#wanted to write this one forever

[gold-pavilion]

Toman and Buddhism + Tenjiku and Taoism

Another post to cover references in Tokyo Revengers! 

This time, I'll be covering the links to two religions to be found in two gangs in the series, reference by reference, with the according explanation of each. 

Some of these may be already known, I know one of them sure is (the whole buddhist manji confusion thing yeah yeah) but still, for the sake of a tidy compilation and of providing more detail, I'll go through them too. Some others are a lot less noticed, like Tenjiku's lean towards Tao, so it'll be best to lay down eeeeeeverything I've caught during my time enjoying this series. Plus, I'm pretty excited to get some of those less-known facts out here!!

Warning though, it's lengthy.

Let's start with Tokyo Manji Gang:

- Firstly, the gang's name and how it's written.

Despite Mikey suggesting the name as a short form of Tokyo Manjiro Gang, putting himself front and center, the kanji that ended up forming the name of Tokyo Manji Gang show that it went in a different direction of meaning. The manji used for the middle part ended up not being the same one from the name Manjiro, but a manji written as 卍. Aloud it's read the same way (many, many, many kanji are homophones), but has a different meaning.

卍 (manji) is an extremely common buddhist symbol (not even limited to japanese buddhism, but in hinduism and other aligned east-asian religions too), which represents the path of Buddha and the endless cycle of rebirth through samsara; the pursuit of leading a more spiritually balanced existence until the soul can reach enlightenment. In other words, it's nothing but deeply buddhist.

(To answer a common question around it: can it be called a swastika? Yes. The symbol in general, with each of the million variations that have popped up in different cultures, can be called a swastika as a broad term. There are a fuckton of swastikas. They mean a fuckton of different things. The tilt and the direction in which this one "spins" makes it different from other swastikas though, and it's always best to be precise and call this one manji.)

Moving on,

- Reunion spot.

The Musashi Shrine (based, but not exactly taken from any of the real-life shrines and temples of similar name in Tokyo, as far as I know) is a shinto-buddhist temple. And, apparently, a place where the founders hung out from time to time, but I'll add to that later!!

It's cute to me that the Toman members seem to use the temple very respectfully. They always meet in it at night waaay after it's closed (daytime meetings have always taken place in different locations, never the temple during visiting hours), they've never once set foot even near the oratory/sanctum/other buildings, never been seen bringing the motorcycles anywhere they shouldn't, and the one time a character was seen using the public temizuya (the little stone fountain where visitors purify their hands and mouth), he was proper about it in terms of pouring water into his hand to rinse his mouth with, not getting the ladle or the rest of the water dirty, as one should always do. 

A fun fact: in Google Maps, buddhist temples are marked with the manji symbol!

- Gang's manifesto.

Embroidered on the chest of the gang uniform, you can see the text  天上天下唯我独尊 ("Above the earth and below the heavens, I alone shall be honored"), which is the gang's manifesto or motto. Sounds just like something Mikey would choose, yeah.

That phrase is also of buddhist origin; famously, the words spoken by Buddha Gautama Siddharta (bear in mind that buddhism isn't a religion with one god or anything like that, anyone enlightened can become a Buddha and many figures have been granted that status, but Gautama is the first and main one, the creator of the doctrine) when he was born. To be honest, this is very much interpretative, but I've come to get the impression that it's not so much a power or ego statement, but rather an expression of cultivating and honoring yourself…? It's absolutely up to personal reading and I'm absolutely not an expert. But those are certainly THE Buddha's words.

- Ceremonial sash.

Another part of their uniform that bears a slight reference: the sash worn by the commander, vice-commander, captains and vice-captains during important fights.

These are tasuki, sashes originally worn by shinto-buddhist priests during ceremonies, in order to keep long sleeves and such in place. However, eventually, they also began being worn by samurai and all sorts of warriors, 'cause of their convenience. In modern times, they even started being used by just about anybody who wears traditional clothing but also does manual work and needs the sleeves out of the way. So it can be concluded that, over time, they stopped being strongly linked to religious practicers. In fact, even biker gangs in general ended up adopting the use of tasuki! Not for their religious origins, but for the warrior part; a bōsōzoku gang member wearing one would look very prepared and determined for a fight.

That's why overall, Tokyo Manji Gang having them is only a relative reference; they could be paying homage to their reference religion, as they could be only honoring gang traditions.

- Additional notes about the leader.

I feel it's important to add up all these little factors of Mikey's choosing, with other little details about him as a person that kinda make it all make sense.

If I say "Mikey seems to be religious, to an extent", I understand this can carry a bunch of tricky connotations. Japanese religion isn't exercised the same way it is in other places, someone being religious SURE AS HECK doesn't mean the same things it means in the christian west. Shinto-buddhism is so commonplace in Japan, most people partake in all kinds of religious practices without even thinking of them as strictly religious, such as new year's celebrations, casual prayer during shrine visits, purchasing and giving charms and such. Religion is integrated in life in a lot of extremely chill ways.

And we can observe a lot of things about Mikey that put him quite above the average in terms of his relationship with local tradition and religion. His house is a huge traditional-style family home, his family is hinted to be active in religious practice (remember Emma's appearances during the Christmas Showdown arc? How she mentioned that their family does a lot of temple visits, and even she considered it weird at that time of the year?), he's much more prone to wearing traditional clothing than his peers, his motif in extra clothing designs is the lion-dog (temple guardians; statues of these can often be found in them), his personal beliefs around death and relationship to the dead run deeper than others' to the point they find him disturbing when he talks about Shinichiro or Baji still being with him... many little things that aren't that deep on their own, of course, but when added up they paint a pretty coherent picture of the guy.

And so, it does make a lot of sense that, even from childhood, a temple was a regular place for Mikey to hang out with his friends, leading to the birth of Toman in one. And it makes a lot of sense that he made all those little choices about the way the gang would be styled. In my opinion, it's likely that those things just all came natural to him because they're a part of his background and worldview. Of course, how actively religious he is, how much he believes in the things he happens to know and how much exactly he might know about buddhism are all up to headcanoning and interpretation. Personally, I'm just a roleplayer that takes it as a relevant part of his character.

- Following a Buddha?

A little out-of-TR-universe element that I love to bring up, 'cause it's just hilarious and cool as hell, is the creation of this statue:

This part of the 2022 Tokyo Revengers exhibition straight up imitates the famous Reclining Buddha in the Wat Pho temple, Thailand. 

The ENORMOUS statue depicts the moment Buddha reaches nirvana, and his enlightened soul is at rest. The golden Mikey statue that imitates it very much intentionally likens him to a Buddha; funny to note that the exhibition staff even prayed to the statue, as you can read in the tweet itself.

What does this mean about Mikey's character? Well, this isn't within text in Tokyo Revengers, just a little outside factor, so I wouldn't take it too literally or too seriously, but it's interesting nonetheless. Personally, I see it as a hint that Mikey was supposed to be on his own little quest to enlightenment, or had the potential to be. Grappling with morality without having a natural sense of what's right, wrong, too much or enough is a major thing with his character. I can also imagine it might just be meant to represent the godlike view others have of him, the guidance they sought from him. Take it as you will! 

