#we could've had narrative sensibility but no...

[lakesbian]

here's every way wildbow accidentally made pre-meiosis "russel" thorburn transgender that i can remember. if you can think of any reasons i forgot please add on

his parents named his younger sister "ivy," as if the obvious grandmother-pandering name "rose" had already been used up. blake theorizes that they used a male version of "rose" for PMT, but this is nonsensical--there is no male form of the name rose, and everything he comes up with as a possible option (in other words, everything wildbow came up with as a possible option) is a major stretch. most don't sound even tangentially like the name "rose." it makes far more sense to assume that PMT was afab and had the deadname rose. (this also makes sense on a thematic level wrt how rose thorburn jr is supposed to be the Real heir that grandmother is forcing blake to die for, but that's getting besides the point)

rose has memories of being harassed over the inheritance by her female cousins, and the idea of these memories just being wholly pulled out of thin air when basically everything else involves memories either being split btwn blake and rose or erased altogether is weird

blake is friends with, like. a lot of gay people. textually runs in poor gay artist circles. the idea of them adopting this weirdly cool cis straight guy is funny but it makes a lot more sense if PMT was trans + gay and only got turned into a straight guy (and a straight girl) yesterday, due to the homophobia demon

PMT literally thinks "Besides, why devote any more attention to your son, when you could just start over?  Have that beautiful baby girl you wanted, right?" which is also like one of the only pieces of internal narration we get from PMT in the entire story. first girl they named rose ran away and did some shit with their gender so now they have a second girl they can't name rose but can still try to raise to go for the inheritance

in the same chapter as when pmt says that, callan is like ohhh you think youre going to worm your way in-, implied sentence ending being "-to the inheritance," which is, like. the family knows it's going To A Girl. so.

PMT was childhood friends with paige, who is The Gay Cousin. it is deeply sensible to imagine them bonding over this, regardless of whether or not PMT (or even paige) knew at the time

it is, like, fully possible for a cishet dude to get sick of living with his shitty toxic abusive family and abscond at the age of 17, but also homelessness is an extremely prevalent issue among transgender kids in abusive families. the narrative of a transmasc kid growing up in an abusive, catholic extended family where girls are pressured to compete for a very gendered inheritance + leaving at the age of 17 & finding a new home among a bunch of gay artists is Significantly more compelling than the cis dude alternative. it just is.

okay i think im running out of, like, logical errors that make sense only if pmt was trans prior to the Obliteration, so as for the thematic stuff. like i said, rose being the half grammy decided was supposed to be "real" and blake being the half that's supposed 2 die for her 2 exist, rose just being unhappy and disconnected by nature of existence while blake is the parts of pmt that escaped from the constraints of the family + found happiness, so on and so forth. "catholic grandmother literally obliterated her transmasc nonbinary grandchild by splitting them into two binary gendered halves & expecting that the man they could've been die to allow the acceptable woman--literally forced to dress in grandmother's clothes--live on and do as grandmother wished" is Everything, doing the same thing but to a cis man grandchild is significantly less compelling

Others who r very old/operating on what are explicitly stated to be oppressive and antiquated gender roles as per the book's themes about inherited/traditional forms of harm keep mistakenly calling blake she/her and rose lmao

??? probably some other thangs im forgetting

[codenamesazanka]

Its not even a matter of being a villains fan or not, the writing is just genuinely bad because it contradicts dekus character and interrupts shigarakis storyline. Deku was written to set himself apart from others by using his stablished inherent goodness to save (not kill) the "unredeemable villain", that was his narrative challange/conflict, like it was done with uraraka and shouto (except they are not the MC). This is not a overanalysis, its literally how the author was writing his mc lmao.

Hi anon, again(?)

I'm not disagreeing with you! About Deku being bad writing. Sorry if it came off that way. I think the story really did mostly tell us about Deku's attributes without showing them, and also effectively gaslit us about Deku's uniquely great drive to save and that all the stuff he did was in service of that 'saving'.

I have to point out, though, that technically killing was never off the table. Nana asked him if he had the resolve to kill, and Deku said 'Dunno. Maybe there will be no other way', and only after that says he wants to try saving first. Gran Torino gave us the "killing is salvation" and Deku never contradicts him, and now it seems like that was the thing Deku took to heart.

The thing about 'saving' is that - I think - it's in a Buddhist context that this Japanese manga takes place in. Though take what I'm saying with a grain of salt. Idk about Horikoshi's religious beliefs and HeroAca isn't an explicitly Buddhist work, but Buddhist thought is part of Japanese culture, so it's inevitable that its sensibilities and ethics show up everywhere.

'Saving' here means ending suffering, being freed from things like anger and hatred. It doesn't necessarily mean 'not kill' or 'no death'. Sort of like saving the soul. Which is why Deku smashing Shigaraki's hatred is him 'saving' Shigaraki... and then he can just let Shigaraki die. Deku even talks to Shigaraki in the latter's final moments about basically trying to end the cycle of sadness/grief/misery - with him releasing Shigaraki from it.

(I don't think this is unique to Buddhism either... Saving the soul is also a thing in Christianity, right? With death still okay. That's something I know even less about, though, so pardon me.)

Quoting @bnhaobservation :

It's similar to how Midoriya saves Shigaraki's soul and we aren't impressed, but Japanese readers are.

In the western culture when someone dies, at most, we only worry about the soul regretting his wrongdoings or he'll end in hell (that and that he won't look deserving of being forgiven by the audience if he doesn't regret them).

In Japan, when someone dies in a violent way including murder or suicide or dies leaving behind unfinished business or do not receive appropriate funeral rites upon their death, they believe his spirit remains trapped in the world of living and can't move on and this is torture for said soul.

So the idea that Shigaraki's soul was soothed, that was put to rest, is really important and equates to salvation in a Japanese mind-setting... but, to us, it's only a last smile before death.

Deku was indeed written to set himself apart from others - by even bothering to care a little bit about Shigaraki and 'not ignoring the Inner Crying Child'. (But then there was Uraraka, feeling the same way about Toga...) No one else on the Hero side cared, not even All Might and Gran Torino with their connections to the Shimura Family that Shigaraki/Tenko is part of. Deku's inherent goodness means compassion, which, again, he shows by 'not ignoring the Inner Crying Child'. He takes the extra step of trying to save Shigaraki's heart, which technically he didn't have to. He could've just killed Shigaraki from the start. And so that's his great heroism.

Furthermore, he's actually unhappy about being unable to save Shigaraki/Tenko's life. That's a sign of his amazing kindness.

I largely disagree with this. I think 'saving' should've meant also physically saving Shigaraki. I think Deku's kindness was bare minimum, and this is absolutely not "extraordinary heroism". But that's me. I've seen a few Japanese readers also take Shigaraki's ending to mean that he couldn't be saved, or disagree with Deku's violent mind-invasion actions. But most of the reactions I have seen from Japanese readers do agree with Deku having did his best and succeeded in saving Shigaraki's heart, and that was what was needed, and so Deku is a great Hero. This isn't unique to Japan either - good portion of people in Western fandom also seem to agree.

Writing is still bad, though, with Deku being so bland and boring and empty of a character and the story often insisting that Deku doing a regular old thing that other characters have also done is actually the epitome of heroism. Then there's everything else in Act 3.

Thanks for the ask, anon! Sorry you were disappointed.

[dearweirdme]

https://www.tumblr.com/dearweirdme/750029125678514176/httpswwwtumblrcomdearweirdme7499257226966302?source=share

I love it when anons write dissertations on taekook blogs just to try and make their relationship seem "normal" and exactly like the other members.

Tae was constantly hanging out with jk in 2023. So it took them 3 years to properly mend their relationship after the soop talk?

So Jk and tae were growing apart and since tae wasn't living with them anymore and jk decided to address Tae's mood and their relationship infront of their fans. Instead of writing that festa message, he would've idk, texted him? Instead of addressing their growing distance infront of multiple cameras capturing every angle, they could've talked privately? It's is what people do IRL isn't it?

"If they intended to make taekook follow a script of “being awkward” like you claim, then why did they basically fill ITS with alot of taekook being soft and affectionate with each other" well according to you there's different kinds of closeness. Physical closeness doesn't mean mental closeness. So why are you even taking a note of them being affectionate and soft? If I have any kind of awkwardness b/w me and my friend, I would not feel as free with them as I normally would. I wouldn't be as affectionate and soft with the friend who I have underlying issues with.

Tae left his own room to go cuddle with jk in its. Not to wake him up, just to sleep with him. Jk sat between Tae's legs, for quite some time bcs there were multiple cuts. The instances you gave comparing this are sometimes done as a joke(re. Jin grabbing tae's crotch) or things done for a purpose (re the water wiping). As for that jk caressing jm's bare skin, I've not seen that clip, but even so, those are seconds of touches, those touches don't last for eternity. That's the difference.

"We have seen Tae kiss or sniff Jin and Jimin on their napes" you've seen tae kiss jimin and jin's napes have you? Bcs as far as I remember he's done that only to jk, twice. Maybe your jk shapeshifted into jm and jin?

"eaten food that has fallen out of each other’s mouths" as far as I remember, only jk has done that, with tae.

"what does Jk consoling a crying tae mean" everyone, including jk, was crying that night. Tae was turning towards joon but jk grabbed his head and put it on his shoulder. He did not console anyone else, jimin did. Jimin went to hobi, tae, jk. He is always hyper focused on tae in stressful/important events. We've seen multiple instances where jk goes completely still when tae starts speaking.

"Jk cares about Tae just the same way he cares about all his members" way to generalize their relationships. Be a little mature about this please. I know people love to say that they love each other equally, but realistically that's not possible. There are members who are closer to one than the other.

STOP WITH THE DIFFERENT CULTURES NARRATIVE ALREADY. God I am tired of jikookers and solos bringing up the different culture thing to try and cancel everything that has no other explanation. They live in sk, not saturn. There might be some cultural nuances that might play a part in some narratives but completely dismissing everything...that's just idiotic.

Tae said he wanted to be closer to members in seasons greetings. But he said he had gone on a trip with jk, in '21. Before the wooga trip that you so happily mentioned. You sound like one of those jikookers who used to try and make tae look like the odd one out bcs of wooga. But he is hanging out with jk and wooga together. His friends supported only jk's solo. Wooshik only followed jk and tae. Idc how many times you all try to spin the "they are all equally close" narrative, tae is closest to jk in BTS. No other member hangs out with Tae's friends. You picked up fringes to prove that tae hung out with every member in chap 2 when even jikookers(atleast the sensible ones)know that tae and jk were attached throughout chap 2. Taekookers have a literal calendar to prove that 😂. Solo era, when they weren't obligated to meet everyday, they chose to hangout with each other. Eg, the day tae came back to sk, he was already making plans to go to jk's to eat makguksu(which btw they can't stop talking about), and he flew for that Celine event the day after that.

Tae has said multiple times that he used to share his troubles with jk, that they used to cry together. This is during the time when he had moved out. But according to you tae moving out was one of the reasons they grew apart. Yoongi texted just those two, they were together even when they received his text, no other member knew about it. During the worst year of their lives, they chose each other. How immature are you to believe that two people who have always been so close, who've always been there for each other, who share such a deep bond, will grow apart bcs one of them stopped being fun?? Are you kidding me?!!

So, to answer your question, yes, we do listen to taekook. They are the only ones we listen to. Maybe you should start doing the same. Instead of trying to find receipts that somehow make tae the aloof member, try to focus on your ship, if you have one( I think you do, the one that starts with j and ends with 13 😉)

Hi anon!

