#we are reasonable and valid and what we experience is real

[holder-culture-is]

Newly diagnosed trauma holder culture and recently only learning you have a system and not knowing what all these terms mean after years of everything being thrown at the wall to see what stuck with doctors. What is an Endo? Why is Traumagenic (me or us) a term? Are diction alters real or not? And why can't I know my alters the way others seem to define them as separate people? I'm all blurry all the time. It's so overwhelming learning all this stuff. Is it a bad thing to still mostly use singular pronouns when referring to ourselves even though I've been told there are about 12 distinct personalities? Is 12 a lot? It feels like a lot. What about the fear of being called a chronic liar? Am I bsing if I only just came to a name for my system?

(Can I be called 🦌🦇 sys anon?)

Woah okay ‼️ you’ve probably found answers to this by now cause this has been sitting in the inbox so long, but let’s take it one step at a time ^^

What is an Endo?: Endogenic systems (or endos for short!) are systems that claim to be formed by something other than trauma . Many traumagens don’t believe in endo systems, including us, but I don’t wanna tell you what to believe ‼️ do your own research on endo systems and plurality (cause I think there’s a difference ?? Idk‼️)

Why is Traumagenic a term?: has a lot to do with those that claim to be endos being more common‼️ it was created as a way to differentiate , but if you (like us) don’t believe in endos, there’s really no reason to use it . You still can , though ‼️ not here to police you ^^

Are [f]iction alters real or not?: I’m 90% sure you meant fiction and not diction , so I’ll go with this one . What you’re talking about are fictional introjects , also called fictives or fictites ‼️ And in that case, yes ‼️ They are real :3 introjection is a normal human process, but with the compartmentalization that CDDs cause , it takes that to the extreme with introjects ‼️ Fictives specifically can form if the media is a major player in a system’s life , and the brain believes an alter with the traits of a certain character could help the specific situation ^^

Why can’t I know my alters the way others seem to define them as separate people?: For starters, recognizing alters as alters instead of fully separate people is actually really good for healing ‼️ (NOTE: if you see your alters as separate people, that’s not inherently a bad thing ‼️ the fact is though , they aren’t . I’m not going to tell you what terms to use for your system , and you’re within your right to refer to alters as different people ‼️ I’m just stating a fact :>) and about knowing your alters , that comes with time . We’re still trying to figure out all of us ^^

Is it a bad thing to refer to ourselves with singular pronouns?: No ‼️ that’s your choice , and whatever makes you most comfortable is the correct option :> we use plural pronouns because that’s more comfortable , but using singular is just as valid ^^

Is 12 a lot?: That really depends ^^ your brain needed 12 separate alters to survive your trauma , so by that logic it’s not ‼️ and even if it was , that’s not a bad thing ^w^ take your time with your system :3

What about the fear of being called a chronic liar?: Denial is a huge part of CDDs ‼️ they’re meant to be covert, so discovering them is usually very difficult . And remember , you and your psychologists a know your experiences the best . Listen to your doctors , and evaluate your own experiences . If you aren’t a system , there’s no shame ‼️

Am I bsing if I only just came to a name for my system? Nope ‼️ you aren’t even required to have a system name , it’s just something a lot of us do :3 and if you mean just figuring out your experiences had a name , you wouldn’t be in that case either ^^ Either way , you aren’t bsing anon :3

Whew, this was a long one ‼️ hope you’re doing better now , anon ! Ik this took a while to get to :<

[some-teeth-in-a-trench-coat]

[ID: screenshot of a tag that reads "enjoying even" /End ID]

2024 is the year we stop “consuming” and go back to “reading/watching/listening to/playing” things

[malewifesband]

EDIT: if this post has made you think about whether or not you are autistic, im really glad! i hope you get some better understanding of yourself and are able to find community and support

however before you go and tell a therapist and seek an official diagnosis please read this thread and consider the points made therein:

autism is highly stigmatized. be fully informed about what you gain and what you lose from having an official diagnosis before seeking one.

EDIT OVER ENJOY THE POST

people do correctly identify that laios is autistic fairly often but a lot of the reasoning begins and ends with his special interest and social difficulties, but honestly it goes far deeper into the build of his character than just those two things

his pain tolerance is wildly inconsistent, unable to tolerate a drop of hot oil (or any heat) but able to shrug off both his leg being bitten off and it being reattached

hes sensory seeking in the extreme. he rubs the bat bones against his face, pets and fluffs the shapeshifter tail.

his desire to eat monsters comes from three very autistic places. 1) the rules for why monsters are not okay to eat but animals are are arbitrary to him so he cannot follow them easily: he cannot understand the 'feelings' argument others make. 2) this too is a sensory seeking behavior. he wants to experience these new things, new flavors and new textures. 3) it completes his knowledge of the monster in question to also have data on its edibility. because he cannot draw that arbitrary line around all monsters, he wants to evaluate them case-by-case and see if real patterns emerge. butchering and eating the monsters improves his knowledge of them greatly and highlights their importance in their ecosystem, as well as making him a part of that same ecosystem

he cannot emote the way others expect him to. he compartmentalizes his feelings (to an unhealthy degree) because he needs a pragmatic solution. so as long as there is a problem to solve, that matters far more than evaluating his emotions and allowing himself to experience them. while this is also a coping mechanism for ptsd, it is a trait found in many autistic people regardless of trauma, as we have trouble sorting the feelings we have and often need time to think about what we feel, so it becomes easier to simply not do it and pretend we dont need to. laios emotions certainly affect him, with or without his processing them, but others do not see what they expect to see and thus dismiss that he is feeling what they would feel

he is incredibly gifted with pattern recognition, observation, and analysis within realms he understands. to understand subjects that dont come easily to him, he must filter them through his established schema (his special interest--this is why they are so special! they help us sort the world). when he isnt sure about the social cues and details hes observed in the shapeshifter arc, he filters it through the lens he understands best: monsters. he was making correct observations about his friends all along, but he could not be confident in that the way he was about their behavior when it came to his interest (chilchucks caution, senshis passions, and marcilles carelessness)

[rikkivoid]

this is my final post! the past few years have been amazing - thank you for everything <3 (more info below the cut)

I will no longer post on this account and wanted to write a note to explain and say goodbye.

Bnha and the bkdk fandom have been a constant source of joy and excitement in my life since 2018 - you were all so kind and encouraging towards me, and I grew so much in skill and confidence as a result! I’ll really treasure my time in this fandom. I loved experiencing so much incredible fanwork and freaking out over exciting moments from the series with everyone in real time. (I still remember choking on my drink and falling to the ground when I saw the vol.29 cover on my tl omg… it was life changing.)

I went on hiatus last year to reconnect with my passion for making art outside of bkdk and learn what I wanted to create without the influence of external validation. I had time to reflect on how much I was influenced by numbers on social media. I thought they didn’t affect me, but in truth, they completely ruled my artistic judgment and decisions. I found new hobbies, new media, experimented with different mediums and subject matters, and in the end… I rediscovered my joy for making art! 

