#wanted to make something similar with my blorbo

[wildxenomorph]

Ok so I saw sonic the hedgehog 3 last night and I want spill my thoughts

SPOILERS BELOW

I really liked that Shadow was explicitly described and portrayed as a kid—he’s Sonic’s age (minus the 50 years in stasis, where he clearly didn’t age physically or mentally)… he was manipulated by Peepaw Robotnik, he was a hurt child that was used by the govt and later someone he considered something akin to family………

Anyway that scene of sonic and shadow sitting on the moon… ahh damn it makes me tear up to think about

Also I like that sonic isn’t perfect—I like that he decides he needs the use the master emerald, he goes back on his promise with knuckles and tails and is ready to actively fight his friends to get to it, both to stop the evildoers and to get revenge for his/their father… he leaves his team after promising they would always work together, and he realizes that what he’s doing is wrong, realized that killing shadow wouldn’t make Tom better, it wouldn’t reverse what happened, and it would only make him regret taking a life

And seeing that compassion, that ability to make a difficult choice, even in emotional turmoil, has such a profound effect on shadow, because suddenly he’s seeing someone going through something similar to him, who begins responding like him before… not. He sees an option, a path, that previously wasn’t even considered—forgiveness, moving on… etc

I also like that knuckles calls sonic out when they square up over the master emerald. He explicitly tells Sonic that he’s in no mental state to make such a drastic decision, but he trusts Sonic enough that he lets him get the emerald anyway, and despite not agreeing with his choice he still turns up with tails to help out at the end.

I really hope that shadow is not just dead now, though, because clearly they plan to continue this film series (metal Sonic and Amy seem to be coming next, based on the after credits scene)… I’d like to see shadow pulled into Sonic’s funky little family with two parent humans, a dog, and a handful of mutant alien animals…

Let shadow learn how to have a family again, to move on, to honor and remember Maria but live a fulfilling life because it would’ve made her happy to see him happy

Also let him get some mfing therapy

Oh, also, I really appreciate that they used the super shadow coloring from sonic adventure 2, where shadow is more of a silver-gold rather than the bright yellow-gold of sonic (shadow’s coloring is way more like Sonic’s in the shadow the hedgehog game, and I kind of hate it)

Really my only complaint: about the film, besides them not hinting at or showing shadow surviving (please don’t kill my blorbo) {Edit; I have since seen a second end credit scene that I missed—thank you to everyone for sharing!! My boy lives!!!), is the fact that Rouge is just not around… which like, she absolutely wasn’t necessary, plenty of characters are/were omitted but I feel like with the pattern of introducing characters in pairs (Tails and Knuckles in 2, Metal Sonic and Amy in presumably 4), it’s weird that Shadow didn’t have some other character introduced in the same movie… Rouge could have helped with the infiltration of G.U.N., for example… but again she’s not necessary and it doesn’t really take away from the movie.

Final complaint is the G.U.N. lady, her name escapes me… the one who acted as essentially a secondary antagonist and was trying to secure the weapon keys. Tom gets the key from her by impersonating the other G.U.N. guy who died, and that’s the last we see of her!! Feels unresolved imo (though I wouldn’t be surprised if we see her again in 4, perhaps accusing Sonic of crimes committed by metal, maybe leading to a similar city escape-framed by lookalike situation that happens in adventure 2 with Sonic and shadow)…

Oh and last thing: I do think the movie spent a bit too much time on the Robotnik’s… it could’ve used a bit more shadow screen time imo…

And those are my unorganized thoughts fkejjdjndidkejs fun movie def recommend watching it

[floofanflurr]

More under the cut:

Inspired by this comic by @htsan

Don’t give up.

[nite-puff]

Found your Danganronpa OCs and I'M IN LOVE WITH THE ART FOR THEM! Assuming you haven't talked about them yet, can I hear more about Polaris by any chance?

Ah! THANK YOUUUUUUUU!!!!!!!!! THANK YOU SO MUCH!!!!!! And yes, I’ll tell you more about Polaris!

Getting it out of the way: Polaris is also the Ultimate Soldier. And yes, she’s part of a mercenary group. I know, I know, Mukuro. But she doesn’t exist in this universe, so it shouldn’t matter, we don’t have to bring it up. Okay? Okay.

She go in involved with the mercenary group young, very young. At first it was just so she would have people that would look out for her as she grew up, as her only biological family then was her uncle who joined the group. Growing up, the group sort of became her family as they traveled and helped any population of people that needed protection. It was through these experiences that she developed an inherent need to help people. But she still has to learn that not everyone can be helped with violence and can have their problems solved with just like….chatting. She’s working on it.

As she got older, she learned more about being on the battlefield and was trained to fight with weapons. With that, and all of the knowledge she learned from observing her group in action, she became a pretty skilled fighter very quickly, moving more towards the frontlines with every new mission.

Also important backstory detail! She was very close to her uncle, and he became like father figure to her. He was the main one that taught her everything she knows and he as kind of like her only tie to her life before the constant fighting and running. So she had a very hard time after he was killed during one of their missions. But she had no time to mourn in the moment because she was in the middle of something important. Maybe that experience will shape how she approaches the killing game idk!!!! Haha!!

