#want to watch me get my ass kicked by perspective

[bonefall]

Is there beef with the Holstein cows and you or what was that joke lol

It's kind of wild It's just never come up on this blog before, but I HATE holsteins. Bottom 10 cow breeds for me. I hate how they're so common they account for the majority of milk produced. I hate that they're the "default" cow to the point where some don't even know cattle HAVE other colors. I hate their tiny horns (IF THEY EVEN HAVE THAT. LOSER ASS HORNLESS COW) and their painfully massive udders.

Legit I'm trying so hard to not launch into a No Mouth Must Scream style AM speech-- shoot my hand slipped.

(AM speech about why i dont like holsteins below the cut)

For starters, I have to give a brief lesson on what these terms mean; the "Holstein" is the American strain of the "Frisian" breed. Frisians are an ancient breed from Frisia, in the north of what we now consider the Netherlands. Crosses between the breeds are "Holstein-Frisians."

(There’s even more to this but im keeping it as simple as possible. Also one of my friends is Frisian and she is probably going to kill me for describing it like that.)

Historically, livestock was adapted to the environment they lived in. Frisians were bred by the Frisii people for hundreds of years in extremely grass-rich, lush, flat environments. The "polders" of the northern parts of the Netherlands. They're huge and eat a LOT of food.

Traditional Frisians were developed to produce as much meat and milk from a single individual as possible, without compromising the health of the cattle with constant inbreeding to get quick gains. We are talking about a breed that is over 2000 years old. They had the perfect environment to make The Ultimate Food Cow and by god they did it. I can respect that.

So, take that, drag it across an ocean to a place that does NOT have polders, and add the rapid enshittification of capitalism to it. BAM you've got a fucking holstein.

There is ONE goal for "improving" the holstein. Make More Milk. As long as the black and white milkbag leaks enough, nothing else matters. Health? Fertility? Feed ratio? Ability to not die of infection? WHO CARES. MILK LINE GO UP.

Over 90% of holsteins are inbred to start with, because Milk Line Go Up. To the tune of having an average COI of 8%-- where extreme negative effects (think Hapsburgs) start to crop up around 10%

Holstein bulls are aggressive bastards (many dairy bulls are), so no one wants to keep intact males in their herds, meaning most cows are artificially inseminated

Not being limited by the natural lifespan of a living bull means that the same stud can keep having direct offspring for decades after his death

Toystory the bull had 500,000 calves before he died, and hit over 1 million offspring in 2015. That's ONE animal and to put this in perspective, there are 9 million holsteins in the US.

DON'T WORRY IT GETS WORSE

Not only can 99% of holsteins be traced back to just two bulls-- 99% of male holsteins share one of two exact Y chromosomes with those two bulls.

The gene pool is so small that it's equivalent to about 60 individuals. Warrior Cat allegiances are larger than that. That's barely bigger than modern ThunderClan.

"Massive lack of genetic diversity" does not begin to capture the existential dread of this situation. Mark my words, WATCH, when the Bird Flu finally mutates a strain that rips through a mammalian population, it's gonna be in the USA and it's going to be through our dairy cattle.

This is not prophecy or me laying a curse on the land, this is the natural consequence of basing the stability of US milk production on the equivalent of 9 million clones of two classrooms worth of individuals, and then packing them in close quarters

And we don't have to wait for doomsday for the impacts to be apparent on the cattle themelves

Holstein fertility has also dropped by half since the 1960s when the intensive inbreeding really kicked into high gear

Because their whole body is dedicating all of their resources to milk production, they have a notoriously "bony" frame.

Show judges, however, like this because they think that's a very "feminine" look for a 1600 pound ruminant. Very normal thing to think.

Like. I don't know if i can communicate this to people who don't look at cows a lot (it's not quite as obviously dramatic as a pug skull) but here is a comparison of an "ideal" show holstein and an "unselected" holstein from a herd that's been established as a sort of "control group" for what they looked like back in the 1960s;

The way that the artery on the "modern" cow's belly runs to the udder like a big pink worm freaks me out the most ngl

The udder also bulges out from between the back legs

The show cow is so thin

And then compare these both to a Holstein-Frisian cross who leans more on the Frisian side;

Proper weight, developed legs. Its biggest "problem" is actually just the udder shape-- deep udders, which "hang" low like that, aren't optimal for milk-focused breeds because the higher away from the ground the less chance there is of infection. In that department, the "unselected" holstein clearly outclasses the holstein-frisian.

But it probably won't be surprising to hear that the "show holstein," with its massive, swollen udder, is SUPER prone to infections such as mastitis.

But it is also just more prone to getting sick generally

And, to keep up with these insane demands, holsteins need a TON of food. You aren't going to just turn these things out into a pasture and be done with it. Even its ancestor the Frisian needed premium Dutch polder grass to be such a good cow-- crank that up to 11 with these Monuments to Humanity's Hubrice

The Texas Longhorn developed in semi-feral conditions and can eat a bush to become the best thing in a 10 mile radius. The Scottish Highland was iron-forged in upland moors with a steady diet of turf and rain.

Meanwhile if a Holstein has less than 5 homemade meals a day without poland spring bottled water it will die to death.

And the WORST part? You have to use these if you want to make money in dairy farming. It's WAAY too expensive to just run a suboptimal farm. Their milk isn't great, but they sure do make a lot of it.

...so Holsteins and Holstein-Frisians (and other "super efficient" breeds) have absolutely decimated heritage cattle. The American Milking Devon is a deep reddish brown with gorgeous horns and low maintenance; rare. Randall Linebacks are painted with lines of white speckles down the back and can be used for any purpose; critically endangered. The Niata was a pug-faced cow who could fight jaguars; extinct.

And THAT'S what makes me hate them most of all. I LOVE cows, but whenever I see a reference to one, it's a holstein. It's always boring black and white splotches with big pink udders. They're practically synonymous with "cow" when their homogeniety is actually hiding much cooler breeds from you.

Did you know cows can be tiger-striped?

And that England has its own type of longhorn?

Or that cow horns can twist upwards like an antelope?

And that they can have REALLY LONG ears?

And that they can be blue?

And that's not even getting into some of the cows that have gotten a small crumb of attention lately, such as Highlands, Ankole-Watusi, and Texas Longhorns. There's so many cool cows out there! And they're all really different from holsteins! MOST of them are also a lot healthier and produce tastier milk and meat!

TL;DR yeah i don't like holsteins and I like sniping at them. For reasons both legit and petty.

[joelletwo]

[The Final sugi dying kitten betrayal -> utsuro-gin fight -> sakura boat imagination -> completely tonally consistent with these ginpachi-sensei closer]

now listen. u know i would rather die than post five nearly-uninterrupted minutes of a fight scene. so take that into consideration.

[henry7931]

Trying My Neighbors Out

Chance:

This week, I specifically made sure I didn’t make any plans. I’m back from college for the summer, my parents are out of town, and I’ve basically told all of my friends I’m sick.

Why? Well I want to do something I’ve waited years to try but I feel like I never really get an opportunity.

I’m come from a long line of possessors and my parents would kill me if they knew I was using someone else’s body. So I only tried possessing someone once and it was my own dad— and that was too weird.

And I’ve wanted to try again in college but having a roommate and the thought of him trying to “wake me up” while I look dead… yeah not a good idea.

So here I am, lying in my bed. I tried to cone up with a list of people but I don’t know, sometimes friends can be too personal.

Instead I decided to do this, just kinda go for it!

I close my eyes and concentrated on exiting out of my body. And the next second I’m floating over myself.

I swiftly fly out the window and I see someone who’s somewhat familiar. My neighbor down the block Mr. Thompson. Garrett’s dad.

Garrett was a guy from my grade who was the captain of our lacrosse team. He’s athletic, handsome, popular at the time, and a literal straight male alpha.

I used to have the biggest crush on, I would sit behind him in Chemistry hopping he would kick his shoe off or lift his arm high enough to see his pits.

I follow Mr. Thompson into the house hoping Garrett would be home. But it’s just Mr. Thompson.

So I figured, what the hell? Here goes nothing!

I fly into Mr. Thompson and it takes a second before I start seeing a new perspective. Mr. Thompson’s to be exact.

I look over his reflection, he’s a little sweaty. Must have just gotten back from a run.

“Not bad,” I say allowed while lifting up his shirt. I take pic with his phone and text it to myself.

I pull off his shorts and was surprised by the tight pair of undies he has on underneath.

I take another picture and text to my phone before I pull off his socks.

I flex his toes, they are hairy and surprisingly well kept. I let out a chuckle that sounds so manly.

I bring his dirty socks up to his face and sniff them. And it tickles his heard a bit.

I then yank off his underwear and I see a nice size semi-hard dick surrounded by a bush of hair.

I do a full 360 in the mirror and I grab on to his hairy ass cheeks.

I walk over to his shower and I turn on the water. While the water warms up, I proceed to sit on his toilet and bring his foot up close.

I start sniffing his toes, his feet have a very distinctive smell. I start wondering if Garrett’s feet smell like his dads.

I start fantasizing about Garrett’s feet, I never seen them before but I bet they are just as handsome as his fathers.

I look down at his father’s now hard dick.

I stand up and walk over to the mirror, steam starts filling up the bathroom. I hold on to Mr. Thompsons dick while toying the head of it.

Slight pre-cum leaks out and I taste it. I grin watching myself controlling Mr. Thompsons fingers as I lick it off.

“Mhm! Mr. Thompson that tasted good! Do you mind if I jerk off your rod for a bit?”

I step into the shower and the water feels so nice. I get his hairy chest good and wet before I start fondling his dick again.

I feel up and down his body, touching his face, down his chest all the way until I’m back at his dick.

I start pumping it this time, eager to feel an organism from some else’s body. Even if it’s someone’s dad that I know.

I pound his dick while letting out loud manly moans.

I look down at his hairy legs and feet. That’s when I start to picture Garrett— all sweaty coming home. Yanking his shirt off…

Here I am jerking it in his dad’s body picturing him. It’s so wrong… but I don’t care.

I start screaming out, “Oh Garrett!!! Daddy wants to lick your feet and pits!! Please son!!”

Hearing Mr. Thompsons voice sends me over the edge! I immediately start cumming spraying Mr. Thompsons load all over the place.

I finished my shower feeling a little guilty about what I have just done in Mr. Thompsons body.

I dry off and head out of the bathroom. I start looking around for his room. I go to open a door when I realized that I’m now standing outside of Garrett’s room.

I try to turn around but out of the corner of my eye I see a pair of Garrett’s dirty socks laying on his bed.

I almost stop myself but I can feel Mr. Thompson’s dick starting to get hard again.

I hop into Garrett’s bed and start sniffing his socks.

That’s when I hear a voice say, “dad! I’m home!”

“Oh shit!”

I quickly get out of Garrett’s bed and rush to get out.

That’s when Garrett sees me, “uhhh dad?”

“Hey son.”

[queerly-autistic]

One of my favourite things about S2 was that we got to see so much in terms of Ed's relationships with women, and it just made me love him even more (if that's humanly possible). We didn't see him interact with many women at all in S1 (I think it was only the posh ladies at the fancy party which was...yeah, not a good experience), so S2 actually giving us a glimpse into his friendships with all these (very different) kickass women was so, so special.

I love that, as messy and fucked up as they all are, and even with the 'well we're pirates, we're not normal and we will fuck with each other' threat that hangs over everything, Ed's relationship with Mary and Anne is still so affectionate, and they both thrown their arms around him the moment they see him. Even though Ed is incredibly tactile, I don't think we've actually ever seen him be hugged like this, and it's just so lovely to watch him be embraced and clearly feel very safe being embraced by these women (and I can't with the way he clings to them, as well). I also love that this is a wlw/mlm friendship; yeah it falls apart later and turns into delicious gay-on-gay violence (and I wouldn't alter a note of it), but I love seeing this sort of affection between queer women and queer men, there's not nearly enough of it.

Don't even get me started on the BFF handshake he has with Anne - I want all the history there, give me six spin-off films about their adventures please.

And then we finally get a glimpse of his relationship with Jackie, which is similarly just lovely, but in a different way? You get the sense that they could sit there for hours, talking shit about the world, all whilst casually ripping the shit out of each other (but affectionately). You also know full well these two have talked extensively about men and know pretty much everything about each other's sex lives - we didn't see it, but I'm absolutely certain that Ed went into full gushing details about sleeping with Stede, just like Jackie did when she talked about The Swede fucking like a jackhammer (historical accuracy ftw).

And, again, whilst they're still pirates, and it's messy, the entire thing feels incredibly...safe, particularly from Ed's perspective? He feels more comfortable around Jackie than he is around most other characters (apart from Stede), just like he was with Anne and Mary.

And then, just to hammer the point home even further that Ed has, generally, fantastic relationships with women, and connects with them, and feels relaxed and safe with them, you have Ed and Zheng becoming instant BFFs literally minutes after meeting each other. Ed goes 'ooh, very cool woman kicking ass and killing people, she shall be my best friend, immediately', and Zheng is automatically incredibly relaxed and open with him, too (suggesting she feels as safe and comfortable with him as he does with her).

All I want in life is to see Ed and Zheng get silly-drunk with each other (and this is why we urgently need a S3).

And none of Ed's relationships with these women are a fetishistic 'I love women because they're fabulous' thing, or an overly patronising paternalistic 'I love the women and I must protect them' thing - all the relationships he has with women are very equal, very comfortable, fully believable, just fantastic friendships to watch play out. I feel like, given everything we see on screen, Ed generally feels a lot more comfortable and safe and open with the women he knows than the men he knows (Stede is the only other person he is this physically affectionate and comfortable with). Which is probably very understandable? Yes, the women he's friends with are all violent pirates too (that's part of the joy of it - none of them are lovely demure morally pure women, they're all violent pirates), but Ed has a lot of experience with specifically overtly abusive men - right back to watching his dad abuse his mum. And that's a distinction that matters: the show treats the violence of normal piracy and the violence of abuse very, very differently. Ed is not used to being treated softly or affectionately by men, as we saw in his shocked reaction to Stede holding his hand. I don't think it's any wonder that he gravitates more towards friendships with women (or that the men he feels the most open and safe with, such as Stede, Fang, even Frenchie, are very pointedly the opposite of the abusive men he has experience with). I just love love love that being friends with women is such a core part of Ed's character, and that we got to see all of these fantastic relationships in the show.

[bylrlve]

Warning! Spoilers for Stranger Things 5 mentioned,

Rewatching episode 2, and I’m genuinely staggered by how many times Mike peeks at Will. It’s very clear his mind is on Will, in fact. I am also staggered by just how many small byler details are in here.

His whole face drops after no. 4 too, as @starbylers observed here.

I also want to include these @chirpsythismorning gifs from the roller rink scene, as they’re brilliant:

Mike watching Will get out of the van, and seemingly offering a hand to him.

Mike openly watching Will as they take their skates.

(X) (X)

These are very deliberate acting choices from Finn Wolfhard, and he was certainly doing it on instruction.

Some other notes on 402:

The transition from Mike and El being fake -> Murray looking up looking like he’s experiencing his Seeing Clearly -> Robin talking about Vickie laughing ‘and not like a cheap, fake laugh, but a real, genuine laugh’, right after we saw Mike hiding his genuine disgust at burritos for breakfast behind a tone of fake laughter.

Mike’s whole face just drops into an unhappy, spaced-out espression when it zooms in on El - this is after Will ignored his sock joke (video here by @buckybxarnes)

As many have observed, Mike and El look genuinely miserable when viewed from Angela’s perspective, as opposed to the shot of them skating with Will miserable behind them

It’s occurred to me that in s2, 3, and 4, the byler plot really takes off in episode 2. I’m wondering if that’s also the case with s5 - I’ve reconsidered my theory that the Mike + El rooftop scene takes place after the hospital plot in ep 2, as I’ve heard that the paparazzi at the filming site were told it was in episode 1.

The door slam/open transition between Joyce going to the bank to get the 40k random for Hopper, utterly singleminded, and Mike barging into the womens’ bathroom, being kicked out, and subsequently starting an argy-bargy with Will as opposed to continuing to prioritise El… well!

The disparity in time is so interesting. El counts off 185 days since she last saw Mike - which is roughly six months, as is canon within the show (Sept-Oct 1985-March 1986). And here Mike is, saying ‘you knew she was having trouble for, like, a year’ and Will saying ‘it’s been a year, Mike’ and, in 404, Mike saying ‘the last year has been weird.’ It’s pretty obvious the last one is Mike referring to their fight nine months earlier, plus the time prior that Mike had spent pulling away from the rest of the Party to focus on El. The second one is Will potentially referencing the time that elapsed since their fight - even if it’s moreso subtext from the writers. What, then, to make of Mike saying Will knew El was having trouble for, like, a year? What subtext could be meant by this? I’d love to hear your guys’ thoughts because u can’t quite deduce this.

