look at the family and then turn to leave the drawing room.  you cannot help the smile that blooms on your face as you cross the entrance—

when a hand catches your wrist and pulls you further away from the drawing room.  you are about to scream when you see benedict, with furrowed eyebrows and pleading ocean eyes, swiftly put his forefinger to his pursed lips.

“fuckin’— benedict!” you whisper-yell, attempting to honor benedict’s unspoken request for your silence.  “are you mad?  and why are you out here?  have you been here this entire time?”

“may i speak with you?  in private?”  

the urgency in his whisper stupefies you, any frustration felt within fading away.

“of course you may.”

he slides his hand down from your wrist to take your hand—

“follow me.”

—and, with haste, leads you down the corridor and up a set of stairs.

“are you certain this is all right?  the last time we had spoken alone together, you were scolded by your brother.”

“i am more than willing to take that risk with you,” benedict says sincerely, with a smile, but it is strained.  it is a subtlety, but with knowing him for as long as you have now, it is something you have noticed in his expressions.

“are you all right, benedict?”

he promptly ignores your question.  it is unlike benedict, to ignore one of your inquiries.  to retort with a snarky quip, yes; to make a particularly theatrical countenance, yes; to respond with uncertainty, yes.  but never outright, deliberate evasion.  it makes your heart swell even more with worry.

you and benedict arrive at a set of grand doors.  turning the gilded knob, he opens the door and, in true gentlemanly fashion, holds it for you to pass.  such etiquette would have caused you to roll your eyes, but with benedict’s current distress, you will yourself to refrain. 

just as you enter the room, benedict enters too, turns around, and carefully closes the door shut.  he reaches into his pocket and, after some shuffling about, retrieves a key.  you hear a click of the door, and before you can comment on the absolute peculiarity of this situation thus far, benedict whips himself around and faces you.

“do you have attraction to both sexes?”

“i— what?”

“do you have attraction to both sexes?” he repeats with impatience.

“to all persons,” you correct with equal impatience.  “and yes, i do.”

benedict blinks at your response but shakes his head out of his thoughts.

“and how long, how long have you known?  of your attractions?”

“‘of my attractions’?”

“i am asking a question, y/n!”

“you are being strange, benedict!”

“i am!—” and he turns away from you, running his hands through his hair, sucking in air through his nostrils.  he turns back to you and it startles you—how frustrated his countenance is, and how vulnerable his ocean eyes are.

“i am merely trying to ask a question.  i am trying to understand.  please, y/n,” benedict begs.  “please.”

“i— all right,” you try to soothe.  “i, i don’t know how long i have known.  i suppose, since i was a child?  or, perhaps, truly in my adolescent years, when i found myself gazing at those with names like emily and andrew and how i—” you swallow, suddenly feeling exposed, “how i held my breath around them, whenever they were close, when— whenever they were near.”

“and do you still feel that way?”

“pardon?”

“do you still feel that way?  around people?  for people?”

just for the one.

“i, i do.” 

after staring at you a moment more, benedict turns away again, and you quickly exhale a breath—when you’re stricken with a sudden fear.

“does this change your opinion of me?” 

benedict turns back to you, frustration still in his features but confusion slowly seeping into them.

“when i—” am i crying? “when i told my sister how i felt for a girl in our neighborhood, she did not—” you try to shake your head of the fog that starts to fill your mind at remembering, “did not look at me for weeks, and when she did, i felt like, like—— like a monster.”

his face falls.

“no,” benedict states, fastly approaching you, “no, no, no, y/n.”

“i am sorry,” you choke out as he places his hands on the sides of your arms.

“why are you apologizing?” benedict whispers, applying pressure to where he holds you steady.  you had not realized you’ve been shaking.

“you had asked me questions, these questions of importance to you, and i— i have made it about myself— i am so sorry, benedict.”

“you have nothing to apologize for.” 

you shut your eyes close, feeling your face contort in the way it does when everything simply becomes too much for you to bear.    

“you were, and are, so much more courageous than me.”

benedict’s gentle voice and strange statement rouse you to open your eyes.

“i do not understand?”

“you have told another person about your attractions to both— to all persons.  i…”

he goes quiet, unable to finish his thought aloud.  you scrunch your eyebrows in confusion, but staring into his ocean eyes a moment more—vulnerable, scared, hurting—it dawns on you.

oh.

benedict.

your heart blooms as you shake your head.

“it is not about courage, benedict, i do not think.  with my sister, it was about trust.  i thought i could trust her with my feelings, with— well, with me.  and she had proved me wrong.”

“and you have proved me right.”

“why are you speaking so vaguely today?” you manage to jest.

benedict rolls his eyes, a small smile resting on his lips.

“and you have proved me right in that i could trust you.  and i do, y/n.  i trust you with— with me.”

perhaps you should have thought better of it, but your emotions move faster than your logic, and your emotions call you to reach out your hand and cup benedict’s cheek as you see tears line his ocean eyes.

“as i trust you with me.”

you do not mean to do it; perhaps it’s the intimacy of your conversation, perhaps it’s the proximity of standing so close, perhaps it’s the way you can feel his bated breath mix with yours, but your eyes flicker down at benedict’s parted lips and, swallowing, you look back into his piercing, indecipherable ocean eyes and breathe,

“benedict—”

when a loud sequence of knocks thud at the locked door.

“oh god!” and you take off, running away from benedict and looking about the room when your eyes fall upon a wardrobe.

“what are you doing!” benedict whisper-shouts at you as you hasten towards your destination.

“i am trying to prevent you from being in trouble again with a certain eldest brother, and you ought to be doing the same!”

you open the door to the wardrobe, hop into it, and, grabbing the door’s edge, look at benedict and the adorable shock on his face.

“answer the door as i hide in here!” before he can babble out a response, you whisper-yell, “go!” and promptly, quietly, shut the wardrobe.

before long, you muffedly hear the clicking of the door and it being opened.  there is a bit of quiet until gregory’s voice asks—

“what happened to your hair?” 

“what of it?”

“it is a mess.  it has not been that messy since—”

“nevermind my hair!  what is it that you need?”

“have you seen y/n?”

“what?  why would i know of y/n’s whereabouts?”

“do not play foolish, brother.” 

“i am not playing foolish!”

“you two are always together!  you and y/n are like eloise and penelope, anthony and kate, colin and food— you never see one without the other, and she hasn’t been seen since her lessons.”

“i have not seen her; does that answer your inquiry?”

“why are you so on guard!  ugh, never you mind.  hyacinth and i will look for her on our own, with no thanks to you.”

before benedict can retort, you hear footsteps walking away from him and down the corridor.  there is another moment of quiet before you hear the shutting of the door and the turning of the key.  you slowly open the wardrobe, and when you see a disgruntled benedict and benedict only, you hop out and walk towards him, unable to contain the growing smile on your face.

“you shouldn’t be so harsh on gregory.  he was, after all, merely asking a question.”

“you’re taking his side?”

“of course i am.  he, along with hyacinth, are my favorite bridgertons.”

“and where do i fall on this list of yours?”

“eighth,” you reply easily, and benedict’s jaw drops, “but that’s merely on a technicality— i have yet to met daphne and francesca.”

“what have i done to be thought of so little in your regard!” benedict’s expression is aghast, but you see the ghost of a smile on his lips (that you certainly do not stare at for another moment too long).

“do not mistake your low ranking in how i care for you,” you tease but then soften, unable to keep up the lark over your truth.  “i care for you, benedict.  for all of you.  precisely as you are and what you feel and who you—” you swallow, “whoever you love.”

the jest and play fade away from his expression.  benedict simply stares at you, ocean eyes once again indecipherable.  before he can say anything, you step into his space and tidy his hair.

“you ruined your coif earlier,” you whisper.

“what fortune i have for someone to care for me so.”

his smile is so sweet, his voice so sincere, his ocean eyes so gentle.  it is too much, it is so much. 

“if you weren’t such a mischief maker,” you diverge, “you wouldn’t need such fortune.”

that makes him scoff, and you grin, quietly glad a new emotion begins to overtake your overwhelming one.

“wise words coming from a mischief maker herself.”

“a mischief maker who knows how to handle her trouble,” you respond pointedly. “speaking of which, i must be going,” and you turn from benedict and head towards the windows.

“and where are you going?” you hear the befuddled amusement in his inquiry as he follows you.  you unlatch a window.  

“i must leave by way of window and make it appear as if i have been out in the gardens this entire time,” you carefully open the window and peer outside.  no one in sight.  pleased, you turn around and are greeted by an adorably perplexed benedict.  “how else will we deceive the family into believing that we were not alone together?  particularly after gregory inquired after me and found you here.  it would not help our situation if we left the same room, even if at staggered times.”

“this is not the first time you have escaped home,” he declares matter-of-factly.

“of course it’s not.”

“yet another thing we have in common.”

you snort but then cover your mouth.  you turn around and peer out the window, hoping, willing that no one has heard you.  no one in sight still.  you sigh in relief and turn back to a grinning benedict.

“you are compromising my meticulous plans.”

“then you ought to be going.  i shan’t compromise you any further.”

you roll your eyes deeply, ignoring the double entendre (and the flush you feel creeping across your face), but soften.