While she may come off as very stoic and serious, she is very awkward and nervous to talk to people. She didn’t grow up around a lot of teenagers, especially other teenage girls. That and the hostile environment she’s grown accustomed to has led to her being disconnected from other people her age. She’s also just naturally shy with everyone.

But she wants to make friends! She wants to so bad! It was the main reason she accepted the invite to the academy and was okay with leaving her home and group for a little while. She even tried to research on things that people her age like these days. She’s very determined to make at least one friend!

I wonder how that goal will clash with the instant defense mode that activates in her when she finds herself in the killing game.

[poisonouspastels]

@beegswaz genuinely i think my favorite tags on any of my work ever. i fucking love when people talk abt my characters like this

[hyah-through-hyrule]

My crops would be so watered if I could just love a main/popular character for once

[strawberripine]

yet again emerging from the depths to post my last bits of fable art :,)

also throwing in a large sappy paragraph (slight cw for some discussions of family issues):

being a part of fable smp was such a privilege. when i first joined, it was just me and a couple of my irl blorbos deciding it would be a fun quirky idea to start an smp our own, and now it has become something truly impressive and heartfelt.

specifically from my perspective, playing c!momboo meant a lot to me. she’s similar to me in a lot of ways, obviously she is an extension of me, but i think she’s way more than that. c!momboo was based on another story that means a lot to me: Oneshot. if you’re familiar, her character is extremely influenced by not only the plant woman in act 2, but the world itself that communicates with you throughout the game. the idea of the world itself becoming so vulnerable and weak it becomes sentient really struck me, and I knew immediately that’s what I wanted c!momboo to be. what i didn’t expect was how much of a turn her character made early on, when jamie and swipn approached me half joking about her being their mom within lore. i think that’s what really ended up bringing her to life, and what overall became her main driving force: being a mother.

i’m gonna be kinda vulnerable for a second here: i never thought of exploring motherhood in any story i’ve been a part of, even before fable. the idea always scared me, since I don’t have the best relationship with my own mom, and i thought i would end up doing things wrong. but i think that’s kind of the point. there is no guidebook on how to be a good mom, you have to figure that out yourself, along with help from your kids. c!momboo wasn’t a perfect parent, far from it. she made some pretty intense mistakes, especially early on, and i’ll be the first to admit that playing her through those times was rough. there were moments where i felt i was leaning into the exact parent i would never want to be, and it was scary, but eventually c!momboo learned from those mistakes, making an effort to regain her kids’ trust over time.

c!momboo holds a special place in my heart because of all the things i stated, and while her story is over, i think she’ll always somehow end up in things i create. not by name, but her own courage and strength infused into what i do.

before i wrap this up, i want to mention the one story that really stands out to me from the process of working on fable: when the famous haleygar herself and i the night before the server released were scrambling to help sherbert figure out a title (not only that, but knowing this title would end up being the name of a certain major character later on lol) and eventually settling on Fable, not just because it sounded cool, but because that’s what this server was always meant to be: a story. a story filled with heart and soul poured not just from the cast, but from you guys. i think my favorite part of this project was always seeing what you all created, and how you guys ended up influencing us. our stories wouldn’t have been the same without you guys there, whether that be in chat, or even simply lurking. i’m grateful for all of you who were there, and i really hope you enjoyed the story <3

Until next time,

Momboo <3

[thatswhatsushesaid]

re: my tags about jgy and qin su in my reblog of that "does your blorbo have ptsd" tumblr poll, can we revisit that excruciating conversation in the jinlintai treasure room in cql? because one of my least favourite reads on jgy's expression and body language here is that he's being "creepy." and to be clear, i'm not trying to say you're wrong to draw those inferences here, because his behaviour is deeply, deeply unsettling, and i also find this scene hard to watch and to read in the novel. but i think if that's where your examination of him begins and ends here, you're doing yourself--and zhu zanjin's exquisite performance--a disservice.

so the 'creepy' bit is preceded by what jgy says to qin su while she has her back turned, and i find his words heartbreakingly sincere and very reflective of a man who has spent his life forced to feel shame and embarrassment over his mother, who he loves dearly and who he watched suffer right up until the moment of her death:

there are a few more very poignant lines in there about his mother and the depth of his gratitude to qin su (these show up in the novel, too), but i think the above encapsulates the same message. then the atmosphere shifts, and so does jgy's expression when he talks about jin rusong and how his death would have been inevitable--essential, even. this is also where i most often see him described as acting like a creep, and i have two separate responses to this that i don't really have the time to get into right now, but which have both doylist and watsonian components to them so 👀 you can probably make some guesses about what my arguments would be. if there's enough interest, i might come back to this later and put together a separate post about it, idk. anyway, i'm not going to get into the 'is he a creep' argument here because tl;dr no, i don't think he is, and also--

i find jgy's expressions here to be more indicative of a man who is, shall we say, Not His Best Self At The Moment 🫠 rather than a man who is intentionally trying to make a wife who, by her own admission, he has treated very well for the entirety of their marriage, uncomfortable. his attention isn't even on qin su or the hell that she is experiencing right now--because he is re-experiencing his own hell. because he, too, is traumatized by this knowledge! he's just had a decade and change to develop some deeply unhealthy coping mechanisms and masking techniques to hide it.

