#we learned so much lore I feel like I need to go back through everything to absorb it better

[everywaythatmatters]

I finished wind and truth and !!!!!!!!!!! everything is so fucked but also somehow way better than I expected. Kal and syl and adolin and shallan are all alive thank god. If those four don’t get to go out for drinks sometime in the back half of the series I’m gonna riot

[vsa-pieldepapel]

ralsusie became real and kinda popular in the fandom and i IMMEDIATELY thought of you. also your susie hadcanons... you're predicting it all....

so what are your thoughts on their dynamic in the new chapter? and on susie's character development overall?

oh it's a fucking party in my house rn you have no idea. i have so many things to say about them that i don't believe its possible to make all of them coherent in a single post but i'll vomit some of it Before that tho i must say i am surprised at how many people thought of me w these new developmetns lol. mostly because the internet is so fast paced i thought no one would remember. thank you though.

i remember saying somewhere that I was convinced ralsei observing susie's independence and force of will would plant a seed in his head for him to strive for freedom and agency, and I'm surprised how dead on that was. Guts is widely accepted to be the stat for how much a character is willing to stand against the control of the player, which ralsei has Zero of in all chapters, but fascinatingly, even though he goes back to zero in ch4, at the tail end of ch3 before i fought the roaring knight i checked the power screen and ralsei had a single Guts point. this was immediately after susie consoled Tenna and told him, "did you hear that, Ralsei?" so i am convinced that single moment of guts was brought forth by her, by the lessons he learns from her character.

I had rather low expectations going into the new chapters because I really still wasnt convinced if Toby was self aware on how he was writing the holiday family, susie and noelle, and ralsusie, or if that was all serendipitous. The new chapters make me believe more strongly that he is aware and its not all coincidental. theres a lot here and i would have to make an entire separate post about it but I was incredibly pleasantly surprised by how many poignant, emotionally resonant moments happened between susie and ralsei building on how much they push each other to be better, and how it's emphasised that they're influencing the other. I was incredibly shocked in a good way that they had an actual argument, but Susie didn't resort to all the coping mechanisms we see her use with Lancer. Ralsei has proven now that he will be there by her side and she has decided to believe in that rather than keeping in mind that she could be abandoned at any turn, and I thought them being able to genuinely talk it out and MAKE it through an argument was an excellent indicator of how powerful their relationship is (and I do mean this all even if it's just friendship stuff for now, because the healthiest couples, anyway, are those where your partner is also your friend). I remember being skeptical way back when of people who made susie sporty and confident, because she struck me as feeling ugly, insecure, and not really that successful in that regard either, and I'm glad I was right. Her monologues about feeling unwanted and broken which feels very much the result of unstable circumstances like moving constantly, where there is no consistency to any one situation, and neglectful or abusive parenting were very resonant. Curiously though my fave part of all these new developments about susie are when it pertains to how she connects to the lore of the prophecy, which is another separate post. Basically, I love how susie is a "wild card", but that necessitates a LOT of elaboration. I like that her stubbornness and her will to fight are displayed for both when they're good and worth it and when they're dysfunctional. I also found the exploration of how an individuals psyche shapes a dark world fascinating.

The bloody handprint lives fucking rent free in my head. Again, I need to make a MASSIVE post to connect a lot of dots here idk how to do it. But I am very, very excited. Maybe it would be easier to organise everything if I was prompted to talk about specific things. I could make a pepe silvia style video about it atp rofl

[kxsagi]

ok i'm literally about to rip my head off instg. I'm asking because I LOVE your writing, but does anyone remember a ff with Kaiser with multiple trigger warnings (no NSFW) with reader who ran away from home and met him while she was rummaging through the garbage for food? That was the lore or something like that, ISTG I'M GOING INSANE BECAUSE I WAS STARTING TO LOVE IT AND IF SOMEONE CAN FIND IT I MIGHT MARRY THEM. Please let's help each other 🙏

“𝐦𝐲 𝐰𝐨𝐫𝐥𝐝 𝐜𝐮𝐩”

a/n: girl i’mma be so honest… i have no idea which fic this is and i’ve never read it 😭

but since you really wanna find it… and i like the plot idea… i figured i would write my own version

but if anyone finds the original, pls comment or message me their @ so i can tag them and credit them! 

(art credits go to jinxx_yu on X)

tw: child neglect, poverty, homelessness, implied abuse, food insecurity, emotional distress

you’re ten when you meet him. and you haven’t eaten in two days. 

it’s early morning, still foggy with dew, and the back alley behind the bakery is quiet, save for the soft rustle of your hands digging through the bin. you’re small enough to go unnoticed, quick enough to run if you’re not. but your legs feel heavy today. slow. your stomach cramps with every movement, and your fingers are shaking so bad you almost drop the stale muffin you find. 

you’re about to shove it into your mouth when a voice says, “hey.” 

you spin around, heart in your throat. 

a boy stands there. not much older than you. probably your age, even. but taller. sharper. he’s not wearing a shirt, just black sweatpants a little too big for his slim figure. he doesn’t look scared. doesn’t look mean, either. just curious. 

you narrow your eyes. “what do you want?” 

he remains calm, hands resting in his pockets. “nothing. just… i come here, too.” 

you blink. “to… dig?” 

he shrugs. “sometimes they throw out the ones that are only a little old. if you get here early enough, they’re not soggy yet.” 

you stare at him for a beat. and then you look down at the muffin in your hand. 

“… you want half?” you offer, quiet. 

he’s shocked. you’re too bright for someone living like this. 

“you serious?” 

you break the muffin in two, handing him the bigger half. 

“you’re weird,” he says, taking it. 

“so are you.” 

the two of you sit on the curb, eating in silence. crumbs fall into your laps. he tells you his name is michael, but he says it with an accent (mee-kha-el) and then adds, “but i prefer kaiser.” 

“why?” you ask. 

he shrugs again. “just… sounds cooler.” 

you snort. “okay, kaiser.” 

he grins a little, and it makes your chest feel warm. 

you learn a lot about him that morning. like how he hates the rain because of how fast it soaks his already-worn-out shoes. and how his dad makes everything he does a punishment. how sometimes he climbs on top of the bus stop just to feel above it all. 

you tell him you ran away because home didn’t feel like home. you don’t give details in the moment. you don’t need to. he doesn’t ask. 

“we’re kinda the same,” he says, picking at a loose thread on his waistband. “like… like nobody wanted us. so we had to want ourselves.” 

you glance at him. it’s the first time anyone’s ever said something like that to you. something that feels true. 

you nod. “yeah. we have to be our own people.” 

he holds out a pinky. “so let’s promise.” 

“promise what?” 

“that we’ll find a way out. not just survive. like… really live. better than them. better than this.” 

your throat burns. not from hunger this time. 

you hook your pinky with his. “promise.” 

𐙚

years later, you’re standing in the world’s loudest stadium. confetti rains gold. his name echoes across the world. 

but michael kaiser only sees you. 

you’re at the edge of the field, eyes glassy, mouth trembling with a smile. the same way you looked when you shared half a muffin with him behind a bakery all those years ago. 

he doesn’t hesitate, he jumps the barrier, running straight into your arms. 

“we made it,” he breathes, medal warm between your chests. 

you nod, laughing through tears. “yeah. from trash bins to trophies.” 

he kisses you like a promise kept. 

and when he lifts the world cup over his head, he looks at the cameras, the crowds, the sky, but smiles only at you. 

© 𝐤𝐱𝐬𝐚𝐠𝐢

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[ghostymarni]

Hi I had no caf today.

But uhh… OC lore pls?

no caf???? How??? 😂✨ do you prefer tea or perhaps you can run on juice?

I need it to function in the mornings. I either need that first brew or an ice cold energy drink to get the gears turning ♥️✨

I hope you mean how Aev started cause that’s what imma share haha!

Aeviririn is my main, self expressed, self insert. I wanted a way to express my presence on the holonet in a way I both saw myself, adding my hair + design style of expression, as well as overall expression of interests + communication. Her design has lots of symbolism in how I designed her.

with the loss of my late husband (it’s been 10 months already) I turned back to art knowing it’s the truest way of communication for me.

I know I started her as a self presence on “this is the artist” drawing myself with my designed mandalorian bucket. But it evolved to who she is now. I’m learning as I go, I’ve never had a public oc before in an active fandom. And it’s all new to me being so involved <3

I’ve learned + continue to learn, the difference between fun lingo usage + fandom RP, which I feel is a very thin line. But just balancing responses between me and using Aev confused myself sometimes because Aev is literally me hahaha. I don’t see myself starting an RP only account because my ADHD is too inconsistent.

my late husband + I called ourselves a mandalorian family, he was a long time boba fett fan even before I met him, and unknowingly we always initiated the keldabe kiss with our son and personal moments. He was into the bad batch before I was and he’d quote things to me not knowing their origin. Making TBB so much more personal. so the grief I felt, felt like I was exposing me to my true feelings and evolving aeviririn to who she is now, feels just as much healing as it is expression. Almost like I was recreating myself as I fell apart.

arm wraps - symbolize how I feel like I’m always fighting through life. Losing my partner I put the wraps on knowing i have no one to help protect me. To keep fighting forward.

long mohawk - it’s my actual hairstyle. I haven’t cut it in almost 8 years, and I shave the sides every other week.

left leg blaster - my late husband taught me how to shoot, helping me overcome my fear of weapons. I like the rifles/snipers not just in games but I lock in when I shoot them. As well as having a blaster for a sniper is essential for close range, but also I keep it as a reminder that my left handed partner always reminded me to be prepared for anything.

Aev is so much of everything I’ve grown to be, and who I strive to keep being. Her attitude is so much of my own as well as my inner confidence. Tomboy + femme, so much of my own desires and interests, and life experiences.

my obsession with the marshal commander actually started a long time ago. Denial cause I had a convo with my late husband talking about what clones I’d connect with before I was deeply immersed into clones as he was. Refusing the 501st because it felt basic hahahaha (he had a captain Rex tattoo) and I was like, I kinda like the red guys, it’s kinda cool.. referring to the coruscant guard. And he was like “oh they’re like the cops of the city” which made me cringe at the time because i wanted to find my reason for it on my own terms. Ironically after he passed I stumbled back onto fox and I hyper fixated on him. Which the fandom at the time was very minimal (from what I saw), about fox being mean grumpy and often disliked. But I couldn’t help it. I liked that hahaha thanks to @eobe for her forwarding me commander caf escalated post which sparked a whole cup of chaos that im so glad I jumped on. And connecting with @lonewolflupe finding out we had so much in common which sparked the chaos twins, initiating a whole new chapter of Aev and creativity <3

I truly appreciate everyone that’s drawn Aev, includes her, and supports my innuendo to myself. I can’t wait to see how she (and I) grow.

[natigail]

First gaming video of 2025 and Dan and Phil have never been this fucking soft and open. I kept needing to pause the video and go back over sections, just to bask in their answers and make sure I actually heard them correctly.

Every minute had some moment that made me want to linger, eyes looking first at one and then the other, soaking it all in. They really weren't kidding when they said that video would have everything. Competitive "gaming" (though they were neither really gaming or very competitive), societal commentary (the ending bit!!!) and being parasocial with us (we know them so well and yet there always feels like there's new to learn).

So many highlights that it almost feels impossible to capture them all. Dan thinks that Phil is the funniest person he knows. And Phil was perking up immediately gesturing at himself before Dan was even done reading the question. Phil knows he is the funniest person Dan knows, and he acknowledged it so shamelessly. He's a silly little guy and so funny, Dan really couldn't say anyone else.

