#was the comic that started this whole thing

[milktiicup]

do you write for mr scarletella? :) if so, may i request jealous scarlet who makes attempts to get closer to reader (court them) after seeing how close they are to mr crawling

persistence is key

That creepy smile grows on his face. "You like me," he says like it’s a fact. “What the- what?” You share a glance with Mr. Crawling. “You slow in head?”

‧₊ ᵎᵎ 🍒 ⋅ ˚✮ yeah idk, lowkey some enemies to (potential) lovers, i have no idea how to characterise mr scarletella, but i tried my best and then i kinda got a little too invested in trying to spin the fic the way i wanted and wrote a little more than usual... sorry if ur disappointed, i tried to keep the whole courting/jealous thing subtle but still kinda there >w<

warnings. canon typical violence >w<

You’re not sure when you met the man in red, but you know he’s stalking you now. And it’s getting seriously old. Unlike the ghosts and monsters you’ve had the pleasure of meeting, this one doesn’t know how to take a hint.

Your first unofficial encounter with him is something that sent shivers down your spine, tucked away under Mr. Crawling’s arm and clutching onto his kimono for dear life. The second encounter was much worse- separated from your other worldly protector and left running down an almost comically long and creepy hallway where he just magically appears in front of you. 

You don’t even think twice before you smash the crowbar into his form with all your strength, but it was futile the way he flickered? in front of your own eyes and left a weird moist residue on your weapon. You scowled, and rudely pointed a finger at him- “What the hell’s your problem, dude?”

In response, he leaned in close- so close that your nose nearly touched his. The tilt of his scarlet umbrella cast a dark shadow over you, and as he peered down, one black eye appeared from behind his hair, locking onto you with a soul-piercing stare. You felt stripped bare under that gaze, vulnerable and exposed, like he was seeing straight into your core, uncovering forgotten memories, pieces of yourself even you couldn’t remember. He smiled—a slow, unsettling curl of his lips that chilled you to your bones—and said something you didn’t understand. It sounded like a question, maybe, though you couldn’t be sure. You didn’t care. You spat out a few choice words and swung again, hard.

At least for a while, he left you alone.

Has it been days, weeks, or even months since you’ve got here? It was difficult to keep track, and it was difficult to even care anymore. The place was, without a doubt, growing on you by the day. Even if it was filled with hostile creatures that wanted to eat you sometimes, and when your skin started to get discoloured and you had the inhuman itch that just could never be satisfied- it wasn’t that bad! Hell, you even made a few friends and claimed a comfortable bed in some random room you found.

However, just as you finally started settling into the place, you had your third encounter with Mr. Scarletella.

It started with a dream- from before you came to this world. That man in red… A test of courage, your friends called it- spending a night in those so-called ‘Ghost Apartments.’ Your friends hadn’t known it then, but you were quite familiar with the building for reasons, and set yourself up in a cosy corner and the night was supposed to sail smoothly.

A rumour had surfaced- a tale of a ruin that appears only on rainy days, where you’re warned never to give your name to the figure you’ll meet there. That figure, they said, would take your soul. At the end of a dim hallway, standing silently under a scarlet umbrella, he was waiting. The man in red, eyes hidden beneath his hair. He was watching you. Or was he? Somehow you could feel his stare even if you couldn’t see it. 

You woke up, heart pounding, muttering a string of curses. You groan, rubbing a hand down your face. The discoloration of your skin hadn’t gotten any worse, but it hadn’t gotten better, either. The longer you stayed here, the more the place left its mark. As long as you remained relatively human, and the only thing this place took from you was your memory, you weren’t too fussed. How could you possibly miss something from the other world when all you could remember was smashing a crowbar into someone’s head?

You swing your legs over the bed, feet touching the cold ground. The chill sent a jolt up your spine, and it was almost too tempting to get back under the cosy, warm sheets. You stretch your arms above your head, bones cracking and popping into place and mumble a hazy ‘Good morning’ to Mr. Crawling that should have been in the other bed. Silence wasn’t something you were used to around him- and you whip around so fast that you gave yourself whiplash.

Cursing, you grab your crowbar and stumble out of the room with a hand rubbing your tender neck. You didn’t need to look far- you could see Mr. Crawling at the end of the hallway.

And Mr. Scarletella. 

The man in red was bent over to be face to face with Mr. Crawling, all-too-familiar sinister smirk on his face. Mr. Crawling didn’t look so happy either, and they seemed to be having an argument. You stomp your feet as you make your way over to the two, hand tightening on your crowbar as you ready yourself to fight literal static if it meant leaving your best friend in here alone.

“You,” you scowl, pointing your weapon at him. “You problem?”

Mr. Crawling scurries to your side, a hand gripping onto your clothes. “Dangerous… should get away!” he urges, tugging. 

You shush him with a pat on his head with your free hand and continue to glare at that menace. 

“You like them?” is the only thing Mr. Scarletella asks with a tilt of his head, smile seemingly disappearing into thin air.

Glancing at Mr. Crawling, his face covered in worry- you feel the familiar itch of your skin. You take a breath, going through all the reasons why you can’t actually kill Mr. Scarletella, and loosen the grip on your crowbar. From what you can sense right now, he’s not actually that much of a threat. Just a nuisance that can’t seem to leave you alone. 

“Them friend,” you reply, deadpan. What type of question was that anyway? This guy was a freak. 

That creepy smile grows on his face. "You like me," he says like it’s a fact.

“What the- what?” You share a glance with Mr. Crawling. You turn back to Mr. Scarletella. “You slow in head?”

The smile on Mr. Scarletella’s face falters just for a moment, but it quickly returns, more chilling than before. He stands there, towering above you. Despite your snarky comment, he doesn’t look offended- no, it’s almost as if he’s intrigued by your resistance.

You tighten your hold on the crowbar. “You problem.” You frown. “Go away.”

Instead, his grin deepens, his head tilting at such an unnatural angle that you can feel your stomach churn. It’s as though he’s studying you, savouring every little bit of your discomfort. Surely, turning your head at that angle is gonna hurt… You audibly gulp.

“Problem later,” Mr. Scarletella says, and with an unsettling flicker, he’s gone. 

The next time you saw him after that was in less tense circumstances. It was unsettling after whatever that was with his coy little ‘Problem later’, you weren’t going to worry too much about it for the time being. You decided you’ll worry about it when the problem occurs, which probably wasn’t the smartest of ideas you had. 

The earth shakes, and you’re completely cut off from Mr. Crawling. Wandering down hallways, resting in random rooms- you never really felt alone. You turn a corner, dizziness growing by the minute, and pause.

“You again,” you sigh. You don’t even bother lifting your crowbar at him. “What do you want?”

He appears directly in front of you, causing you to stumble back a few steps at just how tall he is. He bends down to your eye level, umbrella covering both of you once again. “Give name?” he asks. 

“No. Go away.”

“Give name. Teach.”

“Go away!”

“Teach name.”

“Fine! My name’s… you pause. You didn’t actually have to give him your real name, did you? “...Silvair, or something.”

He gets closer to your face. You take another few steps back, but not before you get the smell of blood and dampness off of him. It takes all the willpower in your body to not scrunch your face up. 

“Wrong name.”

“So what? It’s a name.” You scoff. Mr. Scarletella is silent, eerily so, and you can feel his piercing gaze stare through you once more. You awkwardly avoid eye contact, and clear your throat. “I’m… gonna go now, okay?” You turn on your feet and only make it a few steps.

“You teach them name?”

Them? Mr. Crawling? That guy doesn’t even understand the concept of his own name! The scowl feels as if it’s permanently etched onto your face. You whip around, pointing another disapproving finger into his red raincoat. It feels fuzzy… and wet. It grosses you out, almost. More than Mr. Gap’s greasy hair.

“No,” you hiss. “I don’t even remember my own name.” He stares, silently.  “Me,” you point to yourself, “not know name.”

“...Not know name?” he echoes. What you said has him lost, you could see that. 

Just like that, he’s gone again. You don’t see him for a few more days, nor do you find Mr. Crawling. You spend your time aimlessly wandering, knowing eventually you’ll most likely find someone you know in a friendly manner, and not pondering if every ghost you come across is a friend or a foe. 

You awake promptly to a sound of a chainsaw revving. As if it was a morning routine, you stumble to your feet, grasping for your crowbar that should have, without a doubt, been next to you… only to grasp at air. Okay, now you are starting to feel a little panic.

Through trial and error, you knew that whatever wound you receive will heal, with time- but it doesn’t mean you were looking forward to being maimed to shreds with a chainsaw! 

“Hehe.”

You froze, heart racing, and slowly turn around. There that wretched little being was- the stupid little fucker in the goat costume. The ‘Hooded Child’, the thing was termed. In it’s stupid little fucking hands, it held you handy-dandy crowbar that’s been with you thick and thin. Your stomach churns. 

You gulp and face back towards the open doorway- a long black abyss, stretching on and on, with only the haunting bounce of that chainsaw, crawling along the walls. That chainsaw that was about to mince you in a matter of seconds. That chainsaw that was approaching you rapidly.

Frantically, you grab the nearest thing you could reach for. A metal chair. You wince. Probably not the best thing you could’ve grabbed, but it’ll have to do. It’s a matter of- well, technically life or life, but still! You could feel the sweat on your palms, the adrenaline pumping through your veins and your heart hammering through your ribcage. 

You lift the chair above your head as the monster comes into view- a tall, masked being in a strapless floor length black dress… wait, why was she dressed so sexy? Your surprise leads you to hesitate as she rushes at you with her machine. You let out a yelp as you whack the chair down in front of you, metal clanging echoing throughout the room.

Complete silence. Not even the sound of that chainsaw. Not even the sound of metal.  

“Huh?” You blink, once, twice, thrice at the sliced up body of that creature, blood splatter on your clothes. There was blood even on the ceiling, too… You drop the chair in utter confusion.  “What the hell?”

“Help you.”

“You again!” You spin on your feet, meeting the dull eyes of Mr. Scarletella. You’re about to huff and puff this guy into next week, but pause. You leave your accusing finger down by your side. This guy just saved you from that thing. You avert your eyes and scuff your feet against the ground with a cough into your fist. “Uhm… Thank you.”