at this point qin su whips around and slaps him, which i know everyone likes to gif and fistbump and holler about in a positive way, but given there is no one in this scene who isn't enduring profound trauma in this moment, i, uh. you know. won't be doing that. i will focus on his face journey in the expressions that follow because they are just so

disassociating

disassociating

disassociating

/executive function switch is flipped in his superbly wrinkly brain, and then "qin su :) we still have so many guests to attend at the discussion conference :)"

a-yao? sir?? hello??? also i do not have the quote from the novel directly in front of me, but iirc he says something very similar here to what he does in the novel, which i'll have to paraphrase: that this revelation is only bothering qin su so much because she is actively thinking about it! it's only thoughts, you see! just don't think about it! haven't they actually been very happy all this time, while only one of them had to live with this knowledge and could not share it with anyone?

to which i can only respond with abject, horrified shock because, like. have you, jin guangyao? been happy and unperturbed by this devastating knowledge? because i think the answer is a pretty definitive no.

anyway i just wanted to quickly keymash my thoughts on this before they fled my brain completely but tl;dr yes, while jgy would not use this language to describe himself, he's absolutely got ptsd specifically around his marriage to his own half-sister, and their son.

[bemusedlybespectacled]

I'm not really a lawyer or lawyer adjacent so I don't always get what's going on when things happen in court with famous idiots, but I really enjoy reading your breakdowns of them. So please feel free to gush about your IRL Blorbo as much as you want! It's entertaining and (for me) educational. 🍿

Bruh he's just such a good lawyer, though, oh my God.

Also his wife is an environmental law attorney (basically a prosecutor against companies that flout environmental regulations), he has a garden intentionally designed to feel like Skyrim (including dragon skulls and a Viking shield just lying around), and owns two geckos and a "big chungus of a lizard."

But seriously, the dude is so good at what he does. And I don't think he's even 40 yet? But like, holy Jesus, the guy has such a fantastic understanding of the rules of evidence, he's got a fucking mental rolodex of citations to the rules of professional conduct that he can just pull out on the fly, apparently, and he does it all while also, like, subtly trolling?

Like, okay, the bit in the Perry Mason Moment where he asks Jones if he knows what perjury is? And he says it in this tone of voice that makes it seem like he's concerned about Jones possibly perjuring himself and is just trying to make sure Jones is aware of his options before lying on the stand?

I am 100% certain that that's actually a reference to when Dan Bidondi, Jone's "field reporter" who participated in the harassment of the families and is also incredibly racist, harassed one of the town officials by repeatedly yelling "do you know what perjury is?" and that he was "going to jail, criminal."

And the reason I think that is because he did something similar on the first day of trial:

That bit where he's like "will you talk to me?" The one part of the trial that wasn't filmed was jury selection, and apparently Reynal asked every single potential juror "will you talk to me?" before he asked any other questions. (I think it was supposed to build rapport? But apparently it came off as very odd) He's not actually asking Reynal "will you talk to me?" as a legitimate question, he's just making a reference to what had happened the day before, which is why Reynal flips him off.

Also his written motions are always hilarious to read. Even before I knew who he was, one of my coworkers at my old job (who got me in to Knowledge Fight) would show me his filings and they were always so wonderfully sarcastic. Seriously, look at this:

BECAUSE. HE DOES NOT. POSSESS. THE POWERS. OF PROPHECY. I AM CRYING.

anyway yeah i'm totally normal about him shhhhhh

[tavina-writes]

I have been pondering the recent rash of "post canon NHS and LXC would never ever reconcile bc even if NHS wanted to have Er-ge back, LXC would never ever forgive him for [insert reason of choice here]" type of posts + the "do you think NHS thinks very hard about how much Da-ge would hate him for becoming [the way that he is now] by choosing to seek vengeance" type of posts, and I think fundamentally the reason these posts do not jive with me is that we have no indication, in the show or in the book that uh, NHS gives a shit about either of these things very much anymore?

The first type of post is predicated on the assumption that LXC's forgiveness or lack thereof some some sort of either extension of mercy (which NHS obviously does not deserve <- or so assumes the post) or some form of punishment (which is obviously the correct answer) but the last scene we get with NHS both in the book and the show make no indication that this is a thing he wants? Or cares about? Book NHS has *sauntered off* with his little hat trophy and Show NHS walks off screen after saying something along the lines of "What is my responsibility I won't shirk, what isn't my responsibility I won't care about." Now, arguably, show NHS is having a worse go of it emotionally, but shows no real inclination or interest in either apologies or making up and being friends again with LWJ, LXC, WWX, or other people. Book NHS seems pretty pleased with the outcome of the events as a whole?

