#we all need a season two

[antiguagealach]

THE ARTFUL DODGER DESERVES A SECOND SEASON

To begin with, I want to clarify that Spanish is my native language, so I will try to express myself as best I can in this post.

I'm a little late to this series, as it premiered about a year ago. At some point I assumed, wrongly, that it was released in the first half of the year. Despite not having had time yet to see your posts, tweets, nor videos about the series (I will do it because I am obsessed with this series), I have read some fanfics, and I must say they are a real chef's kiss!

My interest in this series came about while I was still going through the “grief” of a cancellation. I recently finished watching My Lady Jane, a wonderful series that they cancelled for no reason. So, when I started this new series and was hooked from the first episode by its plot and characters, I asked a friend to research if there was going to be a second season or if it had been cancelled as well. To prepare myself emotionally, I wanted to know if I could expect a conclusion or at least a sequel. However, my friend told me that there wasn't much official information: some rumors indicated that it was cancelled, while others mentioned that it might have been planned as a short series. I decided to assume it was a short series and told myself that, if that was the case, it was fine. But then I saw the ending… and I just can't accept it.

After all the tension of the plots, the operation and the evolution of the relationship between Jack and Belle, I can't settle for such an open-ended closure. How can it all end with a simple “Jack” uttered through thick glass, followed by his incarceration? That ending seems made for a sequel.

As I mentioned before, I'm aware that I'm late to this fandom. All I know is that there is a fan petition for a second season. However, there is a silver lining: according to several people on social media, this series has not been officially cancelled. In addition, the creator continues to share content and give “likes” to those who ask for a second season, which is a good sign. I also consider it positive that it is not Amazon but Disney/Hulu who are behind it, as this could give us a chance. Another inspiring example is Good Omens, a series that, although initially conceived as a single season based on a book, was eventually greenlit for a second season (after years).

I imagine this idea has already come up among fans, but I propose that we make more noise, following the example of the My Lady Jane fandom. The Artful Dodger has enormous potential to explore different avenues in a second season, and I'm sure James McNamara already has some great ideas in mind.

[patheticrafeenjoyer]

genuinely one of the most life-ruining things i've seen today. what the fuck what the fuck what the fuyck what the fuck what the fuck what the fuck what t the fuck what in the fucking fucking fuck seriously what the fuck im about to start screaming what the fuck what the fuck dnt you know how abnormal i am about them what the motherfucking fuck aHELP ME

[prncssguya]

manny knows about reylo? the hand holding scene was his idea?? we almost had an oshamir kiss?! qimir and vernestra had a relationship that mirrored osha and sol’s and he is afraid of her??? leslye headland in the earlier drafts had the stranger referencing coppola bram stoker’s dracula saying “i have crossed oceans of time to find you” also saying “they [osha/qimir] are not necessarily doomed or destined to fail as a team” also saying she had “to find somebody who could play all four characters - buffoon, murderer, a gentle teacher, and then as a romantic lead” and that she wants to “give the people what they want”??! i’m sorry, i’m trying to process a tremendous amount of insane information from all these interviews. i don’t know what to do with all this openness and validation

[here-comes-the-moose]

All of Crosshair’s potential boyfriends are worried about Hunter (and they should be), but the real person they should fear is Omega. Thank you for coming to my TED talk.

[thenotoriousscuttlecliff]

Seeing people say that we never see the Doctor and Ruby talking for more than 30 seconds makes me think 73 Yards and Dot and Bubble has just clouded their memories because the first four episodes of this era are almost nothing but the Doctor and Ruby talking and bonding.

Yeah, the Doctor-lite episodes meant we haven't had as much lately, but so many are going on as there's been none at all, as if every episode before 73 Yards was like Rogue where they were mostly separated in their own plotlines.

[stbot]

til death do us part: think pink!

[vivenecii]

Let's delude ourselves and imagine that this is actually a post credit scene where Aziraphale rethought his decision, stopped the elevator, apologised to Crowley and now they are packing their belongings to their Bentley to move together to their South Downs cottage and live happily ever after

[governmentmandatedryujinstan420]

I FORGOT TO THROW OUT AFTER THE EPISODE RELEASED NOOOOOOOOOOOOOOOOO

[al-luviec]

compiled whatever this is (and I run out of tag space)

meh HoT gifs (3/?)