Wow, this guy really has an intense stare… Way to make things unnecessarily intense and awkward. 

“Protect you,” he says. “You like me?”

“Take me out to dinner first, man!” you exclaim, crossing your arms over your chest. “Not like. You not bad. Not good. You okay.”

Mr. Scarletella dons an out of place frown that even makes you feel a little uneasy. “Them protect you. You like them.”

“Them friend,” you stress, finally meeting his gaze once more. You kind of regret it. This guy doesn’t blink. “You…” Weird? Off-putting? Freaky? “...unsafe.”

“Me safe. Protect you. Help you.” 

You sigh. “Unsafe to friend.”

He just stands there, holding that stupid umbrella, with that unblinking stare. You blink at him and squint your eyes. His facial expression doesn’t change. Completely unfazed. You can’t even tell if he’s confused, or upset, or whatever he could possibly be. Your breath hitches as his unsettlingly familiar smile returns.

He tilts his head. “Me good. Me show you.”

Then he’s gone again. You can finally breathe. Your heart is still pumping. You slide against the wall, landing on the ground and resting your head against your knees. You clutch at your raincoat with shaking fists. 

Mr. Scarletella - you knew he was meant to be dangerous, but he just saved you a whole lot of pain. Even if he was still a threat to Mr. Crawling, and hounds you for your name, asks you weird questions, could he honestly be as bad as you originally thought he was? You can’t deny that he did save you… but his presence is more dangerous than comforting. He’s both a threat and an aid, but never clear on which he’ll be at any given moment. One thing is for certain, however, and that was that he was persistent for your attention. Wait… 

Oh my good God, does he like you?

“Heh…”  Chuckling, you tuck your hair behind your ear. “I am pretty cute.”

You stand, and decide it’s better to think about while on the move back to Mr. Crawling. You reach for your crowbar, and curse. Of course. The Hooded Child took it with them when they disappeared when Mr. Stalkerella showed up. Well, you sigh as you drag the chair behind you as you exit the room, at least you have a temporary weapon, for now…

Making it back to Mr. Crawling didn’t take that much longer. He greets you, frown on his face and long arms wrapping around your waist. “Me worried! You gone long time!”  

“Long time,” you agree, bending down to his level. You ruffle his hair, a smile finally sliding onto your face. It quickly turns into a pout as you wave your empty hands. “Lost attack tool.” 

Mr. Crawling points to the spilled blood on your raincoat with a high pitched noise. You sheepishly giggle, and gesture to the chair behind you. He tilts his head, processing, before letting out his all familiar laugh. You sigh in content, glad to see a friendly face and let him pet you for a while. 

He stops petting you, and turns around. “Attack tool!” he smiles wide, your trusty weapon in his grey hands. “Them give me.”

“Them?” you repeat, taking the crowbar, twisting and turning it in your grasp. “Them who?”

“Them!” 

Curse this damn language. 

“Mr. Crawling,” you hold his face in your hands, “what look like?”

His smile falters, and if you could see his eyebrows, you’d imagine they would be furrowed. He takes a moment to think, and points to the blood on your raincoat, and attempts to imitate holding an…

Umbrella.

You stare. And stare. And stare. You can’t even begin to process what Mr. Crawling just said to you, debating maybe you actually were growing crazy and it was finally time to bounce out of this place- andddd of course, you notice a red flicker at the end of the hallway. You tilt your head past Mr. Crawling.

That scarlet umbrella tilts slightly, and just for a split second, you catch a glimmer of that piercing dark eye staring straight at you, as if watching every nerve fire under your skin. You can see his smile from here, as if it was a smug ‘I told you so’ but it was actually a ‘Me show you.’ 

Well… Mr. Scarletella did show you. And now you were just left, to put it simply, utterly fucking confused. It just drilled the narrative down deeper of the possibility that he did like you. So… what do you do now? Do you apologise for trying to smash his head in with a crowbar? For being so rude? 

How do you even apologise for something you don’t even remotely feel sorry for in the first place? Mr. Scarletella was creepy! …At least, he was kind of sweet. Not really- his intentions were anything but kind. But still!

You bite the inside of your cheek. …Is it wrong to feel a little flattered? There’s barely any romance in this place anyway!

In your world, things are either friend or foe, monster or protector. But Mr. Scarletella? He exists in some in-between place. Dangerous yet helpful. It’s as if he’s deliberately defying every category you try to force him into. And now, the memory of his unsettling question repeats in your mind- “You like me?” - echoing in your thoughts with a kind of twisted innocence that gnaws at you, a bit more with each repetition.

Mr. Crawling gives a soft, anxious chirp, tugging you slightly, drawing you out of your thoughts. He’s still eyeing the red figure warily. He points. “Them… dangerous? Them good?” 

“Not know,” you mumble, defeated. “Good, maybe.” You stand to your feet, crowbar falling off of your lap and clanging onto the floor. “Me, them, talk. You stay.”

Mr. Crawling makes a noise of protest, hand reaching out to grasp at your clothes. You reassuringly ruffle his hair once more, and make your way to the end of the hallway. You don’t hear him follow behind you.

Face to face, you stand in front of the smiling Mr. Scarletella. He stares down at you, unblinking, unmoving. 

“Can’t give name,” you remind him.

He leans his face down, ever so close. “Me like you.” A pause. “Want you.” Another pause. “You like me. Give me many human. Give me many blood.” 

Well… In your defence, you didn’t know your corpse dumping ground was Mr. Scarletella’s domain. 

“Getting in over your own head…” you grumble, and lift up your hand. You pinch your fingers together. “Little like you. Okay? LITTLE.” You wonder if this guy’s smile could get any bigger, geez… “You want big like?” You point your index towards him. “Be normal. Be good. Understand?”

“Normal? “Good?” He seems to chew over the words like they’re a foreign delicacy, his head tilting at that unnatural angle again. “For… you?”

“You good,” you waggle your finger at him, “I teach name. Maybe. If I can remember it…”

There’s an unnatural, prolonged silence in the air. You’re beginning to feel the awkward tension once more, but your resolve refuses you to break the unblinking eye contact you keep with him. 

And finally, he speaks once more, agreeing to your proposition, “You teach good, you teach name.”

You hold back your groan- whatever this dance you two were playing, was going to take a long time to progress.

But at least something is better than nothing, right?

[thatshadowcomic]

Some more QnA

Who do you think she's started following...? tbh I cant really decide lmao. Aww shadow feeling the friendship energy and being kinda put off because he's not used to it but ultimately feeling warm inside.

Back at it again with some QnAs-- btw the QnAs always gonna be after the comic, obviously this being the very first since the end. idk if I mentioned that already?

✨✨bonus because idk where to put this 6 months old pic✨✨

I thought it would be funny if hedgehogs identified eachother by their hair, but obviously it would be by smell lol. But the idea was funny at least. Funny enough, I used to have an OC that was shadow's dad back in like, 2004 or something, before I learned about the whole doom thing. Maybe I'll draw him one day

[emmaelt]

Something I’ve been thinking about a lot - I think inspired by a random instagram post I saw - is that humans are very cute.

We yawn, we get fluffy hair from our pillows and marks on our face from sleeping, we cuddle. All of these things remind me of my dog, Brie. She has a favourite toy, a small banana, and as soon as she wakes up she will search for it and bring it to me as if to say 'mum, look at my banana! Isn't it great?'. Whenever I send a friend a meme, I think 'oh my god I'm Brie and her banana' - wanting to share a joyful thing with my human. It's like penguins, pebbling. Humans are fucking adorable.

I’m starting to feel this way also about neurodivergent humans, neurodivergent behaviours. I don’t mean to be infantilising to anyone, that is definitely not the intention here… but it’s more of an appreciation of some of my own behaviours that I used to dislike that I now see, with perspective and context etc, are actually really adorable and endearing in others.

The above post is a wonderful example of this. We're not focussing entirely, and misspell something in such a comical manner that we have to share it with our humans, and suddenly realise it's been hours since we were able to do any productive work of any kind.

Seeing these things in others, I have a better appreciation for myself. On the whole, that is what diagnosis has given me. I understand my whole self more fully now.

It’s so nice to be able to let go of hating some parts of myself. I’m really proud of that.

also, a tag for this says:

like i always say: ​adderall turns on the roomba but doesn’t stop it from getting stuck under the couch.

and I've never related to anything more

i love adhd. i have a lot to do at work today. i take my meds. i open the word document. i immediately misspell “benzodiazepines.” i go on tumblr to post “benzodiazepenis….” for the mutualés. and then it’s 45 minutes later and ive caught up on tumblr and checked the weather and read a fic and texted an ex and ordered new pens and looked up a recipe for chicken pot pie and posted about adhd and done zero work.

[melloollem]

Trash ll|| Bruce Wayne× Child!reader

Summary: In a city where survival is your main objective, you do whatever it takes, including getting involved in Gotham's criminal world.

Warnings: Common comic book violence, weapons, corruption of minors (minors involved in crimes), anguish, guilt, conflicts.

(Chapter l, Chapter ll, Chapter lll, Chapter lV)

(Dc masterlist)

You were dizzy enough not to care how you got here, you couldn't feel your whole body and your mind seemed to be covered in a fog. You were looking around with no real competence when someone opened the door to your room, then a man who had been sitting next to you got up and they started a conversation. Despite your best efforts to listen to them, a loud buzzing sound settled in your brain and soon you gave up, agreeing to just observe the interaction between the two men in front of you.

One of them, the one who had been with you since you woke up, had a white lock in his hair, he seemed a little off when he spoke, he certainly wasn't happy, while the other man, a little taller and older, had a firm face, he wasn't happy either, but he seemed calmer, he had a familiar face, but not familiar enough for you to remember who it was.

For a second the buzzing in your head stopped and you could hear a single word "Jason", this was before a tingling sensation consumed your entire body, as if all your senses came back at once, this made you let out a low squeak, loud enough for the two men's attention to turn to you.

Their conversation was once again out of your reach and a nurse entered the room. An icy sensation consumed your body and mind and, in the next instant, darkness consumed your thoughts.