Within the bit, but calling each other girlfriends felt so tender. And while they could lean hard into the female friends reference from the game, it was just emphasised. Like when Phil looked right into the camera and told us he was excited to learn more about his girlfriend. Don't look at my rewind count.

Dan predicting that Phil would topple the whole tower by sliding his chair into their stupid, tiny, blanket covered wobbly table on wheels (WHO PLAYS JENGA ON SUCH A THING). The shout of joy when Dan won and Phil pouring jenga pieces over him, as well as stacking them on top of his own head at the end. The fact they didn't fucking print a jenga piece but stuck an actual one on the board with blue tack (discount ver.).

Phil pressing Dan to actually answer some questions a little deeper, like the music one, where it felt like we were all old friends. Because yeah, we know the Muse lore. It's their story but they've shared it so freely with us that it feels familiar. Phil saying his favourite clothing store is their merch site where there's currently one T-shirt available. (But they have had some banger merch through the years, I personally own so much of it). Dan yapping so much that Phil just went ahead and played his turn while Dan was finishing up, further playing into the notion Dan yaps in circles and Phil's brain can just filter him out when he gets like that.

The soft looks, the way their eyes kept crinkling with fond smiles, and how they seemed so energised. The casual mention about the text reveal that it would be a spoiler for next year's wdapteo! When I tell you my heart leapt, because I know they promised not to leave post tour this time again but any reassurance is gentle cradled against my chest all the same.

There's not the tiredness in them like the end of II. TIT has only a few weeks left and they're bouncing. Vibrant and so fucking alive that it's infectious. They joke about the parasocial but they also know that it matters to us, and it matters to them on some level as well. They know us. We're their little gremlins that they accidentally summoned and it might have been overwhelming at times, but we've also brought them good things. Nice moments. Just the sincerity of it all.

Bless Phil's impulsive eBay purchase of a 90's gendered jenga that had been sitting on some aunt's floor. They make simple games so fucking fun and entertaining and this video is an instant fave. As evident by the fact, I needed to take a page from Dan's book and yap my little heart out.

[utilitycaster]

beau's backstory arc really does take 2 episodes and its not even motivated by beau. its nott why we even go up there. beau, like laudna does not desire to solve anything in her backstory. but unlike laudna she does have current goals (learning to people, learning to monk, impressing her teacher, her spy gig, just learning in general) and future goals (cobalt soul, mage rangling, kid having).

Correct...I'm not sure why you mentioned this? Like, I said as much as well, and that's not a problem because Beau has goals and interests, and she could have still had a meaningful story without visiting her family (though it certainly adds a lot).

With that said however this does feel kind of inadvertently an opportunity to point out the care with which Matt treated character backstory in the Mighty Nein vs. the lack thereof with Bells Hells. Beau said she was taken to the Cobalt Soul and her father paid someone off. She was on the run from her home with no reason to return and plenty of reasons to stay away.

In the Mighty Nein's story, not only is she carefully brought back to her home by a thoughtful interweaving of her and Nott's stories; Matt also looked at her cobalt soul backstory, said "does this match up with the Cobalt Soul as it exists in the world," came to a conclusion of "no, this isn't how the institution generally works," and had Dairon look into it, leading to a very satisfactory conclusion that happened without Beau's involvement but still meant a lot to her! Hell, you could even call it a consequence; Beau complaining about it all the time eventually got through to someone!

For Bells Hells, it was always just "YOUR abilities are ALSO kinda tied to the moon and/or you need THIS macguffin." The shards were nice but like...it felt this was a golden opportunity for Fearne and Ashton to serve as heirs to the titans in a re-binding or proper banishment of Predathos but in the end they were just essentially a variation on Cool Magic Items. Neither of them even did anything significantly Titan-related in the end; the But The Titans refrain meant jack shit. And you know, I felt that Imogen, Laudna, and Ashton's complaints about the gods rang hollow...but what if they hadn't? My argument was always "this doesn't match up with what we know of the gods from all other lore" but I think what is notable is that I wasn't proven right...but I wasn't even proven wrong. What if the gods had addressed this? What if Imogen being a Ruidusborn DID mean she was either beyond the reach of the gods/could not be heard or that they felt it was better she suffered? What if the gods feared what the Hishari had done in terms of resurrecting the titans? What if Ashton were textually unable to spend time in temples, rather than this just being theorized by people desperate to prove the gods were bad?

The problem is that, on some level, improv was barely happening. Matt didn't say Yes And or No Actually, he just sort of barrelled on with his original plans and world without addressing any of the things his players brought up (again, lack of consequences, good or bad) and so we have no real answers, Bells Hells do look like selfish jackasses because in the absence of new information I'm continuing to believe the old, certainly when the characters were so unkind in the end, and everything feels flat, unexplored, and dull as compared to the lively and rewarding and meaningful stories of Vox Machina and the Mighty Nein.

[drownedrow]

Hello may i ask you if you could possibly provide a list of books and or/links that i could read about the nine hells? 😭 i'm so intrigued but so lost idk where to start and where to go lol. Love your blog btw!

Hi! Thank you so much thsts so sweet!🥰

Hmmm! It depends on what you’re looking for! And I will tell you the Hells has been retconned to (heh) Hell and back so feel to take what lore you like and ignore other bits, DnD is supposed to be fun. The Nine Hells is my current hyper fixation though so I stay reading about it lol. I get a lot of my stuff from everywhere but I can definitely provide some links!:

So books!

Descent into Avernus: This is a great world building book if you’re looking to learn more about Avernus or Zariel, I have this book so I can vouch that it’s great. Even not just for world building, the campaign itself is super cool and gives you the option to be EVIL which is so lacking in a lot of RPGs these days.

Chains of Asmodeus: is a great reference for like the entirety of the Hells I haven’t dug through it completely but it’s good. Don’t agree with everything but! Take and leave right lol…Here’s a little link to it free online and a bunch of other DnD assets for freeeee :3

The Godborn: I’m holding off on ordering this to have in my own collection bc the Twilight Wars comes first but my friend let me go through theres and for characterization of Mephistopheles this book it’s great. This is a novel different than the two books above which are more DnD adventures just so you know.

Twilight War Series: These I haven’t read but follows Magadon Kest who is Raphael’s brother, I ordered Shadowbred since I’m about to finish Homeland and I’ll let you guys know if it’s any good! But I’m very excited about starting this series. These are novels.

Brimstone Angels: I have mixed feelings about these but I have used sections of it for reference, good stuff for kinda of conceptualizing cambion behavior. It’s a bit…idk. It’s not always to my tastes but it is a good book to paw through if you’re looking for cambion stuff specifically. These are novels.

Websites:

Idk if linking these will work but these are scans from a dungeon master issue a friend sent me about Archdevil Glasya’s killing of her mother, service to Mammon and rise to power….lots of great details about Asmodeus, Bensozia and Glasya’s family dynamic too.

Hells layers details! Great stuff and great art, of course I’ve set it to Cania bc duh but there’s a lot of stuff there.

It’s lacking its barebones but it’ll give you your base lore on characters, can’t knock it bc we need it. And it does have a lot of stuff.

For Meph specifically ^ DMs talking shop about Meph’s characterization, it’s funny and I agree with a lot of their interpretations. This is a sillier one though.

Some Baalphegor lore bc I’m miss Baalphegor’s number one fan!!!!! Not enough about her…my missing babyGIRL!!!!

Video Games:

Neverwinter Nights: Hordes of the Underdark: Some of the stuff in this is as crazy to me as Raphy ruling over all the Hells but I do like Mephistopheles’s characterization in this sooooo!!!! I watched a playthrough and if you want Meph mannerisms for writing and stuff I think this game is clutch. His voice in it is…hot. 🤭

I hope some of these point you in lore directions you like and gives you some interesting threads to follow! The Hells are vast and I’m still learning a lot. I love it though. Yay Hells :D

source

[agalychnisspranneusroseus]

I don't like complaining about S3 too much, it's kind of a bummer to focus on what I don't like when there's so much I love, but one thing that I can't help but feel disappointed by is how we never got to see the new Marcy.

We got to see the new Sasha all through S3, who is completely different from S1 and S2 Sasha, and she's such a wonderful and loveable person, you can't help but adore her. Peak girlfriend material. It makes her oddly homoerotic friendship with Anne so sweet! And Anne herself, as the literal star of the show, had her development front and center from day 1. All of S1 was about her growth, and while she still had some work to do in S2, by then she had already changed a lot. Much like Sasha, she goes from being a selfish little shit to becoming a noble, honorable young woman, driven by love and responsability, with the emotional intelligence necessary to face any challenges coming her way.

Marcy... doesn't get that chance. The content of her arc is fine - she realizes she was selfish and self-centered, she understands how that's wrong and she decides to be a better person. But when Sasha (and I'm comparing her to Sasha because Anne, as THE protagonist, is not a fair comparison) had like... all of season 2 to change and develop, and half of S3 to truly shine as her new, improved self, Marcy... well, she did get some development in S2, true - the First Temple and New Wartwood are important moments that come to mind, but...

Okay, so, we knew everything about Sasha's situation from the start. She's lying to the other characters but not to the audience, so everything she goes through in Toadcatches, Barrel's Warhammer, the Dinner, Battle of the Bands and True Colors is very visible to us. We see her going up and down and we always understand what's up with her. We get a very clear view into her mind. We know Sasha. Marcy, on the other hand, has been lying to the audience up until True Colors, so everything we knew about her prior to that has to be recontextualized given the new information, and what we inevitably conclude is that nothing she learned was enough to make her question her plan. She understood the concepts, but she didn't apply it to her particular situation. That's not a bad thing! She's just halfway through her arc - accepting the Truth without letting go of the Lie. But when so much of her arc is hidden from the audience and further recontextualized through more flashbacks near the finale, what we get is a very mysterious Marcy who tells us "everything you thought you knew is more complicated that it seemed", and given that this is the season finale, that set-up inevitably promises a deeper exploration of the REAL Marcy in S3. No more scheeming and lying and manipulating, just Marcy in real time, with no need for flashbacks to recontextualize things again.

But S3 gives us very few chances to see Marcy in Real Time. We see her in Olivia and Yunan, All In and The Hardest Thing. Three episodes. I'm not gonna complain about that because I think we all feel the same way. There's no need. But I will insist that a good solution would have been to have at least two or three episodes about Marcy inside the Core. The King and the Core should have been about Marcy uncovering that ancient information in Aldrich's memory without him noticing, for example. This would have been an improvement in several ways:

More Marcy screentime and development

More exploration on the nature of the Core

We have a present day character knowing all about the Box's lore, and it's not just Andrias randomly thinking about in with a vintage filter on.

Marcy having more agency inside the Core in general would have allowed her to fight back in some way, which would be necessary for another change I'd like to suggest below.

Other episodes could be about her "bonding" with Aldrich and slowly realizing he's delulu, her learning about some old Olm lore, and unlocking a secret that will help them later with like, Anne's powers or the Moon or something, and just... her thinking and realizing she fucked up. If the Core knows her memories, it could recreate a more prolongued scenario with Anne and Sasha, maybe a sleepover? In general, I think Marcy would need someone in there to bounce off of, whether it is a bad guy like Aldrich or lifeless projections of Anne and Sasha, or even someone in there that's actually on her side, sick of living forever in this fantasy, maybe.