To be fair, I don’t think that anon is a jkkr, they usually insert Jm somewhere, which this anon hasn’t done. And I understand that if you don’t pay extra attention to Tae and Jk.. you just believe what is given to you. You take what you think you know of Sk culture and think.. yeah, skinship is just a physical act, it doesn’t speak to their connection.. all of BTS are close. But there are just such big differences between the extent of that skinship and the context around those moments between Tae and Jk and them and other members. When you don’t care to look at the context and the specifics of those moments though.. yeah sure it might all look the same and it fits in whatever you’ve been told to think.

All of BTS are close. Their food and drink sharing is troubling to me 😂🙈. Most of them love an occasional hug, some of them have occasional very little physical boundaries. All of that is a sign of closeness. But Tae and Jk go the extra mile.

If Tae and Jk just had minor awkwardness in their friendship this wouldn’t have been a point of focus in ITS, if Tae and Jk had medium to mayor awkwardness between them we would’ve seen that in the way they interacted physically.

[antrauma]

I just hate hate hate hate hate that we keep seeing zero with nunnaly in post-canon tho, like, bitch don't you have any actual work to do for the peace? why are you constantly on wheelchair duty? get an automatic chair or AI autopilot, you didn't even know she was alive when planning zero requiem? get a real job, one random peace ambassador should have no business occupying so much of zero's time

and she was shown asking for it in black albion and pulling him away from his actual duties, so it's not like this is zero's real job either, he just needs to say no to her? the real problem is, if you're not consuming the extra material, gaidens, pamphlets etc. that display rest of his work, and only watching the big fancy animation works, it'll end up looking like all suzaku does is standing around like a mute lug and playing bodyguard to his childhood friend instead of putting himself out there for the sake of the world

but nunnaly is pretty much no one in the grand scale and, frankly, can't do much about anything going on in the narrative of the day, so if the writers want to have an excuse to show her on screen, they'll need to plant her next to zero, which ends up reducing zero's character and looking really insulting to not just suzaku but also to lelouch and their resolution for zero requiem

also like, what the FUCK happened to "nunnaly has the strength to live alone now" like, fuck you, you obviously don't think she does in whatever writer's room you have up there since she constantly needs zero or schneizel hovering behind her when they could've been doing literally anything else as the two busiest people in the world post-ZR except MAYBE kaguya (but hey, we also see kaguya take over the nunnaly babysitting duty here and there)

and arthur was clearly the superior peace ambassador between the two of them, even in his advanced age

and don't even fucking get me started on the universal 100th empress headcanons before the sequel set shit straight, oh god, the sheer idea britannia would be able to stay a monarcy or an empire after all that bullshit alone??? and with what experience, education or insight? even meathead suzaku was more groomed, realistic and compromising for politics by the sheer fact he was able to survive britannia alone? why the fuck would a country in crisis put up with managing a dead-weight head of state on top of all the other hardships they would have to deal with after lelouch's reign?

like, when it comes to smiling for public and saying pretty words and gathering pity, she's good publicity sure? and she does have a back bone and determination, but she'd have no path of showing it when she's essentially an Ideas Man who looks great talking to cameras but leaves everyone else to do the legwork/paperwork with unrealistic unilateral demands even as the governor? like, sure, delegating is important for a ruler, but you still need to have an idea of HOW the things you want done might be done, or if they even can be? so she essentially ends up like charles deciding the national policy and then ditching everything on schneizel? and even charles would've had to handle his own shit when he was younger

and while we as viewers know she had very good reasons to keep her head down and be cautious, she also essentially abandoned her post and responsibilities after tokyo got freija'd as far as it would look like to the people of that world without the context of their family drama and geass, when she should've been at ground zero, providing aid and soothing people's anxieties and giving reassurance or anything at all? so who would be able to trust her with a country? it'd also look really bad to public how she immediately ditched the stage during the million zero debacle and let a knight of round shoulder all decision-making responsibility, even if it was a sensible decision from the viewer's side and for the military since zero already tried to kidnap her once before

the inside joke here is that the real reason suzaku was such a non-entity for much of R2 was probably because he (and rottenmeier) was drowning in the paperwork and management of essentially running area 11 and realizing nunnaly's vision for it. I guess not much changed with that after zero requiem, since nunnaly most definitely isn't the one who's sitting on a negotiation table, talking logistics and exchanging promises with any place she's ambassador-ing to once the cameras stop rolling and the public go home, for the sheer lack of power, authority and inside knowledge to do so this time

...oooh, that's why zero has to follow after her. no wonder the resurrection pamphlets said he was surprisingly excelling in politics, it wasn't actually genbu's blood, he just had no choice but to shape up

all in all tho, I'm really happy with nunnaly's role as a peace ambassador? it plays into her strengths, both obvious or not... she might lack the background to be a shark like her siblings, but she's nowhere near as easy to hoodwinkle and walk over as most might assume, so she can actually achieve a lot from a position of being underestimated, without being bogged down by the details and responsibilities she might not be equipped to handle? she should be perfectly capable of politely fucking over anyone who might try to take advantage of her and walking away smelling like roses

holy shit put nunnaly on spy work, that'd be gold

[truedevotions]

perhaps it should've been sibella instead of her on this path for leniency, a venerable littérateur, homer's forgotten daughter, a pious woman that could embellish any fable or narrative; isobel had seen her scribble away in her diaries and voraciously devour exceedingly rare and large books a countless number of times. it's only sensible to assume that she'd be capable of speaking from the heart on behalf of aunt elizabeth. presumably still, the role could've been edmund's too. thirteen years of camaraderie that stems from the early days of boyhood must equate to more and be of greater value in comparison to whatever she may offer.

“thank you, your grace.” she could be the voice of a haloed cherub in his ear, extol and praise him before the world, shower him with platitudes and reverence that he's bound to hear from every noble that doesn't truly mean it, deceive him with well-crafted and elaborate lies, but she opts for the truth.

“my loyalty,” isobel echoes, playing with the words as if they're iridescent freshwater pearls within her mouth whilst walking arm in arm with him, the very amalgamation of purple and blue making it seem as if they're one. “well you cannot ask for something that is already yours. as for friendship, i've always thought that the most cherished ones must be earned and built, but i'd say that night in the rain gave you a head start. for aiding me, of course.”

a skilled orator not by nature, but proclivity and practice, a master of pace, structure, and phrasing, she had acquired such adroitness as a fledgling by anne boleyn's side, going for perspicaciousness over needlework. “a wise king must know his subjects. he, after all, holds their fates in his hands. that's why i must tell you the story of elizabeth talbot, for she's not just a name on a parchment of paper, and though her treacherous choices mustn't be excused, i believe they weren't necessarily done out of malice. see, aunt elizabeth lost her husband years ago and was left childless, without someone to call her own. it's why she loved sibella dearly, the youngest girl, whom she doted upon, while i was away and serving at your lady mother's court.” she couldn't speak of the way they had sojourned in foreign cities, basked under the roman sun or sailed the azure mediterranean sea. no, that wasn't her story to tell. hers are rare memories, of fleeting cheek kisses, lovely letters detailing her voyages, and expensive gifts she had sent almost religiously often, from venetian silk to extravagant jewels.

unable to hold a distinct opinion of her own and yet unwilling to condemn and castigate the woman even before the king, she opens her mouth once more. “we weren't by definition close, but i knew her well enough to see the profound sadness in her eyes. to be alone is a cruel fate. one could easily say that loneliness begets loneliness. i think that's how she ended up trusting the wrong people. she allowed herself to fall for their ruse, all under the guise of finding comfort.” it's daunting, too, to realize how alone she must've been.

“my king,” raptly, she turns to look at him, forsaking the act of weighing every word as the silken veil of pretense and guise drops ceremoniously.

“william,” his name on her tongue like holy prayer, a midnight hymn, immortal echo, like she whispered it a thousand times before, in a dream, another life.

“think of my sister, someone who's too gentle to know of true callousness of the court.”

“think of my brother, the dutiful man you've known for so long, the same man who has once already faced the brutality of loss.”

“and think of me, a woman most devout to your cause.”

Her words drip with forethought that Wills turns a blind eye to, reconciled with the notion that to be in a King’s presence would always warrant some measure of excogitation: in some it sputtered and brayed like an old mule, repulsively blatant – in others, it slipped throughout conversation with the sleekness of an oiled snake, hissing noiselessly. But it was only a matter of time, thought Wills, before the Percys’ tongues – one, if not all – invoked that condemned woman’s name, already consigned to soak the block and straw strewn across the scaffold with her blood (though he would have placed coin on it being Ned – gallant, sensible Percy). Twisted in his gut was a perverse sort of satisfaction that it was his sister, Isobel, who’d sacrificed herself: her attempts to entreat his clemency buttered with humility and flattery, for to set oneself against a Tudor, as the Percy family well knew, was a dangerous thing.

The King’s jaw opens, then clamps shut. Although he often dispensed with the formality of punctuality, the Privy Council was scheduled to convene within the hour – and with the morrow of Elizabeth Talbot’s execution drawing ominously near, there would be raucous calls for bloodshed from each faction at court, an expectation for the King to resolve the ancient feuds embittering his assemblies. Besides, the engineers behind Talbot’s downfall would expect some kind of reward; scraps of rich meat and haunted manors and former abbeys thrown to them like dogs, omnivorous hounds at his disposal, gnashing at each other's throats. ‘I don’t have much time,’ Wills announces, thrusting out a fig-purple sleeve for Isobel to clutch. ‘Walk with me, Mistress Percy, and I’ll hear your plea – try to make it brief, yes?’

As they begin their stroll toward the King’s chambers – an orchestra of Wills’ heavy footfalls, the clanging of a sheathed sword, and the swish of Isobel’s velvet skirts sounding their journey – he tilts his cuprous head in the direction of Isobel’s pearl-edged hood. ‘I cannot promise satisfaction, but I vow to listen, Mademoiselle Percy, to whatever it is you bring me. May I only ask for the honour of your friendship, your loyalty, in turn?’

[mittensmorgul]

This is random sorry so you can ignore but, me out here mcThinking about how in beginning of s15 Sam shot cas on accident. And cas’ grace was failing, and they just :,) never did anything with that. Oh that coulda be so fun the drama of it all

Hi hi! I’m gonna start this out with a bit of a tangent to what I’m currently watching-- 10.18, Book of the Damned. Because this was the episode where Metatron taunts Cas with humanity, basically. “Don’t you miss this?” meaning the purely human enjoyment of food in this specific case, but Metatron opens it up more broadly--

Metatron: Oh em me. Food, glorious food. All the countless descriptions in so many books, but those were just words. The taste, I mean the actual taste -- I had no idea. And the process, comes in here, and comes out here. Sorcery. I mean you used to be human, don't you miss all this?

Castiel: No. I don't miss digestion, I don't miss indigestion.

Metatron: No-no not that. I mean don't you miss the feeling of all this; the taste of these waffles, the sound of a child's laughter. Look at us, we're a couple of angels who have touched not only the divine, but the mundane. You and I have a lot in common.

He was framing it under the same banner that Lucifer once did-- the “we have so much in common, we should be friends,” or at least allies. Except Cas couldn’t make that choice, because this entire mission was about getting his original grace back so he wouldn’t keep dying from the toxic stolen grace he felt he had no other choice but to take back. Cas DID canonically miss these human things, but he didn’t think they were an option for him, because he felt a duty to save the things he loved, and couldn’t do that without being an angel.