This year, I gave myself a fresh start instead of returning to this account. This is partly because I really enjoy exploring erotic and transgressive themes and I don’t want to share it on a large account to people who followed me under a different pretense haha. But the main reason is that I wanted to create a space without any expectation for what kind of art I should make based on my previous work (since I know the majority of people follow me because I draw bkdk, and I mainly draw ocs and unrelated fanart now). 

All this to say, I hope we can cross paths in the future, but if that day never comes, thank you for the wonderful memories and support you’ve given me over the years! This fandom has so many incredible people in it and I sincerely wish you all the best. PLUS ULTRA!!!! and farewell! :’3

Lots of love,

Rikki <3 

[This account will stay up, but I won't be checking it much. If you have any questions or would like to get in touch, email me at rikkivoid@gmail.com and we can go from there!]

[autolenaphilia]

Edit: as hoshi9zoe pointed out, the original version of this post needlessly berated other transfems like Jennifer Coates, for which I do apologize, and I have toned it down in this edited version. The original version survives in reblogs.

Some months ago, I was searching through this transandrobro blog to see if they posted a callout of me, and i found this reblog, which I couldn't really write about for months, because what do I even write. I recently wayback machined it for posterity, and I guess this is my attempt to write a post about it.

It's saint-dyke himself, the coiner of transandrophobia, saying that the infamous (at least for me) article "I am a transwoman. I'm in the closet. I'm not coming out" is what made him coin the fucking word. It's literally bolded and underlined: "Reading this article is what made me coin “transandrophobia”.

The reason I put off writing this post is that reading that article makes me feel like i'm drinking poison. And it is poison, make no mistake, it's internalized transmisogyny brainworms dripping out of the writer's brain and onto the page.

It's a justification for why the author, known by pseudonym Jennifer Coates, doesn't want to transition, despite knowing she is a trans woman. And it's the exact kind of internalized transmisogyny that keeps trans women in repression and not transitioning. "I'm not going to pass, i'm forever going to be an ugly freak who will at best be humored by other women, the closet is uncomfortable but at least it's safe"

It's the same exact bullshit a lot of represssed trans women tell themselves because it's what society tells us about trans women, that we are freakish parodies of women, that we will never pass, and if we don't pass we have failed and are ugly freaks. It's all to scare us into staying in the closet and make others hate and fear us. Transmisogyny permeates our society, and the majority, maybe all transfems will absorb and internalize some of it.

Coates says that it all is just applicable to her, but again so many transfems believe this shit before transitioning and realizing it's a pack of lies. If this bullshit was in any way valid, a lot of trans women shouldn't transition, because before we actually transition many of us believe it word for word. And "it's only true for me" is how we justify it to ourselves. We tend to be way harsher on ourselves than others. This kind of self-hating transfem tends to think: "Other trans women are beautiful graceful goddesses, earthly manifestations of the divine feminine, always destined to be women, while I'm an ugly forever male ogre who just has a fetish."

It's all bullshit, it's poison, it's internalized transmisogyny.

And the rest of the article is bullshit too. It is not some insightful mediation on gender as some people say, it's the author confusing and mixing up actual transmisogyny with an imagined problem of misandry. She does this because she has gone full repression mode, and decided she has no other choice to live as a man, so her dysphoria and experiences of transmisogyny are actually men's problems.

It's a bad article, excusable because as Coatas points out, it's "essentially a diary entry." that was meant to be a way to "vent frustration" and she "did not intend for anyone else to actually read it." It is clearly not the product of a healthy mind.

I hope the author sometime in the past seven years eventually did transition, and that for whatever reason she didn't want to publicly repudiate her own article. Maybe she lost access to the medium account so she can't delete it.

Far worse than the article itself is the response to it. I've seen it passed around as some insightful commentary on gender by the "feminists are too mean to men, misandry is real" crowd. I have argued against this before. And other people have made insightful comments about it.

And learning that saint-dyke claiming that he was inspired to coin the word "transandrophobia" because of this article is the cherry on top of this shitcake of transmisogyny. For my thoughts on "transandrophobia" theory and how transmisogynistic it is, see here.

Of course, Saint-dyke absolutely could be bullshitting here. Claiming that Coates's article is what inspired him to coin the word might be a lie to claim that transandrophobia theory is not transmisogynistic because it came from listening to trans women.

This is why "listen to trans women" doesn't work. Because TME people will always choose a trans woman who confirms their prejudices. Blair White has made an entire career out of this. And Coates article is popular because it says that misandry is real and trans women's issues are partly caused by it, misgendering herself and other trans women.

And it's popular for another reason. Coates has thoroughly internalized transmisogyny, and thus her article presents a trans woman that is exactly as transmisogynistic patriarchal society wants her to be. She is suffering, but ultimately accepts her assigned role. She truly believes that her biological sex dooms her to forever be male. She literally "manages her dysphoria by means other than transition" as conversion therapy advocates want us to do. She never makes an social claim on womanhood by actually transitioning, so she doesn't invade the sacred women's spaces. Yet she performs the role of woman perfectly by serving men, by defending them from supposed feminist misandry. And she fulfils the ritualistic role that the rhetorical figure of "trans women" sometimes serves in progressive spaces, of giving a blessing to TME people's pre-existing views and actions, all while actual flesh-and-blood trans women are destroyed by those same deeply transmisogynistic spaces. This time it's a blessing for the same "misandry is real" soft-MRA bullshit that has infested the online left and created the transandrophobia crowd.

That is why this article and the positive response makes me sick, makes me feel like i'm drinking poison. This is what its fans want trans women to be like. I'm acutely aware this kind of self-denial is exactly what transmisogyny wants from me and tried to indoctrinate me into doing it. And I want none of it. I want to live, I want to be a woman.

[luesmainblog]

my theory is that when it's on accident they're pulling from real life observations and actually thinking about the situation properly, whereas when they actively set out to do it, they rely on stereotypes and have a clinical, cynical view if they do research. most importantly: when they do DID/OSDD/plurality on accident, they are less likely to try and cure it. i cannot tell you how many times i've been willing to put up with some rep's problems only to be slapped in the face with "and now we integrate back into one/everyone else goes dormant and the core is effectively a singlet again" at the end. if i had to pick between killing the Evil Alter trope and killing that, i would use all 6 bullets on that shit. we can deal with stigma. but i will NOT be told that my family is bad for me and needs to be removed. and i am so sick of it being treated as a Temporary Cope you're supposed to Move On From.

why is the best DID representation in media always accidental. the moment they try to do it on purpose its just the evil alter trope again but the moment theyre not trying its like wow. how did you manage to get that accurate accidentally?