Mike listing off everything Will did is so hilarious given the surveillance he carried out all day on the boy, and given the fact that poor El being humiliated publicly and assaulted with liquid before she skated off bawling did not, apparently, ruin the day. On second thoughts, I understand what Will meant… she’s in trouble having Mike’s gay ass for a boyfriend.

What’s striking me now is that this fight + El’s iconic roller skate moment, are the real emotional climaxes of this episode’s M/E/W plot. It could have been Mike finding El and comforting her before she lashed out at Angela. It could have been him talking to her afterwards. It could have been at the house - him following her up to her room and silently comforting her until she fell asleep. No, no. Mike and Will airing out their grievances (and Mike betraying which of the two truly emotionally affects him more) + El handling her own shit, while Mike thoroughly disapproves.

The way that Will just wants to be Mike’s friend, but it’s Mike making it so deeply weird.

The way, also, that they stick together at the rink even after the fight, and Mike openly is more preoccupied by Will in the van. I’ve seen it observed before: the parallel between El and Will staring out the same window in the van crying: Mike looks at Will in the shot. He does not look at El in the shot.

I think it’s hilarious that Mike ends the fight by feigning concern for El - he offered her no comfort whatsoever, actively stood away from her when she was waiting for Jonathan and Argyle to arrive, ignored her crying in the van, and of course:

She didn’t look fine.

Mike and Will are blocked together, not Mike and El

The sincerity of Mike’s concern over El juxtaposed with the rank falseness of ‘no, that’s…that’s not true, maybe I was a little upset in the moment’ etc really sticks out - the defensiveness is reminiscent of the tone he took with Will during the fight, but even then he was more sincere-sounding because he was more emotionally affected.

Bylers don’t talk enough about the insanity of ‘who… who said that I didn’t?’ In context, thinking logically, Mike is very likely referring to Will here (the bullies were shouting at her, he could hear what they were saying)- and why would his mind immediately go to ‘Will thinks I don’t love El, and has told her his suspicions?’ Why would he take a defensive tone?

Seriously, 402-403 M/W/E may well be the plot that (potentially) spells out byler endgame the most.

[deadbydad]

Captain Curly (Mouthwashing) - When You Can't Fix Everything and Why He's a Victim of Jimmy

There are many discussions surrounding Captain Curly all around the internet on whether he is a good person or not.

Some say he isn't while some say he is, but the question simply has an easy answer.

Curly is a morally grey character.

Captain Curly, when we first play as him and see through his perspective, we come to learn a lot about him with the short amount of sections where we do play as him.

We know that he is very optimistic, he cares deeply for his crew and always tries to look on the bright side of things. He just wants everything to be fine, and will always try to fix it if it isn't because, well because he's the captain.

But him being so optimistic is what was his downfall, and I think that's what makes him such a well written and realistic, morally grey character.

Curly isn't innocent, but he is a victim of Jimmy just like everyone else on the ship is.

Let me explain.

Curly was the first person Anya told about when Jimmy assaulted her and how she was pregnant, and Curly told her he would talk to Jimmy.

He would fix it.

I hate when people say that he didn't care about Anya or didn't believe her. Curly never said he didn't believe her, and he never said he was defending Jimmy either.

This is one of the examples of his optimistic views doesn't work out for him.

We know that Curly invited Jimmy to work with him in Pony Express and we immediately assume that because they're friends, then Curly is defending Jimmy.

But if you replay and really pay attention to Curly and Jimmy's conversations, you come to realize that Jimmy is borderline controlling and abusive with the way he talks to Curly.

He isn't and doesn't see Curly as a friend, but Curly being too nice and tends to look past that type of stuff, that made it easy for Jimmy to manipulate Curly.

After Anya told him, Curly did talk to Jimmy about it, but he went about it in a calm way. I think what he did is pretty realistic for the situation they're in, but I'll talk more about that later.

Curly talking to Jimmy is what led Jimmy to crash the ship and get Curly injured and fuck everything else up. Not to mention that Jimmy wanting to get rid of Curly so he could be captain also played a huge part in it.

Jimmy never saw Curly as a friend, he only saw him as someone he could use to get what he wanted.

Curly trying to fix what happened by talking to Jimmy was his wake up call, his karma in a way.

Because of the crash, Curly understands Anya in a way when Jimmy starts to hurt and force him to take the pain meds. Curly being brutally hurt and injured can only lay and not do anything to stop it.

He finally understood what Anya had felt in a way, and he probably hates himself because he didn't do something to protect her.

And her killing herself in front of him and watching the rest of his crew die to the hands or consequences of Jimmy, even Jimmy himself, was what made Curly realize that he simply can't fix everything.

Curly is absolutely a victim of Jimmy like everyone else on the ship is.

He was manipulated, abused, and not to mention Jimmy literally ate some of his body. All of this was because Curly was too optimistic.

Curly is one of the most realistic characters, and I think people saying that he's as bad as Jimmy just aren't thinking about the fact that he was a victim of Jimmy himself.

Yes, he could have done more to protect Anya, most likely by switching her over to a room that has locks.

But I believe that he couldn't do anything besides that, especially when it comes to Jimmy.

He knows how crazy and angry Jimmy gets. He was probably thinking that he couldn't just go up to him and start a fight because, let's be real, Jimmy was going to kick Curlys ass and he was probably going to crash the ship no matter what.

Curly, in my opinion, while yes, he didn't do anything to protect Anya, he wasn't protecting or defending Jimmy.

Curly was trying to look at how he could fix it, but I think no matter what he did it wouldn't have mattered.

I see people saying that Curly could have shot Jimmy with the gun or locked him up in another room or contacted the higher-ups of Pony Express. I don't think any of this would have realistically worked.

One, he can't kill Jimmy because he is the co-pilot, and they needed a co-pilot for the ship, and locking him in a room wouldn't have worked either.

Curly couldn't have called the higher ups either because Pony Express wouldn't have done anything because they simply just don't care about their workers.

No matter what Curly did or what he could have done, none of it realistically would have worked or done anything to solve the problem.

I'm not defending Curly at all, I'm a victim of assault myself, so I understand Anyas feelings, I'm simply saying that we should look at the other possibilities and should start thinking about what Curly was actually thinking before saying he was as terrible as Jimmy.

Curly isn't innocent, but he was a victim of Jimmy.

His optimistic views on life and on people are what caused his downfall.

[yandereforme]

Damian wayne? nah, Damian AL GHUL.

(in my perspective his al ghul blood is where he gets his yandare shii from cause yk..the al ghuls..it just fits right..)

(imagine if damian stayed in Nanda parbat)

so imagine damian going on an assasin mission in gotham and crosses paths with vigilante!reader(Female if possible xx) on the gotham rooftops where they get into a fight and for the first time, Damian loses, to a girl/woman and now he's obsessed interested in her, now I see him purposely taking missions that's from gotham just to see reader then just one night he plans a kidnapping, think several other assasins on standby so the kidnapping will be perfect and..idk anymore, I ran out of brain juice.(I'm gonna be honest this was my dream last night, and I woke up 💔)

ALSO IM SORRY IM JUST YAPPING I JUST WANTS TO TELL YOU THIS CAUSE MAYBE YOU CAN DO SOMETHING WITH IT CAUSE CAUSE I JUST LOVE YOUR WRITING 💔💔💔

also, me personally, Damian al ghul>damian wayne

I wanna ask without anon but I'm EMBARRASSED CAUSE IDK WHAT I TYPED SOUNDS LIKE WHEN SOMEBODY READS IT!! (and ik my grammar suckz ass cause English ain't my first language. far from that💔💔)

oh no I'm yapping again I'm so sorry

You are not a bother at all! I love this idea, and you don’t need to be embarrassed, that’s how I write most things lol.

Damian Al Ghul x Vigilante! Reader

I’m thinking he went to Gotham to scout out his father and his subordinates (they aren’t a focus in the post)

He completely forgets about them after he meets (and gets his butt kicked by you)

You are an independent vigilante, and you have always been that way. You avoid Batman and his birds, preferring to take care of things like human traffickers, muggings, abusers, etc.

That being said, you knew enough about the big stuff that the boy in ninja gear set off alarm bells. You were prepared for his attacks, and had your weapons at the ready

You were a badass, and wiped the floor with Damian, even pinning him down before other ninjas came out of the darkness, hellbent on you.

He yells at the others in Arabic and you take your chance to slip away. This was above your pay grade, and the Bat could deal with them. You needed to continue your patrol.

Damian was expecting an easy fight, but you surprised him. When you glared down at this boy, blood streaked across your face, eyes alight with hatred as you held him down, Damian fell hard.(I headcanon that Al Ghuls fall for/become yandere for strong fighters or general badasses, while Wayne’s tends to become yandere/protective over kindness/innocence due to their trauma)

Those idiots who interrupted his fight with his beloved were killed immediately, and he immediately set his sights on finding you again.

He found your vigilante work a worthy endeavor, but your civilian life was not up to par. You worked two jobs, both of which were meant to be taken on by peasants, not by important people like you. He admired and hated the fact you survived on your own, admiring your strength but despising what you had to do to survive.

This man will fight tooth and nail to get to go to Gotham at every opportunity. He prefers to watch you on patrol, and privately dispose of the simpletons you were surrounded by

After a while, when your room and all the supplies were prepared, only then did he set up your kidnapping. He approached you late at night, outside of your suit. You gave him another worthy fight, but this time he wasn’t going to let you get away, and knocked you out quickly.

When you wake, it will be to Damian sitting across from your bed, reading one of your favorite novels (he doesn’t like this kind of book, but as his beloved enjoys it, he will be learned on the subject).

Be prepared to have a life of being Damian’s Queen, Y/n Al Ghul. By the time you wake up, he will have already removed all traces of your past from the rest of the world, making sure you had nothing to go back to, if you were ever able to escape, so your best bet is to stay as his queen, and hopefully figure out a way out(you won’t escape.)

[fordtato]

I just finished watching your Ford video, I loved it ! I usually don't take so long to watch videos like that but uni has been kicking my ass and I wanted to make sure I could really listen to what you were saying instead of just putting it on in the background. I went in a little apprehensive because of the "NPD?" in the thumbnail, and was mentally preparing myself for some weapons-grade oof-dom, but I think you handled it well. (1/4)

Personally, as someone who has BPD and is close to many ppw/NPD, I think Ford is good NPD representation. His reliance on outside validation, ego compensating for massive insecurity, massively idolizing those he looks up to and that idolization vanishing in an *instant* when they don't match his beliefs about them (this can be an NPD thing!), fantasies of fame and fortune, identity disturbance (defining himself as one thing and one thing only), (2/?)

all that coupled with his history of a rocky relationship with self-definition and conditional praise from authority figures screams NPD to me. This isn't all in the DSM, but it's def part of living with NPD. And I think it's a good thing! Like you mentioned, the fact he has these traits and still gets a happy ending is wonderful. To me, such an NPD-coded character still being shown to love his family, to do what's right, to make amends, shows that these disorders don't make us monsters. (3/?)

The fact that his NPD traits have a clear origin shows how so often cluster B personality disorders are born of fear, trauma, and regrets (not always, but a lot of the time). People think cluster Bs are just born "evil," so the fact we can essentially see the evolution of Ford's traumagenic NPD is something I rather like. (4/?)

You don't have to agree with the headcanon. I just wanted to share something from the perspective of someone with a cluster B disorder who also knows many ppw/NPD, since in the video you mentioned a lack of those voices. It's not just egotypicals making these headcanons, we like them too ! (5/5, sorry abt all the asks!)

----------------

Thanks for weighing in! No problem about all the asks, it's an interesting read (and sorry about the late response!)

I will say that (also speaking as someone with BPD), I still don't quite think the headcanon is one of mine, but I am glad that other ppl with cluster B disorders resonate with it (though, of course, I do know that there are a couple of ppl with NPD that I know who dislike the way the headcanon is discussed or who disagree with it - yada yada no community is a monolith and all that).

That part of my video was very difficult to write, but I am glad that I did alright with the subject matter.

To reiterate for people who might not have seen the video, my issue with the NPD headcanon is not so much the headcanon itself and whether or not it applies to Ford, but the ways that some people discuss how and if it applies. There are so many posts and comments by people (who may or may not have cluster B disorders - no way to know), saying things like "Ford doesn't care about others and acts selfishly and only uses others as tools - I headcanon him as having NPD and lacking empathy for this reason" and it veers into ableism really quickly. In the video, I compare it to 2015-era headcanons that Ford would be abusive to Dipper and Mabel because he is "paranoid" and thinks they're working with Bill, a headcanon that also veers into considering those with mental illness as being inherently dangerous. I think headcanoning Ford as having any mental illness or condition is fine, but people need to be careful in the ways they talk about it, because (in the context of the Stan Wars we saw in 2015-16), it can quickly veer into the territory of leveraging the symptoms of mental illness to win fandom wars or to characterize our blorbos, and we often don't consider where that leaves REAL people with these conditions.

I explain this all better in the video then I am here, in an off-the-cuff response to an ask, but hopefully that summarizes my feelings clearly.

[stelladess]

I feel like using very powerful operators but your own strategy that you thought of takes more skill then copying exactly one to one a low rarity guide with the same exact timings and operators and everything does.

Ive mentioned before I have played a LOT of yugioh in my life and in trading card game circles there is a term called "netdecking". Where basically you copy another person´s deck (usually from the internet, thereby the "net" part).

There are a lot of reasons why people consider it bad, it being uncreative, stealing another person´s work but the one relevant to my point here is that it requires no understanding of *why* the deck is constructed like it is.

In my opinion the best way to build your deck is to decide on what kind of deck you want, build a cheap but solid enough version of that as you can (konami is making the "cheap" part harder and harder of course but still, on master duel it is still doable for many). And then you play with it. You see what works and what doesnt, you iterate over time, removing cards you end up not having use for and adding stuff that will help your strategy or counter things that gives you trouble. A lot of these things you add may also be engines or staples you can then put into a new deck once your old one has fallen behind from power creep or gotten everything banned, although certain themes are convenient in that they almost always work at least (shaddolls, branded, bystials, tearlaments and zombies are all some of my favorite deck types in part because they are very resistant to getting outdated, dragon combo is another one like that I just do not like using it).

This way you understand why every single card is there. You learn how to use them and WHY you use them instead of some other card. The adjustments you make you know the reasoning that went into. So a netdeck might not be terrible as the first version, but you should iterate on it based on your experience if you do that, and try to think about why the person who made this deck made the decisions they did (I also think this might be a risky starting point because it will likely be much more expensive then the approach I outlined since most really good decks will have a lot of cards that either were already pricy or just shot up in price after that).

If you do not understand your deck you cannot play it well no matter how good the deck is.

I have a similar issue with following guides completely. Watching them and trying to understand why the person who made the strategy does what they do is good, but if you just copy them without trying to get the actual thinking behind the strategy you are just gonna be stuck playing increasingly difficult parts of the game without having had to overcome the challenge to get there.

Chapter 7 is one of my favorite chapters of Arknights from a pure gameplay perspective because it really kicked my ass when I first got to it as a new player. It forced me to see weaknesses in my own roster (no levelled shifters, lacking vanguards, etc). And my favorite map is H12-4 because it presented so many little problems to solve and to beat it was this long process of having to isolate each problem and figure out a solution to it, one that didn't step on the toes of a previous solution for another problem. And sure some of those solutions ended up being "pull for Eyjaberry so I dont have to worry so much about elemental damage" but it still meant I was thinking about what the actual challenges of the map were and how to counter those. But a key thing of H12-4 is that it is a map that no matter how OP your roster gets you still have to use your head to beat. It is the the best boss battle in the entire game by a huge margin currently and I really hope we can get more as good as it in the future.

Anyway I think it is just more interesting to actually solve things by thinking about it yourself. Even if it requires you to use more powerful options then someone who does it with like only 3 and 4 stars and a single 6 star. The people coming up with those strategies are like, experts at the game. And it is far more valuable for a new player to actually learn to play on their own and make their own strategies, the basics, before they can work on gaining a deeper understanding and doing more challenging stuff. It takes time to get to the skill level where you can get the prestige of clearing the hardest maps in the game with no 6 stars or only welfare operators or stuff like that.

[sanktpolypenbourg]

It may not be super deep but I really enjoyed that 'Gundam: Requiem for vengeance' show on Netflix.