[gealach-edits]

Young You, “The Lord of the Rings” LP || World Championships 2024

[dirtytransmasc]

I think... I think Jinx needs to bring Isha home. whatever remains of her. I think she needs to parallel Silco, in carrying her daughter, but the newfound self control Isha has given her, and the memories of the hell that was her resurrection and it's aftermath, will keep her from making her father's mistake. so she will carry her home and away from the chaos.

and I think Sevika needs to take her. like she had back in the prison. taking her and protecting her so Jinx can rage. and so she can drive and say goodbye, because that was her daughter too, in a way. she never said it allowed or made the conscious effort. but that was her girl.

she needs to parallel the last moment she had with Isha. she needs to show a softness and vulnerability that comes with a mother, older and wiser and more calloused by life, taking up the hard duty of accepting and tending the dead. her dead. her child.

she protects Jinx in this, by taking Isha away and out of sight. letting Jinx breathe. letting her crumble. without risking Isha's safety. Jinx will fight her and she will say "you trust me with her once, yeah? trust me again?", and Jinx will accept. she'll hand her over like she's handing over something made of the most fragile glass and tissue paper and cotton floss.

and then Sevika gets a moment alone. a moment to accept this. and then she, this character who has always been rough and tough and full of grit and spit, who has been strong and violent, by choice and by her circumstances, in almost every scene she has ever had, to be gentle and quiet and grieving.

burial is not a luxury that many Zaunites get, but Sevika will find a way to make do. she'll tend her girl, both of her girls, and they will give Isha rest and peace. but for a moment she just needs to stare down at the broken body beneath her and accept that this is real.

all those years of thinking one day she would lose Jinx, never getting attached, and yet it was the girl that gave her hope that she loses? she wasn't there to protect her? the own she truly accepted this time around, to ensure she didn't fail her like she failed Jinx, and she loses her the second she's out of her immediate grasp? she didn't get to say goodbye? she needs a second.

and then she'll be there for Jinx, and watch her crumble and break and lose herself.

and she'll have moments alone where she doesn't know what to do with the pain in her heart.

and they will think of their girl.

and that will be that.

it would bring their arc all the way around.

Jinx can and will go mad, but not when she could hurt her baby. Sevika will be gentle. they will be mother and daughter in their grief. because Isha changed them for the better.

[sluckythewizard]

Keep calm, and drink soda

[CW for blood and gore and vomit] takes place a day or two after emizel was sired. just two boys adjusting to a shift in their daily norms. would YOU drink your homies blood? still not used to writing fanfic so any and all advice IS appreciated. i hope u enjoy.

There were very few things that Soda enjoyed more than well, drinking soda. It was a hobby, an interest, a comfort. And by extension there were very few errands that Soda would look forward to more than the occasional soda run.

The gas station closest to the Demons hideout had stopped selling Faygo entirely about a month or two ago, and it was near impossible to find it anywhere else. The closest place was now this janky little Shell gas station, lovingly titled the Shady Shell, that thankfully sold more flavors than any of the other ones ever did.

It made the hour and a half walk here entirely worth it. Even if this side of town made his skin crawl. Normally he would ask someone to accompany him on this daring little quest, but everyone at the hide out tonight just seemed too tired, too preoccupied, too uninterested.

He knew not everyone really got the soda thing, but they were accepting of it for the most part. Soda is something that, clearly, Soda really loves, but he knew not everyone else was into it.

Which was fine, of course. They didn't need to get it. But, still, sometimes Soda found himself wondering how much of it was a bit, and how much was him.

Emizel gets it perfectly though. He would've been the first person Soda would ask to go on this soda run with him, but, well. He's been preoccupied too, with the whole vampire thing.

It's been a bit more than a day since Soda had last seen his close comrade. For a friend that he saw just about everyday, going without him this long left him feeling a little emptier.

That was fine, though. Emizel had shit he was working out, he had things he needed to do. It's not like he could go out in the day anymore, so of course Soda wouldn't be seeing him at all the usual times.

It was a lot of weird and heavy magical stuff, it made Soda think about those superhero shows. Where the hero needs to keep his identity hidden from everyone. Family especially. He knows how much of a piece of shit Emizels dad is, so he hoped that Emizels home life wasn't stirred up all stupid-like over this.

He hasn't told anyone else, about what happened that night. For the last 2 days, Soda would spend time with close friends and not let them know a thing about what happened to Emizel so, so recently. Why he's so suddenly absent, so distant, so.. off…

'Maybe his dad's just giving him a hard time', he would say, hoping to smother their questions. The less questions they ask, the better. At least until this vampire stuff gets figured out a bit more. Should Emizel wear a disguise when he goes out at night now? Just like a superhero? What kind of hero outfit would Emizel have anyways? Soda figured it would be something really cool.

If anyone could figure out a way to balance all this vampire stuff, and all the leaderly responsibilities that come with being the biggest dog in the Demons, it was Emizel for sure. That guy is so seriously cool.

He was sure this rough patch would even out, and they would weather the next rough patch together no problem. There was really nothing to worry about! All Soda has to do is stay positive, and well, drink soda.

As Soda walks quietly down the crumbling sidewalks of this dreary hive of strip malls and shops, he goes to pull his backpack around to his chest, fumbling with the zipper in the dark. Which was a little annoying, considering the tab of his zipper had fallen off forever ago. He really needed to get around to fixing this damn thing. Maybe another ziptie and a soda tab will do the trick.