[splatoonpolls]

a really long analysis about fanon Marina and the flanderization by fandom she has gotten

fanon marina (the version created by the fans) mainly focuses on two things, her being autistic coded and her being basically confirmed to be a lesbian. And I do think this has to do with her being VERY much like a typical splatoon fan in many people’s eyes. Her being a nerdy queer neurodivergent person. This is also why other parts, especially her relationship with her being an octoling gets often locked away. Subconsciously at least

if Marina was a book, several chapters would focus on her identity as a dome octoling. Her being autistic would probably pop up here and there, but it wouldn’t be a whole chapter. But her very much gay relationship with Pearl would definitely have a few chapters. But with people focusing on those few lines and chapters rather than the whole book. People would slowly ignore the other chapters, get shocked like Adam Sandler learning Pac-Man was the bad guy in the hit movie pixels.

the splatoon fandom’s western side is mainly white Americans and Europeans. Which is one reason why the fanon Marina doesn’t focus on her identity as an octoling, but also on how many details are not really told to the player. Marina barely shows her ears, which can both be read as her having sensory issues (which is a super valid headcanon(, but also her not feeling super comfortable with her body. With her ears being a reminder of her “you are with people who still think you are only going to steal stuff”. Her tentacles may be weird, she may lack the eyeliner an inkling has. But those things can simply be a stylistic choice. Her ears can’t be one. They are too different. I also know the DLCS focuses more on her identity as a dome octoling. However many can understand how her arc as a whole can be paralleled to the real life experiences of people belonging to marginalized ethnic communities. I also want to point, while writing this. I realized (which many people probably already did). Dome octolings you see outside of the domes (splatoon 2 octolings, Marina, Acht, Paul), are all refugees. They are all characters who grew up in a society that had been shunned for decades, even centuries. That society ended up being oppressive both due to external and internal issues. They know the society they’re living in is no longer a good place to live in. So they escape. Hoping to find a place that will take them on. For agent 8, Marina, and Paul. They found a safe place. Acht wasn’t super lucky however. They were told they could find a “promised land” only to be left in even more ruin before. So not only does Marina’s character arc focus on her being a part of an ethnic minority, but a refugee at that. so why does fanon marina usually avoid that part of her? Well as a mentioned before. Marina has three things that makes her very relatable. While the more backstory focused things are less relatable to a way smaller margin of the splatoon fandom. A way smaller part of the fandom are poc in a very white country. And a very small percentage are refugees.

if we removed Marina’s backstory. We would still be left with the fanon version. A nerdy autistic lesbian who deeply loves Pearl. I love how Nintendo got a game that also isn’t afraid to show a society that cares about queer people if not is queer centric itself. Which is probably why many people cling to that part of Marina. But if we removed that part. What would we be left with? Well, we would have an octoling refugee who is a trained soldier and can create weapons of destructions (and she would still be in love with Pearl, it is an important part of her backstory). im not saying the splatoon fandom’s openness to lgbtq and neurodivergent people is a bad thing just because they boil down one of the most plot heavy characters down to those things. It is actually a really great thing to have a fandom that is open to these marginalized groups.

i just want to say, due to this love for Marina being a character you can relate to. It feels like certain parts of Marina’s character (which can also be very relatable to some) is being drifted away to the more lore centric side of the fandom. Which will lead to a sort of fandom flandarization which is very unintentional and just done due to a love of Marina as a character.

If you’ve read this an disagreed, that is fine. Character writing is a very subjective thing

[rederiswrites]

Okay so I'm giving @corseque 's super-important audio of all Solas' comments about the Blight a second (or fifteenth, whatever) listen and taking notes as I go.

Solas doesn't think for a second that once the archdemons are gone the Blight will be gone. Which really makes sense because it's the Blight that makes them an archdemon, not the other way around. Supposedly, they're blighted when the darkspawn reach and corrupt them. But of course that begs the question of why it's only darkspawn (and uh, honorary darkspawn like the Wardens) that hear their call. Anyway, the way he says it, it sounds more like the archdemons are a limiting factor than a driving factor.

Varric: "What's so confusing about endless darkspawn?" Solas: "A great deal!" So yeah, whatever the plan was, he didn't foresee darkspawn as a consequence. So did he not foresee them existing at all, or not foresee them being free to cause problems? Worth noting that it's really clear both in general and in Descent that dwarves as a whole were a huge blind spot for him.

He is really really surprised that the Western Approach ever recovered from the Blight. Pretty clear he didn't think that was possible.

He thinks that everything the Wardens have done up til now is a deeply misguided effort that's served (mostly accidentally) as a delaying tactic. Gotta say, with the information we have at hand, this point pairs about as well with the last as a nice dry red with spicy pickles. If the Wardens shouldn't have done what they've done, but he didn't think recovery from the Blight was possible, I'd love to hear what he thought the alternative was.

Same dialogue as above, but when Solas talks about stopping the Blight and when Blackwall and Varric talk about it, one gets the distinct impression that they're talking at cross purposes, because Varric and Blackwall are talking about the experience of Blights, as in, periodic events, whereas I think Solas is talking about THE Blight, that is, its true nature, which is yet untouched.

He thinks Erimond is dumb as shit, which is fair and valid. "That's madness! For all we know, killing the Old Gods could make things even worse!" he says. Well, he knows a lot more than "we" know, but it's entirely possible that he doesn't for sure know this. Increasingly clear that he thinks it, though.

I'd forgotten just how pissed off he was about the Grey Warden plan to kill the Old Gods before they were corrupted. It really doesn't give "hey you're killing my relatives" energy. It really gives "wow that would fuck us all" vibes.

Of course, with a side of my remembering that Solas' besetting flaw was always thinking people should know better even though they don't have access to the knowledge he has. That flaw I WILL grant. He displays it repeatedly--you could even say the writers went out of their way to make the point.

"The Blight is the real problem"

"The fools who first unleashed the Blight on this world thought they were unlocking ultimate power." Anyway yeah those are the absolute core of everything here. The Blight is the real problem and the Blight was deliberate. Deliberately made or deliberately freed.

Even during the events of Inquisition, Solas obviously sees Corypheus as secondary to the Blight as a danger.

Cassandra suggests that the archdemons were really just dragons--"Pets to those who no longer exist", by which she probably means the Old Gods, not specifically the gods of Elvhen, just because of her cultural background. Solas finds this suggestion amusingly wrong--a quiet snort, and "I would not go so far as that."

Last notes: he doesn't sound like he thinks the Blight can be stopped, and he's adamant that it can't be controlled. Which is presumably why he broke the world in an attempt to contain it, assuming I'm right that that was the underlying reason for the Veil. That it didn't quite work the way he'd hoped is also pretty evident, though I wanna be clear that I assume he was working from a place of desperation, and that not knowing every possible outcome of an action is not a condemnation of having taken it.

[nyctohyloph0bia]

Honestly y'all need to chill with the "nonhumaness needs to be involuntary!"

