#we see he struggles with how he wronged her so it would make sense for him to downplay the love he wronged her for as a way of coping

[jeremiahthefroge]

Every appearance of the red-haired menace that is early Laurence forces me to sit here and stew upon how I will fix his introduction in the rewrite. As a coping mechanism. Unfortunately since I can't remember the parts where his character isn't just harassment so I can't cook with the themes the way I'd like to. Like the way he calls Aph "my love" after she very explicitly in the text of the game tells him not to do that... bad vibes. I think I could rock with his character if he'd done the same sort of approach in hitting on Aphmau as heavily, but the moment she lays down an actual boundary, he backs way the hell off. I could even fuck with her trying to be subtle about the boundary and him not getting it and continuing to make her uncomfortable before she snaps at him and he apologizes, saying that he truly didn't mean anything by it, and he respects the boundary she lays like his life depends on it from then on out. It would create some immediate complexity in his need for explicit communication, and backs up the sort of deeper character hinting they seem to try to do when he's talking about Castor and Cadenza, this idea that he deeply cares, if being a bit pushy on accident. It would also make a good detail fueling the conflicts later on with the love triangle that can sort of prevent Laurence from looking like TOO much of a dickhead (him being unaware or misinterpreting situations, and the delicate nature of it making him uncomfortable asking questions, is a compelling reason to see somebody hurting his friends' feelings, and makes him significantly more sympathetic, opening him up for feelings of remorse and guilt).

[ladycatofwinterfell]

people who defend everything about lestat and insists he did nothing wrong because he says so in his books and that louis is either blatantly lying about all lestat put him through or mind controlled by armand into saying what he’s saying are so annoying… partly because it’s simply not true he insists he did nothing wrong in the books, he admits to wronging his fledglings and understands why claudia wanted to kill him. but also because lestat abused louis and claudia and he’s also interesting and i enjoy him as a character and it’s fine to do so. he doesn’t need to be good for you to like him, i promise you, you don’t need to justify it with that actually he’s a good person. no one in this show is entirely good and never in the wrong, they only have different perspectives on what happens and excuses for themselves. every single character becomes less interesting when you take their motivations and use that to completely justify or vilify their actions instead of seeing it as a reason for why they acted as they did. because lestat is neither an angel nor evil incarnated and for a show that explores cycles of abuse and patterns of violence so effectively you'd think people would understand that

this sort of defence of lestat also leaves a bad taste in my mouth because the violence he enacts on louis and claudia is so gendered and racialised, he's the white patriarch in the family and his gender nonconforming manners and at times progressive beliefs do not change that. he can be a flamboyant bisexual who does drag and still uphold patriarchal structures within his family. it just becomes weirdly racist and misogynist to completely disregard it.

for me the bad things about lestat can very much coexist with that i'm sympathetic to what he's been through and how that shaped him, that i believe he has good sides and that i think he's fun. because he is fun! it's a treat every time he's on screen! it can also coexist with that he loved both louis and claudia very very much. and that louis especially loved lestat very much in return. it's a very intense love, love to the point of hatred.

maybe next season we'll see him grow in the modern timeline, become a better person, be better to those around him than he was to louis and claudia during their time in new orleans. maybe his backstory will provide clarity on why he behaves the way he does as it did in the books. maybe we’ll see him still be toxic and abusive in ways. sam reid himself said he believes there needs to be a toxic masculinity to lestat for his queen of the damned arc to work

[ratatattouille]

Why The Arcane S2 Finale Fumbled, Part I

arcane season 2 was artistically beautiful and thematically cheap. every interesting and meaningful thing it did with its characters (even in season 2 act 2) was reduced to romanticized bullshit, utterly divorced from its season 1 roots. it's so bad it can be considered pro-status quo propaganda (and i do mean that). good ships aside (and i do mean the caitivi, jayvik, timebomb holy triad), this season squats and shits on every zaunite character in the show. not just their zaunite-ness, but how it literally shaped who they were as characters.

Let's start with Vi:

Vi and Vander:

Vi's loyalty to The Lanes always went beyond Powder. Zaun was her father's, Vander's dream. Zaun was her friends and her family. When she's giving Caitlyn a tour of The Lanes, we see how much she embodies and revels in Zaunite culture (esp in the food scene). She took responsibility for the vulnerable, like Vander taught her to. Her "protective" trait extended to ALL the vulnerable in The Lanes, because Vander taught her that. It wasn't EVER just Powder. Zaun is her HOME. As a child, she wanted to make a name for herself IN ZAUN "one day, this city's gonna respect us." You can make the excuse that Vander's death meant that side of her died, but it clearly didn't because of how she regarded it while showing Caitlyn around. "Family" to Vander, extended to the vulnerable of Zaun, which is how Vi and Powder came to be his "daughters" in the first place. Because Zaun was for THEM. Zaun WAS THEM. Vander and Silco "weren't allowed to fail" at Zaun (i.e. the two daughters).

Additionally, Vi and Jinx were supposed to succeed where Vander and Silco hadn't: forgiving each other and uniting so they could realize their dream for a free Zaun. A big reason why Zaun struggles to be free is because of their own internal divisions (the different gangs fighting for scraps). But if they united, they would be able to liberate themselves from Piltover (who is still the enemy). The whole reason the others are prosperous in the alternate timeline Ekko and Heimerdinger travel to is because Vander and Silco reconcile (not because Vi dies).

Vander also passes on his sense of responsibility to Vi. He tells a repeatedly vengeful Vi how her ambition to show up her oppressors can overshadow the more pressing priority of looking after those more vulnerable than her i.e. Powder. Like Silco, his advice to his daughter is steeped in his own trauma of getting so zealous he didn’t stop to think what it would cost.

Vi and Caitlyn:

Caitlyn was an interesting development for Vi, particularly because Caitlyn mirrored Vander's care for all people. Caitlyn was an enforcer that wanted to truly understand and help people. This challenged Vi's biases and also gave them a common goal. Caitlyn appealed to Vi because she gave Vi renewed hope for peace in The Lanes. That Zaun could be free through co-operation instead of violence. Her whole teaming up with Caitlyn, romance aside, was predicated on Vi brokering for peace between Zaun and Piltover (and getting revenge on Silco).

The first break-up between the two (Season 1's "Oil and Water") centred around Jinx, more or less. Vi believes Silco is a threat to peace between Piltover and Zaun (even though The Lanes aren't known as Zaun to her, I'm just using the names interchangeably). She believes Jinx is acting out due to Silco's influence, as well (and she isn't wrong). Had Caitlyn not been injured on the bridge (and had Jinx not felt betrayed by Vi), Vi was going to leave her in pursuit of Jinx. Vi has also never fit into Piltover (and that's also shown in Season 2 act 1-2). She makes no connections with Piltovians besides Cait and (an already disillusioned) Loris who we see for like two seconds.

Vi and Jinx:

This show was ALWAYS about a tale of two sisters/cities. When Vi becomes an enforcer, it isn't because she's switched loyalties. She wants peace for The Lanes, she just wants to take Silco's creation--Jinx--out of the equation so it can work. Her priority, like Vander’s, is to keep the vulnerable of The Lanes safe, and both were willing to co-operate with Piltover to protect the people they loved. She believes, like Vander did with Silco, that Jinx (and by extension Zaun) is her responsibility. That the reason bad things happened to Zaunites (Vi’s and Powder’s parents dead on the bridge, Jinx’s mania) is their fault.

Vi blames herself for creating Jinx as Vander does for creating Silco. The only reason Vi agrees to Caitlyn's plan is because, again, their two goals align: get Jinx. The difference is Vi wants to kill Jinx to kill Silco, while Cait wants to kill Jinx to get her city (mother) back. Vi is still explicitly concerned about Jinx, who she has come to see as a threat to other people she loves (e.g. Ekko, Cait, etc). Vi became an enforcer to protect The Lanes and the (appearance) of peace. Vi internalized Vander’s words and doesn’t want war, even if it means Zaun never becomes independent. But she is doing it as penance for what she feels she didn’t do that led Jinx to become what she is.

The show in season 2 TOTALLY LOST THIS FOCUS. Vi's guilt at hunting down her own people with enforcers is ALSO ignored a lot by fandom, especially because her post-breakup scene where she goes full goth is framed as regret for letting Cait down (rather than the self-disgust she would feel for joining her oppressors). Vi played a part in creating Jinx and her enforcer-arc is still centred around Jinx. This gets shoved aside for romance with Cait. All the time we could spend post-breakup focusing on the sisters, quickly circles back to Cait.

Cait, who, literally became a dictator and weaponized the air ducts her mother had created to SAVE ZAUNITES. The whole thing is viewed as Vi betraying Cait instead of Vi betraying Jinx/Zaun/her family and Cait betraying Vi ("promise me you won't change") and her mother. Cait was the one who sought to help Zaun (like her mother) but betrayed who she was when she was willing to kill Isha, an innocent child.

Vi would feel even more guilty at how she is literally in an enforcer's suit when she is about to kill Jinx, the only family she has left. She is literally hunting down Jinx, a Zaunite, like the enforcers had her parents. But we barely explore that. It’s just off to chasing Vander/Warwick only for it to not matter anyways!

(ALSO IMPORTANT: Just to further prove my point on how integral the sister's love for each other was, every show started with a record playing. The cover of the disc was Vi and Jinx. They were always the center focus of the story. The song that the record played? Likely "Our Love" by Curtis Harding and Jazmine Sullivan which goes "Our love is a bubblin' fountain, our love, that flows into the sea, our love, deeper than the ocean, our love for eternity." This love deeper-than-the-ocean can apparently crumble in the face of a dictator girlfriend you've known for less than a year lmao).

Summary of Fumbles:

-Vi's and Jinx's relationship becomes secondary not just to the entire plot of the show but to Vi's arc. Zaun and Piltover's conflict was set up to be the epitome of the show, and the fact that it got shelved for some (ahem military propaganda) epic battle between humans and robots is very telling about the writers and showrunners.

-Vi forgives Cait easily and prematurely, trashing Vi's true loyalties as established in earlier seasons/episodes and robbing Cait’s actions of their appropriate weight.

-(above is an excerpt from Amanda Overton's interview with TheGamer) The culmination of love for Vi's character ends with Caitlyn and not Jinx. Vi's character, whose love is explicitly centred on Zaun and her family, reaches its peak in romance with a Piltovian. To quote Amanda further: "If Vi had no one left to protect, she would fall in love." As if Vi had no ambition outside of protecting her family. As if her dream since she was a kid wasn't tied so much into Zaun. As if the reason she wore an enforcer outfit wasn't because of Zaun. As if Zaunites aren't suffering right under her nose. As if she was the only kid in Stillwater Prison and struggled to survive the whole time she was there. I can't pretend to stomach it. (Again, it's not that Vi shouldn't be happy, it's that the ship had to shove this aspect of her character aside for it to work). If they wanted to really commit to the Vi-in-video game origin story, they should have set it up better and stuck to it.

-Vi herself takes a back seat in most of season 2, and becomes a passive, guilt-riddled yes-man to Cait

-Vander's re-introduction is almost completely worthless to the plot and narrative (he comes back just to die), and he is used as a cheap way to re-unite (and then separate) the daughters in a way that has no significance to the themes (also, Silco as Jinx's father is completely ignored during this time)

-Cait's deferral to fascism should have been permanent. Idc about the shippers at this point. Vi and Cait should have never come back from Cait shoving the back of her gun into Vi's injured side (let alone the gassing of the ducts). Vi would've never forgiven her, attraction or no. The fact that Cait could become a dictator after losing one parent is proof of their class divides (after all, Vi held onto hope despite losing all her parents to enforcers and Jinx was all she had left of her family). That should have cemented the death of that relationship (and it would have made for more compelling storytelling on class). I’m thinking it was kept because it matters more to white Western audiences to have a Romeo x Juliet rendition that assuages their classist sensitivities. Cait becoming a fascist made sense and was true to her character and the world. Vi forgiving her (and then having sex with her in the prison she was thrown into as a child?) destroyed both her character and the narrative.

Yeah, yeah, Vi was overwhelmed by the breadth of love and forgiveness Caitlyn had in letting Jinx go, but that's bare minimum shit. Vi "always choosing wrong" because she *checks notes* keeps trying to reconcile with her sister instead of letting her go since she isn't Powder anymore? So she resolves her guilt by choosing her own pleasure and putting herself first for once. Okay, I don't have a problem with that except that Vi and Jinx were supposed to succeed where Vander and Silco hadn't--by reconciling! And you still won't get me to like the fact that so much of Vi's character arc gets held up in a Piltovian who encouraged her to do the worst shit to her OWN PEOPLE and then fucking turned on her when she couldn't kill her sister. It is frankly amazing how we're supposed to celebrate Caitlyn literally coming between the sisters. I'd rather Vi forgiving Jinx than Caitlyn. And if the whole appeal of Vi's relationship with Caitlyn is that she was overwhelmed with love for how Caitlyn forgave Jinx after she killed her mother, I don't see how a relationship with Cait automatically makes Vi feel less guilty, since Cait also makes her feel guilty for choosing Jinx (remember her accusation "you will always choose her" like sorry I don't want to kill my orphaned, traumatized sister who I ripped into for making an honest mistake as a child and who has carried that since). Caitlyn (as others have pointed out) got a whole ceremony for her mother and instantly turned on Vi's people. The Vi I know would have been like, "You really are all the same," and FUCKING DIPPED. And there's a little acknowledgement of this in act 1 where Vi accuses Caitlyn of acting like Jinx.

Both Jinx and Caitlyn are emotional labour for Vi. Vi still wants to protect Caitlyn from Jinx. There's not that much of a difference, lol, except that Caitlyn is a privileged Piltovian and Jinx is a victim of the abysmal childhood she suffered at the hands of enforcers. Yet the show is more or less saying Vi pursuing reconciliation with Jinx was a bad choice for Vi and the reason the cycle of violence continued (for some reason). The sister reconciliation was what I was here for, personally. Cute ships aside. But noooo, Vi should forgive Cait (not Jinx) to stop the cycle.

And having jail sex is a liberating act for her because it's where they had their meet-cute. (And we're all good bc Caitlyn gave up the Kiramman seat, lmao, like sure okay).

It's frankly made the ship that much more unpalatable. If Vi had to be destroyed as a character for the ship to work, then the ship wasn't all that good (even though it started off that way). It's honestly left such a bad taste in my mouth. What a fuck you to oppressed groups that whole subplot was. (And it's made worse by the fact that the creator thought that was somehow an empowering and liberating act for Vi, like fuck that).

Let's Talk About Victor:

Viktor and Heimerdinger:

Heimerdinger and Viktor were the most polar of opposites. Heimerdinger was not only a privileged, ulta-wealthy Piltovian, but he had a comparatively endless lifespan while Viktor's own human life-span was cut short due to being a Zaunite, born at the bottom of the barrel and raised on toxic fumes that led to his terminal illness. Viktor's desperation to unlock the Arcane was explicitly about him overcoming his circumstances, his illness, his premature death. It wasn't merely about his internalized ableism, but the unjust way in which he had to suffer. Heimmerdinger could afford patience because he had all the time and resources in the world, but Viktor didn't. Not merely because he was a mortal, but because he was a Zaunite.

