#wanted to mostly try my hand at them

[luvaaheee]

dirtbags lmao

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[bunnieswithknives]

YO I LOVED YOUR ANIMATIC ON YOUTUBE

Also, are you on the "Peri's a bit more magically powerful but suppresses it bandwagon"? Because I noticed that Wanda and Cosmo have regular human ears while Peri doesn't.

Eneways Have a Good Day!!

YOU KNOW WHAT I actually hadn't heard that headcanon yet when I made the animatic but the more I think about it the more in love I am with the idea.

I would be so ironically tragic if part of Peri struggling so much to look human was a direct result of how powerful his magic is and having to suppress it ♥

POV the one thing you want most in the world ia specifically unavailable to you and you only because of something many would call a gift

[birb--birb]

Its 2am and Im out here crying over a SKELETON IM 😭😭😭😭😭

[astracora]

A Mandated Holiday Break - Chapter 7

Characters: Sylus x gn!mc (poly lads)

Warnings: None

Word Count: 1554

Written: 22nd December 2024

Notes: Post-relationship Sylus/MC-centric but poly LADs, with my personal pov of the game and lil headcanons littered in.

Chapters: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10

Masterlist

He's been relegated to picking up supplies. You'd thrust a list at him that morning, and he'd almost seen a tail behind you, flicking and curling like a question mark.

It isn't the first time you've had him wrapped around your finger, requesting his assistance. Normally you only ask when you're sick, desperate for supplies and he's available. (He'll always be available.)

Still, this time you've handed him a list for crafts, shoved him from his own base, and you peppered his face in kisses before he can even respond or argue. 

Not that he would, but he wishes you would at least come shopping with him. He's found himself enjoying the domesticity of you puttering around aisles while he pushes a trolley. If he takes his eyes off you, you'll steal the trolley and go skidding down an empty aisle.

Which is how he stands now, in the living room of his base, hands full of arts and crafts supplies, while he stares at a tree he doesn't remember buying.

It's twinkling with lights half done, but otherwise it bears no decoration. The twins are balancing on each other's shoulders trying to throw the multicoloured flashing lights up towards the top of it. You're there underneath, ready to catch them if them.

He's pretty sure someone's going to end up with a broken bone. (Which he does not want to explain to the doctor.)

With a flick of his finger, black and red swirling mist quickly remove lights from hands and twist them around the top of the tree. Gently, and carefully.

He's only slightly smug, smirk in full, when you turn to him in surprise. He's even more smug when your face instantly warms, eyes twinkling at him.

If he were really a crow, his feathers would poof up and he'd preen. Instead he wipes his hand on his shirt collar and extends the bags he's holding, "For you, kitten."

Your whirlwind of activity rushes over, the twins wobbling before they manage to detangle themselves, grabbing at the bag and pulling them to the floor. Separating things out.

He watches absently, but you're focused and tapping on your chin as you think, so he abandons you to your considerations to make himself useful. Warm drinks in hand before he returns to you.

Sylus finds you showing the twins how to fold and make ornaments with coloured paper. He hesitates at the door, if you had wanted ornaments, why did you not just ask for them? He could have ordered any number. Any colour. Anything you wanted.

He's again unsettled by a strange uncomfortable dissatisfaction, you do not make it easy to provide for you. To satisfy every desire. He wonders how you became someone who holds them so close to the chest, scared to want, all over again. He offers hot chocolate to the twins, and frothed coffee to you, (the smell never gets better), before sitting next to you on the floor, cross legged and curious.

You look over and grin, and for a second he sees ears tilting forwards in mischief, pupils blown and ready to pounce. "We didn't have a lot growing up, so me and Caleb would make ornaments for the tree with Gran. The twins wanted to try..." there's a question there that you want to ask but you can't quite... get the words out.

He can read you well enough to know the hesitation, and he leans in, voice low, fingers brushing your cheek, "Show me."

Sylus prides himself on learning, he's good at picking up skills, but he cannot be said to be creative. He is, however, good at following steps. He does, however, enjoy trying.

It's not a new skill that will be useful for anything other than moments like this, but truthfully if he only ever learned skills for moments like this, he'd be a happier fiend than he has any right to.

The twins decide to get pens and decorate the shapes he folds, while you sit nearby fretting over a new challenge. He finds himself looking over and peering but you catch him and point at his hands in an unspoken order. Focus.

He chuckles, only you would dare to order him about, and only you would gain his obedience as he follows your orders.

As they end up with a pile of... he's not sure he'd call anything he and the twins have made art, the fish would surely have something to say if he tried, he already dreads the upcoming conversation, but you're thrilled and excited as you come over to look. Picking up paper baubles and stars that the twins have drawn silly faces on.

There's a happy flush to Luke and Kieran's face as you wholeheartedly approve, and he swallows a lump in his throat that he doesn't really understand. Yet he wants to cry, he thinks, and he's not really sure why. Or what caused it.

He doesn't linger, doesn't have time, as you're pushing him towards the tree, "You get the top, Luke, middle, Kieran, bottom." Then you're running off.