The only reason you're saying that is due to wanting to present 'valid' enough for outsiders. It's not a choice so they won't bully you, like they do furries or other people.

And I hear you cry "but KFF!". KFF aren't nonhuman, they just relate. If someone comes over to me and says "I choose to be nonhuman today, I am nonhuman no matter what other ppl tell me. I genuinely identify as nonhuman." That isn't KFF, that's a nonhuman.

Truly, I'll just go "woah...that's so based". Because truly, what are our differences? We both genuinely identify as nonhuman....and yeah that's about it.

You might say, "they don't experience shifts!" There's nonhumans that don't experience shifts. And there's humans that experience shifts, we call it the "shifter's disease". Basically when a full human researches or is around nonhumans and begins feeling phantoms or feeling nonhuman, despite not being nonhuman. So it isn't exclusive to us.

"They don't have noemata!" There's nonhumans that don't have noemata.

"They don't suffer species dysphoria." Theres nonhumans that don't experience species dysphoria. Also cool transmed rethoric.

"They weren't born with it!" There's nonhumans that become nonhuman later on in life.

"They didn't wish their whole life to be a different species!" And? I can imagine there's some nonhumans that didn't even realize they wanted to be/were a different species.

"It's disrespectful to nonhumans that suffer due to their identity!" Another cool transmed rethoric. It's only disrespectful to you because you're up your own ass and believe that anyone who didn't suffer like you did, that didn't have it as hard as you isn't as valid as yourself. But what you don't realize is by having that belief you are excluding such a large portion of your community.

There's involuntary nonhumans who don't suffer from their identity at all and they're still part of our community.

The line between voluntary and involuntary can get blurry very quickly and hard to describe. But truly, you are no one to say who can use a label that rightfully describes their experiences.

Get real and truly think about why you're so upset at someone having a good faith identity.

[artofmaquenda]

I began creating my "moonpaintings" in 2020, back when I often felt intense physical pain each month. I’ve always felt compelled to make art, though it’s rarely easy to explain why. Often, it feels like I’m driven by pure curiosity—or maybe even a touch of madness. When I started, I didn’t fully understand what this process meant to me. Sometimes we think we know why we’re drawn to something, only to realize it reflects something deeper or unexpected within us. Painting with my own blood became a raw way to explore emotions I couldn’t easily put into words.

Looking back, I realize this art was also a response to emotions I didn’t know how to handle. I carried a quiet sadness, though I never wanted to be defined or judged for it. People often think depression means you don’t enjoy life, but that’s not the case for me. I feel deeply connected to life—I laugh, I feel moved by beauty, I’m grateful. But I also carry grief and a kind of sorrow I can’t always explain. Maybe it’s about the world, personal losses, or just the heaviness that comes without reason. I’ve even had people assume my interests—like vulture culture and themes around mortality—stem solely from depression or past traumas. While my experiences have certainly influenced my art, my curiosity reaches far beyond them. I’m fascinated by life in its many forms, by the mysteries of nature, by cycles of renewal and decay, by everything that exists beneath the surface of what we think we know.

I’ve often felt like I had to control my emotions to be accepted, but not only for others’ comfort. Growing up in a home where emotions sometimes felt unstable and the atmosphere unpredictable, I learned to keep myself in check, to be “small” and steady even when I felt anything but. That need for control became a habit, a way to feel safe—but as I kept it up, it also became stifling. The more I tried to manage or conceal my intensity, the more isolated and disconnected I felt, and the heavier my emotions became.

I’ve sometimes worried that sharing these parts of myself might lead people to feel sorry for me, to try to “analyze” or “fix” me, even while I feel they may hide similar parts of themselves. It’s complicated, wanting to be open without being seen as fragile, and hoping others would feel safe to be open too.

Over time, though, I’m beginning to accept these parts of myself, and my moonpaintings have been a big part of that. Through them, I’m learning to embrace everything I am—light and dark, joy and sorrow. I’m still working on releasing the shame around my sadness and intensity, allowing myself to see these emotions as valid and worthy. I’m not fully there yet, but with each piece, I feel closer to showing up as my whole self, without needing to hide or “fix” anything.

This journey isn’t about being completely healed or “done”—it’s about letting all parts of me exist without judgment, about finding a kind of peace in the messiness. And maybe that’s the real beauty of this work: it gives me a place to honor where I am right now, embracing all the parts of me that are still growing, still struggling, still becoming.

[citrus-moonlight]

As I often do, I've seen a few posts going around lately lamenting the lack of interaction with fanfiction/fanart here on Tumblr as well as AO3, but after reading a particular comment last night I just need to say this:

If someone tells you that the lack of response to sharing their writing is making them feel so upset that they're thinking of quitting writing altogether, don't tell them that's not a good mindset to have and they should just have fun with it and write for themselves. (have you just tried not being sad? you'll feel so much better!)

Even if you're a writer who felt that way once upon a time but then you changed your mindset so that you don't rely on others' feedback for validation and now you're so much happier, that's not helpful. Because that's obviously not what the person who is feeling sad and defeated is able to do right now, and for most writers/creators that's never going to be possible.

And it shouldn't have to be.

Especially here. Especially fanfiction.

Fanfiction is something that's created because someone loves something and wants to share it with others who love the same thing. And this is specifically a fandom space, somewhere that is supposed to be a community where discussion and dialogue can and is encouraged to happen between the people who write and the people who read. So when there's radio silence when you share something in this kind of space, do you really not see how that would be discouraging?

Because of course I write for myself - I would never get anything down on the page if I didn't - but I share because ultimately I want someone else out there to read what I wrote, and with any luck, to get some joy out of it. But if no one tells me they did, how am I supposed to know? As far as I know I've just been yelling into the void. As far as I know, all that work wasn't worth it.

A metaphor I've seen as an example is that it would be like having someone invite you over and cooking an entire delicious, heartfelt meal, you eat it all without saying anything, and then just leave. Do you not see how that would be upsetting?

We put so much of ourselves into what we write, bits of our hearts and souls and the things that we love and are exploring and are interested in or confused about. It's such a vulnerable thing to share something you've created, so when you tell someone that they shouldn't care if someone else reads what they wrote or tells them that they liked it, you're dismissing a very real and valid experience for so many creators out there.

Because regardless of how slow or fast a writer is, or how big or small their fandom is, it's still hard and takes time and energy and dedication and love - all of it in between our day to day lives from the mundanities to the heartbreaks - to even get something to the point where we're comfortable sharing.

Now, I know that not everyone thinks that writers are silly or selfish or entitled when they ask for feedback. Before I started writing again after many, many years, the main reason I didn't really comment on fics very often wasn't because I didn't think that the authors deserved feedback, it was more that I didn't really think that it would matter. That my comments would just be noted - if read at all - and brushed aside and then they would continue on about their day.