I never watched any other Gundam narrative, picking up the premise only through pop culture, but that was enough to instantly pick up the twist: The Netflix show is told from the perspective of the "bad guys" and is essentially a military-horror story as they are getting hunted down by the "hero protagonist". Showing exactly what it would feel like to be at the receiving end of an overpowered rightous teenage wunderkind with a superweapon.

I may be a primitive creature but that is something I am immediately on board with.

I dunno, I am at most a part-time audience for military triumphalism. And for military-horror especially, I feel it really plays into the bleakness of it if your protagonists are on the wrong side of a conflict they are not only losing, but deserve to lose.

And also Yeah, "humanizing the wrong people" kicks ass, actually. "It's true (they ARE human) but you shouldn't SAY it" - You can lose me with THAT shit. That makes me wanna be contrarian, actually. Have the "good guys" be the faceless menace. Have the "bad guys" have complex relationships and families they love and desperately want to return to. I dunno I feel it helps reinforce the fundamental "war is bullshit" take. Or specifically, "military propaganda is bullshit". Anti-propaganda must be one of my favorite genres.

[Sidenote, I also appreciate that while the "on-the-wrong-side-of-History" protagonists are sympathetic and human, the show also doesn't shy away from making you understand that they ARE, indeed, "on the wrong side", and SUPER dumb. It's not argued that they are "misunderstood". No, no, they ARE space fascists, actually. They (with one or two exceptions) are trapped running in the hamster wheel of their military-propaganda machine and fail to see why those awful things are happening to them and their friends, why they find themselves running away as angry people try to shoot them in their backs on the way out. And that, too, serves the angle rather nicely.]

[alyheartsjess]

ok so since people didn’t cut my head off for my unpopular opinions i’m gonna expand on the second one. so for people in the gilmore girls fandom it’s pretty much the general opinion that luke is a saint for taking jess in and that jess screwed things up and that it’s his fault luke kicked him out. ”he got himself kicked out”. even people who like jess seem to think this is fair. so as someone who watches gilmore girls mostly for jess i have a different perspective that i’ve never actually vocalized but i figured maybe this little corner of the internet wouldn’t hate me for this, as long as it doesn’t make it out of here.

so i also first of all think that the fact that jess has to work at luke’s and graduate in order to stay there is a bit sad. like everyone around him his age has somewhere they can stay without conditions, and people wonder why he’s the only one worried about making money. and yes, it’s a fine idea in theory, he has to change his ways if he wants to stay with luke bc that’s the point of him being there, sure, but luke could stand to NOT always bring it up to jess during fights that can’t stay with him if he violates the conditions.

bc the thing is that luke very clearly makes it known that he doesn’t want jess there and that the whole situation is kind of a pain in his ass that he’s doing out of obligation. a minor is entitled to a place to stay where they can be an asshole unconditionally, actually, and they shouldn’t have to be constantly grateful to have that. and if luke didn’t want to fully commit and be that place, he should have said no to taking jess in. you don’t get to get all the praise for doing a good deed and then get all pissy about actually following through with it.

like i know luke and jess aren’t the main characters and that their scenes and dynamic are for comedy. but then they play off jess leaving as serious so i should be allowed to analyze their scenes seriously. and my conclusion is… luke is not that nice to jess LOL. like i can’t think of a single scene where he responds to him in any other manner than pissed off or annoyed. he never stops treating him like a bad kid. we know luke cares about jess but does jess have any reason to believe that? or does he think this is all for liz? like i know their scenes are jokes but for someone who complains so much about what a difficult person jess is to connect with, i think luke missed a lot of moments to do it.

luke taking jess in in general is nice, YES, but i’m not talking about just good intentions here. and i know that it was a very good intention but i, again, just super dislike the whole ”you wouldn’t have anywhere to stay if it wasn’t for me, so watch it”-attitude. even in season 4 luke basically said that jess had to come to liz’ wedding because he was there for him when no one else was. and i think that’s a shitty thing to say to someone who deserved more. i know luke didn’t have to do it bc he’s not his parent and that’s why people forgive him and not liz, who is his parent and did have to do it. but i think luke agreed to be jess’ parent and if he didn’t want to, he could have said no to his sister for once in his life. anyways, i think i’ve made my point.

also, i love you luke, my world just revolves around your nephew. i know i’m putting a lot of unrealistic expectations on a guy who’s pretty emotionally constipated. and he did come through with the big things, like giving jess money in sesson 4. but i’m talking about the little things that could have made even more of a difference. just don’t get it twisted ok, luke and jess’ relationship is my fave on the show, i may like it even more than rory and jess’, but when i enjoy something i analyze it. so don’t think i don’t love them, because i do! i just want to squash the idea that luke did everything he could but that jess ultimately was too difficult, because i disagree with that.

[missmaywemeetagain]

Broken Glass, Chapter 9 💔🥂❤️‍🩹

Eeee! I can't believe it's finally DONE! At nearly a whopping 14k, I truly hope this makes up for me not updating this story since September! 🎉 Many thanks to my darling @ab4eva for finally helping me knock this loose and reminding me I could indeed still write! 💗💋💗

If I'm honest, Broken Glass is one of my favorite stories I've worked on. I know it's quite the slow burn and not nearly as smutty as my other works (...yet), but it really does make my creative heart sing and I'm so in love with these two and their stark vulnerabilities. 🥹

I highly recommend rereading Chapter 8 to refresh your memory, but the TL;DR is we left a jealous, ailing Elvis having just found out Lori's big secret from Sinatra and Sinatra calling Elvis out on feelings he hasn't quite been able to admit to himself until now. 😬

This chapter puts us firmly back in Lori's (rather confused) perspective. Elvis is acting weird, and she is feeling the fear of her past nipping at her heels. She's trying to manage her own emotions and health while chasing after Elvis' moody ass, which is going just as well as you'd expect LOL. And of course we have Welcome Home Elvis with Frank Sinatra! You might want to watch the Elvis portions on the show to fully get in the mood--I hope I did them justice! 🥰

Things will really kick into high gear after this chapter, so this setup is pretty important to what's coming. I really hope you enjoy! You can catch up here using the Broken Glass Masterlist ❤️‍🩹

I can't wait to hear what you think!! 💗

Much Love, 

Madi xoxoxoxo 💗💋

TW: references to SA/threats/abuse, Gianni, dissociation, emotional upheaval, nightmares/violence/blood, period-related misogyny, health issues (fainting, constipation, vomiting, etc.), Elvis being an asshole, Elvis being a damn snack, sooties 😏

Broken Glass Chapter 9

March 24th, 1960

Miami, Florida

“Just hang on, Elvis. Come on, open your eyes for me,” you say, patting his sallow cheek, the concrete biting at your knees where you’ve fallen ungracefully to the ground with him.

Your half a cigarette lies smoking and abandoned a foot away—a bad habit you picked up after needing an excuse to get outside after long, stressful shifts at the hospital. You haven’t smoked much since you left New York, not having much need for it when your current job is almost ornamental most days, except in those private, hidden moments away from the bustle of Elvis’ strange life.

But he’d pushed you to that Lucky Strike, what with his aloof behavior since Nashville and then his ridiculous jealousy over Frank Sinatra having the audacity to speak to you and you having the gall to laugh with him.

“You are. You’re jealous. Why? I’m not your girl, so why—”

“The hell you aren’t.”

Galloping in your chest, your heart betrays your tangled feelings about the way he’d acted, the way he’d said those words as if he thought for a moment you really were his girl. And before, how he’d kissed you so passionately…

The memory is interrupted by Elvis’ low groan, his long eyelashes fluttering open to reveal glassy but stormy ocean eyes, thrusting you back into the present emergency. You don’t particularly like the way he’s clutching his midsection or how wheezy and warm he is, but you can’t do much here, especially when people are starting to gather.

He starts, as if coming back into himself, and surprisingly tries to roll up and off you. “I’m fine,” he gasps, shrugging your hand off his shoulder in an uncharacteristic act of defiance.

You might be more annoyed if you weren’t so worried, but your feelings are beside the point right now. Treat him like any other patient, a voice in your head reminds you.

“You are not fine, and we’re going back to the hotel so I can get a look at you,” you whisper firmly in his ear.

He shoots you a petulant look.

“Unless you want to go to the hospital instead?” you throw at him, with a raised brow. That does the trick. His glare softens a bit and his eyes dart away as though he’s been scolded.

It doesn’t take more than a pointed look from you for Lamar and Joe to haul Elvis carefully to his feet. You may only be Elvis’ girlfriend in their eyes, but they do know you are a nurse with some expertise in these situations. And you can’t help but see concern on their faces.

Elvis clutches his midsection again with a gasping wince. The guys lead him to a bench outside the building.

“Joe, tell someone in charge Elvis isn’t feeling well. Lamar, go get the car, please. We’re leaving.”

Your tone leaves no room for questions, but the three men look at you with surprise. In truth, you are a little surprised yourself. Perhaps it’s your lack of outward panic, the calm surety of many a night on the emergency ward.

You can’t say the same for them, seeing the panic brewing in the eyes of Elvis’ friends. Along with that, none of them are used to taking orders from women, and certainly you haven’t shown much vocal backbone in these last few weeks, yet with hardly a pause, Lamar and Joe scurry off, leaving you with Elvis.

He doesn’t speak to you or try to joke his way out of the pain, which is unusual. Instead, he stares blankly at anywhere but you. A sliver of unease winds its way through your stomach, and while you don’t push him, it’s almost involuntary the way your hand falls on top of his.

There is no reaction at first. Is he trying to ignore you? Could he possibly still be mad about the Sinatra thing? Confusion washes over you at the slight, but then his eyes squint in pain and his hand finally grips yours.

You hold back the breath of relief at the response, and before you can spiral too much more into what ifs, Lamar pulls up with the car. With his help, you get Elvis into the backseat.

The drive to the hotel is mostly silent. Joe tries to crack a joke or two from the front seat, but Elvis’ lack of response beyond painful grimaces quiets the short man with the annoying laugh. Elvis continues to shut you out, his hands clasped around his middle now instead of your hand.

It shouldn’t bother you, but it does.

He’s just distracted by his pain, you reassure yourself.

You spend the ride pushing away questions about his behavior towards you and try to focus on diagnosis and treatment checklists, going through in your head what you have to do once you two are alone. It grounds you.

Once you all arrive, the boys help him out, but he stubbornly pushes them away once they reach the lobby.

“I can get to the elevator by my damn self!” Elvis grumbles, his eyes darting around the open space with concern. He’s nervous, you think, about being mobbed in this condition. You’ve gleaned enough in the past few weeks to understand he always attracts attention and it’s almost impossible for him to say no to his fans, even when he’s in so much pain he can barely stand upright. You are continually amazed by his generosity and selflessness in this regard. It’s one of the most endearing things about him.

Luckily, the lobby isn’t busy, and you make it to the privacy of the elevator avoiding interruption from outsiders. The humid air in the small space feels stifling and heavy with concern, but no one speaks as the elevator lurches upwards.

The relief is palpable when the doors open to the penthouse, and without ceremony you help deposit Elvis on the king-sized bed in the suite.

“Should we call a doctor?” Joe whispers to you as you try to shut him out of the room. The look in his eyes shows real worry for his friend.

“No,” you snap back, wanting to avoid any doctors not already familiar with the complexity of the situation. Joe is taken aback, so you continue more gently, “Not yet, at least. Let me see what I can do, and I’ll let you know.”

You can’t close the door fast enough, finally able to rush to Elvis’ aid in earnest, grabbing your medical bag out of the closet.

“Where does it hurt?” you ask, preparing the blood pressure cuff and stethoscope.

Elvis doesn’t respond, looking sullen. You can’t tell if it’s stubbornness or pain that’s keeping him this way though. But the dull hurt of your near-constant headache coupled with his strange mood has your temper feeling short.

“You smoke,” he says with distaste, avoiding your question.

“What?” Distracted, you count the seconds of his pulse using your watch.

“Girls of mine don’t smoke. I don’t like it,” he adds with a petulant glare.

You resist the urge to roll your eyes.

“Okay, Elvis, I’ll stop smoking,” you placate, “but you need to tell me what’s going on with your body or I cannot help you.” The command is clear.

He looks up at you then, his eyes churning with pain and something else you don’t have time to piece through right now.

“I feel hot an’ short of breath,” he says quietly, almost clinically. “And…” He hesitates, looking down with embarrassment.

You urge him on with a nod as you squeeze the cuff. “And? What’s going on with your belly?”

He clears his throat with a grimace. “It hurts something fierce. It’s, uh, been awhile since…you know.”

You sigh. Logically, you understand how anyone—any man, especially one in his position—might feel embarrassed talking about their bodily functions with a young woman, but it doesn’t make it any less frustrating that he hides these issues from you when it’s your job to know.

“How long?” you ask.

“I dunno,” he shrugs, his face going flush.

“Alright, then, lay back,” you sigh, popping a thermometer in his mouth. Thankfully, he obeys without a fuss, and you pull his shirt up. It doesn’t take much gentle prodding on his lower belly to determine the issue. In fact, you can see the distention on his normally lean frame. That coupled with his pained whimpers and wincing makes it clear that his chronic constipation is rearing its ugly head.

For a normal and otherwise heathy person, it might not cause the severity of issues you have to contend with now. But Elvis is neither normal nor healthy. His pressure and temp are too high, his asthma is acting up, either from the pain or exertion of singing, and you know he’s not going to like the solution. But if he wants to stay out of the hospital and out of the press, he’ll just have to deal with it.

Despite your headache and frustration with him for not communicating readily with you about anything he should, be it his feelings or his health, you urge him to the bathroom as gently as possible, gathering the materials needed from your bag. The caretaker in you pushes everything else away as you prepare the solution and guide him through the process of what must be done.

He goes from furious to ashamed to resigned rather quickly. You are a little surprised at how readily he becomes vulnerable to you, considering the circumstances. The treatment momentarily strips away whatever inexplicable ire he was holding onto. It feels so intimate the way you both quiet and with how carefully you tend to him, massaging his belly and rubbing his back as the treatment works its magic. And after the relief comes, you run a bath, washing him gently, watching as his handsome face finally relaxes. Never has a man looked so innocent yet so beautifully dangerous. He leans into your comfort, too, and as clinical as your brain wants to make this whole experience, you are a little frightened by the realization of your heart aching not just with him, but for him.

He falls asleep in the warmth of the tub. You don’t wake him, knowing how sleep comes for him so irregularly and infrequently, but you are loathe to leave him alone when he could easily slip under the water. Elvis Presley will not drown in a tub on your watch.

Or at least this is what you tell yourself as you take a moment to catalogue such peaceful and unencumbered beauty, knowing very few get to see him like this.

Your mind finally wanders then, back to the moment in Nashville you’ve tried desperately not to think about, when he sang directly to you in so intimate a way you thought you’d combust from the inside out with feelings and urges you barely understood. Fire and shivers cascade down your spine all at once at the memory of his eyes, heavy lidded and molten, as he sang to you about just how right it would feel to be in his arms. It was so seductive, so real, it felt like he put a spell on you. There were no secrets between you in that tiny studio—only want and need.

In those few minutes, he wanted everything from you, and you had wanted to give it to him.

That is his wonderful talent, though, isn’t it? you think. To make others believe in the words of a song. Perhaps he believed them too, in the moment. It sure felt like it.

But he became so incredibly distant after Nashville, just when you thought you’d gotten closer. It was confusing and exasperating, like he pulled the rug of logic and sense right out from under you. It hurt more than it should have to be shut out by him. He hadn’t been unkind, per say, just aloof and detached.

You purse your fingers over the bridge of your nose, wishing it would ease the dull throbbing in your head. Lack of sleep and routine has done a number on you these past few weeks, though you know it’s keeping up with the façade of a relationship challenging you the most. You’ve slowly been getting better at playing the part of the doting girlfriend, to be sure, but the switching from fake girlfriend to nursemaid and back again is altogether exhausting.

And no matter how much better you get, you aren’t an actress. You aren’t used to pretending to feel something but not actually feeling it. It’s getting harder and harder to decern if these complicated feelings you are starting to have for Elvis are just part of your new job or if they are…real.

You don’t want them to be. They can’t be. Not only would it be unethical, but it’s perilous to think—to hope—he might see you as more. You’re not the type of girl a man like Elvis Presley falls for. And even if you were, a smart, practical girl like you knows better than to get involved with a womanizer like him.

A smart, practical girl like you knows any man is dangerous.