She needs time to define her new, changed self after learning her lesson, just like Sasha got to do. Because we barely see who Marcy has become after the events of Amphibia. We got like... TWO scenes to tell us ANYTHING about it.

"No! Only a coward would hide away in this place! Well, I reject this sick fantasy, and I reject you!"

"Even if your friends win, your parents will still tear the three of you apart."

"I started this whole mess because I wanted to escape that reality, but I won't run away from it anymore!"

And later near the end:

"I came to this world thinking only of myself. It was wrong of me, and I wish I'd gotten to know you both better"

These are like... the only indicator of the person Marcy became in Amphibia. They're not worthless - she learned to be more aware of the people around her, and to be stronger in the face of change. Her final scene with Aldrich is her most confrontational scene in the show, and certainly her most angry one. Before, she'd only been like... mildly annoyed one time because Anne was being too overprotective, and she glared at Andrias for like two seconds during O&Y but didn't actually say anything. Marcy is not an angry person, and she does seem to be scared of conflict, so to slap Aldrich's hand away, call him a coward, and proudly raise her fist and declare she's done running makes her look much stronger, and I appreciate that. And she does pretty much declare she refuses to be a coward. But this isn't nearly enough. If I want to write fanfic about Marcy post-Amphibia, I shouldn't have to sit down to analyze these two moments to extrapolate what her characterization would have been like. It should be like with Sasha. We know exactly who the new Sasha is, but we never get to see the new Marcy shine. I think that's why her arc feels so rushed in comparison to Sasha, whose beginning of her arc arguably took up one 11 minutes episode, and the rest happened mostly off-screen: the new Sasha was radiant in S3B, even if we didn't see much of the transition.

I know that, due to structural reasons, Marcy wasn't going to have much screentime so they had to rush her arc quite a bit, and while my suggestion to give her more time inside the Core stands, I think that's not enough either. I think she needs time to interact with Anne and Sasha, and also King Andrias, her Amphibia friend. It's hard to think of a solution to this problem given the way the finale is structured, but my first idea is to make it longer: The Beginning of the End stays the same, All In stays the same except for the way Marcy is released: instead of just, cutting a cable, Sasha needs to reach her with the Power of Friendship. Think something like the Running Up That Hill scene from Stranger Things, or the Toothless Found scene from HTTYD2

Because we can't miss a chance to develop Sasha and Marcy's relationship here. AND since they both share the roles of the Betrayer, the Liar, the Manipulator, of Anne's toxic friend in the path of redemption, it's poetic that Sasha, who has held Marcy under her thumb for years, is the one to help her break free, not through brute force like in canon, but by actually putting into practice what she's learned. Kinda like how, in AtLA S3, Zuko is playing the role of group therapist to the rest of the Gaang. Sasha figured things out first, now she wants to help Marcy find redemption too. Make it a callback to Anne's little speech from TBOTE

"It's not easy. Forgiveness is hard, and it can take time. But believe me: it's worth it. I mean, just look at what you and I have now."

Because redemption isn't easy. It's hard, and it can take time. But you still need to show up, even when you think they don't want you, even when you think you ruined everything. Getting up to so the right thing is always worth it.

Of course, if we want Sasha to save Marcy, a little bit of previous development wouldn't hurt. What if we add a little episode in S3A about the girls all thinking about each other? Anne finding a copy of War of the Warlocks that Marcy forgot in her house, Sasha being reminded of Marcy while helping Maddie with curses for the resistance, and Marcy just... thinking about them, in general, while in the Core. A simple 11 minutes segment, 3 minutes and a half of screentime for each of them. You don't need much, just a moment for them to explore their conflicting feelings for each other.

But then... then, we still need to see Marcy - the new Marcy - interact with her friends, so let's add one or two more episodes to the finale, between All In and The Hardest Thing. Maybe we can shift the Olms storyline here? Would that mess with the pacing too much? Tbh the writers did put themselves in a predicament with Marcy, so it's hard to find a perfect solution. I guess we can keep the tension if the moon is falling veeeeeery slowly, giving our girls just enough time for one more quick adventure together while not making it feel like they're taking their sweet time. So we have one or two extra episodes, and what do we do here?

We challenge Marcy. Just like how Sasha was challenged in Commander Anne, Marcy has to prove she's changed too. Tempt her with her past self-centeredness, her possessive instincts, the easy way in which she lies to herself, her impulse to plan around Anne and Sasha and not with them, hiding important information. Her fear of change. She knows what she needs to do, and she's ready to sit with the uncomfortable feeling of change instead of rejecting it immediately. Maybe she has to let Joe Sparrow go, for example, to be with other sparrows or something, idk. Whatever it is, it needs to be an opportunity to show her newfound emotional maturity. Show how, just like Anne and Sasha before her, she became a more noble person, one who, from now on, is honest, selfless and brave. One who embraces change, and who may even seek it out, because she understands this is how you grow.

Anyway. Yeah, that. I guess I'm just disappointed we never got to see the person Marcy became, but at least it's not hard to extrapolate it from what little the show gave us. We're not 100% in the dark. Though it's not nearly enough. If they ever give us more Amphibia, it would be awesome to see more of this new Marcy, but until then, we have a beautiful community here of galaxy brained people to put the pieces together 🥰

[marigoldenblooms]

Unica Semper Avis - Chapter 2

Pairing: Cleric!Wanda x Fem!AvianShifter!Reader x MonsterHunter!Natasha

Prompt: Ever since you’ve come of age, you’ve never been able to stop yourself from transforming into a monster. Whenever the sky would dim with a New Moon, you’d ravage the world with a fury unknown by many. Such is the bane existence of your species. This time, however - something was different. Now, you need help. On the feeble doorstep of the so-called ‘Spirit Healer,’ you found yourself both at the mercy of a cleric, and of a monster hunter’s blade. Previous Chapter - Next Chapter

MINORS DNI - 18+

TW/General Tags: No mention of Y/N, slow burn, stranger to lovers (Wanda), enemies to lovers (Natasha), eventual smut (lord have mercy), Swearing, Fantasy violence, occasional descriptions of light body horror during transformation, slight self harm, slight restraint, angst, fluff, will add tags as they appear!

Chapter Warnings: Non-consensual touching (arms/shoulders), slight transformation description, threatening, mentions of pain (burning), intimidation tactics, arguments, manipulation, angst, canon-level violence, mentions of scarring/burnt skin, restraint, we're finally leaving Belmoor y'all

A/N: Holy crap y'all, thanks for the incredible responses on everything once again! We finally get some trio dialogue going in this chapter ^^ Natasha’s interrogation is based within Latin, while R’s occasional text is built primarily within greek. Russian is also here, as expected. I had nothing for Smut Saturday, so I hope lore will suffice ^^' We will see if the writing block ceases, lol

Equally, we’ve got a Unica tag list coming along! Let me know if you’d like to be added to it! 

Word count: 3.9k - Read Length: 14 minutes, 29 seconds. ~~~

You’d never dreamt awake before. 

You could feel your mind faintly, cognition ghostly as you’d blink within your own head. Your transformation’s destruction was never something you were aware of until you rose out of it, covered in viscera from your form’s hunt. Was it really your body, after that? As you’d drift hazily in a river of your own thoughts, you couldn’t separate feathers from skin. You and your monster were one in the same.

You’d try to shut your eyes again, fall back into the painless slumber your molt offered. A part of you knew the horror you’d awake to- perhaps your succession had slaughtered them all, friend and foe alike. You would grieve her as you had the others, the fiery healer with her crimson magic. The knight would become a cliff note to your psyche, a tack onto an endless tally-board. You were used to being hunted. 

It’d be minutes before you realized you weren’t alone. 

Gaze snapping upwards, you’d bare your teeth towards the intruder which marred your thoughts, only to find a translucent figure. You could feel her chill from here, Her feathered speckling like a shawl over her shoulders, the wings behind her blanketing into a beautiful frame. She reached a hand towards you, although her smile was too thin to be kind. She didn’t look much different than she’d appeared days prior within your dreams yet again. The Aegyptius creation deity. Why was she here?

You didn’t shy from her gaze, looking at her with both respect and provocation. She was in your mind, fragmented as it was while your body rampaged elsewhere. If there was anywhere you were dominion of, it was this. “I know who you are now, Matron,” you’d assure, your voice echoing in the dim expanse, rippling along the water of your thoughts. She seemed to catch your words, and her grin grew wider, eyes narrowing. She’d tut, and in a second you could feel her cold, mist-like hands on your shoulders, “I expect something more reverent from my martyr..but you will learn.” 

“Martyr?” Your expression grew sour as she wouldn’t elaborate, toying with your frustration as she’d run her palms down your arms. An uncomfortable shiver would brace through your body, and you could feel your form stretch beneath as if her touch spurred your transformation all over again. She was cruel, a pained sigh leaving you as your teeth would clench. 

Her grasp on you would tighten, feeling the brittleness of pin feathers beneath flesh, “Your mind may not remember, fledgeling…but all my creations know my whims. And yet you wish to rid yourself of me?” Her laugh would be musical, but the bite in her tone was awash with rage, thinly veiled as the Matron stalked circles around you. 

The frustration that had flowed through you prior to your molt was flimsy now, embers against a cold snap. You felt your gut sink, fear bubbling thickly in your throat. You’d stopped looking at her by now, your gaze piercing down into nothingness. All you could manage was a pitiful nod, and you couldn’t tell if her snicker was anger from your lackluster response or joy from how compliant she’d rendered you. They were one in the same with your kind, you supposed. 

“You cannot..although I’m certain you’ve already understood that.” She’d pause in front of your face, ghostly touch icy as she’d claw your chin to meet your gaze with hers. Her phrase would come quickly, as if she was excited to utter it, “And for penance…you must kill that witch.”

“What?” They weren’t dead already? Your molt would’ve torn her to shreds by now. What was happening in the waking world? Even within a dream, the thought of murdering another with your conscious mind churned your stomach, especially one that brought you food. Mercy. “Command my body to do it, then-”  

“No. You must do this as human,” Her smile was dagger-thin now, and you swear sparks flashed from her maw when she spoke. “Not as bird. Your hunger will be your guide.” Her hands would cradle your face now, the chill of her spectral palms almost forgotten as your mind would rush and lurch. You could feel the knaw of famine in your gut, a terrible feeling, all too real. 

“I reject this- she has been kind, I-” The Matron would’ve disappeared immediately, the thawing of your flesh the only reminder.  Your plea would be met with silence, hyperventilation coaxing your heart into overdrive. Thudding in your skull, you could almost feel the weight of bone in your jaws, your throat suddenly parched. You’d rasp, drawing your hands close to cradle yourself as the world grew fuzzy and vague, “I don’t want to be a monster..”

“Oh, my martyr..” She’d murmur, her voice suddenly swirling along the shell of your ear, freezing your hunch in place. 

“That’s what I made you for.”

Your mind would swim, lucidity and unconsciousness blending into tar which filled your brain. You’d blink, heavier than before..and just before you’d wake, you’d feel her touch on your shoulder again. 

“Survivε, mυ μάρτυρας..” 

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You’d regain your mind halfway through it all. Your body ached and tore within you, the subtle itch of plumage molting from your skin a feeling you couldn’t soothe. You were in the barn. 