I could not have possible been more wrong. You might think you're just one person and it's just one comment but it's amazing how it can turn a day (or week, or month) around. How it can encourage someone to finish a story, or make a connection they'd been struggling with, or even just manage to add 500 words to a WIP. It is truly incredible to hear that someone loved something I wrote, and if you've ever commented on or reblogged one of my fics, please know that it truly means the world to me.

I've gone through a rough time with all of this lately myself, but I'm doing a bit better now (for the moment), so I just wanted to say this, in part to remind myself when it inevitably gets hard again:

If you're reading this, whether you're a friend or you've never seen me on your dash and never will again: I'm sorry it hurts right now. I'm sorry you feel discouraged and lonely, that it doesn't feel like it's worth it anymore, that you're struggling to find a reason to continue.

But I desperately hope that you keep writing. I hope you keep sharing. You're worth it. I know it's hard, and if you don't want to and you're just tired of the cycle of giving so much of yourself and getting so little in return, I understand that, too. It's ok to be in your feelings about it, it's ok to feel drained by it, and even though knowing you're not alone in your experience doesn't change anything and it still sucks, it's normal and valid and there's nothing wrong with you feeling the way that you do.

But I hope that you are able to find the joy in it again, because you deserve it. ❤️

[frankieunscripted]

My reasons to hate Drake

First things first, I'm the reales- wait, wrong theme. First of all, I would like to say this is NOT an unbiased recap, this is literally just me listing things I've hated about Drake for years. You might as well join in on the hate train. Go watch some YouTube video essays on this if you wanna know more!!! You'll find plentyyyy

Certified Pedophile ("allegedly"): Texting teen girls until they're of age and then go and date them. ew.

Cosplay Gangsta: disrespecting the culture as a whole, but especially what hiphop is about. Flexing money, cars, girls, drugs, clothes bc he never understood hiphop was never about flexing, but about being heard bc you're oppressed, about revolution. Now we got his die-hard fans running around acting like this is true rap. no. "You don't know nun bout dat!"

Culture Vulture: jumping from trend to trend in order to make it "his own", faking accents that he has no business playing with and dropping them as soon as he's done with this specific type of genre bc it's not trendy anymore. Adapting whole "personas" around this, instead of just merely collabing with other artists. Jamaican and African accents are just 2 examples here.

Blackness: Drake never really got out of his acting career. Back on DeGrassi he was acting as a high school jock. Now he's acting like a tough black guy who's from the streets and knows what it's like to be down bad, when this was never his life. Lil Wayne warned him to never change and act tough just bc he would sign to Weezy's label where the rappers were predominantly "gangsta type dudes". And what did Drizzy do? He's acting all tough and "outta dem streets". He's clearly overcompensating for not feeling black enough (I've already reblogged 2 posts about this, pls see these for further context). Drake's mad for not being referred to as a rapper who speaks on being black, when in reality the black experience was never of topic in any of his songs. He also doesn't give back to the community.

Lil Wayne: Drake had relations with fellow rapper Lil Wayne's gf (she actually was of age, ayoooo!) while Wayne was away in prison. Wayne got word of the fact his gf was cheating on him with the young guy he signed under his label and was pissed. Drake, in an effort to smooth out the situation, got Wayne's face tattooed on his arm. Say what you will about portrait tattoos, but this story is just so fucking typical Drake. How the fuck do you think this is gonna help anyone?

Validation: Drake donates money in the music video for God's Plan, only to earn more money with that video/song than he donated in the first place. He felt good about donating and then never did that shit again.

Numbers: As a great man once said: "Crack fiends bought 10 million rocks, that don't mean it's good. It don't mean nothing." (As you can imagine, that man was 2Pac). And with that I say that proving your worth in the industry by numbers don't mean a lot. It means you and your team figured out the market and started producing stupid, vapid, but terribly long albums to maximize streaming numbers, automatically bumping up your place in the industry. This is about quantity, not quality - good rap/ hiphop was never about that. Drake actively validates his music and status with his fame, money and streams and neither him nor his fans seem to get that says nothing about the artistic value of his music. "Numbers lie too, fuck your pride, too!" (I mean really, Baby Shark has 14 Billion views on YouTube - you think that's REAL artistry, Mister Aubrey?)

Cocky Ass Bitch: I would be okay with a lot of his music if Drake just knew his fucking place. He went pop ages ago, but still people (including himself) refer to him as a rapper - no even, as THE rapper, placing him in the Top 3. Sometimes I feel like y'all do this, just to piss me off personally. Apart from everything else wrong with Drake, there's nothing wrong with liking music like his persé. Not everyone likes conscious/ deep stuff and sometimes, when you with the homies, you just wanna chill and listen to something "mindless" - MIND you, I'm not looking down on "non-conscious" rap, I'm just saying not every artist has to be woke/ deep all the time and some "empty" party anthem about girls, fashion, cars and alcoholism is fun at times. These party anthems deserve their place. And a child actor turned rapper turned POP STAR is valid in my books - just not if it's Drake. Apropos cockiness: The dude compares himself multiple times to Michael Jackson and while that got a few good lines out of him, I believe it's close to fucking blasphemy. Drake and MJ on the same pedastal. I mean sure, questionable stuff happening with kids, both of them wildly successful in their industry (mind you, streaming like today wasn't around back then and many of the numbers cannot be compared), but one of them a real talent and the other one some guy who more or less made it as an industry plant. "I can dance like Michael Jackson? / I'd argue your skills really lack, son!" (okay sorry, I know, that was corny as fuck xD) Dude is flexing with numbers instead of poetic abilities -

About the art itself:

Ghostwriters: "What poetic abilities?", I hear you ask - Yeah, don't think I forgot! Best believe I been cooking this one. There's evidence for Drake having ghostwriters - which on its own is fine, don't believe every star writes every single bar on their own. My problem with this is, that Drake keeps his cocky attitude, even though many of his hits aren't really Aubrey-written and also many ghostwriters never get their credit (this is why they're called "ghostwriters", I know that this is not something specific to Drake, but slapping one more name on the credits ain't that hard, when you're worth a billion bucks already). This is the rap equivalent of flexing your homework when you know DAMN WELL copied it off of your best friend and did nothing for that success. I guess his song Right Hand wasn't about a romantic interested after all, but the dudes who been writing it!