The second type of post is predicated on the fact that NHS finds Da-ge's judgement a horrible burden to bear at this stage in the game, which! He might! But again especially in the book we get no indication that he has any fucks left to give about what Da-ge may or may not have wanted since Da-ge is dead. In both the show and the book, NHS went about revenge taking very specific and complicated actions with the desired result of JGY dying, but he certainly took the scenic route getting there, which, he didn't need to? As I've written about before, JGY didn't see him as a threat. If he wanted JGY dead he could've arranged to poison JGY's tea like, 10 years ago and had done with it instead of his complicated Rube Goldberg life ruining scheme. If he is still sickly anxious about how Da-ge might feel about the scheming and the trouble causing and the whole everything, that's certainly possible, but he must've decided it was worth it anyway regardless of that, and I don't know that it necessarily would've changed just because he got what he wanted at the end.

Overall, I think as a fandom we think a lot about like "will and should this relationship ever be repaired or similar to how it used to be?" and "does this character deserve/not deserve the forgiveness of people they've hurt or abandoned?" which can be interesting questions! I do feel like these are often taken as "is a character morally good (deserves to be forgiven) or morally bad (deserves to rot in hell forever never forgiven ever ever)" and based entirely on if Character is the meta writer's blorbo. Under this paradigm the concept of "Character did bad things to get exactly what they wanted and were happy about that and no relationships were ever repaired and the emotional detachment of people they used to care about no longer matters to them!" is uncomfortable.

It's just that for NHS I've increasingly come to the conclusion that canonically, I don't think NHS thinks he has anything to apologize for, nor is he super interested in being forgiven! He got what he wanted the way he wanted it to happen. Which is potentially supremely unsatisfying but I think is very sexy as a narrative concept.

[artemistorm]

Here is my late rambling analysis of the new LU update:

I love Wind's face and posture. He's just like "Challenge accepted!" Hyrule and Wild my beloveds <3

A lot of people saw this sequence and went "oh no something bad is going to happen to Epona!" but I took it to mean that Epona doesn't want to go in the dungeon and that Twilight knows that Epona will be just fine hanging out outside (tasty snack time ehehehe).

I can't put my finger on exactly what's changed about the coloring but WOW it is popping. So vibrant. I love it. Made my eyes happy.

Also I love it when Jojo draws the gang in lines like this. It makes me think that she's doing it for fun (just like when you draw your OCs in lineups a million times cuz it makes you happy), that she still loves and takes great pride in showing off her blorbos.

Also, Wild is taller than Legend (and Hyrule) >:)

I love that he spelled this out to the others. Makes so much sense. In Lord of the Rings terms, most of the other Links are like Frodo and Sam running around to secretly bring the ring to Mordor, while Warriors is like Aragorn who straight up charged the Black Gates of Mordor with an army.

It's so funny how all the other heroes automatically assumed that Warriors' Hyrule had dungeons and that he just didn't bother to go through them. XD

So this implies that A) that comic where Wild and Hyrule met the wallmaster happened recently and B) it was sometime when Wars wasn't there with them, which makes me think that the wallmaster comic happened at the same time as this comic:

And then there's this:

I can't remember where I read it but I seem to remember Jojo saying that Legend was the most likely to prank others and this is an example of that. This is a characterization that surprised me at first (I would have expected Wind or Hyrule to be more of a prankster) but if you think about Who Legend Is, it actually makes a lot of sense.

I was trying to figure out which game this skulltula is from and my conclusion is that I think it is most similar to skulltulas from OOT 3D / MM 3D. I wonder if that means that they are in or near Time's time. Either that or this is a case of monsters getting mixed up between Hyrules like we saw in the Threatening Shadows story arc.

Time is clearly very wound up still over what happened to Twilight. While all the other heroes have seemed to pretty much bounced back after that harrowing incident and are caught up in youthful optimism and the excitement of a new dungeon, Time hasn't forgotten and he wants to make sure the heroes don't forget the seriousness of their situation and their enemy. Just because the Shadow was defeated once doesn't mean that they can do it again so easily (not that it was easy before).

My writer brain immediately interpreted this as foreshadowing that they aren't going to even make it to the central chamber before the group gets involuntarily broken up (trap doors my beloved mwahaha). Of course that may not end up being the case, they may make it the central chamber without incident.

I figure that ideally the group will split into 3 groups of 3, each group having at least one older Link (Time, Wars, Twi, Sky) and one younger Link (Four, Legend Hyrule, Wild, Wind). How much you wanna bet that Time wants Twi with him in order to keep an eye on him/protect him?

Anyways, that's all I got. Bye!

[ostrichmonkey-games]

OC Incubators: TTRPG Design for Making Cool Little Guys

I've been thinking a lot about why some people like to play Certain Games and how that intersects with action figure style play and the desire to make your own little blorbos.

What is it about Certain Games (which will not be named so I don't go down a rabbit-hole of breaking apart that game's design lmao) that really gets people's sitting down and just making a whole bunch of cool OCs? You know, your zany wizards, sexy demony bards, and all of that.

So, I've talked a lot about this with some people (shoutout to @temporalhiccup), and I'm not the only person to be thinking on similar wavelengths (check out this fun read by @sprintingowl), and in those discussions and in that reading, I've put together a few what I think are Key Ingredients for making ttrpg that is also an OC incubator. At least, in the sense of how I would want to do it.