The important thing is just that it exists, to confirm that there is an intentional connection of some type between the Buddha and Mikey.

Thaaaaat concludes the Toman and Buddhism section of this post.

Whew!! That was a whole lot.

The Tenjiku and Taoism section coming now is shorter, but I'm sure it contains interesting and less-known things (at least, I've never seen anybody talk about these)!

So let's see, Tao references in Tenjiku:

- Gang name.

Tenjiku is a now-obsolete word that translated directly to "heaven", while simultaneously being the japanese word for the country India (as taken from the chinese pronunciation, Tianzhu).

In modern times, it can be found mostly in ancient literature, the most prominent example being Journey to the West. Given that Kakucho and Izana mentioned this book and seemed to have knowledge of it as kids, we can conclude that's where they got the name of their gang from.

Why would they use the word for India to name their kingdom? What does this have to do with Tao? I'll get into that properly now:

- Kakucho, Izana & Journey to the West.

Journey to the West is one of the four great chinese classic novels (along with Romance of the Three Kingdoms, Outlaws of the Marsh, and Dream of the Red Chamber) which are enormous, ENORMOUS influences on east-asian literature and fiction in general. Journey to the West, itself, is considered the most popular east-asian literary work overall; of course, being super well-known in Japan, too. (To give my favorite funny example of just how omnipresent it is, y'know Dragon Ball? Hit anime series Dragon Ball? Unabashedly based on Journey to the West, which was to thank for most of its initial local popularity.)

It's the story of the buddhist monk Tang Sanzang, who travels to Tenjiku, to India, to that certain heavenly kingdom, to obtain sacred texts for Buddha Gautama Siddharta (the guy I described as THE Buddha in the Tokyo Manji Gang section above). The quest doubles as a search and exercise of enlightenment, as Tang Sanzang is aided by three protectors that are atoning for their sins and learning from him. The main guardian and arguably the true protagonist of the book is Sun Wukong, the Monkey King, a fighter "so strong he could carry a mountain on each shoulder, and still dash as fast as a meteor". It's a huge, epic, 100-chapter monster of a book, in which each chapter is already a fantastic and entertaining anecdote about the characters or what happens in their travels, but also a long spiritual journey that pretty much serves to subtly teach the principles of Tao (term that can be translated to "the path", chinese religion and philosophy). 

A tangent: let me just show you how large it is (and why I haven't been able to finish it, 'cause I cannot take this brick of a book anywhere lmaoooo).

(Cover says Journey to the West: The Adventures of the Monkey King. It's in spanish.)

My guess is that Izana and Kakucho studied about it or read some chapters in school, 'cause dang, there's no way they read all of this at that age?!?! BUT ANYWAY.

While there's obviously quite some buddhist influence in the story, most of what it works with throughout is rooted in chinese folklore and Taoism. The edition of the book I have even begins with extensive notes and introductory explanations about Tao, as its themes of harmony with the universe, self-cultivation, internal alchemy, its main ethics and values, etc etc etc are the basis from which the book is built up. The characters very actively engage with Tao. Sun Wukong is an ardent student of Tao who obtains a bunch of powers through it, for one.

I've gone into this much into detail because Kakucho and Izana make it pretty explicit that, to them, Izana is like monk Tang Sanzang leading to Tenjiku, and Kakucho is like his guardian of unmatched strength, Sun Wukong.

In the end of Journey to the West, it's both Tang Sanzang and Sun Wukong that accomplish their goal and also obtain enlightenment, finally ascending to buddhahood. Had Izana and Kakucho's journey with Tenjiku reached their original destination (not "to become a criminal syndicate that controls Japan" but "to build a kingdom where everyone without a home could exist"), had it been like Tang Sanzang and Sun Wukong's pilgrimage… they would've learned true balance and they would've found the necessary enlightenment.

Again, I find this little connection with characters that could've been on a quest towards buddhahood, but as far as things went in the main TR timelines, all failed.

- Uniform & logo.

Finally, something lighter and quicker to add, haha.

There are symbols and references that are so so so widespread that they become more of an aesthetic detail than a symbol with meaning, in the eyes of the general public. The yin-yang is one of those symbols that just… appears in a lot of places, fashionably, and one kinda gets used to seeing it without thinking much about it. Sometimes it's not meant to stand for much more than a decorative detail, yes, that definitely happens, but sometimes it's very much a thoughtful choice. With Tenjiku, given its connection to Taoism, I'm gonna treat the yin-yang as a meaningful choice.

So! On the back of the uniform we have a yin-yang, Taoist symbol that represents the balance of the two complementary and opposing forces of the universe (note: it's not a good vs evil type of thing, as tends to happen with western black-white dualism, but rather… the fact that reality needs to be composed of push and pull to get anywhere, hard and soft things with their own function, sun and shade. A common comparison is how a mountain will have a sunny side and a shady side when looked at in a certain moment, but the sun and shade will switch over at another time of day, in a needed cycle). Other features of the uniform are a mao collar instead of a more common style for gang jackets, and an intense red color, the main auspicious and prosperous color in chinese culture. These last two little features could easily be coincidental, but when paired with the yin-yang, I feel like it's intended to lean towards chinese aesthetics.

And with that, 

I end this reference post!

Did you learn anything you didn't know? Did you enjoy learning it? Any thoughts? I LOVE TO TALK ABOUT THESE THINGS, SO FEEL FREE TO DROP BY MY ASKBOX with any comments or questions or such!!

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[swordsmans]

ive gotten quite a few questions about this so i sat down and wrote it all out for a discord power point night. here it is. no mystery, only chaos, and if novellas have no fans then i am dead.

[delicrieux]

. . . l'oeuf

˙⋆✮ summary. just another evening at henry's.

pairing. henry winter x f!reader warnings. smoking, swearing, mentioned drug use, bad aspirin use specifically, use of alcohol, +18 (p n v sex, no condom henry DOES NOT care, very minimal dirty talk), pretentiousness, an inkling of classicism, bunny™ wc. 6.9k ✧˖°.

author's note. happy october everyone ! i always wanted to write smth for the loml henry winter but i never had the patience to sit down and do it. well, now i did. this was written with prompt 1. thick, acrid smoke. feel free to rqs more for the prompty thingies! x . . . side note! the fic is named by this song since i listened to it while writing. you can draw a metaphor from it if willing

creds. hd., div.

mlist | buy me coffee ♡ྀ

it was at the start of october on that fateful senior year that you had found yourself in henry winter's illustrious townhouse. from the lacquered brazillian hardwood floorboards to the ivory plasterwork on the ceilings – every corner pertained a certain degree of finery that reflected poorly on the rest of its objects: a well-worn armchair perpetually stuck in henry’s physique and fraying at the edges, the trampled rug that snaked upstairs and held all of your secrets, the coffee table with too many wine stains. in the dim light, the dried rorschach looked like blood.