Viktor and Singed:

Viktor's arc with hextech is foreshadowed with his childhood interaction with Singed. I understand that in the games, Viktor is a villain-type character and his catchphrase or whatever is "Join the Glorious Evolution," which the show hinted at from Season 1 when Singed explained his experiments to Viktor. While Viktor is horrified by Singed killing the creature that he eventually uses for shimmer, Viktor later says, "I understand," hinting that he saw the sacrifice (and death) necessary to "heal" the world of its ailments. Both Viktor and Singed grow up in The Lanes, and both have ailments they want to cure (for Viktor it is his lung cancer and for Singed its his daughter's dying). In season 2, Viktor tells Singed that while he understands what healing all those people could cost him, he will not sacrifice their humanity for Singed's cause. This is because of Sky’s death (which is partly why it is her who is in the Arcane with him).

Sky’s death is what makes Viktor beg Jayce to destroy the hex core, since he couldn’t do it himself. He is willing to die if that means no more innocent people do. But here’s where I get a little touchy. VIKTOR didn’t KNOW she was there. Viktor was simply desperate to live. Sky’s death was not malicious (even if it’s true to his character that he’d feel guilty anyways). It is at this point that Viktor has Jayce promise him to destroy the hex core (and by god is this where a lot of my contention with the finale comes from). Also, it is important to note that Viktor’s self-loathing is depicted only in regard to Sky’s death (NOT HIS BAD LEG). Now Viktor feels guilty not just for Sky’s death, but also necessarily for trying to live (AND PLEASE KEEP THIS IN MIND). TRYING TO LIVE is subtly treated as an AMBITION that, for Viktor, interfered with his ethics. (And please note that in the end, Singed, who repeatedly embraces unethical practices for reviving his dying daughter gets what he wants).

Anyway, in S2, Jayce blasts Viktor in the chest and all that conviction goes out the window. All this despite Sky (his conscience and “humanity”) being there with him in the astro-nether. Now Viktor's idea of becoming a higher being is just getting rid of emotion (apparently because Jayce did it or something). Jayce killing him without explanation was all of a sudden all he needed to become a divine dictator. The same Viktor that looked terminal illness in the face and preferred to spare others instead of himself? The same Viktor who's immediate action after waking up with a new body was to go and use the arcane he wished had been destroyed to help others? Because the arcane is corrupting him? That’s convenient for a certain political narrative. Especially because anyone would hesitate pressing a button (in Viktor’s case smashing the hex core) that would guarantee their death. Viktor was being human, not corrupt.

Viktor and Jayce:

Now, I think Jayce's speech had some merit and could have been framed better with a little more time and thought. The philosophical idea of perfection or a perfect world (one which Piltoverians strive toward) being untenable, maybe even undesirable, is a fascinating concept worth exploring. BUT MAKING IT ABOUT SOME INTERNALIZED ABLEISM FROM VIKTOR IS FUCKING STUPID!!!! I'm sorry, but Piltover being the city of progress until it actually included becoming progressive with Zaun was absolutely one of the things Jayce and Viktor's sub-plot was trying to explore.

Viktor WANTED TO LIVE. Viktor wanted his people to STOP SUFFERING. Viktor WAS RIGHT. He wasn't merely eliminating "imperfections" (and of FUCKING COURSE A PILTOVIAN WOULD SEE IT THAT WAY), he was trying to cure sick and dying people who did nothing to deserve it. He was buying them time that people like Jayce and Heimmerdinger had in spades, but Viktor and Zaunites had stolen from them.

Children dying of disease and violence in The Lanes was by Piltovian design! It was not some predestined cosmic necessity. Viktor WAS RIGHT TO HATE HIS FUCKING TERMINAL ILLNESS ARE THESE GUYS INSANE??! Wtf kind of message is Viktor embracing it as part of himself sending to vulnerable, impoverished and ill people? Is that supposed to be some kind of fucking comfort? Fuck off right to hell!

Like I'm glad if it resonated with any disabled people, but Viktor's struggle with his body was a protest against Piltover, not himself, and I hate that the writers gutted that character development. Viktor's and Jayce's paths "diverged a long time ago" because Jayce had the luxury and time of pursuing his dream while Viktor didn't. Viktor, even up there as a scholar of Piltover, was still getting the Zaunite treatment.

Jayce had the time to pursue a better world, while Viktor had to struggle for a little more time. When Viktor becomes part of the arcane, suddenly he has all the time in the world to realize HIS OWN DREAM. Why would wanting a better world for others have to result in "dreamless solitude"? Why does wanting progress equal wanting perfection? You are changing the subject and that is cheating!!!!

Viktor becoming obsessed with fixing what ailed humanity was warranted, and his extremism was hinted to have been due in part to the effect the arcane had on him, but it still made the themes of arcane a joke. There was so much potential and the writers (and showrunners) just squandered it for some more romantic bullshit.

The Glorious Fumblings (A Summary):

-"Humanity, our very essence, is inescapable. Our emotions, rage, compassion, hate. Two sides of the same coin, intractably bound. That which inspires us to our greatest good is also the cause of our greatest evil.” That's a neat quote, but wars don't start simply due to emotions or whatever. This lacks class analysis, and it's annoying that the writers made this the whole theme of season 2 (and retroactively the show) in a story on class divides. Cait did not merely gas the Zaunites because of her mother, but because of her privileged upbringing that made it more acceptable to her to view Zaunites as animals (remember Ekko telling her enforcers “hunt us down like animals"). Cait knew the humanity of Zaunites was real. She just chose to ignore it because she could afford to. While it is interesting that Viktor would come to see being human as a flaw that destroys any hope of achieving peace (conflict theory would like a word with you), it ignored that fascism is not an inherently human trait and detracts from how or why it persists in the first place. It's almost the same as saying men/white people oppress women/poc because the latter were mean to them. It's victim-blaming (and false lmao). The British didn't colonize the Americans because the natives did anything to them. All prejudice is unjustified, that's what makes it prejudice. Again, Cait became a fascist when her mom died, but Vi still drew the line at killing children and even council members despite losing every single one of her family members to Piltover's violence against The Lanes. AND THAT’S JUST IT. Why the Zaunites do what they do isn’t simply because of love and hate, but because of the desperate circumstances they are forced into by their oppressors. Why the Piltovians do what they do, isn’t because of love or hate, but because they are bread in luxury and affluence. Pretending that’s not the case is an insult to the work put into Arcane’s first season (and anyone with a brain and basic empathy).

-Jayce's speech would have been cute in another story, but it's downright insulting in Arcane's. Yes, yes, Jayce's words would have been the only ones to have broken the real Viktor out of Arcane Viktor's grasp by appealing to this deep childhood wound, but Viktor's desperation was not to belong (because his leg kept him from playing with other children) but TO LIVE (because he was dying of an illness). Jayce's speech isn't bad, just misplaced. Like most of the finale.

-Viktor did not have to become a fascist-aligned deity in his quest to heal people. It is a typical MCU thing to have a "villain" that's technically right and then destroy their entire character to make their (correct) philosophy untenable by making them do something extreme. Typical pro-status quo propaganda trope. I DON’T CARE if it was so we could get some game version of him. Viktor was right in bringing progress and his discoveries to The Lanes instead of devoting his efforts to Piltover, the fake city of progress.

-While I am annoyed that the climax of the show hinged on Jayce and Viktor and hextech (a tool to explore the inequalities of Piltover and Zaun) instead of Jinx and Vi, I think it kinda makes sense. Hextech built what Piltover has now become. Jayce, Viktor and hextech kinda represent Piltover (what it could be) and Jinx and Vi represent The Lanes (and the Zaun it could be). Both would have been integral, but the story shouldn't have hinged on hextech, IMO. Hextech should have remained a tool to explore the politics of both cities, but instead it overshadowed everything, cheapening the story's themes, characters and world-building.

-Jayce calling the Zaunites to arms was downright absurd. But not as absurd as Zaunites volunteering.

And Then There's Jinx:

Jinx and Isha:

Isha's only use, as far as I'm concerned, was to be a reconciling force between the sisters. When Cait was willing to shoot her to get to Jinx, that should have stopped Vi right there and brought her back to defending Jinx 100% I DON’T CARE. When Isha sacrificed her life to save Jinx, that should have been Jinx's wake-up call right there and helped her understand why Vi kept leaving her out of missions as a kid. But instead what do we get? Depressed, suicidal Jinx and an astoundingly even more resentful and indifferent Vi. Now Jinx sees herself as even more of a poison to those she loves (because she can’t protect them like Vi can and frequently kills them while trying to do so). Jinx, who has always wanted to be useful to those she loves. Who pursued her own hextech inventions in order to give her siblings a fighting chance when facing down Silco. Who wants to give Zaun a fighting chance as Silco's daughter (and Isha’s surrogate mother). To be useful to the goals and dreams of her family. Isha was the perfect opportunity to bring the sisters together and get Jinx to embrace all she is (both the Jinx that Vi rejects and the Powder that Silco rejected), but no. Instead, the kid was some kind of foreshadowing to Jinx's own heroic self-sacrifice for her sister (a message that left both sister's arcs unfinished). Or perhaps, Isha was a commentary on the cycle of violence. But that this sub-plot really wasn't needed given what we'd already established in Season 1.

Why do I say this?

Because the cycle of violence is not a "Jinx" issue, but a Piltover one, and the writers making it an interpersonal issue instead of a political/sociological one damaged the story and what Jinx's character could have meant to mentally ill people like her. It wasn't illogical storytelling, just far less meaningful than it could have been. It would have been more powerful and moving and impactful for Jinx to realize where the true cycle of violence (as established the whole fucking show from the dead parents on the bridge, to Vander and Silco, to Jinx and Vi, to Jinx and Ekko, to Isha and Warwick, to Cait and Vi, etc) was coming from.

Jinx needed to accept herself and the love others showed toward her (Silco, Vander, Ekko and Vi). Jinx keeps blowing things up because she repeatedly rejects herself (both Powder and Jinx), ignoring the good she's done and tried to do. Isha was a call back to the good Jinx has done and can continue to do for Zaun and others. Isha and Sevika understood (even though Silco unfairly set it up) that Jinx was actually their good luck, their hope, more than just a hex (pun intended) on the city. After all, Jinx made Sevika her new arm (even though she's the reason Sevika lost her arm in the first place), which further proves that Jinx had the capacity to fix some of what she broke. It would have been better for her to embrace responsibility and have the faith to try and fix things (ESP her relationship with Vi). While it is not unrealistic or necessarily bad writing that she would fake her own death to run away and start over (or just die) trying to save Vi, the arc people she represented deserved was her embracing Vi back, not accepting that she was a curse in Vi's life. And most definitely NOT romanticizing her pain.

Jinx and Ekko:

Ekko's and Jinx's relationship is precisely an exploration of how Piltover's violence against Zaun forced these children with entire futures ahead of them (they are both child prodigies) into endless war and hellish heroism. Ekko and Jinx are repeatedly shown to be hesitant and even unwilling to participate in violence against others, especially their own. Ekko does not hate Jinx, though he wants to, and Jinx does not like who she is when she's violent. She is trigger-happy because she already expects Vi and Ekko to want to kill her (projecting her self-loathing on them, but not entirely unreasonably). She doesn't have faith in their love or mercy because she doesn't see any part of herself as redeemable or loveable, which is why she consistently sabotages her life (but not without help from Vi and others).

Ekko and Jinx are symbols of progress for Zaun AND Piltover (and Heimerdinger saw that, especially when Ekko insisted he had to go back to his timeline, even if the one he had landed in was better). Heimmerdinger saw what they could have been in the alternate timeline, all the genius that was squandered in The Lanes. Jinx and Ekko are the ones most willing to put an end to violence and injustice because both of them are nostalgic for their families. All that’s ever kept them going is the love of their families. Jinx just doesn't have the same faith in her ability to be their hero as Ekko does, but Ekko manages to convince her for a moment anyways.

Ekko recognizes (like Silco, Viktor and Isha) how integral Jinx is to the creation of a new world. She injects colour and life and hope into Zaun and is the only one who can unite all warring factions in Zaun in the first place. I know people have gripes with this Jinx being the hero of Zaun when she literally killed Silco, opening the market for other gangs, but her most famous act is the bombing of the Council, which pretty much all Zaunites were unaware was about to grant them independence. To the average citizen of Zaun and Piltover, Jinx was the symbol of a revolution (even if Jinx didn’t see herself that way and didn’t really want to be). Both her and Ekko are rebel leaders, but that is hardly used in Zaun's interests in the end. (ALSO THAT WHOLE CONVERSATION WITH VIKTOR AND JINX WHERE HE SAID SHE COULD BE USEFUL TO HIS WORK. This show would have won with a Viktor and Jinx team-up to unite Zaun--also in parallel to Jayce and Vi's team up. We could have had it all!)

Jinx and Silco:

This, is only second to Vi in the most FUMBLED things about Jinx. Silco was her guide once Vander died and Vi ran away. Silco not only took care of her, but gave her purpose (someone to love and be loved by and protect) and nurtured her talent (one that many others scorned). Silco accepted Jinx even though he weaponized her (which backfired for him). As much as Silco WAS WRONG to lie about Vi (manipulating Jinx) and even try to kill Vi (which was a dumbass move on his part), he wasn't wrong about Jinx's path to healing: self-acceptance and self-forgiveness. And even though Silco's own stupidity led Jinx to "embrace" Silco's version of Jinx to the point that she bombed the Council right when they'd granted Zaun independence (I wanted to fucking kill myself watching that), Jinx was still not ENTIRELY a jinx as Jinx (e.g. when she rescued Zaunites from Stillwater Prison). This fucked up dude did a whole John-the-Baptist thing where Vander tried to drown him with Jinx so she could embrace her Jinx-ness. But I don't think he was telling her to embrace that she was a curse like Vi meant it, but to embrace her new life (baptism is all about death and rebirth) and her new self and take responsibility for it.

Silco, like Ekko, was the one who saved Jinx from death and offered Jinx a home. While everyone else patronized Jinx for her own childhood trauma, Silco was gentle, understanding and provided space for that, even when her psychosis killed him. He showed zero resentment toward her. But when Silco dies and Vander returns, Jinx just . . . oopsie, doopsie! Forgets about Silco until one final hallucination she has of him in the jail cell. The only one she has where he talks. And what does he say? She needs to break the cycle. How? Not by eliminating Piltover or gaining Zaun's independence like he'd talked about and dreamed about. Not by accepting herself as Jinx and Powder, the inventor, the fighter, daughter of both Silco and Vander, but by offing herself? Leaving her family to think she's dead? Embracing the lie that she really was the poison in their lives and the reason none of them could be happy? The reason they died? NICE! SWELL! WHAT A SATISFYING, INSPIRING CONCLUSION! Even worse, they made her "death" staged. I'm sorry, but do we really believe that this same girl who killed herself multiple times in front of Ekko just 24 hours ago somehow found the will to live and escape into air ducts when she was falling with Vander? She decided to live right when she was about to die? And let's not forget that she was falling to the same song that was playing when she was trying to commit suicide. Why? And why would a heroic death (staged or not) be any form of character growth for Jinx in the first place? When her whole thing is distrusting the love offered to her? Or was she accepting herself by being the one to kill Vander because she knew Vi couldn't? Either way, it's cheap!