But we know that even his original grace was never the full grace that he’d originally lost. He was never back at full power again, and this plagued him for the rest of canon, being unable to bring several people back from the dead, most especially Mary in s14. If he could’ve, he would’ve, but his angelic powers were not enough to spare anyone he loved.

But the sacrifice of his entire self was enough to save Jack, which made everything else possible.

I digress, though, because we’ve followed this “I want to live!” from Cas since 9.06, and the unanswered question of “but as what, an angel or a man?” And his repeatedly choosing angel because he needed to be prepared, needed to be ready to fight, to do what nobody else could to save the people he’d chosen as his family, his loved ones. But it was never framed as what he would CHOOSE for himself if he was sure that the universe was finally free from cosmic meddling.

But back to your original question... They did carry this thread for a good bit of s15. 15.06, and his speech to the stunned djinn-sheriff shooting him in the chest several times as he closed on him and killed him, combined with the difficulty he had healing the boy’s sprained ankle (not even a terribly serious injury, but it took it out of Cas and left him visibly exhausted). At which point he knew he had to get back in the game, and couldn’t just indulge the fantasy of fishing, you know? And how much have we collectively written about THAT as a metaphor for humanity, of peaceful relaxation, since 4.20 and Dean’s dream that Cas entered?

So once more unto the breach for Cas, because the people he couldn’t help but love needed him. Like the narrative was saying he couldn’t have BOTH of these things at the same time... like it’s been saying about Dean and Sam both for years... literally since the pilot episode. They could never have the balance, because Chuck wouldn’t allow it. He’d keep forcing this choice on them to sacrifice themselves and their actual wants over and over again.

In addition to that, since 14.08 he’s had the additional anvil hanging over him of his deal with the empty. He literally COULD NOT choose his own happiness, because the moment he did the Empty would claim him. He’s known since making that deal that he’d effectively sacrificed any potential for his own happiness (and unbeknownst to him, also sacrificed any potential for DEAN’s happiness, because these idiots just have not allowed themselves to believe they might actually feel exactly the same way about each other all along), and was living ENTIRELY for duty. Considering the Empty is the world’s most painful depression metaphor, this... we truly expected this entire scenario to be resolved clearly in the finale. And for Cas to make one final stand against the blackness that had swallowed him up after his moment of True Happiness at admitting who he loves and what he wants, and thinking he could never have it.

So like... yeah, this would’ve been the logical through-course for this entire thread, if the finale had just not... done... whatever it was it did instead.

[thecynicalcinephile]

So, About Lightyear,

Right off the bat, I know a lot of people aren't going to like this movie. I don't think this is what anyone would've imagined from a Buzz Lightyear movie back when the first Toy Story came out. However, that's for good reason, and if we forget about Toy Story for a moment this really is a damn good film. In fact, the more I think about this movie the more I like it.

Basically, here we've got a good old fashion action-packed family film with an important message about accepting your mistakes. Sure it's not quite as action-packed as it could've been and Buzz feels a little different, but that's a minor nitpick.

Frankly, the movie some people wanted this to be was never going to actually happen. The Buzz we know from Toy Story wasn't written with the intention of being fleshed out beyond a toy. He was really just a stand-in Pixar used in place of a Luke Skywalker or Captain Kirk action figure (this is even more obvious with Emperor Zurg). In this way technically the most accurate movie would've been a good ol' fashion Star Wars ripoff, and that genre has been long since played out. I for one am glad they decided to favor modern sensibilities over being a slave Toy Story.

Additionally, the film is strictly an origin story, left open specifically so that we can imagine Buzz and Zurg becoming the people they are in Toy Story. In other news, there's no retcons that some creativity and an imaginary sequel can't fix. (Yes, even that retcon isn't all that major, Zurg has time travel after all)

But enough about continuity and retcons and whatnot. Like I said, let's forget about Toy Story for a moment and review this film strictly on it's own merits. Put simply, it's a good fun adventure movie with a compelling well-written narrative, believable complex characters, and interesting worldbuilding.

That's not to say this film is perfect though, of course. A lot of the comedy feels weirdly out of place, and the film does have a bit of a tone problem at times. Like, this is essentially an apocalyptic scenario, now is not the time for physical comedy or whatever the hell Taika Waititi's character had going on. Additionally, Buzz Lightyear's iconic jetpack sees so little use that in some scenes I wonder if the writers and/or characters legitimately forgot about it. Even if we say that this version of it is only designed for zero-gravity maneuvering as opposed to outright flying, there are still a good few scenes in particular that will leave you saying "bro just use the jetpack".

Also, minor nitpick, but I think end credits scenes have officially gone too far. You can't have an end credits scene, followed by a studio logo, followed by another final end credits scene. That's just ridiculous, essentially when only one of the scenes is actually necessary.

Ultimately, go ahead and watch this movie. It's plenty of fun with comedy, drama, action, and something for everyone. Just be sure to keep an open mind, and try to check your expectations at the door. Just because there's something for everyone doesn't mean everyone will love what they get.

[inexistingwarmth]

The romanticization of true love in miraculous ladybug, and its impact on adrigami and lukanette

I guess the trope of true love is quite common in media, we grew up watching fairy tales where star crossed lovers found each other and connected in an intimate and irreplaceable way.

Soulmates ? Other halves? You complete me ?

It has long been romanticized, when a character would hesitate between two love interests, they would be told :

" pick the second one because if you truly loved the first one, you wouldn't have fallen for the second one "

In this sense', True love invalidates any other potential love because true love is the one, and the feelings felt for another person are not as authentic.

Realistically speaking, we may fall for more than one person and it is okay, they all were real while they lasted. But fiction tends to romanticize the concept of a love that makes all the others evaporate.

In miraculous ladybug, it is established early on that Marinette and Adrien are soulmate, being told they were meant to be by Master fu.

And then, the love square happens

Marinette falls for Adrien as his sensible, shiny and perfect looking self.

And Adrien falling for Marinette as her confident, bold and also perfect looking self.

While not knowing their other version, or not acknowledging it as a love interest. The idea of loving unknowingly each other amplified the star crossed lovers theme.

It was cute though.

Yet as time went by,Marinette's infatuation turned into a sort of romanticization of Adrien, she did interact with him and he held her in high regards, but her perception of him forbid her from seeing him lucidly enough.

She saw him as kind, good looking and talented, but also perfect. When alya suspected Adrien to be cat noir, marinette even dismissed it. She failed to see the foolishness and impulsiveness of cat noir in this boy she idealized.

She has a teenage crush, a caricatutal one sometimes but still a teenage crush. She is young, so her feelings are innocent and intense, to her that crush could be love.

It doesn't help when her friends encourage her believing that it could lead to a fairytale ending. For marinette; it is hard to move on.

Why is it hard to move on ?

She invested a lot emotionally in that crush. When you have those feelings, you usually cultivate a fantasy on your own, your little romance. marinette even imagined the name of their future hamster. It is almost a comforting escapism, by moving on she has to let that go, all the efforts, the embarrassments, the instants that gave her hope..

If she lets that go 'the reality she is used to will be all new ..

Letting go without ever knowing how he felt. With all the perhaps and maybes.

It is and remains a romanticized scenario but isn't that what makes us hold on to things ? We have our narrative that shape our reality and give value to little things ..

And if he was her true love, can she allow herself to love someone else? If she does, something as intense was not true love? What is true love then ?

Whether it's her thoughts; or the message of the show, the idea of Adrien being the one is what seems to be holding her back, she romanticized him too long, and letting go of that dreamy reality is a big step.

What about Adrien now ?

If marinette loved him secretary, Adrien was way loud and blunt about it, to the point of becoming a burden since after all, it was an unwanted affection.

Adrien is clearly a hopeless romantic. While marinette idealized the boy she liked, he seemed to idealize the idea of love, way more than she did.

Marinette and Adrien were friends, but Cat noir and Ladybug had a more intimate bond, a shared secret, a delightful comfort around each other, vulnerability and a genuine connection.

For Adrien, who's a hopeless romantic, he should not let go, he should keep fighting, trying, until he is capable of reaching the heart of his beloved.

His trying can be suffocating for her since she really cares about him and loves someone already. But in his world, it is his devotion.

He feels like the connection he shares with ladybug is special and that no one knows him like she does. His interactions with her are also an escapism so letting go of that feels unimaginable to him.

And in a way he could protect the specialness of their bond by not really being that open with other people..

Like maybe, kagami ?

If you watched "lies", even the title is emblematic of the shelter he hides behind. When kagami makes the effort of drawing his most authentic self, he first acts as a shiny model then as quirky cat noir.

But none of those poses portray the vulnerability and truth she craved for.

Perfection doesn't have to mean flawless, as she got close to him, the perfect Adrien was a flustered, confused boy who did not hide behind an automatic smile.

Luka could've been to marinette the kind and sensitive guy she liked in Adrien

And kagami could've shared with Adrien the connection and truth that he only expressed toward Ladybug.

Let's be honest they had so much potential ..

But both adrien and marinette held back and left those two heartbroken. Although they accepted the feelings of luka and kagami; and went as far as dating them, they were not as invested ..

It is true that they were both busy and had a lot on their mind, but we saw marinette swooning over adrien right before seeing luka in "lies" that parallels "truth" and adrien would still flirt with ladybug as cat noir.

Were they really trying to move on ?

I dont doubt marinette thought luka was charming, she was more confortable around him but he had a soft effect on her, he had the tenderness and sincerity that marinette discovered on adrien in the umbrella scene

Adrien was also drawn to kagami since the begining, with her he had the thrill of escaping he had with ladybug and she was as smart and confident as the woman of his dreams.

But ..

Both our main characters had already a reality that was hard to let go of .. a romantacized person and a romantacized bond ..

They were not addicted to the agony but it was their routine, their daily emotions, something that became more of a reality than a part of it ..

Moving on would truly be going out of their confort zons .. it could've led to something beautiful.. but both couples broke up early .. im still grieving ..

If only the show stopped romantacizing soulmates .. fall in love .. again and again .. each one of those romances is valid ..

[danwhobrowses]

WWE Summerslam 2021 - Initial Reaction and Review

It's been a big week for wrestling in general, and now we have the Biggest Party of the Summer in the books, uncharacteristically airing on a Saturday.

It's been a while since I've run down a WWE PPV, time and apathy does have a bit to do with it, but since this is a big 4 and given what happened in Chicago there's definitely curiosity over how WWE would respond

Spoilers for Summerslam 2021 Below, I will be discussing the winners and moments so watch the PPV first

As usual I will indicate in the title who was the person I expected to win before the match started, but instead of Bold this time I'll put them in Italics with the whole match card being in bold

Kick-off

A long-ass kickoff was majority promo and interviews, not any contrarion drabble this time which was good. It was kinda sad to see Asuka on the packages but nowhere to be seen on the card.

I did like the sign guy of 'McAfee = Ratings' because he's kinda right, he has been great on commentary. I did not miss that dude in the Fiend Mask though, or the Lily Doll.

I will reiterate though that Sonya Deville is wasted right now, let her back in the goddamn ring, SD's Women's Division does need it and they make her look like a goof as Assistant GM.

Also apparently the Mysterios vs Usos aren't good enough for a promo package, not like it's a title match or anything... plus the disrespect still there, 'I wouldn't wanna work with my dad' they say like Rey isn't a multi time world champion with a huge wealth of experience.