the present company consisted of six and was slowly dwindling. your dear friend francis, the only boy who had never cared to peek up your skirt in childhood tennis practice, was a moment from collapsing into himself like a weary, old star. holding a champagne coupe from which he exclusively drunk only campari, he had thrown himself over henry’s couch not unlike a discontent lead from a penny dreadful novel. his face kept twisting according to the sounds: bunny’s voice was met with pursed lips and a tightly shut eye (only one, closest to bunny’s person sat by the aforementioned coffee table), charles’ – with a look of defeated boredom, and in the odd bouts of silence and music, bliss.

you offered him a cigarette, and he barely managed to crane his neck to kiss the knuckles of a helping hand before he snatched it away and searched his pockets for a lighter.

sweet camilla sat by the fire, with her knees drawn to her chest. one black stocking was torn on the side, rippling up her calf and sneaking into her inner knee, an action bunny had noted and all had taken particular interest in. there had been a metaphor about literature resembling her glossy stockings – all that language and reference weaved into a fabric that stretched till it could no more, thus marking the end of innovation and intertextuality. a book can only fit so much, and as all of them cared for ancient greek only – a language that no one spoke, and so, could never refine past its perfect state – the topic soon waned in favor of more brandy.

bunny cowed a story about richard papen, the outsider that had joined their coterie, who was not present, as he had not been invited. he was a fine orator, had a specific sense of humor that, while not always understood, could charm an audience when fidgeted with enough. only bunny was too drunk, and his glass of whiskey kept spilling on his trousers till it left an undignified blotch crowned by cigarette ashes, which only painted him a blubbering buffoon. ‘the fool doth think he is wise, but the wise man knows himself to be a fool,’ came to mind as you admired the embers dancing in the halo of his blond hair.

then, there was charles, drunk as always, who had opted to lay by camilla’s feet, the place where bunny’s drunken attempts of metaphor had landed him.

lastly, there was henry, your own personal virgil, who had not wanted you to come, but allowed it still. he looked tired from across the room, an arm thrown over the cushions of the armchair in which he sat. in his left hand he held a book, a cover and a title too out of frame for your eyes to see; amber reflected in his wiry glasses, the color of his brandy bottle (half empty) before the orange glow of the fire burned it copper. a plume of cigarette smoke curled into the ceiling from his two fingers. only he could have full concentration among the chaotic symphony in the living room.

the record spun to silence, and you quickly abated your seat on the windowsill to pad to the cabinet and change the vinyl. the collection of classics had not increased since your last visit, which was roughly a week ago, and it had not changed since henry moved out the dorms during the winter of your junior year. there were chopin’s nocturnes and etudes, beethoven’s piano sonatas, and wagner’s tristan and isolda, just to name a few. something lulling, quiet. you picked debussy and placed the needle. lilting, soft and steady, like you supposed love would feel.

instantly, you were met with bunny’s ire.

“no, no,” a wave and a body too weak to stop you. you ensured he was gifted your most sly smile, “no, woman, put on somethin’, somethin’ grand,” a larger wave, like a poorly coordinated conductor, he smacked his hand too close to francis’ head. a groan from charles, as if he had grown nauseous from watching the motions, “somethin’ for me and charlie here,”

charles tried to turn away in his discontent, yet did not manage. camilla, concerned, laid a hand on his shoulder, “should we go? i think we should head home.”

“see?” bunny’s accusing tone found you once more, “you’re scaring the guests. put on some real music. like the... the...” he trailed off, lighting another cigarette. for good luck, one could imagine, “like goddamn— listen to led zeppelin, man! the rolling stones!”

you glanced to henry and found yourself surprised. a shared look.

“no such things in our humble repertoire,” you stated.

“mile davis, at least?”

“no,”

“i don’t believe you,”

“you’re free to check for yourself.”

amidst this small argument, which was much too common when dealing with bunny, camilla had somehow managed to wrestle charles into standing on his own two feet. unstable, he leaned onto his sister, the added weight making her stagger.

“goodness, take care of charles,” bunny whined, though his complaints never amounted to more than simple sulking. you chose not to pay them much mind.

it was henry that helped, carefully balancing his book on the armrest and coming to take charles from camilla’s embrace.

“should i drive you home?” he asked.

camilla shook her head, en route to retrieve her red scarf and new coat, “no, no, we’ll call a taxi.”

it was always mildly fascinating watching the two interact. camilla, never able to meet his gaze directly and for too long, and henry, who only ever extended wordless aid without prompt or reason to her only. what had she done to earn such favor was beyond you – beyond everyone, perhaps – but you were certain you weren’t the only one that saw this careful act of piety and kindness.

you observed them shuffle out after moments on the telephone, camilla’s hand ghosting henry’s arm, or grazing the bend of his elbow, and only when they disappeared past the large door to wait for the taxi did you look away.

loving henry winter was a sisyphean task, unworthy of the effort which it required. you thought yourself too smart for it, and thus, never cared to entertain the notion, not even when he kissed you.

you caught bunny staring at you: not scrutinizing, not calculating – simply staring. a curious leer that often fell on you after some semblance of mirth had worn down. almost shy, somewhat longing.

“this richard of yours,” you began, helping yourself to henry’s lucky strike. out of all the brands that you had smoked, this was the most bitter and always left a tart taste in the back of your throat. you craved it, “papen, was it?”

“yup,” bunny mumbled into his glass.

“and how is he?” your gaze jumped from him to francis.

“poor,” bunny said.

“californian,” francis tacked on.

“but he pretends he isn’t,” bunny continued.

“californian?” your brows rose. the smell, the taste – too powerful, almost choking.

“no, no,” bunny shook his head, disoriented for a moment, “rich. pretends to be rich. see, i didn’t tell you this, but,” and he reached for henry’s cigarettes, too, even if his own pack laid abandoned, two-three left untouched. he did this, at times, this odd mimicry: you smoked, he smoked what you did, you drank, he drank what you did, you decided a getaway to italy was your dream destination for a week and later learned he had haggled henry into buying tickets for the two of them, “but i, you know me: never judge a book by its cover, i say. invited him to dinner. the usual place, the one on-”

“god,” francis winced, and if he could move, surely he’d flee, “stop talking.”

“the lady asked, am i to deny her now? i thought he wouldn’t show, but he does, doesn’t he? with a goddamned tweed jacket, like i wouldn’t notice,” he hiccupped mid-explanation, the liquor long congealed into his system, “and, you know, me, i know people. i know people. i see them for what they are, and i knew he was a no good cheat from a mile away, but hey,” a straight spine, a bit proud, “i think to myself, you know what, old man, i’m gonna give this guy a chance. pop’s always-”

“aspirin,” francis interjected, this time directed at you, “bring me some, would you, juliet?”

you snorted, “a moment,”

“thank you, desdemona. you’re a midsummer night’s dream,”

“she’s from othello,”

“my point stands.”

you sauntered off into henry’s kitchen and scoured his cupboards for painkillers. the layout of this place you knew too well – perhaps, even, if you closed your eyes, you could discern each obstacle and map it in front of your eyes with the grace and certainty of a guidebook. you did just that.

behind you, a sudden coldness pierced through the humidity and a door shut harshly. the influx of fresh air was a brief slap to the face.

it’s been silent for a while now.