“will you be all right?  are you all right?”

benedict inhales deeply and exhales equally so.

“i—— have much to think over.  of myself.  to myself.  but, it is a comfort to know that i am not alone in this.  in this experience, the feelings themselves, as well as in the navigation of them,” the corners of benedict’s mouth tug into a gentle but most radiant smile, his ocean eyes incandescent with joy.  “thank you, y/n.”

the butterflies flutter violently within.

“i, i have done nothing.”

“you have done more than you know.”

unable to withstand the intensity of his gaze, you turn back to the open window and steady your hands onto the sides of the frame, leveraging your weight against the ledge to lift yourself up.

“be that as it may,” you assert perhaps too forcefully, “i truly must be going now.” 

you carefully but easily shift your body over the ledge and place your boot against the exterior side of bridgerton house to start your descent.  you should just go—leave and neglect the violence of feelings within you.  but you do not.  instead, you look up and are greeted by the sight of benedict at the window, hands also steadied on the ledge, body leaning towards the outside and downwards, beaming at you, the afternoon sun casting light upon his now even more beautiful countenance.

shit.

you will yourself to focus.

“if you need or wish to speak again on this, you will let me know, yes?”

he still smiles but you see the subtlety of his ocean eyes transforming, from delight to… something else.  you don’t know what, benedict’s ocean eyes ever indecipherable in moments such as this, and it does nothing to quiet the flutterings within.

“i shall.  and hopefully in a manner that does not require your escape.”

“oh, this is nothing.”

“of course it’s not.”

you smile broadly, a particular burst of fondness and play and courage overcoming you—

“farewell, princess.”

and you begin your descent down bridgerton house.

𝄆 ⚘ ✸ II.vii ✸ ⚘ 𝄇

< kathani and y/n make a day of getting y/n a dress for the bridgerton ball.  they meet first at bridgerton house early in the morning, before the rest of the family is awake.  they break fast together, and kathani teaches y/n how to make masala chai.  y/n remarks that how kathani speaks of indian drink and food reminds y/n of how her parents talk about their drink and food from their home country.

< the conversation then grows into talking about how much the ocean intrigues y/n because of how her parents have talked about it, especially in their stories of emigrating to england by ship.  the mystery, beauty, comfort, fear, and joy of the ocean all in one entity.

< the conversation then shifts to kathani and y/n talking about the scrappiness of making do with what resources you have access to.  it makes y/n recount a memory with her mama when she had offered to give up buying ink, quills, and paper to support the family once her elder sister had married and left their family home. >

“it is a hobby, mama, it—”

“it is important,  she says pointedly.  “it is your passion.”  and she smiles.  “we have managed once with just my and papa’s wages, we shall manage now.  you need not worry, my child.” 

< eventually, kathani and y/n finish their breakfast.  they leave bridgerton house and hop into a bridgerton carriage to go to the modiste.  it is the first time y/n is in a carriage and it is a surreal, lovely experience.  it feels like a fairytale. >

–

< after arrival at the modiste and introductions, kathani decides to roam the markets of the neighborhood as madame delacroix tends to y/n in the back of the shop. >

“madame delacroix—”

“clients call me madame delacroix,” she interrupts.  you feel shame flood your body.  of course.  you are not a client.  you are a charity case.  at the whims of this wealthy family that has bestowed their pity on you.  how else would you be in such a position, in such a shop, before such a talented artist revered by the upper echelons of london.  you’re a fool, you wish to run away, you must go when you hear what madame delacroix says next—and she’s smiling.

“friends, however, call me genevieve,” she remarks with a wink.

…

“now, y/n, how would you feel about me being,” genevieve flourishes her hand in the air, “experimental with your dress?”

a combination of fear and excitement perk up within you.

“how do you mean?”

“the ton are quite—” she seems to fight hard not to roll her eyes but admits defeat to a sigh, “—conservative in their fashion—”

“you mean dreadfully dull?” you chime in.  genevieve laughs warmly.

“exactly, my dear,” she grins. “you, however, are anything but.  i see the french silhouettes more fitting to your character, to your personality, to your spark.”

you feel overwhelmed by the kindness of words that flow easily from the mouth of your new friend.  you have not known each other for more than ten minutes, and she seems to see something within you.  it makes you feel self-conscious, undeserving, and incredibly proud.

“i would be honored to be graced with the true magnificence of your artistry, genevieve.”

your friend’s eyes shine with joy, and you cannot help but feel utterly delighted that you were the one to ignite such happiness within her.

“my dear, the ton will be green with envy at the sight of you.  with your natural beauty and with my vision, you shall be an unstoppable force.”

you furrow your eyebrows at “natural beauty.”  you open your mouth to comment—

“is there any person you are looking to,” she hums, looking for the right word while looking for her measuring tape, “impress?”

“no,” you lie.  “i would not know anyone aside from the bridgertons and penelope.”

“ah, yes.  miss penelope,” the modiste says with much fondness in her heart. “she is quite brilliant, is she not?”

you beam.  “she truly is.”

“though,” genevieve ponders, wrapping the tape around your waist, “she is rather besotted with the third eldest bridgerton.”

“oh, yes, it is very appar— wait.  why do you say that?”

genevieve shrugs, but you give it more thought.

“are you implying that i have affections for penelope?”

you love penelope.  she has come to be one of your closest friends, and my god she is beautiful inside and out—but you have never felt an inkling for her beyond platonic love.

“i imply nothing—i’ve just said she’s besotted with the third eldest, did i not?” genevieve plays coy with a smile.  “and the viscount, he is very in love with the viscountess.”

“are you now implying that i have affections for anthony?” 

you feel your entire body shudder.  the idea of having any sort of love for the eldest bridgerton beyond one that is platonic makes you want to—  the very thought—

you put one hand to your mouth and the other to your stomach.  genevieve laughs, delighted by this game she’s inflicting upon you and entirely unperturbed by your potential sick in her shop.

“so,” she continues on, “with mister colin and lady kate and their beaus eliminated, unless you are of the temptress kind—”

“no!”

“then,” laughs genevieve, “that leaves three—”

“what do you mean ‘three’!”

“y/n, please, you are a terrible liar.  you have affections for one of your friends, that is clear.”

“i do not!” you lie again.  she tilts her chin down, looking at you pointedly.

“as i was saying, that leaves three.  there is miss francesca, miss eloise, and mister benedict.”

you feel yourself take in a small breath through your nostrils as you hear his name, and you pray that genevieve does not notice.  

“aha!” she declares.  your prayer has failed.  there is no god.  “ah, yes, mister benedict bridgerton.  the second eldest.”

you hold back a groan, not wanting to give your friend evidence to her (very much correct) claim, so instead you lift your head towards the ceiling.  when you snap it back down to look at her, you are startled by how her delighted expression from a mere moment ago has molded into an expression you cannot figure out.

“y/n, you must know,” she states, with so much sincerity in her tone.  you are entirely confused by this shift in genevieve, and your confusion only intensifies when she gently takes your hand into both of hers.

“benedict and i... we had been acquainted— intimately, at one point.”

oh.

“oh,” you respond pathetically.

the words should not affect you.  they should not affect you.  they should— not— affect you.

but—

you huff out a laugh.

“genevieve, why are you sharing this?  it’s all ri—”

“i share this with you,” she replies in earnest, “because while intimate, and yes, even passionate—” you try not to wince, “—it was brief and, most of all, not of depth,” she sighs. “but i can only speak for myself, can i?”

you swallow, hoping it will cure your dry throat, and with a smile say, “he is very lucky to have won your affections.”

“my dear.”

genevieve removes one of her hands from yours and brings it to the side of your face, softly wiping away a tear on your cheek.  you hadn’t noticed you had started crying.  you close your eyes, weak by and ashamed at the frailty of your heart, as you lean into the comfort of your friend’s hand.  

after a few moments, you feel her hand leave your cheek and feel your chin held between her thumb and forefinger, lifting up your head.  you open your eyes.

“anything i felt for him, i feel for him no more, y/n.  he is lucky to have your affections,” genevieve declares.  “and if benedict is an intelligent man, he must feel the same for you.”

you laugh.  

“benedict is a beautiful person who attracts beautiful people.  i am not a beautiful person.”

it is peculiar, how genevieve’s eyes flood with hurt as if you have offended her.  what did you say that has hurt her so?  you were only speaking of yourself.  before you can think further on it, the modiste steels her expression, fire suddenly blazing her eyes.

“well!  then i must prove to you what you fail to see, my dear!  i dare you not to feel beautiful in the dress i make for you.  and if you doubt your beauty,” she peers at you, “will you doubt my artistry?”

you laugh, this time sincerely, radiating gratitude for your new friend.  

“it would be foolish to doubt your artistry.”

genevieve beams.

“exactly.”

𝄆 ⚘ ✸ II.viii ✸ ⚘ 𝄇

you kick your feet off again, swinging yourself back and surging forward as you look up at the stars.  you try not to make too much noise.  you know it’s not proper to ambledly hang about your host’s back garden at night as they all slumber.  you feel as though you are taking advantage of the bridgertons’ kindness in allowing a pauper like you to stay the night at their home, in allowing you any time to stay at their home since making their acquaintance, in allowing—— you sigh again.  you could not sleep.  restlessness has entirely consumed you, and you had decided that some fresh air and some childlike fun would be exactly what you needed to calm your nerves.  while the cool air and the beauty of the night have been a welcomed reprieve, your heart still pounds and your mind still races with anxiety over the ball tomorrow night.