I Wonder Who Put All Those Holes In You (Fumbling Summary):

-Vander's letter to Silco could have been why she hallucinated Silco talking to her about forgiveness, but breaking the cycle here is about forgiving (unapologetic) Piltovians instead of herself, which needed to happen to complete her arc.

-Isha and Vander misery porn

-(above is an excerpt from Amanda Overton's TheGamer interview) to paraphrase: "SO OUR GRAND CONCLUSION TO VI AND JINX'S ARC WAS TO CONFIRM THAT YES, JINX WAS INDEED A JINX (AND NOT PILTOVER OR ANYTHING HAHA) AND THE SISTERS WOULD ONLY HAVE PEACE IF THEY NEVER RECONCILED - JUST LIKE THEIR FATHERS BECAUSE THAT WORKED OUT SO WELL THE FIRST TIME! :D THE REASON THEIR LIVES ARE IN SHAMBLES ARE PURELY BECAUSE OF THEIR OWN PERSONAL FAILINGS AND NOT AT ALL BECAUSE OF THE SITUATION PILTOVIANS HAVE PUT ZAUNITES IN! XD WE THINK THIS IS ALSO A FANTASTIC THING TO TELL MENTALLY ILL PEOPLE." :)

-Jinx being the reluctant Girl Saviour of Zaun after clinging onto her identity as a jinx so she didn't have to take responsibility for Zaun should have been the completion of her arc, IMO. As far as Jinx's arc is concerned, she was meant to reject the identity of jinx that Vi gave her and embrace the identity of Jinx that Zaun gave her. Loveable and capable of doing the right thing and saving others. Using hex-tech, something Jayce and Piltover had levelled against her people, against them. And she does this to some extent, but we don't even get a hint as to why Ekko's speech worked (and how he got her to fight alongside him and the Firelights in the first place). We know she does so for Vi, but she so quickly gives up once she and her sister are back on the same team. She allies herself with her sister just to die and then fuck off to another land? BRUH! Like act 3 is SO FRUSTRATING!

Conclusion

If the focus had been on the coming war between Zaun and Piltover, then we could have better explored the internal struggles happening with Vi's and Jinx's characters. Using Isha and Vander as misery porn for Jinx was a bad move. I stand by that. Isha didn't need to die that uselessly. Jinx did not need more "trauma" for any character development (positive or negative). It's not unrealistic that Jinx would be depressed after Isha's death (and that Isha was likely meant to symbolize the constant cycle of violence), but that this sub-plot really wasn't needed given what we'd already established in Season 1.

These are where my gripes with Jinx's and Viktor's arcs in S2 really lie: the story tries to strip the political from the personal! Viktor, on waking up with the arcane in him, goes back to The Lanes, and what does he see? The cycle that Silco mentions in Jinx's hallucination in the cell. This cycle is not merely coming from the interpersonal struggle Zaunites have, but rather, the forces behind those struggles: the starvation, the lack of resources, the poverty. All caused by Piltover. Where Season 2 fails while Season 1 succeeded, is it points the camera away from Piltover as the origin of all this mess, and instead, makes it a stupid cosmic clash between chaos and order (kinda fascist ngl). Zaun lost, and Arcane Season 1 had the tits to show why those in The Lanes were always on a losing streak: Piltover. The commitment to saving Piltover instead of destroying it ruined so many arcs, most notoriously Vi's and Jinx's. This should have ended in a war between the two cities, not one where both fought against robo-people and Ambessa.

But what, instead, do the writers brandish as this solution to the cycle?

Fucking forgiveness (of those who harm and oppress you) and acceptance of your (physical) imperfections (like that's what we were apparently talking about, which no, it wasn't). By refusing to acknowledge Piltover's hand in the desperation and violence and struggle the Zaunite characters find themselves, the show inadvertently ends up excusing Piltover.

TLDR: Bad message to send to oppressed people, mentally ill people, and people dying of terminal illnesses, lmao. The Zaunites ALL LOST with this one.

And I'm going to make a Part 2 to really get into it, but from the perspective of three Piltover characters (and one Zaunite) that really prove my point: Jayce, Mel, Caitlyn and Ekko.

P.S.: It's okay if you think the show is good because it succeeds in many other things, I just think it drops the ball in the places I've mentioned. But if your main criticism of my criticisms is going to be defending your ships, please find another post. Oppression is a serious reality that deserves serious depiction and it's insulting to have such necessary political discussions devolve into dumbass ship wars.

EDIT: I honestly did not expect this post to get more than 20 likes lmao, and i must admit that this was more of a thought dump than a super-deep analysis, but i'm glad a lot of it has resonated with so many of you!

EDIT AGAIN: Here's PART 2.

[diejager]

Stepdad!König taking a call from your mother while she’s at work - and while he’s brutalizing your sweet pussy in your room, his hand clasped over your mouth to muffle your moans as he speaks to your mother over the phone like normal 😊

Phone cw: p in v, DUB-CON/NON-CON, STEPCEST, smut, rough sex, creampie, exhibitionism?, tell me if I missed any.

Your heart jumped out of you chest when his phone rang, you panicked, but König looked unbothered, reaching over to pick it up as he kept up his pace, driving his hips forward roughly and ruthlessly. He chuckled lowly, showing you the caller: your mother. Your breath hitched, teary eyes widening and mouth agape with drool rolling down the corner of your lips, you struggled against him, begging for him to ignore the call or to stop if he wanted to answer it.

“You can keep quiet, can’t you, Schatz?”

“No no- please-!”

His hand came down on your mouth, muffling your cries and whimpers, pleading for him to adhere to common sense. Despite your cries, he answered the phone, clicking on speaker - to antagonize you - and your mother’s voice rang out in the room. He greeted her with a normal hi, his tone calm even through the strenuous session, rocking into you, his thick girth and throbbing cock milking your cunt of the load he left this morning after she left.

“I’m sorry for calling so suddenly, hun,” she sounded tired, spending the day working until 7pm.

“It’s okay,” König hummed, placing the phone down beside your head, beside your covered mouth and tear-streaked cheeks. “What’s wrong?”

“I’ll be home later than usually,” she sighed, oblivious to your muffled whines. “I’m going to swing by that Italian place, do you want anything?”

Unlike your choked mewls and breathless keens, your stepdad was still, chest puffing up and pressing down on you, shifting your legs over his shoulders as he drove himself deeper. He was rough, thrusts hard and words degrading, cooing in your ear harsh, degrading names. Telling you what a slut you were for you stepdad, how you were a bitch for whoring around him and Horangi in skimpy shorts and baggy shirts, and how your sweet pussy was so wet and loud for him.

“Could you ask (Name) about supper?”

“Give me a second, ja?”

He flashed you a mean grin, putting the call on mute for better acting, playing the scene of him walking towards your room or where ever you were. His hand moved down to your neck, giving you a hard grip and holding you down, folding you in half, knees bent to your shoulders and feet jerking over his head. Seeming satisfied with his manhandling, the wet slaps of his hips hitting your thighs louder and the head of his cock ramming your spongy cervix, he picked up the phone, unmuting it and pressing it to your ear.

“Dear?”

“H-hi mom-” you gasped, the heavy curve of his cock and the bulging veins rubbing your back wall, you spasmed around him, teeth biting down on your lower lip to stop the moan that threatened to slip.

“You remember that Italian place we went last week?”

“Ye-ah-yeah.”

She paused, her silence ringing louder than every slap that made your stomach bulge. You feared that she heard your slip up, the high-pitched mewl and pants you let out; you feared that crooked grin on his scarred lips and that proud and scheming gleam in his eyes. He changed his fast and rough pace for a deep and precise one, repeatedly aiming for that spot that made your eyes roll and back arch, finger thumbing your engorged clit.

“Are you okay?” You hated the worried tone mixed with that exhaustion, it picked at your heart.

“Yes-!” It came out harsher than you intended, pearly tears slipping from your squinted eyes.

König’s manhandling and pointed hits made your walls clench around him, the coil in your navel tightening to a delirious amount, making your head spin and mind dumb.

“Okay… Do you want anything for tonight?”

“Ro-rosé, please.”

“All right, I’ll see you tonight then.”

Any later and she would have heard you scream your mind off, you let moans roll off your tongue without restraint, nails digging into his back and back arched upward. He lowered your legs to his elbows, opening your legs to watch you come, your cunt swallowing him to the base, pumping in and then back out with a white ring around is cock from your shared pleasure. He made a sound of satisfaction, hands wandering down to grip your hips, riding out his pleasure leisurely and yours a fiery white blaze that burned through your body.

“You heard her, ja? Looks like we have more time to play.”

Taglist: @sae1kie @yeoldedumbslut @tallmanlover @distracteddragoness @vxnilla-hxrddrugs @konigsblog @havoc973

[hoshigray]

reader flirting with some random guy for toji to fuck her senseless 🙏🙏🙏😭😭 really mean and sadistic toji with a really submissive reader

sorry for tbe filth im ltierally dying i want that man so bad

𝐚. 𝐧𝐨𝐭𝐞: fuck yessssssss!! lmao not me writing this in a day

⊹ 𝐜𝐨𝐧𝐭𝐞𝐧𝐭𝐬: hard dom! Toji x fem! reader - explicit content; minors DNI - rough sex - Daddy kink - choking - spitting - impact play; spanking - degradation (bitch, cumslut, fuckhole, slut, whore) - minimal praise - missionary + backshots/leapfrog positions - dumbification - pinching - pet names (baby, good girl, mama) - Toji is a bit mean here - mention of blood and drool.

⊹ 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 1k

Toji didn’t like what he was seeing. 

You knew better, yet you still misbehaved. 

Your boyfriend sees you from across the pub, mingling with some random guy at the bar top. You were smiling and laughing at the dude’s jokes, prompting the man to treat you to some drinks. To say that the display left a sour taste in Toji’s mouth would be an understatement, especially with how you would place your hands on the chump’s arm or lean into him to rest your head. How brazen of you. 

Oh, but what really sealed the deal for him would be the occasional glances you’d throw his way. Your eyes honed on him briefly with a mischievous smile to complete the look before you went to your business — you knew what you were doing. And it made the older man’s brow twitch, rich green eyes observing your every move.

Just wait til’ we get home, brat. That’s all he can think of as you deliberately flaunt your autonomy. Because the moment you have your purposeful fun and return to Toji’s side, ready to go home, he takes you without a word. He doesn’t have to say anything, letting what will happen once you step inside the house speak for itself. 

“—Ahhch!! Fuhucck!! Harder, Daddy, harder…!”

Have you ever been choked while being fucked into like a toy? That’s the treatment you’re receiving as you lie on the bed, Toji’s tough, calloused hands wrapped around your throat to restrict your breathing while he pistons his cock into you with inhumane force. 

“Harder, they say,” he chuckles. “Who told you can boss me ‘round, huh?” His hold on your throat gets tighter, and the limitation of air becomes hard to avoid while turning you on even more with the clamp of your walls around his fat dick. “You got some nerve, actin’ like a real fuckin’ slut tonight, huh?”

The snap of his hips makes it difficult to respond to him appropriately, his girth stretching your insides so euphorically, and the scrape of your g-spot has you shaking. Fuck, it felt so fucking good, so rewarding to be used like this!

“Hahh…To’jii—Ehhck!!”

“Wrong name, whore.” His eyes narrowed, hands getting tighter and tighter that his fingernails pierced your skin, the pain adding to the suffocation.

Your watery orbs roll to the top of your head as dizziness creeps in. “Dad–dyy, I…can’t brea…” your lips agape, trying to gather whatever air you can. 

Toji sees your open mouth, and with a wicked snicker, he spits into it. Your eyes widen instantly, but Toji uses one hand to squeeze your cheeks roughly. “Swallow,” he demands with a dark glint in his eyes. There’s a bit of a struggle, yet he senses you gulp his saliva down from the bob of your throat, and a shiver crawls down his spine when you show your clean mouth. “That’s a good girl…”

Don’t get blinded easily because he is not finished with you yet. 

He’ll have your back faced to him, face down to the sheets, and butt up for him to plow. His hands keep your lower half to him at all times, rutting his pelvis so hard to your wet cunt that it rocks you against the mattress. Your asscheeks rebound with every smack of his hips, taking your breath away. 

“Ooooh, hoooh, mmaahhh!” There is no way you could even make out a proper sentence, Toji grinding into your soapy slit has you shrieking from his cockhead grazing those sweet spots your could never reach. 

Unbeknownst to you, the older man surprises you with a hard slap to your ass. The action pulls you out of your daze for a split second to scream, and your vagina inherently contracts onto his length. He hisses, “Hssshhiit, baby, fuckin’ grippin’ on me and making so much damn noise like a bitch in heat...Hey, I’m talkin’ to you.” Another smack to your butt for not responding to him, prompting a rushed wail to leave your lips. “Heh, damn slut, can’t even talk to me; all you’re thinking about is my dick, right?” He slowly pulls his cock back to hear your whining, a salacious grin grows by the inch when he snaps the limb back inside your warmth, and you grip the sheets. “Mmmph, fuck, this pussy is too crazy…”

Another slap to your butt makes you tremble and twitch, peering over your shoulder to look at the man behind you. Jesus, he looked so hot the way he was drilling his dick into you. The sounds of skin slapping against each other brings the room to life. “—Fuuahh, haahnn, Daddyyy…!”

The raven-haired man notices you observing him, chuckling before placing a hand on your head to smoosh it back down to the sheets. “Who the fuck told ya to look over here?” He strikes your ass once more, his fingertips stinging crescents into your hot skin. He's so rough with you that you know there will be blood from those scratches.

The weight of his hand on your head feels so strong, unable to move as his entire brawny frame has you submit to his bow. “Daddyyyy, ohh fuuuck,” you mewl for him to hear. “It shfeels sho g’ood…!” God, you sound so fucking stupid. Your brain dissolves into mush, and your body corrupted by his powerful dominance. “God, it sh’o gooood! Give me more, pleaseee!!” 

“There they go asking for more, fuckin’ fuckhole,” he groans under his breath, grinding his pelvis to your chasm to listen to your sweet begs for pleasure. “Easy there, mama; I’ll give ya what ya want...Hgghh…You wanna cum for Daddy again, right?”

Drool streams down from your lips to stain the sheets beneath. “Yesshhh, yes pleaseee…! Ohhh!” He slaps and pinches your asscheeks again; Good Lord, his strikes were not meant for the weak. 

“Then stay still, look all pretty, and keep wringin’ me out like the cumslut you are, got it?” You babble more sounds of agreement, thoughtless on whether they are actual words. You amuse him to remove his hand from your head and back to your hips, propelling you to stick to him again as his hips strike your ass with a hungry vigor.