“what are you doing?” henry’s voice, not close, yet not too far. always observing at a distance, since closeness was never his intention. henry winter. what a fitting name.

“looking for aspirin.”

the tick of an unseen clock.

“top drawer,” there was no urgency; something you didn’t understand was what made him hurry to answer, “i hid them there. bunny keeps stealing my entire cabinet.”

your eyes fluttered open, “my, my. what a snitch,”

“don’t give him the aspirin,”

“it’s for francis,”

“very well.”

an impasse. you closed the cabinet and thought against bringing water with you, knowing it’s unneeded.

“may i?” henry asked, and when you turned to look at him, he was as always – unbreakable, unmovable. expectant, perhaps, his heavy gaze a familiar pressure upon your cheekbones, the curve of your jaw, your swollen mouth (from biting, not being kissed).

“they’re yours,” you said easily, turning the cap and spilling a few into the bed of your palm as he approached, “here.”

to make matters harder, there’s but a foot of space between the two of you. the smallest separation, every part of him and every part of you entangled into one odd constellation. an immensity of motion before him and an immensity of energy after.

“water?”

“whiskey.”

“is it also hidden?”

“no.”

so you retrieved him a glass, and then the bottle, and lastly you poured the amount enough to swallow in one gulp. when he took and drank, and you watched his adam’s apple bob, you wondered, briefly and hazily, was your act in any way similar to camilla’s. a star that constantly drew him into her orbit.

“you didn’t leave,” he uttered quietly, tired eyes flicking to the maw of the kitchen opening. down the foyer, the firelight danced. bunny’s voice rose in a toast, no doubt to shake francis out of his stupor.

“i did,” you said, a slow smile curling, “what you see before you is a specter. the delirious imaginings of an impoverished mind.”

“ridiculous,” the quirk of his eyebrows: mock-offended.

“amusing,” the narrow of your eyes: contagious, “was everything my spirit foretold the same as you saw it unfold?”

weariness. you looked for it and found it easy enough. his fingers flexed, his tongue went behind his teeth. the cogs turned. for all his genius, henry was too susceptible to fable and entirely too superstitious. he could ward himself off it well, yet when his inhibitions were down, there was a hint of something else, a spark of pious faith in the impossible, what not might come next. he kept looking at you for an extended moment, until the corner of his mouth, minutely, drew up into a not-quite-smile.

“hermia!” came francis’ voice from the other room, “i’m dying.”

henry said nothing.

you expected bunny drunkenly swinging an almost empty bottle around to try and cheer up francis (it rarely worked, unless it was wine), and yet, he wasn’t there. the living room felt very big, somehow, devoid of him and the makings of his gullible heart.

“and where is bun?” you questioned, almost scolding.

“bathroom,” francis succeeded sitting up, yet only just.

you heard henry curse under his breath. he disappeared, and soon you heard the continents of a stomach emptying down the hall and henry’s monotone behind a closed door.

“time to end this sabbath, me thinks,” you said. francis took the pills with a fresh glass of campari, nose scrunching from the taste.

“d’you think henry could drive me home?” francis asked.

“do you trust him with your life?”

“do you think he’d let me die?”

“depends,”

“no. i’ll cab it,”

“wise decision.”

henry returned, seemingly exhausted from his small adventure. no one followed after.

“bun?” you asked again, which seemed to displease him. he only shook his head. passed out, then. unfortunate, yet expected. if bunny could somehow gain authority over all of henry’s things – even the minute ones, the ones that don’t matter and exist in the peripherals without henry’s notice – he would. it was the same reason francis once insisted that bunny had been in love with you.

the incident occurred during your first year of college in early november. a rather somber and chilly day with leaves sticking to wet asphalt and stone walls amidst the rainy season. a monday. bunny had broken his ankle and complained terribly about it, and henry, who had become his caretaker, was sick of it and instead abhorred him. by accident and complete mischance, the handling of bunny corcoran had fallen onto your graceful shoulders, and in a single day – full of obsolete complaints and impulsive questions – the theorized affection was born.

if there was a way in which bunny’s countenance had changed in your presence, it was lost on you, for your attention, at the time, was solely pilfered by charles. he was, back then, the most handsome of the greek class, and oddly enough, the only one pleasant, thus you sought his favor. but charles never returned your fondness, no matter how minuscule it could be, and he never gave the impression of fleeting interest. only sometimes, when he thought you would not catch him, he would stare at you for a bit too long. you never got to figure out what he had thought in those moments.

instead, you figured yourself an actor – a pretty one at that – and decided to ignore this indelicate sort of charm and pursue a new mark. there were many, of course, plenty of faces to consider, yet the outcome was always the same. as it were, they were all terribly boring and reminded you greatly of the peers you’ve encountered in private schools, the self-proclaimed intellectuals of the new age that had too much time and too much heartbreak on their hands. good looks aside, not the slightest hint of culture nor comprehension, just money and nothing to show for it.

and then there was henry, of course, so quintessentially different that his existence, still, was hard to define. something outside the realm of you. something above or beyond, or perhaps below – always somewhere you could not reach. there was an irrecoverable arrogance to him and in his aloof demeanor. an inviolable space that never invited others.

yes, there had to be some appeal to the strangeness of him, yet never could you put your finger on what exactly it was. at least, not immediately. at first sight, though, there were more poetic reasons to it – of the tragic and of the divine kind, yet that was no truth but some novel-born whim, a pointless obsession, some meager infatuation. an involuntary fetish. he had not wanted you, which only made it so that you wanted him in turn. it wasn’t an ugly thing – it simply was.

he must’ve known. henry always seemed to possess the knowledge of things you had never dared to question or to think twice of. or, perhaps, maybe not: but, despite your inability to identify the cause of it, there was a certain change to your disposition upon entering his shared room. one, maybe, akin to the sudden fear brought by dark enclosed spaces, though a bit more subtle and complex.

it was, ironically, a winter’s night.

when you phoned the same taxi and requested it’s return, francis spoke in a hazy murmur, sluggishly trying to shrug on the coat you brought him, “god, i really need a cigarette.”

“hm?”

“do you see mine anywhere?”

a rueful search, hands grabbing the scattered glass and hardbound that littered the surface of the coffee table. a valiant attempt to move the couch cushions and dip fingers into the cracks.