Speaking of danger, as soon as you’d left the safety of Graceland, you’ve felt the creeping unease Gianni or your father could pop out at any moment to steal you away back to New York. They have to know by now who you are with, and you don’t hold any fantasy of them letting you get on with your life without a fight. No, they’ll come for you at some point, you just don’t know when or how, and the more you’re out in the world, the more exposed you feel. Your hypervigilance has you always on edge, and you make sure to stay by Elvis’ side as much as possible in the hope he and his entourage will protect you.

So, yes, you are exhausted. The litany of masks you’re wearing to stay functional are crushing you with their weight, and it is taking more of a toll on you than you are letting on. Perhaps that is why Elvis’ mercurial attitude towards you feels so barbed and painful because, by some strange twist of fate, he is the only one in this world who knows even a fraction of who you really are.

And with that thought, you try not to berate yourself too much for taking a stolen moment to gawk at the ethereal man, this god-like Apollo, naked and asleep in the tub. You are too tired to fight the searing memory of how he kissed you today in front of Frank, so possessive and visceral as he clutched you to him like he never wanted to let you go. The way his tongue, oh Madone, how his tongue had teased your lips to part and how you’d melted in his arms, unable and unwilling to resist his charms. He held you close and all you had wanted in that moment was to be consumed by him, embarrassingly so.

Maybe that was why you’d reacted fervently to his jealousy. It is whiplash, this pendulum of his attentions (or lack thereof), and it embarrasses you how easily you’d caved to his kiss, and in front of Frank Sinatra of all people. But then when you were alone, Elvis reminded you so clearly with his words that it was all a lie, while his body and actions screamed the opposite.

It all felt like too much, then, when he’d tried to put it on you, as if you were the one playing with his emotions. He is an infuriating, obstinate man, and it’s even more infuriating how everyone in his circle allows him to be so. It certainly isn’t fair he can also be so generous and kind and talented and handsome and vulnerable…God, it would be so much easier if he was always a spoiled brat and you could hate him for it.

But it’s not that easy.

He scares you. Not like your father or Gianni, no. Elvis scares you because he—

“You alright, Little Bird?” he croaks from the bath, eyes slits against the light.

It startles you, and you realize your head has been in your hands in lament as you spiral. You straighten, blinking away your lingering, dangerous thoughts.

“Yeah, yes, I’m fine. Just…tired.” It is not a lie, and you hope his own exhaustion keeps him from questioning you further.

“Well, we best get you to bed then, darlin’,” he groans, sitting up and stretching his long arms over his head. “Hand me that towel?”

“Of course,” you breathe, handing him the fuzzy, white towel, then you quickly turn away. You don’t want to leave because he may be unsteady on his feet, and it’s certainly not as though you haven’t seen him totally bare, but you feel your cheeks heat slightly anyway at his nakedness.

I’m only human.

Towel slung low on his narrow hips, you’re glad to follow him into the bedroom and not the other way around, worried the heat of his gaze might flay you open and reveal everything you are trying to hide from him. You don’t have the energy for masks right now.

It seems neither does he. He is docile and pliant as you help him into his silken pajamas and under the covers. You’ve noticed the pattern of him doing this after his episodes, putting himself completely in your capable hands.

As you head back to the bathroom to change and do your own nightly routine, you wonder if he’s ever been this way with anyone else, or if it’s just a special part of him set aside for you.

Stop thinking like that. I am his nurse and nothing more.

You keep a healthy distance between you and him when you climb into the sheets. It doesn’t take long, however, for your exhaustion to take the reins, and you quickly drift off, trying desperately not to think about the beautiful man—no, my patient—who sleeps so close by.

*

“Dolo-res, oh, Dolo-res!” The slithering sound of Gianni’s voice sing-songing your name in the dark sends your heart racing and your stomach dropping. His dress shoes click ominously on the wooden floor of your father’s house, slowly, taunting you. It’s as though he knows exactly where you are and is just biding his time. Finding pleasure in your fear.

You try to be as quiet as a mouse, but your breathing grows more ragged with each laborious step. The floor is working against you, like you are trying to run through water.

“Aye, aye, aye, Dolores,” Sinatra sings, the sound slow and distorted. Frank watches you struggle up the stairs, his head tilting and those famous blues giving you a knowing wink from the hallway beneath you.

“You can’t hide from me, Bella,” Gianni purrs from behind you, his footfalls heavy.

“What a break if I could make Dolores mine, oh, mine,” Frank continues the song as though your world isn’t collapsing in on itself, as if you weren’t running for your life. The lyrics feel all too threatening under the circumstances.

Clawing your way to the landing, a sob catches in your throat. He’s too close. You can smell his awful cologne. It makes your head pound and your stomach roll.

If you crawl your way to your room…you could lock the door. You could be safe.

“Aye, aye, aye, Dolores,” Frank croons from below.

Gianni’s hands are frigid when they clamp on your legs and turn you over.

“No, no, no, no!” you whimper.

“Did you get my gift, Bella?” Gianni smirks, feeling his way up your thighs, up under your skirt.

Looking down at your hand, the engagement ring he gave you shines menacingly, weighing your hand down so much you cannot lift it to defend yourself. You open your mouth to scream, but no sound comes out.

“I was made to serenade Dolores,” the song continues, but it’s no longer Frank’s voice from below. No, it’s deeper, and warm, like velvet. And oh, so familiar.

Elvis.

He’s on the landing behind you as he sings. You crane your neck and see him upside down, towering over you, only a few steps away.

“Elvis, please,” you cry. You aren’t sure if it’s a plea for help or one encouraging him to run. He looks down at you, almost absently, like he sees you but cannot be bothered. Perhaps he does not see you at all.

You aren’t sure what’s worse.

Gianni looks up and growls at Elvis, the whites of his eyes disappearing, turning all the way black. Dark, vicious claws form at the ends of his fingers. He looks like a demonic beast, ready to pounce on his prey.

“I would die to be with my Dolores,” Elvis sings, and you know then it’s over. You close your eyes, not wanting to see Gianni tear Elvis apart just for being near you. You feel the heat of Gianni leap over your prone form, feel Elvis being knocked to the ground with a thud. A roar. Screams. The sounds are sickening and the heat of blood spatters over your face.

“NO!” you sob, uncontrollably. Every breath is tainted with your agony.

It’s all your fault.

Then heavy silence.

Your chest heaves with the speed of your panicked breathing and you sense Gianni crawling back over you. You open your eyes, even though you don’t want to.

“What a break if I could make Dolores mine, oh, mine,” Gianni sings quietly, finishing the song, his face and hands stained crimson with Elvis’ blood. He smiles at you, a terrifying white gash amongst the red.

“Mine.”

Then he digs his claws deep into your belly.

You shudder awake, breathing hard enough to know it is another nightmare that wakes you. The sheen of sweat across your brow, the throbbing at your temples reminds you that you are alive, awake, and when you open your eyes, they meet the darkness of the hotel suite. Your cheeks are damp with tears and your hand flies to your abdomen to make sure Gianni’s claws are not deep inside you.

Much to your shock, there is a hand already there, large and splayed across your belly, but completely unthreatening. No, almost comforting. It knocks away the dream, this hand, as you try to puzzle through why it is there, who it belongs to, and why you aren’t afraid. You hold your breath.

A moment passes. You take stock of the rest of you: the queasiness of your stomach subsiding some, the solid warmth pressed against your back, your legs tucked but feet tangled amongst the sheets and another set of feet.

Elvis.

And you wonder if you are still dreaming because of the way his arms hold you tight. You wait for the panic to come as a result of the embrace, but it never does. Your heart skips then slows, beat by beat as you sink into calm, protected warmth, lulled by his slow breathing against your back.

I’m safe.

Sleep takes you with little fuss.

*

Your eyes flutter open. The room is dark, thanks to the heavy blackout curtains Elvis requested, but one look at the clock tells you it’s morning and past time to get up. A shiver rolls through you, which is strange despite the arctic levels he keeps any room he sleeps in because he usually a furnace next to you. But your body already knows what your eyes quickly confirm: Elvis is gone. Not in the bed, or the suite, or in the darkened bathroom.

Puzzled, you sit up and flip on the lamp. Your memory is hazy. Blinking, you vaguely remember a nightmare involving Gianni, but blissfully cannot remember specifics. There is something else you are missing, though, something important, just outside the reach of your memory. A comfort maybe? It doesn’t make any sense. Unease settles over you as you rise, your hand falling unconsciously over your abdomen.

Elvis’ absence bothers you, though you can’t put a finger on why. Perhaps it’s just the lingering dreams you can’t quite remember that have you anxious.

Or maybe it’s because in less than a month, your entire life has been upended and changed irrevocably.

Could be that.

After a glance at the time, you rise and hasten to get ready, knowing you are running late. Elvis will need to be at rehearsal soon. The rush is a good distraction from your muddled thoughts.

When you exit into the rest of the suite, ready to go, it’s much, much too quiet. Your skin prickles at the absence of Elvis and the usual boisterousness of the group of men you’ve become used to being around all the time and the relative safety they provide.

Something is wrong, and a tendril of fear of being alone and exposed winds up your spine.

Oh, Madone, something happened to Elvis.

Gianni.

It’s then that Cliff exits the kitchenette with a cup of coffee and you jump, startled, hand flying to your chest as you suck in a breath.

“Oh, hey, Lori,” he says. “You’re finally up.”

“Madre di Dio, you scared me!” you gasp, trying not to let the panic leech into your voice too much. “Where is everyone? Where’s Elvis?”

“Oh, they went ahead to the studio. I stayed back to drive you, if you still want to go.” He says it with pity, like you’re one of Elvis’ paramours that can just be dismissed on a whim, and frankly, he seems a little put out by this assignment.

“He did what?” Red lines your vision quite suddenly, anger washing away the worry you’d felt only a moment ago. Elvis is not supposed to be without you. It’s the reason you’re even here. He knows it.

And he just left you. Alone. Without a word.

Cliff backpedals instantly, sensing your indignation, looking very uncomfortable. “Oh, I…um…I think he just thought you were tired? And wanted to let you sleep?”

“Oh, I bet he did,” you mutter under your breath. Then you grab your purse and beeline for the door. “Let’s go, Cliff.”

He scrambles behind out you, following you to the elevator. At first, he nervously prattles on about the weather, trying to make small talk, but finally gives up once he realizes your piercing glare isn’t going anywhere.

You tell yourself you’re angry because Elvis has put himself in danger by not having you with him, but you are smart enough to know it’s more than that. He’s treated you like any other woman when you are not.

It’s downright disrespectful.

Furthermore, it put you at risk. Without the safety of Elvis’ protective and insular group, you are exposed. Gianni or your father would have no trouble at all disposing of Cliff and dragging you back to New York, before Elvis even knew what happened.

Because you haven’t told him, a small voice reminds you.

It makes you sick to think of. Your pounding headache is back, and you feel a bit carsick with the intense Florida sun beating down as Cliff drives you to the studio.

Your frustration and fear have you out of the car before he has barely parked. Heels click-clacking on the concrete and Cliff struggling to keep up, you show your special pass to the doorman. You hate the way the man examines your pass as though it were fake, giving you a once over. Cliff nods at the man before he finally lets you both through, and you huff at the slight.

This isn’t like you. Before Elvis, you would have meekly stepped to the side and let Cliff lead, content to fade into the woodwork. Happy, even. Maybe Elvis’ hotheadedness is rubbing off on you because the swell of rage you feel is like nothing you’ve felt before.

Fuming, you finally reach the studio and then stop short at what you see, sending Cliff almost running into you.

Elvis looks the picture of health, none of the pain or vulnerability you’d seen last night anywhere to be seen. In fact, he has a pretty girl on either side of him, both tittering and blushing as he smiles his famous quirky smile at them in turn. Flirting.

Your nails dig into your clutch and your body goes rigid. It shouldn’t, but it makes your blood boil with betrayal.

How dare he.

It’s a stupid thought, and one you try to shake off as soon as it comes. He’s not your boyfriend. God knows he’s flirted—and done much more—with other girls around you before, and it didn’t bother you then. Not really.

But maybe it’s because he laid into you so hard yesterday about Sinatra and your supposed flirtation and about keeping up appearances and his damned jealousy, and yet here he is, blatantly disregarding all of it. Because of double standards and whatever other petty reasons he has for acting so strange with you since Nashville.

Your eyes burn into him and with the little sixth sense of his, he notices. His eyes darken and hit yours intentionally, and there’s not even a hint of surprise or regret in them. Just an infuriating quirk of a brow before the girls steal his attention again.

Like he planned this.

You grind your teeth, forcing yourself to take a breath instead of doing something stupid like slapping that smile right off his pretty face. No, you’ve got to be professional about this. You seethe, trying to reel in all these senseless emotions suddenly swirling out of control in your mind.

For whatever reason, he’s trying to get under your skin. Maybe he thinks he’s teaching you a lesson about yesterday. About Frank. About the smoking. Who knows what else.

Well, two can play at that game.

You breathe in, out, in again, forcing your shoulders to relax, forcing yourself back into your clinical mode. God knows between the last few weeks, your upbringing, and your nurse’s training, you’ve learned how to deal with difficult people.

Elvis Presley has severely underestimated you if he thinks you’ll fold over this.

In another highly uncharacteristic move, you school your features into a relaxed smile as you walk towards him and the girls. You know he senses you even though he’s barely looking, but instead of confronting him or slinking into the shadows, you clip right past him and head towards the other famous men in the room.

His eyes are burning holes into your back as Frank and Sammy Davis Jr. notice your approach. You appreciate the fact that the two men smile so warmly at you, and not at all dismissively. It was a gamble, as you easily could’ve been rejected by them, too, but your gamble seems to have paid off.

“And who is this pretty young thing?” Sammy asks charmingly, taking your hand and bringing it to his lips. You don’t even have to pretend to blush under the scrutiny of both titans.

“Oh, this is the delightful Miss Dolores,” Frank says, “Elvis’ girl.”

“Ah, I knew that kid had good taste,” Sammy smiles.

“We weren’t sure if you were joining us today,” Frank says, looking not so casually behind you.

Three, two, one, you count silently.

“Oh, well, I—” you start.

“There you are, darlin’! Wanted to let you sleep in after such a long day yesterday,” Elvis says, smoothly sidling in beside you and planting a kiss to your temple.

You hide your smile at your presumption coming true and at the suggestive nature of his comment. A dismissive “Mmhmm,” is all you give him back, though. You don’t even look at him.

“You know, my mother was a huge fan of you both,” you gush instead to the other men in front of you, ignoring Elvis. “She passed years ago, but any time I hear That Old Black Magic or Birth of the Blues, I can’t help but think of her.”

It’s not a lie, nor is the sudden swell of emotion you have at the thought of your mother listening and singing along to those tunes while she made supper. You sniffle and let out a little laugh.

Perhaps you imagine the gentle squeeze at your waist.

“Look at me, getting all flustered,” you say, waving away your tears.

Madone, why am I so emotional today?

“Oh, we’re just honored to be a part of your memories like that, honey,” Sammy says kindly, and you feel Elvis stiffen beside you at the endearment.

“Frank, Elvis, we’re ready for the Love Me Tender/Witchcraftrun-through,” George, the very serious production assistant, interrupts.

Elvis starts directing you away. “Okay, then, baby, why don’t you—”

“Oh, I’d love to hear more about your mother, if you want to share,” Sammy says to you. “Don’t worry, Elvis, she’ll be safe with me.” He winks, reaching for your hand.

“I’m sure she—” Elvis starts.

“Well, how could I refuse the great Sammy Davis Jr.?” you interrupt, a little coyly. Part of you wonders when you became so bold as to flirt so shamelessly with men like this.

You aren’t feeling much like your old self these days.

Maybe that’s a good thing.

Tension ripples off Elvis and you honestly couldn’t have planned it better.

You can tell Elvis doesn’t want to offend Sammy as he hems and haws a bit too long. “Sure, sure, of course. I’ll come find ya after,” he finally gets out, a tad flippantly, and you don’t miss the amusement in Frank’s sparkling blue eyes as he leads Elvis away.

*

If you thought that would be the end of it, you were sorely mistaken. Your pleasure at winning the battle distracts you momentarily, making you think you’ve taught the man a lesson by giving him a taste of his own medicine.

You were wrong.

Instead, Elvis has doubled down on his nonchalant dismissal of you, barely even acknowledging your presence. Suddenly, there are more girls around than before and all of them seemed more than happy to be on the arm of the all-too-handsome singer, even if only for a moment.

You realize fleetingly he’d been true to his word in keeping the girls away before now because of your perceived relationship. But not anymore.

His message seems clear, even though you still don’t understand the reason behind it: You are easily replaced.

