#we get to affect actual change to the world

[swanimagines]

Hola can i request a Morpheus x f!Reader fic where her son is running over all the palace because he doesn’t want to take a bath?

Sorry English is not my first language

A/N: Ahem ahem, excuse me... this may be the first time in a very long time I'm actually genuinely HAPPY with something I wrote?? If there's a writing deity or a saint, I will pray to them and hope for this kind of skill and motivation and inspiration and whatever hell I need to produce THIS kind of content in the future too, thanks bye!

"Aridus!" your voice echoed through the grand corridors as you chased after your son, who had decided today was not the day for a bath. He turned around slightly, his face scrunched up in anger.

“I don’t want to take a bath!” he declared for the hundredth time, before taking a turn to yet another maze of hallways. You let out a frustrated groan, even though you tried to keep it in.

“I know, sweetie, but after all that playing with Goldie, you’re all muddy, I can’t let you go to bed like that!” You stopped, as you took the turn to where he went. “Aridus, please just—”

“No! I don’t want to sleep either!” His voice echoed through the hallway, it was impossible to know which nook he took as a hiding place. “Daddy never sleeps either!”

It was true, the everlasting bickering with him. Why is daddy able to go around day and night, why can’t he stay up to play all night as well. But the thing was, Aridus was your offspring too, and you were originally from the Waking world — and you needed sleep, so Aridus needed sleep too. Your husband had told you that Aridus may need less sleep than a “regular” human as he grows up, but as a toddler he was just like regular children were. Getting tantrums out of being tired, while the tantrum is about not wanting to go to sleep. “I know sweetie, but he’s–”

“No!” he screamed, and you heard the patter of feet going further again.

You barely heard Morpheus coming to stand beside you, but you felt his presence and turned to look at him. “I can’t catch him. He’s persistent and knows how to tire me out.”

Morpheus's lips had a small hint of a smile. “He is much like you, then.”

Morpheus smiled properly now, inclining his head forward. “True.”

You scoffed and crossed your arms. “Me? Are you sure? You’re the one who’s refusing to listen to any other opinions of change when you’ve already decided the ‘best’ way. I think he’s more like you than me.”

A loud crash interrupted the sound of running, and you heard something rolling through the floor, followed by a soft thud and a whimper from Adrius. You walked forward with Morpheus following close behind, and discovered the source. Aridus had collided with one of the pedestals, which had sent a stack of dream scrolls all over the room. You moved to stand in front of him and brought your hands to your hips, sighing.

Suddenly your son, who had been so angry just a moment earlier, looked more remorseful as ever. “I… I didn’t mean to.”

Before you could answer, you felt Morpheus’s hand on your shoulder. “Allow me, my love.”

Aridus sat there frozen in place, looking at his father kneeling in front of him. Morpheus reached out, carefully tucking a curl of hair behind Aridus’s ear. “Do you know why we need to take baths, Aridus?”

Aridus’s shoulders slumped. “I know, father. Mother doesn’t want my bed to get dirty. But I don’t like to get wet.”

Morpheus shook his head. “It is not only because we get dirty. Every day, all living beings get dream dust on them. If there’s too much of it, it weighs us down. It affects our mood and eventually… it may make us fall asleep and never again wake up. Be stuck in nightmares forever, and not even I would be able to help.”

Aridus stared at his father, his mouth opening slightly before he whispered, “Stuck?”

Morpheus nodded. “Yes. Even the stars must cleanse themselves of the night sometimes.”

For a moment, Aridus stared at the floor, clearly trying to contemplate his options. But eventually, he looked up again and nodded. “Okay.”

You smiled slightly, ushering him towards the bathroom before you looked back at your husband, who was left cleaning the mess up.

—

Later, when you watched your son sleeping in his little bed from the doorway, you felt a slight gust of air as Morpheus appeared to your side again. You smiled at him and whispered, “You’re good at making up stories. I think he’ll be much more willing to take baths in the future.”

He shook his head, his eyes fixed on your son. “I merely spoke the truth.”

You frowned. “Really?”

He turned towards you slightly. “Yes. Well, maybe I dramatised it a little, but much of it was true. Even stars need to be born anew sometimes. They too resist, hang on, but ultimately they yield and give way to new stars. Just like our son did.”

You nodded and let yourself lean against him slightly. "I’ll admit, I was starting to lose hope there for a moment. I didn’t think anything could convince him to take a bath, let alone willingly. He certainly takes after both of us. I thought I'd never tire him out, but you…” you murmured and looked at him. “You have a way with him. Maybe I should let you handle all the tantrums from now on."

Morpheus pushed you away slightly, tracing his fingers against your bare arm. "I would handle them all, if you so wished," he whispered. "But I believe Aridus needs you as much as he needs me. You are his anchor to both worlds. Without you, he might wander too far in the night."

You smiled a little at that. Morpheus certainly knew his way through words, it was in his nature, in how he was created, sure, but you felt like he had learned a thing or two from love since he fell in love with you all those centuries ago.

You sighed, looking at your sleeping son. “He seems to like wandering. He has told me so many times he wants to be just like you, and I don’t know how to tell him that it isn’t possible.”

Morpheus was quiet for a moment, running his hand up and down your arm. “He must learn to walk in both worlds because when the time comes… Waking world may call out to him. In any case, balance is essential. And he must learn to control and thrive, whatever his place will end up being.”