So first, what is an OC Incubator? My definition is basically any sort of semi-sandbox/open ended game where you make your own cool character and then go do cool things. Along the way of doing those cool things, you come up with cool stories and have your OC evolve in even more cool ways. Cool, yeah?

Here are the key ingredients I've identified for the incubator stew (store bought is fine);

Character Options

Character Potential

An Inviting Sandbox

So let's break these down a bit more below;

Character Options

Character options is the most straightforward of the points. You need interesting and fun options - building blocks - for the players to craft their little guys from. Options that are exciting and easily communicate their core identity quickly.

A lot of this is walking a fine balance of providing enough options that making a choice is exciting, but not too many so as to be overwhelming.

But ultimately, these options are there to hit the dollmaker, picrew, character customization screen, itch. It should be fun to make all those decisions.

Aside: I gotta do more stuff with lifepath systems.

Of all the main ingredients to our incubator, character options are probably the easiest to come up.

Character Potential

This is where things start to get a little more complicated. Potential is all about aspiration. It's less about being able to get to that point, but more about "oh wow, look at all these extra things my cool OC could do".

These options are something to look forward to, something to think about. Neat cool extra doodads for making your cool little oc even cooler and expand on your cool little oc's story like milestones and growth.

In a lot of ways, these sorts of options are just an iteration of the initial character options you use when making your character. These are probably going to expand on core elements of the character options (class or playbook abilities, etc).

Again, the key point is potential and aspiration. To make you think about the future of the character.

I think, ideally, a game is intrinsically rewarding to play. You play it because its fun, not to get some sort of external reward. Play to play. But it also can be fun to put some carrots on the stick.\

As a treat.

Inviting Sandbox

The setting and premise of the game needs to invite players in. It's the big fancy dollhouse for all your cool toys. There needs to be space to play in it, but also there needs to be something to still play in! Some games are operating at an advantage: with well established settings that have been around for years and/or using a setting that utilizes tropes and ideas that also have been established for years. You know. Elves and stuff.

But! You absolutely do not need a well established setting or play with well established tropes to make an inviting sandbox! The main criteria is that it is inviting. Whatever that means to you, go for it. For me, an inviting setting, one that would make me want to play around in, needs;

Enough foundation to guide the play. What are the major players and assumptions of the settings? Give me the overview and broad strokes first!

Enough space for the table to add to while they play in. If every thing is set in stone, then what are we playing in this sandbox for? You need some sand to sculpt! Put some sand in your sandbox!

I could spend a lot more time talking about settings, sandboxes, and how it all circles back to anti-canon, but that's a story for another post.

Mixing It All Together

So, with those ingredients identified, how do you go about layering them all together? How should they interact with each other? And the easy answer is "I don't know, figure it out."

But also, I don't entirely know. You gotta figure that out for yourself. That's part of the design process. I don't think there's one singular way to "design" around getting people to have fun whipping together some cool OCs and then playing around with them together. In many senses, you can do that in practically any game. But for some of my current projects, I want to try keeping the three ingredients in mind as I write the games (particularly Furry Crime Game), and see what happens. Maybe it'll end up hitting the notes I want it to - crafting a game that makes the players constantly rotate their cool little guys in their mind - maybe it'll end up being something else. I dunno, real Ms. Frizzle hours: Get messy, make mistakes.

Also, as I'm writing this out now, I think a potential fourth ingredient to try mixing into the stew is Player Investment. Time, creativity, emotional. It all feeds into the character and different games expect different levels of investment. Something to probably keep in mind while you hone your game.

I don't know how else to end this, except to say that I'm excited to experiment in this space. Maybe you are too?

[sillylotrpolls]

About Reblog Graphs

Have you ever clicked on the "reblog graph" button of a post? I think they're one of the... well, maybe not greatest features on tumblr ever (polls are probably better), but they're still pretty darn neat.

I want to show some cool patterns I noticed on some recent posts of mine, but first I'll explain how reblog graphs work so you can more easily follow along.

This is pretty long with a bunch of pictures, so click the cut to read more.

How reblog graphs work

If you've never done so before, I invite you to click the notes button on this or any other post and then the icon with four circles. You will then see a bunch of dots connected by lines.

For example, if you click the graph for the "blorbo in Elvish" post, you get something like this:

Now, let's zoom in a bit. You can do this by using the mouse wheel and clicking and dragging around the graph until it's showing what you want. (I don't know how it works on mobile, but presumably it's similar to using Google maps?)

This next screenshot is the bit in the lower right of the graph shown above. However, the graph may not always display in the same way because reblog graphs are re-generated each time you click the "reblog graph" button.

Here you can see that I'm viewing the root post, which is the original post made by me. It's indicated by a circle with a dot inside. You can also see that six people reblogged that post. Each reblog shows as a dot with a line connecting it to the post it was reblogged from.

Now here's a cool thing about reblog graphs: they're interactive! You can click on any dot and see the post it represents and the reblog chain that led to it.