The Miz and Morrison came in with a water truck to a mixed pop of cheers and boos, this moist gimmick ain't great but props for both guys being dedicated to it, it was short enough not to overstay its welcome too.

Ugh, Logan Paul is here...

Big E def. Baron Corbin (Pinfall via Big Ending) We had a new announcer from a Tiktok competition winner called Raine, and you know she was really good at it.

Corbin entered to boos hugging the MITB briefcase he stole, unable to afford entrance music it seems even though he's getting a PPV paycheck. To his credit he looks ultra disheveled, and when the ref had to pry the briefcase from him he looked super forlorn. I dunno why he's wrestling in a shirt though wouldn't that make it dirtier?

When the bell rings E does basically go right at Corbin, Corbin got a shoulder block in but then got caught in a belly to belly - despite protests - then a belly to backp. E missing the apron splash as Corbin senses a countout win, at 7 he leaves the ring to hit E against the ring post to try and eke out more time, demanding that the timekeeper keep the briefcase in his sights. E does return to the ring but his spear goes right is sidestepped into the ringpost, then thrown into them two more times, but only gets 2.

Corbin continues with some momentum with a sidewalk slam for 2, but his chokeslam is reversed into a rollup for 2 then a stretch muffler. He escapes and hits the Deep Six for 2, then 1.8, Corbin then stumbles to the briefcase, considering an exit before being hit with a lariat. E throws Corbin into the ring, but Corbin rolls right out, grabs the briefcase and tries to run around the ring only to be pounced into the barricade by Big E. The cat and mouse chase comes to an end, Corbin elbows E to get some room to roll to the other side of the ring but E catches him with that suicide spear he does, the briefcase is dropped and the straps are off: Big Ending for 3.

Shots of Logan Paul are hilariously met with huge boos as Big E finally reclaims his briefcase to a pop.

It was a nice little match, good palette cleanser and a nice and clean competition, Corbin had no chance in winning but it was a solid way to warm up the crowd for the main ppv.

Our final bit of the kick-off was discussing the UNI main event, though I feel like losing your job is a higher stake than winning your 17th world title. Also they had to force in the shucky ducky which was dumb.

Main Show

Raw Tag Team Championship: RK-Bro [Randy Orton & Riddle] def AJ Styles & Omos (c) [TITLE CHANGE] (Pinfall on Styles by Orton via RKO) Starting the night with some fun as Riddle comes out in a garish snake print outfit with a cerise pink lining, Orton didn't get the fashion memo thankfully but his hologram snake was cheesy. Riddle interacted with the crowd and had the multicoloured holo-doves while Orton mainly kept to himself. AJ and Omos came out together, though Omos had no theatrics, looking like a bouncer being invited to dinner still.

Orton and AJ started the match, Orton with the early advantage and tagging Riddle in for an assisted backflip for a 1 count, AJ rolls out the ring frustrated then tags in Omos, who just ragdolls Riddle; Shoulder Block, big clubbing blow then a delayed powerslam - an interesting glance over to Orton as well as they smile at each other, almost like Orton approved. Omos tries to deadlift Riddle with a wristlock but Riddle scrambles into a sleeper, but is flipped off then flattened in the corner. AJ tags in, platforming Omos for a Tornado DDT for 2, Riddle tries to fight out but runs into a backbreaker as AJ tells Orton 'you're next'.

During the rest hold, the crowd rallies Riddle back into the fight, AJ looks to have reclaimed an advantage and throws Riddle to his corner, but Riddle turns it into a dropkick on Omos, then dumps AJ out the ring. Riddle tries to tag Orton but AJ grabs him, enzugiri by Riddle allows Orton to make the hot tag. Clotheslines on AJ, a forearm to Omos - but it only stuns him, doesn't even fall to the floor, backdrop and another forearm to Omos that again fails to drop him. Clothesline to corner and a powerslam, this time Orton drops Omos out the ring by dropkicking the knees, draping DDT gets Orton feeling the RKO, but Omos drags AJ out the ring, then catches Riddle's dive to chokeslam him onto the apron. AJ stuns Orton with a jawbreaker on the ropes and gestures Omos to finish Riddle, but Riddle escapes the lawn dart and pushes Omos into the ring post. AJ though catches Riddle with his backflip reverse DDT on the outside, he misses the Phenomenal Forearm, but stands his ground against the RKO attempt, he rolls up for 2 and then lands into an RKO for 3.

It didn't last long but it was a fun opener, it was time for a title change and RK-Bro was a good choice. It's a shame Styles has to be the weak link but you can't be surprised that WWE continue to protect Omos.

Alexa Bliss (w/Lily) def. Eva Marie (w/ Doudrop) (Pinfall via DDT) The Lily hologram was fucking horrifying as Bliss carries the doll and puts it on the corner turnbuckle. Bliss weaves Eva effortlessly, she tries a waistlock but gets elbowed off. Eva gets a punch and a hair yank then...poses. She grabs Lily and starts slapping the doll, then slapping Alexa with the doll. Alexa then goes on the attack, clotheslines then a senton for 2, she puts Lily back as Eva argues with Doudrop. Alexa misses the Twisted Bliss and Eva gets 2 twice, a kick to the gut and a DDT finishes off Eva.

Post-match, Doudrop only looks smugly at Eva and grabs a microphone, announcing Eva as the loser, stealing her gown and walking away as Eva insists she made Doudrop.

This match didn't need to happen, in fact it could've just been a segment, but at least WWE were sensible in not having Eva Marie win against a former women's champion. They also didn't do any spooky shit and put the narrative mainly on Doudrop being free to hopefully be Piper Niven again, once again it didn't overstay its welcome.

Mario Lopez (who?) interviews RK-Bro on their title win, Orton cuts his normal promo but gets stumbled by trying to fit 'Bro' into his '3 most deadly letters in wrestling' catchphrase.

US Championship: Damian Priest def. Sheamus (c) [TITLE CHANGE] (Pinfall via Recknoning) Immediately after the interview Priest was already on the ramp, in blue gear with the USA and Puerto Rico flag on his tights, he did his archer pose to set off his tron. The Tron had a bit of an issue with Sheamus' opening, Sheamus wandered in with his face guard and coat. Sidebar, I still don't like the US Title design, it's better than the old one but not by much.

The two start by locking up, some solid chain wrestling shows that Sheamus has the power but Priest has the agility. After a pump kick, Priest hits a Falcon Arrow for 1, he has a bit of a nasty landing with his mid-rope flip senton out the ring, his heel clipped Sheamus' head but Priest's back had a hard landing on the floor, not easy to get distance when you step off the middle rope. Despite a flurry of kicks, Sheamus focuses on the back by throwing him into the ring post, belly to back and also an Irish Curse lead to a Camel Clutch, but Priest escapes that, Sheamus picks him up but Priest elbows out, so then he tries to powerbomb and Priest rana's out of that. Momentum is short though as Sheamus gets a powerslam for 2, a Dublin Smile and a Beats of the Bodhrán but he cuts the count short to slight the crowd's chant. His timewasting is punished by a Tornado DDT from Priest, they trade blows and a lariat floors Sheamus, a spinning leg lariat from the top rope only gets him 2.

Priest sets up the Reckoning, but is picked up for a rolling fireman's carry slam, Sheamus slowly climbs the turnbuckle, giving Priest time to look for a chokeslam, but Sheamus shimmies along the ropes and gets a massive rope-assisted jawbreaker, top turnbuckle clothesline and an Alabama Slam only gets 2. Sheamus angrily talks shit at Priest, Priest slaps him but Sheamus headbutts him back. He sets up the Brogue Kick but Priest gets the Big Boot and the South of Heaven, but it only gets 2. Priest tries the Reckoning but his back won't handle the weight, he tries a Disaster Kick but runs into a knee to the face, it's only a 2. After being furious with the ref Sheamus tries the Cloverleaf, but gets rolled up for 2, he catches Priest in a heel hook in the middle of the ring, with no ropes to reach, Priest reaches for the face guard, ripping it off of Sheamus. Madness in his eyes, Priest unloads on Sheamus' face, causing Sheamus to cover up and release the hold, a flapjack into the top turnbuckle stuns Sheamus for another spinning Leg Lariat and then a Recknoning for 3.

A nice technical match, had some creative spots in there and Priest winning was nice to see after the Miz/Morrison feud lasted forever. I do dislike that they said it was his first title 'in WWE' though, because he was NA Champion in NXT, which is still WWE Cole. I don't think I liked that the face guard is what undid Sheamus, the dude who likes to fight shouldn't really lose to insecurity. But third time's the charm with the Reckoning.

Afterwards we had a promo for NXT TakeOver. We got a backstage talk between Rey and Dom, Dom apologizing to Rey for the SD incident and Rey forgiving it immediately, noting to stay focused on the match right now.

SD Tag Championship: The Usos (c) def. The Mysterios (Pinfall on Rey by Jey via Splash) Immediately after the promo they left the curtain to their entrance, the yellow, white and pink was...a choice, kinda miss the comic book attires. The Usos came out with the Leis and their regular gear.

Rey and Jimmy started lightning quick, Rey setting up a 619 with a rana but Jimmy rolling out of the ring, eating a basement dropkick. Jey's intervening is stopped by Dom who drops him sluggishly into his brother before he's tagged in, Rey hits the baseball slide splash and Dom the crossbody. In the ring Dom's second crossbody gets 2, three amigos by Dom but he shifted Jimmy too close to Jey, who managed to tag a leg, meaning that Jey throws Dom off the turnbuckle when he tries a Frog Splash. Jey taunts Dom after hitting him into the ring post (who has had a lot of mileage already), gesturing him to try and tag his father before cinching a headlock, Dom tries to fight back but is thrown to the other corner, Jimmy is tagged in and they hit a Backbreaker/Ax Handle combo. Jimmy taunts Dom the same way, diving headbutt for 2, the Usos spend too much time taunting Dom in their corner as the younger Mysterio staggers the twins with elbows, his rush for his father is cut off by a very nonchalant uppercut by Jey (McAfee literally yelling HADOUKEN was amazing). Jey continues to posture after suplexes and more taunting, they look for the third suplex but Dom hooks his leg, reversing it into a twisting neckbeaker.

Rey gets the hot tag as Jey tags Jimmy, planting the Uso with a tornado DDT for 2. Seated Senton and a forearm to Jey on the Apron leads to Rey walking into a Superkick for 2. Both Usos stalk Rey, looking to do a pop-up Powerbomb, but Rey ranas Jimmy out the ring, Jey gets him with a superkick to the gut, then a superkick to counter Rey's springboard crossbody, he hits the Splash but it only gets 2. Jey looks frustrated and tags Jimmy to set up the double splash, but Dom cuts Jey off, he tries to suplex Jey onto the apron but Jey drops him with a front-facing suplex instead. The delay is sufficient though since Rey rolls away from Jimmy's splash, headscissors setup, 619 for a big pop, he goes for the Frog Splash but Jimmy gets the knees up. Superkick by Jimmy, tags in Jey, double Superkick, splash by Jey and 3.

*sigh* Can Rey stop being pinned? It's not like Dom doesn't know how to take a pin. It's, it's sucky really, I've said it enough times but Rey deserves more than this given his popularity and past title wins, WWE would not do this to the likes of Edge or Cena, Angle or Goldberg, hell they wouldn't even do this to Eddie and yet Rey gets this treatment as thanks for being full time. Granted, it took like 3 finishers to down him but come on, compare the light pop this match got when everyone knew the Usos were winning with the pop Rey's hot tag and his 619 got, he still has it and they won over the crowd, with more time and narrative to their match it could've been a classic. I'm just sick of seeing one of my faves lose so much you know, if the story is Dom's inexperience then surely he would be the reason for defeat, rather than Rey being ganged up on.