Humid air hangs heavy in the night, the sidewalks still somewhat warm after a hotter day. The diesel-soaked air provided enough warmth on its own that Soda had considered taking his jacket off a few times, only for the occasional, annoyingly sharp and chilly breeze to brush by, reminding him to keep the thing on.

Tripping only once and only slightly on an uneven sidewalk, Soda manages to pull a bottle of Faygo from his backpack, a smile glowing on his face. Another short fight with the zipper seals up the bag, and he slings it over his shoulder again.

His flavor of choice tonight was actually the Red Pop, the tried and true, the absolute classic, one of the best Faygo flavors for sure.

But, this kind wasn't actually his favorite. Normally he would stock up on the cotton candy ones, but something about the last few days had him craving the red stuff.

Securing his backpack all the way, he goes to crack open the bottle. Just the clack and the hisssss of the fizzy drink were enough to lift his mood.

Not that his mood needed lifting or anything. Of course. Sure he missed his friend and sure he found himself wondering what he’s doing and where he is and if he's okay. Maybe sometimes he found himself wishing they talked about funeral plans more.

Emizel talked up all sorts of crazy funeral ideas for himself, usually involving the use of his dead body as an inconvenience for others. Outlandish and hilarious ideas, like filling it with explosives and tossing it into a busy road. But what would he want seriously? What would Soda ever do if he just stopped showing up one day?

He had to swallow down all these unnecessary anxieties, so he took a swig of his soda. Sweet, bubbly, comforting. He felt better already! Just stay positive, and drink soda..

It was a lovely night out, and he didn't come all this way planning on letting it go to waste. There was a place he was heading towards, a particular alleyway in this particular place that led off to a particularly tall concrete ledge.

 It was a run-down little space, littered with trash and shitty trees and those bushes with just too many goddamn ants in them. But the view was fairly nice, overlooking a massive deformed intersection. A particularly stupid one, at that; about 3 times a week you could witness a gnarly crash at this spot. Soda always heard people saying that LA folks can't drive, but he was just starting to figure that maybe no one can drive.

That was the place he really wanted to go to enjoy this soda, and he wasn't too far off from it. Just a few more blocks, and he would be there.

Oh wait, didn't he still have a bag of chips in this backpack somewhere? Hell yeah, he couldn't wait to sit down and relax with a good soda, a good snack, and a good view of the night.

Living as a Demon had its fair share of stresses. He felt lucky to have this life, but he knew well that it could be better. That not everyone has to worry about survival the way they do. That not everyone gets injured on the regular and not everyone has to worry about being sick and never getting better.

Living is hard. But it's finding the small moments of joy that make it all worth it. Dying would be scarier anyway. He didn't want to die, and he felt glad to feel so confident in that nowadays.

The sudden   THUNK  of something slamming into the ground just a block away from him, jolts him out of his thoughts, all his gears screeching to a halt as he freezes in place. What the fuck was that?

It looked like a person, laying flat on the ground with only their head and shoulders peeking out of the alleyway ahead. Fuck. He hated this side of town..

Anxiety churns in his stomach as he debates just turning around, but the way the victim reaches an arm out, attempting to crawl away; it made his heart ache aswell. he's no goddamn fighter, but he couldn't just leave someone like th-

The body is suddenly yanked back into the alley, snatched at a startling speed. It didn't feel exactly real, how could something vanish so fast? It reminded Soda of something from a horror movie, or whatever. What the fuck was that??

His foot takes a step forward, before the rest of his body notices its rebellion and locks down again. Was he seriously going to investigate that? He could just walk away and take another alley. But that was the one he was supposed to turn down! All the other alleys are either walled off or gated off and he wasn't about to go climbing over a damn wire gate. His soda would get too shaken up! Fuck!

Another foot goes in for another step forward. He's gotta get the fuck out of here. He could hear more commotion in the alleyway, a scuffle, a skirmish. He could hear someone cursing through a choked breath. A loud and nauseating crack echoes out from the alley, and yet, Soda takes another step forward.

This was stupid, he shouldn't be getting tangled up in someone else's business. What if something happened to all this soda?

Thankfully, it was that thought that actually got him to pause, and take in a deep breath. It wasn't worth it, maybe he should head straight home.

Atleast, that was the thought his heart and mind were about to agree on, until a particularly familiar grroowwwwlll bleeds out from the alley.

Emizel?

All reason immediately evaporates as Soda makes that connection in his head, stepping right up to the corner of the brick walls, and peering around to investigate.

There was a body on the floor, face down in a puddle of red, head split open in a way that reminded Soda of a smashed watermelon.

But standing over that body, was the familiar, blackened coat, and short blonde hair, of Sodas closest comrade, Emizel.

Despite the carnage on the floor, Soda couldn't help the smile that lights up his face. That was Emizel! That was his boy!

But before he could get over just how happy he felt to see his best friend, something else caught his eye. Movement, behind the dumpster closest to the vampire boy. A person, rising out from the shadows with a glinting baseball bat clutched fiercely in their hands.

