#warning: not spoiler free

[kostektyw]

Detco movies rated based on how much shit gets exploded / destroyed

The Time-Bombed Skyscraper - the whole premise is about blowing up stuff, but it's shame no trains got got, 7/10

The Fourteenth Target - it's just an underwater restaurant that is pretty out of the way from anything else and we have no prior attachment to. bonus for the helicopter crash, 5/10

The Last Wizard of the Century - an entire castle does get burned down, but it's no explosion, 6/10

Captured in Her Eyes - just some regular old murder, 0/10

Countdown to Heaven - truly a 9/11 movie. point detracted for leaving the second tower intact, 8/10

The Phantom of Baker Street - the entire thing takes place in VR, so it shouldn't even count, but no one even gets their brain blown up :( 0/10

Crossroad in the Ancient Capital - somehow nothing gets bombed or destroyed? Conan tries a little arson but is unsuccessful, -1/10

Magician of the Silver Sky - a plane gets somewhat mistreated, 2/10

Strategy Above the Depths - a whole damn ship sinks, it's all very dramatic, 9/10

The Private Eyes' Requiem - despite the constant threat of exploding people, barely anything gets exploded. half a point for Kid using a gun on some windows, 1.5/10

Jolly Roger in the Deep Azure - i guess they do find that ancient pirate ship and it immediately falls apart, 5/10

Full Score of Fear - plenty of shit gets blown up including a concert hall while no one inside realizes anything's wrong. you'd think they'd have some fire warning system in place, 10/10

The Raven Chaser - sadly no explosions, but the tower gets shot at hard, and the helicopter does not end up fine, tho no actual crash on screen, 5/10

The Lost Ship in the Sky - only a research facility we don't care about gets exploded in the opening, and that airship barely gets scratched up, 4/10

Quarter of Silence - we have a train exploding out of a tunnel, a dam blown to smithereens, and an avalanche, what more could you want, 10/10

The Eleventh Striker - who can say no to some exploding stadiums, great movie for people who hate football, 8/10

Private Eye in the Distant Sea - just a rando ship at the beginning, who cares, 1/10

Dimensional Sniper - some police cars and incredibly light bombing of the tower, eh, 3/10

Sunflowers of Inferno - a cool museum gets absolutely demolished, the burning fake sunflowers are a lovely image, plus we got some proper plane mistreatment, 10/10

The Darkest Nightmare - both an explosive car crash at the beginning and a ferris wheel gets extremely destroyed, 9/10

The Crimson Love Letter - lots of explosions, and in beautiful scenery too, 10/10

Zero the Enforcer - destroying shit with a satellite is pretty imaginative, but there was not as much destruction as i hoped, 7/10

The Fist of Blue Sapphire - they're surfing on some iconic Singaporean landmarks, meanwhile an oil ship freely wrecks shit, 11/10

The Scarlet Bullet - i fully admit i have no idea what Masumi and Conan were trying to do, both the train and station ended up looking pretty rough. 10/10

The Bride of Halloween - for a movie about bombs not all that much significant shit gets destroyed, but they do go out in style at least. bonus points for covering Shibuya in goo, 9/10

[1010lilfoot]

I read the Locked Tomb series! Here's fanart for all the scenes that grabbed me by the skeleton

[egophiliac]

GREAT GOOGLY MOOGLY, THE NEXT BOOK 7 UPDATE FOR THE JP SERVER IS SET FOR MARCH 1ST.

HOW WE FEELIN LADS!?!?!

AHHHHHHHH NOOO I'M NOT READY, I thought we'd be getting the fourth anniversary first and then Sebek's birthday and then maybe some more episode 7, I didn't -- I didn't think it'd be Friday --

oh god and they're rerunning the story cards, they didn't say this was the final part but it feels like...maybe the penultimate chapter? could the end of episode 7 finally be looming in the distance?! WHAT AM I GOING TO DO

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[lucabyte]

[Vid] The King Goes to Starbucks

Sir, this is a House of Change. We sell transformation and progression here.

[Act 4 spoilers, original doodles by @samhainian under the cut]

my muse.... i lost my mind giggling at these long enough that i made a whole animatic. thanks sam

[slutpoppers]

Shakkoumon, simply being iconic and badass.