He's starting to think the holidays are a little too much trouble... (Warm, vibrant, comforting.) That lilting voice that sounds like yours again.

Your soul is always so noisy, he muses, warmed and placated.

They're almost done when you come back, this time you're not as energetic. There's waves coming off you, nerves and anxiety rippling under skin. He pauses, where he's about to hang a star, and looks down  at you. As soon as he does you swallow, shoving a cardboard box into his arms.

Not a box? It has numbers on it?

"We-" you swallow past the nerves and push on. Ever ready to fight a monster. Even if the monster is yourself, "also used to make calendars for each other. It's late, so it's only twelve days." He catches your hand before it scratches at your arm, smoothing his thumb over your fingers and then rubbing circles into your palm. He blinks down at the thing, and sees today. He drops the star he's holding unceremoniously and presses the little cardboard flap open.

The calendar is decorated with a picture of a crow surrounded by presents. He remembers the fish encouraging your artistic pursuits, and while he's not sure if it's good, he never seems to be sure if it's good... he knows he likes it.

Inside is a hand wrapped chocolate and a small note.

Day one - A reminder that I love you, and appreciate you always, thank you Sylus.

You're still fidgeting, and at this point the twins have peeked their heads over to stare at his bounty. The longer he stares, the more he realises he has to speak, has to respond but his throat feels closed and his chest is so tight. It hurts. It hurts.

"If it's stupid you don't have to-"

He drops his calendar and he presses you into his chest. He's sure if he were better practiced in his emotions he'd cry. Instead he just encompasses you in his body, squeezing and holding and drowning in you. He nips at your cheek, hand squeezing your face, he wants to bite and chew and claw and scratch.

He can't understand and he doesn't want to hurt, but he breathes you in. Relieved he has no tail to betray him, wagging furiously. You're giggling at his reaction, trying to pull away from his rough handling, calling his name out like knives in his heart, and he finally kisses you. Over and over and over. Tasting his name on your lips and your love in his heart.

Then he startles, pulling away quickly to see that thankfully the twins had caught his gift, the note and the chocolate. Placing it on the side. They're giving him a look like he's a fool, he might be, because he has an evol that can move things for him. Instead his foolish body betrayed him.

"Hunter! Do we get one?" Luke calls, pouting, and you keep a hold on Sylus' hand. Grounding him as he looks at your note over and over, pressing your thumb into his wrist, and smoothing his rapid uneven heartbeat there.

Still you extend a makeshift calendar to the twins, one each, identical except for the names. He can tell that you'd been careful to match every line. "Of course."

He absently notes that you've left four more on the side. The fish, the doctor, the prince and an untouched one for your family. The note is finally placed in his pocket, right over his heart, where he knows he'll keep it until it's worn and unreadable. Not that it matters, because he'll remember it always.

As you watch him smooth his fingers over it, you laugh, "You know there's eleven more days of those right?" Your nerves are still simmering, he can tell, but you're thrilled for his reaction and eased with his earnestness and joy. He lets your words settle and then darts to the calendar on the side, he hears the twins opening theirs but barely cares.

You panic when you realise he's going to just tear the thing open for more of your feelings recorded in pretty stationary paper, before you throw yourself at his back, "Sylus! No! They're for other days!"

[doctahchang]

janeway in tuvix but make it threshold au. no i won't elaborate

[canisalbus]

The way you draw hands, they are so expressive. So tender looking in their intent. I'm just in awe. I'm not a religious person at all but the first word to comes to mind when seeing the hands you draw is that they are somehow holy.

Aw geez anon, you're saying the sweetest things. Thank you!

[billdenbrough]

fundamentally disinterested in the recurring discourse about kevin's drinking that aims to a) make it his Specific Problem To Focus On And Overcome when it is a crutch and coping mechanism to get him through a Much Bigger Problem (emotional fallout he can't square with by himself, culture shock, trauma, loss of his extremely wildly co-dependent relationship w riko, losing the structure of the nest, mourning a future he was meant to have, processing a grave injustice, anger and fear and desperate grief, all of which is his Actual Specific Fox Problem) while he builds himself back up, and b) thinks that even if it is a problem (more on that later), it's the foxes' problem to deal with.

like. it's just not.

yeah, he doesn't drink until he meets them. they gave him that habit, and in traditional terms, they're (the monsters specifically) a 'bad influence'. but these are the foxes. this is kevin day, son of exy, whose meteor is crashing spectacularly through no fault of his own. there are no traditional terms to be found here. the framework for it literally doesn't exist. neil comes into the foxes with more conventional expectations—appalled at the athletes' substance use, his horror at matt's trip to columbia, his steadfast and early repeated stance that none of the foxes should let andrew treat them the way he does, and certainly not nicky—and tends to engage with them less as the series goes on and he folds himself into the foxes. the thing about the foxes is that they've all been in pits deeper than they are tall. and some of them got a helping hand on the way—erik, andrew's extreme intervention methods, stephanie walker—and wymack was always waiting for them on the other side, ready to throw down a rope, but all the foxes dragged themselves out of their own holes. often not alone, often not without assistance, but at the end of the day, they have to do it.