"Oh fuck, look out!" Soda speaks up, and Emizels gaze immediately clicks over to him, silencing Soda with just that startlingly red stare.

He had forgotten just how uneasy those red eyes made him..

The attacker, silent and professional, rushes up behind Emizel and CRACKS the metal bat downwards onto his blonde head, the sound ringing out like a  gun shot  in that dark little alleyway.

Soda cringes from just the sound of the impact, but was amazed to find that the bat had warped under the force of it!

The attacker hardly had a chance to process his mangled weapon before Emizel whips around to retaliate.

It looked like he had just swung his hand at his opponent, so the way a shower of red spills outward from the slash, catches Soda completely off guard. The monster boy had cleaved an excruciatingly massive gash up from the attackers right hip, to his left shoulder, the slice spewing with scarlet.

 It wasn't until Emizel had pulled back his arm, that Soda could process the way it had darkened with more than just blood, distorted into an odd, spear-like shape.

The victim hardly had a chance to yelp before that blade swoops up into his chest at the speed of a snapping bear trap, plunging through meat and bone with disturbing ease, and forcing blood and viscera to erupt outwards. The red patters down onto the concrete behind, the sound similar to rain...

With another low, inhuman snarl, Emizel brings the twitching, dying body closer, until that signature squish of teeth sinking into fresh meat bleeds outward into the space.

What a disgusting sound, Sodas first instinct was to simply avert his eyes, but as the sound persists, he resolves that he has to do something.

He finally steps out into the alley, and speaks.

"Hey ma-"

He could hardly get two words out before Emizel suddenly rips its teeth away from its victims throat, tearing out a hefty chunk of jellied meat, and slamming the remaining fodder onto the concrete floor.

It immediately whips around to stare down Soda, red eyes glowing with reflected light, and with hardly a chance to process the moment-

-It's immediately right infront of Soda.

A gasp lurches from Soda's lungs as he almost stumbles back in shock. How was Emizel so fucking fast?

Other than that single step back, Soda was frozen in shock, his tongue buzzing with the physical pain of such a startling jolt. 'White boy jumpscare' is something that came to mind, but while usually such a thought would evoke some sort of laugh from Soda, this time it offered no such comfort. Okay maybe it did a little.

Emizels snarling face was only inches away from Sodas. Its eyes were wild and unnatural, teeth menacingly sharp and reddened with so much fucking blood. It was everywhere, coating most of his face, smothering his shirt and his coat, and absolutely choking the air with its thick, metallic stench.

Soda would gag if he felt he was safe to even move. He felt like he was locking eyes with that of a creature, something he would only ever see in his nightmares or in scary movies. But it was real. Those monsters are real. And his best friend is one of those monsters. His bestest friend in the world...

His mind was skewered on that unnatural glare, completely frozen with anxiety. Stalling too hard to come to a proper conclusion, Soda instead falls back onto what Soda does best.

"H-hey man... You want some soda?"

He very gently presses the opened bottle of Faygo into Emizels chest.

The two boys stand there for a moment, locked in a tense, silent pause, before the monster boy finally peels its gaze down to the bottle.

It's quiet, for a few seconds, the gears turning in its head. Until the monster blinks, and its eyes clear, and Emizel processes the sight of the bottle.

"Oh, fuck yeah dude, is that the Candy Apple Faygo? Man, that stuffs my favorite!" Emizel smiles as he goes to accept the bottle, and immediately takes a massive swig.

Soda tries to disregard the way his hands were still shaking. "Uh, n-nah man, its just Red Po-"

The words are bit off as Emizel suddenly retches, a heavy flood of red blood and red Faygo spewing out onto Soda, as the vampire boys body entirely rejects the fizzy drink.

The shock of getting fucking projectile vomited on had snapped Soda out of whatever daze he was just in, and it seemed to snap Emizel out of it too. Soda backs up with a groan, looking down at all the blood and bile and pop on his shirt and coat.

"Ohhh fuck dude, what the hell??" He cringes, not even wanting to try smearing any of it off with his hand.

Emizel was coughing, still holding out the Faygo bottle, but hunched over as his body dared to convulse again.

"Ohhhhhh fuck, ohhooohhh fuuuuucckkk" he grumbles towards the floor "Fuuuck I’m sorry dude, I don't know what fuckin- oohhhgg shit,” He coughs and groans,  offering the bottle back to Soda.

Soda was still staring at his messied coat with a displeased grimace, but looking up to meet Emizels eyes...

There was a guilt on Emizels face that Soda didn't see too often, and it helped wash away that irritation he felt. This sucked, but Emizel was probably going through a lot more. 

“It’s, uhm.. don't, don't worry about it, man..” Soda decides to reassure him, offering a sympathetic smile, and a hand on Emizels shoulder, as his comrade spits out the remaining blood and bile.

"Fuckin hell… I’m uh, I'm sorry about your shirt, man."