If you were actually his girlfriend, maybe that would be true. For a second, you feel the sting of his rejection as if you were just some poor girl fawning over him.

But the reality is much more complicated. Much worse is the dread pooling in your stomach at the thought of being fired and having to fend for yourself against the wolves nipping at your heels. As much as you don’t trust the Colonel, you don’t imagine he’d cast you aside so easily considering everything you know and the pains it would take to bring another nurse into the fold. And Elvis is smart enough to know it. It is a bit of a salve to the fear churning in your belly.

No, what Elvis is doing seems like some sort of strange tantrum, like he’s hurt and sending you a message the only way he knows how. What it truly could be, you have no idea, but having a slew of younger brothers, you understand that sometimes boys just need to wear themselves out with their nonsense. Doesn’t make it any less frustrating or humiliating for you, but you’ve been through worse than an adult man being immature and unable to communicate his feelings.

You almost wish his health was struggling a bit more because it would force him to engage with you. As it stands, he is the picture of health right now and he is only listening to you out of the necessity of keeping up appearances or when you have the gall to talk to another man.

It stings more than you want it to. More than it should.

It’s easy to blame it on the ever-growing fatigue you can’t seem to shake and on the fact you have less experience dealing with these kinds of relationships than most girls your age. It’s not as if you have a lot to compare it to, or even any girlfriends or relatives you talk to in order to help you try and understand what is wrong with him.

A deep loneliness sinks down over you suddenly, threatening to drown you in the overwhelming realization that you truly have only yourself to keep you steady. The worst part is Elvis is the only one who has any understanding of you at all, and for whatever reason, he is shutting you out. You force back the tears trying to spring to your eyes, swallowing your grief and resignation.

Instead of giving him the satisfaction of seeing you mope as he entertains the girls the other guys have procured for the evening, you smile and keep up pleasantries for as long as you can before retiring to the bedroom to read. Not that you are able to, as the words keep swimming in your vision and you stay on the same page for much too long. Finally, you close your eyes against the emotional tide and your persistent headache, and it’s not until Elvis comes to bed that you stir again.

You don’t open your eyes, however, though you can feel him looking at you. His gaze burns through you, making your heart race. There’s a long moment of silence before he finally undresses, gets in the bed, and turns out the light.

*

March 26th, 1960

The studio is vibrating with energy. Not only are the people involved in the show bustling about, but the audience, packed full of young women, is tittering so much that you can feel it in your bones.

Surprisingly, Charlie came out and grabbed you after Elvis’ appearance in the opening. Elvis looked smart in the dress uniform he’d been so glad to be rid of those first days you’d met. While he’d been nicer to you today in general, you are unsure why he wants you backstage after the way he’d shooed you out before the show started. But there are thirty more minutes before his performance, and you are suddenly concerned he’s not doing as well as he made himself out to be.

You make your way back into the dressing room, trying to offset your own nerves. You slept terribly, thinking too much about your future, mulling over every worst-case scenario again and again in your head. But the moment you enter the dressing room, it all goes out the window.

Elvis turns around when the door opens, an absolute vision in a black tuxedo that does everything to show off his long frame. Everything.There’s no helping the sharp intake of breath you try to swallow and the way your feet stick to the floor as you take him in from top to bottom. He is the epitome of tall, dark, and handsome.

His dark hair is swooped back on the sides, but styled tall and soft in the front, adding the appearance of at least three inches to his height and highlighting his long, chiseled jaw. His artfully applied makeup is subtle and does everything to show off his deep blue bedroom eyes.

Eyes that just happen to be swallowing you whole. A wave of heat washes over your entire body. You feel suspended in time and know you are gawking, but despite having spent over three weeks solid with the man, enduring every quirk and his maddening mood swings, you hadn’t been prepared to see him at his best.

Oh, Madone.

He has you locked down with his gaze, and while every professional bone in your body screams at you to be normal, it’s impossible. Every reason you’d been furious with him for the past week is forgotten in the blink of an eye. It’s as if it is suddenly dawning on you why Elvis Presley is who he is and that you’ve been working for him all this time without really realizing it.

“A-alright, everybody out. I need to talk to my Little Bird alone,” he drawls, but the command is crystal clear, sending all the boys filing out behind you. His nickname for you has never sounded so utterly sinful coming out of his mouth before. Your heart thuds in your chest and you hope to God Elvis cannot hear it or see the flush on your cheeks.

The door clicks shut, and Elvis sighs audibly in what seems like relief, his shoulders sagging a bit, and as he deflates, it breaks whatever strange spell he had on you. He adjusts his cufflinks nervously, then shakes his hands at his sides, bouncing on his toes, like he’s trying to expel the nerves out his limbs.

“Are you okay?” you ask, finally able to speak again.

“O-oh, honey, I-I-I-I’m so damn scared, I feel like my heart’s ‘bout ready to fly right o-o-outta my chest,” he stutters, looking at you as though you can provide him some relief. “S’like I can’t breathe.”

This kicks you into gear, the need to make sure he is healthy enough to perform washing away the awe at the handsome figure he cuts.

“You’re okay, just take off your jacket and sit down,” you guide him gently. He doesn’t fight you at all, but you can see the way he trembles with anxiety. The change in him seems strange to you considering the easy ego he’s been coasting on for weeks.

Maybe he’s been such a jerk because he’s been nervous, you think suddenly. As quick as it comes, you push it back out again, wanting to focus on his care.

You don’t have all your things, but you take his pulse, which is noticeably racing, and his breathing seems fast but not wheezing.

“I-I-I’m not dying, am I? W-w-what i-if I-I go o-out there and p-pass out in front of—” He is stuttering so much, it’s hard to understand what he’s saying, but his fear is clear: he’s terrified he’s going to mess up this critical piece of his comeback in front of the world and some of the greatest performers out there.

“Elvis,” you say gently, grabbing his hands in yours and stilling them. Once his fearful, wide eyes find yours, you continue, “You’re going to be just fine. You aren’t going to die out there, I promise. Now, take a deep breath with me.” You inhale deeply, hold, and then exhale nice and long, then do it again until he’s matching you.

In, out, in, out, again and again.

The breathing has just as much effect on you as it does him. The energy in the room calms substantially, your fears and his dissipating a little more with each breath.

You’re not quite sure how long you sit there with him, his hands dwarfing yours, but when he opens his eyes and meets yours, you can all at once see every iteration of Elvis Presley coexisting in harmony: the playful boy, the charming but humble superstar, the fiery and moody young man. He is both the most human you’ve ever seen him, yet the most ethereal in the same breath. The vulnerability and complexity astound you speechless once again.

“You are magic, Little Bird,” he says softly, eyes tracking over your face. Your heart skips a beat, then two. You’re in freefall for a few seconds before you can tear your eyes away from him enough to regain your wits.

When you look back at him, his face is a handsome mask, giving little away. Perhaps it’s just him preparing to perform, locking some of himself away. But something tells you there is more to it than that.

His thumbs trace up and down, sweeping between your thumbs and pointer fingers in the same rhythm as your breath. Somehow it grounds you while still making you feel a bit dizzy. He says you are magic, but he is the one enchanting you and all at once you want to tell him everything. Every single thing weighing on your mind. All your fears. The feelings you are starting to have for him that terrify you. How you see him. How you’ve deceived him to protect him. To protect yourself. It’s not the right time, it never is, but it’s like he’s drawing it out of you with his caress. You can’t bear for him to go cold on you again, not when he’s your only glimmer of hope.

They say the truth will set you free.

The words start to tumble out of their own accord, “Elvis, I need to tell you—”

A sharp rap at the door interrupts your confession before it even starts, and your heart catches in your throat.

“Places, Mr. Presley!” George yells through the door.

“Thank you!” he yells back. His eyes shine with something hopeful behind them when he turns his attention back to you, almost expectant. “Save that thought, honey.”

It’s all you can do to nod, tamping down on the adrenaline pouring through your veins. He leaps up, releasing your hands, severing the connection you hadn’t realized until right now you needed so much. Pulling his jacket on, he adjusts, and you stop him, craving the sense of intimacy that is slipping through your fingers like a sieve. You step up to him, straightening and smoothing the velvet lapels of his jacket. Your hands linger a moment too long near the button and you look at them, unable to stop the heat on your cheeks or to look up into Elvis’ eyes.

“Wish me luck, baby?” he says playfully, but with an edge of need you force yourself to ignore. He squeezes your hands, encouraging you to raise your head. You school your features into something calmer than what you feel.

“You don’t need it. You’ll be amazing and they’ll love you. They already do,” you say. It comes out much more breathless than you’d like, and you look everywhere but in his eyes.

The air gets heavy, crushing all sensibility, and you can’t help your eyes darting up then. His full lips part the slightest bit, his body leaning forward enough to make your breath catch. Suddenly every one of your nerves is on fire, crawling under your skin, something new and forbidden winding its way into your belly.

He’s only ever kissed you in a performative way, playing to an audience, but this, this is different. The way those sapphire eyes drink you in is much too much. You’re drowning in them, wondering how different it will be if he kisses you and not pretend-girlfriend you. He is so close you can smell the now-familiar, delicious waft of his cologne and feel the heat of his breath on your face.

Oh, Madone, we can’t. The thought stabs through your head with a panic, straightening your spine like a ramrod, and Elvis is nothing if not observant. So expertly does he change course you doubt he had any other intention than to press his open mouth to your cheek. The soft feeling has you sighing, but you aren’t sure if it’s in relief or disappointment.

Not unlike the look on his face.

Stepping back breaks the tension in the air enough for you to recover what is left of your wits. You smooth the front of your dress. “Would you like me in the audience or backstage?” You hope it comes out more professional than you feel.

“Needja out front. Wanna be able to see your pretty face unable to take your eyes off me,” he jokes, oozing charm, but his twitching hands and serious eyes belie his nervousness.

“Oh, we’ll see.” You roll your eyes, playing into what he seems to need in this moment from you, though your heart is still galloping enough that you feel breathless. You barely register opening the door and walking back out to your seat in the audience, feeling the roll of anxiety in your stomach, both for his performance and for what you almost let happen in the dressing room.

Before you can spiral too far into beating yourself up, Frank is up introducing Elvis. The girls in the studio go so wild, they sound possessed, chants of “We want Elvis!” devolving into shrieking. You resist the urge to stick your fingers in your ears to protect your eardrums.

But then Elvis, in all his breathtaking beauty, is ambling downstage, managing to be cool, casual, and charming, but also bashful, like he didn’t expect this reaction. And it’s not a put on.

He didn’t think they’d still love him, you realize.

The way he bites his lip, then runs his tongue over his teeth before erupting into an almost embarrassed grin makes your heart flutter at its sweetness because you know just how scared he is. His skill, however, is that no one else does.

He turns to signal the band and the first bars of Fame and Fortune come in. The man who turns around to sing is someone much different than the bashful boy of just a second ago. The sultry look he throws the audience takes your breath away, but as he waits to come in, he can’t totally hold the pose, that lip of his curling up and his tongue trying to banish it in the name of being serious. The girls scream in response, eating it up, and you can’t say you blame them. He looks up to the sky, perhaps saying a silent prayer, to regain his composure before he opens his mouth to sing.

Now, in the last few weeks, you’ve become well acquainted with his gifted voice, but it is not until this very moment you understand the scope of his talent. The spell that he casts over the room feels nearly as intimate as the one he had with you in the dressing room just minutes ago. The nervousness you know is there is so artfully maneuvered that it opens him to the audience rather than pushing them away. Few other stars would get away with smiling and laughing at the reaction of their audience in the middle of their ballad but when he does it, you feel it down to your toes.

Or maybe it’s the how his voice is like silk in your ears, a contradiction of impressively light but warm and rich. The honeyed timbre winds its way down your spine, right into the core of you. It’s not just in your body but your soul, too. The hair on your arms stands straight up, a visceral reaction proving his effect on you isn’t in your imagination.

A woman could fall in love with that voice alone.

Despite the way you want to fight the hold of his performance and its battle in your mind with the man you’re getting to know, it is quite impossible. You get utterly sucked into the tide of Elvis Presley.

He is stunning.

You can’t help the way your mouth drops open and your palms begin to sweat. There is brilliance in every move and sound he makes, and you’re amazed at his ability to include everyone in the room, from the camera, the band and backup singers, to how those bedroom eyes scan the entirety of the audience in one breath. You feel like you’ve been struck by lightning every time they catch yours.

If you weren’t so dumbstruck, you might chastise yourself for feeling so carried away, but it’s hard not to feel like he’s sharing something important with you right now—an essential part of his soul, this thing he was obviously born to do. It brings tears to your eyes.

As the song winds down, you and the rest of the audience mourn its end. But in the split second he bows his head and bites his lip, you see the utter relief that fills him at the realization that he’s still got it. Then the upbeat lilt of Stuck on You comes in and he’s immediately reinvigorated.

He knows he has you all now, and it’s as if suddenly his body remembers everything that made him a star. Sure, it’s toned down some for his new adult image, but those unique movements are still there. He’s playful and energized in a way you’ve never seen him before. It’s not just in his long limbs (which you can’t seem to tear your eyes away from) but also in his voice. Flirtatious and silly, he wraps you all around his snapping fingers.

The girls are going crazy and rightly so: you find yourself having to bite down on your lip to keep from squealing with them. A bead of sweat runs down your spine and you cross and uncross your legs to try and stave off the total, uncontrolled insanity you are feeling trying to reconcile this Elvis with the one you sleep in the same bed with, the one you care for when he’s so ill he can barely function.

Nothing about this is remotely helping the feelings for him you know are brewing under the surface. It’s like being dragged under by a riptide—you can’t fight it, not now, and you just have to give yourself over to the current.

But one thing is for certain: there is nothing sane about any of this.

You can see even Frank is off kilter because when he comes out for the duet, this cool-as-a-cucumber, wildly talented star in his own right is stumbling over his lines. The man is struggling to maintain his dominance as the host and the elder, more refined performer. Sensing what you think is his competitive edge, you watch Frank rebound for control as best he can, but even he has got to know Elvis is in a class of his own. He’s upstaging Frank without even trying.

Part of you knows you are witnessing history in the making. You can hardly believe it. A month ago, you were living an entirely different life. You certainly didn’t care much for Elvis in the beginning, and now you want nothing more than to stay in his orbit. It’s strange to feel so starstruck around him.

The whole thing is madness.

You are still buzzing and a bit dazed when Charlie pulls you backstage. The prideful, overly logical part of your brain wants you to calm yourself before you see Elvis, not wanting to give him the satisfaction of a big head around you, but the giddy girl in you doesn’t care. That silly little girl eats up the grin spreading across Elvis’ face and falls straight into his open arms. He hugs you tight, like he means it. It feels real and not for the benefit of all those around you thinking you’re the adoring girlfriend congratulating him on his triumph. The way he squeezes you and presses his lips to your temple feels special and just for you.

“What didja think, Little Bird?” he whispers in your ear.

“Oh, well, the guys did great, and Nancy was lovely,” you hear yourself teasing.

The playful, possessive little growl he makes and the way his fingers press into your ribcage has you fighting unsuccessfully to suppress the shudder of excitement running through you. You curl your toes in your heels trying to absorb the heady feeling it leaves you with to get yourself right enough to speak again.

“Well, I’m a bit loathe to admit it, but you were wonderful,” you finally say, looking up at him and placing your hand on his chest. His heart thumps wildly under your palm and under any other circumstance you might be concerned, but you let it be. This is his moment.

“Better than Ricky Nelson?” he asks, quirking an eyebrow at you.

“Hmm, marginally,” you tut, trying to keep a straight face.

“’Marginally’, huh? I’ll show you marginal!” he laughs. And then he buries his head in your neck, his hot breath and soft lips pebbling your skin and setting your body aflame. You don’t recognize the gasping giggles erupting from you like a schoolgirl.

It’s all for show it’s all for show it’s all for show…a voice in your head viciously reminds you.

“Okay, okay!” you laugh breathlessly, trying to still his ministrations. “I will concede that you, Elvis Presley, are a very talented man.”

“Oooh, am I now?” He wiggles his brows suggestively, sending another wash of heat over your body.

Your mouth pops open, but before you can think to respond, someone cuts in. “Hey, Presley, quit making googly eyes at your girl and get over here!”

Elvis responds by doing the silly little thing he does with his eyes that makes all the girls scream and you can’t help but laugh.

The moment he walks away, taking his warm essence with him, you find yourself deflate a little. It sobers you quickly and the letdown of the entire experience has you unexpectedly emotional. Without his warmth and light, you feel cold and unprotected and alone.