"He'll be fine, the anesthesia will wear off soon." The nurse's confirmation helped calm Bruce's noticeable apprehension, but had no effect on Jason's obvious tension. "I think you'd better talk outside." Jason didn't take a second to turn his back and head for the hospital corridor, soon to be followed by Bruce.

All the time he was avoiding looking directly into the face of the man next to him, he was sure that Bruce was condemning him for what he had done. How could Jason let that happen? He had almost taken your life.

"The child, he is a henchman, he has no definite boss, he is 11 years old, his mother is deceased and he has no record of his father" Jason listened attentively to Bruce's little report about you, he had already assumed that you were an orphan thanks to the situation in which he had met you.

"How long has he been at it?" The information wasn't really relevant to Jason, but he didn't know what to ask either, he had shot an 11-year-old. "Operating in the criminal world for 1 and 5 months, working as a henchman for 4 months" Bruce was really surprised at how long you'd managed to do this without getting into trouble.

Jason's mind was consumed by all the questions that followed. You were an orphan child entirely involved in the criminal world, he couldn't leave you on welfare and he couldn't let you back on the streets. Jason knew how bad both circumstances were.

"Jason" Bruce's voice pulled him back to the present moment "I know you're blaming yourself for what's happened, but he'll be fine, his current situation is already stable and we'll soon be seeing a home for him" Jason wished Bruce's current words were enough to comfort his soul, but they weren't. Knowing that Bruce had noticed how guilty he looked only affirmed his guilt.

At that moment Jason felt like confessing his sins to Bruce, assuming out loud that the scene of a child's pale face collapsed in his arms with bloodstained clothes was the only thing he'd had on his mind all the days he'd been sitting in that hospital room waiting for you to get better, but he didn't, he was afraid of his father's reaction, he was afraid that for even a single second he would see a look of disappointment on his face.

"Are you honestly thinking of adopting him?" Jason asked, returning to the subject of the conversation before you woke up with the intention of changing the conversation. Jason didn't want to let you go on welfare, but he wasn't in favor of adopting Bruce either. Bruce preferred to leave this conversation for another time, he was more focused on calming his son down from his growing guilt, but Jason clearly didn't want to talk about it now.

"I think it would be a good option to offer him a temporary home, at least until everything settles down" Bruce was skirting around his real intention, he really wanted to adopt him, but he felt it wasn't necessary for Jason to know that. "He'd have a safe place and rehabilitation" The term "rehabilitation" caught Jason's attention, who now had a confused expression. "What do you mean?" He asked.

"He, the child, has a string of violent crimes, has been involved in the planning of many crimes and a suspected murderer, he needs the proper treatment for that" The revelation didn't exactly shock Jason, but it did intrigue him. He knew you couldn't be left with just anyone, your old habits would be a problem, you had to stay with someone who could deal with all the violence you had inside you, someone who could understand your past.

"I know you're against adoption, Jason, but it's the best thing for him and this way you could continue to follow his improvement, I know how much you care about that" Bruce tried to convince Jason that it was the right decision, but Jason knew that regardless of his approval, Bruce would put you in his care "I agree that he needs rehabilitation, but I don't know if you're the right person for that, Bruce".

＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿＿

Unfortunately I've specified the gender of the reader in this chapter, but if you want, I can change that.

Tag list: @lockofspades @anuttellaa @joudy78bes7er @anime-hair05 @amber-content @camilo-uwu @sparks0918 @redzluvvesage @drdoofenshmirtz124 @suninwalls

[elwensa]

The Eye Thing - PART 1 (2022) Careful, there is blood in there! Oooooh so we're starting the Eye Thing Saga?? This is one of my favourite comic series I ever did! Obviously (to me) the art got a little old, but I remember having sooo much fun with this one! The whole dialogue about Gossan's eye ("Yeah, that's... yeah. I don't wanna talk about it.") meant two things to me. One, The Hatchling (And Slate) was there, and two, it was pretty traumatic. So I had fun imagining how horrible it could be. Of course now Gossan's okay! And we'll see how they and Hatchy adjust in the next parts...

[goodlucktai]

raised on little light (1/3)

rise of the tmnt word count: 2k pairing: leo & oc i've had this idea rattling around since the rise farewell comic earlier this year made it canon that the turtles had another brother and a sister floating around somewhere. we know who their sister is, so this is my take on that 5th brother. i hope you enjoy meeting him <3 big thank you to @soldrawss and @mykimouser for enabling my insane behavior (and thank you again to sol for drawing the art i included in this chapter!!!) title borrowed from northern attitude by noah kahan read on ao3

x

2020

Leo regretted his last words as soon as they left his mouth.

“Hero moves are totally your style”? As if Raph doesn’t have enough issues already.

But what he meant—what he would have tried to explain if there was time—was that Raph is his hero. He’s always been Leo’s hero. And if Leo could be anything like him, even for a second, even if it was the last thing he ever did, then he could be satisfied with that. 

It’s a silly thing to be stuck thinking about, laying on a torn up chunk of earth with a monster ominously lumbering somewhere below, looking for where it threw its toy. Laying there, feeling every bruise and broken bone, and hoping that he didn’t hurt his big brother’s feelings.

They’ll be okay, Leo thinks, trying to make it be the thing that gives him courage instead of just more homesickness. They’ll miss me, maybe for a long time, but they’ll be okay.

Leo’s supposed to be fighting for his life, but it’s all he can do to keep a grip on the photo in his hand, the only thing in this entire dimension worth holding onto. It’s all he can do to keep his eyes open when every blink is longer than the last. 

It feels like enough of a rebellion. The Krang looked annoyed that he was still breathing the last time it batted him through the void like a fly, which gives Leo the idea that he should probably be dead by now. He feels a detached sort of pride at how grown-up he’s being about all this. Better late than never

Leo waits for the Krang to come for him, dripping his blood and sneering his daddy’s nickname for him hatefully as it does, and hopes he made his family proud. 

Leo hopes he’ll go wherever Gram-gram is. It would be nice to know someone when he gets there. 

Movement in his periphery snags Leo’s attention. His brain starts throwing up warning flags, signaling danger—anything moving around in here is another parasite, or a Krang hound, nothing he’ll want to be sprawled out on a silver platter for—but he can’t summon any urgency. 

He turns his head and finds himself looking up at another turtle. 

It’s the very last thing he expected to see. They both just stare at each other for a moment. 

The newcomer appears to be a few years older than Leo, based on the broadness of their shoulders, and half a head taller. Their skin is more gray than green and their plastron is so pale it’s closer to white than yellow. Their carapace, what Leo can see of it, is a deep blue-black and they’re covered, skin and shell both, in white spots. Two of the spots on their face give the impression of eyebrows lowered in a glare, but they don’t seem angry at him.

The turtle is completely unfamiliar to Leo, which is saying something. He thought he and his family had the monopoly on… this whole situation. 

Disquieted, Leo remembers that he’s supposed to be the only turtle here. That was a very significant part of the decision he’d made. 

It must be a hallucination, he decides, instantly comforted by his own reasoning. That makes sense. He just wished that if his mind was going to conjure him some dying company it could at least be someone he knows. An imaginary Mikey or Donnie or Raphie for one last hug. One last affectionate forehead bonk. An “I still love you,” if that wasn’t asking too much. 

Don’t you cry now, he scolds himself sternly when his eyes start to blur and burn. It’s not about you. 

With a resounding crash of metal against stone, the Krang finds them at last. He’s snarling something that Leo is too slow to piece together before he cuts himself off—surprising the hell out of Leonardo by acknowledging the hallucination. That’s not how that works. 

“Another pest ,” the Krang hisses. His serrated teeth glint when he draws his gummy lips back in an ugly smile. His tone is oily and unpleasant when he adds, “You’re less colorful than those other ones. I would have remembered seeing you. Where were you when your accomplices were fumbling about in my Technodrome like the stupid creatures they are?”

“We won,” Leo reminds the alien, even though it makes him cough. His lips are warm and wet now but he won’t think about why. “Blew up your ugly ship. Who looks stupid now?” 

“Shut your mouth!” the Krang roars, going from slimy to homicidal in about three seconds. Leo cringes, every ounce of animal instinct in his body urging him to hide in his shell and ride the rest of this nightmare out. 

The spotted turtle snaps, “Don’t talk to him.” 

It would have made sense if he was looking at Leo when he said it. Don’t engage, don’t bait the big monster that could kill you with as much effort as it takes you to blink, et cetera ad nauseum. If only he’d had a nickel for every time he heard that. 

But instead the turtle is looking at the Krang, and he’s radiating the kind of cold-blooded murder that you mostly only see in movies. He has one arm flung out in front of Leo like he actually means to use it to stop the Krang from getting any closer. 

“Don’t even look at him,” he goes on, sounding seconds away from baring his teeth. 

This guy is significantly unaware of the danger he’s facing, and Leo ought to warn him about what enormous clusterfuck he’d just wandered into. Leo ought to say he appreciates the reptile solidarity, but you should definitely run, new guy. 

But this probably isn’t actually happening outside of his own head. And besides, Leo has to focus really hard on his numb fingers so he doesn’t drop his photo. 

“I’ll look where I please,” the Krang says, as unbothered by the hallucination as he was by Leo’s entire family. “Starting with that fool head of yours. I’m interested in whatever backdoor led you here. If it’s my way out, well ���”

Adrenaline surges through Leo, and he’s hardly aware of moving before he’s lurching up and shouting out, “No!” 

He can’t get out, he can’t. Leonardo won’t be able to trick him again. He won’t be there to help this time. 

“I do have one thing for you,” the spotted turtle interrupts to say, reaching over his shoulder for what turns out to be a compound crossbow strapped to his back. 

Leo doesn’t know a lot about archery so it’s weird his fictional turtle does, crank-cocking the weapon like it’s an extension of his arm. He watches cluelessly as the turtle slides something very purple out of his jacket pocket and notches it into the groove where the bolts are supposed to go. It’s definitely not a bolt, but it’s a piercing-type projectile of some kind, and it fits in the crossbow like it was designed with crossbows in mind. 

The turtle aims the bow at the Krang, who clicks the claws of his metal suit on the ground the way Splinter would drum his fingers on the kitchen counter when he was waiting on the microwave. The Krang looks condescending and mildly curious, like he’s watching dumb little animals do something they’re not trained to do. 