“That’s my girl…”

requests/thirsts are open hehe~ 🧸

© 𝐇𝐨𝐬𝐡𝐢𝐠𝐫𝐚𝐲2024 – reblogs and comments are appreciated wholeheartedly ☆ header edit done by me + dividers by @/benkeibear.

[mariasont]

Hii! I saw this gif earlier today and I literally had a brain wave of an idea for fan fic!

Based off this gif below. S2!reid x reader. Reader has called off sick for a few days now and Spencer has been “looking after them” (ifyky) and one of bau members actually comes to help them with their “sickness” and sees Spencer leave like the gif below and he is like “hey.. wow” awkward! (Can be light smug or implied, up to you!!)

Looking After You - S.R

a/n: um i loved writing this one tehe, ur mind is amazing and i thank you for trusting me to make it come to life

masterlist

pairings: spencer reid x fem!reader

warnings: 18+ MDNI, smutsy, spencer giving head (i just know that man gives the best head i really can't think about it for long), reader is sick (kind of), morgan and garcia being nosy per usual

wc: 1k

His mouth was on you, head between your thighs as you pulled at his hair, whining his name between moans. He was a genius, yes of course in the literal sense, but you meant in bed. He was perfect and he ate you out like he was a man starving and this was his first meal in weeks.

You had been down with a cold for the past couple of days, finally seeing the end of the tunnel after some help from Spencer. You had been surprised when he showed up at your door with a plethora of home remedies and even more surprised when one of those remendies included his mouth being glued to your cunt.

Each breath you took, you could feel yourself getting closer—an electric tingle spreading from your toes to your fingers, the tight coiling of desire in your belly. That elusive peak was tantilizingly close, deliciously aching, but just out of reach.

Fate apparently had a twisted sense of humor and decided it would stay out of reach.

The knock on the door was like a cold splash of water causing you to jolt up, but Spencer's large palms clasped around your thighs as if to say, I'm not done with you yet.

The sharp intake of breath was involuntary, a reflex as you sunk back into the mattress. Whoever was at the door would get the message eventually. Right now, you were writhing against the sheets with hands forming fists in the curls of Spencer's hair, and that was all that mattered.

"Oh—yes, Spence, please." You weren't certain you were making sense.

He hummed against your clit, sending full body shockwaves through you as you finally released, like a taut rubber band finally being snapped. You were panting, mumbling something incoherent as your hands sought out Spencer's.

Another knock, more aggressive this time. You struggled to sit up, your mind still hazy, but Spencer's gentle touch coaxed you back down.

"I'll get it," he said, fingers tracing constellations from freckle to freckle on your ankle. "Do what you do best, sit and look pretty."

You laughed weakly, pressing your lips against his before you watched him disappear from the room.

Spencer moved to answer the door, his hand barely grazing over the handle before turning it, but as it swung open, the color drained from his cheeks, eyes widening at the people in front of him.

Garcia and Morgan.

He was suddenly aware of how he looked—hair strewn in every direction, glasses resting lopsidedly on his nose, mouth no doubt still covered in you. That thought prompted him to bring his sleeve up to his face, wiping the remnants away as he simultaneously ran a hand through his hair.

But it was too little too late, they had damning evidence against him now. His first instinct was to slam the door shut, but he hesitated, certain it would worsen the situation. So he remained still, opening and closing his mouth wordlessly, his eyes flickering to the soup and tissues they presented.

"Are we at the wrong apartment?" Penelope whispered, not-so-discreetly, to Morgan.

"Nope, this is definitely the right apartment." Morgan said, smirking as he clasped Spencer on the shoulder. "You've been taking care of her, huh, Reid?"

"Time out!" Penelope squealed, her hands jumping up, almost dropping the soup in the process. "You and—, and you guys are? You're lying. Oh my stars, wait, what were you two doing? Why do you look like you've been... oh, don't tell me!"

Spencer could feel the pink suffusing his face, fingers pinching his brow as he started to shut the door. He should know better than to check the peep hole before opening the door.

Morgan's hand stuck out, preventing the door from shutting any further.

"Hold your horses, pretty boy," Morgan teased, nudging Spencer aside without waiting for an invitation. His eyes darted around your living room as if he would find you. "At least let us do what we came here to do."

Penelope started to set her stuff on the coffee table, her face displaying her thrilled emotions like an open book.

"I can't wait for JJ to know about this, she's going to freak," Garcia says, clasping on to Morgan's arm.

Morgan laughed, patting her hand as he shook his head. "No one is going to tell anyone. Your secret is safe with us, pretty boy. We're a vault, aren't we, baby girl?"

"Yeah, okay, fine," Penelope started, lips pursing as she peered into the kitchen. "But just so we're clear, this is going to be like swallowing a live grenade of gossip.

Now it was Spencer's turn to laugh, head shaking as he pushed his glasses to the top of his nose.

"Thanks, guys. I'm sure she's going to appreciate this."

He nodded towards the items, disregarding their comments as he awkwardly rubbed the back of his neck, walking them both to the door and hoping to the gods you would stay put.

"Alright, we'll let you get back to... whatever this is," Morgan conceded, hands shooting up in defense as he stepped out the door. "But hey, you make her cry, and I'll be using those spaghetti limbs of yours to mop the floor."

"Morgan!" Penelope said, slapping him on the shoulder.

"Unnecessary, but understood," Spencer said, waving towards the exit. "Now, if you wouldn't mind..."

He could feel the migraine coming on.

"Oh my god."

They were both looking behind him, he followed their gaze, seeing you standing there just outside the bedroom door, wearing his boxers and one of his Star Trek shirts.

He slammed the door shut.

taglist: @hotchhner @khxna @readergf @sarcasm-and-stiles @edencherries @aurorsworld @princess76179 @malindacath @freyy253 @broadwaytraaaaash @r-3dlips

join my taglist here

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[wandixx]

DPxDC WEEK 2024

Day 2: "There is only so much you can do for the dead"

Trigger warning: mention of character death (who would have thought xD)

Something was off. Not enough to call it wrong, but eno8gh to be an obvious break in routine. M’gann could feel it in her bones.

Not only was Phantom still with them, in the Mountain, even though everything mission related was over, he was nervous too. The one sure thing about Phantom was that he didn't get nervous, no matter if he faced Batman, Light or almost god-like ghosts, he took them on with an easy smile and he always went back to Amity Park as fast as he could after mandatory Young Justice activities.

Rest of the Team caught onto it too, but they put on a good show of looking relaxed and unbothered. Wally went off to storm the kitchen, Robin and Artemis dropped on the couch, only feet and told of the ponytail visible over the backrest. Kaldur and Conner took armchairs, either reading (or rather holding the book opened on the random page) or nodding off (sitting with his eyes closed). Normally M’gann would either drift to the kitchen or get whoever occupied the couch to make some space for her, but as it was, she kept standing so Phantom would feel less awkward from his place by the door. He looked like he considered bolting and ever coming back. M'gann smiled at him.

She liked Phantom. He was kind and funny, always beyond helpful. He wasn't the best at combat, be it aerial or on the ground, but he was willing to listen and learn. He was a good listener. He understood her struggle with Mars better than she expected anyone on Earth. He had a pretty smile.

There was no sign of it now.

“So…” Phantom started and everyone whipped around to look at him. Even Wally “coincidentally“ got back from the kitchen right at that moment (M’gann called him, like he asked) “I know it's not something we do, but uhm… do you maybe have a spare room I could borrow on Monday? Soundproof if you have it?”

Robin dropped back down, but turned on his wrist computer and jumped between some pages. M’gann didn't see a point in that, since they obviously had spare soundproof rooms, but she kept quiet. Robin usually knew what he was doing.

“No problem, why though?”

Phantom winced, rubbing the back of his neck. M'gann's nose wrinkled when she sensed a tangled mess of his feelings but she (barely) stopped herself from looking deeper. He wouldn't like it in the slightest.

Small red dot blinked from Robin's computer. He was recording it. Smart move.

“It's… it's a bit… ugh, I don't know how to even start”

“Take your time”

“I've been taking my time for two weeks, it's time I actually say it” he groaned, rubbed his face so hard it got a little bit greener and started again “Apparently, ghosts have this thing called Death Day and mine is coming. During this time, I'll re-live… re-die… re-experience my death and then just lie unresponsive for a few hours. It's supposed to lessen with time, but it's my first so… you know”

Everyone froze for a moment. It's not that they didn't know that Phantom was a ghost and ergo that he died, but… it was easy to forget when he had so many powers that for M’gann saw as normal, it was easy to forget with the way he bled, it was easy to forget with how he talked about his live still in present tense, it was easy to forget with how painfully normal he tried to be all the time.

But then he'd say something and make them remember. No matter how many times it happened, it was never easier to remember.

“That's… rough,” Wally muttered awkwardly.

“Yeah. I'm kinda scared actually.”

“No shit, it sounds terrifying even as a concept. Though, why soundproof?” Artemis asked, more curious than demanding. Phantom curled in on himself, looking and feeling like he needed only a slightest trigger to fully disappear.

“I will be screaming. Of course, I don't remember the time I actually died, but I was told I screamed, really loud. I don't want you to hear it. No need for you to feel guilty over something that already happened”

This felt… weird and M’gann wanted to elaborate but then Phantom’s phone buzzed and in five seconds flat he was out with a last yell of:

“Something came up in Amity, gotta go!”

***

Pshshshksh

“Hey Phantom, we've got an idea about your D Day”

“Never call it that again, I swear to God Kod Flash”

“Alright, alright. But do you want to hear our idea?”

“Shoot”

“We thought we could get you something for your grave. Aqualad reached out to some contacts to learn more about ghost stuff and apparently it should help”

“Huh, that's nice. There is only one problem”

“Yes?”

“I don't have a grave”

***

They were supposed to have a free afternoon, they already got all adults to back off, even Robin went to convince Batman to cancel all of the training and missions planned. They didn't explain why. Phantom hadn't said a word about adults, it felt like a betrayal to mention it outside of their circle.

They were supposed to have a free afternoon, so they could keep Phantom safe and be close in case he needed anything even if he said he'd rather have them as far as he could. They weren’t going to listen in of course, but there was no way they'd stay away.

They were supposed to have a free afternoon, but then, right after Phantom showed up, alarms started blaring, because it had to be the day when there was an emergency in Happy Harbour and they were the only ones on the watch. Because of course there was.

And of course Phantom went with them despite the protests, waving them off by saying his Death Day shouldn't start for a bit longer.

It wasn't reassuring.

Especially not with how he stumbled halfway through the hangar and was loopy in a way M’gann could sense without even a psychic glance in his direction.

“When exactly is your Death Day? Like, do we have hours or minutes?” Conner asked, clearly worried about his friend.

Phantom leaned awkwardly on the rough wall, trying and failing to look relaxed and casual instead of barely keeping himself upright.

“I'm not quite sure honestly–”

“WHY THE HELL YOU WENT ON THE MISSION THEN!!!”

Robin, maybe a bit frantically, waved at the ghost to make him follow.

“Chill Artemis, please. My senses are already going haywire, I would really appreciate it if everyone stuck to their indoor voice. Death Day mess starts only when I'm feeling safe, so don't worry, it wouldn't hinder the rescue”

“That's literally not the point but you seem out of it right now, we will talk when you're lucid again,” Artemis sighed, and nodded at M’gann who raised Phantom off the floor after he stumbled on the even ground for the third time.

They were following Robin, who was posturing confidence while he led the way to the room he picked, but without the usual bounce to his step. Wally was on Phantom’s other side with a plate of cookies he somehow got in the meantime, as if it gave him any purpose to follow other than worry, while everyone else trailed behind, not bothering with even a thin veil to cover their concern.

Even Phantom caught onto that, despite being almost loopy enough to start some deep philosophical debate with the next “incredibly intelligent looking” shadow, but kept it to himself. As far as M’gann could tell without going in deeper, he seemed happy if moved by all of their attention.

“How else can we help you?“ Kaldur asked, growing more and more angry with silence and inability to do anything of use.

“N'thin’” ghost slurred “Lithewally. ‘m suwe you want t’ help buh… buh… ‘m already dead, you c’n't do ‘nythin’. You c'n't save muh. No ned f’r you t’ see it. F'rget ‘bout it”

Nobody said anything to that, because what could they say?

Robin opened the door solemnly and M’gann carried Phantom over to the bed while everyone else came in, dragged in by both concern and morbid curiosity. Phantom refused to settle in though, desperately looking at each of them.

“Please, promise you'll forget about that” he begged again, in the surprising moment of lucidity.

“We will” Someone lied.

“Thanks. Now go,” Phantom said with a choked up smile before going limp like a puppet without strings. For a long moment nobody moved, just staring as Phantom’s body laid unmoving, as if they were watching a car accident that they just couldn't drag their eyes away from.

“Rigor mortiss is settling in” Artemis posted out with horrible emptiness in her voice. Robin suddenly looked ill. Wally put down the cookie plate on the nightstand with a loud clatter, before booking it out of there and dragging Artemis and Kaldur out with him. M’gann caught Conner and Robin, both still to stunned to move on their own, and lead them out at much slower but still quite hasty pace.

First gut wrenching scream rang out before the door fully closed.

There was no way they'd ever forget that.

[ultraintrovertedgryffindor]

𝒢𝑜𝑜𝒹 & 𝐹𝒶𝒾𝓉𝒽𝒻𝓊𝓁 𝒮𝑒𝓇𝓋𝒶𝓃𝓉

haha, another fic I wanted to finish...I'm team Black, I swear...but Alicent is just too pretty I don't know what to say

Summary: Alicent struggles to deal with the feelings she harbors for you, her chambermaid and ally.

Warnings: SMUT (MINORS DNI), religious guilt, infidelity, slight dubcon, oral, fingering, some angst

word count | 3.2k🤙🏻

Alicent sighs heavily as you inform her of yet another servant that has been chased away by her son, Prince Aegon. She didn’t know why she was surprised anymore, it happened so frequently. Even worse, she expected it to happen more often as he aged. She just couldn’t catch a break…

It was hard enough being married to an old, rotting man at such a young age, but to raise all of her children alone? Alicent often wondered how they aren’t turning out worse than they already are. She had no support from anyone, not her husband nor her own father, him banished from the Red Keep and Lord Strong only helping her for his own gain and power. She couldn’t even rely on her childhood friend anymore, now her stepdaughter. It was almost laughable the hand Alicent was dealt. The Gods were cruel. But they did give her one good thing though; you.

You had been Alicent’s personal servant ever since her last child was born, helping raise them the best you could whenever Alicent had to rule in the king’s name, meaning she was often busy. You clicked instantly, though you had a sort of talent for always getting on someone’s good side. You could see the light in her eyes that was slowly dying out the older she got and the more time she had to spend in the Red Keep. You could tell she missed her home and her father, so you often comforted her whenever those feelings seem to cloud her thoughts. She warmed up to you pretty quickly, longing for a companion other than her favorite child. And when she needed information, you’d get that for her too. Unlike Lord Strong, you didn’t ask for anything in return.