Tiffany Haddish (who??) interviews Priest on his title win, apparently Priest hates bullies and he's happy...not as cool as his NA title win in the hot tub though. Summerslam could've fit in a hot tub

Rick Boogs then shreds the guitar as he welcomes King Nakamura. McAfee is dancing like a goof again on the table and Nakamura's crown falls off, but he makes up for it by playing the IC title like a guitar with Pat. He's disappeared after the Belair/Sasha package though...kinda confusing why that was there.

SD Women's Championship: Bianca BelAir (c) vs Sasha Banks CANCELLED As Bianca enters with SD Women's Title prints on her gear, the announcer says that Sasha is unable to compete, so Carmella is fighting in her stead. A shame but obviously not intended.

Bianca BelAir (c) vs Carmella INTERRUPTED Props to McAfee for noting the collective disappointment. BelAir looks disappointed too and tells Carmella that she's gonna dish out her frustration on Carmella. The title is aloft but then

Becky Lynch is here

Cameras are not showing enough of her on her return as Bianca buzzes, the crowd is on their feet. Becky's got a thicker mane than I remember, maybe it's the curls, a new shirt of 'The Man's back in Vegas' is worn by Becky too as she soaks in her pop. When the cameras stop long enough to focus on Becky she is looking extra lean. She attacks Carmella and dumps her out of the ring, she tells Bianca she'll be right back and throws Carmella into the steps, before standing off with Bianca. She grabs a microphone and asks for a title match, BelAir mulls it, but eventually accepts.

Becky Lynch def. Bianca BelAir (c) [TITLE CHANGE] (Pinfall via Manhandle Slam) Both women are amped up, Lynch offers a handshake but the moment they touch, she socks Bianca, Manhandle Slam and 3. Becky celebrates as BelAir looks stunned and a little shafted, Becky does gesture no hard feelings but, BelAir does have hard feelings.

It's a big pop for Becky's return, though I would've rather seen you know, a match. I love Becky, she's been one of my favourite women's wrestlers in WWE before she was even The Man, and I am psyched she's back, but BelAir vs Becky could've been a good match. we didn't need the Carmella stuff either just have BelAir call an open challenge in Sasha's absence. Also as thin as the SD Women's Division was Becky probably would've fit more for the Raw Women's Title situation, since we last saw her vacating it and that shit's on heavy life support, plus I was kinda hoping that Bianca could beat Sasha but Sasha would win later down the line so we could build Liv Morgan for a title win, I guess October's draft could still open it up. But yeah, happy to see Becky back.

Wrestling Olympic Gold Medalists Tamyra Mensah-Stock and Gable Stevenson come out next, I know WWE have been hot on Gable but after the scripts' comments on Simone Biles it feels forced. Tamyra was at least happy to be here.

Extreme Rules promo is next.

Drew McIntyre def. Jinder Mahal (Pinfall via Claymore) Jinder comes out first, Veer and Shanky only able to stand at the ramp and go to the back. Drew comes with his sword to summon...smoke? You can see how dull that sword is too.

Drew starts the match strong by throwing Jinder in the corner, kicks and chops followed by throws, he motions for Claymore but Jinder rolls out the ring, cutting him at the legs. Jinder's attempt to regain momentum is countered with a belly to belly, so next he tries to appeal to their past friendship but Drew isn't having it. He tries the Futureshock but Jinder kicks him in the face, stunning him for 2. Knee drops and knee chokes are followed by clubs to Drew's head and a choke, but Drew powers out and hits a Glasgow Kiss (which they called a Glaz-gao kiss, it's not that hard to say Glasgow), some more Belly to Bellies leads to a Futureshock and a kip up, 3, 2, 1, Claymore, 1, 2, 3.

McIntyre stepped over Jinder as he celebrated, Veer and Shanky tended to Jinder and then Drew grabbed his sword and started swinging...like the face he is trying to murder these dudes for tending to their boss.

Okay. Easy pop having squashed Jinder, did this need to be on PPV? Probably not, this and Bliss/Eva could've been done on Raw, rather than steal time from Usos/Mysterios and a potential Becky/BelAir banger. Nobody really got over or elevated with this.

Raw Women's Championship: Charlotte Flair def. Nikki A.S.H. (c) and Rhea Ripley [TITLE CHANGE] (Submission on Nikki by Charlotte via Figure Eight) Uncharacteristically, Nikki came out first to nothing, not a pop or a boo, it kinda sounded like fake crowd noises when we had one pop. Rhea got a mini pop next, but loud woos for Charlotte? Don't buy that especially given how she's meant to be the heel. She's in kinda Thanos gear too. The pops were louder for Rhea when her name was announced, Nikki's was mixed and Charlotte had some boos.

The bell rings as Charlotte shoves Nikki, telling her to get out the ring. Rhea shoves Charlotte but Nikki dumps Rhea out the ring, a Monkey Flip to Charlotte then a Rollup on Rhea for 1. Charlotte dumps Rhea as the two tussle, Nikki coming back to boot Charlotte off the apron as part of a bulldog on Rhea. Rhea keeps trying to keep a hold of Nikki but Nikki keeps rolling her up. Charlotte throws Nikki into Rhea like a spear then lariats Rhea and exploder's Nikki. Rhea and Charlotte trade advantages around the turnbuckle, Charlotte fights off a Nikki crossbody and powerslams Nikki onto Rhea, she tries the moonsault but Rhea gets her feet up, Nikki rolls her up but Rhea pulls her off, tries the Riptide but Nikki shifts her weight to splash her. Nikki headscissors Charlotte but is booted by Rhea, Charlotte then boots Rhea and taunts her, Rhea then starts finding energy, a Northern Lights for 1 but Charlotte then regains momentum, a huge big boot to dump Rhea out the ring, but Nikki then tornado DDTs Charlotte for 2. Basement Dropkick to Rhea gives Charlotte time to catch Nikki but Rhea german's them both, Missile Dropkick to Charlotte by Rhea only gets 2 as Charlotte flees to the outside. The two trade blows on the outside, to be flattened by Nikki's crossbody.

Pulling Charlotte in the ring, Charlotte resists the suplex, but Rhea comes in to double up on Charlotte, only for Charlotte to reverse it to a double DDT, Flair chops are suppressed but Charlotte still manages to fend off Nikki and Rhea, Corkscrew Moonsault on the outside takes the two out. She drags Rhea in but Rhea gets a boot, Nikki tries to roll up Rhea but only gets 2. Rhea's limping a bit but still kicks Nikki and cinches in her Inverted Cloverleaf, she dodges the Big Boot from Charlotte (perhaps inadvertently) and locks it into Charlotte, but she rolls through and gets the Figure 8, which is broken by Nikki's knee drop. Nikki hits a Purge but it's broken up by Rhea, she sets another Riptide but again Nikki counters this time with a Reverse Tornado DDT, dumping Rhea out the ring. Nikki sees Charlotte prone, setting up the Crossbody, but she misses, Charlotte locks the Figure 8 and taps.

Abrupt finish, it was a really well-worked match selling the chaos of the triple threat. But I never felt like Charlotte was in danger of losing, Nikki wasn't working because they rushed her new character without getting her over, so of course WWE were gonna fall back to ye olde Charlotte title win. The narrative didn't help either, she seemed like the babyface and again, didn't feel threatened, I never saw the opening for Charlotte to lose. In a vacuum it was a good match, as a whole though, since Rhea won the title at mania nobody's gotten over, they made an absolute hash of the Charlotte feud to the point where we didn't even feel invested in Rhea getting a win back, then we fast tracked a cash in. The only one who profited here was Charlotte, who got to add 2 more title reigns to her name on paper, had Becky came here to make it a 4-Way and won, it'd probably have been more hopeful because now, who is next? Asuka's AWOL, Shayna's buried, Alexa's on spooky shits, Rhea's broken, Nikki isn't getting over, who can Charlotte face at this point?

Edge def. Seth Rollins (Submission via Crossface) Dressed like some aristocrat, Seth entered first half smug half focused, it may've dragged on a bit long. Edge didn't come out to Metalingus, but instead he came out in the fires of the Brood, with the dark sunglasses, fire and the elevated platform to boot, but then Metalingus came out to give the people what they want.

The bell rings but there's a long pause to soak in the crowd investment. Edge has the early advantage with a swift punch, every time Seth tries to lock in on Edge he hits back, annoying Seth as he mulls outside the ring. He tries the Pedigree but is again dumped out the ring, this time Edge follows and throws him around the barriaces, Rollins returns to the ring but is knee'd out, but gets some advantage by dodging the Baseball Slide and driving Edge into ye olde Ring Post, then against the steps. Neckbreaker only gets 2 as he continues to focus on the neck with chokes, stomps and slingblades, another neckbreaker leads to another 2 as Seth taunts Edge about it.

A diving knee by Rollins gets 2 as Seth kicks around Edge, he tries another neckbreaker but Edge reverses into a backslide for 2, Flapjack and a tackle into the turnbuckle, Seth fends off Edge at the turnbuckle though and hits the Frog Splash for 2 but for the second time Edge rolls into the corner to avoid the stomp. Rollins pulls Edge to the turnbuckle, but Edge hits him with a top turnbuckle spinning neckbreaker, Flapjack onto the top rope, Edgecution for 2, Rollins stuns Edge by driving him into the Turnbuckle, but he misses his knee strike into an Head Yank for 2. Edge goes up top but Rollins turns it into his Superplex/Falcon Arrow combo for 2, he sets up the Stomp but misses, tries the Pedigree but Edge wriggles out, Glam Slam by Edge for 2, nice homage for Beth there. Seth gets back the momentum though, Jawbreaker on the ropes then a neckbreaker on the ropes, Edge dodges the stomp on the apron though and throws Seth into the ring post (not ye olde ringpost though it's a different one) and then a spear through the ropes into the outside. A bulldog into the apron LED only gets 2, but now Edge is setting up the spear, but Rollins counters into a Pedigree (Pat mustn't have watched Roman vs Seth before because he said he has never seen that counter) but it only gets 2.

Rollins climbs up top looking for the Phoenix Splash, he lands on his feet and rolls away but walks into a spear, 1, 2, No. Edge now looking for the Killswitch but Rollins clubs then kicks Edge in the back of the head, he tries the Stomp but Edge rolls and catches the boot, turning it into an Edgecator, Seth reaches for the ropes so Edge tries to pull him back, but in releasing the hold he gets rolled up for 2. Edge then tries the Crossface, rolling to the center of the ring, but Edge slams his head into the mat and reapplies it for the tapout.

A nicely worked match again that managed to showcase a lot of Edge's past bag of tricks. The second I was wrong about too, I expected Seth to get some momentum to try and challenge Roman like he had been teasing before this feud (on that note, where's Cesaro? Miss that dude), but it was definitely something for the fans to cheer about. The narrative of avoiding the Stomp was also good for the storytelling, Seth doesn't lose anything in defeat either, he's took 2 spears, 2 crossfaces, Edgecator and the Edgecution.