“couldn’t sleep?”

you slam the heels of your boots into the ground as you hear the familiar voice, doing everything in your power to ignore the flutters of butterflies in your stomach upon hearing it, and fall over onto your knees, planting your hands into the dirt so as not to completely and embarrassingly plant your face there instead.  you hear the body of the voice rushing towards you, offering his hand in your periphery.  you look up as benedict’s soft ocean eyes stare into you.  feeling your cheeks flood with warmth, you take your dirtied palm into his, promptly ignore the lightning that shoots out from the touch to the rest of your body, and lift yourself up with benedict’s gentlemanly assistance.  you murmur your thanks as you dust off, in vain, the dirt on your nightdress.

“i did not mean to startle you.”

“well, you have very clearly failed at that,” you remark.

after one last whoosh about your knees to clear off the excess dirt, you look up at benedict and are startled by the utter sincerity of his concerned look.  he looks as if he is about to say something, as if he is about to apologize, when you offer him a smile.

“i’m teasing you, benedict.”

he blinks once before breaking out into a smile, a smile that forcefully summons the butterflies within you to flutter about once again, and laughs.  you cannot help but smile and laugh with him.

“may i have the honor of sitting with you, miss y/l/n?”

you roll your eyes.

“it is your home after all, you need not my permission.”

“am i to ignore the privacy a lady wishes to have?”

“a lady’s privacy, i am sure, is something you wish to have for yourself,” you retort, alluding to your lack of such a title.

he swallows.

“that is something i cannot deny.”

something shifts in the air as benedict stares at you.  you feel yourself holding your breath and, in an attempt to shift away the energy from whatever this— this is (and how much it thrills and terrifies you), you playfully curtsy as you gesture to the swing next to the one that you had occupied.

“i would be delighted by your company, mr. bridgerton.”

the overwhelming gentleness of benedict’s expression transforms into an amused smile, and he follows along with an exaggerated bow of his head.  you take a seat at your swing as he takes his seat at the other on your left.

“i couldn’t,” you say in reply to his first question.  before he can ask why, you hastily jump into your inquiry.  “and why are you up?”

“i was sketching.  i had an idea for a painting and wished to lay out the preliminary work before it escaped me,” he sighs heavily, turning to look out to the rest of the garden.  you feel the loss of his gaze.  “i was frustrated with the results and thought some fresh air would do me some good.”

“what is the idea for your painting?”

he hesitates.

“a portrait,” he seems to admit carefully.  feeling how benedict wishes not to be pressed further, you simply hum an affirmation in response.

“i am certain that your sketch is not nearly as horrendous as you think it is.”

“i appreciate your kindness, but it entirely lacked their spark.”

“you seem quite fond of this person,” you huff with a bit of a laugh, jealousy starting to pool in the pit of your stomach.

benedict smiles.

“i am.”

and he turns to look at you.

you swallow, averting your gaze from soft intense ocean eyes, and kick your feet off the ground to begin a gentle swing.

“you should continue with the portrait,” you rattle on in a hasty attempt at diversion.  “not only are you blessed with natural talent but you are also fueled with such a passionate determination to ever improve your skill because that is how much you love your craft.  an undying devotion to something for which you so deeply care.  it is admirable and extremely apparent in all that you do.”

“and what of you?”

“and what of me?”

“of your passions?”

you scoff.

“my passions?”

“your writing.”

you halt your swing and whip your head to benedict.  he is grinning with stupid satisfaction, and you would find a way to wipe it off his stupid (beautiful) face if you were not so aghast by the situation.

“how do you know of that?”

“well, whenever you are not reading or conversing with eloise, penelope, and kate; or playing make-believe with my youngest siblings; or squabbling with colin and anthony, you are busily writing in a folded quarto.  or, rather, crossing in a folded quarto.  crossing twice, if you can manage.  you are quite the prolific writer.”

you gape at him, and he continues to grin.

“eloise also told me.”

“she told you!” you shriek.

“indeed.  it is, after all, how you met penelope, apparently.  and penelope is how you met eloise.  and eloise is how we— how you met the rest of us.”

you slump in your swing.

“i feel betrayed.”

benedict laughs heartily, and you shoot him a glare.  he holds his hands up in mock surrender.

“she was merely sharing a fact.”

“she is merely a traitor.”

benedict laughs once again, and you summon all the strength within you not to choke it out from his lungs.

“you seem not to handle perception of yourself very well, y/n.”

“when you are me, it is easy not to be perceived,” you mumble, still reeling from the traitorous nature of your loudmouthed friend.

there is a small silence.

“i do not think that is true.” 

you turn to him, once again surprised by the gentleness of his sincerity.

“i see you,” benedict declares in a quiet but steadfast voice.  his ocean eyes, indecipherable once more, gaze into you.

you feel yourself hold your breath, unable to stop the truth from ringing out in your heart, mind, body, and soul.

i love you.

you shoot up from your swing.

“i must be going, it is quite late—”

“y/n, wait—”

“thank you, benedict,” you say sincerely, turning to him.  “i— i really enjoyed our conversation, as brief as it was.”

he blinks and offers you a small smile.  i must control myself, you reprimand as you feel the butterflies viciously flutter within.

“as did i.”

“good night,” you whisper.  with all the self-control you can muster, you turn away from benedict and hasten towards bridgerton house.

“good night, y/n,” you vaguely hear him say from the swings that brought you together.  you attempt to tune out the wistfulness that you hear, that you imagine you hear in his voice.

[joeyclaire]

The Portal 2 Essay You Were Probably Expecting

Portal 2 is a queer, feminist, borderline misandrist masterpiece. The plot: two women destined to be enemies are forced to team up against a shared abuser.

We will start with queer interpretations, as there’s a bit less to say on that here. Chell is all but canonically a lesbian. She shows negative interest in men, she had a cut “relationship” with a character called her wife, and her relationship with GLaDOS is coded as romantic. There are quotes from the developers like, “...the twisted, dysfunctional romance that builds between the player’s game avatar and GLaDOS…” or “...a computerized voice falling out of love with a mute girl.” There’s not much to say on GLaDOS and Chell’s relationship that hasn’t already been said, so I’ll skip over that. All I will add is their development from destined enemies to begrudging allies to friends is an interesting commentary on how women are pitted against each other and still can still form bonds of female solidarity. 

GLaDOS can easily be read as a transgender woman. While there is little to nothing to suggest that Caroline is trans, there’s nothing saying she isn’t, so for the sake of argument we will say she can be. She is forcibly placed into a body made for a man (“She’ll argue. She’ll say she can’t. She’s modest like that. But you make her.”) which she makes her own, despite the scientists’ attempts to stop her. When Wheatley wants to weaken her, he forces her into a phallic form (we’ll get more into that later). After this, GLaDOS spends the rest of the game fighting to get her body back. Altogether, her arc is about reclaiming the body for yourself and autonomy. It is not difficult for this to be interpreted as a transgender narrative. 

Cave Johnson is openly misogynistic, even though it doesn’t come up very often. He comments about how the lab boys “wouldn’t recognize the thrill of danger if it walked up and snapped their little pink bras,” equating femininity with weakness, and assumes the player he’s speaking to must be a man, calling them “handsome devil” and “son.” It is worth mentioning that Cave Johnson’s name is a sexual reference itself- caves are yonic, johnson is a slang term for penis. Not only this, the portals are yonic, Wheatley in GLaDOS’s body is phallic, potato GLaDOS is phallic, GLaDOS decommissioned in the first game resembles a woman in bondage hanging upside down. 

In Cave and Caroline’s portrait, she stands behind him- “Behind every successful man, there stands a woman.” Portal repeatedly associates femininity with strength and masculinity with weakness. When Wheatley wants to weaken GLaDOS and make her feel powerless, he forces her into a phallic form and places himself in her- a woman’s- body. The female characters are intelligent and powerful, the male characters are defined by their ignorance and, while they are handed power, have no idea what to do with it. The functional turrets have female voices, the defective ones have male voices. The masculine is weak, the feminine is strong.

Chell’s model is Japanese-Brazilian in heritage, so she is Asian and Latina. Asian female characters in action and science fiction historically have been heavily sexualized, there’s even multiple terms for the stereotypes. There’s the Lotus Blossom, who is feminine, obedient, waiting for the male hero to come save her, and the Dragon Lady, who is ruthless, cruel, and sexually domineering. Chell is none of these things. She is brave, confident, strong, and “never gives up, ever.” Chell is unsexualized by the game (she is, however, sexualized by Wheatley. We’ll get to that). She is obviously a very beautiful woman, but we almost never see her face. She wears a tank top but it’s analogous to “rolling up her sleeves.”

This same oversexualization is true for Latina women, and there are even other Latina stereotypes Chell inverts. There is a stereotype of Latinas as fiery, overdramatic, and aggressive, called the “Spicy Latina” character. Chell has been described by a developer as constantly angry, this being the reason for her silence throughout the games- she is so mad at the robots she doesn’t want to reward them with her speech- however, Chell’s anger is consistently justified and rewarded by the narrative. She is never portrayed as anything other than rational, and never as overdramatic.