The first time you made her laugh was when you accidentally voiced your thoughts about fantasizing about kicking his cane out from underneath him. You thought she’d scold you for thinking such a horrible thing, but the prettiest sound you ever heard escaped from her lips. Bashful giggles filled her chambers which caused your face to heat but filled you with a sense of pride. Even so, Alicent looked more ashamed of herself for finding what you said funny. But from then on, you were determined to make your queen laugh whenever appropriate.

She confided in you a lot, about everything, even things she never admitted to herself before you came along. You never judged her, ever. You may have been biased but in your eyes, your queen could do no wrong. For Alicent, ever since getting close to you, she started to feel things she thought she never would again. She hadn’t felt this happy being around someone since Rhaenyra was her best friend all those years ago. But therein lied another problem; Alicent wasn’t just friends with the Targaryen princess, she wanted to be more than that. Now that she was feeling that same way about you, her feelings of guilt came back even stronger than before. 

Alicent always struggled with accepting herself. All her life, she was told how to behave and how she should be. Following the Faith of the Seven, being attracted to the same sex was strictly forbidden. It was just another reason to pick at her cuticles until they bled. She hadn’t done it in a long time (mostly thanks to you), but every time she had…sinful thoughts about you, she didn’t even notice she was hurting herself again until you called her out on it.

You were concerned and had asked what had been causing her to hurt herself again, but Alicent very well couldn’t tell you the truth, could she? So, she blamed it on Aegon’s behavior and that seemed to quell your curiosity, but you still kept a more watchful eye on her to keep herself from picking at her skin. You just didn’t know that you were the cause and kind of made it worse, though it meant you spent even more time with her, so she couldn’t really complain. But after this incident with the servant girl that Aegon harassed, you could tell Alicent needed time to herself, so you quietly dismissed yourself.

You felt horrible for thinking such things at a time like this, but you also felt you needed some special time to yourself. Unbeknownst to Alicent, you were having some of the same issues she had. Although, you were ashamed of yourself about it. Even though she was upset, Alicent looked absolutely stunning in her green dressing gown and the urge to relieve yourself was almost overbearing. Now, you weren’t the most lecherous individual, but to say you weren’t a prude would’ve been an understatement.

You had some distant relatives from Dorne and went to visit them for a couple months, your parents saying something about you needing to experience the world before being tied down to King’s Landing. You weren’t going to complain, in all your life you never thought you’d ever even travel past the Stormlands. You were somewhat sheltered, but just a few weeks in Dorne and you learned more than most highborn ladies ever did. You learned much about yourself with the help of the Dornish, especially learning about your sexuality which everyone was open about there. Even just a kiss in public between lovers always seemed to be looked down upon north of Dorne. You came back to King’s Landing changed, but for the better.

You found pleasure whenever you could and without shame, but you also knew you had a reputation to uphold, not just for yourself but for the family you worked for. Not many people get the opportunity to serve the royal family, so you knew acting out on your feelings for the Queen  was the quickest way to getting your head impaled on a pike for all the Red Keep to see. You would be labeled a heathen, whore, and a dishonor to your family and those statements would follow you all the way to the Seven Hells. So, you always found your release in the privacy of your own chambers, not having to fear wandering eyes or ears. If you were ever to go to a brothel on the Streets of Silk, word would travel before you could even blink. But you couldn’t think of that now. As you laid back in your bed with your hand in between your thighs, all you wanted to think of was your Queen Alicent.

You ran your delicate fingertips over your hardened nub hastily, grabbing at your breasts, desperation painting your features as you thought of Alicent’s soft lips. You imagined how they’d feel pressed against your own, on your neck, chest, and even further south. Just the image threatened to oversensitize you, but you needed the thought to find release. “Alicent…” You breathed a whimpery whisper, your peak building steadily, that burn in your belly spreading over you like waves. But just as you were about to finish, you heard a loud gasp. “My Queen-!” 

The Queen Alicent stood wide eyed in shock, mouth agape, unable to stop herself from looking where your fingers were coated in your arousal, your cunt glistening in the sunlight seeping through the curtains into your chambers. “My apologies.” Alicent spoke curtly, quickly turning and exiting your chambers without another word.

In quite a blunt manner, you expressed your embarrassment as soon as she was out of your sight: “Fuck.” You prayed to the Seven that she hadn’t heard you moan her name.

In truth, you had nothing to worry about. Queen Alicent was too flustered to even register that she was the object of your desire, blood thrummed loudly in her ears as her face reddened at the sight of you in the throws of near ecstasy. She didn’t know how to react, and she certainly didn’t know what to do about the ache in between her legs as she made it back to the sanctuary of her solar.

Alicent sat in her chair with a shaky exhale, closing her eyes to try and calm herself, only to see the image of your fingers inside yourself. She could still hear the faint sound of the moist suction from your fingers moving in and out, sending a shiver down her spine. She didn’t realize she was picking at her cuticles until she felt a droplet of blood running down her hand. It wasn’t enough that she had these sinful feelings and desires, the gods kept tempting her, but that went too far. How is she supposed to resist temptation when she has to be around someone so intoxicating as you? It wasn’t fair. Why were the gods consistent in handing her the short straws in life? What had she done to deserve such divine punishment?

The ache in Alicent’s core hadn’t faded, the image of you still burning through her mind. She gazed around, there was no one but her in her chambers and there was no one likely to barge in without knocking first. Perhaps this one time, she could try to quell that desire that’s begun to feel so familiar every time she’s around you. But she didn’t know where to start.

Of course Alicent knew of her clit, but she never dared to touch it lest she gets sent straight to one of the Seven Hells. But that spot of throbbing so badly, it would hurt to leave it untouched. So cautiously, she lifted her skirts past her knees, experimentally running her fingers up her inner thighs. The closer she got to that aching spot, the more her breath quickened. And just as she was about to reach closer, she stopped abruptly. No, as soon as she gives in to herself it's more likely she’s to give in to you. That couldn’t happen. That will not happen, or so she believed.

The next couple weeks were awkward, to say the least. The Queen could rarely make eye contact with you, let alone sit with you in private as you used to do. You knew it wasn’t really your fault, but you still felt guilty Alicent caught you like that. You knew she wasn’t used to pleasure, her marriage to an old man being proof enough. You felt bad for her, but you didn’t know how to help her if you even could. You tried easing into a discussion about it, but she never took the bait. You would’ve given up entirely if it weren’t for you catching her staring at you on multiple occasions. And besides, if she was offended or heard you moaning her name, you’d be a headless body right now. But the way you caught her looking at your fingers with an almost glazed over expression, you figured she wasn’t offended and uncomfortable with you, but herself. The poor woman, she didn't understand it at all, did she?

You decided to confront her later in the evening, when her other maids rested for the night and the children were asleep. Your heart thumped in your chest rapidly, scared but excited for how this conversation might turn out. You watched as she sat in her plush chair in exhaustion, looking at the window in thought. She was beautiful.

“Your Grace?” Your soft whisper almost startled Alicent if it wasn’t for the fact she was acutely aware of your presence at all times. “May I speak with you?”

Alicent shut her eyes, already knowing what you must’ve wanted to talk about. She did not want to have this conversation at all, but there was no escaping it any longer. “You may…” She spoke quietly, tensing up when you took steps closer to her, sitting on the footrest of her chair, entirely too close for comfort. It wouldn’t have bothered her before, your closeness, but all she could think about was you pleasuring yourself.

“If I can be quite blunt, your Grace…you’ve been distant these past couple weeks and it’s quite obvious why.” Alicent’s heart threatened to beat out of her chest. “I hadn’t meant you to see me like that, my Queen. I thought I was alone…”

Alicent sighed, shaking her head. “I’m the one at fault. I never should’ve barged into your chambers like that, especially without knocking. You’ve nothing to apologize for.”

“And I’ve also noticed…how you can’t keep your eyes off me since.” 

Alicent breathed in a sharp breath, her lips dipping into a frown. “I’m sure I don’t know what you mean. I believe you’re forgetting your place.”

With a shaky exhale, you placed a trembling hand on the Queen’s clothed knee, feeling her tense immediately. “I think you do, your Grace. I may be disrespectful right now, but I can’t help but see how everyone else treats you, including the King. I can see how he doesn’t even care to make you feel loved. You deserve to be with someone who makes you feel like the only woman in the Seven Kingdoms.”

Alicent blushed brightly, whispering your name in disbelief.

“Please, let me serve you, my lady. Properly. That’s what I’m here for. I can’t see you like this any longer.” And without another word from either you nor Alicent, you delicately lifted her skirts up past her knees, smelling her obvious arousal from where you sat. She wanted this, whether she admitted it or not.

Alicent looked down at you with a conflicted expression, the soft tips of your fingers gently spreading her legs apart and tracing them up her inner thighs. Her core throbbed achingly, the guilt of sinning threatening to overwhelm her, but the feeling of you finally coming into contact with her dripping cunt making those feelings retreat to the back of her mind. So wet, you thought, bringing her face closer and licking a stripe up her slick folds. Alicent gasped at the sensation, the feeling of your tongue running up and down her sensitive flesh, making her wonder why she’d never had this done to her before.

Alicent’s moan as you circled the tip of your tongue around her clit was music to your ears, you would die a happy woman if you were able to hear her moans again and again. You needed to hear more. You used your middle finger to gently push inside her, feeling her tight walls clenching at the intrusion. She moaned your name as you thrusted your finger against her sweet spot as you lapped at her engorged clit. You could tell she was already so close, her moans raising an octave, her walls trying to push your finger out, and her hips bucking against your face. That fool of a King never made her feel this way, that much you were sure of. Could it be you’d be the first person to make her feel such pleasure?

You moaned as the Queen Alicent released on your finger and tongue, your mouth eager to taste and lap up all her sweet juices until she was licked clean. You were grinning as you pulled away, looking up at her like she was the one to put the moon and stars into the night sky. The Queen herself looked quite satisfied, a thin sheet of sweat coating her hairline, her natural curly auburn waves cascading down her body and framing her like a golden halo. Her eyes were glazed over, pupils dilated in the aftermath of her pleasure. “May I kiss you, your Grace?” But those words seemed to snap her out of whatever haze she was in, her eyes blinking rapidly, the fondness in them disappearing altogether and replaced with shame and rage.

“Leave. Now.” Alicent snapped, hastily smoothing out her skirts and pushing you away to stand. The feeling of rejection overtook the feeling of pride when you saw her legs tremble as she walked to her chamber doors, opening one and giving you a look that almost scared you. You left without another word, wondering if you should write to your family one last time before you were surely beheaded for overstepping.

You awaited death, but it never came.

Queen Alicent couldn’t stop thinking about you, no matter how much she tried to distance herself from you, you were her every waking thought. She hated feeling this way, wracked with such guilt. She couldn’t even look at her husband anymore, for fear that somehow he’d be able to sense her debaucherous acts with a servant. Her thoughts never drifted far from how amazing you made her feel, the memory of your tongue on her never failing to make her shiver. She had never desired someone so much after Rhaenyra, she never wanted to, but you invaded her mind and made a home there.

More weeks passed, you and Alicent together but never more apart. She only talked to you when she needed to, which she tried talking to other servants in your stead. It was infuriating, and it hurt. You almost regretted making your desires known, but it was done. You couldn’t change what you did. The Queen would have to decide for herself whether she wanted to continue what relationship you had on her own.

But for Alicent, it couldn’t have been further from simple. She wanted you, truly, but she’d be putting you and herself in danger if she pursued more. There were spies everywhere, and she couldn’t have any harm come to you. But every day, seeing you, it got harder to hold herself back. She needed you, and she knew you needed her just as much. At the end of the day, it wasn’t a difficult decision. She couldn’t keep herself away from you. You were shocked when she came barging into your chambers one day, without knocking once again. But she was the Queen, she didn’t have to knock.

“Your Grace.” You stood up from your bed with a startle, your heartbeat picking up at the sight of Alicent’s beautiful frame. “I wasn’t expecting you.”

Alicent sighed breathily. “I didn’t know I’d be coming here.”

You raised a brow. “Why are you here, your Grace?”

Without another word, the Queen rushed to you, taking you in her arms and colliding her lips with yours in a passionate embrace. You moaned in surprise, her soft lips felt like pillowy clouds as she moved against you, bringing your body close to hers desperately. You never thought a pair of lips could feel so heavenly. “Your Grace-”

“Alicent. Call me Alicent.” She interrupted, keeping her lips close to yours, never taking her eyes off you.

“Alicent…” You whispered, “are you sure you want this? Want me?”

“I’ve never been more sure about anything in my life.” She spoke clearly, her big, brown, doe eyes boring into yours, making you feel like she could see into your soul. You believed her, and that was enough for you. Damn the consequences.

You surged forward, capturing her lips once again. “I’ve wanted this for an age.” You confessed against her lips, not having the will to pull away, even to tell her what you’ve wanted to say for what felt like a lifetime. “I’ve always wanted you, Alicent.”

“And I you…it took me a bit of time to figure that out. I apologize. I did not wish to be rude to you, but I was scared. I still am.”

You cupped her jaw, encouraging her to look into your eyes. “I’m scared too. But whatever happens will be worth being with you, my beautiful Queen.”

i'm team black, i swear😰

[talaok]

Love your writing! Could we please do a cute pregnant reader x Pedro going to and at the SAG awards in honour of our boy winning! 🤍🙏🏼

Pairing: Pedro Pascal x pregnant!reader

a/n: this is how i found out he won btw. I'm so happy for him i cant even, I just love that fucking guy gosh ahhhh (as always this request skipped the line bc it wouldnt make sense in a month)

Gif credits: @tessas-thompson

"thank you" you told him as he emerged from underneath your bump after having slipped your shoes on for you.

Turns out that when you're 7 months and a half pregnant, the most basic tasks like putting on shoes become a two person job.

He only smiled, kissing your belly and then your lips before standing up, offering you a hand to do the same.

"Heels would have looked much better with this dress" you pouted, studying yourself in the mirror, 

You hated ballerinas, but again, you weren't really in the condition to wear anything else.

"You look stunning sugar" he promised, kissing the crown of your head

You couldn't help but snort.

As much as he told you so over and over, together with everyone else in your life... you still struggled to see it, especially now in this uncomfortable dress.

"I look like a stuffed turkey" you sighed "and my boobs are so much bigger than when I first tried this dress, now they look a move away from spilling out"

His eyes twinkled with kindness, with love as he placed his hands on your waist and turned you towards him, away from your reflection.

"You're beautiful sweetheart" he promised, one hand now stroking your cheek as your own hands went to his waist "You're sexy and gorgeous and so fucking hot that if Coco wasn't still here I would demonstrate just how much right here right now" he growled, not giving you time to answer before he kissed you, soft at first, and then once you whimpered, it was like a switch turned and he was fiery and passionate and his left hand trailed to your ass and-

"Pedro!" you scolded him quietly, eyeing Coco on the other side of the room.

"she's seen worse"

She had.

Nonetheless, he took a step back, returning his hand to your waist.

"Thank you" you murmured, looking up into his hazel eyes "and by they way, you look very beautiful too"

You could have sworn you saw red staining his cheeks 

"thank you baby"

You adjusted his shirt, as you got lost in your own mind.