MITB 22 is announced on 4th July at the Allegiant Stadium, Vegas (the same venue as tonight). Expect there to be a Murica match in there. In addition attendance today is 51k. We scope back around to Miz and Morrison's kickoff thing, mostly getting a jobber entrance. The moist jokes were worst this time around as they marketed the 'Drip Stick 2000' which neither had. Who did have it? A very wet and long-haired Xavier Woods with a cocktail stick in their mouth and a 'New Day Order' shirt. Woods convinces the crowd to rally into shooting them with a water gun, though it didn't really get a pop in the act, dumb shit really but whatever Woods' new look is I dig it.

WWE Championship: Bobby Lashley (w/MVP) (c) def. Goldberg (via Ref Stoppage) Lashers out first...no sanctity it seems. He's walking into the ring with purpose, his pose has no pyro though, kinda a lukewarm smoke that'd make Revolution 2020's explosion smirk. Goldberg does his usual entrance, lots of quick camera switching again. Dude looks a bit top-heavy tbh, skipping those leg days. Lashley paces across Goldberg's periphery, it doesn't look like there'll be underestimation in this fight.

They lock up first, a bit of strength testing, Goldberg tanks a shoulder block, grounding Lashley with a flying shoulder block, then a body slam. Goldberg is keeping the advantage with corner attacks and clotheslines but Lashley clubs at the back. He sets up a Jackhammer for insult to injury, but Goldberg keeps his leg hooked, he tries to lift Lashley but can't follow through and gets hit with a flatliner. No sympathy from Lashley as he clubs at the back of the head before uncharacteristically going up top, which Goldberg punishes by throwing him down, Goldberg looks for the Spear but MVP yanks Lashley outside, only for Goldberg to spear him on the outside anyway.

Goldberg sets up a second spear, but as the ref focuses on Lashley rolling out the other side, MVP thwacks Goldberg's knee with his cane, distracting Goldberg long enough to be chop blocked. Chokeslam makes Lashley look for the Hurt Lock, but he can't connect the fingers, as Goldberg escapes though he gets chop blocked again, causing Goldberg to leave the ring. Lashley follows, lifting him up and charging him knee first into the ring post twice. Struggling to stand, the Ref throws the match.

The match is over but Lashley continues to attack the leg with a steel chair. Gage Goldberg attempts to jump but gets wrenched with a Hurt Lock. MVP tries to assure that Lashley wouldn't have known that he was attacking Goldberg's son but it means little, Goldberg insisting he's gonna kill Lashley, meaning this feud isn't over.

The heat was right, the delivery was wrong. We've seen people beat Goldberg clean, I don't see why Lashley, who has beaten people who have beaten Goldberg clean, couldn't do that himself? Needing MVP's help flattens the statement made.

Camera work got a bit wonky there when promoting the Main Event

Universal Championship: Roman Reigns (c) def. John Cena (Pinfall via Spear) Cena's the first to come out, sporting a Super Mario-esque shirt showing his 16 world title reigns, the reigns also shown on the tron, they actually mentioned Ric Flair this time. The Bronze Statue hologram for Roman is still tacky, but he comes out flanked with his cousins and Paul, smoke again instead of pyro - I wonder if they weren't allowed to pyro. Heyman whispers the Usos to leave Roman to walk the ramp. I spotted an 'Anyone but you Roman' sign in the crowd, before McAfee makes me smirk again by calling Roman an 'absolute stud'.

Roman's a little ginger about locking up with Cena, but is goaded into it, winning the shoulder block. A second lock up leads to a Cena roll up for 1, trying to call back to the go home smackdown, another schoolboy for 2 but Roman laughs it off. Roman doesn't lock up again, kicking and clubbing at Cena while mocking the crowd, a lariat is reversed into another rollup for 2 but gets him back with a reverse lariat (he used the back of his arm, like a chop lariat), a Suplex by Roman leads to a 2 count, then the rest hold. Cena tries to break but Roman smacks him, another suplex for 2 then he dumps Cena out the ring, Cena blocks the punch and tries to flurry back, but is whipped into the steel steps. After some posturing Roman smacks Cena headfirst into the steps again, then posing with the belt as he claims that the crowd needs him, he saunters to the ring but walks into another schoolboy for 2, leading to another punch.

Roman insists that Cena can't win like this, but in his gloating Cena almost lifts him for the AA, which Roman counters into a DDT for 2. Roman almost looks bored, telling the hard cam that he's not apologetic about hurting Cena, Cena once again tries the forearms but when he tries the flying shoulder block he runs into an uppercut. Roman mocks Cena for having only five moves, but again it's a rollup for 2, this time Roman counters with a sleeper, Cena tries to fight but Roman puts his body weight on him, he tries again and Roman uses his weight again, only this time Cena launches him into the corner and follows up with a clothesline. Then come the shoulder tackles, the twisting front drop, but as he tiredly goes for the 5 Knuckle Shuffle, Roman snaps in the Guillotine, Cena tries the Jackknife pin for 2, the hold is broken but this time it's a Superman Punch. Roman wastes too much time though and his spear is countered with a kick, this time the 5 Knuckle Shuffle hits, AA, 1, 2, No. Heyman's having heart palpitations ringside but Cena's locked in the STF, Roman makes the rope to break the hold and leaves the ring, but as Cena looks to follow he's hit by a Drive By.

Roman looks to put Cena away with a Spear on the outside, but Cena counters it with an AA through the Announcer's Table, he drags Roman back into the ring but only gets the 2. Cena goes up top, looking for a dropkick maybe, but he's caught into a powerbomb for 2. Roman seems to be prepping his Superman Punch, but Cena rolls for 2, picks up for the AA but can't lift him all the way, allowing Roman to hit the Superman Punch for another 2. Roman is getting irritated now, Cena's been in his head after all, he goes for the Spear but meets ye olde ring post. Cena pulls Roman up for the Avalanche AA, he lands it, 1, 2, No! Cena taunts Roman this time, quoting his entrance theme then mocking the Oooowaaah, the Spear is cut off though, instead they trade blows, one Superman Punch, two Superman Punch, Roman declares he is WWE and lands the Spear, 1, 2, 3.

Roman stands over the prone Cena, but then the noise is heard. Brock Lesnar is in the building, and he still has the hipster look. Cameras lose control again as Heyman finds a conflict in interest, dude is absolutely jacked though. He approaches Roman in a staredown, but Roman just leaves the ring to close the night. Apparently off-air Lesnar then attacked Cena.

You know what would've made this match better? If the conclusion wasn't so forgone after Smackdown. Did anyone actually think that WWE would let Roman quit? At least before Roman's career was at stake there was a 10% chance Cena could leave as the winner, which would've made the nearfalls much more believable.

As for Lesnar, well, Vince always wanted Roman/Brock to be the main level feud and he's always getting his way. It'll draw, but it only puts paper over the submarine window that is the problem.

Conclusion

A good PPV though. I don't think there was any match that was awful. And that's kinda saying something with Eva Marie involved. Some segments and matches were, legless perhaps, stuff you could've be done with or even just put on Raw which is a shame because that took time from matches, as I said I would've liked to actually see Becky and Bianca wrestle and the Mysterios get more time.

The returns were good, I suppose Chicago definitely had nothing to do with that. But I'm not gonna be sad about seeing Becky Lynch again.

My main problem is probably how despite the big card, there was no doubt, I mean I got all but a couple of matches right on this card and it was because the matches were all built so obviously, those two frankly I predicted because I expected a bit more swerve. Part of it could be the fatigue of all the good wrestling we've seen so far but compared to other PPVs where I've felt on the edge of my seat or shaking in my ribs I just felt cosy, like it was a casual watch.

It was certainly not bad, definitely a good outing with good wrestling, but there is room still to improve on the narrative, and camera work like seriously learn to linger, immediate snap cuts throw people off. New directions are ahead to fulfill that so hopefully WWE can find a course to get back on.

[punkscowardschampions]