Your arms were held back as you’d kneel on the floor, a searing heat plaguing your wrists as you’d fight against its hold- your chains. They’d manage to cage you. If you hadn’t been in so much pain, you would’ve wheezed relief at that. Your tongue was dry, the taste of blood and bone absent on your lips. You hadn’t eaten anyone during your transformation, and yet your body twinged with agony all the more for it. You had no fuel to offer you shifting body, and so it ate you from the inside to power your return to being humanoid. Panting a low whine, spasms would twitch your form as your bones would grow heavier within your flesh, solid all the way through. Even through your strain, a quiet shuffle would draw your eyes immediately- your heightened instincts were always the last things to go. In the recluses of the barn stood your prior attacker, although her attention was focused elsewhere, ghosting over something in the palm of her gloved hand. Thank fuck.

It was only now you could get a good look at her. Her hair was auburn, braided sharply in cascading strands which met the nape of her neck. It had been chilled near its ends, pale and almost wispy, as though something had leached the color from it. Sorcery? Stress? You couldn’t tell at first glance, but the perpetual scoff that seemed to mold into her face signaled the latter. 

Blueish gray irises stared into what she held, and it was only when you growled a restrained snarl at the sight did her eyes lock to yours. She was holding one of your shorn feathers, the visage making your hackles raise. You wouldn’t shy from her gaze as you had with Wanda, even raising your chin higher so you looked down at her with pinprick pupils- you were an adversary. A challenger. You didn’t fear her. Your head throbbed, the heavy burn of your engraved chains a constant reminder. 

She’d approach you with malice- unsurprising given your circumstances, but the prick of a metal blade against your neck was a little more shocking. This early? Damn. You’d grit your teeth but remain steadfast, even as she’d glower over you. 

“Ossifraga, dic omnia quae scis.” She’d spit, her words foreign yet familiar in your ears. ‘omia’ was a word you gleamed in an instant - ‘everything’, yet the rest was butchered in her mouth. You’d bare your teeth at her, grin sickeningly raw even as she’d press her knife’s edge to your nape. “Dic mihi omnia Fraga, ne te interficiam sicut columbam-“ 

Her anger would shatter at the creaking barn door, flinching just as you did. At least one similarity between the two of you. A familiar soothing tone would echo to you, honeyed and thick, albeit strangled from…anger. Anger? 

“I leave you for one second, you глупый козел-“ Wanda muttered harshly, her stomping footfalls sharply rattling in your skull. She’d pluck the knight’s hand away from you, grip harsh as she’d try to wrestle away their weapon- futile, as their shock to Wanda’s insult only lasted so long. From your attacker’s reaction, it seemed they shared a language. Interesting. “And here you are, nicking my patient-“ 

You’d struggle at Wanda’s words, trying to show her your discomfort. Your wrists continued to burn, and you swear their imprint would be branded on your skin if they weren’t taken off soon. And yet, it may be safer if you remain chained. The Matron’s words still throbbed in your ears, a blinding sight locking your gaze onto Wanda before you bit it back down. You’d breathe, ragged, before gasping a sound which seemed to catch her attention. Her nimble fingers would move to start unshackling you, before being caught by Natasha’s rough grip, pulling her immediately back, “What are you doing-!? It’ll kill you-“

“I won’t harm…her..-“ You’d hiss, finding your bearings as your larynx would thrum with your voice again. You’d glare at the hunter, voice steadfast even through your pain, “You’re- a different story, knight..let me go, and maybe I’ll consider.”

You saw her jaw flex at your tone, malice seeping from every beat of her heart. She’d release Wanda with a tight-lipped grumble, your wrists losing their binds seconds later. You’d rub at the tender flesh for a split second, gasping and hiding away as it’d still bubble with scorching heat. You were too late, and soon your wrists would scar over. Maybe it wouldn’t hurt as bad next time, perhaps.

You’d sit up, movements sluggish as you’d sync again with a heavier frame. Your glance would be wary, looking to Wanda as if the knight wasn’t there. You saw annoyance flash across the hunter’s expression, and satisfaction bloomed in yours. Let her be upset. “What happened..? You shackled me, I am thankful for it.”

“And yet your wrists don’t look happy..” Wanda would respond with muffled concern, although you’d retreat from her scarlet magic’s attempt to heal- scars proved you had lived, this one above all. This one showed you could trust the healer to protect you when you couldn’t protect her. The slow rumble of starvation proved you wouldn’t be able to protect her for a long time. She’d sigh, but wouldn’t press further. “You’ve been in the barn for three days, we put you here on the evening of the first-“ 

Your expression faltering would quiet her words, a shaky inhale slicing into the room’s air. Three days. “I’ve never been..” you’d grip your hair as you spoke, bending to pull more of you closer. You’d stare at your shorn feathers, brilliant white where they lay unheated, almost ghostly in the thin light of Wanda’s shed. 

“I’ve never been transformed for that long.”

“And why should we believe you? You could feather again as we speak- kill us all.” The knight would glare at you, though there was a chance she never stopped, boring a hole into your skull which you gladly challenged. You’d bark a laugh, the sound uncomfortable in your raw chest and yet you reveled in how she flinched away. The air grew thick and still, “If you hunt my kind with that attitude, you obviously know nothing of the Aegyptius.”

“Then enlighten me, Fraga-”” She said that like an insult to you, and yet it didn’t register. 

  “And why the hell should I-?”

 “Because we have a common goal, you dolts-“ 

At Wanda’s interjection, your voice would sliver and slip away, her face red and scrunched with frustration. It was almost adorable how her nostrils flared with her words, yet the rage in her eyes was something that stirred sorrow inside you. Something clicked in the back of your mind, memories from your brood when you were young, and yet nothing registered in the fog of retorting anger. There was curiosity on the hunter’s face, shoulders squared back at Wanda’s tone, and yet your mind still held what the knight had said before.

“What did you call me?” Your words stumbled as you’d shift to stand, legs frail under the weight of yourself. You wouldn’t see the knight’s bewildered expression until much later, too busy keeping your feet underneath you, “Fraga…do you not even know what you are?” “Enlighten me,” you’d taunt, clipped thin between your barred teeth. Wanda would scoff, shaking her head in your peripheral.

“You are Ossifraga. Bone-breaker, the unclean bird..” Your eyes would narrow, but not in the way the hunter wanted, it seems. These names meant nothing to you. “A mistake upon your feathered kind. A blight-'' Her words would build in strength, low as she’d stalk dangerous steps towards you. You looked towards Wanda, her hands slowly raising as scarlet magic grew to weave around her fingers.

“Others of your kind can be bards, songbirds or doves- even raptors can experience valor as warriors…but you, Fraga, are the mutated husk of your false god.” She spit her tone with vitriol, acidic. The receding down on the back of your neck rose as your blood ran cold- Your heartbeat thudded in your ears, a lump swelling in your throat, but it wasn’t all fear. There was something else, a chill unfamiliar to your waking form, coaxing your mouth open. You resisted, even your back reached the worn wood of the barn’s walls and the knight’s voice swarmed back into focus. 

 “A dangerous monster, consuming the bones of innocents and leaving plague in your wake,” A gleaming metal shone near her wrist, and your stomach dropped all too late. The knife was probably sacred, intricately carved with markings you could hardly make out in the blur of motion, her gloved hand grasping your shoulder while the other swung to pierce your stomach. 

“You’re the infection I must quell-” 

Your maw opened before you could think.  

“Αμολά��-!” You’d shriek, your voice hissing with the inflection of many. You heard the clatter of metal on the ground as your tone echoed forth. The knight would barrel backwards, clutching her head as Wanda flinched behind her, the shockwave of your words hitting her fainter the further it went from your mouth. 

You kicked away the knight’s dropped blade, another command echoing from you, your tone no longer your own, cold and bitter on your tongue, “Γονατίστε, παράσιτα- Θα σε καταβροχθίσω χωρίς δεύτερη σκέψη..”

The hunter sunk to her knees before your sentence had finished. You’d gasp a second later,  your lungs filled with air as though they’d never have before. Blinking, you’d feel a tenseness in your body, arms trailing with thin plumage which quickly sunk beneath your skin. You’d watch it leave with a cold numbing shock, jaw slung open with a heavy breath. Your thoughts translated your foreign words after a few moments, ‘Let go. Kneel, vermin. I will devour you without a second thought.’

Your feathers had never grown beyond your molt, confined to the hellish day a month where you were no longer yourself. Your hands tremored, ghosting over the goosebumps that had been left behind. It’s like the feathers had never been there- and yet you could feel your body creak and crunch, as though impatient.  

The hunter stood a few seconds later, gait slow as she’d physically wrench herself from your command’s thrall. She’d brush at her scuffed armor, plagued with the barn’s dirt which clung to the metal, “I know what you’re saying. Your pronunciation is weaker, and yet it is still-” 

“The language of my kind,” You’d mutter without sympathy, scoffing as the knight seemed to take offense to your interruption. “You’ve stripped it of its history..it's what you spoke before.” You’d never learned your own tongue, and yet half your thoughts spoke in it now. A shiver rolled down your spine, a cascading chill that felt like an awaiting grasp. 

“Ah, so it can listen..” She’d sneer, glance harsh as she’d eye her forlorn blade again. Wanda’s interjection would be seen before it was heard, scarlet magic weaving around the hilt before daintily grasping it, pawing it over to her awaiting palm. “And so must you, Romanova..” The way she curved the words had a sense of familiarity, drawing a frustrated huff from the other woman. You’d narrow your eyes, but it wasn’t your turn to speak anymore, “You both listen, or you leave my barn with nothing but a death wish. Am I clear?”

You’d nod slowly, and by Wanda’s sigh, you assumed the knight did the same. “Alright. Let’s go somewhere cozier, shall we?”

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Wanda’s home would’ve been just as comfortable as it had been the prior evening, albeit more cramped. Between three people in the living room, a thin glow of red magic seeping through the slats of wood that boarded the kitchen up, and the deadly eye contact you and the knight shot at each other every second, the air was never thicker.

“And you tore through the kitchen wall,” Wanda’s words were analytical, the gnawing feeling of guilt settling heavy in your gut. You kept your distance from her, a pang of hunger grinding into your thoughts the second you grew closer to the witch. You chewed at the inside of your lip as her palm waved towards the construction her sorcery partook in. Her shrug was too easy, “Not afraid of remodeling, after Romanova mistook my window for a door-” 

She’d almost bite towards the hunter, a simmering scoff laced between her accented tone. “Is that your name? ‘Romanova’?” The knight would leer at your question, slinging her arm against the heavy metal of her armor. From Wanda’s scoff, it seems she’d gotten the same reaction while you were out. “You butcher my family title, Fraga-” 

“Give me your name and I won’t have to.” You’d raise a brow as her eyes locked to yours, your breath thin and still. You felt the cold in your throat again, creeping like a retch up your windpipe- yet you swallowed it with huskier words, “Since we’re all in the sharing mood. Aren’t we?”

Her sigh was almost palpable, hissing in a low breath, “I am Natasha Alianovna Romanova. Templar of Latrodectus, it’s esteemed widow.” That title meant nothing to you, although your unfitting reaction seemed to knock her down a few pegs. Her reply was less angry than curious, “Did you ever earn a name, Fraga?”

“Earn?” Your snort brought an angry heat to Natasha’s face, perplexed laughter ricocheting through your solid skeleton, “You really do know nothing of my kind. We do not remember names. Unimportant.”