You swallowed, remembering that once your son grows up, he may only be able to visit you at night. You’d watch him grow old year by year, and only get him back once he dies. Which will take centuries, if not even millennials with his Endless blood. And even then, he may choose the Land of the Dead if he has loved ones there. But Morpheus made it sound… like it was natural. Which it of course was, you reminded yourself. “You make it sound so simple. That it will be simple to accept it.”

"Simple, no. But necessary, yes." His hand stilled on your arm.. "And you, my love, have always excelled at guiding him in ways I cannot."

You were quiet for a moment again. “I just don’t want him to grow up so fast.”

He was quiet for a moment too, taking in a deep breath. “I wish he did not grow so fast either. But moments like these, they will linger. Forever, if necessary. We need not fear losing him.”

You nodded, finally closing the door and following Morpheus towards the throne room. “I guess I should just remember he’s going to be a half-deity like you. And that hopefully he’s going to make the world a better place.”

Morpheus turned to look at you, taking your hands in his. “He will have both of us with him when he enters the Waking world, and be more than us. He will be a dream, but also a heartbeat. And that, my love, is his gift.”

You swallowed, but then closed your eyes and dropped your face towards the floor. “I know. As long as he has both of us in him, he’ll be alright.”

Morpheus cupped your cheek, tilting your head to look at him again. “He will thrive. He will flourish in ways we cannot yet even imagine.”

You nodded, glancing back towards Aridus’s room and then you turned back to Morpheus. “I love you.”

His smile appeared again, an expression only reserved for you before he kissed your forehead. “And I, you. Always.”

Requests are open! FANDOM LIST | PROMPT LIST(S) | RULES (READ!!!)

[teeny-tiny-revenge]

Look, when Ed leaves with Jack it isn't Ed choosing Jack over Stede as the better partner/love interest. This is what Stede thinks is happening. Stede hasn't even entirely admitted to himself at this point that his investment in Ed is romantic, but he does treat it as a breakup, he sees Jack as a rival for Ed's attention/love, so from Stede's perspective, yes, Ed is leaving him for Jack.

Stede thinks he is in the romance novel plot and has to compete with his love interest's ex for his affections.

This is also what Jack is intending to make Stede feel.

Jack is playing a con. He is actively working towards Stede coming to the conclusion that Love Triangle Business is happening, but Jack's motivation isn't winning back Ed as a boyfriend from Stede. I don't think Jack does boyfriends. Jack does dalliances. He would probably agree with Lucius's "we don't own each other". And this would apply if Jack happened to randomly come across the Revenge and decide to fuck with Ed's new crush for kicks and giggles (which is what Anne and Mary do when in that situation!). But Jack doesn't come across the Revenge by accident. He is on a mission, given to him by Izzy. We don't know if Jack gets paid for it or if he does it because he's worried about Ed and doesn't want the Navy to get him, or some combination of both, but Jack is the only one in this equation who actually knows what is happening, and what is happening is a plan to drive a wedge between Ed and Stede to make Ed leave the Revenge so he's out of the picture when the Navy shows up.

But neither of this is what's going on from Ed's perspective. (This entire episode is a masterpiece in the "characters completely misunderstanding each other and what's going on" trope.) Ed doesn't really figure that he's been cast as the pivotal point of a love triangle. Ed isn't spending the episode trying to choose the better boyfriend candidate and then leaving with him.

Ed is busy having a personal identity crisis.

This crisis has been ongoing for a while when Jack shows up. With Izzy's pressure to pirate a certain way gone, Ed is freer to explore what Ed wants to do now and how he wants to live and who he wants to be. He is tired of the traditional pirate life, he wants to try something different. He also isn't ready to fully do a hard cut. He just figured out Stede might return his feelings during the treasure hunt. They just decided to co-captain. A lot of things are changing for Ed.

And then comes by a very old pal. Jack and Ed have history, they used to sail together, they survived their difficult youth under a cruel captain together. Jack represents a different type of pirate life than Izzy. Jack is fun. (Everyone but Stede thinks Jack is fun, and that's in no small parts because Jack is actively working towards making Stede uncomfortable but everyone else have fun and take Jack's side - this works on everyone in the crew including Ed!)

From the beginning on, Ed is struggling to make Stede and Jack get along and like each other. He's trying to somehow combine his old life and his new life because he doesn't want to choose between one of them. He wants to have the best of both worlds. He wants his old friend and his new friend/his ex and his crush to be friends and get along. He wants to keep what was fun about traditional piracy (as represented by Jack) but also move on to Stede's new brand of doing things. He wants fancy breakfasts, and then has to realise that Jack pours alcohol into his teacup. He wants to play coconut war like the old times, but has to realise Stede hates the idea. A big part of this episode, from Ed's perspective, is about trying to reconcile these two worlds and failing.

Ed's main problem, through both seasons, is that he doesn't really know who he is or who he wants to be. He struggles massively with self-worth and self image. He views himself as an unlovable monster and spends his entire life bending over backwards and wearing masks to cater to what he thinks other people want him to be. He plays up Blackbeard for Izzy, Blackie for Jack, and he isn't sure if who he is being with Stede is actually Ed or not. Ed thinks nobody can possibly like him, so he constantly tries to perform to whatever expectation his direct peers have of him.