Wheatley’s entire purpose is to stand as a symbol of white male mediocrity, granted positions of power and privilege despite being insanely underqualified. He positions himself as Chell’s love interest and white savior, leaning into sci-fi and action tropes and thinking of himself as the protagonist. The first thing he does when he meets her is comment on her appearance. He takes credit for all her achievements, goes insane with power the moment he gets a taste of it and takes a particular glee in exerting it over GLaDOS and Chell- you know, two women, one of whom is of color, and forces Chell to perform metaphorically sexual acts. Wheatley fancies himself the Adam to Chell’s Eve. They’re the last man and woman on earth, and he tries to get her to say “apple.” (“Let there be light! That’s, uh, God. I was quoting God,” he comments later.)

Which leads into another point- testing is sexual. This one is pretty obvious. Wheatley moans loudly every time a test is completed, GLaDOS calls it a “built in euphoric response,” it is portrayed as voyueristic repeatedly (“You’re gonna test, and I’m gonna watch. And everything is gonna be just fine.”) Wheatley forces Chell into a submissive and weak role in chapter seven despite her strength, and views her as only good for a sex act. Smashing monitors in Wheatley’s Aperture is to destroying cameras in GLaDOS’- reclaiming privacy and therefore agency. 

On the subjects of the cores, Fact core can be interpreted as symbolic of “mansplaining,” Adventure core is explicitly sexist, objectifying Chell, telling her to step out of the way and let the men handle it, all why she does all the work herself. It’s not even subtle. He tells her to take a “lady break,” for god’s sake. 

More details before we conclude- GLaDOS believes Chell is more likely to accept criticism from a woman than a man (“Oh, it’s a she.”), GLaDOS’s dialogue in the first game is pink and Wheatley’s is blue, Aperture has a “self-esteem fund for girls,” where girls can donate their vital organs to be thinner, Wheatley assumes the person who defeated GLaDOS was a he, GLaDOS repeatedly targets Chell’s appearance when insulting her (something she probably wouldn’t do for a man), a poster shows a woman as the dumb human and a masculine robot as the smarter, harder worker, and better alternative. Chell defeats Wheatley by the power of the moon, consistently framed as feminine through history and many cultures.

Overall, Portal 2 has heavy themes of intersectional feminism and to a lesser extent, queerness, throughout, that I find not nearly talked about enough. It inverts female, LGBT, and racial stereotypes, destroys patriarchal values and gender roles, and challenges portrayals of women in media in general. Portal 2’s fascinating gender politics and contribution to representation and diversity in video games is a conversation that needs much more attention.

[genericpuff]

What are your thoughts on the whole Hestia x Athena thing in LO? Personally it always infuriated me with how hypocritical it was of them to date each other despite them both being members of/Hestia being in charge of TGOEM. It especially annoyed me how Hestia constantly told Persephone that as a TGOEM member she can't date anyone but later saying that her relationship with Athena doesn't count. I give some credit to Artmeis for calling them out when finding out, but it wasn't enough

The hypocrisy is one thing but it at least could have been expanded on as a plot point (Hestia didn't even have the spine to return the coat and apologize, Artemis had to do it ???), but what REALLY ticks me off is that Rachel clearly tried to include queer rep through Hestia and Athena who are two traditionally aro/ace goddesses. So really all she did was erase their original queer identities, both of which are still massively misunderstood and argued over whether or not they're "real". And shit, we even see that in her old asks that lesbian sex "doesn't count" and that asexuality is somehow just a sliding scale / stepping stone towards "becoming" another sexuality (in this case, gay).

Like... you can be asexual and also still be romantically attracted to the same sex, "becoming gay" doesn't automatically erase someone's asexuality. Artemis can be gay and aroace. Lesbian sex is still sex and isn't a "loophole" to retaining one's virginity. To be fair, the whole "vestal virgins are flaming lesbians because you can be a virgin and still have hot lady sex" thing came from an anon, but like... she doesn't do anything to challenge that idea in LO either, if anything it's reinforced through Athena and Hestia using their relationship as a "loophole" within TGOEM (and the narrative never actually stops to analyze that.)

And then the cherry on top is Rachel removing the sexualities - sometimes even entire character identities - from canonically or commonly-accepted queer gods and giving them to others. Crocus is no longer a lover of Hermes, but a one-dimensional nymph who was killed as a plot device and then never spoken of again. Ampelos is no longer a satyr loved by Dionysus, his name now belongs to Psyche, a heterocis black woman who doesn't know how to read and has been basically forced into slavery. All of Aphrodite's children who ranged in gender and sexual identities are now replaced with one-dimensional cutout characters with no specific labels or characterizations beyond the translations of their names. Eros has been reduced to the "gay best friend" whose first introduction into the story is inebriating a 19 year old girl with the intent of dumping her in an older man's car. Apollo has been turned into a generic big bad whose only goal is getting his hands on Persephone and nothing else, with zero nuance to his actual characterization or plot arc, he's just "the rapist" who conveniently becomes a pawn in some bigger nefarious plan that makes zero sense. Dionysus and Achilles have both been turned into babies.

If Rachel wanted queer rep, she was already in the right place. The entire Pantheon was her oyster. But instead she managed to go the complete opposite with it and not only erase the queer identities of Greek gods in LO, but went the extra mile of egregiousness by replacing those queer gods with token-queer stereotypes and one-dimensional characters who are just there to say they're gay for the brownie points before being shoved back into the closet. They're out, but they're still not seen.

[thenightshadowqueen]

The best character from each longform

(in my biased opinion)

This is (obviously) a long one, so if you do want to read it, more below.

(Also I left out the Patreon plays. I might do a separate post for them later; we’ll see.)

Jimmy (Tom, Toby’s Secret Pocket)

Look, Jimmy is the best. He’s adorable. He’s the representation we as the autistic community needed. He has happy flappy stimmy hands. He can’t walk through doors. We love him. (STOPINTHENAMEOFTHELAW!!!!!)

André Beetroot (AJ, Burglary and Bobsledding)

André Beetroot (André Beetroot) was iconic the first time around, but his return as the first recurring SFTH character obviously had to be memorialised.

The boy witch (Sam, Moist and Magical)

I was tempted by the witchfinder general, but the boy witch won out with “Henry Cavill with a wasting disease” and his thick accent. Also the cheeky little look he gives his grandma (Luke) when he flips her off wins him a lot of points.

Hugh’s mum (Tom, Marigolds Bluebells and Hugh)

She’s, like, a fair bit unhinged, but she has good intentions. She’s got amazing quotes, too; “why couldn’t you have just stayed in my womb forever” and “if you love something, lock it up” are both deeply concerning, but I love them.

The wife (Tom, Murders in Space)

This one is kind of an obvious choice. I mean, her quotes are glorious, and honestly “have you ever heard of feminism, James?” gets her top spot automatically.

Mario the sheep (Sam, the Lighthouse)

Was this even a question? I love Mario intending to be a one-scene character and then being forced to star in the whole play. I love the human bits. I love “🐑fuck you🐑”. I love the sheep (aka Sam) having a fucking breakdown at the end. 10/10 all around.

Titch (Luke, the Unrelenting Aubergine)

Listen, I was very tempted by Old Lady Margery (and by Derek), but in the end, canon queer guy with commitment issues and insane amounts of blindness around his own feelings won out. What can I say, I have a type in fictional characters.

Troll Son (Luke, Wine Under the Bridge)

Everything about this character is perfect. Screaming as hello? Colourful troll as a metaphor for being queer? Correcting a geography fact? It’s got it all. It’s perfect. I love Troll Son and his wine bar in Ipswich.

Juliet (AJ, Caesar and Juliet)

Is anyone surprised? She’s a murderous girlboss. “[My mother] said you have to be careful about men; they can be corrupted with power. But what she didn’t know is that so can woman.” They can, and I’m here for it. She’s bathing in blood and her skin is glowing. I love insane women.

Watson (Sam, the Mystery of the Midnight Circus)

Watson, driven mad with grief over his divorce and his one-sided love for Sherlock, becomes a murderous clown. Am I supposed to not love this? Is there even another choice in this play? And his breakdown at the end was gorgeous.

Priscilla (AJ, Pricilla’s Final Petal)

I was very tempted by both of her mums, and also a bit by the groundsman, but ultimately, Priscilla won out. She’s the title character. She’s confused, but she’s got the spirit, and she’s working through her trauma with a buttercup and a piano lesson. Good for her.

Marty (Sam, the Evil Make-a-Wish Kid)

I considered the seven-year-old detective, but in the end, Marty won. He’s evil. He’s a make-a-wish kid. What more can I say? He’s got an iconic smirk. He burns down all the petting zoos on the entire planet (and his mum). He dies at the end. He’s brilliant.

Derek (Tom, Susan’s Holiday)

There were a lot of great options in this one, but “I like looking at the back of another man’s head” was too good to pass up. Also, I adore the whole monologue he has while he’s waiting to be buzzed in.