Amelia & Jac

Amelia: My mum heard wrong and you're actually okay, right? Jac: I am now Amelia: but it was you Jac: me and half of Dublin Amelia: I could care less about about 3/4 of this town Jac: generous, a whole 1/4 Amelia: you know what I mean Jac: yeah Jac: your maths isn't that shocking Amelia: what happened? Jac: what do you mean Jac: I didn't accidentally swallow my mouthwash or something Jac: you know how it goes Amelia: alright, why did it happen? Jac: It was new years Jac: simple as Amelia: you don't give a shit about New Year's Amelia: or anything else right now Jac: I was feeling festive Amelia: because? Jac: because it's the reason for the season? idk Amelia: you're really going to make me figure it out? okay Jac: there's fuck all to figure out Jac: you've got drunk, you know why Amelia: What did she do? Jac: which nurse was it that told your mum Jac: or was it a receptionist, they're the fucking worst Amelia: answer my question so I don't have to go on her profile Jac: go ahead and look Jac: you won't be surprised, no one else is Amelia: [does so a pause] Amelia: I'm sorry Jac: I knew anyway Jac: well, was 99% sure Jac: but then that 1% went so Amelia: You could've called me Amelia: nobody on the gossip grapevine even knows the lad who brought you in Jac: I very much couldn't Jac: I was passed out Jac: so me either, the thank you note will sit here unsent, like Amelia: before, I mean Amelia: she didn't post that last night Jac: it was Christmas Amelia: so? Jac: a time for family Amelia: you used to be Amelia: basically Jac: well that's just weird Amelia: again, you know what I mean Jac: not acceptable to float your incest fantasies just 'cos you've got no siblings to go there with Amelia: ugh, shut up Jac: works for me Amelia: no, it doesn't Jac: ask anyone Jac: I've had a very relaxing break Amelia: none of this is working for you, that's why you ended up in hospital Amelia: for fuck's sake Jac: that was the tequila Amelia: none of this is funny Jac: what do want me to say? Amelia: quite literally anything that isn't a pisstake Amelia: that's how low my bar is now Jac: I got drunk, it isn't the drama your mum and whoever the fuck is making it out to be Amelia: it isn't a drama that you got so drunk you had to be medically emptied out after being brought in by a stranger, no of course not Amelia: anything could have happened to you but why the fuck would that matter Jac: clearly I was surrounded by nice people Jac: I wasn't in a crack den Amelia: you wouldn't tell me if you were Amelia: unless you had a joke you could make out of it Jac: I appreciate that you find me so amusing Jac: I'm not making jokes, there is just nothing to actually be said about any of it Amelia: Fine, we'll go back to not talking Jac: don't let me ruin your good time Amelia: it's a bit late for that advice, thanks anyway Jac: amazing Jac: way to make my hospital stay about you Amelia: how could I? It's all about Savannah fucking Moore, as always Jac: so you wanted to be the one I drank myself into a coma for Jac: I'm so sorry Jac: I'll try again next time and leave a note shouting you out Amelia: no you won't, because that would involve telling people about me Amelia: I might as well not exist Jac: 'cos I'm going around telling EVERYONE that this is about her Amelia: it's never been any secret how I feel about you or that I need you even though you don't need me Amelia: and you could've fucking died or something Jac: seriously Amelia: yeah Jac: it's bullshit if you actually believe that Jac: and you're not just saying it Amelia: all of this is bullshit Jac: I'm a fucking mess Jac: I hit you up all the time Jac: why do you need me to spell it out to you Jac: hire a fucking skywriter Amelia: none of it matters because when things actually matter, like this, you don't Jac: because I'm not fucking okay Jac: that doesn't mean that I don't those other times Amelia: I know that Jac: you clearly don't Jac: it means nothing Jac: then fuck it Amelia: it doesn't mean nothing Jac: it's so fucking Jac: infuriating Jac: I haven't talked to anyone else in person for so long Jac: and I barely do it in writing now either Jac: don't pretend you don't know that means something just to fit your narrative Amelia: what to do want me to say? or do? Amelia: I've spent ages worried about you even before this and there's nobody I can talk about it with because you won't Amelia: I don't get to be upset because it's Christmas and we're not friends and I'm over it, that's the narrative for everybody else Amelia: then I hear this and it's no big deal to you, apparently Jac: just not be so fucking dense Jac: at least when you're talking to me, you don't need to pretend that now Jac: what would you like me to say? how fucking vile it was having to bring up my entire stomach contents, what it smelt like? how terrifying it was to be there on my own? Jac: or what can I do for you now? start sobbing about how out of control my life is, repent, promise to change and be different? Amelia: I've already lost you once because of her, I can't do it again Amelia: especially not like that Jac: I can't stop loving her Jac: I can't stop it hurting Jac: all of us Amelia: I can't stop loving you Amelia: and she isn't going to force me to when she isn't even fucking here Jac: There's no point blaming her Jac: if she didn't know, before I showed her how I felt Jac: she didn't know about you and me Amelia: and you think I'm dense Jac: I don't think she's perfect Jac: not completely Amelia: it's progress Jac: shut up Jac: I'm sorry, alright, I wouldn't have told you, you wouldn't have needed to be worried Amelia: I'm worried by all the things you don't tell me Amelia: where you go and what you do when you're not 'hitting me up' Jac: it's not as if you'd wanna hear it though Jac: you want me to stop, like everyone does Jac: but I just Jac: I can't Amelia: I don't want to hear it because I know it's not what you really want Jac: I can't have what I want Amelia: you can't have her, it doesn't mean you have to have that Jac: None of it was real Jac: but it doesn't erase all that time, what was said and done and felt Jac: not for me Amelia: of course it doesn't Jac: it's like I'm trapped Jac: I can't go back but I'm just left here, she's left me here and all of the things we were going to do and be together aren't going to happen Jac: I'm not going to be that person but I'm not the same as before Amelia: it's like she killed you, you have to grieve Jac: I don't like who I am now Jac: without her Amelia: you said it, you're a mess Amelia: not much about that for a virgo to like Jac: this is just another day in the life for you is it Jac: 🦂 Amelia: it's not about me Amelia: how you feel about you Jac: it's no secret I CLEARLY hate myself Amelia: it'd be the worst kept secret ever if it was Jac: so yeah, it's nice to flip the script, have people think maybe I hate them instead Jac: I ruined Christmas because I hate you all, like, yeah, fine Amelia: maybe Cammie's brothers are little enough to fall for it Jac: it's surprising how effective playing at being a coma patient is for the cause Amelia: everyone knows you're hurting instead of hating Jac: alright Jac: sounding like a cringe 90s rnb love song is not cute Amelia: I'm not cute today Jac: have you got your serious face on to match your tone Amelia: my parents have and if you can't beat them, join them Jac: did your nan say something homophobic and they forgot to call her out on your behalf? Amelia: I'm grounded because of what you did, that's what passes for logic in this 🏠 Amelia: they haven't stopped talking about it or trying to overhaul my life Jac: oh great Jac: I'll not be able to see you too now Amelia: they've told me to stay in, they can't make me Amelia: you can see me whenever you want to Jac: your parents are actually sensible, if leaning towards over-protective Jac: they'll get a restraining order Jac: or me sectioned, if they can really sell it Amelia: they don't know about us Amelia: you're fine Jac: they know they don't want you being my friend Amelia: they don't want me getting hospitalised, that's all Amelia: they know if we were still friends I'd look after you and vice versa Jac: it isn't catching, it's alcohol poisoning Jac: can we go to the beach Jac: we've obviously missed the official swim but I want to Amelia: they did run out of Christmas drinks because I never got around to replacing what we stole and I did have to take sole blame, so that's where they think I'm heading Amelia: but yeah, we can go to the beach Jac: their friends always could put it away Amelia: and I wasn't even drunk last night Amelia: because I'd already had a lecture Jac: how drunk did you get on Christmas day then Amelia: it's not my fault they all stop at a couple of glasses Amelia: or want to my life a competition vs the child or children of every single person my parents know Amelia: 🥱🙄 Jac: you didn't know miracle was a lifetime obligation as well as a fancy title? Jac: gutted Amelia: did I hit you up, no, therefore I CLEARLY wasn't drunk enough Jac: Charming Amelia: 😏 Jac: you know, when I get drunk, I make really bad choices/nearly die Amelia: not always Amelia: and I might've given my cousin my phone so I didn't send you anything, okay? I'm that 😳🤓 Jac: She blatantly wanted to nose at all your private texts anyway Jac: I wouldn't trust any of mine as far as I can throw them Amelia: she'd have to steal my fingerprint, I definitely wasn't that drunk Jac: don't you delete them after? Jac: amateur Amelia: what would I do when you aren't talking to me if I did, read a book? Jac: you're quick with the recommendations for me, so yeah Amelia: I get enough migraines without encouraging them Jac: 😏 Jac: we definitely shouldn't be friends then Amelia: that's not even in the top 10 of reasons why we shouldn't Jac: again, so polite Amelia: come on, you know I'll break any amount of rules Jac: it's not supposed to be adding to the fun of it, like Amelia: fuck supposed to as well Jac: alright Jac: but I ain't going out and getting drunk tonight Jac: I feel inside out still Amelia: what do you want to do then? Jac: I don't know Jac: let's just start with the beach and I'll see Amelia: okay Jac: what do you wanna do Amelia: I only give a shit about seeing you Jac: It might take me a while to get out Jac: goes without saying I'm more than grounded Jac: one pair of 👀 on me at all times Amelia: that kind of wait won't kill me Jac: alright Jac: I'll think of something Amelia: remember a coat this time, yeah? Amelia: I can't lend you any more without literally taking the one off my own back Jac: oh no Amelia: you didn't nearly die in my coat, did you? Jac: I was wearing it Jac: but I don't have it now Amelia: oh Jac: I do remember where I was, I wasn't that gone when I arrived Jac: but I don't wanna go back, I can give you the address? Amelia: do I want to go there or should I just hit the sales? Jac: yeah Jac: consider it a late christmas present? Amelia: wait, my late Christmas present isn't that you didn't die? Jac: you're glad, aren't you, that's a gift Jac: but I also meant money for a coat, that's only fair, if anything Amelia: I can afford my own replacement coat Jac: alright Jac: but I did lose it Amelia: I lent it to you, if it was that precious to me, I wouldn't have Amelia: and my mum will be thrilled I'm asking to go shopping Jac: yeah, true enough Jac: what did you get her for christmas? Amelia: [something her basic mum would actually love because she only had to buy for her parents so might as well go in] Jac: wow, daughter of the year much Amelia: I'm their only daughter, there's no contest Jac: all I got mine was a nervous breakdown so you know Amelia: I did that last year, you know, before it was cool Jac: 🤓 Amelia: I'm sorry that you didn't invent pining Jac: I'm not pining though, you can have that Amelia: I don't want it Jac: I'm sorry you invented pining Amelia: I didn't, I just happen to be amazing at it Jac: or bad at it, depending on your outlook Amelia: well yeah Jac: I look awful Amelia: how do you feel? Jac: awful Jac: at least there's no disparity there Amelia: you've nailed it, along with the majority Jac: start as the year will go on, no matter my intentions or otherwise Jac: fucking hell Amelia: I look great, you've been warned Jac: 😂 Amelia: 👧🏻 Jac: at least it isn't bowl-esque now Jac: like your xmas throwback Amelia: I knew you'd like that Jac: that santa is creepy looking though Jac: your face says it all Amelia: 😂 Jac: how likely do you think any of my siblings are to cover for me right now Amelia: 🤔 very unlikely Jac: distract and run it is Amelia: can you even 🏃 the state you're in? Jac: They gave me IV, I'm technically in my prime, thank you Amelia: carry on Jac: you don't have to come Amelia: I want to though Jac: alright Amelia: okay Jac: [I think she should ask Jesse to cover but whatever the outcome of that convo let us say you do get out somehow and you can go to the beach] Amelia: [yeah even if he won't, find a way gal] Jac: [have your nice moment] Amelia: [it's deserved, well not really because you ruined christmas and new year's but Savannah ruined everything first so it kind of is lol] Jac: [it's what being a teen is all about henny] Amelia: [not this teen, I was a goody two shoes] Jac: [my boo is too good she would never lmao, I did so] Jac: [I think they should have a nice time but then someone/someone's parents is at the beach so she's like well bye] Amelia: [that's very valid because you lowkey wouldn't be able to go anywhere without seeing someone either they know from school or Amelia's parents know the parents of] Jac: [exactly, it's an easy way to end things before anything really has to be said or done so tah everyone] Amelia: [I hope you're both going home, we don't need any more drama immediately] Jac: [my boo says get your ass back home] Amelia: [mhmm] Jac: [she has nowhere to be so I'm sure she's going back to bed lol] Amelia: [get your arse back home too Amelia even though I'm sure that girl has text you at Christmas and New Year's] Jac: [at least you weren't at the beach gal] Amelia: [I 100% vote you do see her when school starts though even though she in the year above and would have to seek you out lol] Jac: [my boo says let her have it] Amelia: [we do love the jealousy always] Jac: [mhmm] Amelia: [not letting you date her though because she actually seems to like you so that'd be rude] Jac: [only jac and savannah can do that lol] Amelia: [Savannah do like this boy cos he reminds her of Jac remember LOL] Jac: [lmao]

[peekintoeternity]

jokes aside, lemme be that guy and just say (rant)-

tbh he only did that bc he was about to kiss her on the pic, and given his (established) actual admiration for (if not outright obsession with) kakashi + his utter LACK of discomfort at also-sorta kissing minato, you can still sensibly read it as a preteen's clumsy way of suppressing/repressing their curious crush aka uncomfortable-feelings-they're-not-ready-to-confront-about-someone-of-the-same-sex.

why else would obito choose that specific pic for the "kiss" when he clearly had other photos that were just rin?

and why would kakashi's face even bother him if all he thought of, all his world revolved around, all he could even see was just rin?

(i think tween fangirls of some male celeb wouldn't care if he was pictured next to a female celeb; if that was the photo they had and they wanted to kiss him, i doubt most would even notice whoever else's face happened to share the frame)

also how long has he had that picture? it's framed and everything, and was taken the day they became a team (so anywhere from 1-4 years), but obito only ever covered up kakashi in that spontaneous (painfully pubescent) moment of wanting to explore his budding romantic feelings for rin. he used tape that could easily be removed after, instead of folding or tearing the picture like he would've if he actually hated kakashi or saw him as nothing but a bitter rival for his crush's affections.

p.s. i'd also argue, much like naruto's scene where he watched sakura hugging sasuke in the hospital, obito had already accepted that rin would never truly return his feelings—nor feel the same way about him as she did kakashi—since all the way back in that moment during the chūnin exam.

after this, he only got his hopes up one last time when he finally made chūnin, and she whispered in his ear, asking him to meet up and, in all his childish naiveté and heartbreaking, hopeful earnestness, he mistook it for a romantic advance--

(speaking of that moment, though—damn. if kakashi was a closet pervert, obito was a closet hopeless romantic, lmao)

--but after realizing it was yet again all about kakashi, that was it.

we never see any more evidence of obito yearning for rin romantically. in fact when he talks to kakashi in kamui, his dream version of rin still says "i love you" to kakashi--

--and obito calls kakashi "the one rin loved", literally admitting her heart was never his, but always kakashi's, and he doesn't even care; focusing instead (as he should) on the tragedy and injustice and inhumanity of the situation.

so clearly, when he talked about bringing her back to life in the dreamworld, it wasn't about getting himself some love interest to mack on; it was about breathing life back into innocence and kindness and everything—the only thing—good in the world that he'd ever known and his best friend.