Next to this main crisis, Ed is having another secondary crisis called "fuck I'm in love with this guy" and "does my crush like me back". This secondary crisis is heavily influenced by the first, because Ed thinks he is a terrible unlovable person, remember, so "does this guy who I think is the bee's knees return my feelings" becomes a lot more fraud than it would be for a person with a modicum of self-esteem.

Ed, who struggles with "who/what am I as a person", sees Jack as a person who is similar to Ed. They have a lot in common. They share a lot of backstory. They are both pirate captains. They used to do the same things. Ed always played Yardies and Whippies and Turtle Vs Crab, because really that's just pirate culture. The main difference between Jack and Ed is that at some point Ed outgrew this life, and Jack didn't. But Ed, who is bad at recognising himself as a person and to define his identity, is only sorta vaguely aware of that. In Ed's perception, him and Jack are very much alike.

So when Stede, Ed's new friend and crush who he already thinks is too good for someone like Ed, starts rejecting Jack and Jack's behaviour, and says things like "I don't like who you are around this guy", what Ed hears is "I don't like who you are". Ed hears Stede thinks Jack is a bad person, and because in Ed's head a) he and Jack are the same and b) Ed is a bad person anyway, Ed hears "you are a bad person".

"You were always going to realise what I am", says Ed, as he is leaving with Jack after Stede tells Jack to leave the ship. Note the dehumanising "what" instead of "who" Ed used for himself. Ed, who thinks he sucks and is an unlovable monster, thinks this is the other shoe dropping, and he's been waiting for it to drop all along, because someone great like Stede isn't for a guy like Ed. Stede was always going to see what Ed is.

Ed's leaving the Revenge/Stede is 100% down to Ed's abysmal self-worth. It's a self-perception born from childhood trauma that fucks Ed over several times during the show (and ultimately leads to his suicide attempt).

Ed is so busy having All That going on that he mostly fails to notice that Jack is playing him, or what exactly happens between Jack and Stede, that Stede perceives Jack as a romantic rival for Ed's attention/affection or that Stede too struggles with self-worth and that Jack is hitting him where it hurts all the time. Ed's headspace in this episode isn't "oh, two sexy guys I like, which one should I choose to be with". It isn't even "oh my old pal is being a real dick to my new friend who is feeling really insecure here". Ed's headspace is "I'm a terrible person and Stede is seeing it now and Jack wants me to do more pirate party stuff but Stede hates that so now they both hate me and I probably deserve that because I'm a monster".

Ed leaves for Jack as much as Stede an episode later leaves for Mary. It's the exact same situation. For Stede, his own trauma and self-worth issues show up in the form of Chauncey Badminton, telling him he is a monster and ruins beautiful things, and Stede's reaction is to agree because he already thinks that of himself, so he takes his horrible ruinous monster self away from beautiful things (Ed) and back to where it belongs (to a miserable life he was hoping to leave behind). And for Ed, no Chauncey Badminton is required, because he's already constantly thinking these things about himself anyway. From Ed's perspective, Stede tell him he is a bad person (just as Jack), so Ed agrees and takes his horrible self away from beautiful things he doesn't deserve (Stede) to a miserable life he was going to leave behind.

Neither Jack nor Mary actually feature into the leaving much. Neither situation is "leaving the new guy for the ex". They're both situations of "I have a fuckload of trauma and self-hatred and it destroys my actually pretty nice new relationship".

And this is very interesting as a parallel. It doesn't even end there! When Stede returns, and Ed hears where he went, Ed too goes to "you left me for Mary". Same as Stede went to "you left me for Jack". And neither of it is actually what was happening!

Stede doesn't leave Ed for Mary, and Ed doesn't leave Stede for Jack. They both decide, driven by very similar trauma, to leave because surely the other one is going to be better off without them.

[redditreceipts]

hey! I saw ur post asking about peaking stories. im not sure, but im guessing peaking means when you realised the whole trans thing was bs? if so then i have a story for that !!

so i used to be a huuuuuge trans supporter, at one point thought i may be a trans man (though i thankfully didn’t come out or change name or do any sort of transition).

then i started to realise the flaws in the logic and distanced myself from the whole thing. but i decided that i would take the approach of “if it’s just people being themselves and it doesn’t affect me, i should be fine with it.”

then one day a man on public transport cyber flashed me and my friends by airdropping penis pictures to us. i knew who it was because there was only one guy on the carriage actually on his phone. he was holding two separate iphones (suspicious as hell) and looking around all sneaky. I can’t fully explain it, but if you were there you’d just KNOW it was him. so i took a picture of him. I decided to report this incident and send in the picture of the guy, hoping something would get done.

when i was spoken to on the phone by the transport people, the staff member basically gaslit me into not putting the report through, told me there was nothing they could do, made me feel like i was overreacting. literally quote he asked “do you feel like a victim?”. sadly i was too young and shy to call him out. i was far too polite about the whole thing.

Anyway, in this interaction he referred to the man doing the airdropping as “he or she”. I remember thinking ‘she???? SHE????’ and i realised that in this world of self identity, there’s nothing to say that he couldn’t have identified as a woman. And I thought to myself, in that scenario, am I meant to think of that as a female-on-female sex crime? would that be how it’s counted in crime statistics? and suddenly everything came crashing down for me. like, wow, trans ideology actually does affect me and isn’t just about self expression and people being themselves. it has serious ramifications on people’s, specifically women’s, lives.