The gasoline salesman (Luke, Beetroots and Murder)

Okay, I know he’s only in, like, a quarter of a scene. I know that. And I can’t tell you why I love him so much but I do. He’s just. I just love him. I can’t explain it. There are so many great characters in this play, but the way he says “could be, could be” has captivated me. If you understand the way my brain works, please contact me, because I don’t.

Peter Steven (Tom, the Milkman)

I love so many characters in this play. I love Gareth, and I love the Texan bartender, and I love David the milkman. But Peter Steven is the sweetest, most traumatised little boy and I want to protect him. I will adopt him and I will never make him walk on his knees again. I will throw away the PS5 and I will let him dig up the back garden as many times as he wants.

Johnny and Janae (Luke and Tom, the Neighbour’s Under the Bed)

I know they’re two separate characters, okay, but they’re a set. I want to keep them together. And I just can’t choose, okay? They’re two autistic children whose neurodivergence presents in opposite ways, and their parents don’t know what to do with them, and oh look, I’m back to wanting to adopt traumatised children.

Captain Egbert (Luke, the Leftenmost Window)

Shoutout to the mum, but Egbert won this one. He’s, like, kind of an idiot. I’m here for it, though. He’s got the iconic “diluileayilybilyeilysilym” speech. He wants to go to the ~astral plane~ but he’s waiting for his birthday. He lets his wife dip him into a kiss even though it’s 1940. I love him.

The king (Sam, the Prime Minister’s First Day)

Listen, I love several characters from this one, but I’m going with this one. He’s unapologetically a dick. He wears impenetrable armour made from diamonds stolen from Indian subculture. He’s impossible to beat. He’s brilliant. (Also did anyone else kind of find Sam hot as the king or is that just me?)

Franz Haberburg (Sam, the Excited Chinchilla)

Obviously fuck Nazis (god I hope that’s obvious). That being said, some of SFTH’s best characters are Nazis, and this is one of them. He’s glorious. I have never seen such a brilliant rendition of a Nazi chinchilla.

The Italian detective (Tom, the Ingredients)

He can’t pronounce paella. Do I need another reason?

Chip (Sam/AJ, the Cardboard Stegosaurus)

Oh look, another traumatised child! I want it. (No, but seriously, I love Chip and his English/French seizures.) Also he’s one of the few characters who switches actors mid-play, and I love that.

Persephone (Tom, Wild Wet and Worrisome)

She’s amazing. “HEY!” is a gorgeous siren call and don’t let anyone tell you otherwise. She deserved a happy ending and I’m still sad we didn’t get one. I like to think she swam to the shore and found Geoff again, and they lived happily ever after on a boat at sea, singing and not having to kill anyone.

Full Set O’Hands and his love/bother (Luke and Tom, No! I Always Loved that Caravan)

I know, I know, another set of characters, but you really can’t separate these two. They’re insane. I adore them. They’re just… Honestly, these two are comedy gold. Good for them because they are fucking timeless.

Andrew (Luke, All Eyes on Nigel)

Listen, Andrew is a naive little thing, and he must be protected at all costs. He goes through so much shit in this one, and I just want to wrap him up in a blanket and send him to rehab.

Magnus O. Puss (Tom, BUS)

Okay, this was a VERY close one between them and Arthur B. D., but Magnus is a genderqueer icon and we love them for it. Also, I feel like this is some of the most unhinged Tom content we have and I live for that.

Jeremiah (Luke, Inside the Mysterious Cube)

I was so torn because I love Bubba, too, but I’m trying to avoid putting sets of characters where possible, and Jeremiah just edged past Bubba because his death scene was gorgeous. (That is a mildly concerning reason to have a favourite, I will admit.)

Lord Lafayette (Tom, the Midnight Mystery)

You may be noticing a pattern; I adore Tom’s insane characters. We just don’t get to see that often enough. I love his very sexual flirting with Lady Lafayette (Sam). I love him making fun of the detective’s (Luke’s) shirt. I love “what does any self-respecting rich man do when he has a little boy in tights” followed by “captured—and only captured” as a save. I love him.

Dangerfield (AJ/Tom/AJ again, Once Upon a Time I Killed Mum)

I love the confusion when Tom briefly takes over as Dangerfield; it’s not often we get to see AJ understanding something that Sam doesn’t (I say this with all the love in the world). Dangerfield is so fascinating to me. He’s a “cleaner” for a crime lord, but he has mixed feelings about the things he does. I want to know how he got into it in the first place. How did he come into this life? I want to know.

Barry’s wife (AJ, the Hare who Wore a Sweater)

I don’t remember her having a name, but I could be wrong about that. She’s so sweet; she just wants to knit sweaters for the hares in peace. And then Jimmy the hare gets shot, and she and her husband go on a revenge plot. I’m here for it. I love her.

The king/tank commander (AJ, the Oopsie Daisy Bulge)

He’s obsessed with tanks. He used to have gay sex with his fellow tank commanders, but only as a joke. He sailed all the way around, through the other landlocked counties, into the east of France, and they never saw it coming. He drove tanks into the ocean. He’s so stupid he’s almost smart. I love him.

The landowner/farmer (Luke, Too Big to Be a Jockey)

He farms peasants (Luke, you genius). He’s such a dick, with his classist remarks about Johnny Jones, but somehow I love him anyway. His interview process is looking at a photo of someone and then hiring them, and he’s honestly wonderful. I love him.

Larry (Tom, Long Johns—Strike!)

Literally the only thing he does on screen is die. That’s it. That’s his whole purpose. And he does it beautifully.

Wizard Asceroth (Sam, the Dark Moons of Slough)

ASCEROOOOTTTHHHH!!! (I don’t have another reason. I don’t need another reason.)

The French waiter (Luke, Lost in Your Eyes)

I don’t know. I really don’t. But something about this character has stuck with me since the first time I watched it. Gorgeous accent. He kisses Amanda (Sam) for no reason at all. He gets stabbed by a gun. I love him.

The Lady of a Thousand Don Juans (Luke, the Meringue Haberdashery)

She tricked her husband for years. She murdered her own child. She has been a curse on all the Don Juans in this town. She’s one of the only villains who win at the end of a longform, and that’s very impressive. I love her.

Xavier (Tom, Oh my God is This a Joke?)

(Please refer to my previous statement about Nazi characters.) Okay, look. He’s a horrible person. But we as a fandom choose to disregard that because Tom looks amazing in a leather jacket and scarf. I am not above this. I am, in fact, a part of this. Tom looks amazing in a leather jacket and scarf. “I will die as I have lived…. Shirtless!” has to be one of the most iconic lines of all time. There was never any competition.

[misqnon]

Thoughts on Sanji enjoying feminine things?

short thoughts: i love it and think he should do it more often esp because i feel like he definitely does in canon and just won't actually let himself do so. i don't draw him in drag all the time for no reason

long thoughts: [breathes in]

i could write an entire essay on sanji's character in terms of femininity, queerness, and misogny BUT we don't have time for all that so let's just focus on the fact i feel like there's actual evidence he enjoys traditionally non-masculine things and oda actually puts him in situations to highlight this pretty frequently

-i am guilty of calling sanji a metrosexual . it's a stupid word but it fits him. he's the only guy on the ship that showers every day and the only other ppl on the ship who do this are the two girls. man also wears suits like mad and has a fairly...daring fashion sense outside of that (granted, most ppl in one piece do.) but he just cares about these things more than most guys! and that doesn't even seem like something that came from his upbringing at baratie bc...no one else dressed like that. he just does that himself. i also can't stop thinking about the sbs where someone suggested sanji would be a stylist in real life and oda went "yes agreed"

-the kamabakka moment...okay terribly offensive and transmisogynistic (won't get into it bc i have several times before) BUT if we can take one thing from that it's that sanji *did* dress up in makeup and a dress and like. frolic with the okama. it's framed as "against his will" but he definitely could have torn that shit off quickly and easily enough, yet oda decided to imply sanji enjoyed it for at least a time before he chickened back out and called the place hell for 2 years. yea, it was probably for oda's idea of 'comedic effect' but this is, once again, one piece. sometimes the humor is part of the plot. sometimes very real information is given through the guise of humor. going off of this u could mention that (also offensive but meant to be funny) joke with the blood donation scene from fishman island

-idk just something about the way oda writes him fighting lots of queer or non-conventionally masculine characters. i feel like it says something about sanji having his own internal struggle about his masculinity- which we know must be true bc of his whole list of virtues he never breaks a la women because of his upbringing with good ol' fashioned zeff and uh. "men should be war machines" germa over here. he fights bon clay and queen for christ sake.

-the scene where he's like happy as a clam to be in nami's body in punk hazard is another comedy gag that's also a little . interesting. I could say oda just keeps accidentally coding him but I feel like oda's very intentionally with his characterization and the subtlety of it

-overall he's just clearly so interested in masculinity since zeff raised him to be that way and he holds zeff in such high regards in combination with his background with germa, his mother and his sister, leading to a I Have To Be A Perfect Gentlemen And Also Respect Women by Putting Them On the Highest of Pedestals. and this in turn has made him reluctant to engage with femininity in any way that could be perceived as Not fitting this manly persona he's made for himself, yet he keeps getting put up against it in various small moments in the series whether comedic or not. I don't think oda frames sanji's relationship with masculinity entirely as a character flaw or weakness to be fixed, bc oda seems to respect sanji's views/they align with oda's own views. BUT I do think he knows it's partially susceptible to change and....he makes Sanji encounter these things so often for a reason. does that make sense?

in my ideal world sanji 20 years in the future is a bit more feminine even if he's still a casanova ladies man. like he accepted the okama influence in his life, he's just more quiet about it, lmao. I mean did u see his hair for oda's 40 yr old design

so yeah. he does, I think. quietly and deep down.