There he was, you beautiful, talented, Emmy, golden globe and SAG award nominated husband, looking every bit as perfect as ever.

And just like that, tears pooled in your eyes

"what's wrong?" he asked, worried

"I just-" you sniffled, trying to fight the tears as your lips trembled "I-I'm so proud of you"

"aw sweetheart" he cooed, half laughing as he wrapped you into his arms.

He'd gotten used to it now, taking care of your over-emotional self was part of his daily routine.

"Y-you just" you cried "you worked so hard a-" another quiet sob "and n- now you're finally getting the recognition you deserve I-"

"I know baby, I know" he cooed, softly kissing the top of your head "thank you" he smiled, his fingers drawing soothing circles on your back "It means a lot to me too,"

"I love you" you murmured, finally raising your head to look at him

"I love you too honey" he kissed you, laughing softly as he pulled back to see tears still running down your cheeks "You're gonna cry the whole night, aren't you?"

"I made the makeup artist use only waterproof products" was your way of saying yes, yes I'm going to, and yes I've already planned ahead

He chuckled, kissing your forehead as his hands trailed to your bump, soft kicks hitting his palms.

"She's excited" he murmured

"She's proud of her daddy too" 

__ __ __

Pedro Pascal.

Pedro Pascal.

Pedro P-

Your husband. they had called your husband.

It was probably comical from the outside, seeing the shock on both your faces as you stared blankly at each other, the way your mouth gaped open, while he slapped a hand onto his, it was like- it was like time had stopped, and the word went completely quiet, until- until-

"oh my god" you breathed, throwing your arms around him and hugging him so tight it probably hurt

He didn't dare speak a word as you leaned away, landing a kiss on his mouth as you gripped his face 

"go" you laughed, grinning like an idiot as tears glimmered into your eyes "go" you urged again, this time, having him comply.

You watched every step, every move, until he was right in front of the microphone, his award in his hands.

"This is umh" he mumbled "This is wrong for a number of reasons-" 

he was in shock, his voice trembling, his eyes watery, but he kept going

"b-but thank you hbo, Bella Ramsey, Craig Mazin, Neil Drukman, Frannie, and -" A shaky sigh fled his mouth, as he chuckled to himself "jeez louise I'm making a fool of myself and my wife is gonna make so much fun of me for it and-"

All the sudden his eyes were on you, 

"my wife" he smiled, his smile brighter than the sun "I wanna thank my beautiful, amazing, intelligent, and perfect wife" he said "I love you y/n, I love you and our daughter more than anything in this world and if I'm here today- If I'm here today is mostly because of you" 

You were shaking from how hard you were crying, from how happy, ecstatic, and euphoric you were for him.

"You've made me the happiest man on this earth, you've made me a dad, you- you're my everything sweetheart" he beamed "so thank you"

He stopped a moment, as if realizing only now this had all really happened

"And now I'm gonna stop talking 'cause I need to get down there to kiss you and try to make you stop crying" he laughed, ending his speech

"thank you, everybody, really, thank you"

__ __ __ 

He did exactly as he said,

he held you tight as he kissed you like the world was gonna end tomorrow, like if he didn't he was gonna die

And when he leaned away- when he leaned away time stopped once again, but as he pressed his forehead to yours, as you lost yourself in each other's eyes, you remembered

"You said it was wrong" you said, both your hands holding his face "but it's not" you shook your head, watching his eyes water "you deserve this baby, you do"

"sweetheart-"

"no" you shut him off, your voice hoarse from the sobs, but it didn't matter, you wanted him to know, you needed him to know "No I need you to understand that you do baby" You smiled "that you worked your ass off and that you deserve every single inch of this award" you took a deep breath, steadying your voice as you looked at him, so many unspoken words traveling between you

"ok?" you asked, finally

"ok" he beamed, kissing you again "God I love you so much"

[emmafrostyyy]

y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...

sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me

It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.

She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.

Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".

They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.

In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.

Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.

She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.

Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.

I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo

Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.

I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.

They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.

They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.

Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.

Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.

[luveline]

hey jadee! How are you??

could you write a next part for the coworker James au?? Maybe something like them going on a date or Sirius and remus suspecting that they are more touchy with each other <33

coworker james | ty for requesting!! fem

Remus Lupin is a long list of things, and nowhere on that list is idiot. Nor gullible, nor unobservant. He sees exactly how you and James are touching one another these days, but he’s decided to keep it to himself for now. 

After all, if James had cottoned on to his first tryst with Sirius there probably wouldn’t have been a second, and then a date; love is vulnerable in the beginning to embarrassment. 

Still, you both must know how ridiculous you’re being where James has taken your hand under the table. You’re struggling to hide the shyness in your smile, and James is all too brash as he pulls your hand further toward him. Your desk chairs squeak in sync. Whenever Remus gets up for a drink, he can see James pressing your hand to his knee as he leans against his desk to hide it. He’s just a second too slow, because Remus is suspicious of you to begin with. 

Remus gets up. Watches in gentle ridicule as his best friend of more than ten years thinks he’s convincing as James yawns and rests his head on the desk, sandwiching your hand between his knees. 

It’s adorable but stupid. Remus turns back as he walks off to watch you laugh in your seat. “Stupid,” Remus thinks you’re saying. Apt. 

Remus abandons James and his new sweetheart to find his own. 

Sirius is a salesperson, a rare role at their water testing company, but he does it well when he’s not messing around. Remus watches from afar as Sirius readies the elastic band-pen catapult with a mento, aimed at the side of their unwitting coworkers head. 

Remus creeps up behind him. “Don’t.”

Sirius flinches, his catapult suddenly aimed in the wrong place and set loose. The mento hits his computer with a thunk and bounces back into a steaming cup of coffee. 

“Remus,” Sirius says, turning to him with a frown, “we talked about this.” 

“You talked about this and I listened without accepting the terms. Can we go out for lunch?” 

Sirius’ facade of arrogance disappears. “Well, of course we can. Is there something wrong?”

Remus would like to have Sirius get up and hug him. Like, to grab him tightly and kiss him as he would at home, only both of them might die from embarrassment, and so he’ll have to ferry him to a restaurant for a half an hour of their knees pressed together, enough touch to get him to the end of the day when he can make Sirius climb into bed with him early. 

“You’re making that face,” Sirius says. “Like I’ve done something wrong. What did I do? I feel a distinct sense of injustice about this one considering we haven’t seen each other since I brought you your coffee this morning.” 

Sirius is nice to look at. As they get older, there are some marked changes in their appearances no one was expecting, Remus would wager. Sirius’ hair seems to get finer, his eyes darker, where Remus’ hair is better kept shorter, his middle softer. James has turned to muscle. He’s lean, still, but solid. All these changes, and yet no love is lost. 

“I’m sorry,” Sirius says, gently now, his eyebrows crinkling with confusion. 

“No,” Remus shakes his head. “No, it’s alright. You didn’t do anything. I’m just thinking about something.” 

“Something important, it looks like.” 

“It might be.” Remus puts his hand to Sirius’ neck. His hand is very familiar with Sirius’ neck and his soft hair, in the same way Sirius’ neck knows every callus of Remus’ fingers. “Lunch now?” 

“Sure, my darling.” Sirius puts on his jacket and takes Remus’ arm. “Let’s grab your coat.” 

“Not sure we should go back my way.” 

“Why’s that?” 

“I think something is actually, properly going on with James and Y/N.” 

“He clearly fancies her.” 

Remus slows their pace as they approach the doorway leading back toward the finance nook. “It’s a bit more than fancying,” Remus says under his breath. 

James is playing with your fingers. It’s hard to see, underneath the desk is dark, but it’s like what Remus tends to do with Sirius’ hands at the cinema, two hands holding your one, twiddling your fingers without purpose. Remus stands extremely still. 

“Can you send that to me?” you’re asking. “I can’t keep track of all these files. Who’s managing the account?” 

“It’s Cory, I think…” 

Mundane conversation, and then, “What are you doing?” 

“Nothing. Maybe it’s my fault. We need better organisation on our end, the shared onedrive is always changing, that’s not easy for you, or anyone.” He hums to himself, a breath. “You have lovely hands.” 

“Don’t say that.” 

“You do, you have… They’re really soft.” 

“I think you’ve rubbed the top layer of skin off,” you say, though your voice is lightening, almost thin. 

“If they weren’t so nice I wouldn’t have to.” 

“My fault again.” 

“Isn’t everything?” James asks. 

Sirius turns to Remus with a shake of his head. “What sort of indecent exposure is that?” Sirius whispers. 

Remus yanks him backward just as James’ head turns their direction. They hold their breath, grinning at one another —hiding in alcoves isn’t something they’ve had to do together in years. After a few moments, they peek their heads around at the same time. 

James has gotten up from his chair to stand behind you. They watch as he curls forward, wrapping and arm around your front, his lips at your ear. No clue what he’s said, but Remus can guess. You laugh and move away from James like he’s tickled you. 

“Come on, no one’s here,” James says, pulling you against his chest again with visible tenderness, “Remus must’ve gone to lunch.” 

“Or he’s making tea, and we’re about to be caught.” 

“He left his mug.” 

“But not his jacket.” 

“Oh, so smart,” James croons, his nose dipping into the curve of your neck. 

“And on company time,” Sirius says. “Well, you can wear my coat, handsome. Let’s leave them to it, should we?” 

Remus beams. That’s why he likes his Sirius as much as he does, besides a great many shoulder rubs and gifted first editions. He’s thoughtful, and kind, and not many people suspect it of him. 

Remus looks pointedly away from James where he’s tipping your head back to hold Sirius’ hand. “What do you want for lunch?” he asks. 

Sirius squeezes his fingers. Somewhere in the nook, James kisses you with your face upside down. 

[chericos]

𝐛𝐚𝐛𝐲 𝐢𝐭’𝐬 𝐜𝐨𝐥𝐝 𝐨𝐮𝐭𝐬𝐢𝐝𝐞 ᝰ ⋆⁺₊❅.

CHRISTMAS ACTIVITIES WITH THE JJK MEN!

you can definitely see my favorites...

Satoru Gojo:

Satoru would try and take you moose-back riding: keyword try

he grew up being exceptional at everything, so he thought this would be no different

boy, was he wrong

you walked up to your moose calmly, hands held out for the massive creature to sniff—to gain its trust. It seemed to relax in your presence. with a few reassuring words and a couple of pats, it allowed you the honor of being able to climb onto its back with ease. meanwhile, the scene next to you was anything but graceful. gojo was struggling. a lot. "why is he looking at me like that?" "i think it wants to kill me," "why doesn't he like me..." he all but whined "maybe he can sense your charming personality," you teased. gojo spent the majority of his time whining about the audacity of the moose (that he picked out mind you). and when he was finally able to mount it, for a few gratifying seconds, the moose bucked wildly, sending him flying backward. you guide your own moose towards where he lies sprawled out in the snow, trying to contain your laughter. "totally planned for that to happen." "sure ya did honey," let's just say gojo never looked at a moose the same way again.

Suguru Geto:

Suguru was skeptical when you brought up the idea of Christmas baking.

you wanted to do something to keep the twins, mimiko, and nanako, entertained

"are you sure this isn't going to end in a mess?" he asked, arms crossed over his chest as he stood in the kitchen doorway. "it's supposed to be messy, besides, they'll love it" mimiko and nanako were already perched up on the counter, smiling excitedly as they tried to get geto to join them, tugging on is sleeve and looking up at him with big puppy eyes. its no surprise that he gave in. mimiko was meticulous, carefully pressing cookie cutters into the dough with laser focus, while nanako was more chaotic, enthusiastically cutting out shapes in rapid succession—often forgetting to clean off the edges. geto couldn’t help but chuckle as he leaned over to help Nanako fix her crooked star cookie. “like this,” he said softly, guiding her hands. meanwhile, you were rolling out more dough when mimiko quietly came up to you. “can we make a heart one?” she asked shyly. You nodded, handing her the cutter. “of course, sweetie. maybe we can decorate it for suguru-nii later?" geto definitely overheard that. when it came time to decorate, the real chaos began. nanako somehow managed to get frosting everywhere—on her hands, her face, and even a streak across her cheek. “nanako, the frosting is for the cookies,” geto said with a sigh, though there was no real annoyance in his tone. mimiko, ever the perfectionist, took her time placing each sprinkle with care. “suguru-nii, look! I made a snowman!” she said, holding up her creation proudly. he smiled, brushing a hand over her hair. “It’s perfect, mimiko.” by the time you were done, the kitchen was a disaster. flour dusted the counters and the floor, and there was frosting on practically everything, including a streak in geto’s hair that he hadn’t noticed yet. (no one tell him) the girls were exhausted but happy, sitting at the table with mugs of warm milk and admiring their cookies. mimiko leaned against geto’s arm while nanako leaned against yours, both content and sleepy. geto glanced over at you, a soft smile on his face. “you were right, they loved it,” he murmured, his voice low enough that only you could hear. “told you,”

Kento Nanami:

tree picking with Kento was probably one of the most tedious tasks on the planet

you never expected him to be so serious about such a holiday, but you can't say you're surprised

nanami wasn't sure how he roped into picking out a Christmas tree with you, I mean, this wasn't exactly his idea of a relaxing afternoon. but with relentless begging and pleading on your end he found himself holding a saw in one hand while his other had his fingers laced between yours and secured in his coat pocket. "we should get this one" you gigglied while pointing towards a lopsided tree. "absolutely not." "but it adds character!" after what felt like hours of deliberation (and a lot of back and forth over the "symmetry of a tree") you finally settle on a tall, full tree, that met nanami's (ridiculous in your eyes) standards. decorating, however, was a different story. nanami was a perfectionist in every sense of the word. as he meticulously placed ornaments and adjusted the lights until everything was perfectly balanced. “It’s just a tree,” you teased as he redid the tinsel for the 3rd time. “It’s not ‘just a tree.’ It’s the centerpiece of Christmas,” he replied, dead serious. by the time the tree was finished, it was nothing short of a masterpiece. as you admired the warm glow of the lights, nanami handed you a cup of hot cocoa and let out a rare, contented sigh. “you were right,” he said softly. “It was worth the effort.” for the rest of the night, you caught him stealing glances at the tree, his lips curving into the faintest smile.

Ryomen Sukuna:

it took you 3 hours of incessant pestering for Ryomen to finally crack and join you on your holiday shopping trip

let's just say you end up regretting it.

sukuna couldn't care less about christmas. to him, it was nothing but an annoying excuse for humans to prance around in hideous sweaters and screech (sing) ridiculous songs to one another. so when you dragged him out to do christmas shopping, he made it his personal mission to ruin everyone else’s day. “why are we even here?” he grumbled as you wandered through aisles of ornaments and festive decorations. “because you need to get out more,” you replied, dodging his annoyed glare. but instead of helping, sukuna decided to make his own fun. anytime a kid got too close, he’d flash them a devilish grin, his sharp teeth on full display. “you better behave, or i’ll really give you something to cry about,” he said, voice low and menacing. cue the immediate screaming. “kuna!” you hissed, swatting his arm as the poor kid ran to their parents. “what? i thought this was the season for fear,” it got worse when he found an aisle with animatronic decorations (ok maybe this is just where I live but why is there still halloween decor out???). he’d activate the ones with creepy faces, making them jump-scare unsuspecting shoppers while he cackled in delight. “look at them! scrambling away like scared little mice,” he sneered, clearly having way too much fun. you, on the other hand, were mortified. “this is christmas, not halloween,” you groaned, dragging him away from the chaos he caused. but he just smirked, completely unbothered. “could’ve fooled me. everyone looks terrified.” by the time you finished shopping, the store staff was glaring at you, and sukuna looked smugger than ever. as you hauled your bags to the car, you gave him a pointed look. “you’re impossible.” note to self: never let him out to the general public.