So yeah, that’s when i ‘peaked’ if im using that word correctly lol

yes, you are using that word correctly and WHAT THE FUCK?!?! Why are people like this??? (I mean we know why men are like this, but the staff members???)

I mean I'm glad that you're here now, and I also hope that this experience didn't have any lasting impacts on you because wtf

[bruqh]

uh hey so is danielle insinuating what i think she is???

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[theamazingannie]

Half of people say that kids these days are too sensitive and half of them say they’re too apathetic which in itself seems like a contradiction but I feel like it’s just half of young people have had to shut down their emotions because it is so easy to learn about tragedy these days. I’ve been awake for a half hour and already I’ve learned about a teenager who was killed at his homecoming game last night, a young girl who died from cancer recently, and had a reminder of the school shooting where a bunch of kids died. It’s impossible to not be beat down by all of this and there are really only two results: becoming over sensitive to it all as everything gets piled on, or to turn it off

[cesium-sheep]

when I was little, alternating weekends and holidays read to me like a 50/50 deal between my parents, which was probably because mom was a workaholic and never spent a second of time at home that she didn't have to on weekdays anyway. and then as I got older I spent a lot of weekday afternoons at dad's anyway because his house was much closer to my school and all my friends, but he was working nights so he was usually asleep most of that time and I still had to go back to mom's in the evenings. (I tried using this convenience of proximity as weight to negotiate to move in with him instead once. she had a screaming crying meltdown about how I don't love her and I never asked again.)

but being court-allotted 96 hours out of every 672 (14%) with a handful of bonus days throughout the year is uh. not half. it's very not half. even if we subtract school and sleeping that becomes 64 of 288 (22%). he really got fucked over trying to reach escape velocity huh.

[poptartmochi]

hhrrrrrng.. colonel. it is anemone thought time

[frecklenog]

“self immolation as a form of extreme political protest has a long history all over the world, and aaron bushnell’s death should not be discussed solely as a suicide”

and

“people who are already hurting and vulnerable can do more to help while they are still alive than they could in death, and should not repeat aaron bushnell’s actions”

are statements that can and must coexist, actually.

he felt that he was complicit in genocide as an active duty us service member, and, to an extent, he was. but also as an active duty service member, he was legally not allowed to quit his job as a member of the military.

his final act was to take drastic measures to draw attention to a genocide that many people in this country are turning a blind eye towards, and i commend him for his sacrifice. it should be honored and remembered.

that doesn’t mean i want anyone to feel that they should follow in his footsteps.

he should not have been made, by nature of his employment, to feel that he was complicit in genocide, because those in power should not be funding and supporting it in the first place. but they are doing so, and he made it clear that did feel that way. we can’t change that. that doesn’t give us the right to dismiss and ignore his actions.

“this [genocide] is what our ruling class has decided is normal.” and it shouldn’t be.

keep bushnell’s message in mind as you organize. protest, fundraise, call your representatives. these are actions that have a tangible effect. and they do far more to help than dying.

but i’m not going to condemn him, just as i’m not going to condemn the likes of thích quảng đức. i’m not going to say that his death was worthless, because it brought undeniable attention to the matter at hand, despite attempts by american media to gloss over why he did what he did.

i understand where people are coming from — self immolation is a deeply disturbing thing to witness, even blurred. i was very deeply affected by the video. but that’s exactly why he did it; to get through to people that this matters.

i don’t want anyone else to die, either. but remembering aaron bushnell and what he died for is not synonymous with encouraging suicide.

his last words were “free palestine” and, as people living in countries that are funding extermination, it is our job to carry on that cry until palestine is free.

that means living to see it through. ensure that he did not die in vain.

[cheesey-rice]

Ok low key Ive just watched a letsplay of slay the princess and I'm like a little obssessed. I think I need to like hold buying the game and playing it hostage from myself until I do at the very least the first half of my practice test today even though like theoretically I shouldn't play anything new at all until after I've taken my test.

[idiopathicsmile]

School Gymnastics: A Tragicomedy

So one day when we were in third grade, our P.E. teacher divided us into girls and boys. (I don’t remember what the boys had to do. Wrestling? Tackle football? I don’t know, probably not at age nine, but that’s not the point. Gladiatorial combat? I still don’t really understand kids’ sports.)

What matters for this story is that all the girls had to do gymnastics. Now—and I suspect this won’t surprise you if you know literally anything about me—I was always terrible at any form of school athletics. I am intensely, almost impressively uncoordinated. This doesn’t affect my life much at 36, but it was often a miserable way to be a kid. The only playground game I liked was playing pretend, because when you are playing pretend, you don’t have a bunch of people ostensibly on your side screaming in your ear, “Pretend faster! Pretend over there! Pretend with greater accuracy!”

Anyway, gymnastics and my clumsy, doughy little body. I couldn’t do a cartwheel. I couldn’t do a backwards somersault. I couldn't do any of it. We had an entire unit on this business and I literally did not learn how to even safely attempt a single move besides the log roll (lie flat and roll sideways on your belly). In retrospect, this seems like maybe it was in part a teaching problem, not a me problem, but that’s actually not the point either.