“no,”

“well, fuck me,”

henry offered his, but francis refused. the living room lit up in that thick, acrid smoke anyway.

the foyer echoed with your footsteps. outside the townhouse, rain had started again. a few drops at first, tapping the windows, before quickly it grew and gained weight. soon, it was battering against the glass.

with your scarf in your hands you suddenly found yourself unsure what to do with it. the taxi was coming and it was time to go home and plead to a higher power for reprieve from the headache you knew would cripple you in the morning. perhaps, an afternoon tomorrow to mull around, dazed. yet there was no respite in any of that. you realized, then, with this abrupt trepidation, that the cause of your discomfort, or the cause that exacerbated it, was within this confided space. a chasm-deep disquiet, like an open mouth of a ravine, dark and shadowy, or the pull of a tide at sea, which was, as they say, irresistible to even the most levelheaded.

somewhat uneasily, you lingered by the coat hanger, and when francis ambled over, tripping over his own two feet, he downed the rest of his campari and shoved the glass into your useless hands. then, he kissed your cheek, quick and wet, before ripping the door open and shoving it closed behind you, hence halting your escape.

the house was deafened, and your palms itched. the overwhelming urge to twiddle with your scarf became unbearable, or it was because a pair of eyes bore into you from the depths of the room. the closest thing you’ve ever considered to a tangible aura: the smell of ozone and rain water and tobacco.

“don’t suppose he’s waiting in the rain, is he?” you said.

“no, i don’t think he is.”

it didn’t make sense, none of what happened afterward – the decision to face him instead of making off into the chilling night. your arms crossed in a quiet and peculiar motion, clutching the coupe a bit too tight.

“whiskey?” henry offered, and you felt like the silly ingénue in some high-brow noir thriller donning all that cashmere by the door, “or bourbon.”

“fine.”

a crease of his eyebrow – the sole indication of surprise. your jacket found its rightful place on the rack along with that dreaded scarf. hesitance was unfamiliar to you, as you had not known it growing up – neither a sense of propriety nor a loss of footing. the dandy act had been adopted and perfected to such a degree that to relinquish the mask itself was oddly relieving, the discomfort born merely by knowing that francis was aware of your unusual situation and the upcoming events that would take place once the theater was done. there was a brief thought to how henry might’ve perceived you then. perhaps the removal of a layer of pretense might’ve intrigued him, if anything.

you remained at a slight distance and watched him traverse his domain, stepping around the askew items left behind by bunny and a bottle of gin haphazardly upended by charles, warm by the fire. there was an anomalous sort of patience to him. the silence was an abrasion. so often, you found yourself chattering to fill the void, even with other men who took the shape of strangers.

“there’s quite a storm brewing,” you said, only to be met with more silence. when your words simpered, the feeling they left was inexplicably ominous. ‘all that is transitory is but a symbol,’ yet only a bad poet would dare to draw a soliloquy from henry’s figure by the flames.

thus, you sat down on the couch, still warm from francis, and held up the beloved champagne coupe. henry’s hand did not tremble as it poured, but your fingers quivered when his attention fell onto you.

“is it good?”

you never felt the alcohol, only the burning in the back of your throat.

“very,”

he found himself beside you, not too close. the distance was not unlike orpheus’ journey, or so it appeared in the dim firelight – the familiar pangs of the unwilling, the sudden, selfish urge of wanting to see him in his entirety, his visage unhindered

“may i?” you asked, meaning, of course, his cigarette. he acquiesced easily. the only telltale of his everlasting unbothered mien: his focus had, and always seemed to be, too acute. it was enough to unnerve anyone. flattering, perhaps, if only you could tell what he was thinking, but you never could.

in your lap, the half-empty coupe. you left a smudge of your lipstick on the cigarette butt. henry inhaled. it was not unlike a kiss.

“francis mentioned you didn’t want to see me,” you said.

“i didn’t,” he responded.

“a lie, was it then?”

“you assume to know?”

“yes.”

another drag. smoke parted his mouth, slow as molasses and heavy as clouds.

“you’ve changed,” you said.

conversation with henry had always been difficult, before and after your frequent follies in the dark. if you did speak, it was never about one another, or anything that resided past skin and bone, nestled somewhere in the marrow, only felt. in instances where you did find common ground it was only ever art – literature, specifically, and when he was in a good mood, painting. henry only had one fascination and refused to entertain others; here lied his fatal flaw. thus, in a crowd of three and more, you could exchange remarks that would seem and sound important but held no real meaning.

“what sort of change have you noticed?” henry murmured. the lighting cast shadows. his hands twitched.

you were not sure, as you remembered him in much more detail and color. here, ashen-faced and obscured, all you saw was the ghost of his image, as though he had grown morose in a way that a single season could not alter. the greek class had often suffered for the aesthetic – self-imposed punishments of grandeur and excess that to everyone outside their circle seemed quite ridiculous, along with their dark clothes and mysterious miens and enigmatic jokes. some said they were haunted or blessed, but none envied them. alas.

troubled is the closest you could find, though if you were to voice it, he might take you for a child. it was never good to seek out his vulnerability. he would say you could never find it, and, inevitably, it would end up being the truth. henry wasn’t good at love. no one of were.

you shrugged, “you’ve become quiet.”

“am i, now?”

“more so than you’ve been,”

“perhaps you’ve just gotten better at listening,”

“unlikely,”

henry cocked his head. his hand, once again, twitched and there was an urge to reach out and grasp his fingers – some sort of absolution or at least a consolation for something neither one of you might’ve cared to mention. never did the man in front of you appear unsure, yet somehow, despite his best effort to the contrary, you felt a similar trepidation of an undefined thing.

henry was impossible to read. not just a mystery, but undeciphered in ways so beyond the mundane. over the years, you had collected enough clues to form a humble dictionary, yet much of what was missing could only be determined through his own misfortune and complacency – things which would, then, by nature and by fate, stray into your arms.

it did not matter, not entirely, at least. you did not love henry, but you thought that camilla did, and he, in turn, her. once you exhausted your inspection, perhaps you would pass that glossary to her, though you doubted that she would ever find any use for it.

“well,” henry said, “i suppose that’s to be expected. anything else?”

“would you enjoy a dissection?”

henry hummed, perhaps in agreement or curiosity, but it was very possible that he thought you foolish.

“no need,” he said, “yours is transparent.”

“really?” you countered, “they never are. people, i mean.”

“who are you thinking of?”

your mind drifted to bunny, likely curled on the cold tiles of the bathroom. with the first few buttons of his shirt popped and tie loosened, there was the picture of one not withering away but merely on the incline of a steep and lonely hill. all quiet in the dark of a windowless room from which he couldn’t even turn his head and see the stars.

it felt as though he would wake soon and interrupt. his presence always breached spaces he did not occupy, and the anticipation of his arrival always lingered in the air, unspoken but palpable. perhaps bunny would always exist in the shadowy corner-room between you and henry, because, if what francis said was true, henry was the first to know of it and had you, still.

you wondered if he regretted it, if he felt like brutus sticking the first knife into caesar’s rib, closest to the heart. you considered asking: in that moment, the urge felt insurmountable. instead, you said, “a little bit of everyone.”

inclined, you caught his gaze. an abysmal color and a disorienting shade, as deep and gloomy as the woods surrounding mount cataract.

“and me?”

“of course,” you smiled and slid a bit closer, “it’s not like you to ask. have you become sentimental?”

“not exactly,” his eyes moved to his hands. then, the flecks in the fireplace, the piles on the floor, “i’ve been thinking.”

“care to elaborate?”