"What? Nahh it's okay man, don’t worry about it." Soda shrugs, taking the Faygo bottle back. "I mean, are you okay man? That uh.. looked like a pretty crazy fight."

Emizel was rubbing his eyes, smearing more blood across his face as he seems to be collecting himself. he spares a glance back at the carnage behind him.  

"Ah.. yeah.. I thought I uh.. I thought I saw that one fucker from uh. That one night. Yknow, the one that uh.." He snaps his fingers, as if trying to summon back the memory. "Vampire bitch... Anyway after that I just kind of, uh.."

He seems to space out again as he looks around. It was as if he was just woken up from a deep sleep, like he was certain he had just known what he was doing, but found the dream escaping him. "I guess I just.. went crazy on these guys. I dunno, they're Fangs anyways." he finally shrugs it all off, but Soda still felt unsatisfied by the answer.

"Oh.. huh…” is the only response he manages to scrounge together. Sure they were Fangs, but did they really deserve.. all that? It just seemed a bit brutal, even by Emizels standards.

He found his eyes wandering over to the split-open head. It was mostly red and bloody, but even in the dark, he could still make out some of the finer details of the gray jelly seeping from the gash. A human brain. He wondered if his own brain looked the same on the inside..

“So what are you doing out here, man?” Emizels question helps Soda pull his eyes away from the gore, instead looking over to his bloodied comrade.

Emizel looked messy and even exhausted, but his drowsy gaze was focused on Soda with a worried expression. 

“Oh, uh, yknow, just a soda run. Decided I would stock up on some Faygo from the Shady Shell.” Soda shrugs, his eyes flickering down to the opened Faygo in his hand. The top was covered in regurgitated blood. unnaturally blackened blood…

“Are you.. okay, by the way? Other than the whole..” Soda gestures vaguely at the gruesome crime scene. “Are you hurt?”

The question has Emizel pausing to consider. He straightens his back and stretches his arms, as if trying to detect any pain from any possible injury. Nothing seemed to be bothering him though, and after a second, he decides to shrug.

“Nah, I'm all good.”

“Oh.. That's good, I uh…” Soda found himself looking over Emizel aswell, searching for any wounds the monster boy might be simply disregarding, as he often does.

There was a fairly gnarly gash on his shin..

“Hey uh, I was actually gonna go hang out by the ledge down that way. Yknow, the one with the funny intersection.” Soda says, gesturing off towards where he intended to go. “Wanna come with?”

Emizel looks back that way, before turning back to Soda with a big smile on his face. 

“Oh hell yeah I do! I love the funny intersection!” he starts to walk down the alley, about to step over the body of the broken skull, when Soda speaks up.

“Uh, hey, shouldn't we uh.. Do something about the.. uh..” He waves a hand over towards the bodies, trying not to look directly at them. 

Emizel spares the corpses an inconvenienced glance, and a sigh, but ultimately shrugs them off. “Ehhh I'll just dump 'em in a dumpster again.. That's what I've been doing anyway.”

“And you're not worried about, like, anyone finding them?”

Soda anxiously watches on as Emizel paces around the body with the torn-out throat, licking the blood from his own mouth. Was his tongue always that long and pointed? That's neat, and normally Soda would point it out, but he was a bit.. preoccupied right now 

“Nahh not really. I haven't had anyone bother me at least.. Anyone been bothering you?” Emizels eyes finally flick back over to Soda. 

“Nah, I'd say things are actually more lax than usual. Anything that would end up being trouble’s been pretty much crushe- er, killed- destr- stamped out, by uh, by you.” Sods was cringing with every attempt to find a word that didn’t make his stomach turn, but Emizel didn’t seem to notice or mind.

Emizels eyes were currently a bit more focused on the body laying before him. He had that weird look on his face again… 

“Uhh, yeah, yeah that's good that uh, no troubles coming back to you guys…”

There’s a moment of quiet between the two as Emizel stares at this corpse, and Soda was about to open his mouth to fill the silence, but Emizel speaks up instead.

“Hey uh, why don’t you go ahead of me? I’ll uh, I'll meet you at the place.” He suggests, pointing vaguely off down the alley, but not removing his eyes from the kill. 

Soda certainly hesitates, his eyes narrowing before he even forms a thought. He opens his mouth to object, but then his eyes flicker back towards the body.

“Are you gonna eat this one too?”

The question leaves Sodas mouth as soon as it comes to mind.