STOLEN SHIT: Why in hell is no one mentioning this on here? Drake is KNOWN for stealing other artists' verse metres (referred to as "flows", y'all tumblr, idk how much you guys do know, okay?), melodies, whole beats, samples or verses in general. In no other studio would you see mentions of a "reference track" concerning songwriting. They take a song as reference and build around it as they construct a beat. There's PLENTY of evidence for this happening, one story really had me baffled, where a young indie-rapper met Drake in the early 2010s, gave him his CD to listen to and a whopping 5 years later the indie-rapper realizes Drake just fucking stole his entire song (a really personal one at that) on his latest album back then. Being indie, of course the guy had little to no means of fighting back with lawyers or anything, man's was working a 9to5 job and had other stuff going on. Before you wanna argue with me though: YES. There is a difference between stealing and paying hommage. One famous example is Drake biting Eminem's Superman flow on Chicago Freestyle: "But I do know one thing though/ Bitches, they come, they go/ Saturday through Sunday, Monday / Monday through Sunday, yo/ Maybe I'll love you one day/ Maybe we'll someday grow". The only good thing Drake ever did was changing Em's "Bitches" to "Women" on his song. Other than that: exact same few bars. This is a hommage. Why? Because Eminem, that's why. You can pay hommage to great, well-known artists with good bars. It takes a common ground of knowledge from artist to audience to make a hommage like this work. That can go well. Kendrick copies the flow of a Kanye West song on HiiiPower and it works just fine because you listen to either of the song and think: "Ah yeah exactly, that one part, okay, I see you." You don't pay hommage to a small, unknown, indie-rapper by copying his whole verse about his Mom, when you would never say stuff like that on your records before. You don't, because it wouldn't work. None of your listeners would understand the innuendo at all, because no one ever heard of the "great guy you'd be paying hommage to". So shut up.

Music: It's just not that good. Like yeah, he had a few bangers, but let's not exaggerate. Artistically Drake does not offer anything. If he ever did, he probably left all of that on the first few albums he still rapped on. His delivery sucks, his singing voice sounds like he's tryna be The Weeknd at times but isn't. The lyrics aren't special. What the fuck?

Euphoria: Even before getting deeper into hiphop, I've always hated the way Drake presents himself. When Kendrick said: "I hate the way that you walk, talk, dress" I felt that. I hate the way he "raps", the way he drags his words, the way he laughs, the way he "sings". Just a whole lotta shit I dislike about the guy.

Sneak Dissing: If you want beef then get in line, don't just kinda allude to it, you weak ass bitch

SENSITIVE ASS BITCH: I love a man who's in tune with his feelings but Drake being the cosplaying gangsta clown he is, acts like he's all tough when in reality, you can't really say shit to him, cause he "can't let this shit slide, ay".

Kendrick's Control Verse drops - a verse calling out multiple rappers saying Kendrick will come for them in friendly competition for the crown of being the best. Drake was mentioned. Everyone thinks it's kinda cool and goes along. Drake is mad. In an interview he basically said he found it fake because the next time he saw Kendrick "it was all love" and that he wanted it "to be real. Let it be real then". Okay crodie, next time you get called out in a fair rap competition, best believe I'll sock you in your fucking throat, I gotchu.

The Weeknd doesn't sign to Drake's label OVO after working with Drake for a while. Drake is mad again and feels betrayed. Why you gotta be like this?

Kendrick says that he doesn't wanna collab with Drake because their music is too different, not because of anything personal. He just doesn't see it happen in the near future because it would not match artistically. Drake gets mad.

Drake stopped beefing with Pusha T back in the day. Probably because he exposed his son. But still, if you want beef, then clean up your plate, bc you eat what you order and dont't just start to "let this shit slide, ay"

("allegedly") being involved in XXXTentacion's passing back in 2018 over beef. This beef started because of the flow of X's popular song Look at Me!, which Drake stole shortly after letting X know his management would contact him about a possible collab. As you can imagine, X was never contacted by Drake's people. The kid was 20 years old, man. He said some outrageous shit at times, but no one deserves to go out like he did.

Also, the famous DMX ("Y'all gon make me lose my mind!") once said in an interview that he'd like to punch Drake in the face and I support that. Kendrick and his homies laughed at the clip - as did everybody else, cause it's hilarious if a beast and a legend of hiphop hates Drake. Drake was mad at Kendrick laughing about it and not taking it seriously. What did he expect? Should Kendrick have went after DMX and made him apologize for what he said about lil Aubrey? How old are you? 5?

Drake gets mad at a lot of shit - bottom line. I could go on and on, but I've been writing this for hours, it's half past 3 am and I wanna sleep after uni and work, y'all.

DURING THE DISS-ERTATION: this section is about shit Drake did during the beef with Kendrick.

Saying Kendrick's Like That verse was weak af. That's your core response? Someone flames you and people are already throwing ass to the mere sound of it and you think: "Huh, that sucked anyway." Pathetic.

Calling Kendrick short (over and over and over again) as if his height is under his control/ his fault? - as if that takes way from Kendrick's skill, Kendrick's allegations againt Drake! - as if that means ANYTHING AT ALL to people over the age of like... 12?

Going after anybody's family in the first place. I know nothing is really "off-limits" in a rap battle like this, but please have the fucking decency. Don't mention my Momma, my kids, my dog, my fam, my friends who ain't got nothing to do with the fact that I hate you. I will say I am not proud of Kendrick for getting down on that level himself - but I would be lying if I said I didn't enjoy Meet The Grahams and the sheer panic it induced. And sometimes I gotta be a little childish and yell "But Aubrey started ittt!"

Hitting on Whitney in The Heart Part 6. Don't go for another man's treasure, you absolute dog. Accusing Whitney of being unfaithful. My friend, this beef is about us (the Culture) hating you and the things you do. Stop trying to shift this into something it is not.

Reacting to diss tracks via instagram stories and memes, like he's that one popular girl in 7th grade who's gotta clap back to something someone said in school on her IG. Shut up.

Calling The Weeknd and his manager gay. Are we not over homophobia yet? Being queer is not an insult. Also falsely "accusing" people of being gay is uncool as fuck - but oh "You don't know nun bout dat!" bc false accusations are basically everything you do - and also possibly outing someone like that is fucking hurtful as shit. I know the people involved are probably not queer at all, but if they were - period.

Using AI in a song at all. Drake, you already proved you suck. Don't force it down our throats. What part of you thought it would make you look good? What part said it would be good to do in a diss track, when the world knows diss tracks are even more a show of capability than other songs. Nah, you go and use AI. Idc about your "mind games": Using AI Snoop Dogg is just weird as fuck cause the Doggy is still well and alive - if you want him to feature on your song, call the legend and ask hi- oh wait, you knew he woulda said "Aww hell nah!" cause everyone hates you? Huh. Snoop probably woke up one day, hit a blunt and asked "When the FUCK did I collab with Drake?". Anyway, using AI 2Pac is straight up disrespectful, when you know damn well the guy would've hated you if he knew who you'd become. Just doing this because it's 2Pac, because you can and not even asking for permission of Pac's people is crazy. Glad the shit was taken down anyways.

The 8 Mile "Airing Out Your Dirty Laundry"-Trick before the big battle does NOT invalidate future claims on you diddling kids. No. Not even if 2Pac says it first. Nah.

His Damage Control Effort in post to make it seem like/make us believe that he's in control, when Kendrick has been bodying him is hilariously embarrassing. Anyone can claim the mole was fake "all along" after it happened.