You wouldn’t see Wanda’s furrowed look until she exhaled sharply, looking away from you with crossed arms. Your mind sunk and crackled whenever you looked in her direction, suddenly parched. The flutter in your stomach remained, bringing an uncomfortable nausea rather than burst of curiosity. You kept your eyes on Natasha, expression hollowed, “Why do either of you stay? This..is your house, Wanda, I know-” 

“Because we want to help you-” “She does- mhph-” Wanda’s hand would outstretch towards Natasha, blocking her mouth with a wispy scarlet sheen. You looked at Wanda’s shadow, feeling her sigh as your gaze never met hers. Her voice was calmer yet thin, strained between forces, “Do you want to rid yourself of your feathers?”

“Yes,” Your quick response earned an unseen smile from the witch, although your skin grew clammy at the thought. Natasha shuffled, and when you met her eyes you saw hers were raised, almost in shock, her mouth still clasped closed. “Then we have a common interest. This one can find a method beyond violence- and if your transformation is progressing faster, then it is my role to bring you back to normalcy.” 

You’d meet her glance now, her smile radiating a warmth into you that culled away some of the chill, satiated you. Your palms felt your own, awkwardly poised as you offered your hold to the witch, her touch filling you with an unfamiliar satisfaction. You shook her hand against yours, ignoring Natasha’s silent indignation burning into your skull. Perhaps you could control yourself- you could protect each other, “Thank you, Wanda.” 

“Ah, none of that- you are a medicinal marvel..” She’d tease, your thanks rolling right off of her. You met her grin with your own, her words shushing as she’d lean to you, “Think of what it will do for my prices, to heal an Ossifraga-” 

Your laugh was a startling welcome, filling you with mirth as it was returned. “I will pay you then. How many feathers-?” Her hand patted yours before receding, wiping her palm along her clothed side. “...I’ll keep a running tab for you, Птичка.”

------------------------------------------

The sun had risen into midday, and you basked in its sunlight. Your shoulders felt tense as you hauled supplies towards the wagon Wanda and Natasha had acquired an hour ago from Belmoor proper. You’d hung back, admiring the hazy scarlet tendrils which packed Wanda’s belongings. The two had found you handing random objects to the sorcerous helpers when they returned, although Natasha was pulled away by the witch before she could crow about the non-essentiality of bringing Wanda’s butter churn. 

The mule that was attached to the wagon- Daisy, Doris, something like that- had been chewing on the turf as you’d settled another crate of rations along the wagon’s bed, pushing it into place with a heavy shove. It was a ten days road travel to Arkridge, the capital of this province, as you’d been told. Its libraries held what could be the first of many secrets. The forest never spoke of it, yet its grandeur was palpable even through Natasha’s gruff words. She hadn’t tried to stab you again, although her glare was seething whenever you met it. 

You passed each other by as you’d return towards the house, huffing an unimpressed groan as her haul was much smaller than yours. She’d abandoned her armor for now, and you watched as the musculature of her back shifted as she’d set her barrel down. You could take her if you had to, even without your strength- though the scabbard along her back gave you pause, the longsword’s hilt gleaming in the light. It had been engraved, similar to the leather sheath that bound it, and you’d guess it was the same inscription. Runic and familiar, it brought your thought to your chains, their markings similar yet worn. Perhaps you’d find a way to ask about it, if you could have a conversation without insulting each other.

Your side met Wanda’s as you leaned in her vicinity, your gaze locked onto the knight a dozen meters away. The witch’s voice was smoothed and sweet, honey-like as she’d offer her palm to yours again, inspecting the scarring along your skin as you’d accept. “Your name isn’t Margo, is it?” 

You shook your head, still in her embrace, “No. I just needed something to give to you. Satisfy..”

Your words petered out into silence, her squeeze of your hand gentle, shying away from the raw flesh of your wrists. “You don’t have to do that, Ласточка. I have countless things to call you that you won’t forget.” Her wink made your face flush, shying away from her gaze as her tone wrapped around your thoughts. Her giggle wasn’t lost on you, a fondness in her expression you couldn’t decipher. “Will you tell me what that means?”

She’d shake her head, just before you heard Natasha’s heavy footfalls towards you. The forested grove retreated behind as you three would set forth a few minutes later, silence thick. Bellmoor would be forgotten, in favor of new memories. Perhaps your first night at camp would be more riveting. 

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[freezerbnuuy]

Act 6:7- Half Sick of Shadows (Page 3)

LORE | CHARACTERS | ABOUT / WARNINGS | CHAPTERS

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Róisín

I cling tightly to her back as she charges off at blinding speed. This is incredible! Just think, most people ride horses, or donkeys, or camels.

Me? I get to ride a gryphon! 

My heart rises into my throat as we take off into the skies, and I start to get a little anxious - but Valravn calms me down. Her powerful wings carry us into the air, and the view from here is something to behold! Who would have ever thought of us humans taking to the skies?

Adults and children look up in awe, some of them waving at us. Valravn gives them a friendly call, and I wave back at them. I can hear their calls - "is it a bird? Is it a lion?"

"Valravn, this is amazing! I'm so jealous - now I want to be a gryphon too! Or at least have wings!"

"What's wrong with being a werewolf? I'd say they're quite spectacular."

"A werewolf? I'm not a werewolf yet. It's still going to be three or four years. I'm tired of waiting! I hate being a teenager!"

"You can't rush these things, Róisín. Do you think I grew all this plumage and took to the skies so shortly after I was born? I stayed in the nest for many, many years, longer than you've been alive, before I ever learned to take flight - let alone leave my parents behind. If I were not frozen in time, I'd have grown much bigger and grander than this."

How could a gryphon be any more majestic than Valravn already is? 

"How old are you, Valravn?" 

"I'm an adult, but I'm still fairly young for a gryphon. I am about three-hundred years old, but I was confined to the orb one thousand years ago."

"Three-hundred years old?!"

"See? Your years on this Earth are but a blink of an eye for a gryphon. Make the most of them."

I panic when it looks like we're about to hit a building, but Valravn flies a little higher just in time! It really is much colder up here, and a little harder to breathe. I realise we're going past the Jacoban cathedral.

"By Lunvin, the entire world looks so tiny from up here, doesn't it? It really puts things into perspective."

Valravn makes a sound like she's trying to laugh. "Everything and everyone looks tiny to me, Róisín. Now you know how it feels!"

Katlego

Tsuna has been a little quiet since visiting Evadne Charm, so she and I go for a walk to discuss what happened. I can't imagine it went particularly well, and I imagine it could have gone better had someone less headstrong taken charge of it - but maybe I'm too quick to judge.

"I tried to look at it the way you would have looked at it, Katlego. I tried to see things from Evadne's point of view, and by some miracle, it worked. I think I got through to her. We may even have her help against the witchfinders should we need it. No idea what it'd take to get that madwoman Isidora to listen, but Evadne eventually came to see reason. I believe I only have you to thank for that." 

Tsuna? I can't believe her words at first. It wasn't like her to take a step back, and to do so even after what happened to both Jemima and Clara - that takes a lot of strength. It settles me to know that Tsuna did such a thing.

"I have to admit to you, Katlego, that some years ago, I told someone that you were complicit in the violence of witchfinders for your reluctance to fight back. Your friend Áine fiercely stood up for you and told me you were just honouring your mother's beliefs. Family and honour are important where I am from, and I understand why you are the way you are. I should have understood without your friend having to tell me that. I am greatly sorry for the way I treated you, Katlego. Nothing I can do can make up for what I did."

"You already have."

"You tried to do something the way I would have done it, and you saw why I do things the way I do them. You saw the error of your ways and you took me back in. You've already made up for it, Tsuna."

Áine...I miss her. She helped greatly back in the day when we first met, and I've always valued her for that. To know that she is in Glimmerbrook fills me with excitement - I would love nothing more than to see her again after all this time. I feel the last time we met, her daughter was only a toddler. She must be a teenager now. How time flies.

"Do you know what became of Áine since she arrived in Glimmerbrook?"

"She's still here. She lives in the settlement just the other side of here. She's began teaching magic alongside Owen Annorin, that physician who killed Lord Volpe." 

She's here? Not just her, but Owen, also?

"It's been so long since I've seen either of them, Tsuna. They've both done so much for me - more than I feel I deserve."

"Don't be ridiculous, Katlego," she says. "You and Ellie deserve the world and more."

[brionysea]

Is it just me or did Vi really not get an arc this season 😭? She doesn’t resolve the fact that she places all her worth on protecting those she loves. A lot of her big emotional beats (joining the enforcers, becoming a pit fighter, finding Vander, freeing Jinx and getting imprisoned for all her efforts) happened as a result of Caitlyn or Jinx’s intervention. She has so much oldest sister syndrome she infected the narrative 😇

yes! I think it's an issue of flawed ideas and poor execution. in classic me fashion, I'll go through the whole thing to show you what I mean:

vi joining the enforcers despite everything they've done to her (killing her parents, roughing up her family as kids, chasing them down, coming into the last drop to arrest them and intimidating everyone and almost taking powder, imprisoning and abusing and starving vi for her entire adolescence) because caitlyn asked her to and caitlyn is the Most Important Person in her life right now is the exact kind of thing vi would do. I personally love how temporary the enforcer gig is, despite that going against the lore (I honestly couldn't care less), because vi's CHARACTER in this show goes against the lore. I don't care that she's supposed to be an enforcer in the game. I'm not playing a game. I'm watching a show. the vi I know wouldn't do that, it makes no sense for her character, and it really feels like that's the point. she's losing herself for the sake of what caitlyn wants in a very clever way to address whoever demanded the show be more accurate to the game (which, again, I AM NOT PLAYING. BECAUSE THIS IS A SHOW THAT'S MORE THAN CAPABLE OF STANDING ON ITS OWN) without betraying the characters. this is the kind of freedom that would have made for a truly stellar season: going where the story is led naturally by its characters rather than being trapped by a pre-determined narrative

then in vi's fight with jinx (which, fine, I guess vi *would* decide that 'jinx isn't powder anymore' means 'my sister is dead'; she's single minded like that, even if it felt rushed), there's suddenly a random child in the crossfire and vi's like oh. okay. I can't actually hurt innocent children the way I was hurt. I do, in fact, have principles, and they dictate that I intervene rather than allow this to play out. and it turns out that when the chips are down caitlyn doesn't actually care about the undercity because she risked killing an innocent child and wants to kill jinx knowing she's vi's sister (and said that jinx, a young mentally ill girl from the undercity, killing caitlyn's mother, one of the richest and most powerful women in piltover, is the same as vi's parents being killed by enforcers while fighting to end the oppressive social order they enforce. it's not.) and basically says that she thought vi was 'one of the good ones' but she's exactly like all those other animals (again, because vi refused to let cait open fire on a child), before literally gut-punching her and leaving her there. vi was right before, they're oil and water, they're too different. and now vi's lost her sister; lost cait; the rest of her family is still dead. she has no money. no power. nowhere to go. nobody to protect. what's even the point of her?

and then we reach the second act. vi has no purpose so she's like well I'm just gonna fight people for money. because she'll win. obviously. she's a mess, she's drinking all the time, she's seeing jinx and caitlyn everywhere (people really breeze over how vi sees things too - definitely to a lesser degree than jinx, but when she hits rock bottom, it's there). I love this set up for vi. it makes so much sense that putting all her energy into caring for others would end up here. like a message from the universe that she needs to learn to do things for herself or she'll always end up back in this hole. you could argue that vi not having a lot of agency and just following jinx or caitlyn around until she ends up stuck in that cell (her ✨️ prison of the mind ✨️ or whatever jinx's imaginary, out of character, ghost silco was talking about), while boring (so boring), is more of vi being stubborn and stuck in her ways and refusing to learn her lesson until she's forced to. which she was also like in season 1, except there, it was more like vi repeatedly trying to solve problems that were much too big to be punched away by punching them (vi thought jinx could brute force her way out of being traumatised), and even then, I didn't get the impression that vi cared enough about the council to actually give up on jinx because of what she did to them. vi's a brick wall of a woman. sometimes, in this bitch of a world, stubbornness is a virtue

the problem, like a lot of things that had potential in season 2, is that it's not actually followed through on. there's no self actualisation for vi. she just cares about jinx until she doesn't and then she has sex with cait (who does not actually atone for any of the shit she did btw) in the prison cell where vi's sister was just planning suicide and is currently going through with it elsewhere, as far as vi knows