[kawareo]

The bg3 community has a big problem with not thinking the characters are pansexual, when they clearly are, here's all the bad takes i've heard (this from queer people) on tiktok/twitter/etc "Minthara is a lesbian and HATES men" "Gale only like women, and only feminine ones" "Wyll is a gentleman, he would only date women" "Karlach clearly only has dialogue talking about men because of her heteronormative upbringing" These people are insane

Where is that post about how bitchy or mean women in media are always headcanoned as lesbians

Minthara hating men is funny to me though because ingame she openly admires and respects both Ketheric and Gortash for their leadership and/or war mindset

Gale 'i quite enjoy your musk' Dekarios suuure likes only femenine women

I'm standoffish around Wyll so I might be reaching here, but to me it sounds like calling him a Gentleman is just a nicer way of calling him boring. (Also, why couldn't a gentleman date a man??) But also Wyll openly fawns over how pretty Astarion is and about Halsin, more than once, and that's just from the top of my head

Oh wow, a big muscular lady is a lesbian? Call the news, we have something groundbreaking. (I'm still playing a Wylach romance so I do have a bias but cmon) Idk what heteronormative upbringing they're talking about though. Having a mom and a dad? In a world where homophobia doesn't exist and never has? It's so stupid, especially with Karlach whos whole thing is being open and honest about her feelings; but sure, make up straws to reach for that explain away her straight up stating that she wants to fuck a specific man

Headcanons are one thing (like personally, i see Minthara as being slightly more into women than she is into men, and opposite with Karlach) but ffs I don't get it why people need to argue about canon so much when it's literally spelled out for them

Tbh I didn't know this was such a big problem, but i guess it just means I'm happy here in my oblivious corner where people make sense

[markantonys]

bridgerton s3 part 2 thoughts! full spoilers for the whole season, and i will also discuss some book spoilers relating to the future siblings - i haven't read the books and never will, but i know the main points of most of the siblings' stories due to Existing Online. haha i also briefly discuss some wheel of time book spoilers because i was reminded of a certain WOT couple at one point in these episodes!

first things first: I AM SO EXCITED THAT WE GOT NOT ONE BUT TWO (2)!!!!!!!!! CANONICALLY QUEER BRIDGERTON SIBLINGS!!!! AND MY TWO FAVORITES, AT THAT!!!! but i will save that for discussion at the end of the post because it is BY FAR my favorite aspect of these episodes.

but even with that aside, i definitely liked this half a lot more than part 1! screentime felt more balanced and it didn't feel like the sideplots were eating up as much time as it did in part 1.

penelope and colin storyline

they were Fine to me in part 1, but their story was more compelling in this half since we moved on from bland run-of-the-mill childhood-friends-to-lovers and into the meaty and much more unique emotional drama of how penelope being lady whistledown affects their relationship. just as i'd hoped for! and i thought the pacing of this was pretty good too because colin found out early enough that he had enough time left in the season to react properly and work through it, rather than it being some 11th-hour reveal that's hastily swept aside to make way for the HEA. it was juuuuust when i was starting to feel that the "colin makes a hater comment about LW in front of penelope, causing her to look ill with anxiety" shtick was getting old that he found out the truth, so, pretty good timing.

colin was more interesting in this half due to wrestling with the whole "penelope is LW" reveal, but overall, in the season as a whole, he was kinda giving us nothing. they really dropped the ball on him because he just never at any point felt like the co-lead character of the season. for daphne & simon and kate & anthony it felt like a pretty balanced exploration of both characters as individuals on top of the romance, but this season it was 100% the penelope show and colin felt basically like a prop. and penelope's a great character and had great stuff this season, so i enjoyed all the time spent on her, but we needed more for colin to go along with it. after 8 episodes, i still don't feel i know much about who he is as a person besides that he's nice and loyal. although on the flipside, i have no problem with male characters whose entire personality is loving their wives haha i love that shit! so a warm welcome for colin into the Wifeguy Club!

speaking of wifeguys, time for my WOT connection, which is that penelope and colin were SO gawene-coded in a couple scenes that it actually killed me! colin's lil arc of feeling kinda jealous of/intimidated by penelope's power as LW at first and most importantly his "what use can i ever be to her when she's so self-sufficient and doesn't need anything from me?" worries, culminating in him realizing "if the only thing i do in my life is love and support such an incredible woman, i'll be completely satisfied" (paraphrasing), i was like, that is soooo TOM gawyn with egwene being amyrlin!!! and when penelope had that line to him about like "i don't need you to take care of me, i never loved you because of what you can do for me, but because you're kind" (paraphrasing) i gasped and clapped my hand to my forehead because it was almost exactly what i had egwene saying to gawyn in my fic chapter that i posted mere days ago!!!!! literally shook to my core haha i was the leo dicaprio pointing at the TV meme x10 in that moment.

eloise and cressida storyline

wonderful to see eloise and penelope's friendship mended! i thought that whole arc was really well done this season, and especially in this half when eloise is dealing with her ex-bff being engaged to her brother who doesn't know she's LW but eloise knows and feels caught in the middle, just lots of messy, complicated emotions in that whole situation and they did a great job with all that.

i really enjoyed cressida in the first half of the season, but in this half it felt like she got a bit too much time. she also kinda reverted back to her mean girl ways (though out of desperation rather than malice), which was less interesting than the different, softer side we saw from her in the first half and made her time in this half feel like more of a drag. but overall, she's a very layered character and the actress did a fantastic job with her, and in this half of the season i always understood why she was doing what she was doing and sympathized with her. it can't be said that she didn't fuck around and find out, but i still felt bad for her in the end! i really liked the moment when colin with his rose-tinted glasses was like "but your family will forgive you and all will be well!" because that's what family has always been like to him, and cressida was like "ummm no, some of us have shitty families and you bridgertons are too naive to realize that", it was a very good moment.

(i will also say, i know this is a highly unpopular opinion for a queer bridgerton fan to have, but i was never on the eloise/cressida train haha i can 100% see the vibes that others picked up on, but they just never did anything for me for whatever reason! i know eloise was the "obvious" choice for a wlw bridgerton but i personally am so SO thrilled that they went for francesca instead, i guess just because i connect so deeply with her character in a way i never have with eloise. also, now that i'm thinking about it, i think eloise vibes the most like aroace to me, i struggle to picture her having a relationship with *anyone* of any gender.)

other storylines

i'm so happy for violet and marcus!! crossing my fingers that we'll see more of them in s4 since their romance is only just budding; it would be so interesting to see him interacting with her kids and getting integrated into the family dynamic (and for us to meet his kids too! though i acknowledge we don't need MORE side characters haha). and i loved the danbury siblings scenes and them getting to the root of their childhood issues and working them out. and of course, violet and lady danbury continue to be THE best duo of all time <33 i adore their friendship so so much, i can't even describe how much!

we got more time with kate and anthony in this half, and all of it was perfect. they're gonna be parents!!!! though alas, it seems like they've made their final exit from the show with them going off to live in india for a while. sad to see them go, but not surprised at all. i see lots of book fans whining about the prior leads leaving and how it's weird for daphne to not be at her own brother's wedding etc, and i do agree that the show/family is gonna start feeling kinda empty as the older siblings & spouses exit, but that's just a necessity of this medium. you can't have main cast be contracted for 6 more seasons just to show up for 2 lines of dialogue per season and hang out in the background of wedding scenes. you can do that in a book, but you can't do it in a tv show. just something we have to live with! and a lot of the complaints take such a "how DARE these actors want to move on with their lives and do other projects instead of dropping everything to prioritize having a minor role on bridgerton for the rest of this decade" tone, which stinks of Fan Entitlement.

i am curious about what might become of penelope, because it sounds like she's kinda continuing whistledown but just as herself and in a more responsible manner that won't hurt people (tho idk how a gossip column can possibly NOT hurt anyone haha the whole "penelope shouldn't give up LW because it's Feminist and Empowering and Gives A Voice To The Voiceless" narrative kinda had me going X Doubt). update: i just saw an interview with the showrunner where she confirmed that penelope will be in s4 and have a storyline. nice!

the featheringtons had much less in this half which i was glad about and they were taken more seriously and not just treated as comic relief, and portia had some really good scenes with penelope.

there was also much less of the mondriches, which i was fine with; i'm very fond of them and enjoyed their stuff this season, but it felt appropriate that they took more of a backseat in this half. i was sad will had to give up the club though! it felt like he had to fully capitulate to the ton and give up his own work that he's passionate about in order to win the esteem of snobby aristocrats, which was a bummer. the showrunner interview mentioned we'll be seeing them again in s4 and will be seeing some more of will's friendship with benedict, so i'm happy about that!