“He told me to tell you he’s sorry he couldn’t be here to see this part,” the spotted turtle says, and then shoots without a second of hesitation or unnecessary dramatics. 

The Krang bats the projectile away, or tries to, but it explodes on contact with his armor, and suddenly all Leo can smell is burning metal. Then burning meat. 

The Krang begins to scream, clawing at something defiantly purple with a mind of its own that eats straight through him the effortless, immediate way corrosive acid chews through soft tissue. It moves like nanotech, covering as much of the Krang as possible in a manner of seconds and clearly designed to consume whatever it touches like a school of cartoon piranhas. 

Donnie would love it, color scheme and all. 

The Krang stumbles drunkenly, howling like a creature possessed, and Leo and his turtle companion both watch silently until he tips over the edge of the hunk of torn earth they’re on. Gravity is nonexistent in this dimension, so he doesn’t so much fall as sort of drift in another direction while he’s distracted with the purple stuff that’s doing its best to eat him alive. 

The last handful of minutes have been so bizarre that it’s actually going pretty far in convincing Leo that none of it happened for real. The Krang hasn’t actually found him yet. This is clearly a dream. Or a pre-death electrical storm as the neurons in his brain fire up to fizzle out.  

He tips his head to the side again to stare up at the archer, who is putting his bow away with perfect confidence that whatever that purple thing was, it will do the job. 

“Who are you?” Leo asks stupidly. 

“Gio,” the probably imaginary turtle replies.

Leo’s mouth runs off before he can stop it. “Just Gio? Like Cher?”

God, he thinks. That was stupid, Leo. Not the time or place, Leo. You’re in the prison dimension. You’re dying here and you can’t even cut the jokes now? Raph was so right about you.

But the imaginary turtle surprises him by smiling slightly, the corners of his mouth pulling just barely upwards in a way that somehow completely transforms him. Not the time or place for jokes or smiling at them but here they are. Like company.

“Giorgio Hamato,” ‘Gio’ says. That lands in Leo’s ears as something remarkably worth making a lot of noise over, but he can’t begin to unpack it. And after a second, he forgets what the remarkable part was. His mind is a deck of cards that got shuffled too enthusiastically and ended up scattered all over the floor. Gio doesn’t seem to mind when Leo just blinks at him, adding, “I’m here to take you home.”  

“Pretty sure Uber doesn’t come out this far,” Leo mumbles, the words a paint smear, all thick and wet and muddy. One of his teeth feels broken and it’s keeping him awake, a blistering ache that cracks through the back of his mouth like lightning. “And I’ve got, like, zero bars.”

This is how I cope, he thinks, watching the bigger turtle absorb the second bad joke in as many minutes. Leo’s blinking fast so he doesn’t cry. He’s trying to focus on anything but the pain radiating through his whole body, and the swallowing darkness all around him, and the ruins of ancient metal ships looming where they float unrestricted by gravity, and the ballistic howls of a pissed-off pink alien still dealing with whatever the heck this Gio guy did to him.

He can’t focus on any of that because all of that is scary and he’s already terrified. He needs to not be terrified because he doesn’t want to be that kind of ghost when he haunts his family. He wants to be the friendly, funny kind, the kind that gets to stay at the end of the movie, the kind that will make silly faces at Mikey so he doesn’t get scared, and leave sticky notes for Donnie to remember to charge his phone and drink enough water, and cover Raphie with an extra blanket while he’s asleep because it gets cold at night but he always leaves his bedroom door open for them.

If Leo’s friendly and funny, if he helps, he’ll get to stay. He didn’t get to stay the first time, so this time he has to make it stick.

Larger hands wrap around his. It doesn’t register for a second, and then it does in a big way.

Leo jerks his head up. Moving just that much hurts like his ribs are broken all the way down and the bones in his leg have all melted into liquid agony, but it clears some of the fog away.

Someone is holding his hands in the prison dimension.

An alien like the Krang wouldn’t know the first thing about the human gesture, the togetherness of it, so it’s not some mean trick that’s being played. And it can’t be an imaginary turtle that Leo dreamed up, after all, because kindness would be the last thing he’d give himself.

Possibly very real Gio says, “Fuck Uber. Whatever that is. And don’t repeat that word.”

The punchy breath Leo chokes in is going to punch out again as a laugh or a sob. Leo squeezes the bigger turtle’s hands, photo crinkling between them, suddenly tethered to something in this void and hysterically certain that he’ll die for real if Gio lets go.

“I’m sixteen.” Leo’s voice wobbles. He doesn’t know what to react to first. He doesn’t understand how this is happening. He holds on. “I can say the fuck word if I want to, I’m practically an adult.”

Gio’s face does something it hurts to look at. His eyes are dark and sincere, the shape of them entirely familiar. There’s a warmth inside him that permeates the gloom. A star belonging to a much larger galaxy, but more significantly, belonging to the same crooked constellation Leo belongs to.

I know you, he thinks, surprised by the truth of it. I do. Where have you been?

“We’re going home,” Gio says, the certainty in his voice like one of those huge stones a river parts around, unmoved by the currents and crashing water. “I know the way out. Don’t worry about it. Close your eyes.”   

The worst thing that could happen has already happened, Leo thinks. There’s no reason not to trust him. There’s nothing left to lose. He closes his eyes.

He feels himself drawn in, tucked against the built-in armor of a turtle chest, head resting on a broad shoulder. He’s been carried like this a million times before. He didn’t think it would happen again. Somewhere along the line, he’d been picked up for the last time and put down for the last time, and now he’s here, where no one who loves him can reach him, to scoop him up when he falls asleep on the sofa and take him to bed.

But Gio lifts him up like he’s still a kid. The Krang is bellowing hateful promises in between the grating shrieks of pain, promises of what he’ll do when he gets his hands on Leo, but all of that is far away. 

Leo isn’t afraid anymore. He isn’t going to be a ghost.

He’s pretty sure he’s going home.   

[m00ntunaart]

LORE DUMP:

In this AU Tech is taken by Hemlock after plan 99 and goes through much experimentation and “programming” to be made into a CX trooper. But in this AU Tech isn’t the only one this happens to. The other four CX troopers are Cody, Fives, Tup and Kix. How is Fives, Tup and Tech still alive? In this version of the story the Zillobeast is being kept because it has hyper-regenerative properties (Wolverine-esc) and Hemlock has been experimenting for a while on how to take the genes from the Zillobeast and put them in dead clones to ‘bring them back’ basically. So Fives, Tup and Tech still die in this AU, they just get literally Frankensteined back to life. I really wanted to play with Hemlock’s ‘mad scientist’ aspect in this. Like, let’s exaggerate the man a lil, for fun.

So the CX troopers are being experimented on medically, being cyberneticlly enhanced, getting programmed and mind wiped. It’s messed up. I won’t get into now but I just really want the CX troopers to be this kinda horrific product of Hemlocks LITERAL human tinkering. Also just horror of (in Fives, Tup and Tech’s case) the fact that they weren’t even safe from Hemlock in death. I also think in this AU the CX troopers maybe die a few times earlier in season 3, but Hemlock just retrieves their bodies and revives them again. Like fixing a broken toy. 

I crave more Hemlock horror lol

But anyways, basically this comic is basically the kick off point of my CX-2/Tech AU. Mostly everything up until the Teth Base raid is the same to canon (from The Batch’s perspective at least). But in this comic we see CX-2 (Tech) get sent to terminate CX-1 (Cody) and retrieve Omega (I just don’t mention it in this comic for succinctness sake). I switched up some events here. CX-2 doesn’t blow up the base, instead Wolffe is sent to destroy the base and doesn’t know about the mission to get Omega, just knows they’re trying to wipe out rebels and a CX-1. So CX-2/Tech shows up to complete this mission. But sees CX-1’s face for the first time and gets some flashes of memories of Cody (I’m headcanoning that Cody knew The Batch when they were cadets so Tech specifically has some deeper rooted memories of Cody). It definitely freaks Tech out and he ends up not being able to terminate Cody, instead he disobeys orders and ends up dragging Cody back out to be taken back to Hemlock.

Oh! Also since Cody is CX-1 and gets captured by Rex and crew, you know the angst on Rex’s side is OFF THE CHARTS. The whole interaction scene with CX-1 is way more wild in this AU because Rex KNOWS Cody, Cody is HIS big brother. Rex just basically is WAY MORE invested in this AU because it’s no longer just ‘A Brother’, it’s ‘HIS Brother’.

From here the AU spirals, I won’t get into details but basically the CX-2/Tech AU is just Tech having more and more memories return, and he started to, behind the scenes, move ‘the chess pieces’ to try to tear down Hemlock. He starts talking to and changing Emerie’s mind and they start to work together. He starts to sneak to talk to Wolffe to get him to change is mind and get in contact with Rex (in this AU I kinda share Scorch’s role between him and Wolffe bcs I want Wolffe to be more involved in this, and also Scorch does nothing in the show anyways lol). Then he starts trying to slowly jog the memories of the other CX troopers and slowly erode their programming and mind wipes. But everything’s not so simple because they are all getting regular mind wipes from Hemlock, so Tech’s progress with the others is often erased. And along with that, the mind wipes still affect Tech. He still relapses back to ‘CX-2 mode’. So there are good chunks of time where Tech will not be ‘pretending to be CX-2’ and actually be CX-2. Though because of his defective nature/quick mind he’s able to remember things on his own more and more after the mind wipes, and he gets quicker and better at it as time goes on. Though it is affect him really badly. The constant whiplash of having his memories wiped then literally forcing his brain to drag his own consciousness back is definitely having negative physical and mental effects. But basically he starts to, with the help of Emerie and Wolffe (and sometimes the other CX troopers), prepare to escape and have the base ready for when Rex and crew show up. 