Megumi Fushiguro:

megumi has been ice skating once in his life, at the age of 10

he fell flat on his ass and vowed to never touch the ice again

until you, that is

megumi still wasn’t sure how you convinced him to come ice skating. “it’s not like i’ll be good at it,” he grumbled, he was already mentally preparing for disaster. but somehow, here he was, lacing up skates while you beamed at him. a bright smile on your face as you tugged on the sleeve of his sweater (your favorite) and directed him towards the ice. the moment he stepped onto the ice, his legs wobbled like a newborn deer. he gripped the wall with a death grip, glaring at the ice as if it personally offended him. “this is stupid,” he muttered. you, ever the showoff, skated effortlessly back toward him, stopping with a little flourish. “you’re supposed to move, megumi, not cling to the wall,” you teased, holding out your hands. he stared at your hands, then at the ice, then back at your hands. “i’m going to fall,” he stated flatly. “probably,” you said with a shrug, “but that’s part of the fun!” begrudgingly, he let go of the wall and took your hands. his movements were stiff and awkward as you guided him across the ice. every slip and stumble made him scowl harder, his ears burning red from embarrassment. at one point, his balance gave out completely, and he went down with a thud. you tried not to laugh, but the way he just sat there, glaring and grumbling at the ice like it betrayed him, made it impossible. “go ahead. laugh,” he deadpanned. “i’m not laughing at you! just… near you,” you replied, wiping tears from your eyes before offering him a hand to get back up. he hesitated but eventually allowed you to help him. after a while, he found a rhythm—though he still refused to let go of your hand for long. by the end, he was still wobbly, still scowling, but there was a faint sense of satisfaction in his eyes. when you pointed it out, he rolled them and muttered, “it’s not like i enjoyed it.” he was a liar.

Yuji Itadori:

yuji was so excited to decorate gingerbread houses

at least, until the smell hit him

“this smells so good,” he said, already nibbling on one of the walls. “yuji, that’s supposed to be part of the house,” You watched as he sheepishly put it down… only to sneak a bite of a different piece when he thought you weren’t looking. you were. at first, he tried to stay focused. he squeezed out some frosting here, stuck a gumdrop to the roof there, and proudly showed it off like it was a masterpiece. but within minutes, you noticed the pile of gingerbread shrinking. at an abnormally fast rate. “yuji, for the love of—stop eating the house!” “i’m not!” he said, crumbs falling from his mouth as he tried to look innocent. “i’m just… quality checking.” "quality checking my—" by the time you finished your own gingerbread house, yuji’s was barely half built. instead of walls, there were just scattered crumbs and a single frosting-covered gummy bear left standing. it was a mess. “what happened to your house?” you asked, trying not to laugh. “it’s an abstract gingerbread house. very minimalist. also, i was hungry.” he shrugged, unapologetic. you couldn’t even be mad at him—especially when he offered you a piece of gingerbread with a sheepish grin. “want to split the roof? it’s the best part.”

Yuta Okkotsu:

it was a miracle that yuta was even in town for christmas

after a rough week-long mission you just wanted him to relax

yuta had just returned from a week-long mission, his exhaustion obvious in the way his eyes barely stayed open and the dark bags under them. his voice was hoarse from the travel and long days, and when he stepped into your place, he gave you a tired smile. “sorry, i’m late,” he mumbled, rubbing his eyes. “it’s been a long week…” you didn’t mind, though. seeing him home was enough. “you’re not late,” you said softly, leading him to the couch. “how about we just spend christmas indoors? we can watch movies and… just relax.” his eyes flickered with relief at the idea. “sounds perfect,” he murmured, sinking into the couch beside you. you picked out a christmas movie to start, but the moment the opening credits rolled, you noticed his breathing slowing. yuta, still curled up in a blanket beside you, let out a soft sigh, his head leaning gently on your shoulder. as you ran your fingers through his hair, he gave a small hum of contentment. “you’re really tired, huh?” you asked quietly, looking down at him. “mm… a little,” he mumbled, his voice thick with sleep. “just need to rest for a bit… your hands feels nice…” the movie played on, but yuta didn’t even make it halfway through the first one. his body shifted, and soon, he was completely asleep, his head still resting on your shoulder, his chest rising and falling slowly in deep, peaceful breaths. you smiled softly, continuing to run your fingers through his hair, the warmth of him against you making the entire room feel cozy. the movie continued, but no one was watching at this point. you pressed a sweet kiss to his forehead before whispering "welcome back, my love,"

an; i was gonna add toge but when I got home and clicked on my drafts I never finished his part and I couldn't for the life of me remember what I was going to do or think of a new idea so... sorry!

hope you all had a wonderful holiday!

unedited!

@ CHERICOS 2024 all rights reserved do not repost, edit, copy, translate or plagiarise my works

[artsekey]

Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

 When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”).  She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too!  Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

              What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

              But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

              In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

              While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.  

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

              But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

            It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

 But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

              Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

              It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

              They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

 The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

[verdantwyrm]

In Defense of Curly (Again)

This post is not about absolving Curly of his “sins” or anything, Curly is not an innocent angel that has done no wrong, no, he is morally grey as they come. But I will not stand for slander on my wife NO MORE. Curly is not as guilty as you would think, but neither is he Innocent. Anya is so much more than a victim, Curly is so much more than a bystander, and Jimmy is so much more than a rapist, they are multifaceted characters in a very multidimensional game. They’re all characters that have been individually crafted to tell a story, and everyone is avoiding that by reducing them to a singular note of events rather than their entire personality and even going as far to twist their dialogue and character to fit their own bias, ignoring whats actual factual and canon for the sake of projection.

So with that out of the way, let us begin.

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A sense of timeline for better understanding.

Curly's Psych Eval (and by extension, Jimmys) was 7 Days before the crash. Curly does not know Anya is pregnant here. 

The birthday Party is 6 Days before the crash. Curly doesn't know here either. 

The Dead Pixel scene is 2 Days before the Crash. Curly doesn't know here either. 

Anya stealing the gun is 1 Day Before the Crash. Curly Finds out Anya is pregnant here and that Jimmy is responsible. Anya tells Jimmy about the pregnancy and tells Curly about it. 0 Days before the crash (The Same Day)

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Pony Express’ Abuse

As for the first subject, I want to make it very clear about Pony Express’ Failure to comply and have any standard safety measures (most noticeably in the lack of locks) and the fact that they very often penalize their employees by taking from their pay and that they’re extremely lazy and known to cut corners for everything. The poster in-game tells us a lot about this if not backed up directly by the dialogue.

"Proper preparation prevents accidents, it is your responsibility to keep yourself and the crew safe. Medical expenses will be docked from person credits."

"Punctual delivery is our pride and promise- No matter where you are! Late deliveries will be docked from personal credits."

"Teamwork is the soul of success! When you have completed your tasks, always check on other tasks! HR complaints about poor team synergy may result in collective punishment"

"Sleep is the best rest after a long day of work, earn that rest! Don't overdo it or fall behind! Do not indulge in over 5 hours of forest, including leisure time. Sleeping over the allowed budget will result in disciplinary actions."

Neither Curly nor Jimmy are getting anything close to the required amount of rest for such a demanding job, with only 5 hours compared to the IRL guidelines for pilots to get an average of 10 hours of rest between shifts with 8 hours of sleep, it's also implied by Anya and Curly's own dialogue that he struggles to sleep. Which all together implies that they're both working 19-hour shifts every day. Every. Single. Day.

We see them both on shift at the same time multiple times during the game and Curly is the only one with clearance to make certain extremely important navigation decisions (like turning off the autopilot) and we can easily come to the conclusion that they are both extremely overworked, Curly Especially.

We can easily see that Pony Express are not shy to punish their employees and even goes as far as to routinely engage in collective punishment, and this is shown to be the drive behind a lot of Curly's decisions in particular, especially with how he reassures Anya that her stealing the gun case will not go on the performance log and reducing the chances of her being punished at all and to probably put the pressure onto himself in case Pony Express does find out. Given her precarious financial situation, she literally cannot afford to have her pay docked and Curly knows this.

Pony Express is known for its laziness, negligence and its ability to cut corners, they are also seen to not trust its employees by making everything have to go through him from axe usage to making a cake. To not supplying enough medical equipment, a fifth cryogenic pod to account for Daisuke or even to account for him at all. Curly himself even commented on how he should have made a bigger “stink” about the situation of Daisuke being thrown on the Tulpar last minute, which implies that he did raise this as an issue and a safety risk and was ignored.

I'm not going to take this as seriously but it is worth mentioning regardless because it is just absolutely Kafkaesque levels of absurd, They actively make it borderline impossible to report anything, so even if Curly or Anya were able to get ahold of Pony Express to send in a report, they never could due to the requirements and the prerequisites. It also implies that if you apply for a job there but refuse the medical evaluation, they can fine you despite the fact that you don't even actually work there yet.

Another classic example of Marx's theory is of the alienation in capitalism, wherein workers are estranged and separated from the products of their own labour. The crew had absolutely no idea what they were delivering, and judging by how much was put in place, they were never supposed to.

Marx's theory, the implementation of automation would negatively impact workers by depriving them of job opportunities that could have been filled by humans. This is strongly suggested to be the primary reason for the downfall of Pony Express and why the crew was fired.

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Anya’s Assault

Anya being assaulted is never outright said, with an intentional layer of vagueness layered over the top with how she talks about it and how she mentions it to Curly. The words “Assault” “Rape” or even “Attacked” are not mentioned at any point, we only learn this through visual imagery and subtext of Anya mentioning the lack of locks on the doors, how unsafe she feels around Jimmy, and she would rather him not have the gun at all—fawning at his every response in a panic of upsetting him or escalating the situation. The words are never explicitly said as many other victims can sympathise with, saying the words out loud can be very difficult sometimes, and Anya’s vagueness was intentional on the happenchance that Curly did take Jimmy’s side. She was trying to put distance between herself and that possibility by being as cautious and as vague as she could, in hopes that Curly would pick up on the signs himself and come to that conclusion himself instead of Anya babying him and dumbing down the situation.

This is a believable reaction, especially when your abuser has any kind of power over you or other people, and he isn’t the only one either. Curly has just as much power, if not significantly more over her, which adds more to the fear of even mentioning such a thing, as mentioned earlier in my section of Pony Express' Abuse towards them, the possibility of being penalized with her– and everyone else –pay being docked because she made a simple complaint, was a very real threat, and even more dangerous after finding out about the whole crew being laid off. Jimmy tears her down every chance he gets, makes her feel little and even compares her to Polle in his hallucinations. And Anya knows that he and Curly have a very lengthy history, so her caution and anxiety about even mentioning the incident, let alone saying the word “rape” is borderline impossible for her. It’s a manifestation, it’s a verbal acceptance and confession that it’s even happened. Something she has been trying to avoid coming to terms with.

And when she does eventually tell Swansea what happened, as much as you want to think she told him- she most likely told him to not do anything, to try and keep the peace for as long as possible.

Again, her vagueness is not her fault, nor is it her responsibility. It was Jimmy’s responsibility to not abuse and rape her.

It’s also very present that Jimmy is verbally abusive to her, putting her down at every opportunity by ignoring her very talented medical skills by saying Pony Express only hired her to cut corners in an attempt to reduce costs because she failed Medical School and that she’s not a “real nurse” because of that, and how he constantly questions her skills despite keeping Curly alive for such a long time in such a state.

After being insulted by him multiple times, she fawns to get him to actually do something beneficial because she knows he responds well to praise, and he complies, all while still insulting and belittling her for being "weak" and "sentimental"

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The Dead Pixel In The Room

Going to immediately preface this with a very big obvious “Curly did not know Anya was raped” warning sign to hopefully weed out the weak that don’t want to actually read this. You can leave now if you’d like, no hard feelings. This scene is supposed to be your first clue as a player, as well as Curly's. It's intentional to be like that, it makes the most sense chronologically as well because up until that point, we don't even know.

Okay, we can start now. First, off the bat, I want to talk about that dead pixel scene. And how both Anya and Curly have their own individual meanings behind It, and how both play into each character’s relationship with Jimmy. With Anya’s being a constant reminder of Jimmy’s presence, how it affected her and how it’ll always be there no matter what. And Curly’s is something that he knows exists, but cannot see for himself, because he’s too busy looking at the bigger picture. Even if he knows it's fake, even if he knows it’s an illusion.

He doesn’t doubt her here either, and even though he admits he cannot see it. He believes that it's there, despite this, and that it doesn’t ruin the image. Choosing to see the good, the beauty, of the bigger picture. The Dead pixel scene isn’t just about Anya, it’s about the both of them. And you’re probably asking how Curly hasn’t gotten the point Anya is trying to make, and thats again because she’s being intentionally vague here, and her comment about the lack of locks ties up pretty well with the previous two conversations she’s had with Curly directly. Complaining about Jimmy being weird during the psych evaluation and then her pithy comment about Pony Express’ cutting back expenses on their food and the comment she makes about the code scanner during the birthday party.

All of her previous conversations with Curly have been about their work or something going on in the ship or even with Pony Express directly. So it’s not unusual for her comment about the lack of locks on the sleeping quarters, it’s not random, it’s pretty on theme with the direction of how their conversations go, Curly wouldn’t pick up on that alone because it’s not a strange thing to say.

It's also very much shown that Anya trusts Curly, trusts him enough to not only confide in him first about the pregnancy but also allow herself to be open and friendly with him, even going as far as to try and get him to open up to her during his psych evaluation. She is also hiding behind his seat when she steals the gun. She feels the safest when she is with the real captain and how uncomfortable she is listening to Jimmy's orders to strip Curly of that title.

Every single time that Curly and Anya speak directly, he is always reassuring her, attempting to calm her down and her safety is the first thing he's concerned about when he finds out she's taken the gun.

And once she mentions the pregnancy, his priorities flip, again to her safety, reassuring her that she won't get punished for this. Once again telling her that everything is going to work out, that WE will fix this, WE WILL figure this out TOGETHER. He and Anya.

A key important word here is "what would you have done"

Would. Not, what will you do, no she's asking in past tense. The assault has already happened, she is reassuring herself here before telling him about the pregnancy that he is on her side, that he believes her and that her trust in him isn't misplaced.

And when he does find out she's pregnant, he still doesn't know exactly how. And it's important because it reflects back onto how Curly does ultimately behave when he does approach Jimmy. He doesn't know he's confronting a rapist, and his dialogue here proves that he does just think it was ultimately her choice, her decision. And the most painful part Is the very blatant unwanted pregnancy, not anything else.