The point is, at the end of the unit, we were told to divide ourselves into little teams and choreograph a group gymnastics routine. My group, faced with my long list of limitations (more limitation than girl, really) decide my role will be to just forwards-somersault around the rest of the group as they do their moves. (This is itself kind of embarrassing but trust me, it is but the appetizer.) My friend Ashley has the Lion King soundtrack and we all agree that it is a great choice. The movie has only come out a couple of years earlier, and it of course features some funny, peppy options. 'Hakuna Matata'? 'I Just Can't Wait to Be King'? It's all coming together.

Carried on a wave of youthful enthusiasm, none of us even think to double-check which track Ashley has picked. Foreshadowing!

So the day of the performance comes. Another group goes right before us. They had picked “Wannabe” by the Spice Girls, which was a huge hit at the time. I mean, it still is because it’s a classic, but then it was big and new. They step onto the mat and immediately begin to do choreographed dance moves, which they have worked into their routine. We had not thought of this. Oops. Dance moves, of course! So they incorporate the necessary gymnastics, it goes over really well, the energy is high, and now it’s my group’s turn.

I take my place at the edge of the mat, the mat we are required to stay on for the length of the piece. Ashley cues up the track she’d chosen.

A song starts up. Instantly, I recognize it from the movie. It is the very slow instrumental music that plays when Simba realizes his dad is dead.

‘Well, this is not optimal,’ I think. I've been on this planet for nine years; I can see that much. But it’s too late to change the track, and so I tell myself, ‘It’s okay. I’m a performer. I can sell this.’ I put on an extremely solemn face and begin to execute a series of the world’s saddest somersaults.

Friends, when I say “sad” I mean it, in every possible sense of the word. Picture a nine year old with the gravest possible affect, determinedly doing somersaults to the slowest, most serious music she can imagine, in a careful ring around her friends who have actually learned any gymnastics whatsoever. Okay, now as the music starts to pick up and get more hopeful, imagine she gets real dizzy and in front of everyone, she rolls all the way directly off the mat, careening dangerously towards the assembled students.

Somehow, I roll myself back onto the mat, we survive what feels like hours of humiliation, we stagger away, and I blessedly avoid adding “puking my guts out in front of all of my peers” to my very short list of gymnastics tricks.

Later, I asked Ashley what in the world possessed her to choose that song.

“It didn’t have any words,” she said.

(There was absolutely no rule against using songs that had lyrics.)

Anyway, that’s why being an adult is better than being a kid.

I may have to do laundry and make my own dinner and wrestle with more complex existential angst, but you know what I haven’t been asked to do in like 26 years? Somersault for three minutes straight to the musical shorthand for “this cartoon lion cub has no choice but to process the weight of unimaginable grief for his dead dad.” And you know what? If I live another 50 years, I can be pretty confident nobody will ask me to do it then, either.

[beatrice-otter]

I’ll be honest, when one party’s aiding and abetting the genocide and the other’s outright gonna kill all my friends, I don’t really care if the fascists “win”. They’ve won already.

You know who would be delighted to hear that? Trump and Putin. The US far right and the Russian government have poured lots of time, effort, and money over the last decade+ into convincing US leftists and liberals that things are hopeless, there's no point in even trying to make things better, and the Democrats and Republicans are functionally interchangeable. They do this because one of the easiest ways for them to win is if the left gives up and stops trying. Every person on the left they can convince to give up in despair brings them closer to complete control. Defeatism on the left actively supports victory on the right.

I think your statement is wrong on a number of levels, both factual and emotional. It comes from not understanding what the actual options are for the US government and the President specifically, either at home or abroad. And it will allow actual fascism to flourish and make the world far worse than it is now.

On an emotional level, the way to address this is to stop doomscrolling. Stop focusing on the worst things happening in the world. Don't ignore them! but don't let them consume you. Start looking for the things that are going well. Find places in your community that you can get involved in making things better. Even if it's only on a small scale like volunteering in a soup kitchen or homeless shelter, it will help you realize that you aren't helpless, that there are things that can be done to make the world a better place. Stay informed about things on a local, national, and international level, but limit how much time and attention you give to things that depress you that you can't affect. Instead of sitting there thinking about all the ways the world sucks and how awful things are, look for things you can do that are productive, and then do them. You'll feel better and you will have made your corner of the world a little better. And you will be a lot less likely to unintentionally fall into the despair, nihilism, and passivity that the fascists want you to be consumed by.

Always remember that the worlds problems are not resting solely on your shoulders, or solely on America's shoulders, and neither is the hope of fixing them. Everyone has things that we can do to make the world a better place, but there are also things that are beyond our control. We can control what we do; we cannot control what others do. We can and should try to make the world a better place, but focusing on the things we can't change has no positive benefits. Focusing on things we can't change accomplishes two things: it makes you feel bad, and it stops you from doing the things you actually can do to make things better. Neither of these things is good for you or anyone else. Look for things you can do and do them. Keep informed on the things you can't change, but don't focus on them.

On a factual level, let's look at "aiding and abetting genocide," shall we?

First, it's important to remember that the US President is not the God-Emperor Of The World. The US government has limits to what it can and can't do in other countries, and both legally and practically. If the US wants to intervene in a problem in another country, there are a variety of things we can do that boil down to basically four categories. It's a lot more complex than this in practice, of course, but in general here are the categories of things we can do:

Send in the troops. Invade, either by ourselves or as part of a NATO or UN operation. (Or maybe just send in a CIA wetworks team to assassinate the head of state.) I hope you can see the moral problems with this option, and also, we've done this a shitton of times over the course of the 20th Century and pretty much every time we've done it, we've made an already awful situation worse. On a moral level, it's pretty bad, and on a practical level, it's worse. Sure, we could stop the immediate problem, but what then? Consider Afghanistan and Iraq. We got rid of Saddam Hussein and the Taliban, and everything went to shit, we spent twenty years occupying Afghanistan with pretty much nothing to show for it. (The Taliban is back in control of Afghanistan.) Things were worse when we left than when we arrived. So this option is pretty much off the table (or should be).