Emizel pauses, and considers, before giving a shrug. “I don't see why not. Perfectly good blood.” He reaches down to grab his kill by the shirt, the one with the split open head. As the corpse rises from the concrete, gray matter drips and sloughs from the crack in its skull. Once again, Soda felt the need to look away, and yet his stupid eyes remained fixated on the horrendous sight. Emizel looks over the spilling brain of his meal, licking his lips curiously. “Dude, what do you think would happen if I ate his brain?” Emizel asks, looking back over to Soda with a wild, bloodied smile. Something about that look made Soda shiver, but.. Not really in a bad way… “Uh, I.. Dunno…. Eating a persons brain is how you get like, mad cow disease right? But you might also be immune to disease.. Are you immune to disease?” “Uhhh, I don't know yet actually. I'm still figuring out how much of this is like video games,” Emizel says, rubbing the back of his head as he idly sways the body of his kill around, watching the blood and gore drip and drop from its broken head. “Eh, I'll chance it later.” Without another word or thought, Emizel goes to sink his teeth into the shoulder of his kill, a pleased growl radiating from him as the blood gushes around the bite. More fresh blood upon less fresh blood upon old blood upon older blood. Just so much fucking blood. Soda thought he was used to seeing blood, but this… this was just egregious. Was he really starting to get used to this? It’s just blood after all, and it’s not from his comrades, so it's… fine… He finally manages to pull his eyes away from the gruesome sight of Emizel feeding, but his eyes instead wander down to the blood on his own shirt. Emizels blood was strange, darker than usual, and carrying a different scent. Something about the smell of his blood was more savory, more appealing than the standard metallic miasm. His shirt was smothered in it, his jacket was coated in it, and his opened bottle of Faygo was also splattered with the deep red ichor. Ink swirls within the bottle of red fizzy, spreading out into all sorts of odd patterns. It was a lot of blood. He was certain a lot of it came from however many people Emizels been feeding on. With how much hes been terrorizing the Fangs in just the last few days, and with how nonchalantly he feasts on his kills, who knows how much blood hes actually ingested… Soda swirls the bottle, watching the blood inside thin out into strands, dancing within the bubbly soda as they gradually dissipate, fully assimilating into the drink. A bad idea chews at the back of his head… The sound of ripping flesh once again knocks at Sodas head. He doesn’t look up this time, but he knew Emizel was just playing with his food again..  Did blood taste good to a vampire? Did some blood taste better than others? What did Sodas blood taste like? What did Emizels blood taste like? There's a visceral snap of something among the chewing and ripping, very clearly a bone or a joint snapping out of place. It made Soda shiver a little. When did his heart start pounding? There's an animal standing only 8 feet away from him, feeding on its kill. That animal is a person, and so is its kill. He wanted to know what vampire blood tasted like, but he already knew what human blood tasted like. It hung so densely in the air, he could feel it forming a vile film over his tongue. The blood of a person just like him. Eaten by an animal that eats people.  All this stress was no good. This bile rising to his throat was no good. This creeping anxiety was no good. He's friends with an animal that eats people. Would it eat him? This weird feeling was no good. Maybe it will never eat him. But it needs to eat people. This worry was no good. He needed to wash this awful taste from his mouth, replace it with something sweeter. He needed to keep his head clear enough to be there for Emizel when he needed to be. He needed to hold a light to these shadows. And he needed to stay positive, and drink soda. He takes a swig of the open Faygo bottle.

[iinryer]

ok taking it out of tags bc i keep seeing “WHY would they cut that!!” — honestly? it’s more than likely just a contracted screen time thing. because i guarantee no one looked at that scene and was like “hmmm. not important enough” and tossed it on the chopping block. it’s a good scene! clearly they think it’s a good scene if they released it anyway!

sorry to bring a production perspective to the storytelling zone, but it was only a ten episode run. they haven’t done one that short since the pilot season, and there are so many more characters now, FULLY established characters. plus, at the end of the day: it’s a job. certain actors are contracted for certain types and amounts of screen time and, no matter what they film, that has to be fulfilled in the final cut 🤷

i also desperately wish they could have kept it in the show, it was such a great moment! but i promise it is sooooo not that serious. and tbh im glad to be getting the bonus scenes that they obviously wished they’d been able to include!

[thewistlingbadger]

The reason why people hate Silco actually doesn't have to anything with his crimes or the way he treats others. It actually has everything to do with the way the show is structured.

If you think this sounds far fetched, I just want you to stick with me on this and read this post with an open mind bc genuinely I think it's really important. Lots of people do dislike him bc of his actions and his relationship with Jinx, but I'm going to argue those reasons aren't the main/true reasons for the silco hate. To do so, I must highlight some very important points about arcane.

1. The show is about CHANGE.

Everything in Arcane is always changing. The setting, the music genres, the designs, the styles, the storylines, the characters, their relationships- everything is constantly changing in this show. Change is what is what drives the show on every single level. Change is why Arcane makes us emotional and passionate, because as humans we dont like change, and the show is always changing at exact the right/wrong moments.

2. There's two kinds of change

For the simplicity of the argument, we're going to talk about major change and minor change. Major change will be defined as a change that COMPELETLY changes the character's identity. Minor change will be defined as a change that only changes a PART of the character's identity. In Arcane, some characters only go through minor changes, some only go through major changes, and some characters go through both during the show's course. An example of a major change would be Jinx. She starts the show was a meek, innocent, screw-up and later completely transforms to a lethal, broken person. Her character completely changes. An example of a minor change can be seen in Viktor. First he believes that the hexcore is good and can be used to save himself. By the end of season he's seen the harm it can cause and is hellbent on destroying it. This is a minor change because while he does change, he doesn't completely change. He only changes in a minor way.