Making fun of Kendrick for his verse on Taylor Swift's Bad Blood is just stupid. Look at all the features Drake does. Rihanna, BadBunny, DJ Khaled, Future, PartyNextDoor, Lil Wayne, Diddy, Nicki Minaj, Wizkid, ..... the list is so fucking long (I'm just picking at random songs at this point, cause I do not want my browser/spotify history to be associated with Drake's music. I don't wanna go out of my way to say he NEEDS these people to stay relevant but let's face it: His discography and his success would be different if it weren't for them

Acting like he's so great for "finally making Kendrick rap again" - Sir, you don't write your shit on your own, stfu. You don't invest time and effort into your vapid albums. YOU should be thankful for Kendrick destryoing you, giving us the best few lines out of you in a long time.

Not addressing important shit. We been over the allegations, I will not repeat them in this post cause this is already long enough. BUT y'all on the same page as me, aight? Instead of addressing EVERYTHING, he just responds with diss tracks that aren't terrible but really not THAT good, yk? Not going into the shit that we want to se addressed.

Acting like disstracks need replay value. Idk if this is a Drake or a fanbase problem, but people really act like Drake's tracks were better, bc you can listen to them more casually. "Kendrick basically made a whole song about Drake" - THIS IS WHAT A DISS TRACK SHOULD BE! Notice how we don't call every song containing a diss immediately a "diss track"? That's why. Diss tracks were meant to hit your opponent in the stomach with witty bars, double entendres, nice delivery and good production. Diss tracks weren't meant to be club bangers - bonus if they do end up being some though, looking at you, Like That and Not Like Us.

Not reading into stuff properly or just not listening. This is a small one, but ngl I hate the fact they got the Mother I Sober reference wrong (The song is NOT about Kendrick being abused, BUT about Kendrick not being abused and his Mom NOT believing him and passing her sa trauma onto him, even though he didn't experience that). Also Kendrick explicitly says "DOT, the money, power, respect / The last one is better" on Like That and Drakes response (again) is "Huh, I have way more money than you and in the industry, I'm way more powerful than you. Also, you so short tihhihi." BITCH he SAID respect was the most important of the three and you disrespect him, not by calling him out by his wrong doings but by picking on physical features the man cannot change like a 5th grade bully.

Anyways. phew. If you made it this far... wow. I'm impressed. I'll keep updating this. Thanks for coming to my beef talk.

EDIT: Thank y'all for the positive reactions on this post. If you seek more info/ want me to further explain stuff/ have even more dirt on Drake, let me know and we can work something out. -Frankie out

[eamour]

the bridge of events.

something that most of us eventually do or have done is try to "fix" a certain situation in our physical worlds. we have encountered something very unlikable and therefore want to "un-manifest" it by thinking of a way to do so. however, that's not your job. moreover, that's not your GOAL.

definition.

the "bridge of events" refers to the lined up situations you will have to experience or go through in order to reach the physical fulfillment of your desire. it's an unpredictable process that describes how, when and where you will receive your desire in the outer world, basically the "bridge" that's between your current and your desired reality.

disregard the bridge.

can you decide the way in which your heart's desires are going to come to fruition? most definitely, you can. but you don't have to. see, you don't have to come up with a detailed solution on how an unfavourable situation is going to change to a favourable one. you don't have to mess around with logical possibilities and realistic outcomes. actually, you don't even need to be bothered by it. you do not need to worry at all.

concentrate on the destination.

you only need to be concerned about WHAT you want, nothing and no one else. you need to focus on what's at the end of the line and fixate your mind on it. nail your thoughts on the version of yourself who HAS and IS what you wish to have or be already, and don't care about the obstacles in your reality. don't "reason" your way into obtaining your desire. go to the end and make sure to stay in alignment with that version of yours. dwell on that version. be it, be the end, not the bridge. do not wait or wonder. enjoy your desire. experience it in the mind. within an infinite range of realities, your desired one already EXISTS!

renounce all circumstances.

if you witness something that brings you off track or just generally throws you off your path, what are you going to do?

exactly, you are going to dismiss it. it's entirely up to you if you use a different term to deal with the outer world — such as ignore, renounce, abandon, neglect, reject, refuse — as long as you do not accept it as true.

whatever happens physically is none of your concern, none of your interest and not worth your time, energy and attention. do not let it get in your way. do not let it affect or influence your new, freshly established assumptions. because the undesirable reality that's currently being displayed isn't the reality you want to begin with. the reality you are manifesting ISN'T the one you are experiencing right now! it has nothing to do with you. you are not obligated to accept or associate yourself with it. it holds no truthfulness, no rightness, no correctness and definitely no realness. and remember: it does not serve as a form of validation either!

do not interfere with the physical. do not intervene. do not take action. withhold from any acts that do not take place in the mind. leave the world as it is, as the old reality doesn't reflect your new one anymore.

consequently, feel the way you would feel and then let go of it. you want to distance yourself from the story that's no longer yours. you no longer identify with that version of self anymore.

"the display of the old story and its circumstances isn't an invitation to return back to it."

persist in imagination.

let it come to pass. let it unfold in your reality. simply persist in your newly chosen reality. select your desired reality every day and don't stop. accept it as true, as correct and as real. your imagination is your confirmation. your imaginative acts are your source of validation. so have faith and trust yourself.

the thing is, if you continuously persist in your desired outcome, you are going to walk the bridge one way or another. your desire is going to announce itself and you will acknowledge it — there is no way around it! it WILL show up, and you WILL notice it. you HAVE to. that's the law!

with love, ella.

[applebees4prez]

the rat grinders having beef with the bad kids since the beginning could not be funnier to me. it’s so classically “we hate the popular kids just for being popular” that is such a real experience in high school but the thing is that a log of the time it ends up being valid. kids in high school can be shitty especially when they feel like the world revolves around them, however, the bad kids have never been entitled even from a distance. they’ve saved the world. three times. and for all of those three times they didn’t know who the fuck the rat grinders were.

also the rat grinders are just so lame and for good reason. no matter how suave any of them might be, no matter what music they make, they’re still cheating the system by killing innocent little forest critters. i don’t know why kristen (riz) hasn’t come up with a smear campaign about this yet.

honestly this party almost feels too easy to hate, and i can’t tell if it’s because of brennan’s hatred for their archetypes and xp leveling or if he’s leading up to them literally just being lame and being a red herring. especially after what mazey said in this episode. either way fuck the rat grinders leave the creatures alone!!

[wilwheaton]

the scorpion doesn’t care who it stings

I posted this on my Facebook four days ago, and it seems to have taken on a life of its own for a minute.

I thought I’d repost it, here:

I can not fathom the emptiness, the insecurity, the insatiable need for attention and validation, the staggering arrogance, the malevolence and total void of human experience that is Elon Musk.