Anya is still being intentionally vague here as well, as mentioned earlier. Curly did not actually know that Anya was raped, as the only thing that's mentioned is the pregnancy and that Jimmy is involved. Which is absolutely something to be worried about, regardless of how it happened, because they're on a ship. In the middle of Space.

Someone who knew would not react like that. Curly never once doubts Anya's words or her truth. And after Anya tells Culy about how she told Jimmy about her pregnancy, Curly says that she should have waited for him because he wanted to be there just in case.

Curly even does it literally. The most important part that everybody overlooks is how determined he is to get to the cockpit as the ship is crashing. He knows it's crashing but all he can do is try, he could have run away, but he didn't.

Curly took responsibility multiple different times which is easily overlooked because so much happens in such a short time span that people literally think he had months between knowing about Anya being raped and then the crash when it was barely a day. Just like how people easily overlook the dead pixel scene and how it also represents something to Curly as well, and just like how people overlook Anya's "I told you so"

Curly's kind, forgiving and trusting nature is not inherently bad. It was how it was used against him in an extremely difficult situation, which is exactly what Abusers do time and time again. He failed Anya in such a delicate way and in such a difficult situation, but it's something to understand that Pony Express failed her first, failed her in all the most important ways by even allowing a situation like this to happen. It was Jimmy's responsibility to not be a rapist, but it was Pony Express's fault for even enabling that in the first place.

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Curly's Trauma

A very common thing that people tend to overlook, and this is either because they subconsciously forget that men can be victims of abuse, or simply because they don’t care enough to consider Curly to be one– his relationship with Jimmy and what we can glean from is very abusive, emotionally and verbally and then soon later on physically. Curly is just as much a victim of Jimmy's mistreatment and abuse as Anya is, in their own unique and parallel ways, they both had everything taken from them. We can tell in Jimmy’s behaviour and the way he intentionally isolates Curly in the Birthday scene and the Psychological evaluation in the cockpit, Jimmy takes Curly’s weakness and anxieties and twists them around to isolate him from receiving any help or support from others.

Curly’s biggest weakness is his forgiving nature. We all talk about how Anya is a victim of Jimmy, and she absolutely is, but so is Curly. His first immediate response Jimmy's reaction to Anya announcing her pregnancy is met with immense fear and anxiety with the added soundtrack of what could be equivalent to the sound of Curly's heart racing. He freezes, he fawns, he panics.

Curly's good-natured heart, being lax, trusting and a constant mediator isn't inherently a problem. It was the circumstances that turned that so volatile. If Jimmy wasn't who he was and so readily abusive then Curly's character would not be that detrimental, and his actions would not have such a catastrophic impact. And everyone immediately boiling down those harmless traits and villainising them does much more harm than good, especially since the character they should be targeting is Jimmy, not Curly.

He is beyond terrified, and when he does finally get to Jimmy, he immediately fawns and freezes. He makes absolutely no mention of Anya or anyone else because all that mattered in that panicked situation was easing Jimmy down and resolving the situation. There was truly, absolutely nothing that Curly could have done that wouldn't have resulted in either direct consequences or collective punishment. All of Curly's thoughts, behaviour and actions were as carefully thought out as he possibly could in the short 24 hours or so that he was made aware of Anya's pregnancy and Jimmy's involvement.

He is trying to eliminate all potential problems in the situation so Curly can take the full front of Jimmy's rage. This again furthers the point of exactly why Curly wouldn't recognise the signs of Anya being abused as well because this is all so normal for him. He’s terrified of Jimmy, and an abuser's main tactic is to make sure that their victims never feel confident to speak up against them, or to ever seek out help from others. It’s why he never rushes to defend himself, he just lets Jimmy do and say all of these horrible things.

And Jimmy immediately stabs back putting him down. Twisting the blame and putting it into Curly. Like he somehow was a part of it all and that it was his fault.

Curly was and has been a victim of Jimmy's abuse for a very long time on an emotional and mental aspect that clouded his judgements and perceptions in the scenario which devolved into physical and medical abuse very quickly once Jimmy got his chance. And it is also true that Curly had a responsibility to protect Anya as a crew mate and Captain that he failed due to bias towards his abusers, and his kind and forgiving nature of simply wanting to see the good in Jimmy, which is also another aspect of what victims believe. Curly enables Jimmy's behaviour towards himself and even goes as far to completely blame himself for everything that happened in How Fish Is Made.

A lot of victims tend to surround themselves with excuses of why they’re abused, that it’s somehow their fault and that he’s done something awful to deserve it, that this a normal thing that happens, that Jimmy has his reasons to be like this and it isn’t his fault. People argue that Curly should have done more and that he "failed" in any regard is putting a huge expectation onto a victim like him of someone like Jimmy's relentless abuse and how it takes such an impactful toll on someone like Curly. Everyone who plays or watches the game looks over the very easy and subtle warning signs of this abuse and is too busy claiming Curly to be the antagonist here and holding him responsible instead of Jimmy.

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Conclusion + Other Comments

Curly is not perfect, but he is not as guilty as everyone wants him to be. If you go into mouthwashing anticipating Curly as a cruel, selfish monster, of course, you're going to interpret him that way and twist everything he ever does or says to fit your narrative although he very obviously isn't that way at all and get upset when someone tells you you're wrong. You need to remember that he had a whole crew to think of, Curly is not judgement, nor is he the executioner. His hands were absolutely tied and for one reason only: Because Pony Express does, did, and will not care. Pony Express has it explicitly like this so you cannot do anything. So people like Jimmy who manipulate the vulnerable can prey upon his co-workers and get away with it.

The situation on the Tulpar is not as straightforward as people would like, I understand it's extremely cathartic to think of a situation where Jimmy gets what he deserves but it isn't realistic, and thats what this game is trying to say. Abusive corporations, exhausting capitalism, this environment breeds Abusers like Jimmy and victims like Anya and Curly. There was nothing that could be done. Pony Express is what doomed them all, they're the catalyst.

At some point, you have to understand and accept the fact that certain scenarios are simply just cathartic fantasies that simply couldn't have happened. They were all doomed, right from the start. It wasn't just Jimmy's actions (Although they significantly influenced the outcome), and it sure as hell wasn't Curly's inaction. It was Pony Express. I think something that a lot of people get mixed up in their interpretations of Curly is that he's not us, and we're not supposed to be him. Constantly projecting your own fears and experiences onto him to sway your interpretation of his words takes away from the already written-in-stone character he is. You saying "He didn't mean it" when talking about Curly saying he cares about Anya is not only incorrect, but it's YOUR projection onto a character that is already extremely upfront and honest about his intentions and kind personality. He is not malicious, evil, cruel, selfish or misogynistic, so saying that because you interpreted his words to be half-truths or him lying through his teeth to Anya and that his kindness is fake is literally obstructing his character.

Everyone wants them both to be perfect examples of victims and refuses to understand or even believe Curly's situation. Curly DID fail Anya but not for the reason everyone thinks he did.

They're both victims to the same man, they both believe in the best of people (although to their own detriment in a way) they want to find peace, and fulfilment in their career and life. They're so alike in such delicate and intimate ways, that trying to constantly paint Curly as this great, horrible oppressor over her does way more harm than good.

Curly's character is painfully obvious, very very upfront and honest. He is kind, constantly weighed down by guilt and anxiety about his future and career and is being abused by his so-called friend and the company he's working himself to death for that he absolutely hates that just discarded him like he was nothing. Like a lame horse.

Thank you so much to the Mouthwashing Mania Discord server for helping me with this thread! Specifically Mogs for their amazing analysis on Capitalism which can be found here!

Thank you for reaching the end of the thread, please don't be scared to share your thoughts in the tags or in my inbox, I'd love to hear them! good job! (っ˘з(˘⌣˘ ) ♡

[strawbeerossi]

Relief

Pairing: Fem!Reader x Spencer Reid

Description: With both of your stressful careers, you and your roommate come to a mutual agreement of a way to get rid of the unwanted stress.

Content/Warnings: Talk of stressful work environments, free use kink (duh), oral (f rec), kitchen sex, protected sex, choking

Word Count: 1.6K

Kinktober Day Thirty: Free Use

Navigation || Kinktober Masterlist || AO3

You had just gotten home from yet another eighteen hour shift, only running on fumes and coffee as you were slowly unlocking the apartment door. Spencer was away on a case, so you had the place to yourself for the past week. Your roommate was your best friend, someone who you confide in for every little issue. Rachel at work is being a bitch? Spencer would tell you that she couldn’t handle your shifts and that she needed to stay in her lane.

Even when you were wrong, he had your back. Which was what built up such a close bond and a strong friendship. You had mutual trust in one another, able to speak about all of the burdens of the world and have that sense of safety from lack of judgement. That comfort opened many doors, especially whenever it came to talking about your personal lives.

You’d confessed how stressed you’d been, itching for relief although you couldn’t see yourself having casual sex with someone you hardly knew. It was more trouble than it was worth, a sentiment that your best friend could definitely get behind the more he thought about it. After he opened up about his own struggle, you both had a brief window of silence while contemplating who would be the first one to offer a situation you could both benefit from.

“What if we just.. Fooled around? I trust you, I mean. You’re the best person to even sleep with since you are so cautious. Not to mention your germ thing..” You spoke while he had to think it over, the both of you setting boundaries in place. If either of you were desperate, the opportunity was there at any time when you’re around the apartment.

You didn’t expect things to actually happen that way though.

You were currently in the kitchen, washing some dishes from dinner that you’d carelessly tossed in the sink previously. Spencer wasn’t home yet from a week long case so it’s not like there were too many dishes. You just hated washing them, especially when you get the horrible feeling of wet food touching your skin and making you want to pull your skin off due to the texture.

With music playing in the background, you didn’t manage to hear the sound of the front door open and close, signalling your roommate was back from a long, draining case. Toeing off his shoes by the door, Spencer followed the sound of soft music to the open kitchen, his arms slowly crossed as he leaned against the wall.

It had been three weeks since you discussed your deal and set things into place, his body tense with stress and mind focused on the mind numbing details of the case the team had just solved. He needed to get his mind off of work, so he was taking the plunge tonight. Since you’d both agreed to always be prepared, he felt comfortable coming behind you.

His hands on your hips had you jumping from surprise, just about to yell at the man behind you for scaring you whenever you were silenced by the feeling of his body pressed against yours from behind. “It’s been a long week.” He groaned softly, letting his head bury in the crook of your neck.

You were shocked to say the least. You never imagined Spencer to be the one to initiate anything. You weren’t complaining by any means. Your head was tilting slightly to the side as you could feel the feeling of his lips pressing wet kisses alongside your skin, nipping at your neck playfully along the way. “I’ve been thinking about you for days.” His voice was soft, his hips rocking against you, his hardened cock pressing against your ass while he showed you just how much he’d yearned to let the load of all this stress piling up on his shoulders go.

With his hands squeezing your hips, he wasn’t wasting much time as your sweatpants were being tugged down in one swift motion, pooling at your feet as he was briefly letting you go to fall to his knees behind you. Anticipation was building in your stomach, the mere idea of your roommate taking you in the middle of the kitchen had your arousal soaking through the fabric of your panties.

As you could feel his finger hooking into the damp material, he was opting to push your panties to the side while using his fingers to push the puffy lips of your desperate cunt apart, he let out a low groan at the slick glistening in the kitchen light. “You’re so wet. Fuck,” He breathed, tongue darting out to swipe over your throbbing clit.

The faint taste on his tongue had his hands gripping your thighs, gently nudging them apart as he was delving in.

The sinful sounds of slurping, sucking, and moans were filling the kitchen, your hands gripping the edges of the counter while Spencer was thrusting his tongue rhythmically in your leaking hole. His knowledge on the female anatomy worked out in your favor, the wet muscle eagerly lapping up the gushes of slick that you were graciously blessing him with.

He was intoxicated on your essence, his brain fogged with pleasure as he was drinking everything you had given him, drunk on your wet pussy.

As he was forcing himself to tear away, he was reduced to using the back of his hand to wipe away your wetness from his chin since he’d managed to get sloppier than he anticipated. You weren’t so satisfied with the loss of contact but he was definitely about to make it up to you. “God, I don’t know how I managed to control myself for so long.” He groaned, leaning forward once more to press a kiss to your clit before pushing himself to his feet.

Your head turned, eyes focused on his movements as Spencer was heading over to his satchel that he’d dropped on the table at some point after he came inside. “I asked Morgan how I initiated this and his advice was pretty helpful. He also made sure I was prepared.” He’d chuckled, retrieving a condom that was tucked away in one of the pockets.

His presence coming up behind you had your glossed over eyes focused on his face, making him chuckle as he was putting the condom wrapper in his mouth to hold it, hands working on his pants in order for him to tug them down, boxers sliding down his legs right along with them.

After tearing open the condom packaging, his right hand gave his cock a few lazy tugs before he was sliding the rubber along his shaft. With one hand on your hip and the other positioning his cock at your entrance, he didn’t waste time before sinking deep inside of your eager cunt. “Oh fuck.” You slurred, head tilting forward as you could feel the stretch from his thick cock breaching your inner walls.

You’d always suspected Spencer to be well endowed and you were more than happy to be proven right.

You felt his hips snap into yours, catching you by surprise as you let out a whine. “Feel good?” Spencer asked, his hands resting against your hips as he was continuing with the steady thrusts, your sensitivity causing you to feel every edge dragging across your plush walls, the curve of his cock making the head of his cock assault the spongy button deep inside of you that you yearned for him to continue slamming into.

“So good!” You squeaked out, feeling his arm wrap around your torso before his hand was now gripping at your throat, using his strength to tug your upper body to rest against his. He took pride in the effect he had on you, the way you were panting and whining from him pistoning your cunt, the way you had drool running down your chin from your mouth being agape, even the fucked out look in your eyes that made him want to burst right then and there. “Spencer!” You gasped, legs beginning to shake as you could feel the arousal pooling in your stomach, your body hot from the strenuous activity.

“Fuck, I know. I’m gonna cum too.” Spencer spoke in a deeper tone, sweat beading on his own forehead as his grip tightened on your throat. “Let it go, pretty girl. Fuck, cum on my cock.” He rasped into your ear, lips pressing a wet kiss to the spot underneath it.

The words were enough inspiration as your walls were tightening around his cock, inner walls spasming around his shaft and being the boiling point.

You were the first one to climax, your hand gripping at Spencer’s wrist as you could feel your legs turning to jello, thankfully being held up by Spencer to prevent you falling to the ground and breaking something. His thrusts were sloppy, however it only took a couple more before he was filling the condom with his own spend. He would be lying if he said that he didn’t want to fill you with his cum, however he also knew this had to be done smartly. You both were stressed enough as is, you couldn’t imagine adding a baby into the mix.

As he pulled himself out of your leaking hole, you were letting out a shaky breath. “Oh, my god. Who are you and what have you done with Spencer?” The question caused him to chuckle.

“Stressed out Spencer is a lot different than normal Spencer, huh?” He mused, making you nod.

“I wouldn’t have it any other way.”