But yeah I have so many fun idea for this AU. I just thought the Tech/CX-2 theory was so fun and wanted to do my own take. I also just think Tech’s character as ‘the smart one’ would lend well to this set up of him trying to quietly maneuver everyone around him to make the best scenario for either Rex and crew save them, or to stage their own revolt.  I also just want Emerie and Wolffe to play more a part? I felt like both did not get the screen time or relevance they deserved, so they are part of Tech’s slow, secret revolt lol. Plus we deserved to see Wolffe leave the Empire and join Rex. Also Cody, Kix, Fives and Tup are very there and present in the story, I just didn’t talk about them a ton bcs Tech finds out pretty quickly that any help or progress he gets from them is short lived thanks to the mind wipes (they can’t as easily jump back from them like Tech), and in general they are more a mess than Tech during this time. Even when they do remember things their mind can’t process as fast as Tech’s enhanced brain can so they kinda just are mentally out of it or fucked up (which to be fair they deserve to be, and Tech would probably be the same but this entire AU is Tech being is Hustle Mode^TM)

CX-2/Tech AU comic! Where CX-2 is Tech, but Tch isn't the only recognizable CX trooper!

*Cody enters stage*

I don't know what it is about Starwars comics but omg this looks like shit, but I'm blaming that on finals fatigue.

Anyways, I will do a separate post and reblog of this post with the lore of this AU! So look for that if you want to read more on this AU!

And if you don't care, then thanks for checking out my comic and I hope you have a great day!

[wishingstarinajar]

Wish! Please, I feel so stupid, but what does the Maccadam tag mean? I know it's transformers related, but I'm just scratching my head on whether it stands for something significant or if it's just a name and nothing else.

Please educate me! Thank you!

Alrighty then, since you asked so nicely! *puts on glasses*

Maccadam is the name of this loveable, neutral but mysterious guy that not even Megatron dares to cross:

In several different Transformers media, Maccadam (and others like Blurr) runs a bar called Maccadam's Old Oil House, which has been around since the early 1980s comics. This guy, or well, his bar to be more precise, is one of the recognized constants in many of the different stories and retellings of the Transformers franchise over the past 40 years.

Now what does this bar have to do with the use of the hashtag? Well!

Before the first Bayverse movie came out, the Transformers hashtag was universally used for anything Transformers on any platform, be it toys, art, fanfic, screenshots, discussions, etc. But people be horny teens, you know, and some flooded the TF tag with gifs of Megan Fox and other things related to the Bayverse after the first movie came out.

People weren't happy with that, not wanting to see all that stuff while browsing the TF tag for art (or fanfics!), so they started to use the Maccadam hashtag in tandem with the Transformers tag to separate posts from the Bayverse slop. Why Maccadam? Because of the aforementioned constant Maccadam's bar is in the whole franchise. It's always there in some form or another.

After the Bayverse hype settled down, the Maccadam tag continued to stick and is still being used to this day as a "calling card" (mostly!) for Transformers art posts on social media sites that don't solely focus on art and/or fanfiction.

I'm sure I might be missing some backstory behind it but this is what I've been told and found about the usage of the tag. And now you know too!

[puimoo]

The Brucie and Dick relationship.

[Obligatory ‘new to comic canon’ warning, where I use my Tumblr to process all my thoughts!]

While thinking today about the impact that Bruce and Batman have on Dick growing up, I realised there was a third person to consider.

What impact does Brucie have on Dick?

Because Brucie is a big part of the Bruce/Batman/Brucie identity triangle, although he often isn’t really taken into consideration when looking at their overall relationship with Dick.  However, Brucie is who the world in general sees – his colleagues, his ‘friends’, the women he dates and the people he socialises with.  There are articles written about him in the papers, paparazzi snapping his pictures.  Businesses and charities being set up in his name.

The thing is though, once Dick comes along, Brucie isn’t just a solo act.  Now, Bruce has to decide what role Dick plays in the persona.

Brucie is deliberately crafted to send particular messages: he’s not a threat, he’s easy to manipulate, he’s rather stupid and clumsy but well-meaning and incredibly likeable.  Which means that, when they are together in public (or even when Brucie is talking about him without Dick being present), Brucie and Dick are meant to send a message as well.  I can’t see their public relationship not being just as carefully crafted as the Brucie one – if it’s not, it puts the whole Brucie persona at risk.  This isn’t Bruce having a relationship with Dick, after all – it’s Brucie.

I haven’t seen enough of Brucie and Dick together to really formulate something based more deeply in canon, so a couple of thoughts instead about what that message might be intended to be.  Is the message supposed to be that they are a shiny happy family (completely normal, as much as a man and his ward can be)?  From what we know of Brucie, that would mean that Brucie would likely be more openly affectionate when they are together, much more tactile and prouder of Dick than Bruce or Batman would be.

Is the message more supposed to be the scatterbrained playboy who collects things that interests him in a well-meaning way but moves on quickly, meaning Brucie is more likely to be kind but dismissive of Dick and their relationship?

Both versions send a message: one that is we are a normal, functional family (who clearly are not Batman and Robin!), one where the relationship is more superficial and Dick isn’t really quite that important anymore and therefore you shouldn’t worry too much about him/think about him/consider him to heavily connected to Brucie at all (and all the risks that might involve for Dick, Batman and Bruce).

Both serve a protective role and both are deliberately crafted, but neither are necessarily healthy for actual Dick in the long run – especially as this would have all started when Dick was 9-10 years old.  He’s not only having to navigate his own, actual relationship with Bruce (and Batman), but manage a fake version of it as well.  And, while Dick knows that it’s all an act and probably at times finds the whole Brucie situation deeply amusing while being frustrated at other times with how people underestimate Bruce, I could also see how the deliberate choices that Bruce makes about how Brucie and Dick’s relationship is portrayed could have a deeper impact.

After all … Affectionate!Brucie potentially highlights that Bruce chooses not to be like that with him at other times - he’s clearly capable of acting that way but doesn’t necessarily feel that way.  Or, at the very least, it highlights what could have been but isn’t.  Dismissive!Brucie potentially highlights some of Dick’s greatest fears.  

There are also things that Dick could learn just from Brucie away from the Dick and Brucie relationship (you never show your true self to people, even if they are not a threat – they are ALWAYS a threat) that have the potential to shape how he sees the world.

Again, none of these are fully realised thoughts or ideas.  There are also a dozen other variations of the Brucie and Dick relationship that Bruce might have crafted, but I think the thing I am getting at is that Bruce would have crafted something – and that potentially this might have had some impact on Dick.  He grew up with Brucie alongside Batman and Bruce, after all.  I could see young!Dick absolutely leaning into it and loving to play whatever the role was (love the ‘it’s us against the world’ feel), but you get the sense that as he gets older, some realisations might creep in.

Which leads me to my last random thought: are there some versions of the Brucie and Dick relationship where Brucie of all people is actually a better parent than Bruce is (especially later on)?  Brucie – who is generally ridiculed and looked down upon by everyone who knows that he is an act?  Who is meant to represent all the things that Bruce and Batman aren’t so as to throw people off their scent.  Are there versions of the Dick and Brucie relationship where Dick might actually prefer some of those Brucie traits to some of Bruce and Batman's more harsher edges?  

From a purely evil head canon perspective, I kind of like the thought that, out of all the Batkids, Dick is the only one who actually enjoys Brucie at times, because when Affectionate!Brucie is in action he can lean into the warmth of the father-son dynamic without it being complicated or difficult, even if it is just for a short time.  And you know what the kicker would be?  Bruce would probably tell Dick afterwards how well he played the role.

…. I did not intend to have so much to say about this relationship as I did!

[captain-evil-bastard]

byler hot take (read all before getting an idea please)

they don't need to be canon. just the fact we're gonna see them together this whole season as a duo is almost just as rewarding. so much of the show is based around their friendship and the fact that it's gonna be full swing this season is so amazing to me.

as much as byler actually has a chance of happening, their relationship in of itself is so great to see develop both in a platonic and romantic sense. mileven NEVER had that- it was always more a strange preteen combination of confused feelings and fighting, not to mention mike almost using her as a tool in season one (not in a malicious sense, more like a comic book obsessed kid that found out the sci-fi hero was real and could help him find his friend)

ACTUAL mileven development would have them breaking up for good and for mike to see her not as a hero/on a pedestal but as a friend, something that other relationships in stranger things have (jancy, jopper, even lumax are close in both a platonic and romantic way). mike and will HAVE that intrinsic friendship, one that's been emphasized as 'unique' and 'closer than the rest of the party'.

byler has the 'stranger things romance plot' down to a tee, because they were VERY close platonically first, and even if they did start dating that would be there. they'd still be best friends. that's probably the most important part of their relationship- it's just natural progression that they fall in love.

[jbaileyfansite]

Vanity Fair Interview for the Hollywood Issue (2024)

In the last 13 months or so, Jonathan Bailey has carried on a secret gay love affair in McCarthy-era Washington, performed cunnilingus in a Regency England manor, rendered teenage boys speechless with a pop-philosophy lecture, and danced through life in a prince’s bedazzled breeches. This coming summer, he’s fleeing dinosaurs.

That would be in, respectively: Fellow Travelers, Bridgerton, Heartstopper, Wicked, and Jurassic World Rebirth. But even if he’s just pretended to do all those things, it’s understandable why Bailey is, right now, pinking his nose at a villa in Puglia.

“It is just so dreamy to be able to chill out,” he says via Zoom. “The cortisol levels have depleted.”

Playing Fiyero in Wicked was a dream come true for Bailey, who at one point in our conversation fantasizes about going to a Broadway rave with his castmates—he refers to Ariana Grande and Cynthia Erivo as simply “the girls”—and dancing to techno remixes of Wicked tracks, like “Defying Gravity,” under pulsating green lasers.

After filming the two-part movie with the girls, he’s nabbed an Emmy nod for Fellow Travelers and started a charity, the Shameless Fund, to uplift the LGBTQ+ community he’s proud to be a part of.

We’re thrilled to have Bailey as part of our 2025 Hollywood Issue. Here, he shares his thoughts on being a change agent in Hollywood, how he chooses roles, and the secret talent that he wishes he’d kept a secret.

Vanity Fair: What a run! How are you feeling?

Jonathan Bailey: I’m very much enjoying my holiday. But the girls started rehearsing Wicked, what, two and a half years ago? I think people assume that I haven’t had any breaks, but I have. Also, we had the strike right in the middle. What was crazy is going from Fellow Travelers to Wicked, just insane.

The Wicked movie is so close to the stage show that if you’re a big fan, you’re not going to be like, “Well, I can’t believe they…” It hews so closely, how could you complain there? But that flip. Are you a secret tumbler?