I think the intention was for vi having sex with cait instead of chasing after jinx to be the first selfish thing in her life (which jinx basically told her to do, because no one hates piltover anymore even though they haven't changed at all or done anything to earn this 'meet us halfway' demand of feeling entitled to zaun's bodies for their war after poisoning those same bodies for who knows how long. jinx never called vi an idiot for dating an enforcer. in fact, she feels bad for nuking the council :( which means she's good now! 👍 because GOOD characters are NICE to piltover and only BIG MEANIES care about zaun's independence. even silco's ghost thinks it's a waste of time! apparently he was just bitter and unloved, like a child throwing a tantrum! sure. sure! why not!), but it falls apart immediately because 1) jinx told vi she's going to kill herself (vi knew what jinx was planning before she asked, you can hear the fear in her voice), which obviously takes priority - never in a million years would vi let jinx disappear like that without doing anything about it, no matter how self actualised she is, because STOPPING YOUR SISTER FROM COMMITTING SUICIDE IS A NORMAL THING TO DO. well, maybe not normal, but you know what I mean. it's not exclusively a vi-ism. it's common sense. if someone you love tells you they're going to commit suicide, you do everything in your power to prevent it. and 2) CAIT IS NOT ACTUALLY REDEEMED FROM ALL THE SHIT SHE DID TO THE UNDERCITY. yes, cait letting jinx escape was symbolic of her letting go of the obsession that drove her to that point, but she didn't actually hurt jinx (except now jinx is free to off herself because of cait, which vi would be angry about if she hadn't spontaneously forgotten what she learned in the previous scene). despite her personal vendetta, cait couldn't catch jinx to even attempt to hurt her. who she DID hurt was the undercity at large, and she has no way of making up for that. they dropped the zaun plotline like a hot potato so there's no narrative opportunity for cait to prove to vi (and to the audience) that she gets it now. that she's done being a fascist and vi isn't just blinded by her hotness (which would be a strange angle to take but that's honestly what it seems like. it's so shallow and out of place with everything going on). none of this is earned enough for vi to choose a quickie in a cell over stopping her suicidal sister from blowing herself up

TLDR; there was an attempt at an arc, which was foiled by tying it so closely to caitvi, which was tied to the politics of the piltover-zaun conflict, which was never resolved and thus made vi's arc feel unsatisfying

[lilderitter]

The Cursed Heart series is one of my favourite Choices books, I love it so much! I’d love to hear more about the fairytale and themes, generally some of the thought process behind it all if that’s alright? I’d also love to hear your insight on the characters esp Jack

Hi friend! Thank you so much for you question and for your patience, as I wanted to go straight to the source on this one, The Cursed Heart's amazing lead writer, Kathleen! He's been working on the Fae adjacent indie so I took the liberty of asking them to answer this question :) Like me, they're no longer with the studio, so PB can revise canon however they like but as the lore nerd, I will cosign everything my story monarch says. So take a look below and enjoy this dispatch from a true Choices legend. (In addition to TCH, Kathleen was the lead on The Crown & The Flame, It Lives, Wake the Dead, and Mother of the Year, among others. An absolute beast.)

Hello! I’m so happy to hear that you connected with The Cursed Heart. Heads up that I’m no longer at PB so this is all my recollection/opinions and not official canon etc. etc. Okay THEMES. Fairytales are the perfect medium for exploring real-life experiences through magical metaphors. At its core, TCH is a story about vulnerability. Being close to people means making yourself vulnerable which can be a pretty terrifying proposition, especially if you’ve been hurt before. Kieran and MC have both been hurt badly (Kieran by their former lover, MC by the death of their parents), and each of these characters is built around a core idea that is their reaction to that hurt.  For Kieran's side we have “if I feel nothing, I’ll never be hurt again”. On a literal level this is what happens when Kieran is cursed: their heart is broken and the pieces scattered, leaving Kieran unable to love but also impossible to kill. On an emotional level it’s a common and honestly very logical defense mechanism in the face of betrayal and heartbreak. It’s an attempt to exert control over a situation that made you feel helpless. It’s also... not super sustainable in the long-term (ask me how I know). Some part of Kieran wants to heal, which is why their Beast form single-mindedly seeks out their scattered heart pieces every night. For Kieran, however, the Beast represents yet another way that Kieran doesn't have control over the situation. They look at the Beast and think “this curse has turned me into a monster," which is fairytale-speak for “my trauma has left me broken and unworthy of love." On the other side of the emotional spectrum we have MC, a.k.a. “I know what cruelty feels like, so I’m going to be kind instead." Waymond’s “this is how I fight” monologue from Everything Everywhere All at Once puts it a bit more cynically than MC ever would, but it’s the right vibe. MC knows that their kindness won’t always make a difference, but they’d rather try and be disappointed than avoid disappointment by never trying at all. Does that mean MC doesn’t have any growing to do? Hell no! Like a lot of sweet lovely people, MC trusts a bit too easily  (cough*Radiance*cough) and is a lot less kind to themself than they are to other people. Living in the Fae world with all its intrigue and danger forces MC to develop boundaries and advocate for their own needs in a way they didn’t really have to back in their tiny rural community where everyone generally knew and cared for each other. Suffice to say, Kieran and MC still have a lot to work on (both individually and together), but they’re learning to really listen to each other and make their relationship a safe space which counts for a lot. Woof, that was a lot already but I wanna touch on Jack because you specifically asked and also because he is my sweet wonderful murder child. In Jack we wanted a villain who is the hero of his own story (hence why we named him “Jack” after scrappy heroes from English folk tales like Jack and the Beanstalk, Jack the Giant Killer, etc). In earlier drafts of the outline, we fell into that trap that a lot of stories do when their villain is a little too sympathetic, which is to have them Kick the Dog and then point to the dog-kicking as justification for why they can’t be allowed to win. Fortunately, a friend happened to send me this F.D Signifier video that touches on a similar issue with the third act of Black Panther (the whole video is worth a watch, but he talks about this specific thing at around 59:45).

[Lil/Editor's note: TL;DR because I feel this is important: the video points out that Black Panther is more than slightly at war with itself because it establishes a villain in Killmonger who is generally right (It's weird that Wakanda just decided to abdicate responsibility while their neighbors were decimated by colonialism, he has a legitimate claim to the throne, and both Klaw and the CIA are so much worse, but the CIA is being treated as a positive entity here.) So giving Killmonger a Disney/Marvel kind of death feels hollow and weird and frustrating, while having Killmonger switch sides to help his family would have been much more satisfying. But F.D. Signifier explains it a lot better so please watch it!

Basically, the issue we faced in TCH2 was that Jack has done this very upsetting thing (killing Monty in a duel that they admittedly both consented to in order to avoid more bloodshed) so people are going to want to punish him, but Jack is also right about how dangerous and cruel these power structures are. TCH has always been a story about redemption in all its forms, and he'd already teamed up with someone he detests to help his cause, so it makes character sense for him to team up with Kieran if MC can get him on their side to begin the healing. Okay, now back to Kathleen!]

In retrospect I should have realized that we weren’t punishing the real villains of the story, and I’m very grateful we had the time and creative freedom to rework the ending so that it was more aligned with the themes and values of our story. Thanks again for your question! This story meant a lot to me and it makes my heart so glad to hear that it resonated with other people too <3 -Kathleen

I don't think I can say anything better than that but I just want to publicly thank Kathleen for canonizing trans!Longclaw and for being such a great resource for Villainous Valentines (and for being an amazing mentor/friend). When we were asked to do a Radiance romance, we almost instantly agreed that Radiance would plan to use MC and then kill them, so plotting the story ended up being about how do you make a character who can call Radiance on their shit without getting turned into a toad and it turns out the answer is expect Radiance to be better than they are and just be very, very fun to please. And MCs always are ;)

We also agreed that a Jack VV would have to be multiple chapters because boy has all kinds of trust issues. (Though honestly, Jack/Longclaw is my crackship. For no reason. No reason at all. *avoids looking at my profile picture* Seriously tho, even if she wasn't based on my face, I just love the idea of these two "fallen royals" being together. Longclaw was never super comfortable with monarchy anyway and Jack would have to work hard to make amends for Monty but that just makes the romance more angsty/fun, right? I'll accept nominations for the ship name on a rolling basis. RebelBear? Jackclaw? Idk.)

[cornfieldsrambles]

I saw your explanation about lords in black and I have a question: tgwdlm the main lord in black is pokey, in black friday it is wiggly, and in npmd, who would it be?

oh god that post is going to haunt me forever (joke)

well, NPMD isn't really that simple I don't think. It's all of them. All five Lords in Black. And I think that makes sense.

Let me back up and explain. So NPMD happened after both Nightmare Times had been released. Obviously NPMD had been "in the works" before then, but for the actual finished show, I think Starkid assumed that a substantial amount of the people watching would've seen Nightmare Time. So I reckon they wanted to give something new to those people, while also not excluding people who hadn't watched it. That's just my assumption, though.

Not every Nightmare Time story is directly related to the Lords in Black.* About half the episodes have a bit more of a 'monster of the week' vibe. Hatchetfield Ape-Man, Forever and Always, Perky’s Buds and Killer Track are some examples. Generally, the pattern goes: a monster of the week, then a Lord in Black, then a monster of the week, then a Lord in Black.**

So when NPMD rolled around and (again, this is kind of me speculating) Starkid wanted to give something new/rewarding to those who watched Nightmare Time, while accommodating those who didn't, so they decided to do both. A particularly memorable and exciting monster-of-the-week is the main event, and we also get to see the Lords. Hatchetfield lore is referenced but you don't need to know much about it, and the stuff you do need to know is communicated through what the characters learn. The Waylons were in a cult and had their weird book which they used to worship Wiggly and co., and now they're dead and their house is cursed or something. Got it.

The other thing about Nightmare Time is... we've already seen each Lord in action. Heck, including TGWDLM we've seen Pokey twice. So what's better than one Lord in Black? FIVE LORDS IN BLACK!!!!!

So having not just Wiggly, but ALL of the Lords - with brand new Tumblr sexyman forms to boot - and showing them in a new and interesting role of pretty much the Deus Ex Machina of the show (this is hands-down the most helpful they've ever been) is something that feels very new and very rewarding to NMT watchers. Like "Oh my god! I know those guys! But it's all of them! This rules!"***

But also, showing Wiggly again gives the non-NMT watchers something to latch onto. Showing his brothers is in itself the new exciting thing, like "Oh my god, it's Wiggly! Wait - there's more of him? What the hell?!" At its core, their purpose in the plot is simple and comprehensible. It's deal-with-the-devil plotline, it's not rocket science. That, and showing all the Lords and dropping crumbs of lore could also get non-NMT watchers excited and interested, and would hopefully entice them to watch Nightmare Time. (Which I am once again encouraging you to do! There's so much you're missing out on!)