For example, clicking this dot that has several lines emanating out from it shows that it is "2 reblogs deep" and was posted by @cycas.

Got it? Close enough? Cool, now let me show you some neat things I noticed. :D

The Swedish Chef poll and very popular bloggers

My polls tend to average between 500 and 2000 votes, depending on subject matter. The Swedish Chef poll, however, took off and eventually garnered over 22,000 votes. How did that happen? A very popular blog reblogged it about five days in.

Initially, the graph looked like this. (This is the first 200 reblogs.) There's nothing unusual here. You can see that the root post had several reblogs, and that there's another cluster developing around a post by @zagreus. There are also several reblog chains where just one person reblogs someone else's reblog. Some of these chains peter out, while others find their way onto the dash of more popular bloggers, creating clusters.

A quick note about "popularity"

Yes, yes, it's all about "popular." However, it's not just about having a bunch of followers. What's more important is that the "popular" person reblogging your post has followers who are specifically interested in your post.

For instance, if I, @sillylotrpolls, make a poll about LazyTown, it's probably not going to get very many reblogs because my followers aren't here for that. However, if @silly-lazytown-polls reblogs the poll, that reblog might then get quite a lot of reblogs itself. It's not that silly-lazytown-polls has more followers than sillylotrpolls, it's that it has more followers specifically interested in LazyTown content. Make sense?

Back to the Swedish Chef poll

The poll eventually got over 5,000 reblogs. Since you can only add 200 reblogs to the graph at a time, you can roughly see how a post spread over time.

With 600 reblogs loaded, a new cluster bursts onto the scene. This is @bunjywunjy, who reblogged the post from @beecreeper who reblogged it from @soggypotatoes who reblogged the original.

Bunjywunjy didn't add any tags or comments, so I didn't even notice at first because it didn't show in my activity feed. However, I did notice a sudden uptick in notes on the post, which caused me to investigate. It had been five days since I posted the poll, and usually polls that are going to take off do so sooner than that.

By continuing to click the "load more reblogs" button I can see how the post further spread, especially from bunjywunjy's post.

When the post reached @beggars-opera (whose icon I am somewhat proud to announce I identified on sight), they added a screenshot of @stylishanachronism 's tags which said:

# all of these are incorrect it's the 'meat's back on the menu boys!' scene

This would become the dominant version of the post as it further spread. Interestingly, this was the only reblog of stylishanachronism's reblog. Literally thousands of people loved their tags and agreed with them, but they quite plausibly never saw it unless they specifically went looking.

By 3,200 reblogs, you can see even bigger clusters developing. @thebibliosphere shows up 10 reblogs deep, and leads to yet another cluster via @teaboot (12 reblogs deep).

Eventually, with all 5,371 reblogs loaded, the reblog graph looks like this:

Like I said: neat. :D

Cool, but if you've seen one, you've seen them all - right?

So what prompted this (extremely long) post was actually the reblog graph for my poll on inspirational LotR quotes.

Here's the reblog graph with 200 reblogs loaded:

And here's the graph with all 1,890 reblogs loaded:

It's just one big cluster around the root post. I've never seen that before!! Almost everyone reblogging this post saw it either because they follow this blog, saw it in the #lotr tags, or because their non-influencer friend reblogged it. (Or maybe it was in some kind of algorithm/the explore feed, but I have nearly zero experience with those.)

And this wasn't just a small post. This poll got over 15,000 votes and more than 4,000 notes. That puts it in the top 10 polls for this blog.

What does it mean? I have no idea. I would really like to know! But really, I got nothing. If you have a theory for why this particular poll should result in a reblog graph like this, I would very much like to hear it.

Orphan clusters

To round things off, I'd like to show another interesting facet of reblog graphs: orphan clusters.

This blog's current undisputed poll champion is the fmk wheel poll. That's not really a surprise, as it combined sex with a fun game where you just had to tell everyone what you got, which meant either a reply or a reblog. So it spread pretty far.

However, if you look at the graph, there's something odd going on.

This is with just 200 reblogs loaded:

Notice how some of the dots don't connect to the root post? That's because somewhere along the chain, a reblog was deleted.

This cluster in the bottom left got pretty big! This screenshot is at 800 reblogs loaded. The missing link is from a blog called @gendertaliban that doesn't exist anymore, as near as I can tell. That makes it impossible to trace the full path of any of these reblogs.

In conclusion

This concludes today's deep dive into a tumblr feature you probably never paid any attention to. Admittedly, there's not a huge use for it outside of determining which of your mutuals is an "influencer," and they get quite difficult to navigate after loading about 1000 reblogs, but I hope you enjoyed staring at dots and lines with me. :)

[mandiemegatron]

Why kill off the reader in the second part of losing the war? I was expecting Kidd or Killer to get hurt or something but killing the reader? Tell us you don't care about your readers without telling us you don't care about your readers. Who the fuck kills off the READER? Take the L and maybe stop acting like your writing is better than it actually is.

*deep breath*

Okay.