NOW ONTO THE GAYS!!!!

we've all been yearning for bi benedict ever since s1, and i can't BELIEVE it actually happened!!!! i'm over the moon!!!! and i'm so glad i watched the episodes straightaway without having seen any spoilers first so i got to experience the "holy shit, are they............are they going where i think they're going????" adrenaline rush completely pure and unknowing. it was the absolute most wonderful surprise!!! i'll give a lil summary here for those who are curious about how much queer content there actually is.

so, in episode 7 (or maybe it was the end of 6?) benedict gets invited to dinner with his female FWB and her male friend, who turns out to be her other FWB. AS SOON AS this invitation was extended i was like "oho, is benedict going to be needing 3 tickets to challengers?" so imagine my delight when it turned out that indeed, the 2 FWBs invited him in hopes of a threesome! benedict has a very brief moment of connection with/attraction to the man, and then he gets propositioned, but he's flustered and leaves. he returns to talk to his own FWB the next day and she explains to him about bisexuality and he's like icarly interesting.jpg and says that he's met men who like other men in the past but that he himself has never felt attracted to a man "before" (implying that last night, he did, for the first time). he does some soul-searching and then leaves his own brother's wedding reception to go have a threesome, which is extremely biconic of him. (at the wedding he also gives eloise a nice speech about how love is infinite, in the context of her worrying that colin and penelope marrying each other means they'll have less time for her, but it vibed to me like benedict is poly as well as bi, but who knows if that will go any further than this FWB threesome situation; i'd imagine his endgame will still be a monogamous relationship, but you never know!)

this storyline concludes with the female FWB admitting that she's caught feelings for benedict and wants to become serious (and monogamous) with him, but he politely turns her down because he feels "free" for the first time and wants to keep exploring life and isn't interested in a serious relationship right now, and might not ever be. my only gripe with the storyline is that i wish the male FWB had been introduced an episode or two earlier so we could watch benedict building a connection with him and feeling a budding attraction for an episode or two before the initial threesome proposition occurs to trigger him to actually acknowledge that attraction; as it is, it all happens kind of abruptly and our boy speedruns his entire bi awakening in the span of a single episode, bless him lmao but i'm assuming neither FWB will appear in s4 (they felt like one-season characters to me), so if so, it's fine to not spend too much time developing those specific relationships. the Point of the storyline was for benedict to realize he likes men too and likes non-conventional relationships, and that was accomplished with flying colors!

later on there's reference to "next year's masquerade ball" and i know a masquerade ball is where benedict first meets his endgame love interest in the books, so it seems just about guaranteed that s4 will be about benedict's book. i'm super curious about what direction it will go in! in the book, it sounds like their trope is Forbidden Romance, with the forbidden aspect being class difference (he's an aristocrat and she's a servant), so adding some kind of queer element as an additional reason for why it's Forbidden feels like a viable option, especially after s3 took pains to establish that benedict is interested in queer/non-traditional relationships.

but what form might that hypothetical queer element take? a monogamous m/m romance with genderbent sophie? or could we see trans or genderqueer sophie, in line with the cinderella metaphors about masquerade and disguise and identity and presenting differently in different environments? or might they go for some kind of poly or open relationship endgame for benedict? i don't know! there's so many options! it's also entirely possible that sophie will remain a cis woman and benedict will have a monogamous endgame with her, which i would also welcome because it is actually VERY rare to see rep of bi people ending up very happy in monogamous different-gender relationships, while still remaining firmly bi (most of the time bi characters end up in same-gender relationships, or end up in different-gender ones while dismissing their prior same-gender attractions as just a phase, or are chaotic sluts who cheat because they aren't content with only being with one person).

now on to francesca. we know for 100% fact that her love interest has been genderbent into a woman, because she was introduced at the end of the final episode! so francesca's endgame love story is guaranteed to be wlw, which is so exciting! (for context, her book endgame love interest is john's cousin michael stirling, and in the show she met john's cousin michaela stirling, so that's how we know with 100% certainty.)

taking it back a bit to the rest of her story this season, we see her and john courting, then getting engaged and married in a small wedding at bridgerton house with just the family, because they both hate being the center of attention. it was all incredibly wholesome introvert4introvert content and i adored it!!!! kept going "this is literally my ideal marriage" during so many of their scenes haha

but there is somewhat of a question of, is francesca actually attracted to john/men in general? throughout the season and even after the introduction of michaela stirling, i assumed yes; francesca clearly adores john and states that she loves him, and her body language around him seemed to me to show attraction. but after finishing the season and reading discussion online, i saw people saying that francesca seemed disappointed with kissing john at their wedding (which i'd interpreted as her just feeling shy about kissing him in front of people) and that it was a marked contrast to how flustered and interested she is when she meets michaela. so for me, the jury's out on whether she's more bi-leaning or lesbian-leaning; now that i know canon wlw francesca is a thing, i'd need to rewatch the season again to analyze her behavior with john more closely to decide what vibe i'm getting there! because on first watch it wasn't even on my radar to consider that maybe she's not actually attracted to men.

i will admit, i would be kinda disappointed if she *isn't* truly in love with john, just for the fact that i found it so delightful and refreshing to see a quiet romance that's so different from the loud melodramatic ones, as is discussed many many times during francesca's storyline this season. and i did notice that francesca tripping over her words upon meeting michaela is exactly what violet had said she did when she first met her late husband, and violet was bringing this up to say "but your way of loving john is different from that and that's valid". so i definitely CAN imagine that maybe they're making a deliberate point here that, actually, the reason why francesca's love for john looks so different from other characters' for their spouses is because she does NOT in fact have spousal love for him, but rather platonic love that she's misinterpreted as romantic. but i would just be mildly annoyed if The Point turned out to be "actually, violet is right and True Romantic Love must always be flustering and tongue-tying and dramatic" lmao but that's a personal gripe for me as a very quiet person who loved seeing the type of romantic relationship i would prefer depicted with francesca and john; i can also see the counterargument that a storyline of a repressed lesbian trying to untangle her actual feelings from comphet and societal expectations would be very powerful and important! and particularly interesting to explore in this regency context.

now on to some bigger book spoilers. so from what i understand, in the books, john dies, leaving francesca as a widow, and her love story with michael is about dealing with grief and learning to open herself up to love again after loss. i've seen the argument that francesca actually being a lesbian who wasn't genuinely in love with john would cheapen this storyline, and i can see that point for sure, but otoh it's abundantly clear that she does have a very deep care and love for him regardless of whether or not it's romantic/sexual, so i think no matter what, we will still see her being very affected and pained by his death and struggling with guilt about falling for someone else (his cousin! a woman!) etc.

what i'm most curious about here is the timing! there was some leak that michaela's actress is allegedly booked as a small part in s3 and a main role in s4. i'd been wondering if maybe they would start combining books, but in the interview i read, the showrunner confirmed that the plan is still to do only one book/sibling per season, so it seems that s4 will only be benedict's book. which makes sense, because i believe in the books francesca is married to john for 2 years before he dies and then it's another few years before she starts romancing michael, so i'd guess s4 will just see francesca develop a friendship with michaela and then maybe john dies towards the end of the season, then we do a timeskip between seasons and s5 is about francesca and michaela. but then there's still eloise to contend with, maybe she would be s5 and francesca not until 6.

i really really hope we'll get some francesca-benedict bonding next season (or s5/6 depending on the timing of francesca having her gay realization; it seems still subconscious for her as of now) since they are officially The Queer Siblings!!! i need to see them find this out about each other and talk about it together and be confidants for each other. it will also be so fascinating to see violet & the other siblings react to a queer bridgerton endgame romance. violet wants her kids to be happy, but she sometimes struggles with realizing that what happiness looks like to them may not align exactly with what happiness looks like to her, so i could definitely see her needing to take a moment to readjust her perspective and realize that francesca not being able to legally marry michaela in a public manner known to all of the ton and have biological kids with her doesn't mean they can't be just as happy as her straight kids and their partners. (on that note, i remember that in the past people have suggested francesca could be a great candidate for a wlw bridgerton because her status as a widow allows her a lot more societal freedom than a never-married woman, so i love that the show went with her! i can totally see her endgame being that of a respectable widow living peacefully in the countryside with her Dear Friend.)

i remember straightaway francesca set off my gaydar in 3x01 when she was reluctant about entering the marriage mart and dismissive at the idea of finding True Love and going ??? when people asked what qualities she wanted in a husband, and there was a scene of her talking with other debutante girls and i went "man i would love it if she got a girlfriend" but never in a million years did i actually think that was a real possibility! so i'm SO thrilled that they're going there, and like i mentioned before i quite like that they went with the polite introvert sister instead of the outspoken rebel sister to be the gay one because it just feels like a subversion of expectations and stereotypes for me, and because all season i'd been seeing so much of myself in francesca and then, finding out she's gay like me!!!! cherry on top!! and then for michaela, in the books i believe michael is yet another rake, which the show sets up for michaela too with her joking about being even more scandalous than john's stories might make her out to be - the rake is the backbone of the regency romance genre, so getting to see a wlw version of the trope with a female rake is going to be SO much fun!! esp with the setup that francesca is fairly society-conforming as of now; michaela broadening her horizons could be something interesting to explore.

wow this post got super long lmao i'm just so excited! canon queer bridgerton siblings singlehandedly turned this show from "i casually enjoy it as a few hours of fun which i forget about soon after it's over" to "i'm literally frothing at the mouth i need the next season NOW" and That is the power of representation, baby!