So TL;DR - My guess is that Starkid wanted the show to be rewarding to Nightmare Time watchers, and accessible to non-NMT watchers. They did this by combining the two main Nightmare Time episode formats (monster of the week and Lords in Black) in a way that felt new and exciting, wasn't too lore heavy to confuse non-NMTs, but was just lore-y enough to get them interested and feeling rewarding for NMT watchers who already knew about this stuff. So that's why they used all five Lords.

Wow I did not mean for this to turn out so long, I am sorry lol

*If you want to be pedantic, you could say everything/most things in Hatchetfield lead back to things like the Witchwood or the Starry Children or whatever, which arguably lead back to the Lords, but what I mean is not every Nightmare Time is about one or more Lord in Black directly making a mess. The 'monster of the week' things I mentioned are all related to stuff that happened years and years ago, so they don't count as much.

**Okay, NMT2 doesn't really stick to this formula as cleanly, but that doesn't really matter for my point.

***This was pretty much my reaction, after a lot of incoherent excited yelling lmao

[hestzhyen]

Chapter 47 Yaoibachi Posting

Hokazono-sensei really slammed the gas this chapter, man. No search and rescue mini-arc here- just going back to the series' roots by having our good guys slaughter nameless mooks in suits. Excellent decision! But goodness it feels like he's trying to rush through this set-up to get to what he really wants to say this arc. I trust the emotional impact to land so I guess this really is the Kunishige lore/flashback arc since that's where the narrative focus went.

First off, I got the official arc name wrong last post. It's actually The Sword Bearer Assassination Arc. So, uh, maybe don't get too attached to any of the guys Chihiro will be trying to save. Might be difficult though if they're all as endearing as Uruha.

This Fucking Manga, Man

I just can't even this chapter. I CAN'T. I'm sitting here drafting this on Thursday and I'm in awe of the spreads. Cover and color pages? Stunning. Fanservice? Immaculate.

Yes, we got onsen fanservice after all!

Now accepting bets on who Uruha will be shipped with more: his personal guard guy or Kunishige.

Of course it pulls double duty to give us insight into Uruha and, by proxy, Kunishige. I was right on the money about Uruha being a free-spirited dude with a unique perspective last week... but I didn't imagine he'd basically be a wholesome AF version of Sojo. The Kunishige worship from this guy is off the fucking charts (and so are the Hakuri-Chihiro parallels)!

"This blade suits you" from Kunishige is a callback to Hakuri's words to Chihiro in chapter 20. I love it when authors do this shit. Can we infer that Chihiro felt the same level of awe for Hakuri? Probably not, but he did need to hear that affirmation quite badly, so it's still significant.

You don't get to comment on other guys being weirdly obsessive over a Rokuhira on sight like that, Hakuri.

THESE DUMBASS GOOBERS. Poor Chihiro's still collecting weirdos while Hakuri has no self-awareness at all. I'm in tears this is just too good. Hakuri, I love you. You're perfect.

I don't wanna get hyped after just one chapter for something that probably won't be happening. I get just about everything wrong week after week anyway! But I wouldn't mind Chihiro and Hakuri's relationship being compared to and developed through Uruha and Kunishige, just sayin'... Please... Hokazono-sensei went through the trouble of making sure we know that Uruha is obviously meant to parallel Hakuri, so that won't go to waste right?!

TFW the light of your life dies and leaves you behind.

'Cause this feels like a set up... I don't know, man. It's impossible to guess how the story's going to go but I get the sense that Uruha is going to have a lot to teach both of these guys- Hakuri in particular.

Neither Hakuri nor Uruha put a lot of value on their own lives until a Rokuhira showed up to praise them. And they're both freakishly devoted to the image of their savior to the point that they're willing to fight and possibly die for them. So we could be exploring that aspect of Hakuri's mindset as a subplot while the larger machinations swirl around them, since it's a pretty potent character flaw and all. I need Sazanami "defend to the death" Hakuri being convinced to give a shit about himself so, so badly.

Goddamnit, please stop hurting yourself.

Hakuri's also unable to use Isou due to burnout, as expected. Still wondering if the Kamunabi knows he can use two sorcery techniques but I won't hold my breath on getting answers for that. It's not necessary for this to be addressed unless it would cause some kind of friction, after all. And for as much as I would like to see the council's reaction to Hakuri and his circumstances, I don't think it'll be relevant. We'll just have to assume they either don't know his last name or are completely fine with a Sazanami being included in the plans. I wanna be wrong though. I really do.

Contract, Powerscaling, and Naming Conventions

We learned some interesting things this chapter. One, the theory of the Lifelong Contract erasing a Bearer's innate sorcery is confirmed. So if we are ever going to learn what Chihiro's sorcery is, Enten will have to be an exception to the other six swords, or he has two sorceries and the contract only nullifies one. I'm not sold on the second one since Hakuri only overworked the storehouse but is limited using both of his, implying there's a common pool of spirit energy they draw from. Looking forward to more details on how this works!

It also seems that the Bearers weren't tucked away in "safe" locations until Kunishige's death three years ago. So they probably got to live their lives as they wished until the Hishaku ruined things... which would explain how Sushi guy ended up at a restaurant. I feel like each location could have special meaning to each Bearer so hopefully we see more about how and why they ended up where they did.

Hiyuki also wasn't lying about the Kamunabi's forces being spread thin. Just 14 talented sorcerers to defend each Bearer, and even then Uruha would have felt more reassured if Azami or Hiyuki was there.

Nice going, Azami! So we know you're hella strong since Hiyuki's the best fighter in the Kamunabi- the only one in the force who can contend with Kunishige's WMDs (ch. 18). I think a Bearer would know how strong an enchanted blade is, so we can assume that Uruha's assessment of Azami's strength is accurate. Azami can't be sent out on the ground like the rank and file as a higher up now, but I'm highly anticipating him demonstrating that fearsome sorcery of his.

We also got another name! Kuregumo's original bearer was named Misaka (巳坂). This is most probably a family name like Uruha (more on him in a bit). 巳 (mi) means "snake" for wisdom and intelligence and 坂 (saka) means "slope/hill" or "embankment" for steady progress, a peaceful life, security, and/or strength and resilience. We'll definitely learn more about them- it's just a matter of when. The upside of Hokazono-sensei being stingy with names is that we all know to sit up and pay attention when one gets dropped.

We also got Uruha's given name this chapter (Youji [洋児]) and the name of his blade (Kumeyuri [酌揺]). Strange names for a strange fellow, but that's expected of someone whose family name implies a free-spirited nature with a unique outlook I guess. 洋 (you) is a kanji that specifically describes the ocean in an expansive, almost foreign sense. Not just the sea in general, but vast waters extending far away from one's current location. It has a ton of possible interpretations, naturally: courage, ambition, adaptability, limitless possibilities, harmony, inclusiveness... on and on. 児 (ji) means "child" in a straightforward way and carries connotations of joy, hope, and potential. So Uruha Youji [lacquer feather ocean child] is quite the character in his name alone.

Kumeyuri's name doesn't really give us any insights into it's potential abilities or theme, unless Kunishige was drunk (or wanted to be) when he made it. 酌 (kume) is the kanji used for pouring sake and implies generosity, abundance, and celebrating joy. 揺 (yuri) means to shake, sway, or jostle and connotes a sense of energy, playfulness, enthusiasm, and fun. I'm getting a lot of entertainment value trying to imagine how a sword named after a shaky pour of sake works, let me tell you. Somehow it seems very apt for Uruha already though.

Dead Dad Trivia

So Kunishige himself requested to hold on to the blades- it's very certain now that whatever happened during the war changed him into the man we met in chapter 1. Seitei war flashbacks please, I'm dying over here! But keep up the layering and scattering of little details! Don't feed me too fast! Make me wait and get all impatient every week! Torture me-

Curious that many people who seem to have known Kunishige doubted his potential as a father. Whether they see him as a savior or a selfish prick, most of them scoff a the idea of him having a kid. Maybe Kunishige was just a guy with layers like his son, so only those who actually knew him well would believe he could be a decent dad. We saw him goofing off with Shiba and Azami when they were Chihiro's age in chapter 12 so it's not like he was a stoic since birth (he said himself that Chihiro inherited that trait from his mom). We're going to slowly piece together the real Kunishige this arc and I can't wait!

Also a bit odd that few people see the resemblance between Chihiro and Kunishige until Chihiro's passion shines through or they get a good look at how he carries himself. Won't hang my hat on the blood test showing that Kunishige wasn't his bio dad after all, but the groundwork is there if it does. Regardless of what happens, though, it's pretty obvious that Chihiro is Kunishige's son thanks to the ideals he took to heart.

Hishaku Theory

RIP bandanna guy you were too cool to live.

Yeah, "enemies of the state" isn't a term you use for a regular criminal gang, no matter how threatening they are. I'm more convinced than ever that the Hishaku are primarily a political threat to all of Japan (though still very willing to admit that I might be reading too far into things).

Kyora's conversation with an unknown Hishaku member in chapter 22 referred to "dissidents". That's also a very pointed descriptor for people with differing political ideologies, especially ones agitating against the "legitimate" ruling group.

Could Soya come back to finish what his dad started? Meh.

This implies that Kyora and the Sazanami clan were aligned with the Hishaku's goals beyond merely business. The Hishaku probably have sympathizers in and outside of mainstream society, and likely within the Kamunabi itself as well. And then there's the kiku flower -which has strong ties to Imperial imagery- in the vase that's shown up twice now, arraigned alongside other flowers symbolizing deep desire and patience.

So I think the Hishaku lost the war and have been plotting their comeback for a long time now. How does this tie into Chihiro's personal journey beyond the revenge mission? We'll have to see. John Hishaku's goals and methods are shrouded in secrecy right now, so I look forward to learning about why he needed to foster Chihiro's hatred to enact his plans. Cool job making the core plot hook so compelling, author-san!

HakuHiro Brainrot

I have to, I'm sorry. This chapter was a godsend.

Give me an inch and I'll run a thousand miles with these two.

Chihiro acknowledging that Hakuri is special! Feels like a very deliberate reference to the language used in Chapter 33, especially by Tenri. Makes sense since Tenri was a parallel of Chihiro's devotion to his father and his legacy.

"Hakuri- my older brother by a year- is different." would have flowed a little better, but it's a clunky sentence no matter what...

The reference was probably made in order to imply that Chihiro sees Hakuri as a brother (or family in general) via the Tenri connection. However, that won't stop me from shipping them romantically because I'm illiterate as fuck.

ANYWAY.

FOOD IMAGERY WITH HAKURI FOR THE FIRST TIME SINCE ICE LADY!!

Hakuri's sharing snacks with Chihiro on the train- he feels so safe with his samurai! And this is the first time we've seen Chihiro accept food since he reluctantly (metaphorically) shared dango with Sojo in chapter 17! He's rejected Shiba's offers, provided one-sidedly for Char, resigned himself to connecting to Sojo to understand him, skipped getting ice cream, and missed the gaming session, but he accepted Hakuri's small gesture...! I'M GOING FERAL

Hakuri is canonically the only character Chihiro's accepted emotional comfort and support from since his dad died. On screen so far, at least.

Hakuri, who was deeply traumatized when he last tried to connect with someone, feels secure enough to do it with Chihiro...

Chihiro, who is only at ease with providing comfort, accepts it for the first time from Hakuri...

The first time we see them exchanging the comfort/security visual metaphor is while they're on their own...

And it's just so casual for them to do this...!