I remember I’d flown back from Canada and then I was filming Bridgerton. I met the girls then, and they were well and truly underway. I remember going to the dressing rooms, and theirs were pink and green and were just spilling into the hallway. And mine was just an interrogation room with nothing.

But I did spend the whole day with [choreographer] Chris Scott and went from Chris Scott to see [musical writer] Stephen Schwartz, and it was just, for me, boot camp days. You just lean on the amazing choreographers and obviously [director] Jon M. Chu’s vision. So when it came to the beginning of “Dancing Through Life,” I felt like it had to be sort of a flair and sort of performative, but hopefully in a way that was just with abandon and not arrogance. I did gymnastics growing up and I did dancing. I was the only boy within a whatever-mile radius. And because I was a boy and I was dancing, whenever the Royal Shakespeare Company wanted to cast someone, they called. It was dancing that got me into acting. And in dance school—not school, but a hobby club—they had acrobatics, which I was obsessed with. So I had, and still do have, a very bendy back, as shown in Wicked.

I’m a big fan of Heartstopper, the books and then the show; I loved the comic. Was that something that you sought out, or they were like, “Hey, we need someone who’s so handsome that he sends multiple people into a crisis���?

I sort of wedged myself into that part. I was so moved by the series and also the graphic novel.

And, of course, doing Bridgerton—it’s funny what comes with doing a lot of press, and suddenly there’s a lot that people want to know about you, and there’s a lot that’s asked of you that, obviously, in any other industry, you wouldn’t have to talk about. So I was hyperaware of the complexities and nuances of how I felt about myself being a gay man, let alone a gay actor, and suddenly finding success in playing a straight part and talking about that. Heartstopper seems to allow people to feel catharsis and to feel a sort of melancholic sort of nostalgia for what could have been. I was feeling all of those things anyway. And [executive producer] Patrick Walters is really good friends with Josh Cole, who produced Crashing, so it is all a bit of a small world.

I love the cast. I think they’re brilliant. I remember seeing all of them speak to their own experiences and being like, My God, they’re so erudite and grounded and thoughtful and kind and compassionate in their answers. I would be really proud of myself if I could be a part of that as my younger self. Everyone above the age of 40 should be forced to watch it.

Do you think that Hollywood is more open to risk than it used to be? So many of these projects wouldn’t have existed 10 years ago.

Yeah. And with huge budgets and [the] trusting of Universal and Donna Langley and Peter Cramer, obviously they just got the right people, with Marc Platt, and they took their time. That’s the common denominator between these things: Fellow Travelers took 10 years to percolate and run its way in his genius, genial brain, and then four years to commission. Wicked, I think they’ve been trying to make a film of it for over 10 years. With Jurassic as well, this time they’re going back to David Koepp, the original writer of the original film, and Gareth [Edwards] is shooting on film.

I’m going to crack on with the work and I’m just incredibly excited for opportunities. I do think that as long as the work is good, anyone should be able to do the job. And I think that’s what’s changed. I obviously did not imagine myself in this sort of career, so that must be a sign of progress.

Do you get recognized out and about a lot? You’re in all these properties now that have such intense fan bases.

It’s funny—obviously, you do get recognized, but the Bridgerton of it all is really interesting, because it’s one thing to be on a show that is national, but I feel like I was more recognized outside of the UK than in the UK. It takes time to adjust to, it really does. It’s not an easy thing, but it also is amazing.

Do you have any secret talents? You already said that flipping is your party trick.

Yeah, I think that, and I was going to say dexterous toes…

What do you do with them?

…. but I would regret that, so I didn’t say it.

But then you did. What can you do with them that makes you so sure they’re dexterous?

Nothing about this goes well...I just remember entertaining my sisters by being able to pick things up with my toes, but like a monkey. But we probably don’t need to put that in writing.

Physical therapists, I’m sure, hail you.

I did ballet for ages, and I’ve only as an adult found out I’ve got very flat feet. Doing Fiyero, I learned that. And the physio one day walked in because my knees were twanging, and across the room he went, “You got flat feet.”

Your big secret: flat feet.

Yeah, that’s my party trick as well.

Revealed. Do you consider yourself to be a rule follower or a rule breaker? Are you afraid of getting in trouble?

I’m not a rule breaker, I just don’t really adhere. Do you know what I mean? If someone says, don’t do that, I won’t not do it. Probably people would always have said I was probably quite naughty.

You have a philanthropy, the Shameless Fund. Can you tell me about what inspired you to start that?

I’ve always found it is impossible to talk about this without sounding like an asshole, but it’s something that I do think about: opportunities for other people. And I also see where there’s an abundance of energy, whether that be money or creative, that could be siphoned off into other areas.

With the Shameless Fund particularly, there were certain commercial opportunities that were coming my way that I just wasn’t interested in because they just didn’t feel right, or I didn’t want to be stepping into [them]. I’m hoping next year we’re going to start giving out grants, in 2025.

Whom will the grants be going to?

Well, we’ve got three that we are certain on, nonprofits and charities that work internationally and locally in the UK for areas of the LGBT+ community, to educate and elevate. Hopefully, we’ll get to a point where we can offer smaller nonprofits a platform.

The three weeks after Bridgerton came out, there were so many requests from charities that I found it so upsetting and distressing because I wanted to do all of them. “Can you come to this thing, or can you speak, or can you send a shoe, or could you send a bag? Could you sign a script?” So this is also a way where you can work with multiple groups, become a bit of a patron.

Is there anyone who you feel reached back and helped you along in your career too?

Theater directors massively. Ian McKellen was wildly amazing, and I did King Lear with him. He was one of the first people to come to see me when I did Cock on the West End, and we went for a drink afterwards. He was so clear about how it might play out, and should it play out that way, what to be excited about and what to be aware of. I couldn’t wish for a better role model.

Source

[crystal-va]

[THE VOID CREEPS CLOSER...]

VOIDFELL CH1 PT1 WILL BE OUT IN TWO DAYS!!!!!

It's almost time!

quicker than I thought lol

as a little "celebration" of sorts... here's some things about the process of making it!

so, about the first half of this comic is a LOT lower quality than the other. Almost entirely because I took a LONG break at some point during the comic, improving so I could make something of at least decent quality. I really wanna remake... honestly the whole thing, it's objectively poorly written. I've somewhat figured out how to do this shit somewhat decently, but I cannot torture myself by delaying this again, I really need to move on and work on other things

[OTHER COMIC PLANS]

I'm gonna start working on the first chapter of DisturbedTale immediately after I finish the part 2 of VoidFell chapter 1. both of these will have chapters worked on back and forth and release one after the other. After both are finished, I'll move on to DealerTale & MercenaryTale. After those, InfectiousTale & WorshipTale

After all of that, all of the will come together in a massive comic VoidVerse. These projects will take YEARS to finish, but I want nothing more than to share my creations with the world

And as a bonus...

THANK YOU FOR OVER 70 FOLLOWERS!!!!

I never thought I would have to think about a follower celebration for 100, but that is looking far more possible than I would have thought even just a couple months ago, thank you for fueling my unhealthy obsession with these weird skeletons!

big thanks too @teacupz5 for being far too nice to me this whole time on Tumblr (thank you so much)

[prof-peach]

Bit ooc but I have a question. How you do go about planing out your PLA comic? Like how do you actually turn your ideas/ storyline into comic form? Is it chapter to chapter or do you have the whole idea already planned out? Trying to find my own way in comic making so I’m just wondering if you could give any advice. Feel free to ignore if you don’t feel comfortable answering

So, at first this was al i could think to send.

because its incredibly accurate to my process.

Jokes aside, a lot of how i work is back and forth chaos, fighting with ideas until im happy with them. I will start with a list (usually not written down because im unhinged and keep a ot of it in my brain) and organise it in a way that makes sense to the situation, in this case workign with a game with an established plot...not that its a very strong one.

with a set of ideas, and a game to work around i will ramble and rant to a few choice people who i bounce well off, and also stare into space for hours on end building the ideas. This process can be days, it can be years. For context, i have some notes from 2019 about things i wanted to include that are still relevant. I have been scheming how to break and rebuild this OC for ages. Theres no correct time frame, so long as you simply do the work.

Once i have a fairly loose plan, i start to solidify the benning and the end. What is required to make a character compelling, what makes them believable, what makes them human in a way that we recognise. this isnt always a positive thing, people like to call characters who do bad things problematic, but its human nature to make mistakes and be damaged or difficult, the process of the story is not always rainbows and sunshine. For me, this hits even harder, as im trying to tell a story from the perspective of someone fundamentally broken, so showing those breaks and cracks has to be done wisely.

This is the point where i make notes about things that need to change from the start to the end. And ill say one thing, this story in particular, I have not solidly planned the middle. I am allowing space for me to come up with new ideas at points. Being locked into a dead set of ideas can be quite limiting, and as creators we consume and process things constantly to generate new stories. Id be a fool to make a plan and stick to it. everything i do is vague guidelines.

However, I know exactly how the story ends in Hisui, and where it goes to from there. And i think me personally knowing the end goal makes it easier to plot steps towards that, and some of those steps are anything but progressive.

If nothing else, the end was the only thing i saw clearly, and it has only become more complex and loaded and emotional as the rest of this has fallen into place. If you can see the goal, you can work out how to get there with time.

Regarding the chapters, i tend to draft plan up like 3-4 of them at a time, and then go in order to sketch out one after the other, so i have plenty of time to change things while i adjust. its constantly a process of seeing what you make, seeing issues, and scrapping whole parts just to redraw something better or new, unique even. I dont think a single page ive posted has resembled the very VERY first draft thumbnail ive made, and thats just how i do. Every panel, how big they are, the angle you hand the viewer, the way you light things, the expressions, this all dictates SO SO much.

Taking time over it is kind of the job, and let me stress, this is normally a job done by a team, especially the highly popular comics. one inks, one colours, one shades, one handles text, one edits, theres so many people behind it, so dont be bothered by the pace at which things are made if youre working alone like i am. One person means longer production times, if you can, spread the workload out, but its not required. Its why i always say it doesnt matter how long it takes to make, so long as youre still making.