“no,” he said. you understood his need for privacy, and a small part of you could appreciate his effort, or maybe, rather, that you got something of an answer at all. he did, occasionally, tend to disappear in thought. he remained, despite his reluctance, sitting with you. this, in a way, spoke more to you than the words that could never leave his mouth.

“this weather makes a body wistful,” you told him, “and the greek have always liked their tragedies.”

he clicked his tongue to the roof of his mouth before lighting another cigarette, “what do you know of greek?”

always the same argument. always the same contradiction. your attraction was tempestuous, and so, it should have surprised you neither the sudden bite or the wicked sense of amusement.

“all that any student would, naturally,”

“so, nothing,”

“i suppose,” you would not admit, for he would win, “henry,”

something in his posture betrayed him, but it was not his eyes, nor his tone, “yes?”

you were close then, much closer than you were moments ago. his lips thinned in a brittle, noncommittal line and his eyes drooped – more of a warning than anything.

“are you going to kiss me?” you asked.

he wanted to, he must’ve, for it had been the only sensible action – you always pressed for what would hurt least. to drown and swallow poison. it was a favorite, and, for some reason, one he allowed, like an agreement reached. to your knowledge, he only ever let himself indulge in you.

henry only leaned in, which was enough for you. his mouth, a second, not any less tantalizing than the first. and you had kissed him with a brazen softness, enough that his hands snaked to grasp the back of your neck. another hit. the smoke and ash settled deep in your lungs. you had pushed it out in a groan when he dropped his hands to your thighs, pressing hard and confident as he had on those nights when you found each other too lonely. the ache he created was wonderful.

you grabbed a fistful of his shirt and pulled it until it untucked. he swallowed and whispered in a language you were familiar with but couldn’t speak, and lifted your skirt.

you kept the cigarette between your teeth as he mouthed down your jaw and neck. his finger traced the skin at the back of your knee and that tickling spot right below your ribs. goosebumps rose and followed his touch. he nipped at the crook of your neck and dragged you onto his lap.

“you are dressed far too heavily, and terribly,” you heard him say, and when his lips found the shell of your ear, you could not stifle the shiver. the whole room felt claustrophobic, hot and steamy, like the aftermath of a scalding bath. your breaths grew labored. you closed your eyes against it and clawed into his arm.

henry said, again, this time more slowly and with a dull emphasis, “terribly.”

“how dare you insult my taste,”

“would you allow for a remediation of my sins?”

“luckily, i’m in an agreeable mood.”

henry’s own sigh was long and somewhat labored, as though a great pressure had been taken off him. and his hands flexed, moving up and down your back. a rare instance, to find him restless. you could admire this in private.

the press of lips to your neck. the collarbone, jutting sharp in the firelight.

there was the urge, sudden and quite novel, to caress his face, cup his cheek, graze the edge of the scar of the eye that’s colder than its twin, that shrouds you in a mist. such an act was outlawed, naturally, thus, the opportunity came and went, carried away on a drafting wind of smoke. an irredeemable misfortune, and you flicked the cigarette into your abandoned coupe.

“are you comfortable?” the gentle cadence of his voice sent a wave through the warmest depths of your abdomen.

“yes.”

henry, having brushed away your stockings, stroked at the insides of your thighs. there was a light feeling in your head, an almost dizzying sway. a subtle rocking, like boats at port, from where the two of you were perched. his digits dug into the firm meat. beneath his hands, a stretch of burning skin and sinew. muscle clenched and quivered, “terribly inconvenient, by the way.”

“how do you mean?”

“all the layers,” he muttered.

“good,”

“never good,”

and then, suddenly: “are you wet?”

“if you touched me properly, you could tell,”

henry ignored your response. his hand climbed upward, and found a place between the gusset and the middle seam, rubbing, testing.

“recently,” you said, “i’ve become fascinated with joseph cornell.”

“you’re stalling,” henry informed you without inflection, slipping a finger through the damp center. a harsh noise of pleasure left you when his tongue slid between your lips. one, then two, circling and sinking with the utmost delicacy.

“why? are you not curious to hear what i think of his boxes?” you managed, halfway.

another stroke. his thumb rubbing, slow and considerate, in the spot that makes your toes curl, tight and demanding. when his eyes opened and found yours, it was almost comical – his fingers in you, mouth and mind on a completely different path, yet the connection was there all the same. even more so, while trying to be detached, fumbling over buttons and laces.

“no,”

“you might learn something,”

he quirked a brow, “you truly wish to waste time talking?”

“aren’t you?”

“i am taking an assessment of your willingness to submit,”

“are you certain it’s not the other way around?”

henry rarely responded with malice; each action was carefully devised and, in conjunction, quite merciless. in this case, he dropped his hand from the vee of your legs and tugged at his shirt collar. the emptiness was startling, as was the feeling of tension that coiled tightly in your gut. then, he grabbed his drink and sipped from the sparkling glass. petty revenge, something he always assured was beneath him.

sensing defeat, you decided to placate him. after a dramatic roll of your eyes, you slipped onto the ground and knelt.

“henry,” you began, and reached for the fly of his pants. the outline of his cock was obvious beneath the smooth fabric, thick and promising, “home ruler,” in one instance of drunken curiosity, the lot of you agonized the meaning of your names, that perhaps they, somehow, unknowingly dictated your fate, “unwilling to shed his crown. is the head not heavy? most kings lost theirs, you know.”

“flattery doesn’t suit you.”

“folly, then,” you replied, dragging the flat of your palm across his groin and taking pleasure in the strained hiss, “are you going to let me do as i please?”

“i think that is,” at the peak of his inhale, you reached into his trousers and curled your fingers around his stiff cock, “quite apparent.”

you grinned, lazy but triumphant, thumbing the blunt ridge. smudging the dribble of white at the leaking head and reveling in his restrained reactions: the minute tremors, the twitch of his jaw, a gasp caught in his throat. you would have kissed him, again. his face might’ve twitched, something uncontrollable that would’ve given away his longing, if only he hadn’t pushed it down.

with a slow pump, your hand traveled. the size was admirable, familiar, nearly to the point of nostalgia. henry had touched more parts of your body than some of the lovers you took as an earnest attempt for passion. you had begged him once, half-gone, half-wild with what you thought was need and impatience, to only fuck you – without his clever mouth and his careful hands, but he hadn’t said yes, no, had only grabbed your jaw and pressed a sucking kiss to the soft and sensitive skin beneath your ear. a promise, almost. and in a way, it had been.

“you remember?”

henry’s voice snapped you to attention, and when you looked up, his expression matched his darkened eyes, intense. something flared hot and needy in you, and with it, the desire to be open and dripping for him. he curled a hand in the small hairs on the back of your neck, stroking the skin there and, even briefly, allowed himself an indulgence in the pleasure he could get from a single touch, and rocked his hips.

“vividly,” you told him.

the flames, behind you, cast him entirely in silhouette, and his shadow projected forward and rose tall, stretched. a ruler, indeed.

his chest moved slow and purposefully, and when he released your hair, the lack of contact felt like a shock to the system. his hand closed around your forearm, “come here.”

the tone, hoarse and hushed and so quietly demanding, startled you, and you stood up so quickly that your head spun. henry placed his hands on your hips, steadying, ushering you back to where you belonged.