(does that really sound like a stalker/yandere type who just wants to "win"/possess the object of his desires?)

and when he talked about telling her how he really felt you-know-when, i think it's clear he meant just to "come clean" and "leave the world" with no regrets / baggage / unspoken words / unfinished business; not to actually proposition her to be his or anything. he was going to die, so how could he have "gotten together" with rin, even if he'd had the courage to tell her the truth "in the end"?

again, his words weren't "i wish i could've lived to kiss rin / be with rin"; it was essentially "i wish i could've been honest with her about how much i cared for her, so i could at least die without regrets, since i already know she doesn't return my feelings."

at that point, it would've made no sense for him to hold out hope for a romantic future with her; and narratively, reading it that way would only cheapen his determination to save her. his whole character is supposed to be built on upholding being human above being a shinobi (only caring about missions), i.e. wanting to protect his comrades, not his duty or self-interest aka saving someone just because they're his crush.

(especially when he knew her happy ending clearly featured kakashi, not obito himself)

+ we all saw how naruto reacted to sakura "confessing" to him, and given the parallels between them, obito probably would've called bullshit just as fast as blondie if rin ever tried to pull this shit after what obito saw in her eyes during that chūnin exam

p.p.s. also just gonna leave this here: i actually hc that while kakashi was fighting that iwa jonin, obito told rin to tell kakashi how she felt about him; why else would she blurt it out right after his death (when she was supposedly this super kind & considerate person), with tears streaming down her face and a sense of urgency that was completely out of place as they were still knee-deep in enemy territory, surrounded by enemy reinforcements, and fresh off of what must have been the most traumatizing event of both their lives?

it would also make more sense then, how obito lamented not telling rin how he felt, bc he'd actually done the opposite (pushing her away);

just like how he was always hiding his wounds and faking his brash, confident persona to mask his deep insecurities;

just like how he made a bald-faced lie and said "i don't even feel anything (pain)" bc his right side was crushed, only to cough out blood right after, while being obviously in pain lmao--

--he knew he'd been "wearing a mask" (long before he even put on a physical one), and would die without ever really getting to take it off—not even for the two people that meant everything to him.

I'll be forever puzzled by that picture :

Or more accurately, how some Obito antis use it.

They generally use that picture to prove how, through a "Stalker Shrine" as TV Tropes puts it, that Obito was always some simp/incel obsessed with Rin and that his love for her was always obsessive and unhealthy.

This blatantly ignores Obito's parents, Kakashi and Minato's presences on the pictures as well.

This is especially glaring for Kakashi : given that Obito is jealous of him and sees him as a romantic rival, you'd think that he'd remove it, or at least remove Kakashi from the picture. Cross him out, tear off the part of the picture where he is, whatever. This wouldn't be the first time a simp/stalker/yandere did that whenever someone they see as a rival for their crush's advances is on a picture with them.

Yet… Obito didn't. In fact, the picture seems to focus more on Kakashi and Minato than on Rin, if anything.

This isn't out-of-character for Obito at all. He swore at one point to protect Kakashi (his whole team in fact, if the Wiz translation is anything to go by), and confesses to Minato about his secret admiration for that very same Kakashi.

The fact that he chose Minato over Rin to confess his admiration towards Kakashi, in fact, is especially noticeable.

It's because of that very same admiration that Obito entrusted his best friend and childhood crush's safety to Kakashi.

Am I denying that Rin is still present on the majority of those pictures? Nope. I'm just pointing out that while Obito was in love with Rin, the platonic bonds he had with his late parents, Minato and Kakashi, were important as well.

Peace! ☕

[codenamesazanka]

Warning: Rant, character bashing, lots of opinions

I'm saying it outright. I hate Deku. He is entirely underwhelming as a character, much less as the main character, the shonen protagonist of the series.

It's a 'different' type of dislike, though. I feel like I could've like his character. There's nothing greatly disagreeable about him, he's as inoffensive as can be, he's an optimistic, considerate, and polite boy, he's as plain as he is said to be, and that's fine.

My issue is that he's not the character he's said to be. I, personally, just don't buy that he "possesses a drive to save others that eclipses all common understanding", or that he's super intelligent with great analytical abilities that he actually applies on the battlefield, or, in general, he's as amazing or heroic or compassionate as he's apparently supposed to be. How can he be inspiring if he barely challenges any aspects of the society he lives in. Deku is a super good example of the terrible use of "Tell, Don't Show". We're told about his amazing traits, but he rarely follows through; when we do see hints of it, it's lauded but frankly I think it's typical behavior and (this though is not quite his fault) written so stiffly and awkwardly I'm not convinced.

(Honestly I might even call him a Canon Mary Sue. He has no interesting or distinguishable flaws, unless having a shit for brains attitude is one but that's not acknowledged by the narrative. Breaking bones is not a personality trait. If he has a Hero Complex, it's not even the interesting ones where he fucks things up even more; or carries crippling guilt about circumstances beyond his control; or focuses completely on saving people to the point of rejecting almost all human connections and keeping deadly secrets - which is All Might's big flaw.) (Well fair, he does this in the most recent chapter but did it need to take 300+ chapters? Plus I sense the way it's framed is that it's the radical, but right course of action.)

Say what you want about Villains and redemption/shouldn't be redeemed/too evil to be saved/justice/etc, but I think this 'Incredible Drive To Save' should've included Villains from the start. Why does Deku want to "Save people with a smile on his face"? Assuming it's empathy, he should have felt some towards everyone he encounters, whether it's sensible or not. "Why are you so angry?", "You shouldn't go about things this way", "What caused them to be like this?", "Why is there evil in the world?" even. I'm still fuming over his Mall Encounter with Shigaraki, where Shigaraki pretty much reveals his damage: "All Might acts like there's no one he can't save"; but ultimately Deku goes "Wow, that sure is an opinion."

What kind of inane response is this??? There's little pushback from the narrative either, so this isn't pointed out as a failing of his (because, again, he has no big flaws). And he's supposed to be smart and caring. Yes, he does ask All Might right after the Mall Encounter, "Was there anyone you can't save?"; but essentially the replies he gets is "Don't worry about it" and Deku immediately largely puts it out of his mind "Oh whew, I was about to do some introspection and reflection". There isn't even the daunting, kinda-existential anxiety that people get when they realize it's impossible to save/help everyone - which is something, like, medical workers have to learn to deal with - that sharp sense of the inevitably of death, of loss, failure, guilt. I'm not asking for him to come to the conclusion that everyone should be saved - he could've decided nah, Shigaraki is too ugly to be saved and I would've been fine with that, it's part of the character role and potential development - just that he should've had a conclusion at all.

There are the latest chapters where Deku decides he wants to try saving Shigaraki first (though killing him is still on the table), true. Him wanting to save Shigaraki after seeing AFO merged with him, after seeing The Crying Child - but see, I don't think it qualifies because I think it's the bare minimum about of consideration, the typical response to seeing the body horror of warped, fused flesh, to seeing a small sad little boy. I think it shouldn't require "You look like you needed saving" for a true Hero to consider saving someone. Not for someone who is supposed to be unique and special in this regard.

*

I've complained about this before, but the trouble with Deku was evident from the very beginning.

Again, Deku wants to save people with a smile on his face, and again, I’m assuming it’s empathy. We're shown this on the very first page, as he attempts to protect a friend(?) from bullies, but imo like it felt groundless because who was the kid he was protecting? We never see him again. Did Deku's standing up to Bakugou work, and the kid was saved? Or did they both got beaten up; but afterwards, being the kind boy Deku is supposed to be, he still gets to his feet to help the boy, to apologize for failing.

But more significantly, this theme of saving was overshadowed immediately by his focus on superpowers - that he was quirkless. Next page, his focus was on ‘Woah, giant villain and superpowers!’ Instead of like. Helping people. (Though I chalk this up to early installment weirdness)

What should’ve happened if the theme was ‘SAVE PEOPLE’ Is something like: The opening sentence being “People are not born equal. This is the harsh truth I learned when I was four. I knew that... but despite my powerless, I still wanted to help. That was my first and last setback.” And the panels/images themselves (of little Katsuki and his friends) implies that people on the world thinks you need power to help people.

When he saw the villain attack on way to school, Deku can be wow’ed by the spectacle! But then he notices a kid crying and offers to help find his mom. He can be interrupted by a Hero saying he (the hero) will take over, he can find the mom and realize he’s late for school (and so that shows he’s willing to sacrifice something of his to help others! Because of his altruistic nature!). A scene like that, of him helping the lost kid, we would know that he wants to help *anyone*. At school, though, he still gets bullied for not having powers. So he’s mulling over that when he meets All Might, and asks the question.

It proceeds as usual for the next few events: When the sludge monster attacks Katsuki, he can still go gawk at the scene. He can still hesitate. In canon, it's only when he realized the victim was his friend that he jumps into action, which I thinks undermines the theme of 'wanting to save indiscriminately'. IMO, it would've been better that Deku sees it’s his friend, but he still hesitates. “There’s nothing I can do right? All Might himself said so...” But when he sees Katsuki’s *face* of fear, he runs to help. Instead of seeming like he helps only because he realizes it’s his friend, he helps because he feels too deeply about trying to save Katsuki.

Admittedly these are minor, personal critiques; but all in all, the first chapter fails to establish Deku is the willpowered, champion of wanting to save people he's supposed to be.

--Which is fine, if it's acknowledged in the story later, that maybe he wasn't the True Blue Hero he's supposed to be at first, but he can change and still become one. But it's not - Deku is apparently special, without anything special to show for it.

*

I read the one-shot "My Hero" - the prototype for this series - that Horikoshi published years ago, before My Hero Academia was created. I also found it underwhelming, but that was due to personal tastes (I wanted more explosions and dumb violence); as a story on it's own merit, the logic and progression was solid.

The Villains Heroes fought were 'Aberrations' - true inhuman monsters that showed no sentience that would eat people - so the focus could be solely on saving humans. The main character - Jack Midoriya - his original goal was less 'save people' and more 'become a cool hero', before learning that saving people is what true heroism is about, hero license unneeded. (Moreover, he really did 'save' someone without being a hero - by working hard, he was preventing the company from becoming ruined completely, which the CEO had confessed and thanked him for. )

This version of Midoriya didn't exactly needed deep empathy or compassion for that, just a strong willpower, which he effectively demonstrated by chasing after a childhood dream even as an adult salaryman in a tanking company, even though he had anemia and no training and no license. He insisted on this, to the point of getting hurt by being dumb, of being petty over someone dissing the Hero who inspired him in the first place, of skipping out of work and going vigilante. Not the most upstanding guy, but he came through in the relevant themes of the story, in being the character the story needed him to be.

Jack Midoriya was an unimpressive, weird-looking, weak, pitiful, somewhat selfish, awkward salaryman with no great aspects that 'eclipses all common understanding'. But he was a far stronger character than his incarnation Izuku Midoriya could ever be (so far).