3. Setting the stage

In order to measure change, you must have a starting point. You can't know how much someone or something has changed if you don't see where it started. For this reason, Arcane season 1 opened the majority of its episodes with flashback cold opens. At some point in the first season, we see all of our main characters years before the show starts. It's important to show this so the audience can better understand the characters. Viktor's running scene hits hard because we say him trying and failing to out run the toy boat as a child. Vi's hate for topside and enforcers is completely understood because we literally see them kill her parents an incite violence on her people.

4. We don't like you

Because the show focuses on change so much and because we're so exposed to it, we tend to oppose the things that DON'T change in the show. The majority of the fans side with Zaun because we've seen time and time again that they refuse to change their ways despite the harm they're causing. Marcus and Heimerdinger are two of the most unliked characters in season 1 because they don't change. Marcus starts the show as a selfish asshole cop and that's how he dies. Heimerdinger's whole thing is that he's IMMORTAL. He's literally not changing no matter how much time passes, and it's because of this that we feel for Jayce and Viktor and don't feel for Heimerdinger, even when he loses his council seat.

Okay, so we've talked about all of these now. What the hell does this has to do with Silco?

Well, lets look at what we talked about in conjunction with Silco.

Silco only really goes through one change in the show and it's a minor change. He starts the show willing to risk ANYTHING to get his Nation of Zaun and by the end he comes to the conclusion that he's no longer to willing to risk anything for Zaun. This is a pivotal change for him, but it isn't exactly a big one. Silco started the show as a violent, radical, antagonist and he dies being all three of those things. So no major changes here. And when we look into his minor change, it truly isn't that big because had Jayce asked him for anything else, literally anything else, Silco would have gave it to him. He's basically willing to do anything, minus one thing. One. singular. thing. That is so important to him.

2. Silco got a flashback scene like everyone else, but his flashback wasn't highlighting the change in Silco's character. It was highlighting the change in his relationship with Vander. In his flashback, Silco is unhinged, ragefully, and hostile in behavior as he delivers a smart monologue. This Silco is the same Silco we see later in the show, he doesn't change. He remains calculated, cunning, and heinous throughout the show. From the earliest point in his life that we see till we see his final breath.

3. The show has us programed to be opposed to those who are stagnant. Silco is stagnant. He does not change. In this regard, he's like Marcus. He's like Heimerdinger. And thus, since he's lacking change, we dislike him.

Just think about that for a moment. We literally never see Silco be anything different in the show. Even in the few moments he has were he's softer or weaker than normal, he's still the same guy. The fact that he's always been the same to us has led us to jump to conclusions about his character and his relationships based on limited evidence. We ALL assumed that the falling out between him and vander was his fault. We ALL assumed that he was this terrible guy even prior to the betrayal or vander. Because we never saw him change, we all though he couldn't change.

Isn't that a bit...sad? Like for us and for him. We genuinely have no idea who he was prior to Vander or prior to the betrayal. We all just assumed the worst from him because it was all we ever got to see. For all we know, the betrayal may have no even been his fault. For all we know, Vander could have been the fucked up one out of the two. We literally have no idea because we never see who he really was.

In a heart to heart he was with Jinx, he tells her "That day, I let a weak man die, and another was reborn." How right he was. We never get to see who this "weak man" was. Silco effectively did kill him.

[redrocketpanda]

From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why

I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg

Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)

Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying

We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)

Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"

At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them

But it's what happens in the following moments that's really the killer

Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally

I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach

As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"

Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)

Let's return to our blue/red colour theory bc there's a lot going on here during this episode!

E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)

And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time

Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment

In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red

We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.

Gojo explains:

"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."

Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out

Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)

And so now, finally, let us return to Geto at the end of E4

After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."

We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."

We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.

Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved

[poppytuft]

the bear s3 spoilers

below the cut! thinking about claire and stuff we saw this season re: carmy/syd/the restaurant/donna, just finished the season so itll be a mess and also im comin in way too hot on this so my bad

sometimes...... sometimes i believe you guys are all watching different tv. im not sure how this season didnt feel like a direct through line from s2?? and im not sure WHY everyone is SO MAD about claire LITERALLY "haunting" this season. girl. come on. we need to have a sit down talk about how the berzatto generational trauma is the real meat of this show (this will make sense, just trust me). thats the MAIN EMOTIONAL POINT. syd's relationship with her dad, marcus and his mom, richie and evie, even tina and louie are all examples of parental relationships that are tender, sweet, supportive, etc. these are INTENTIONAL!! by creating these relationships we see PLAINLY how fucked donna is and how much she fucked up all of these kids. thats why "ice chips" was such a FANTASTIC episode. there was SO MUCH unpacked, so much revealed, so much worked through with sugar and her but at the end of the day she's still learning how to unlearn all of this horrific narcissistic bullshit. SHES STILL UNLEARNING THOUGH. thats where fucking DONNA of all people sits right now——somehow, she's learning how to heal. EVERYONE IS LEARNING. that's also what is so important about that episode.