I sounded confident when I called Hakuri the heroine of Kagurabachi in that long-ass post I made a few months ago, but... I was actually right?! Hakuri is Chihiro's first and only emotional safe haven. He's got plot-related utility and can hold his own in a fight, but he's not going to be outshining the likes of Chihiro or Hiyuki any time soon. His faith in Chihiro has been his most valuable contribution to the story- even moreso than awakening to his storehouse ability. The only thing that's missing at this point is the chance of HakuHiro being canon! Seriously!

Alright void... thanks for letting me yap again. Definitely not going to go back to writing fan fiction for the first time in 10+ years because this stupid edgy sword manga broke me. Nope, never, not me...

[ell-vellan]

A random collection of Veilguard Thoughts after completing the game, because I need to vent some feelings. spoilers below!

Firstly: I was going to love this game regardless. I came into it with the fewest amount of spoilers possible. I do love this game. I won't argue with anyone - if we have different opinions, that's fine! I won't tolerate hate, though.

This is my messy stream of consciousness, but let's start with the good stuff!

The Good:

-Gameplay was fun! Combat was fun and inventive, for someone who plays on Storyteller mode and tries to get through combat as fast as possible so I can get back to the story, it rarely aggravated me.

-The maps/puzzles are fun. They were usually easy enough to figure out on my own without looking it up, but just complex enough I felt smart when I got it. I like that the game almost always rewards you for looking around and exploring off the beaten path a bit.

-It felt like a spiritual successor to Mass Effect 2 in the way that you have to build your team up in order to save the world. I loved that.

-The griffons coming back is one of the best things in the Dragon Age universe ever, and I love that we could decide what to do with them. (But I'm kind of concerned that there's only 12, and they're...related? I feel like that's not enough individuals to grow the species back...)

-Letting us pet and hug Assan (with different animations!) over and over was one of the best things they ever did. Also, photo mode was a great idea.

-The little hints about Those Beyond The Sea we keep getting?! Dear God, I hope we get another game and get more lore. I'm dying to know. They've teased this for so long, I really, really wanna know what's up with this part of the world.

-i loved being able to choose our body proportions.

-I'm so thankful we got to make our Inquisitor and keep the same vallaslin and voice actor. I hate the outfit they gave them and how we had no choice in it, and I would have also preferred to have a choice in their prosthetic, but I'm grateful for what we did get. The missives from them were also a nice touch, and seeing the letter from the Inquisitor's love interest was SO HEALING. Tbh, in reality, I think the Inquisitor would have been involved WAY more, especially since the crossroads would have made travel basically instant across Thedas. But I get why Rook needed to stand on their own two feet.

-Morrigan/Mythal was a great touch. It made sense logically, there was character growth, and I'm glad Mythal wasn't gone entirely, but I wish we could know what's become of Kieran.

-All the VAs are so good. the world felt lush, magical, twisted, and fun, with just the right amount of tragedy and horror balanced with hope and love. Arlathan was gorgeous and tragic and horrific and I took SO MANY photos.

-we got more Dalish and more Qunlat words!!

-THE LORE. So many questions finally answered. I kind of thought we would learn that the Black City was actually the prison Solas made for the gods, but hey, maybe next time? I also still want to know if Andraste was real and more about the origins of elves as spirits, but alas...

-i loved the inventory system. I wish we could have sold equipment we didn't need instead of just the valuables, but it's a minor quibble. It was so much easier to manage, I didn't have to waste a bunch of time going through everything to find the best items for everyone

-ARCHON DORIAN PAVUS !! He was barely in the game which made me sad, but the fact that he was there at all and so glorious was wonderful. I wonder if people new to the game know or care about the significance of him being in charge of Tevinter, though, since we didn't even really get to have a conversation with him

About Solas:

I played thru DAI on release day. My first Inquisitor romanced him. When Everything Happened(tm) I was PISSED. I wanted revenge on Solas, I wanted to hunt him down. I've thought about him for 10 years, and now I am so wistful for more of him. I want to give him a hug. Moreover I want Lavellan to hug him.

Solas was INCREDIBLE in this. I loved, loved getting to see his memories firsthand - this was more than I'd hoped for - and the banter with Rook was one of the best parts of the game. Seeing him with hair - seeing him change into Fen'harel and fight a DRAGON? him helping us in the fade by baiting Elgar'nan and getting all bloody and beat up trying to help us, thinking he was going to trick us one final time? My wildest dreams came true. He was layered, he was complex, he was incredibly heroic and sympathetic and tortured and clever and absolutely ruthless. He was at turns heartbreakingly sincere and infuriatingly traitorous.

He showed a wide range of emotion; we got to see the real Solas, not the polite pretender of Inquisition. He was the shining star of the game for me. And he was sorely lacking.

We hardly got to speak to him!! It drove me nuts that we couldn't talk to him as much as our other companions. He literally knows the most about our enemies and how to defeat them. And we know he's probably planning some trickery in his lil mind prison. Why are we not checking on Solas at every chance we get?

Learning more about and speaking with Mythal? Chef's kiss. But I so, so wish that a romanced Inquisitor, along with Mythal's release of Solas, was what prompted Solas to realize there could be more to his life than rebellion and penance. He's betrayed everyone he's ever loved, and killed his closest friends, but he didn't kill her. Mythal represents his past, she's the origin of where it all went wrong - I wanted Solas to see a Lavellan that understands and forgives, even after everything, and that universal acceptance is the thing he needs to finally let go of trying to make up for what he's done. (It's fine, I'll just write a fanfic about it, whatever)

My Complaints:

-That we only can choose 3 possible variables for worldbuilding to keep from Inquisition. I think this the biggest, most egregious and disrespectful thing they did in the game, and I'm sure it's been talked about to death, but I'll just add that I hate it. I'll live with it - I'd rather they be vague than ret-con or kill off beloved characters off-screen - but still, what's the point of all of our previous choices if we don't get to see how they shape this world?

-The relationships felt SHALLOW. For a game that revolves around your companions, everything felt surface level. While I loved that almost every time you went to the Lighthouse, people were somewhere different and talking to each other, I HATED that Rook couldn't participate in their conversations. We only listened. I hate that we couldn't really ever initiate any long, deep conversations where we got to ask our companions strings of questions about themselves and their histories. I feel like I barely know Neve or Lucanis. I did like getting a bit more in depth with characters during their missions, but still...I feel like I barely know them, not the deep closeness I've felt with Dragon Age companions in the past. Nobody ever argues or disagrees with you, not really, just a couple times and it doesn't truly matter. I loved the companions. Their designs are so cool. I wanted to know everything about them and talk to them more. Why can't we ask Davrin about his vallaslin (it's obviously Ghilan'nain) and how he feels about it now that we are fighting her, especially if we're also an elf? And Bellara, why can't we ask about her tattoo and where her clan is and how she joined the Veil Jumpers? Why can't we ask Neve about her prosthetic? I loved the references to Inquisition in Harding's design, but since we couldn't import more than 3 things, she couldn't even talk about the Inquisition beyond the most vague things. Taash barely speaks at all. Emmrich has no life beyond the dead.

-The companions are so...one-note. Taash brings up being non-binary at every. single. quest, even though their adaari-ness and crossroads between being Qun and being Rivani was super interesting to me. (more on Taash in a minute.) Lucanis likes coffee. Davrin's personal quests mention "torlum" ad nauseum and the fact that Assan eats a lot. Bellara at least talks about other interests, but everyone else is so predictable. Even their banter doesn't seem to give them a lot of individual personality.

-the body models for female elves felt..a bit odd? My Rook always looked bow-legged. And do bras not exist in Thedas anymore? Lol

-The choice of who dies? HEART-WRENCHING. why was it between those two?! Why isn't the romance scene until AFTER this choice? Why doesn't the thing that happens with Harding and The Stone protect her (I thought it would!) and why don't we get any resolution to that if we lose her? I understand that Davrin was prepared to sacrifice himself as a Grey Warden, but making us lose Assan too...? Cruelty. That's what it is.

-I don't like that there are permanent deaths that happen regardless of our choices. That sucks. I know it's realistic, but this is a game, and I want my happily ever after for everyone, DAMN IT! The twist truly shook me, and I didn't see it coming. I didn't think I'd be caught by surprise and I was.

-The characterization of Rook is all over the place. I played an elven Rook with non-traditional vallaslin (figuring that the newer generation of Dalish Veil Jumpers might blend tradition with their new focus of exploring the Veil.) At various times, my Rook has said these things: "I didn't grow up with the Dalish." "I'm Dalish where it counts. "As a fellow Dalish--" WHICH IS IT? I'm in the most elfy faction, it's not even that I picked something unlikely for an elf with a face tattoo. I don't know what you have to do, what flags you have to trigger in the code, but the game still seems so confused about who our characters are. Pick a lane, Rook!

-While I'm on this subject: it would have been so nice to be able to know from the character creator what every kind of tattoo, body paint, and scar pattern went with what faction. And for the Dalish, which god matched to which vallaslin. It would have blown my mind in a good way if our choice of vallaslin came up in any way shape or form

-I would have loved if our race and faction actually like..mattered more. Walking around the Veil Jumper camp at the beginning and nobody talking to me except Strife and Irelin, that was so boring! Nobody recognizes you or asks how you've been. Just silence. Like everyone around you is a cardboard cutout. I expected more from Bioware.

-We got so much amazing lore in this game, and I'm really happy about it! But why did Bioware have to take the most marginalized group of people in Thedas, who were barely clinging to their own language and culture and freedom to begin with, and make everything bad that ever happened THEIR FAULT? What was the thought process there? That they used to have power but their leaders were in fact so terrible that they tore themselves apart and now live on the fringes of society? It makes it feel like the elves deserved their present fate, which is...pretty sucky. I'm glad they did not massacre the elves in this game as they have in the past, and that the elves didn't become even MORE the enemy by joining with the gods, but it really feels like the humans are only going to kill more elves in retribution for their gods almost ending the whole world. Also, related: nobody ever gives us sass about being an elf, not even in Minrathous, where elves are almost entirely slaves?!

-i know everything's changing with the lore stuff we typically know, but why did it seem that existing physically in the Fade is just no big deal anymore?

-at no point does Harding mention Varric dying? They don't have a funeral, a memorial? The Inquisitor says nothing, Morrigan says nothing? I know Solas messed with rook's mind, but even after...?

-the fact that the romance scenes don't happen until after the deaths. So it's possible for your love interest to die before that? Cruelty. Also, weird places to hook up, right after I just found out someone I thought has been alive this whole time DIED AT THE BEGINNING, and another dear friend sacrificed themselves, and we aren't sad at all during this? I understand sex after loss is perfectly normal and I understand that. But at least for the scene I saw, there was no "celebration of being alive" feel, it felt...more lustful than loving? Just an abrupt tonal shift.

-it just...ends. there's the typical little wrap up slides, but they're, again, shallow. A few lines here and there. Apparently the whole of Thedas was nearly destroyed, and not a single country went unscathed, but it's all gonna be ok! The bit of hope was nice, but...I don't feel settled at all. And it seems like we won't get DLC? which...ugh. and they fired the writers, which, again, cruel. If they make another Dragon Age, I can't see it being truly Dragon Age without them.

-i decided to make Taash's whole deal and the Qun a separate post lol

All in all - so thankful we got this game, so thankful we got what we did, I'm still processing a lot of it, and the past 3 weeks of my life I have done little else but live inside this story, but I just really need to scream into the void now!!