Diplomatic pressure. Now, the thing is, they're a sovereign nation, they don't have to listen to us if they don't want to. We have a lot of things we can leverage--including financial aid--but the only way to force them to do what we want is to invade and conquer, and that only works temporarily. Since we can't force, we have to persuade. This requires us to maintain our existing relationship with the country in question, and possibly strengthen it, because that relationship is what we're leveraging to try and influence them to do what we want them to do. If we do not maintain our relationship, they have no reason to listen to us.

Cut ties and go home. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things and we wash our hands of the whole situation. This keeps our own hands lily-white and pure, but it also means we have zero leverage to work on any kind of a diplomatic solution. They have no reason to listen to us or care about what we think. We can pat ourselves on the back for doing the right thing, but we destroy our own ability to influence anything. Not just now, but also in the future. Let's say the current crisis ends, and then ten years later there's another crisis. If we want to have any effect then, we would have to start from square one to start building a relationship. Cutting ties would be great for making Americans feel better about ourselves, and there are times when it's the only option, but it should be a last resort. If there is any hope of being able to influence things for the better this will destroy it at least temporarily.

Cut ties and impose sanctions. Break off any existing relationship and support, loudly proclaim that they're awful and doing awful things, but also use the might of the American economy to isolate and punish them. We've done this a lot over the 20th Century, too, and it has never actually resulted in the country in question buckling down and toeing the line we want them to. What happens is the sanctioned country has an economic shock (how long it lasts and how bad it gets depends on a lot of factors) and then pulls themselves back together economically, except this time they're more self-sufficient and less reliant on international trade and financial networks. They tell themselves that America is evil and the cause of all their problems, and so not only do they not listen to us, they actively hate us. And they have fewer international relationships, so fewer reasons to care about what the international community thinks about them. So they're most likely to double down on whatever it is they're doing that we don't like. This one is completely counterproductive and utterly stupid. It's great for making Americans feel better about ourselves, but if we actually care about being able to use our influence for good (or, at least, to mitigate evil) this option shoots us in the foot. It encourages other nations to do the very thing we're trying to stop them from doing.

So, with those four options in mind, both option one (invasion/assassination) and option four (sanctions) are off the table for being immoral and counterproductive. That leaves "breaking our relationship and going home" and "using diplomatic pressure" as our only two viable options.

Biden has chosen option two, diplomatic pressure. Yes, he and our government have continued financial support for Israel ... but with strings attached. They have put limits on it that have never been put on any US foreign aid before. They have taken legal steps to lay the groundwork to target Israeli settlers (i.e. Israeli citizens who confiscate Palestinian homes and businesses). We've been hearing reports for months that Benjamin Netanyahu (Israeli Prime Minister, and a far-right-wing demagogue) hates Biden's guts, because Biden is pressuring him to stop the genocide and work towards peace. Biden is maintaining the relationship, and he's using that relationship to try and influence things to curb the violence and pave the way for a just peace settlement of some sort. Biden has also mentioned the possibility of a two state solution where Palestine becomes its own completely separate country. That's huge, because up until this point the US position has always been that Israel is the only possible legitimate nation in that territory. If Biden stopped US support for Israel, it wouldn't force Israel to stop what it's doing ... but it would let them ignore us. It would remove any leverage or influence we might have.

Biden's hands aren't clean. But the only way for them to be clean would be to also give up any chance of influencing the situation or working to protect Palestinians now or in the future. Only time will tell if it works, but I personally would rather have someone who tried and failed than someone who didn't even try. You might disagree about whether this is the right course of action, and there's a lot of room for honest disagreement about the issue (there's a lot of nuances that I'm glossing over or ignoring). But please do acknowledge that Biden isn't supporting Israel because he supports genocide; he's doing it so that he can continue to maintain diplomatic pressure on Israel to stop the violence.

Which brings us back to "aiding and abetting genocide." Trump is not like Biden. Trump is good friends with Netanyahu and backs Israel to the hilt. Trump thinks that all Arabs are terrorists (and all Muslims are terrorists) and genuinely believes the world would be a better place with them dead. Biden is continuing to support Israel, but using that support as influence to get them to stop or slow down. Trump would be using that influence to encourage them.

And those are the two choices. Someone who is trying to curb the genocide, and someone who actively supports it.

I really hope you can see the significant and substantial difference between those two positions.

But let's say that you're right and Biden's policy towards Israel and Palestine is every bit as bad as Trump's would be. If there was nothing to choose between them on foreign policy grounds, there would still be a shitton to choose between them on domestic policy grounds. You admit that the right wants to kill your friends, and yet you don't seem to think that stopping them from killing your friends might be a good thing to do.

"We can't save Palestinians, so we might as well let Republicans destroy the rights, lives, and futures of LGBTQ+ people, women, people of color, people with disabilities, poor people, non-Christians, and anyone else they don't like." "We can't save Palestinians, so why bother to try to save the people we might actually be able to save." "We can't save Palestinians right now, so there's no point in trying to build up a longer-term political bloc that might drag US politics to the left over the long run."