“just there.”

legs, parted, framing his waist. fabric, bunched between your thighs. breathing, slowed. a firm, calming weight, pinning you down. the firelight glinted in his eyes.

“henry,” you called. and the only thing to signal his movement was a bob of his adam’s apple. the cufflinks of his sleeves swayed and flickered. he hummed, neither affirmation nor disagreement and entered you with a grunt.

more. skin flushed. eyes crinkled and tightened. more. nails curled and scrabbled for purchase.

there, your name on his lips. it was disorienting – not so much a cry, or a whisper, but something between the two. henry always spoke carefully, as though each word should carry the most weight, so each syllable, in turn, he would construct and cut, meticulous and mathematical. but here, breathless and wanting, they rolled out in a steady litany, never faltering.

all fire and scorching, the pitch of it high and needy. to thrust and bruise, the idea fizzed bright and brilliant at the apex of your spine. with each snap of his hips, a part of him carved a piece of you out, and each ragged noise shook loose a piece of your skin. it would fit him perfectly. then he would slide right into those hollow spaces that swelled and throbbed, expanding beyond tolerance. in moments like these, you loved him – his body, his touch, his face, everything that could not be articulated.

“please,” you begged him, trying to curl around the ache, “i want-”

“i know, i know,” he murmured, with a tilt of his head. his hair, you noticed, had lost its immaculate shape, wild and frazzled by your fingers. your heart swelled and contracted: you wanted to do it again, over and over until his whole countenance resembled nothing more than that of a ravaged man. your power, the only thing you had over him. henry closed his eyes.

“spread your legs a little wider,”

a moan slipped when his tongue flicked and curled against the side of your neck, wet and sloppy. the sweet roll of his hips, his fingers pulling at the buttons of your attire and squeezing the fleshy swell of your buttocks. it was always too much.

you licked your lip, shaking when his teeth gently pinched. and, for a moment, the smell of pine permeated the room. as though it were his own sweat and the heady musk of his natural scent, and not a waning bottle of cologne.

“hold onto me,” henry whispered and allowed for nothing more, driving the movement out of your hands. the tempo spiraled upward. at the center, the tension was building. there was a moment of vertigo.

and it was easy enough, as things had always been between the two of you, to ignore the disjointed voices in the back of your mind. how when you two first kissed, it’d been without grace. how the rain fell, trickled, all around you, drowning the dryness in your throat. how the next day, he asked if you would regret what you’d done. and here, now, a different but striking feeling: the warm haze brought on by alcohol, his palms were hot, slick with sweat, his belt digging into you.

henry grunted and swore to a god neither of you had put much faith in. the flush on his cheeks was impossible not to reach out and touch, his eyebrow scarred with the same sort of smooth texture and fading red, his lashes, long and fine, flickering against the high edge of his cheekbones. i love you, you wanted to tell him, but the high struck you ruthlessly, turning you to liquid.

in the aftermath of this brief paradise, you shared a look.

“i still despise this weather,” you said.

henry’s mouth quirked. and what had been the impulsive dalliances of two desperate people became, once more, two lonely creatures with enough distance between to fill one of henry’s beloved epics. the quiet, in the wake of catharsis, was rather terrifying, and the clatter outside – the rain, the wind, and the cold – almost accusatory. he offered you a cigarette.

you took it without thank you and let him light it.

“should i drive you home?” he offered, voice raspy. his shirt had wrinkles and his collar sat funny. the skin beneath was pink, and there was the barest mark where you had sunk your teeth or dug a nail too hard. you bit the end of the filter, watching the flame waver before rising into ash.

“you’re drunk,” it felt necessary to remind him, though it never stopped him.

“do you want me to drive you home?” he asked again. a long pull and a thin veil of smoke.

“yes,” you said, “i’ll go wake bunny.”

“no,”

“no?”

“stop it.”

“stop what?”

“speaking of him,”

“has he done something?”

silence.

“henry?”

“leave it,” he said, but his tone was tight.

“alright. i’ll get my coat, then,”

“of course,” he murmured, standing slowly. you shouldn’t have seen him put his hand against the wall to steady himself, as though any drunken spell had fled, and with it, his equilibrium. the movement was both conscious and contrived, a fact of necessity, and not like the rest of him, braced by his surroundings and firm in stature. a self-constructed illusion, designed to project a set of attributes meant to create the atmosphere of authority. he embodied it well, but he was still, stripped of the mythos, simply human.

you watched him settle and raise his head with a gentle exhale. a mere lift of his shoulders, and he resembled a man in control, content, satisfied – everything henry was, and yet, within the façade, you could see the truth of his discomfort, recently, and without fault, brought upon by an uttered name.

in the upcoming months, you would understand and wonder if there was something you could have done or said to warn him of a future that was inevitable. no matter how many nights you had spent distressing over this question, the answer would always make itself obvious.

there was nothing you could have ever done.

thank you for reading !

[mattodore]

birthday boy 🎂

[uhbasicallyjustmilex]

the cutest little bag of nerves 🥺

[monicaeidolith]

it's been 8 years and she's still down bad for her neighbor (who wouldn't)

and so there she is: Step 3 Athena! 🌙✨

Step 1 & Step 2 here

(Infos about Athena in every steps except 4 below if you're interested)

(watch out it's long.)

Step 1 -

At 10, Athena is a very curious girl, somewhat nosey and a bit clumsy (main reason why she often has bandages). She likes puzzles, creepy stuff and drawing (but nothing that serious about that hobby yet). While she isn't very shy, she's still uneasy around people she doesn't know and moving to a new town isn't helping. She has trouble accepting changes, and this whole situation is a way too big change.

Athena is very close to her mom during step 1. Unfortunately for her, she doesn't really look like her that much and she's kind of bothered by that, especially because the person she obviously looks like, her "dad", isn't there. Not having a dad isn't really a huge problem for her, but Athena fears a little bit people's opinion on that subject: "Is it weird that I don't have a dad...?".

She's feeling sad and scared about moving out, as she has to get used to a completely different world (in her eyes). "At least I have my mom", she thinks. But if moving in Golden Grove was scary at first, meeting Qiu and Tamarack was a huge help for Athena to feel included.

She thinks Qiu, aka "Autumn", is funny but also a huge show-off, haha. She LOVES to tease Qiu. But Athena's also genuinely worried about Qiu sometimes, because that kid is a huge people-pleaser.

When it comes to Tamarack, man... Athena totally puts this girl on a pedestal. She thinks Tamarack is amazing and pretty. And should Tamarack say anything positive about Athena, you can be certain the latter will go crazy internally. At 10, Athena doesn't realize she actually has a huge crush on Tamarack yet, though.

Step 2 -

At 14, Athena became a sort of troublemaker, she barely cares about rules. She's not mean but she grew to be more blunt and direct than she was as a 10-year-old, this and her current appearance make her seem unapproachable. However she kept her soft side, a side that she ironically doesn't even keep that much hidden but that you still have to deserve. If at 10 she would often have bandages because of her clumsiness, at 14, it's mostly because she's reckless. Some things that remained are her love for puzzles, creepy stuff and drawing, in fact, she started to get interested in visual arts.