Sneaking away to the restroom, you lock yourself in with shaking hands. Oh, God, what is wrong with me? you think as the tears well and then escape in rivulets down your cheeks. You swipe at them, fighting what you fear is happening but cannot quite admit to yourself.

You refuse to be like every other woman, falling over your own feet for Elvis. Desperate for any sliver of attention, living for his small touches and knowing gazes. Blinded by his talent and fame.

You are not that girl. Breathing in and out, trying to calm yourself, you remember he is just a flesh-and-blood man, and you cannot give another man the power to hurt you again. He is your employer, your patient, and nothing more.

Liar.

Pushing those treacherous thoughts away, you switch tacks. You need to protect him from the storm you know is coming but your survival instincts are doing everything possible to keep you safe, and Elvis might be the only person who can do that. Telling him about Gianni and your background risks his rejection. Your heart aches at the idea of him letting you go, and not just because of your safety. There’s no way you can tell him the truth about you now, not when he’s flying so high, not when for the first time in weeks you finally feel connected with him again.

Maybe too connected.

No, you’ll just have to wait until the right time. You can’t spoil this for him. Talk of Gianni and your father would destroy this goodness, and you can’t let them destroy anything else.

Forcing yourself to put it on the back burner, you paste on a smile and play the devoted girlfriend for the rest of the evening. Every little touch is like tinder catching flame under your skin—his hand around your waist, thumb grazing so near your breast, his fingers interlocking with yours—and the sparkle in his eyes makes your heart dance against your ribcage. It’s easy to believe he truly cares and that he’s yours.

He's a better actor than they give him credit for.

For once, you let yourself lean into it, pretending he wants you. You are swept up into his joy and relief and affection. It’s an addictive and glorious drug. By the time you both stumble exhausted into the bedroom of the suite, your cheeks hurt from smiling so much.

Your body hums a little from the glass of champagne you allowed yourself, mind buzzing with the excitement of the day and from your proximity to the man of the hour. Elvis seems to be much in the same boat, riding high and energized as he takes off his jacket, throwing it over the chair in the corner. The tiny tie was lost long ago when he unbuttoned his top buttons at the studio and sweat glistens in the divot between his collarbones as he begins rolling up his sleeves. You were unaware until this very moment how attractive forearms could be.

Suddenly your mouth feels very dry. You lick your lips, watching his every movement.

Elvis looks up quickly, catching your undivided attention, and his lip quirks in a slow smirk that is both sinful and self-conscious. His eyes flash with a heat that makes your toes curl into the soles your shoes and your pulse flutter wildly.

Oh, no. No. I will not get flustered by Elvis.

Cheeks heating, you look away and focus every ounce of attention you have on undoing the straps on your heels.

Elvis starts to hum a song you don’t immediately recognize, the sound vibrating and warm and sultry. Like a siren’s song, it threatens to hypnotize you. It distracts you enough that you fumble with the stubborn clasp on your heel, unable to wrench the leather free of the buckle. You let out a huff.

“Here. Lemme help, baby,” he says, more a soft command than an offer, the sound wrapping around you like velvet. He kneels before you, placing your foot on his knee, his long, nimble fingers working the strap free. If you hadn’t already been holding your breath, the way he gently massages the crease the strap left on your ankle through your stockings might have caused you to gasp.

“How’d I never notice these pretty lil’ sooties?” he coos, rubbing his thumb into the sore arch of your foot.

You bite back the moan threatening to slip free due to the sensation, but it escapes anyway, as a tiny whimper instead. Perhaps you imagine the way the apples of his cheeks go pink at the sound. Either way, you feel like you are about to come apart at the seams.

He makes slow work of massaging your foot and then placing it back down. You suck in a breath, just as he grabs the other and repeats the action of freeing then massaging it.

“Elvis,” you gasp much too breathlessly. You want to melt into the sensation, but the rest of your body feels like it’s on fire, a molten pit growing in your belly that you can’t seem to stop. You should push him away, you know you should, because this is too much, too intimate, but you can’t seem to will yourself to do so.

“Hmm?” he replies innocently, as if he truly has no idea what he has reduced you to. His hand squeezes down your foot until he reaches your toes. “Oh, honey, why ain’t these perfect lil’ piggies painted?” he asks, near scandalized.

The question throws you. “I…I’ve never seen the need,” you stutter out. “It’s not as though anyone would see them and being on my feet all day in the ward would just ruin them…”

His brows furrow. “Not even with your girlfriends? Or for a day at the beach?” he asks, genuinely confused as to why a young lady would never paint her toenails.

Your heart aches acutely all the sudden. The words fall out of your mouth before you can stop them: “I didn’t have many friends like that. Or time to spend with them. I was busy raising my brothers and then I left for nursing school….”

“Oh.” He says it so softly and full of compassion you nearly want to cry. Then, his demeanor shifts. “Well, all that changes now, Little Bird.” He gives your feet one last pat and then smoothly lifts himself off his knees, going towards the door.

“What?” you ask, confused. This man has your head spinning.

He flings the door open. “Hey, Charlie! Charlie!” he yells into the penthouse.

“Yeah?” you hear Charlie call back.

“I need you to get some nail polish. Pink is best, but red’ll do.”

You hear a long pause, then a shuffle. “Ummm, where am I gonna find polish in the middle of the night, EP?”

Elvis sighs. “Use yer brain, buddy. You tellin’ me none of those girls out there has any polish on ‘em? I have faith you can figure it out.” Then he shuts the door with a grin.

Dumbfounded, you gape at him. “You can’t be serious, Elvis. It’s late and we need to get some rest…I don’t particularly want to paint my toenails right now. And truth be told, I’m not very good at it,” you say, feeling panicked by the whole idea. The idea of him watching you trying and failing to paint your toes makes you squirm.

He just grins. “Good thing I ain’t tired, then, baby! You can relax and I’ll take care of it. Go get in your jammies.”

Your brain feels broken. He can’t possibly be suggesting what you think he is. Your mouth opens, then closes, then opens again.

“Close that purty mouth—you look like a big ol’ guppy over ‘dere,” he laughs, his accent seeming stronger than usual. “Now, go on—get ready for bed,” he orders, pulling you off the bed.

“Elvis—”

“Nope, don’ wanna hear it, honey! Go!”

Which is how you find yourself in the bathroom, changing into the modest but silky, white, button up pajamas Elvis bought for you on your shopping spree a few weeks ago and doing your nightly routine with a flock of very baffled butterflies in your stomach. You are also a little afraid for the state of your toes by the time this is all said and done.

And yet, Elvis manages to surprise you again, not only with the fact that Charlie was indeed able to get his hands on pearly pink nail polish at this hour, but with his ability to paint nails. It’s more than adorable the way he concentrates on getting it right, tongue caught between his teeth, even sticking cotton between your toes to keep them apart. Usually, you would hate having someone touch your feet, but he’s so gentle about it and you are so distracted by how unbelievable the situation is and how a dark lock of hair falls imperfectly over his forehead as he bends over your toes that you can’t bring yourself to tell him no.

As always, time seems to warp with him, and it’s so late it’s early. You find yourself yawning, wiggling your freshly pink toenails in a state of strangely pleased disbelief.

“You like ‘em, Little Bird?” he asks, eyes shining with an unexpected need of approval.

“Yes, they are lovely. If this singing thing doesn’t work out, you could open a salon. The girls would go crazy,” you joke.

He bows his head with a bashful smile, then looks up at you through those long lashes and you feel like the bed has dropped out from under you.

“Naw, this is only for the special lil’ nurses who hafta put up with me every day. No one else.” His eyes twinkle, lighting your body with electricity.

Why does he have to be so charming?

Part of you wants to scream at him to stop being so nice to you. If he knew what trouble you were, what you’ve brought to his doorstep, he’d never be looking at you like this or treating you with such care.

No one since your mother has treated you with such care.

Tears threaten to spring to your eyes, and you push your feelings as far away as you can, as fast as you can.

“Speaking of,” you say, clearing your throat, “I should take your vitals before you sleep.”

Elvis looks confused and maybe a little hurt at your abrupt subject change but recovers quickly enough. “Aww, come on, Little Bird, not tonight. I feel fine, I swear it.”

But you need your armor, and your job gives you that. It gives you space from these stupidly complicated feelings you are having. “Grab my bag and we can prove it.”

Elvis sighs, but does what you say, quiet as you take his temperature, blood pressure, and pulse. When you finish, surprise fills you.

Elvis looks concerned. “What is it? Everythin’ okay? I’m tired, sure, but I feel—”

“No, I know,” you interrupt, “your numbers are good. Apparently a wildly successful comeback performance coupled with giving a late-night pedicure was just the right medicine.” You can’t help but smile at him.

He looks at you wide eyed, then gives you a blinding smile. “Or maybe you’re just that good for me, darlin’.”

Your heart flips in your chest, beating in your throat, but you refuse to let it show on your face. “Sure, mister. Quit your flirting and get in the bed,” you say firmly, only realizing your mistake when he wiggles his eyebrows suggestively.

“To sleep! Go to sleep, Elvis!” you say, rolling your eyes. You cover the blush on your face by turning over to flip off the lamp on your nightstand.

His hiccupping laugh makes you smile in the dark when he slides into the bed next to you. You are acutely aware of the heat of him, and though he doesn’t touch you, you can’t help but sense that he wants to as his chuckles die down to silence.

After a pregnant pause, he speaks again, quiet but direct.

“Was there something you wanted to tell me, honey? From earlier when we got interrupted?”

Your heart trips, then races with both surprise and fear. Thank God he can’t see your face because you are battling the onslaught of thoughts spiraling in your mind.

He won’t understand. He’ll kick you out on the street.

No, don’t keep lying to him. He deserves the truth.

Not now, later.

Protect him, protect him, protect him…

It’s the vision of Gianni ripping out Elvis’ throat that makes the decision for you.

“No, it was nothing,” you whisper shakily, clutching the sheets in your hands.

“Oh,” he says, almost blankly, and if you didn’t know better, you’d say he sounded upset.

But that wouldn’t make sense.

“Goodnight, Elvis,” you say quietly.

“Goodnight, Lori.”

Your stomach drops at how he uses your actual name, all the warmth from earlier gone from his voice. As tired as you are, shame and regret churn in your stomach—a stew of nausea that won’t seem to abate, even after you eventually drift off to sleep.

*

Three more days you spend in Florida, each one bringing even more maddening behavior from Elvis. Somehow, when you weren’t looking, a switch flipped yet again. He’s rapidly vacillating between moody and sullen to downright cold and cutting.

He keeps you close, to be sure, while going water skiing and taking long drives and cavorting with his friends, but the sweet, compassionate closeness from the night of filming the special is nowhere to be found. You feel like an accessory he strapped to his wrist, desperately trying to make sure he doesn’t run himself ragged with all the “fun” he is having. He doesn’t even attempt to hide the flirting and the inappropriate jokes and jabs not fit for mixed company. No, he does it with you at his side, like he’s trying to make a point.

Even the Colonel is distressed, confronting Elvis about spending too much and making the return trip to Memphis one by bus instead of train as some sort of power move to wrangle the star. Elvis just laughs it off, and in what seems to be true Elvis fashion, he seems to spend more rather than less just to stick it to the Colonel. All of it put together reminds you of the adolescent behavior of your younger brothers.

It’s exhausting, running after this moody man-child who acts like you hung the moon one minute and in the next ignores you. You remind him until you are blue in the face that he must rest and have some semblance of a normal routine when he can, instead of running himself into the ground by overindulging in nearly every sense of the word. The man seems to have no concept of the word “moderation” and as annoyed as you are, you are more worried this will lead to another, more serious episode.

It's easy to blame him for the near-constant headaches and exhaustion ailing you. Having to pretend to go along with his antics as his girlfriend while also having to babysit him as his nurse is continuing to run you ragged. Not to mention the emotional upheaval of trying to piece out your own feelings for him and manage your lingering fear about Gianni at the same time.

The worst, however, is the lack of playfulness Elvis had with you coupled with the brooding silence he shoves between you in your very few moments alone. Nothing reminds you more you are just his nurse. The rest, whatever it was, seems a folly concocted by your addled imagination.

You can’t shake the feeling of being punished for some unknown offense. Maybe it is just your guilt brewing under the surface, trying to make sense of this man. It’s hard to break the habit of feeling like no matter what you do and how good you are at your job, you are somehow still a burden to the men in your life.

But it isn’t just that. Every stunning smile or touch he gives another woman fees barbed and has your blood boiling, even though it shouldn’t. Every sly remark about being “tied down” he makes to the guys makes your skin crawl. Worse yet, he starts poking fun at you any chance he gets, edging more into mean spirited with each jab, and even his friends shoot you apologetic looks by the end of the trip.

And yet another full day with them all, coupled with Elvis’ ire, all the stupid jokes, and the rampant gas that all the men seem to have, this time trapped on a smelly chartered bus, has you feeling claustrophobic and ready to throw yourself out the window. It’s unusual for you to feel so bothered by such things—you grew up in a houseful of men after all. You learned early on to keep your feelings to yourself, especially to keep off your father’s radar. Patience for rowdy men has historically been one of your greatest virtues, but Elvis has you digging your nails into your knees and biting your tongue more than once as the bus slowly ambles towards Memphis.

He's just an unruly patient—don’t take it personally, you chant to yourself all the way home. You try, you do, but your stomach ties in more knots with each passing mile and with the memory of feeling cared for by him contradicting everything he’s lobbing at you.

By the time you arrive back at Graceland, you are ruing all your life decisions. Despite reminding yourself of how, logically, you are safer and more secure here than you’ve ever been in your life, you’ve reached your limit of patience with Elvis and his entourage for the day. Maybe the week. Or the month.

Oh, Madone, how am I supposed to do this for the unforeseen future if I can’t make it a month with this man?

At least here you can safely put some space between you. You fly off the bus as soon as the door opens.

“Hey! Hey, where do you think you’re goin’?” he yells from behind you.

Why do you care? is what you want to say, but you swallow the urge instead.

You keep walking down the driveway, away from the house, pretending you don’t hear him. Nothing good can come from you answering him right now, not when you are feeling so on edge. Besides that, it’s hard to think with the throbbing behind your eyes and the slight carsickness rolling in your stomach from being on the bus all day.

“Lori, stop! Goddammit, Dolores, where. Are. You. Goin’?” he shouts, punctuating each word, your name rolling off his tongue like an admonishment. You stop in your tracks. It infuriates you he deems to use your given name like you’re the one who has done something wrong, like it’s your behavior that’s been so poor.

“Away from you!” you shout back at him, unable to keep your frustration locked in any longer.

Your heart sinks, immediately knowing you’ve overstepped but annoyed enough not to quit while you’re ahead. You start walking again, hurrying away as if you can still escape this whole situation.

The chorus of men chuckling and “oooh”ing at Elvis as they amble off the bus does not help matters.

“What the hell did you just say?” he growls low, his large strides hard on the pavement as they try to catch up with your smaller ones. “Hey, don’t walk away from me when I’m talkin’ to ya!”

“Leave me alone, Elvis! It’s obvious you’ve wanted me out of your hair for weeks, so go! Do whatever it is you need to do to get whatever this is out of your system,” you snap, still stomping forward, pulling your coat tight around your middle as you try to reacclimate to the early spring chill in the air. “Go…get laid or something,” you mutter, surprised at your own crassness.

“Hey! Stop bein’ such a b-bitch and stop walkin’ away from me!” he roars, grabbing your upper arm to pull you around.

You gasp as his rough touch lances through you, sending a lightning bolt of fear down to your toes. “Get your hands off me!” you hiss, violently yanking away from his grasp. Your heart knocks unpleasantly in your chest, faster and faster as your breath heaves. Part of you wants to run away as fast as you can, but you are frozen in place.

He’s not Gianni, a soft voice whispers. He won’t hurt you.

You want to believe it, you really do, but the fact is you barely know this man. You’ve wanted to believe so badly he is warm and caring, you’ve wanted to trust him because there is no one else you can, but your hopes don’t make it true.

Seeing your distress, something besides anger flashes in Elvis’ eyes and he quickly drops his arm from you.

All your pent-up fury washes over you then and you lash out uncharacteristically. “And don’t you dare call me a bitch when you’ve been acting the way you have,” you spit back at him.

He shutters his look of shock at your outburst so quickly you barely see it before flames darken his eyes again. “I don’t know what you’re talkin’ about. You’re just crazy.” It’s cutting but it’s obvious you struck a nerve.

Blood rushes in your ears, your heart pounding and your head throbbing with a hundred emotions threatening to tear you apart.