Do you get why there's a problem with that line of thought?

[nightingale-prompts]

How to Raise Your BatBoy

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Dick sighed into his cup of coffee. This is not what he wanted to see when he woke up in the morning. That and the giant bat wing covering his face this morning.

Danny was getting bigger. Not physically but his bat features are changing. The teen was getting better at changing shape. His ears are sharper ending in slight points, his fingers are more clawlike, and he has grown a thick ringed collar of white fur around his neck. Thankfully that's as far as his transformation can go right now. Danny has learned to pick and choose what traits he wants.

Danny has claimed Dick's gymnastic equipment as his. The aerial equipment is now used as roosts for Danny to hang off of and nap. But that hasn't stopped him from sleeping on top of Dick like an overgrown cat.

Bat wings expel a lot of heat as blood circulates through the thin skin which cools the blood in hot environments that they are native to. So to regulate their temperature they rest together to conserve heat. That's probably why Danny decided to grow the fur collar and sleep on top of Dick.

And why is Dick so frustrated? Because he's fighting for his goddamn life in this house. His cute aggression is barely contained. He wants to squish the kid's cheeks and ruffle his hair all the time.

Dick would be going over case files while Danny watches tv on the floor and Dick will feel the insatiable NEED to go bother him.

That damn fuzzy neck fur calls to him like a cat picking up a kitten.

Danny chirps! He fucking chirps! Like a baby bird!

Dick is trying so hard to be normal but if you had an adorable and clingy batboy you'd do the same.

Dick wants to tell the world about his batboy.

And he does. When he's Nightwing he will not shut up about how much he adores his sidekick. God forbid Robin is visiting, Dick will cry while taking hundreds of pictures of them together.

Damian doesn't like Batboy at all. At least that's what he says. He's just jealous that Batboy has bat wings. Damian warms up to him after they go out gliding together and get to study his wings.

It however goes downhill when they go on a misadventure and Batboy took a bite out of Scarecrow. Batboy had an immunity to fear toxins, instead, it overstimulated him. He ended up lounging at Scarecrow when he taunted Damian as the boy was paralyzed by the gas. When Damian was able to get back on his feet he found Batboy sobbing with his mouth covered in blood.

"Im sorry. I didn't. I didn't mean to-" His wings shielded him from sight.

Scarecrow was alive but the two sets of puncture wounds on his neck and the claw marks were not doing him any favors. The bite seemed to render him immobile at least for now. A symptom of a bat bite was paralysis.

Damian notified the others. Bruce and Dick got there first. Both adults were thankful they were okay but there was a disagreement.

"Nightwing you don't even know what the boy is. He could have killed Scarecrow. We don't know what he's capable of yet. He lost control." Batman stated firmly looking at the blood-stained teen that clung to Nightwing.

"He was protecting Damian. He didn't want to do that." Nightwing pulled Batboy behind him.

"It doesn't matter what he wanted to do. What will you do if he loses control and actually kills someone next time?" Bruce crossed his arms.

"All of us are capable of losing control and killing. I did it and you never came down on me like this. You are a hypocrite. You think he's a monster because he's not human." Nightwing was not going to let Batman point a finger at his son like this. He killed Joker once and he had don it out of rage and hate, not even to protect someone else.

"What I'm saying is that he isnt human. We don't don't know how he can be affected. We don't know his weaknesses. What if someone else figures out what fear toxin does to him and turns him into a weapon? Will his guilt be enough to stop him or will it destroy him? Do you want him to become like Man-Bat? Do you want to put your son in danger?" Batman didn't give in to Nightwing's taunt and stated his view firmly.

"We're leaving." Nightwing picked up the shrinking Batboy and made his escape but not before hugging Robin goodbye.

Nightwing had to move quickly. He could feel Danny getting smaller with every step.

This happened sometimes. Danny would sometimes retreat inwards when he was stressed. He changed to become as vulnerable as he felt.

When they got home Danny looked to be just 3 years old.

"Its okay baby bat. Not one is going to hurt you. I promised remember?" Dick held the chind aginst his chest.

"I'm so sorry. It's all my fault." Danny said between gasping breaths trying not to cry. His small wings wrapped around Dick's shoulders

"No, its not. You did the right thing no matter what Batman says. I'm proud of you."Dick said stroking Danny's black-streaked white locks.

(*Does a silly jig*)

[gameyface46]

i’ve almost completely lost the will to work or keep myself alive because i want to speed up the end-of-life process. but i still have a sliver of optimism that won’t be shattered until i die, because i need to live to see rhythm heaven 5 because i still have faith in humanity. we can turn this ship around, but we’ll probably scrape the iceberg anyway and die a horrible, horrible, hot death while the AI continues what we started, but does so horribly.

[flanaganfilm]

Mr. Flanagan, I’d like to ask a question and I deeply hope that it does not offend or upset you. I am strongly considering canceling my Netflix subscription due to their new password sharing policy. However, Midnight Mass is one of my favorite shows of all time and I know it isn’t available on DVD, and I’m also profoundly anticipating your take on my favorite Edgar Allen Poe story. So I wanted to ask your take on people accessing your work through, uh, other means. If it’s something that’s offensive to you or will harm you or the other people who work so hard on these shows, I’ll happily keep my Netflix just so that I can keep supporting your work. I respect you far too much as an artist to do otherwise.