[respectthepetty]

10 Anticipated BLs for 2024

Since I'm excited for ALL the GLs (Pluto, 23.5, Sunshine in the Wind, Chaser Game, Be Mine, y todo!), I'm making my list of the 10 BLs I'm excited for this year with brief reasons why I'm looking forward to them. In my normal fashion, I cheat my way into having more. All except one is Thai because Thailand loves to tease series three years in advance, then never make them, but I strongly believe these are coming:

The Next Prince

Zee continues to never play a poor person, and a trailer is supposed to drop in the first quarter of this year. I never knew there was so many fencers on BL Tumblr, so I'm looking forward to everyone's commentary on how well the characters poke with their sticks or whatever fencers do.

Jack & Joker: U Steal My Heart

It's a heist BL. It has YinWar. It has Prom x Mark. It has Bonz. It's Dee Hup House (we got beef). It's Director Tee and probably Cinematographer Jim. It might have color coding. There is not one thing I can find wrong with this series. It's perfect on paper, and I'm praying that translates well to the screen.

Spare Me Your Mercy

Like that lady in Titanic, I've been waiting 80 years for this series (give me a minute to cry about MaxTul), and it's finally near! I'm getting JJ & Tor in a Dr. Sammon piece, who I feel writes "Be Gay, Do Crime" very well, so I'll be forgiving any of these two gays' wrongs including murder, attempted murder, contemplating murder, and murdering each other in the bedroom (ahhhh!).

Wandee Goodday

Golf from The Eclipse is directing. It's about Muay Thai. It has an older doctor and a younger boxer who start off as bed friends (and I think one is actually a virgin). It has color coding. It has me already seated and waiting with popcorn, and I think it might be the first offering that will be delivered from GMMTV's 2024 lineup.

Sequels: Choco Milk Shake 2, Unintentional Love Story 2, My Doctor

Is Choco Milk Shake 2 gonna finally give me poly? Probably not, but I hope My Doctor brings the same heat the side couple did in Be Mine, Superstar, and the side couple getting the spotlight in Unintentional Love Story 2 will also make my side-couple-supremacy heart very happy this year.

Live in Love

It looks color coded. That's it. That's the reason. Keeping my expectations low because it might not get made since this is Thailand's favorite game.

Red Peafowl

The character reveals were absolute chaos, so I'm hoping that chaos transfers over to the actual series because it can either be a mess or a masterpiece, but it cannot be mediocre with Max, Cooheart, Boun, Mek, and Yacht as supports. Plus, it has color coding and a bird that is quickly becoming a Tumblr god.

Love Upon a Time

Even though it is a historical queer series, which means it could be sad, I think Domundi will keep the sass, so James' character won't be crying in the 1600s club but instead eating fruit seductively to encourage Net's character to put his homosexual skills into practice instead of simply theorizing about them, which is something I need more of. Plus, it has color coding.

Love Puzzle

This is one that might not get made because . . . Thailand. It's connected to Chains of Heart, but I don't care because the cast looks good and Poppy is gonna finally get to kiss a homie. If this doesn't get made, I will cry thug tears. It's 2024. Poppy deserves to kiss a man already.

My Stand-In

I don't understand the plot, but it doesn't matter because Pepzi and Khom are directing, and in case that means nothing, those were KinnPorsche's directors! Then, it has Up and Poom as the leads, plus a stacked supporting cast. I'm here. I'm queer. And I'm ready to be served.

Honorable Mention: Peaceful Property

It's about los espookys and features Tay and New. Will it be a QL? The streets are saying no, but all the characters are color coded, and all's I'm saying is what would be the point of color coding them if I ain't getting a BL main couple and a GL side couple? It's already canon to me.

Bonus: MosBank & JoongDunk

MosBank had like eighty projects announced for 2023, and I got NONE! Big Dragon 2, Big Dragon: The Movie, SunsetxVibes, where you at?! Y Journey: Stay Like a Local and Club Friday do not count. I don't want to watch their horror movie, but gosh darnit, if that comes out before everything else, I just might.

And I am a JoongDunk fan first, and a human second. Give my boys a gym BL already, GMMTV!

[catholic-character-tournament]

Round 4 - Catholic Character Tournament

Propaganda below ⬇️

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

Anti-propaganda (spoilers)

I love the Locked Tomb series but Harrowhark has daddy issues with God, had a childhood crush on God's cryogenic partner, and is in love with God's daughter, not to mention that she's essentially a bone-bender. The religion on her home planet exists in a way that is technically against the will of the canon in-universe God, even. All of this to say, Harrowhark is heretical at minimum if not an outright witch. Terrible Catholic. Burn her.

Ronan Lynch

Uhh fun fact he saw the devil flash his father once, and that's one of the reasons he goes to church on Sundays <3

context for this scene from book 2: ronan is in church with his older brother declan, younger brother matthew, and ghost friend noah "Joseph Kavinsky isn’t someone I want you being around,” Declan added. “Don’t snort. I’m serious.” Ronan merely invested a look with as much contempt as he could muster. A lady reached over the top of Noah to pat Matthew’s head fondly before continuing down the aisle. She didn’t seem to care that he was fifteen, which was all right, because he didn’t, either. Both Ronan and Declan observed this interaction with the pleased expressions of parents watching their prodigy at work. Declan repeated, “Like, actually dangerous.” Sometimes, Declan seemed to think that being a year older gave him special knowledge of the seedier side of Henrietta. What he meant was, did Ronan know that Kavinsky was a cokehead. In his ear, Noah whispered, “Is crack the same thing as speed?” Ronan didn’t answer. He didn’t think it was a very church-appropriate conversation. “I know you think you’re a punk,” Declan said. “But you aren’t nearly as bad ass as you think you are.” “Oh, go to hell,” Ronan snapped, just as the altar boys broached the rear doors. “Guys,” Matthew pleaded. “Be holy.”

Gay Catholic streetracing farmer. Consumed by catholic guilt NOT because of the gay thing but because he can Create things in a way he thinks should be only God's business. Will literally roll up to mass on sunday morning still drunk and bloody.

THIS GOTH KID IS LITERALLY GOD. This is a god trapped in the body of a Catholic teen and if he ever stopped feeling Catholic guilt he’d end the world!!. How is your confession every week that you creating a whole new being? Babygirl the God is coming from inside the house

eldritch entity from beyond the mortal plane wants to be a Real Human Boy, becomes a real (ish!) human (ish!) boy, goes to mass every sunday

Gay boy got his crush an apartment above his church so he could have his two favorite things in one place

gay. I'm not caught up the the series but I went through the tag when the latest book came out and I remember seeing a quote that said he worried if his boyfriend would make it to heaven when he dies because of his agnostic tendencies.

Kid is like a dream warlock who creates psychic horrors and never goes to confession because why would he? and he’s gay

There are no words

basically ronan's powers are inherited from his dead father niall and it means he can bring anything from a dream into real life. so he's got this whole crisis about whether he is a living piece of blasphemy because men are not meant to have the powers of gods or whether he literally is god. which is not acceptable to him for a number of reasons but mostly because he hates himself. his love interest's name is adam and adam lives in a small apartment above a church which the book says focuses the objects of his worship neatly into one building. I love them both dearly. also, this entire page makes me feel like I'm going insane. Ronan Lynch believed in heaven and hell. Once, he’d seen the devil. It had been a low, late morning at the Barns when the sun had burned off the mist and then burned off the chill and then burned the edges off the ground until everything shimmered with heat. It never got hot in those protected fields, but that morning, the air sweated with it. Ronan had never seen cattle pant before. All of the cows heaved and stuck their tongues out as they frothed with the heat. His mother sent Ronan to put them in the shade of the cattle barn. Ronan had gone to the searing metal gate, and as he did, he’d glimpsed his father, already in the barn. Four yards away from him had stood a red man. He was not truly red, but the burned orange of a fire ant. And he was not truly a man, because of the horns and the hooves. Ronan remembered the alienness of the creature, how real it had been. Every costume in the world had gotten it wrong; every drawing in every comic book. They’d all forgotten that the devil was an animal. Looking at the red man, Ronan had been struck by the intricacy of the body, how many miraculous pieces moved smoothly in harmony, no different than his own. Niall Lynch had had a gun in hand — the Lynches had an enormous number of guns of all sizes — and just as Ronan had opened the gate, his father had shot the thing about thirteen times in the head. With a shake of its horns, the unharmed devil had presented its genitalia to Niall Lynch before bounding off. It was an image that had yet to leave Ronan. And so Ronan became a reverse evangelist. The truth burst and grew inside him, and it was laid upon him to share it with no one. No one was meant to see hell before they get there. No one should have to live with the devil. So many homilies on faith were ruined once you no longer required it for belief.

Our boy CHOOSES not to receive the Eucharist because he doesn’t believe he is worthy. The spiritual insight, the devotion, the fact that this teenager is worried he may have a mortal sin weighing on his soul…this boy isn’t just going through the motions, he’s putting work into this.