I've received a handful of anons similar to this one and I didn't think I'd have to come on here to break down my ideas and give reasons as to why I wrote something the way I did, but clearly some people are pretty pressed over my choices for Just Come Home. Everything under the readmore so I don't clog up people's dash.

Let's break this down one point at a time. So firstly, my choice to kill off the Reader was actually a last-minute decision while finishing it off. My original idea was reader never forgives Kid and decides to fight Kid and Killer instead, losing and being left for dead (for Law to find), but decided, why not even more hurt? More pain and more anguish, as I was asked to put Kid through via some askers/anons. I found the best way to do that, was to kill off the reader. Have them make amends only to have that ripped from Kids hands and destroyed with a simple flick of the wrist, and honestly, the fact that I had myself in tears while writing it gave me the motivation to continue with that idea.

I also wanted to delve into trying my hand at Law who felt backed into a wall and decided to spill blood, all for the sake of having an upper hand, and if that meant he had to off the reader to keep that upper hand, then so be it. I wanted to write something different from my usual angst, something a little more devastating and I feel like I hit that mark pretty damn close. Truly, I'm sorry you feel differently about it.

Secondly, don't you EVER come into my inbox and point fingers, saying I don't care about my readers. Buddy, I probably care TOO MUCH about my readers, about what they think and about how they feel when reading my writing. This is incredibly hurtful for you to come up here and essentially scream in my face that this isn't good enough. I need you to understand that if you dont enjoy something, that means it wasn't written for YOU. Not everything you come across is going to be to your taste and it's insanely self-centered and entitled of you to come in here and tell me I don't give a fuck about my readers because YOU thought it was stupid. It feels like you're taking this a little personally and I don't understand why.

Lastly, i don't sit here and brag about my writing. In fact, I feel like I stay pretty quiet other than some self reblogs of things I've written when I'm feeling that certain blorbo. It's confusing and again, hurtful, for you to come in here and essentially tell me to shut the fuck up... on my own blog. That's some strange activities there, buddy. I think you maybe need to log off for a bit, go sit in nature and do some deep breathing because this is crossing the line over to chronically online. Please go outside for a bit. Please revise your manners and remember the golden rule. You don't have to be religious for you to understand "treat others the way you want to be treated".

Do better.

[olderthannetfic]

Whenever I see the "there is no F/F content in fandoms, fandoms hate women" discussion on Tumblr, all I can think of is a phrase that is guaranteed to enrage half the Tumblr fandom audience, maybe more: "Have you tried imageboards?".

When I was younger, I used to frequent different anime and cartoon-themed imageboards. Big ones like 4Chan's /a/ and /co/, smaller ones meant for specific fandoms or kinks, non-English ones in my native language, you name it. The users were mostly straight men, and the F/F content and shipping flourished there. The "waifu threads" exclusively dedicated to gushing about female blorbos. The wast majority of kink content involving fictional women, either alone, with a nondescript self-insert man or with each other. The F/F fanart, fanfiction and ideas were just limitless, to the point where you would struggle to find one or two discussions about the guys in the midst of everyone celebrating the women.

The anime, cartoon or comic has a cast full of women? They will all get love. Women and men both? Women will generate much more discussion. One or two women amidst the cast full of men? People will mostly post about the two women, deal with it. Sure, there were designated boards and threads for the male characters, but good luck expecting there to be as much activity as there were in the waifu threads. The fandoms with lots of female characters, such as Touhou Project, thrived on these grounds, and much F/F shipping was had by everyone.

Now, of course, the imageboard culture is an entire separate beast. Right-leaning, edgy, bigoted - basically, what you get if you put a bunch of ostracized and lonely cishet male nerds in an echo chamber and let them feed each other bullshit all day long. A lot of the F/F art they made was sexual in nature, something that could be decried as sexualisation, but, the way I remember it, it was not much different from what is often done to male characters by straight women who ship M/M because they find the two dudes hot. A lot of gushing about waifus by the anonymous 4Chan dudes could be seen as misogynistic, despite the language being practically the same as when a Tumblr fandom girl is describing her blorboman and the things she wants to see done to him.

It all comes down to the the real life influencing the way we interact with fiction: male sexuality is viewed in a different light than female sexuality, despite both being more or less demonized in our society, just in different ways. Men are always predators, women are always victims. When a guy has sexual fantasies about a female character, he is a creep who wants to hurt real life women to enact these fantasies. When a woman has sexual fantasies about male characters, she cannot tell fiction from reality and is at risk of getting hurt by men while trying to enact these fantasies. And if either of them fantasizes about a same-sex couple, they are fetishizing queer people, obviously.

However, that's just how people roll - you cannot change what gender you are attracted to, and people with similar attractions stick together. It just so happens that the fandom side of Tumblr largely consists of straight women and queer men, so you get ships with guys, while the fandom side of 4Chan and the like largely consists of straight men, so you get ships with women. Both sides also happen to have cultures that don't mix well, and someone who frequents one place is likely to avoid the other.