now lets look at carmy. in "ice chips" we are LITERALLY told about how each berzatto is born: mikey fighting against the idea of being alive at all, nat into a quiet, soothing room, and CARMY is fucking born into EVERYONE SCREAMING and ARGUING and FIGHTING. we are BLATANTLY told that all carmy has ever known is HELL and all he's ever known how to communicate is through exploding. this is so violently against what we also know about his personality from childhood in "fishes" (anxious growing up, arts-oriented, had a hard time making friends). now, he works a violently stressful job, processing the trauma from both his mother (and chef fields [joel mchale], realistically) through the high-stress environment.

NOW. ENTER CLAIRE.

HOW is she not fascinating to you all. we don't see her whole story (because the bear, duh) but we are given just enough pieces here to put together that her story runs parallel to carmy's. how are you not getting this. walk with me.

claire. glasses, nerdy, quiet, sweet, girl next door. family friend! cute, but considered mid for a long time by everyone at school, but suddenly the berzatto men all badger carm, "oh she got a glow up, oh shes looking for you, she wants to see you," etc etc etc. what happened in between?

she finds herself. she finds the stressful thing she LOVES, which is the hospital. her job is objectively more stressful than carmy's (illustrated by that scene earlier in the season but i forgot the episode, where claire talks about the girl who got her shit wrecked by the glass table), and while we don't have an exact understanding of what her home life was like, we understand that her and carmy both have a level of internal anxiety that thrives on the stress of their careers. HOWEVER, claire does it because she loves it. carmy just doesn't know how to stop.

this is what makes claire feel like "peace" to carmy——because her high-stress job is a choice, an active choice she is making because it fulfills her. it's not to prove her dead brother wrong, or to honor his own legacy, or to prove that dickbag boss wrong, or to leave a mark on the world, or to make her own life worthwhile, or to prove that she doesn't need anyone else. she genuinely enjoys helping people even when the days are stressful, or scary. he's obsessed with this. he wants to know how she does this. every day she leaves that stress at home——and he wants to learn how to do that too.

claire is VITAL to this season and to understanding carmy's stress——and how far back he is in his healing process. it should only become more and more apparent, as we see characters like tina (the beef/the bear became vital to her success/development as a chef AND person, both for the people AND her love of food), marcus (not hiding his grief, but using it to help rationalize how much his mother loved him and wanted to be surrounded by people that love him), and richie (finding a purpose through service/expo and understanding he can start over again) push through their own traumas and struggles to become better people. if donna can be not only present at sugar's bedside during labor, but WELCOMED at this point in the show, it makes carmy's inability to heal all the more present. claire is an important part of this puzzle: she helps us see a window into a world where carmy is balanced emotionally, but unbalanced professionally, because he has no idea how to make the two coexist.

however, the idea that he can be balanced emotionally at all is so fucking enticing——with the help of someone who experiences stress in the same way as him (and who is familiar with his familial trauma), he has the opportunity to grow up and move on from his family trauma and wounds perpetuated by the industry he works in.

on the flip side of this....... his inability to process any of this is starting to impact syd. and frankly, that's some bullshit. his lack of communication, inability to community build/trust ANYONE, and his violent stubbornness is pushing her into the same space that he was in under chef fields, in a much slower, more subtle manner, and for slightly different reasons. her panic attack at the end of the season could read in two directions to me: her stress over the responsibility of changing so many people's lives has boiled over once she remembered that the beef once was truly great (hey five star review on the fridge!), OR, she realizes how much she isn't in it for the food. fuck a Michelin star: she wants to cook with her family. chef terry says at the end of "forever", in the garage with carmy, that she's so grateful she got to do whatever she wanted, whenever she wanted, where she wanted, with the people she wanted to do it with. sydney is so close to having those things at the bear——but carmy's dysfunction is keeping it just out of arms reach. the two of them are now on opposite sides of the approach from last season: syd dying for a star, and carmy dying to cook for the woman he loved. now, carmy is hungy for recognition again, desperate to prove something, and sydney is remembering (thanks to the conversation with other chefs during the ever funeral service) why she loved cooking in the first place. so this leaves us to wonder: should she stick it out? for the people? or make something of herself? is she carmy, or is she terry? i guess we will just have to see.

all this to say: every character is connected. the bear is a show about family, found and blood, and the choices we make for, with, and because of the people we love, for better or for worse. food is only the center of it, because it's the center of all of our lives. you can't hate claire without understanding where she sits in the web of the berzatto family. and really, you can't hate her if you understand what her presence means for carmy, for syd, and the restaurant as a whole.