You’ve never felt so bold or off the rails before, but the words fly out of you with little thought of the consequences as you point your finger at him. “Listen to me, Elvis Presley: I’m not Anita or one of your sycophantic girlfriends you can play your silly little hot-and-cold mind games with. I’m not crazy. I’m here to do a job. And instead of letting me, you are making it hard every step of the way. For days you’ve been sulking around like a child who hasn’t gotten his way instead of communicating like an adult what is wrong!”

Elvis’ eyes go wide as he reels back like you’ve slapped him in the face. Then his brow furrows, eyes blazing before locking you out once more.

“Oh, you’d know all about mind games, wouldn’t ya, honey?” he says coldly, advancing on you. “Why communicate w-w-when y-you can just pretend it’s not happenin’ and run away? I’m sure your fee-an-cè and his mafia buddies would have a lot to say about that, now, huh?”

Your heart screeches to a stop.

Dio mio…he knows.

“Elvis…” you breathe out, and then you can’t seem to breathe in again. Your shock is eclipsed by the fact somehow Elvis knows your secret. Everything else is forgotten. All your panicked mind can think of is how Gianni or your father somehow got to Elvis and they must be here, now, to take you back to New York.

An involuntary shudder overtakes you as you whisper, “How?”

“Oh, your good friend Sinatra told me the w-w-whole damn East Coast of mobsters is pissed o-off. Called you some mafia princess Helen of Troy and told me to cut you loose, if I-I-I knew w-what w-was good for me,” Elvis barrels on, his handsome face dark and storming with anger.

“What?” It’s so breathless, you aren’t sure you said it aloud. Frank knew? Of course.

Oh, God, everyone knows.

They are coming for me.

The acid in your stomach bubbles, and if it weren’t empty, the contents would be spilled over Elvis’ expensive shoes.

“I-It w-was humiliatin’, not knowin’ what the hell he was talkin’ about! But you wanna know the worst of it, Lori? That I gave you every chance to tell me and you still didn’t. You lied. I thought…” Elvis keeps speaking, his low voice angry and hurt, but suddenly it sounds like he’s in a wind tunnel. All your focus turns inward, though you are vaguely aware that you are shaking like a leaf.

Elvis is going to send me back.

And he has every right. He’s got to protect himself. You were selfish and brought this to his doorstep and didn’t even have the courtesy to warn him. Then he had to go and hear it from Frank of all people.

It was no wonder he’s been acting so strange.

He’s been preparing to let me go.

Your chest constricts and your heart aches. It feels like betrayal, though you know it’s not. You are the one who betrayed him, not the other way around. You’d thought maybe Elvis was different, he’d shown you such compassion at your worst moments, but that was before he knew what you’d dragged him into. And you are a horrible for doing it. Maybe you deserve the hell you know Gianni will put you through.

There is no stopping the tears from pouring down your cheeks.

“I-I’m so, so sorry,” you sob, now a hiccupping, shivering mess.

Gianni’s obsidian eyes and horrific smile when he sees you again flash in your mind. “Hello, Bella…”

Oh, Madone, I can’t go back, I can’t. He’ll kill me. Or worse…

The air in your lungs seems to evaporate, leaving you gasping and dizzy. That weightless space, the one you go to when you can’t bear to feel anymore, awaits you, but you can’t seem to reach it because Elvis is grabbing your shoulders, the anger gone from his eyes and replaced with concern. But he is tethering you to reality when all you want to do is disappear. And you can’t help but feel like you’ve damned him.

Your stomach churns once more and you lose the battle, heaving bile off to the side and onto the pavement. It steals what little strength and air you have left, and the edges of your vision bleed black, like the shadow of Gianni is finally here to take you away.

I’m sorry, is the only thought left when your knees buckle and your body crumbles into Elvis’ arms.

Then there is just dark, blissful silence.

*

Thank you for reading and supporting my work!! As always, likes, comments, and reblogs are much appreciated if you enjoyed what you read! 💗

Taglist Pt 1

@eliseinmemphis@russian-soft-bitch@tattywood

@sassanoe@thella @suspiciousmidge @hiddlepiddlediddlewiddle@carolinesbookworld @juggernort @aesthetic-lyss @stitchattacks @donnamarie23

 @littlebitofgreen@paigevis@bugg06@xhannahbananax03@artlover8992

@18lkpeters@frozenhuntress67@girlblogger2002@kendralavon7@misspresley

@be-my-ally @whositmcwhatsit @vintageshanny @ellie-24 @thatbanditqueen @powerofelvis @from-memphis-with-love

 @precious-lil-scoundrel @stylespresleyhearted @prompted-wordsmith @crash-and-cure @elvisgf @lookingforrainbows @fic-over-cannon @godlypresley @ab4eva @whatstruthgottodowithit @elvisabutler @amydarcimarie@idontwanttoputanything @callieselvisobsessed @captainamerica1235-blog  @xenaspace3-blog 

@simplyamberj@claire-elvisgirl@everythingelvispresley@louisejoy86@deniseinmn @madelynpresley

[nellie-elizabeth]

The Legend of Vox Machina: Cloak and Dagger (3x07)

My heart hurts! I've been waiting to get here!

Cons:

Small thing: I feel like I haven't heard anyone calling Keyleth by her full name all season! It's like... always Kiki. I liked that better when it was an occasional thing.

Big thing: What was that song at the end, when Vex is running to Percy? Like... that is the first time the music on this show has missed hard, and it's such a bummer that it happened over such an intense moment. I was scratching my head wondering how they could have ended up with such a tonally awkward and lyrically basic song here. They've always been so good about the music in the past! The song felt symptomatic of something I was noticing throughout this episode, that the dialogue was a little too on the nose and didn't allow for the audience to come to its own conclusions. Everything with Ripley and her motivations, and Percy choosing mercy over vengeance, it just felt a little more one-note than I would have expected, and that song was the capstone to it all in the worst possible way. It may be the single thing in this entire show so far that I've liked the least. A big, big miss in my opinion.

So like, there's this category of "criticisms" that I think everyone has about this show that isn't actually "this was bad" but more like "there was a very specific vibe or moment from the campaign that I loved, and this new version means I won't get to see it." And it's all a personal preference thing. There are a million little moments that weren't particularly precious to me, and so seeing them get altered didn't faze me in the slightest. But to someone else, that particular character beat might have been one of their favorite moments. For me, I think the big thing about Percy's death that they changed isn't a bad narrative difference for this particular show, but I do have to shout it out. I miss this being more of a group vibe, a group grieving, a group effort against Ripley. I will always remember the "Vox Machina, how do you want to do this?" the solemnity of Matt's voice, the way the group took on that mantle of vengeance from Percy in order to avenge him, because he was their friend and they loved him.

Now, we may still get that in some way, seeing as Anna is still alive? But the entire vibe of Glintshore, the stakes and the combat with the area of effect spells and the entire group unable to take her down in time to stop her from going after Percy... it's really just one of my favorite combats that the campaign ever did, and I'll never forget the way it made me feel to watch it! So again, this isn't a "what the show did was bad" complaint, it's a "this was one of those episodes in the campaign that I would have loved to see play out the way it always is in my head, from back in the day, and I don't get to have that. Oh well."

Pros:

But honestly, setting aside that weird as fuck song choice, I did still think this episode kicked some major ass. These people know how to make good TV and I cannot deny that.

Anna Ripley's backstory to start things off was I think a really smart move. Not just in the sense that giving villains a tragic backstory is the only way to make them more complex, but specifically as a way to underline the Percy and Ripley parallels. This could have been Percy. This was the life path Percy was on. His family dead at the hands of mages, and a burning desire to make the people who hurt him pay for what they've done. Orthax, the invention of fire arms, all of that: it comes from a place of deep bitterness and resentment. How is it fair that some people get to have all the power in this world? Why not make the playing field a little more even? It's not a good idea, but the perspective is totally reasonable and you understand why Anna would be seduced by this life, and why Percy, if he hadn't met Vox Machina when he did, might have become the same thing. Also! Was that a Trent cameo?? Man, I'm excited for the Mighty Nein show.

This season has been so focused on the romances, which I love, but I'm glad that we still get little beats of friendship and other relationships tossed in here. Since there's not a lot of time in each episode to cover the extensive plot and all the character beats, the show leans on very small indicators of this group and how their banter and friendship operates. We have Pike being a little dork about the investigation stuff, and Vax saying how cool it sounded. We have Vax with the nicknames, always. And then we have the more angst-y stuff. I really liked that even in the midst of a Percy/Vex focused episode, when Vex was first influenced by the mind-altering gas, she's hearing her mother, and she's calling out for Vax. Vax is her person, and has been for a long time. We get these hints of sad twin backstory here that I think are important setup for what's to come with the dragons, but also continue Vex's thread of being afraid that her love is dangerous. And then more angst when Pike wakes Grog up from his hallucinations and she's weakened by using her magic, and Grog says "Pike? Did I hurt you again?" Like... rip my heart out, my dude! That was so sad!

What is going on with Pike, though? It's so interesting to have this new plot thread just completely added to the story and weaving in with all these moments. She's got her Vestige, but now when she reaches for the Everlight, it's... something else, coming forward within her. She ends up using some sort of... devilish red spell to wake her friends up, something we're meant to understand in contrast to her usual Everlight healing magic. Also, got to see Zerxus being a sinister reminder of all that we do not yet know about Pike, so that was really cool!

But let's talk about the Percy and the Vex of it all. I love how just utterly and completely down bad he is for her, and how much he wants to find a way to make both of them happy. It's so interesting, because you'd think Percy would be just as angst-y and avoidant about love as Vax has proven to be this season, but on the other hand, this trajectory gels more with what we saw in the campaign. Percy knows his darkest inclinations, he knows the kind of man he has been and might become again. But he also knows he wants to be better, he wants to be happy, and he's not afraid to lean into the things that are helping, the things that make him grounded and successful at keeping that darkness at bay. It's refreshing for such a character type not to go ten rounds being too miserable to allow themselves to be happy. That's what we have Vex's insecurities for, in the end!

That "I'm in love with you" scene, with the sunlight washing over Vex's face? Contrasted with her broken cry of "No!" as she runs to Percy and cradles him in her arms... I mean, some A+ acting from Laura Bailey and some A+ work from the animators. They really sold me on Vex's whole messy avoidant deal. Every word out of her mouth in this episode was such delicious irony for those of us who knew what was coming, as she's talking about how Scanlan will tease her, Keyleth will call her a hypocrite, and Vax will... well, the implication is that Vax will beat up Percy for being with Vex, which is SUCH a fascinating little detail. Because, well, Vex has to know that's not true! She's banking on an earlier and incomplete version of their sibling relationship, this idea that her protective brother Vax will always stand in the way of other people's interference in their lives. But Vax has grown past that, and Vex is well aware. And then Percy is probably just sitting there going... "but in that very awkward hot tub scene, Vax basically gave me his blessing!" I loved the beat where the rest of the gang is looking on at Percy and Vex and rolling their eyes about how obvious it is that the two of them have been hooking up. Even Grog has not been fooled in the slightest.

Percy really gets to complete a journey of self-actualization here as he rejects Ripley's offer and then refuses to kill her, really cementing his turn away from vengeance. He wants to do the right thing. He wants to prove to himself and to the world that recovery and redemption is possible, even after terrible harm. It's so beautiful because in the last episode Percy was talking about how all he wants is to have a life in Whitestone, and then Whitestone is razed to the ground. And then here he just wants a chance to keep growing and changing and getting better, and that is seemingly stolen from him as well. But Percy is a good man and he's brave and he'll keep fighting for what's right, even when everything goes wrong around him. We love him for that!

Combat-wise, we have to talk about what a COOL battle sequence the Ripley (and Orthax) vs. Percy showdown was. I love the steam-punk-y vibes of these characters, I loved the red and black, I loved seeing Orthax taking over Anna the way we saw him taking over Percy in season one. I loved Percy jumping and tumbling around to escape from things and saying "Vax makes that look so easy." I loved him using his gauntlet "Diplomacy" to turn a handshake into an attack - that's the most Percy thing I can think of. And I love that he gets to be a bad-ass, he does the trick with the black powder, and then... No Mercy Percy does just the opposite of what his name implies, and he tries to offer Anna another chance.

It's such a tragic and poignant moment, and despite my personal mourning for certain aspects of Glintshore that didn't play out like they did in the campaign, I thought this was a wonderful moment of storytelling, and a truly tragic ending to the episode! Percy combines his true genius and cunning with a radical type of openness and hope. He truly is a Character of All Time for me.

So... yeah, this might be an episode that has some polarizing feelings from fans. I can imagine a lot of people a tiny bit outraged that Anna Ripley is alive and gets away again here at the end of the episode, which was frankly very much not what I was expecting. As for me, I had a great time watching this episode, and I will just do my best to forget that weird song at the end ever existed.

8/10

[theplatypusblue]

Okokok dragons rising s2p2 REWATCH thingy it’s mostly me noticing small details and shit I missed the first time. Ramble-y at points lol

Many many big spoilers below (also it’s long)

Ok so like….. first episode it gets established that all the dragon tribes fall under the jurisdiction of each of the source dragons…. Neato. More world building shenanigans

WYLDFYRE PEAK YIPPEE. Nya said Lloyd was helping her with her precision, and there’s this really cute animation moment where’s she’s firing her flames like she’s shooting a gun lol

Ok so like Frak taught Arin how to make Merlopian Berry Crème pie…. Frak is merlopian question mark(?) (I don’t think it makes sense timeline wise lol don’t listen to me)

I like the scene of Zane training it reminds me a little bit of that scene from all the back in s1 where’s he’s just tuning everybody out

So like the tournament thingy takes place at the same spot as that flashback with Wu and Bonzle in season 1 (maybe?) I wonder why Wu was hanging out there so long ago lol. (I mean lily might have been at the last one too but like who knows)

ROBY PEAK!!!! My only issue with him and Bleckt is that I wish the writers would’ve really hammed up the comedy between the two. Made them just completely unserious. Would’ve made Bleckts betrayal a little more impactful maybe. (Imagine a bunch of goofy cartoony gags between the two, only for the eventual reveal that bleckt actually genuinely wants roby dead. Woulda been crazier)

Ok so seven headed source dragon thingy. It’s either symbolism like roby said or we are eventually gonna build up to an ultra-dragon adjacent situation. Somehow. Idk how. But maybe it would be cool

Ok random thought. I think it’s pretty clear at this point that elemental powers come from and are associated w the source dragons. You can extrapolate the connections (fire and heat come from motion, plants is probably from life, etc). I think you can remedy the whole “the new elemental powers are stupid” thing by thinking about them more as the elements of the source they are associated with , rather than elemental powers in the traditional sense of our world (If that distinction makes sense lol idk how to explain it non-stupidly. It’s just a matter of framing)

That being said, I really like zant-tanz lol I think it’s his voice teehee. Silly whimsical snail man. Shame he had to get kicked out but then again…. He had some rock stacking to do at home

Ok ok ok I think some parts of the Jay fight are kinda lame (“and I will always hate you” 🙄) but things make more sense from jays perspective I think. Imagine you’re coming from a place where everyone devalued ur individuality and didn’t care abt you as a person, and then you come to this tournament where ur opponent (who ur literally fighting against in this ~tournament~) suddenly starts telling you you’re the love of their life n stuff (and ur also being manipulated but besides that even). I would also just assume that they’re being weird and try to kick their ass.

“Not sure I can pull it off… it’s arriving too soon” what exactly was Wu trying to pull off lol? crazy theory time 100% NOT real NOT going to happen: Wu is trying to bring someone (I’m betting his dad) back from the dead, cuz like departed realm shenanigans and the merge maybe. But we also don’t really know how departed realm stuff works yet, so there’s not much we can extrapolate from there. Idk.

I’m sorry but I always think it’s really cool when cinder bounces people around like a basketball teehee. He’s a very fun character to watch during fights.