I don't frequent 4Chan anymore, and I'm not big on fandom Tumblr, either, but Tumblr continues to be the unique place where I am more likely to stumble upon erotic fandom content featuring men than women, who are the majorly discussed and shipped characters practically everywhere else. I obviously do not excuse 4Chan's bigotry and rampant hateful bullshit, but my point still stands: if you want to see more F/F shipping and discussions of girl blorbos, but don't feel like making some yourself and creating a like-minded community on Tumblr, you should try your luck elsewhere on the Internet, especially when it comes to anime and cape comic fandoms. Tumblr is a unique place in terms of male-centric fandom content, and honestly, it's not that bad, if Tumblr isn't the only place you find your stuff at. It simply occupies a specific niche and doesn't offer much of everything else (though you can still find it if you look).

--

Now, be fair: plenty of imageboards are full of nominally straight guys who love millions of female blorbos... and art of Link getting wrecked.

[thebramblewood]

this is in a similar vein to an ask you got recently but do you have any tips for those who are interested in sims 4 (or even other games like ts3 and ts2) storytelling? I write fanfiction but I think making sims 4 stories could be a fun venture. Anyway, thank you for your time! I love your stories so very much they're literally my hyperfixation!

Well, that makes two of us because it's literally my hyperfixation. I think I've shared bits of advice before, so some of this might sound familiar, but here are some things I think are important to remember (and I tried to be concise, I swear).

Write the story you want to write. Obviously, it's a great feeling when something takes off and people get invested. But if you pursue an idea only because you think Simblr will like it, you probably won't be inspired for long and it'll probably show. I've been very lucky with my story, but it didn't blow up overnight. Early on, I was thrilled to get double digit notes or one reblog or comment and was admittedly disappointed when I put a lot of effort into something and nobody seemed to notice. But I kept going because I was obsessed and wanted to see it through, and that's more true now than ever.

Start with low stakes and allow yourself to evolve. Before I was on Simblr, I made Sims stories with no poses or visual enhancements or fancy editing. I wrote them for myself, and I loved every minute of it, but they also gave me a solid foundation for the kind of storytelling I do now. Even after starting this blog, I eased myself into it. I learned how to use poses and Reshade, then moved on to more advanced editing techniques, then moved on to teaching myself to make poses and very basic CC. If you try to learn it all at once, you're more likely to give up because you're overwhelmed. Take your time and make peace with the fact that perfection isn't possible. Everyone's always learning!

Take advantage of the fact that Sims is a game. Even though I've been a creative writer for most of my life, I don't come up with fully-fleshed, elaborate Sims stories from scratch. It started off with my legacy and not wanting every generation to feel the same. I thought about gameplay I hadn't experienced yet and centered each generation's story around that. Even with HZID, I just wanted to make and play with vampires! That's it! Initially, I used a lot of gameplay to convey Helena's college experiences, and I still try to incorporate it when I can. It can really be a great base to spark your creativity if you don't know where to start.

Don't have a life outside your story. I'm joking. Kind of. I'm not a very social person and I don't like leaving my house if I don't have to. This leaves me with a lot of time for working on story things. Honestly, I could probably stand to work on it less. But for better or worse, I'm doing story-related things most nights and weekends, and even if I'm not doing anything, I'm thinking about it. It's probably mental illness, but we'll just call it passion. At the same time, it's also important to take breaks! If you're feeling burnt out, step away for a while. If you can't make yourself step away completely (raises hand), just edit the script or spin your blorbos around in CAS or something rather than going straight for posing a scene.

Follow and interact with other storytellers. This is probably the most important thing, and as someone who struggles with social anxiety it was the hardest for me to do. But I try to make a point of keeping up with other stories, commenting, and reblogging. Not only will the amazing talent of other writers inspire you, but you're building meaningful connections that make them more likely to want to interact with your story. There's no denying it feels amazing to watch your audience grow. But no one's going to see you if you don't make an effort to be seen, as scary as it can be. So try to be active in the community and support other storytellers the way you want to be supported!

[theglamorousferal]

I really wish I was good enough at making chatfics to be able to make a fic where all my favorite blorbos can chat together and they slowly find out they had Gone Through It™️ in their tweens and teens and now have a support group together.

I want Dipper who has gotten more into magic studies and has learned to banish ghosts and do little light spells and whatnot. I want Mabel to have learned different martial arts and have magic brass knuckles or boxing gloves that are bedazzled to hell and back and a sweater with a protection similar clumsily sewn in by Dipper.

I want Anne to have people discuss the fact she’s destined to be a god once she dies. She gets along with King who has similar responsibilities.

I want Star and Marco and Tom to be able to go on adventures with the Hexsquad.

I want Wirt to admit that it *was* real and that it’s okay that it happened and he’s not alone.

I want Jim and his crew to be able to chat with Danny and the rest of Team Phantom about the responsibility of fighting and defending a people they hadn’t thought were real and having to become something more.

I want Star and Aja to talk about ruling (if we go with Ghost King Danny, I want him to get tips from them.)

I want Dipper and Amity to tinker on magic shit together. I want Douxie to teach Dipper some new magic.

I want Mabel, Luz, Marcy, Toby, Tucker and Jana to have a D&D&MD game going.

I want all my kids to get along and talk and hang out and go on adventures.