I think its also worth noting, comics are consumed quickly, the bakcgournds and small details can be lost in the ace of the storytelling, pick and choosing your battles is wise, save your time on panels where you want the reader to shift along quicker, keep that pace high, and add in more detail and depth to panels you want to champion or get the viewers to hang around on more. its ok to let go of a "perfect" image in favour of getting content out, if youre being driven nuts by it. Again, time be damned, be happy with it. And if you can let go of petty details, id suggest doing it when possible, so long as it doesnt effect the storytelling.

I mean what else can i even say. This work is a passion project, I love it, more than i can even put into words, and i think you kind of have to, to make comics without monetary motivation. sure you can get lucky and find ways to make it big, but for most of us, its the love of the story. So maybe try not to be your biggest hater, its easy to slip into the behaviour, so try be gentle on yourself and the process. I should take that advice myself haha! but i really do mean it. This is HARD work, so be kind to yourself over it.

anyway, with a rough idea, a bunch of sketches, and time, they get inked and fussed over, i make a billion changes to layout and story, and eventually posting can happen but not after fighting with the monster that is creating. Idk what else i can say. This is not work for the feint of heart, but anyone can learn to do it.

Good luck, comic artists can always use it!

[gatorbites-imagines]

Kinktober day 31

Bravern (and Lewis Smith) + unconventional

I had NO idea what to call this honestly, cuz I had already used size difference earlier and Braverns like 9 meters tall. I love this big bot, and I just wanted to finish kinktober even if I finished it late, so here we go.

Yall should watch Bang Brave Bravern so we can talk about it, it’s really good. Giant gay robot 👍

Some Bravern spoilers, so if you wanna watch it first, go do that. Its only 12 episodes. No outright smut in this one cuz I couldn’t figure out how to do it?

Kinktober 2024 masterlist

Having a giant robot for a boyfriend was… different than your past relationships. Well, dating Lewis had been normal and all, but then he became a giant robot that reminded you of something out of Hollywood. You could already hear him whining that it wasn’t Hollywood but more so the mecha genre of Japanese superhero shows.

It was a bit of a mind fuck, or maybe a very big mind fuck. It felt kinda like having two boyfriends, but not really since they were the same guy, not again, not really. Lewis was still around, as himself, but he was also there, as Bravern. It also felt a bit like cheating, since no one but you had figured out who Bravern truly was.

But how could you not clock it immediately, when Lewis had spent hours telling you how his mecha would look, if he was in one of his shows or manga, back when you were both still in military training. You had never really gotten the gist of it, but it made Lewis happy. This also meant you easily went along with Halloween costumes he wanted to do, especially since seeing you in some sentai hero suit always got him so hot and bothered.

But, back to Bravern. It was almost impossible to meet up secretly with a robot, mecha, this big. He barely fit into the warehouse set up for him. Hed started stuttering over his words when you showed up saying you wanted to talk, and really, how could you not recognize your own boyfriend when he did that.

In the end, you coldly and seriously told him you knew his secret, making Bravern gulp, could mecha even gulp? But, before you knew it, Bravern had shifted into a ship? Car? Thing? And told you to get in so you could talk privately.

After getting the whole situation from him, part of you couldn’t help but be hurt that you weren’t his pilot. Why was Isami so great, when you were right there? Bravern, Lewis? Seemed to recognize your hurt feelings immediately, and scooped you up as carefully as one with a jellyfish in his giant metallic hands.

He immediately started apologizing in ways you knew so well, from the times hed accidentally ripped your shirts pulling them on thanks to his impressive pecs, or that time he scratched your car showing off one of the new nerd swords hed bought. You weren’t sure if mecha even could cry, but somehow Bravern looked near tears about it.

Even without pupils you could tell Bravern was looking at you the same way Lewis always did, when he felt like he had messed up and wanted to be forgiven. He always reminded you of a floppy eared golden retriever, and somehow, even as a giant 9-meter tall mecha, he still did.

A long-drawn-out sigh left your lungs as you pinched at the bridge of your nose, the noise making Bravern curl in on himself in such a familiar way. “Lift me closer to your face” you finally muster out, running a hand down your face as Bravern was quick to do so, seemingly not wanting to hurt your feelings even more.

Kissing a giant robot was even weirder, part of you wondering if he could even feel your tiny lips against his massive pair. This was probably how those chicks felt in the transformers fanfiction you sometimes read. What? There is very little male reader stuff, so you take what you can get.

Bravern jolted enough for the ground under you to shake a little, his lips parting for a moment before he pursed them. It was almost comical, to be standing on the palm of his giant hand as he pursed his lips, like some weird princess and the frog mockery, but the princess was a red, white and gold mecha, and the frog was you, in your dirty military uniform.

Placing a hand on his metallic chin kind of reminded you of doing checkups on your titanostrider, except Bravern was, more alive under your touch? It was difficult to explain, and you’d probably give yourself a migraine just thinking about it. You still hadn’t really registered how he was both here as Lewis, and here as Bravern at the same time.

When you kissed Lewis, you would always grab his chin between your pointer and thumb and squeeze it, just enough for him to part his lips so you could slide your tongue inside. Your hands seemed to have the same reaction with Bravern, whose large lips parted slightly. On Lewis it would barely have been noticeable, but as Bravern it was right there.

“Stick your tongue out a little” you mumble, somewhat unsure if he could even hear you, with you standing below his nose and his ears being… wherever they are on a mecha. But Bravern, always being so good no matter what form he was in, stuck the tip of his tongue out between his lips.

Normally, you liked to really coil your tongue around his, knowing it drove Lewis crazy to have all that spit and slobber all over his face and running down his neck. That obviously wasn’t possible, so instead you sank your teeth into the tip of Braverns tongue before sucking it into your mouth.

You hadn’t really had a tongue this big in your mouth before, so you resorted to the same tongue and suckling movements you’d do when you had your mouth around Lewis’s large pecs. There wasn’t a nipple to tease or bite at, so instead you just cranked up the way you rubbed and moved your tongue.

Hearing Bravern moan was so loud, and it surrounded you in a way you hadn’t experienced before. Even the times where you had Lewis sobbing with pleasure in your ear wasn’t like this, but Bravern sounded just as needy. His fingers trembled under you, like he wanted nothing more than to touch you, his lips parting further as his tongue slid more towards you, almost knocking you over.

For a split moment, the mental image of Bravern pulling your clothes off and just licking you flashed before your mind. It made you way too hard to be normal, and you had never had fantasies like that before, so you weren’t gonna acknowledge them more than blaming it on the fact that it was your boyfriend.

Bravern looked ready to eat you, he had that same look in his eyes that Lewis always got when you two were apart for longer periods of time, when he wanted to push you down on the bed and ride you till you felt like one of those scrunched up juice boxes with not even air left inside.

Of course, at that moment, as Braverns tongue neared your torso, did the phone in your pocket ring. Something inside Bravern must have notified him too, of whatever you were being contacted about, as he whined and pouted. “I-im sorry baby, w-we can… continue later” he stumbled, giving you a faint impression that he was looking around like crazy even without pupils.

“Sure. Its probably… important enough” you cough, trying to collect yourself again and pull your uniform back on to fit the standard. Bravern kissed your chest carefully, clearly fearing he might crush you if he pressed any harder.

The flight back to base was a quiet affair, the air thick with a familiar heated feeling. But duty calls, so its not like you could even rub one out in his cockpit and dirty talk him until he came in his pants, codpiece? Could mechas even do that? You didn’t know, but you knew damn well you could make it happen.

Instead, you had to step out of Bravern in his ship form and join the others, brushing off questions about what you had been doing with Bravern. The mecha was so much worse than you when it came to lying, stuttering something about wanting to show you how fast he could go, as Isami climbed inside.

You could feel Lewis staring at you, intensely enough that you had to look back at him. He was biting his lip in that oh so familiar way, his brows furrowed as he stared at your lips. You couldn’t help but reach up and touch them, only then realising they were probably flushed and kissed, making dread pool in your stomach.

But Lewis didn’t seem angry at the aspect that his boyfriend may have been off, making out with a giant robot. Instead, Lewis seemed quite hot about it, if the flush rising in his cheeks and the clear way he was swallowing his spit had anything to say. That… you noted down for later. But first, duty, and then… find a way to make your boyfriend, boyfriends? Kiss, since you knew it would drive them both crazy.

[newbatmanfan19]

Heyyyy so this is a draft of a draft of a chapter for a fic I’m writing. I did my best to make it work as a one-shot but some context for those who want it: It’s an AU focused on Helena Bertinelli. In this fic, she is the biological child of Bruce and Selina, but was given up for adoption by Selina, Bruce does not know about this kid (in Selina’s defense, she didn’t know where he was at the time.) Helena’s adopted father is not particularly fond of her so he sent her away to Saint Mary’s School for Troubled Girls, which turned out to be doing dealings with the Joker. Joker knows who Helena is (people talk in Gotham) so he kidnapped her and told her who her bio-parents were. She was eventually rescued by Batman and Robin!Jason and returned home… only to be sent to Healing Trails Academy six months later. Soooo Helena burns the place down and takes a little girl named Christina with her… hopefully you see my vision for this.

Christina is basically an OC but technically very loosely based on the Italian reporter featured in the Huntress comics. Helena is also basically an OC in terms of personality but I try to infuse as many canon elements as possible. That being said, I am going for accuracy in my portrayal of the rest of the characters (well, fanon accuracy for some, selective canon accuracy for others) I’d love some feedback/constructive criticism or even just general suggestions if anyones interested! This is my first batfam fic and I have spent almost two years getting to know these characters to prepare to write this but there are so many characters to learn :=[

CW: mentions of child abuse (I think that’s all)

…

Meeting Catwoman

Helena hadn’t meant to go following in her biological mothers footsteps quite so closely, but when the need arose, she wasn’t sure what else to do. If it had just been her, maybe she could get by on petty thievery and her wits, but it wasn’t just her. She had Christina to provide for and try to raise, even if Helena was only three years her senior. At only thirteen, it wasn’t like she could go out and get a job. No one Helena thought was worth working for would give one to her. She wasn’t particularly fond of having to resort to crime, but at least she was working for herself and not some skeezy crime lord.