[thepatronsaintoffilth]

nonblack gamers/let's players be normal about how they interact with and talk about amanda challenge 🔪🔪🔪🔪🔪

[chosowifee]

THIS IS MY BRUTALITY 👾

[cosmosnout]

Spoilers for Marineford and Wano!!

They were literally all I could think about after hearing this song.

Link to my TikTok so u can view this with the song!

[afterthelambs]

"Silco didn't create Jinx, you did" lives in my mind rent free because throughout season 1, Vi has been convincing herself that Silco is the obstacle preventing her from getting Powder back. She's traumatized and guilt-ridden. When Vi is traumatized, she simplifies things as a response. She has to believe that getting her sister back is that simple. But when Silco is finally dead, Powder doesn't come back to her. In fact Silco's death is what solidifies Jinx's decision to be Jinx (the complete Jinx aka Jinx + Powder, not the broken version of her that she tried to erase Powder from).

And that's likely why Vi switches on her so quickly. By the time season 2 starts she's fully on board with Piltover wanting to kill Jinx and when she confronts her in ep.3 she says Powder is dead and they're not sisters anymore. Which is wild considering just a few days ago she was reassuring her that they'll always be sisters.

I think Vi meant all of it. At the time she really did want Caitlyn and the enforcers to kill Jinx. But that's because she's still just as traumatized and guilt-ridden as she was before. She can't deal with the fact that Jinx herself is the real reason she can never get Powder back. And as I said, Vi simplifies things as a trauma response. However if they had actually succeeded in killing Jinx, I think Vi would live in regret and self-hatred forever. What someone wants when they're traumatized and hurt is not what they want forever, and Vi does love her sister.

[ink-blot-thoughts]

Me before: haha i like funny gamble man Aventurine go brrr

Me now: I've only had Aventurine's backstory for a day and a half but if anything happens to him I'll kill everyone in this room and then myself

[hunxi-after-hours]

Hello! I love your ORV posting. I do have an embarrassing question; can I ask how heartbreaking the ending is? I've tried reading it a large number of times, but have had trouble getting past the chapters in the 300s; I'll reread it up til that point over and over again, but can't continue. Not because I don't enjoy it, but because I get so swept away by the emotions, and all the characters go through is agonizing. I know it's not real! But my heart aches all the same, in a way I've never experienced this with a novel before, and I feel like a child LOL (It's also extremely funny-frustrating because I realize how thematic this is to the story itself). I'm not worried about the characters Kim Dokja is fighting for, but given the patterns in the story and how it seems to be told, I'm too afraid to keep going. I know I could just look it up, but at the same time, I don't want to spoil all the mysteries; just if my heart can rest easy. TLDR, if it's not too spoilery, is there any light for kim dokja in the ending? or is it a tragedy through & through?

(If this is a dumb question, please feel free to ignore this)

oh boy anon, I've been sitting on this ask for a hot second because it's hard to answer! so I will attempt to talk around it in a way that will hopefully (?) avoid spoilers

as I see it, the nature of orv's ending (broadly writ) is additionally complicated by the fact that there are approximately four(ish) endings:

1) the ending at chapter 516

2 + 3) the ending(s) at chapter 551

4?) the side stories

the ending at chapter 516

this is probably what many people would characterize as BE, but I'd personally compare it to the ending of my love, my life, 《琅琊榜》 Nirvana in Fire, in that the ending may be "sad" (broad air quotes to vague-ify whatever "sad" entails) but it feels earned. it feels right. it feels like the logical conclusion of what the entire book was building up to. some may consider it a tragedy, but it's not a hollow, meaningless tragedy — it feels correct. this is the note that the novel officially ends on, but is then over(?)written by the existence of—

the ending(s) at chapter 551

Kim Dokja's Company looks at the ending of ch. 516 and says "aw hell no" and sets out to rewrite that ending. after 35 chapters of epilogue, we've unlocked an OE — an open ending, that concludes the moment before the HE/BE ambiguity will be resolved. schrodinger's ending, except you, the reader, get to choose what you believe — and I do think the epilogues are written beautifully to get you here (they implicate the reader in a wonderful and deeply empathetic way). and from what I've seen, the vast majority of the fandom chooses to take the offered HE option and run with it; everyone lives happily ever after together in a big house, a million domestic post-canon fics will attest. this is the closest, I'd say, that would come answering your question of whether Kim Dokja has light in his future with an emphatic, loving "yes"