Again, I really hope I’m not upsetting you by asking this question. Thank you for everything, and I hope you’re having a great day!

(NOTE 6/4/2024: I'm editing this entry because, well over a year since it was posted, some journalists dug this up and used it to create click-bait headlines that are misleading, out of context and artificially combative. While I was of course disappointed over the years that Netflix opted not to release my work on physical media, I never experienced any hostility or aggression in those discussions, and I sincerely regret the manner in which this post was used in the press this week.)

Hi there - no offense taken whatsoever, in fact I think this is a very interesting and important question.

So. If you asked me this a few years ago, I would have said "I hate piracy and it is hurting creators, especially in the independent space." I used to get in Facebook arguments with fans early in my career when people would post about seeing my work on torrent sites, especially when that work was readily available for rent and purchase on VOD.

Back in 2014, my movie Before I Wake was pirated and leaked prior to any domestic release, and that was devastating to the project. It actually made it harder to find distribution for the film. By the time we were able to get distribution in the US, the film had already been so exposed online that the best we could hope for was a Netflix release. Netflix stepped in and saved that movie, and for that I will always be grateful to them.

However...

Working in streaming for the past few years has made me reconsider my position on piracy.

In the years I worked at Netflix, I tried very hard to get them to release my work on blu-ray and DVD.

It became clear very fast that their priority was subscriptions, and that they were not particularly interested in physical media releases of their originals, with a few exceptions.

While companies like Netflix pride themselves on being disruptors, and have proven that they can affect great change in the industry, they sometimes fail to see the difference between disruption and damage. So much that they can find themselves, intentionally or not, doing harm to the concept of film preservation.

The danger comes when a title is only available on one platform, and then - for whatever reason - is removed.

We have already seen this happen. And it is only going to happen more and more. Titles exclusively available on streaming services have essentially been erased from the world. If those titles existed on the marketplace on physical media, like HBO's Westworld, the loss is somewhat mitigated (though only somewhat.) But when titles do not exist elsewhere, they are potentially gone forever.

The list of titles that have been removed from streaming services is growing.

I still believe that where we put our dollars matters. Renting or buying a piece of work that you like is essential. It is casting a vote, encouraging studios - who only speak the language of money - to invest more effort into similar work. If we show up to support distinct, unique, exciting work, it encourages them to make more of it. It's as simple as that. If we don't show up, or if they can't hear our voice because we are casing our vote "silently" through torrent sites or other means - it makes it unlikely that they will take a chance to create that kind of work again.

Which is why I typically suggest that if you like a movie you've seen through - uh - other means, throw a few dollars at that title on a legitimate platform. Rent it. Purchase it. Support it.

But if some studios offer no avenue for that kind of support, and can (and will) remove content from their platform forever... frankly, I think that changes the rules.

Netflix will likely never release the work I created for them on physical media, though I'll always hold out hope.

Some of you may say "wait, aren't The Haunting of Hill House and The Haunting of Bly Manor available on blu-ray and DVD?" Yes, they are, because they were co-produced with Paramount, and I'm grateful that Paramount was able to release and protect those titles. (I'm also grateful that those releases include extended cuts, deleted scenes, and commentary tracks. There are a number of fantastic benefits to physical media releases.)

But a lot of the other work I did there are Netflix originals, without any other studio involvement. Those titles - like Midnight Mass, The Midnight Club, and the upcoming Fall of the House of Usher - along with my Netflix exclusive and/or original movies Before I Wake and Gerald's Game - have no such protections. The physical media releases of those titles are entirely at Netflix's discretion, and don't appear to be priority for the studio at this time.

At the moment, Netflix seems content to leave Before I Wake, Gerald's Game, Midnight Mass, and The Midnight Club on the service, where they still draw audiences. I don't think there is a plan to remove any of them anytime soon. But plans change, the industry changes.

The point is things change, and each of those titles - should they be removed from the service for any reason - are not available anywhere else. If that day comes - if Netflix's servers are destroyed, if a meteor hits the building, if they are bought out by a competitor and their library is liquidated - I don't know what the circumstances might be, I just know that if that day comes, some of the work that means the most to me in the world would be entirely erased.

Or, what if we aren't so catastrophic in our thinking? What if it the change isn't so total? What if Netflix simply bumps into an issue with the license they paid for music (like the Neil Diamond songs that play such a crucial role in Midnight Mass), and decide to leave the show up but replace the songs?

This has happened before as well - fans of Northern Exposure can get the show on DVD and blu-ray, but the music they heard when the series aired has been replaced due to the licensing issues. And the replacements - chosen for their low cost, not for creative reasons - are not improvements. What if the shows are just changed, and not by creatives, but by business affairs executives?

All to say that physical media is critically important. Having redundancy in the marketplace is critically important. The more platforms a piece of work is available on, the more likely it is to survive and grow its audience.

As for Netflix, I hope sincerely that their thinking on this issue evolves, and that they value the content they spend so much money creating enough to protect it for posterity. That's up to them, it's their studio, it's their rules. But I like to think they may see that light eventually, and realize that exclusivity in a certain window is very cool... but exclusivity in perpetuity could potentially limit the audience and endanger the work itself.

[lifetanes]

god i wish id be as fucking privileged as some of ypu are lmao your problems sound like fun