He's the richest man on the planet. You can't go anywhere or do anything without interacting with something he's part of in some way. There are literal millions of people who uncritically worship him, in spite of overwhelming evidence that he's a douchebag. Some number of them will come after me, as they come after anyone who points at their naked emperor. They'll spend entire days going after me and people like me, slavishly serving a man who does not even know they exist. They are his army of fools, uncritically serving his every whim. And it still isn't enough.

He can have any material thing he wants, and he will *never* be happy or satisfied. He has no real friends. Every single person around him is either a viper, a parasite, or both.

So what does he do? He bullies and threatens and harasses and trolls and behaves like the weak, scared, insecure child he has always been. That's a tragedy for him, but it's dangerous for us. He doesn't care what he destroys or who he hurts as he chases this existential thing he cannot ever have.

You know the saying "hurt people hurt people"? He's a hurt person who is hurting our society, making people I care about less safe. The consequences of this one man's midlife crisis are global, and that terrifies me.

In a comment, about an hour later, I added:

You know what's really interesting is the tiny number of people who are attacking and harassing me are either typical right wing idiots who all spew the same garbage from behind their wraparound sunglasses, or these weird nerds who are DESPERATE to justify how toxic and cruel and destructive Elon Musk is. Like, nerds, listen to Old Man Wheaton, please. 

Don't hitch your wagon to Elon Musk. There are countless people who are amazing and genuinely good, who do all the things we wish we could do. Stop defending this piece of shit who would push you into a volcano without even learning your name, if it would save him half a second on his way to his next shitpost on $8Chan (formerly known as Twitter).He doesn't stand up to anyone. He doesn't stand up FOR anyone. He is not your champion. He's angry and chaotic and destructive, and you have to understand that the scorpion doesn't care who it stings.

Finally, I want to add two things: 1) It’s interesting to me that a lot of the people who came to my post to be dicks used a lot of MAGA language. It reminds me of this thing my friend says about concerts: the audience looks like the band. Of course there’s substantial overlap between the angry, hateful, terrified, cowards who support Trump and the same who Stan Elon Musk, and it’s real interesting to see it in action.

2) I haven’t used Twitter for years. I quit before it was popular (lol) because it was better for my mental health. I logged in once when my book was published, and I deleted all my tweets when he announced he was buying Twitter. When he took over and immediately amplified a conspiracy theorist, I made my account private. In a perfect world, I would delete my account entirely. But I have to keep it for reasons I hope I don’t have to explain. After I posted this on Facebook, it made its way around Twitter (still is, four days later, which is ... a thing that is happening) and when people went to look at my account, they saw that it was closed. As much of a fucking manbaby Elon Musk clearly is, he didn’t do anything to my account. In fact, the only reason he even knows I exist (if he does) is through a vanity search of his name. I locked my account on my own, and so should you.

I am only on:

Tumblr

Facebook (itswilwheaton)

Instagram (itswilwheaton)

and my blog that I’ve been neglecting for too long at wilwheaton.net.

I’ve had a Reddit account since 2006, predating user-created subs! I’m u/wil there.

Okay that’s all. Thanks for listening. Please choose to be kind.

[spaceysoupy]

So apparently it’s that time of year again where I have to post about this.

On lesbianism, white queerness, and 2S identity

Text below readmore

I am a two-spirit. My identity is specific to my Tribe and Clan, and even more specific to my family. I am not a man, I am not a woman, and I am not nonbinary; I am not defined by what I am not.

I am a two-spirit and I am a lesbian. That's not debatable.

But I am not a non-man.

There's an idea of two-spirits that we are just the ethnic version of non-binary

We're not. The reason you're so comfortable calling us nonbinary is because your idea of queerness is centered around the binary&what you are not: you're not cishet, you're not the oppressor, etc

White queers like to speak about 2S identities constantly as if we are monolith. "It's just a gender" "it's not a gender"

"they're not trans" "they're not queer" "they don't belong here"

The community tries to decide for the individual and that's so weird to me.

So much of white queerness is inherently about exclusion.

You need strict labels to exclude the people you fear. You write your definitions around your fear of intruders and by consequence you exclude the people that need your support the most.

You need people to "prove" they are queer before you let them in. You're like a fortress and you let vulnerable people drown in the moat; ignoring that the real oppressors don't need to be a Trojan horse to do damage, ignoring they are actively burning down the castle.

It's very sad to me, because it's ultimately tearing the community apart even further.

I've never felt very welcome in white lesbian circles and they've never understood my experience of gender, but it's gotten worse in the past 5 or so years.

As TERFs start to revive gold star lesbianism and center hatred of men as their definition of lesbianism, you start to get these younger lesbians that don't know history that start to parrot the rhetoric. First it's "non-men loving non-men" then it's "you're too close to Man™"

For many two-spirit lesbians like myself, this is very concerning. White lesbians are historically not the ones targeted by radfems.

Now we've gotten to the point that there are people denying that lesbian is an spec (multispec) identity while including (white) nonbinary people

White nonbinary people (usually AFAB nonbinary people) are seen as woman lite and are welcome in white lesbian spaces while queer Indigenous people are considered dangerous because white lesbians can't understand their gender.

When did understanding become a requirement?

We're getting very dangerously close to "lesbianism is ONLY attraction to women" and very close to "lesbianism is only attraction to *a very specific type of (white) woman*" and I really need young white lesbians to read about political lesbianism so they can see this

I don't want to hear "not all lesbians" or "well then they aren't welcome" because every time this rhetoric goes unchallenged you are actively welcoming these people to continue it and make it more and more extreme. Yes, even the kind that seems to have nothing to do with racism

Almost all of your exclusionary rhetoric is based on the racist ideas of political lesbianism and I do not know why you all cannot see that they want to move goalposts. It wasn't just bi lesbians, it wasn't just he/him lesbians, it wasn't just nonbinary lesbians. It's a tactic.

It really feels like young lesbians are not only letting us go backwards, but encouraging it. And that's thanks in part to the historical racism of political lesbianism, but many of these people ARE old enough to think critically and talk to people who've been through this.

So far I've seen this in younger lesbian spaces; the ones with older generations (the ones that don't welcome TERFs) have been pretty welcoming even if not totally understanding, because they at least recognize that you don't need to understand someone's experience to validate it.

But I'm really concerned for the young Indigenous lesbians who don't feel comfortable around older people and are going to these younger lesbian spaces only to be indoctrinated with thinly veiled TERF rhetoric. It makes me very concerned for our spaces as well.

So I'll say again

I am not a non-man and I am not a non-woman. I'm not defined by what I am not. I do not ascribe to your binary-centric definitions of queerness. I experience queer attraction to women. I'm a lesbian. You do not get to use community to decide my individuality.

Thread by ~Alitsanosga

Pronouns: hi'a/vsgina/utseli/uwasa