It started simple, nabbing a wallet off an unsuspecting business man or snatching whatever was sticking out of a senile old lady’s grocery bags. Helena quickly found she had inherited her mothers talent for pick-pocketing, and she couldn’t deny the thrill it gave her to do so, as much as she wanted to hate every second of it.

Then, things escalated. She started breaking into some of the nicer houses in Gotham to grab jewels and trinkets, and from there…

Well, she started stepping on Catwoman’s claws.

It was fully intentional, Helena could admit that to herself. She wanted the Cat’s attention. As long as she kept up the jewel heists, it was only a matter of time before she ran into her mother. Helena just hadn’t anticipated it happening quite so quickly. She only just got her suit together, courtesy of Christina.

The moment she got her hands on the absolutely enormous diamond sitting on a nice, velvety pillow, she felt a presence behind her.

“Now, just what do you plan on doing with that after you steal it?”

Helena froze. Even with her back turned, she knew exactly who was speaking to her. After all the scheming she did just to get her mother in the same room as her, she hadn’t quite planned on what to do when she actually got face-to-face with the woman.

She recovered, grabbing the diamond and slipping it into one of the many hiding places Christina had sewn into Helena’s suit. She was certainly crafty with a sewing machine, that one. Then, Helena turned to face her mother, for the very first time in her whole life.

Catwoman was a sight to behold, Helena decided. She practically oozed confidence and charisma, even just standing there. Hands on her hips, staring expectantly at the young girl in front of her. Helena noted that her suit was remarkably similar to Selina’s, an intentional choice by Christina, no doubt. She was glad they were in the masks, Helena knew from her mild stalking of her parents that she was the spitting image of Selina, one look at her unmasked face and the Cat would know.

“Sell it?” Helena hadn’t intended for her response to come out as a question, but to be fair she never really planned on doing anything with it. She would have probably ended up returning it eventually.

The jewels she stole from houses were a dime a dozen. Expensive, but nothing precious, easily taken by the pawn shop owners who didn’t ask questions. Even if they did, she could come up with a story. But this diamond was sitting in a museum under several layers of (really, easily cracked) security for a reason. It was recognizable, she’d need to do dealings with some shady people in order to get rid of it, and she wasn’t sure she wanted to do that.

“Oh yeah? Who to?” Catwoman’s smirk grew even wider, if that was possible.

“None of your business.”

Catwoman sighed at that. She looked Helena up and down, crossing her arms in front of her as she eyed the girl, and for a moment Helena worried she was going to try to do something like fight her for it. She didn’t.

Instead, she held out her hand, palm facing up. “Come on, hand it over. What else are you going to do with it?”

Helena scoffed, like she actually thought she would give up that easily.

“Finders keepers. I got here first.”

“What are you anyway? Robin’s new arch nemesis or something?”

“You ask a lot of questions.” Helena complained rather flatly. “I’m nobody's nothing. I’m just… a stray.”

“I can see that. Kids with parents don’t go running around committing grand larceny.” She sounded smug, so smug. What did she have to be so smug about?

I have parents. One of them is standing right in front of me.

Helena swallowed her protests and leveled a glare at the Cat instead. Catwoman narrowed her eyes at her and if Helena wondered if she was sizing her up before, she was sure of it now.

“You got someplace to go, kid?”

Helena scoffed even louder that time. How ironic. The woman who gave her up for adoption was now trying to take her in off the streets. Not that she could accept the offer, one look at Helena’s unmasked face and Selina would know exactly who she was. Bruce may be oblivious, but she had the advantage of actually knowing Helena existed in the first place. And if she knew who Helena was, well, she already got rid of her once.

“Do I look like I don’t have a place to go?”

“Maybe. You’re resourceful, I’ll give you that. Took down the security system before I even got here.” Catwoman started circling Helena, this time she was examining the suit, as opposed to the girl herself. “That suit is something, but you should really get some kevlar if you want in on the business. I know a guy.” She stopped once she was back in front of Helena. “You’re what? Twelve?”

“I’m almost fifteen!”

Okay, her birthday was 11 months away, so maybe not almost, but still.

Selina was satisfied with that answer, satisfied she got some information out of Helena.

“So is that what I’m supposed to call you? Stray?” For the first time in their conversation, Selina dropped the smirk and seemed genuine, showing some respect for the little thief.

“If you would be so kind.” Helena responded, trying to muster up some of her mothers charisma in her smile.

The sound of glass breaking echoed into the hall they were standing in, followed by the voice of Robin chastising Batman.

Uh-oh.

Helena was not prepared to be seeing both of her parents that night. Nor was she prepared to be captured by one of them.

“Aaand that’s my cue. Sorry, gotta blast. As ‘mistah J’ likes to say, the Bat spoils all the fun!” Helena adopted Harley’s thick Brooklyn accent as she mocked the nickname. “But I’ll get back to you on that armor thing. In exchange–” Helena slipped the diamond out of its pocket and tossed it to Catwoman. “Thanks!”

Really, it was more of a survival tactic than a show of good faith, Batman was far less likely to follow Helena if she didn’t keep the jewel. She grappled up to a nearby vent and made her escape, she’d be back out on the street in less than a minute, and soon after that, she’d be far, far away from the scene. If Catwoman chose to inform Batman of Helena’s presence, she’d be long gone by the time she got done explaining. Though Helena thought she probably wouldn’t, she’d be too busy flirting.

Helena was happy, meeting her mother had gone about as well as she could have hoped for. Maybe Catwoman would be willing to take Stray under her wing, show her the ropes. It was the closest thing to a mother-daughter relationship Helena thought she could hope for. Fantasies of them working together on heists filled her mind as she made her way back to the abandoned theater she lived in with Christina.

Christina had proved herself as a valuable asset in more ways than one. She found the abandoned theater and suggested they live in it back when they first escaped from Healing Trails. Helena thought it was creepy, but seeing as they didn’t have any other prospects, she agreed. Christina loved it, and that’s what mattered. Plus it had the sewing machine she ended up using for Helena’s suit, so it was a win-win. Helena thanked God for the younger girls theater background. That and her unrelenting nosiness that helped greatly in digging up information on Helena’s parents.

When Helena got back to the theater, she found Christina in the green room asleep on the mattress Helena had bought with the spoils from her last break-in. After changing out of the suit and into pajamas, she tried to slip in beside her without waking her, but Christina always woke up. She still had nightmares about the academy almost every night, and she would wake up at the drop of a feather.

“How did it go?” A small, groggy voice asked.

“Good, I’ll tell you about it tomorrow. Go back to sleep. I’m tired.” Helena yawned as she settled in next to her pseudo-sister.

“Can I see it?” Christina shimmied around so that she was facing Helena, the light coming in from the one tiny window in the room shined on her face, showing her little blue eyes and her freckles.

“I didn’t get the diamond.”

“I thought you said it went good.” Christina pouted slightly and Helena pushed a blonde hair out of her face.

“I met my mom.” She replied simply.

Christina lit up. “Really? Did she like you?”

“I think so, but that’s only because she doesn’t know who I am. Or maybe she just thought it was funny.” That time, it was Helena’s turn to pout.

“I don’t think that’s true, you know. There’s lots of reasons people give babies up for adoption. And if she’s really Catwoman, then maybe she gave you up to keep you safe.”

Helena wanted to believe Christina, she really did. But she was too young, her explanation sounding too… hopeful.

“Stellar job, that did.” She snorted. “If that's true, then all the more reason not to tell her who I am. If she gave me up to keep me safe, then she probably wouldn’t like what I’m doing right now very much.”

“You don’t even want to give her a chance? Maybe she misses you just as much as you miss her. Maybe she already knows who you are and that’s why she liked you!” Christina’s voice was practically pleading by that point. Helena understood, she was probably hoping that they’d both be taken in by Catwoman and be a proper family, complete with an actual parent.

“Maybe.” Helena conceded. “But I want to try to get to know her first. That way, if she doesn’t want me, then at least I got to spend time with her for a little while, yanno?”

“Yeah, I get it. But you really should try. You gotta give people a chance sometimes.” Christina yawned and turned back over onto her stomach. “Goodnight, Lena.”

“Sweet dreams.”

…

I hope you liked it ☺️ — I’ve been storyboarding for almost a year at this point (my timeline is air tight goddammit.) Also I did not come up with stray but I can’t find the OG post I saw about it!! If someone knows who originally came up with that idea please let me know so I can give creds!

[twistofstory]

Newt and Wolffish, the silly exes! I initially wanted to just draw a picture with them, like I did with Whale and Stargazer, but I had a joke in mind, and... Well, nothing new for me, plus I had fun with this comic, even if it took a while. For me them being together at some point started out as an elaborate joke relating to Newt's plotline - which I forgot at some point... - and now I'm way too invested in these goobers :3 Side note, Wolffish usually doesn't wear his horn prosthetics in the camp, but he did at the start of his and Newt relationship as a confidence boost (he's a trans guy) Also Newt has his winter coat here, that why he's extra fluffy and has ear tufts. (A brief dive into their relationship plus some backstory to both of the characters under the cut)

There is no surprise that they had a thing. Newt at the time of joining the gang was very lonely and stressed out, and meeting this flirty and handsome guy surely made an impression. I'm sure Wolffish wasn't just flirting out of habit and also thought that the newbie was cute, but for him Newt represented something more - an opportunity to reconnect with his native culture. Like in the old story version, Wolffish grew up in an adoptive family at the coast. One big change - he haven't been able to visit his homeland, as with the start of the war it closed it's borders. The same event that got young Newt locked in the outside world without being able to contact his mom... But that's a talk for later, today I'm talking relationships. Their break up wasn't even dramatic (AU is a whole other thing...). The "honeymoon" phase ended and, after some months of dating, they realised that they simply don't work out as romantic partners. Sure, their romantic endeavor was short lived in the main story, but it brought them closer and, most importantly, let Wolffish, usually acting so self confidently, show his sweet and excitable side. Also Newt in need of recognition and being useful and Wolffish, desperately clutching to his own loyalty to dragons around him, are not so different from each other as it may seem. So now they are friends, and fairly important to the story at that! We'll see where it'll bring them, now enjoy the silly hehe