(I also think it's worth mentioning that the epilogues add a lot to the story; they fill in narrative lacunae and tie up loose threads that aren't answered in the original 516 chapters, so I don't consider the epilogues as "separate" or "extra." the epilogues aren't a fix-it tacked onto the end of the narrative; they serve and enrich the narrative in a way that would actively reduce the luster of the story if lost)

the side story

a few years down the line, Sing-shong have returned to the text to tie up "a few more loose ends." the side story is currently being serialized, and more or less picks up from where chapter 551 left off. this necessarily chooses among your OE options as detailed above; whether the side story will end happily, or with "light for Kim Dokja," currently remains to be seen as it is still ongoing. I've fallen off the bandwagon and have been meaning to catch up, but from what I've read so far I think the side story is an interesting and worthwhile addition to the text. Sing-shong continue to innovate and develop upon the worldbuilding and narrative they have already created, and we have met a new cast of characters that have rapidly become as dear to us as the old (the old cast of characters are also here, don't worry). if I were a betting person, I would say that the side story is headed in a more-or-less HE direction; the side story is currently engaging with and complicating themes of (self-)identity and (self-)worth through the many lenses of Kim Dokja, and while it remains to be seen how it resolves, I am tentatively optimistic that it will, if nothing else, be satisfying

TL;DR the ending(s) of ORV can be variously construed as HE, BE, or OE, and the elements of tragedy woven into the narrative and characters are inherent to the text. however, no tragedy is meaningless in ORV, and all of the endings feel earned

[pencilmint]

Did you know that persona 5 and the first ace attorney game both take place in 2016? :) now you know

bonus persona 5 spoilers under the cut

[endwersed]

what happened to just backing out of a fic if it goes a direction you're not a fan of

[rainbow-wolf120]

Fanfic promo yay yahoo I hate writing /j

And with promo comes full rendered drawings. I really should be doing my hhomework.

"Downpour"

"Worthy"

Basic plot summary and some cool info below:

"How's a Hero" is a fic I've been working on since..... idk 6 months, maybe

It's basically my (affectionate) 'I don't care' to conforming to popular fandom headcanons and going insane

(It's a horror fic. It's quite literally a horror Rayman fic where Rayman's a stubborn bitch to everyone)

Inspired to finally finish it after that one Tumblr post I saw that I can't find anymore. I think this fandom does deserve a proper 'horror' fic

Have I ever written a scary story before? No but it's not to late to throw stuff at the wall

Enough about me. What is this fic?

The basic plot finds Rayman struggling to grasp that the Glade isn't reliant on ONLY him. He has friends that'll help him and he's not taking it so well.

It goes into psychological stuff like guilt, denial, refusal for help, those things

I'm not very good at naming the tropes actually who said I should be a writer???

Anyways, if that's not your cup of tea, that's chill. You can go read "Real and Fake" for a more lighthearted story #subtleplug

This story is definitely out of my comfort zone with heavy themes, fight scenes, and more 'mature' things. So if it sounds like I've never wrote anything like this, you're correct I apologize

Every new chapter I'll finish (hopefully) with have a drawing to go with it. At least, if I have the time and motivation uhhh

Enough of me yapping to a wall. If you can't enjoy the story, enjoy the drawings !!!

[acourtofquestions]

This blog is officially no longer in need of Throne of Glass spoiler prevention :-)

So, take this as the official announcement that we can now FANDOM ABOUT IT — cause —

I have officially FINISHED all of THRONE OF GLASS; ToG, CoM, tAB, HoF, QoS, EoS, ToD, KoA.

Please send me all your thoughts, theories, posts, memes, literally any and everything… I need to stay in this fandom😂 I love it so much🥹 I can’t wait to re-read😆�� I also think when I do I want to do a project of fan art per chapter… so send me any thoughts or favorites if you want!

And as I approach CC (starting Crescent City #1 House of Earth and Blood RIGHT NOW) and do a speed read of book 1 & enter into the next “first read along with me” I wanted to take the time to say thank you for coming on the Throne of Glass journey with me (yes, hi, I am alive & have survived it lol😅😂) and yes I have ALL the feelings but mostly I am incandescently HAPPY with that ending (like just over the moon) laughing crying squealing screaming repeat😂