there's that line neil has about aaron in that scene that got deleted when the timeline shifted around, when he thinks about how aaron got this far in life on his own, surviving on willpower and sheer desperation. that applies to aaron in a way that's a little more acute than some of the rest of them—boy who doesn't let the foxes in bc of andrew, boy who doesn't let nicky in bc he doesn't know how, boy made of flinching and seeking an escape and grieving the one who hurt him—but is broadly true for the foxes en masse.

this isn't to say the foxes can't help each other, but it's not their job. it just isn't. they'll keep kevin alive, keep him safe, keep him flanked and contained within their ranks. they'll fight tooth and nail in this battle with him, fight to get him to that championship game, fight to get that trophy in his hands. but that's all they've agreed to. that's all they're responsible for, in this covenant they've made with him. he says they can make this happen, and they're going to get him to that final game, but it's up to him what state he's in when he gets there.

like. they're foxes. they've been triaging their whole lives. they hate each other and they hate everyone else more. they're the kids with their backs up against the wall. half of them are addicts. i don't think kevin is comparable, personally; he's getting through a horrific situation with a coping mechanism. that's not the same thing as battling yourself to stop using. but that's not really the point of this. what i'm getting at here is that to the foxes, it's easy math: kevin who can lean on vodka and andrew and wymack and the foxes to stay upright when he's not ready to stand on his own two feet is still a kevin who is standing. a kevin with one less piece of scaffolding to lean on is a kevin who falls over, a kevin at risk of complete collapse, a kevin one phone call away from running back to the master, a kevin one crucial loss away from not ever making it back to himself at all. they're triaging. this is low on the totem pole of things they have the room to care about. they very much have bigger problems, both individually and even just kevin-related. if alcohol makes seeing the boy he knew best in the world and moved in tandem with his whole life and who destroyed their entire legacy and his entire life in one move — if alcohol makes facing that boy easier to stomach, then, fuck, why would they take that away? they're foxes. they've all got their demons. this is what kevin needs this year and a half to let him face his, that's all. they can understand that. it doesn't have to be pretty, as long as it keeps him in the fight. that's the priority.

i think there's absolutely space to explore this in fic and art and fandom in a way that maybe does explore it as a Problem, both that it's an active problem for kevin & that it's something to explore other foxes helping him with (there's a t&n fic that i've been gnawing at the bit to read for months that seems poised to explore this premise, and that's super up my alley)! i just think we're in different territory when we're talking about the series—and its characters and dynamics—in a conversational rather than transformational way, and end up talking about this like the foxes are responsible for kevin's choices. i love kevin day. i read these back at the start of 2015 & he's so dear to me that loving him was the blueprint for how i feel abt kageyama. but it's been pretty weird to see how the conversation has been translating Loving Kevin Day into... thinking the foxes are doing wrong by him with respect to this in actual canon. like that's just not how it operates there

[trainerethan]

I think regardless of the situation red would be really stressed out by being given gifts if he's expected to open and react to them in front of others. He has the flat affect of all time and the added stress of knowing people want him to react a certain way just makes it worse.

Many ppl without flat affect already struggle to seem excited enough about things they're given but for someone like red who doesn't really outwardly react to most things it's truly dreadful. He can't stand the entire interaction of being expected to react a certain way knowing people will and often do see him as rude when he doesn't.

The only people he doesn't feel horrifically stressed about this around are like. His mom and green and leaf. Because they are familiar enough with him and know what kind of things he likes and don't make him feel so pressured to behave a certain way.

I think there would be some other ppl who sort of understand and try not to make him feel pressed about these things but red is a bit reclusive by nature so even then he can only feel totally comfortable around a few people. He sees and appreciates the effort unfortunately this is just his cross to bear.

[tj-crochets]

Hey y'all, weird question time again! Is there anyway to word "I appreciate how unintimidating and unthreatening you are being" as a compliment that does not sound at all like an insult? One of my doctors is the absolute best at it, and I genuinely think it must be a skill he's deliberately cultivated, but I cannot figure out how to word it in a way that doesn't sound slightly insulting. Like, it's a good thing! A very good thing, especially in a doctor! But I cannot figure out how to word it in a way that conveys that

[pallases]

IM FREEEEEE

[sysig]

Can’t, too busy flirting ♥ (Patreon)

[cozylittleartblog]

playing neopets again. finally used my last pet slot to make a faerie ixi, which was one of my dream pets as a kid 💜 she ended up with a big flower theme

look at my deer

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go

[mellotronmkll]

I need to stop having one weird reaction with someone and then letting the anxiety decide in my head that the friendship is doomed because I ruined it like it's my absolute worst trait and I just have to move past it but it's hard

[termagax]

re: "good girl" i think they say it once randomly as a joke and its just one of those things that gets him wayyy more than they expected it would. so now its their secret weapon and they use it very sparingly and every single time he gets super embarrassed about it but it works ill tell you what.