In fact, the tough side of her personality grew when her first group friends with Qiu and Tamarack slowly fell apart. She couldn't do anything to prevent that from happening, so she felt like she had to toughen up. But to be honest, she's becoming tired of being the sole link between them, she's barely trying to now. Maybe Qiu and Tamarack won't become friends again. She has to accept it... but maybe Athena still has troubles accepting changes, no matter how old she is, after all.

Despite all that, Athena still treats both of them nicely. She still teases Qiu whenever she can (watch out Athena, the teasing could backfire on you). Her worries about them are still present too, but for different reasons than in step 1. Even 4 years later, Athena still retrieve Qiu's lost papers because they would NOT do it themselves. No matter what, Autumn remains her dear friend and the feeling is mutual.

Tamarack, aka "Tam", is her best friend! ... and the girl she has a crush on, Athena realized it now. Athena doesn't know if Tam feels the same way or not, though. Athena still thinks Tamarack is the most amazing and most talented person out there, she wishes Tam could see it too. She's highly worried about Tamarack potentially leaving Golden Grove at any moment but she tries to hide it from Tamarack. "Tam probably has enough of people walking on eggshells with her", she thinks. Athena dislikes Tamarack's parents for not only never being there for their daughter but also for making her situation so uncertain, only for their own interests (in her eyes).

Another feeling started to grow: jealousy. Athena will feel jealous of anyone who seems a bit too close to Tamarack. Does she think she's no match for Tamarack? Yes. Does that stop her from being jealous? No. She knows she has no right to be, Tamarack is a wonderful girl, it's impossible not to like her, but she can't help it.

Athena grew to be even more bothered by her lack of resemblance with her mother. Some times before turning 14, she started to dye her hair cranberry, just like her mom's hair color (let's say Opal didn't really like to see that her daughter started dyeing her hair at her young age, reaction Athena didn't appreciate, all she wanted was to look like her mom, what's the problem?). Ironically, while Athena wishes so hard to look like her mom, her relationship with her became somewhat strained. As if resembling a completely unknown guy wasn't enough. Living his best life nowhere to be found, uh? Resentment is the word here. Never towards her mom, even if their relationship is not that good at this point, but towards this guy who gave her his physical traits she never wanted and started to despise.

At least she became used to live in Golden Grove.

Step 3 -

At 18, Athena is not the rough troublemaker that she was at 14 anymore. Now she's more like a silly prankster, seemingly always up to something more stupid than before, although she remains reckless and blunt (but less on purpose and more out of habit). Of course, her interest in visual arts remained intact. Her liking for creepy stuff turned into a huge love for horror and its aesthetic.

Her relationship with her mom is getting better than it was 4 years ago. Athena grew out of the resentment she had for her "dad" during step 2 and learned to accept she may not look that much like her mom, but that it doesn't cancel the fact she's Opal's daughter no matter how she looks. Plus "some bits of [Opal] did end up in [her]" after all, right?

Athena's relationship with Autumn is what you could describe as "siblings by hearts", Athena does consider them as the sibling she never had.

Athena and Tamarack are still officially "besties for life", but little do they know that they both ended up falling in love with each other, plain and simple.

Her jealousy and resentment did tone down, but when she thinks back to her 14-year-old self, she feels bad, so bad. For being jealous of Tamarack's friends, for being resentful of a random donor and basically making many things about herself. "Man, I was such a prick. And for what?".

If when she was 14, Athena felt like she was no match for Tamarack because she put Tam on a pedestal, at 18, she now thinks she's simply not good enough as a person for Tamarack. She kind of "accepted" that if Tamarack only wants to be friends, then it's fine, she cannot force Tam to love her back. It's silly to think someone like her could be extra-special in Tam's heart anyway (girl if you knew.), it's nice enough to be her best friend.

Between step 2 and 3, Athena managed to put a label on herself: she's lesbian.

[howl-clan]

moon 5

[hoofpeet]

Various experimental doodles paired with [part of] yesterday's journal entry 👍🐄

[platoapproved]

[northernsunsets]

Still thinking about the Shen Yuan as Ning Yingying's adopted older brother au

[dustbunsinspace]

What if Leo and Usagi kiss under a mistletoe. Will they actually do it?

(For those who have not seen the Christmas Aliens episode; Raph’s operating a movable mistletoe to help Casey get a kiss from April and Mikey is missing for most of the Christmas night, getting chased around the city by some thieves).

Well… no. Not yet anyway and for quite some time.

It’s 2004, world wasn’t very kind to gay people back then, or helped much with figuring things out for young queers (I would know, I was one). He still needs some time to precess. He just found his first best friend and he’s cool and strong and makes him happy and that’s all he wants to think about rn.

On the other hand feudal Japan was surprisingly okay with two men being involved romantically (despite the problematic side of things… good place to remind everyone 03 Usagi is a teen as well), so he’s a little confused by Leo’s mixed messages.

It’s okay, they’r still kids figuring things out. And when they will, there’ll be time for kisses.

Comic that happens later that night (that I posteed before).

Part of 🟢 Leo gets Overwhelmed au🟢

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[trashraccoongirl]

I want to write you a song One that's beautiful as you are sweet With just a hint of pain For the feeling that I get when you are gone I want to write you a song

I want to lend you my coat One that's as soft as your cheek So when the world is cold You'll have a hiding place you can go I want to lend you my coat

Everything I need I get from you Givin' back is all I wanna do

I want to build you a boat One that's strong as you are free So any time you think that your heart is gonna sink You know it won't I want to build you a boat

Everything I need I get from you Givin' back is all I wanna do

Everything I need I get from you Givin' back is all I wanna do

I want to write you a song One to make your heart remember me So any time I'm gone You can listen to my voice and sing along I want to write you a song I want to write you a song

[darkdragon768]

"Bill can't curse" this, "Steve can curse" that. May I bring to you: both can swear but Steve just prefers to come up with the most ridiculous alternatives just to annoy his brother.

Bonus:

[weirdly-specific-but-ok]

i broke so here's from crowley to his angel

I danced through all the fires, and I was so free

I was so unfettered, I was so unheld

Angel, I only stumble when you look at me

Why won't you touch me with more than eyes

Do more with your lips than just smile

It's only for you that I would ever plead

Angel, don't ask me to follow you to heaven

I don't need your forgiveness, I need your love

I don't need them to save me from damnation

Because when I fell from heaven I fell for you

And if you'll just for once try to understand

You've tempted the tempter and stolen the thief

So when after thousands of years I find the courage

To reach for you, to hold you to my dark heart

Forget the world that came between you and me

Don't choose to save it, choose to save us

The world will end in fire or ice, heaven or hell

But all that will matter is that we could have been us

So when they ask you to leave for heaven

Don't walk away, promise you're staying with me

Angel, tell me you said no

-Asmi

@neil-gaiman expecting that therapy money any day now, sir.