Similar-ish point to my Jay spiel from 2 seconds ago but like. Arin’s convo w Frak abt how shatterspin is super evil actually makes me laugh a little bit. Cuz Arins going on about like “oh dude it ~~shatters your goodness~~ you can’t ever do shatterspin” and internally Frak is like “is this guy actually fr” lmao. On my first watch through I was literally like “Arin stop you sound so fucking brainwashed rn” shfjfjjfkfkgkgla

Ok ok so Ras wanted all the elemental powers so he could get a dragon icon somehow…. Lloyd just got his gifted to him tho. (Might be another matter of force vs harmony — you can either do all the hard work to get all the powers and make ur own icon, or the source dragons will just like. Give you an icon. If ur cool enough or whatever)

Dragon Ivory stores powers, dragon horns can give u power but then they make u angry or smthn… dragon ivory can also be used to communicate w the nether space….... hhhrrrnnngg dragon lore im trying to make it make sense in my brain hrrrnngg

Frak is so nice and respectful he’s such a good guy lol (I have to DRAW HIM. Being COOL. Because he IS. I’ll get to it eventually)

Small nitpick but like. The way the tournament is organized kinda makes no sense….. cuz all the plot relevant fights involving the ninja happen at the beginning, so they’ve been in multiple fights and get multiple powers. Then there’s a montage of them fighting other elemental masters who only have one power. So the whole thing is actually completely unbalanced and unfair. Turns out Roby does suck at organizing tournaments lol

God that one shot of nokt running at the camera hunting the arc dragon is so fucking perfect the colors are just mmmmmmhhhh so good I gotta redraw it I gotta redraw it so baddddddddhhhhhhhhhh

Ohhhhh the final couple of fights the composition and the coreography were sooooo good we are backkkkkk we are soooooooooo backkkkkkkkkkk

TLDR: I remember it being good and then I rewatched it and it was still good. Yayyyyyyyy

[thewertsearch]

?GG: im through humoring you, i dont even care about this stupid exploded robot mission, whatever that was FCG: OH RIGHT, ABOUT THAT FCG: YEAH WE NEED TO TALK FCG: I MEAN WE HAVE ALREADY FROM MY PERSPECTIVE FCG: BUT YOU'RE GOING TO BE REALLY BUSY SOON, BECAUSE YOU'RE ABOUT TO ENTER YOUR SESSION FCG: SO DON'T WORRY ABOUT IT UNTIL YOU DO, THEN JUST HIT ME UP, WE'LL TALK ABOUT IT

I'm not complaining - believe me, I'm not - but it sounds like this entire conversation was pointless. If Karkat's plan doesn't kick in until after she Enters, then all this Pesterlog really did was piss Jade off.

I suppose not every conversation needs to be this huge plot-heavy loredump - hell, half of Act 1 was just the kids chilling. Sometimes it's worth it just to sit back and watch Karkat make an ass of himself.

Plus, it's probably a good thing that Jade lost her temper - it probably cleared the air a little. Karkat's been harassing her since day one, and something needed to be said.

?TG: dude i cant believe you were just getting on our case about hitting on the troll girls ?TG: and then literally the very next memo you are slobbering all over jade ?TG: thats just perfect hahahaha CCG banned ?TG: from responding to memo. FCG rebanned ?TG: from responding to memo.

Not the double banhammer!

Damn it, I wanted Dave to stay in the mix. Every group chat these kids have is fucking fantastic.

?GG: i also cant wait for past you to past drop dead and go to hell, PAST TENSE!!!!!!!! ?GG: when are those things going to happen?? or will have already past/future happened????? ?GG: i want to put another reminder on my finger so i know when its time to throw a party!!!!

And I think I know which finger you're most likely to use!

FCG: HOW'S THIS FOR A PACT, EVERYBODY. FCG: PAST KARKAT ONLY TALKS TO PAST JADE FROM NOW ON, AND THE TWO OF THEM CAN BICKER LIKE SHITTY LITTLE CHILDREN FOR HOURS/YEARS RESPECTIVELY. FCG: AND FUTURE KARKAT ONLY TALKS TO FUTURE JADE, AN ARRANGEMENT WHEREIN ONLY INTELLIGENT DISCOURSE TAKES PLACE BETWEEN TWO CIVILIZED, MATURE, GROWN ASSED ADULTS.

Woaugh,, so you're saying, like, your conversations should respect the linear flow of time, thereby sidestepping the headache-inducing complexities of Trollian's nonlinear messaging?

Dude, that is such a good idea. Why didn't you think of it sooner? Why didn't you think of it sooner, Karkat?

You consult your reminders to get your bearings on what to do next. But you can't remember what they mean at all. You have a feeling these are all useless now.

Many of those reminders were tied to Skaian prophecies, and were probably stored in Dream Jade's brain. To you, they're useless - and it's not like you can make any more.

Jade the Seer is dead.

The hour of the Witch is upon us.

[chaoticbardlady99]

Lethal Woman- Chapter 6 (GN! AFAB! Reader x Astarion) 18+ MDNI

Author note- work has kicked my ass left right and center. I also deleted my draft of this chapter like three separate times until I finally wrote something I loved.

CW- mentions of still birth, mentions of miscarriage, smut, fluff (I think? Any emotional intimacy is fluff to me 💀), mentions of torture, mentions of rape/sexual assault, mentions of physical and emotional abuse, violence. (I think that may be all? Also this all looks not awesome, but I promise it’s a lot more awesome than you think and not Uber grotesque.)

It’s been mostly edited and I definitely have chapter 7 basically done so I’m anticipating being happy with my draft by Sunday. Happy reading! Thank you for everyone who likes my little self indulgent angst fic!!!!

Also- please remember I take creative liberties. A good chunk of the Nightmasks are dead canonically (RIP my guys) but for the purpose of this story, they are alive. Oh and the names are hard so forgive me for the lack of consistent spelling lmao

Chapter 7

“Ugly, wretched little thing.”

Dahlia’s term of endearment sticks to your brain like- well- an illithid parasite. You are sitting with Karlach and Shadowheart, each of you on your fourth glass of whatever alcohol you could find as the Tieflings jovially celebrate around you. You want to feel the same warmth and happiness everyone else does, but you are too busy trying to ignore the fact that Alfira and Astarion have been talking since the beginning of the party- Alfira immediately walking up to him with her stupid, beautiful face. And her stupid kind heart and pretty voice.

You liked her enough to be her friend, but now? You are struggling not to haul her off by her horns and kick her into the river in the stinking Owlbear den.

Get yourself together Rowan, it was never going to happen anyway.

“Soldier, you might want to stop burning a hole through the Bard with your eyes- Astarion can’t tolerate fire remember?,” Karlach jests and you give her a sour look.

You hadn’t really talked to Astarion since earlier in the day when he had come to your aid when Priestess Gut had a firm grip on your mind, then he fought by your side while you freed Halsin. You had split up after that, him going to help Shadowheart and Karlach and you off to support Wyll and Gale’s group. The fight against Dror Ragozlin and his crew of misfits was easy and Lae’zel evidently enjoyed getting to fight next to you for once. You wanted to enjoy the moment with your companions, your victory just in your grasp, but you had been somewhat distracted during the battle because Minthara’s thoughts had been so Gods damn loud.

You appeared to be the only one experiencing this problem- you assumed that she is specifically targeting you for a reason, but you couldn’t figure out why until she showed you a different image than the fight in front of her.

It was you, standing over a drow female in Menzoberranzan. The alley way is dark with her blood dripping into the cobblestone. You could feel Minthara’s rage- you had killed her lover.

You remember that contract now- It was one of the few you had received where it was required that the target be mutilated and you hated every second of it. Minthara was one of the few people who had ever managed to almost catch you, but you had evaded her successfully. The picture changed, she showed you a flash from Shadowheart’s perspective- it’s you and Astarion, talking in hushed voices and close to each other by the fire. The scene is far more intimate than you realized and certainly incriminating. Her voice boomed in your head.

You killed my lover. Now I’m going to kill yours.

A scream pierced the air as Karlach cried out for Shadowheart. You watched in horror as Shadowheart hit the stone wall hard and dropped flat on her face- unmoving. Karlach was at her side within seconds, trying to get her to wake up. Then Karlach pitched forward after a spell hit her. Karlach was screaming in terror at the top of her lungs and rolling around in pain. You stared at the scene for what felt like hours- rigid and mortified- until Minthara caught your attention again.

Minthara showed Astarion- fighting for his life against her as her blade nicked him and cut him superficially. Thankfully he is a lot faster than her, but your feet were moving before your brain had time to process your actions. Your rage is all consuming- every part of your body feels like it’s on fire.

Between the use of Ghost Step and Spider Crawl, you made quick work of sneaking into the battlefield. You waited for an opening- Minthara and Astarion were neck and neck, blow for blow before Minthara managed to break one of his daggers and slam the hilt of her longsword atop of his head.

Astarion stumbled backwards and fell over on his side. You tried to suppress your own nausea as you watched him struggle to get up as Minthara began menacingly moving towards him. The bloodlust in her thoughts- you could taste it on your tongue. Vengeance is in her reach, but you are not the same you when Tessa died. You will be damned if this bitch of a woman was going to torture two of your closest friends and kill the one person who has made your barely beating, locked away heart a little less heavy to carry.

You cast Evard’s Black Tentacles and manipulated them so that one vine grabbed Minthara’s right hand and ripped it away from the left- her long sword fell to the ground. You picked it up as she screamed profanities at you.

You manipulated another to wrap around her throat and it pulled her down on her knees- she faced the bridge with horror on her face as you stalked towards her with your vampiric stare. You watched as she confronted her own mortality with angry tears- her tadpole hurled profanities at you in Elvish, Drow elvish, and Common. You just smiled at her, sweetly, slowly, like you had perfected for years now.

Minthara’s tears were running down her face and she fought against the tentacles as they squeezed tighter around her throat and wrists.

The next words you had spoken in Elvish- “Say hi to your lover for me”- before you cut her head clean off her shoulders with her own weapon.

You hadn’t looked at Astarion after you had killed Minthara- you were actually too afraid to see the way he may look at you. Would he be repulsed by you? Afraid? You didn’t want to know.

So now, instead, you are stuck watching him flirt with the feminine, beautiful tiefling that you want to go and feed to the resurrected harpies (they aren’t resurrected- yet). You know it isn’t her fault- you just never stood a chance.

“Roo, really, he is barely focusing on her,” Shadowheart says with a roll of her eyes, “he keeps looking over here at you anyway.”

“Oh I’m sure he is after I brutally murdered someone in front of him,” you cross your arms, your tone laced in venom, “yeah that’s a real attractive quality to have- I am capable of brutal MURDER.”

Shadowheart goes to protest, but Karlach beats her to it.

“I don’t know Soldier, he looked pretty dazzled to me.”

You bust up laughing, choking on some of your wine.

“Dazzled, you say?”

“Razzle DAZZLED!” Karlach offers big explosive hands with her statement, “and I mean- he’s into blood so it’s not like you beheading something is all that damning. Maybe he’s really into it.”.

You choke on your wine again, this time it comes out of your nose. You are both dying laughing now, evidently the alcohol had gotten to your heads. It wasn’t because you were making fun of him- it was just the whole idea itself was so ridiculous and the fact that you can nonchalantly talk about beheading a person as an endearing prospect with these two individuals is so bizarre. Shadowheart was laughing despite herself.

Eventually the three of you make your way to the firepit and join Halsin and Gale while they smoke something out of Halsin’s pipe. You ask to try it and it burns your throat as you cough harshly. Halsin laughs hardily and says you’ve passed initiation. Shit, you don’t even remember walking over to the campfire anymore.

Another hour or so passes, Astarion is out of sight and the high has worn off. You feel pleased to see Alfira standing and talking to her friend dejectedly. Maybe he rejected her? You might be a terrible person, but you feel like you already knew that.

You feel overwhelmed all of a sudden by the proximity and warmth of everyone around the fire. You wait for the right moment to remove yourself from the situation- desperately needing a moment of peace and quiet.

If anyone notices you get up, they don’t say anything. You quickly steal another bottle of wine from beside Gale and Halsin and sneak off into the woods.

You crack open the bottle and slowly sip on it as you meander through the woods, finding the secret path to the beach that you have come to adore so much. You had been eyeballing one specific cliff edge ever since you and Astarion had found this place. It wasn’t a massive cliff, but the pool at the bottom of it is deep enough for you to jump into the water without injury. It was something your father used to do with you when you were a child. There was a river that ran outside of your little town and as you moved further into the woods, you could find a waterfall with a deep pool at the bottom. He would teach you flips and different jumps. He had deemed you the world’s finest diver right before he died- cheering you on from the ground below.

You feel warm and melancholy from the memory. Gods you miss your parents.

You drop the bottle of wine and strip down to your underwear and make your way towards the top of the waterfall.

+++++++++++++++++++++++++++++++++++++++++++++++++++++++++++

Astarion had finally managed to get Alfira to leave him alone. She is an adorable little creature, but she is not the one on his radar right now. Adorable does not compare to the vision you are- nor the protection you provide.

Astarion had spent the last painstaking hour and a half watching you laugh with quite literally every person in camp who has a crush on you- Shadowheart, Lae’zel, Gale, and even Halsin is fucking smitten now. Gods could you just stop being yourself for five minutes? Astarion needs (and silently wants) your attention to only be on him. It is absolutely crucial to his survival. Speaking of which, where the hells were you?

You were no longer by the fire where he had last seen you before he snuck into Gale’s tent to steal one of the nicer bottles of wine he hoards away from everyone. Astarion had planned on using your shared connection to ask you to meet him at your spot, but now you are nowhere to be found.

Astarion fights the urge to scream out of frustration as he treks through the woods towards the spot on the beach hoping by some miracle that you may already be there.

Astarion stops as your scent hits his nose. He walks around the corner of the rock that you both use as a landmark and freezes when he notices your clothes are sprawled across the ground and a bottle of wine is a third of the way empty. He tries to ignore the ache that is starting to consume his chest. Did you bring someone else here? Shadowheart maybe? You were sitting rather close to her earlier…

Did his three days of stubbornness really just allow you to fall into someone else’s arms?

Astarion’s sinking feeling gets worse when something flashes out of the corner of his eye.

He sneaks around the corner- reminding himself that he is merely just making sure Shadowheart isn’t being… Shadowheart?

Imagine his shock when Astarion doesn’t see Shadowheart at all. Instead, he witnesses you complete a perfect aerial twist before graciously diving into the waves below. He feels completely frozen until you break the water and laugh wildly. Astarion thinks his own heart might start beating from his chest being filled with the sound.

You jump out of the water and race back up to the top of the rock using Spider Crawl- something you had promised to teach him when you found out Cazador had never actually made him privy to the entirety of his capabilities as a spawn.

Astarion grins as he watches you once again go flying into the air, doing a backflip before straightening out, disappearing once again into the water below.

You break the surface and get back onto the shore. You pretend to bow and wave saying “thank you” and “I’ll be here all week.” It’s silly and he’s enjoying every minute of watching you just be yourself.

Astarion knows you aren’t a serious person, not really, but you pretending to bow for an imaginary crowd of adoring fans in a (not) private moment? It feels authentic to your silliness- not just when you and Karlach are joking together.

You are funny, kind, and entirely too cunning- despite what he said three days ago. Your prowess in combat is second to none and you speak a couple different languages- infernal being one of them when he noticed you and Karlach speaking it back and forth like it was also your native tongue.

Elvish is the other one and he only knew that from overhearing what you said to Minthara while he was too busy experiencing shell shock from how quickly you had gotten over to him. Oh and the hit to the head didn’t help either.

Astarion’s thoughts are interrupted when you make eye contact with him and freeze.

You look down at your semi-exposed figure and then up at him.

Astarion flashes you a flirtatious grin and sweeps his eyes up and down your body as you look at him. You are a work of art and the blush that creeps up your neck is an added bonus.

The scars on your body are numerous and varying in degrees of severity. It doesn’t make you any less attractive to him or revolts him by any means; It makes you more real if anything.

“Well hello there, beautiful,” Astarion says melodically as you walk over, “I was hoping I might run into you here.”

“Oh is that so?” you say and put your hands on your hips, teasing him “and to what do I owe the pleasure?”

Astarion smiles widely at you. He holds up the bottle of wine.

“I was hoping I may be able to drink with my most favorite companion at camp,” he looks at you with a sly grin, “but I didn’t think I’d be getting a show. You are delightfully talented in multiple faucets, Darling.”

You smile shyly at him while adorably scrunching your nose.

As you bend down to grab your shirt, you look at your bottle and scratch the back of your head awkwardly.

“I might need to apologize considering I already started without you.”

Not telling me to piss off so that’s an optimistic start.

“Hm,” Astarion hums, cracking open his bottle and taking a drink, “I’ll allow it this once. I suppose I do owe you for my… words the other day.”

“I’ll forgive you,” you say with a mischievous grin, “but for a price.”

“Oh?” Astarion purrs, “and what is your price, my dear.”

“I demand at least half of your spoils in loot.” you say with flourish and over exaggeration- you aren’t even remotely serious.

“No, no, no, “he emphasizes, his finger waving around in the air, “Never. Going. To. Happen.”

“Ugh fine, I guess I’ll just have to accept that you saved my life earlier.”

“I still think you are ahead on that front, but who’s counting really?”

“Definitely not me,” you say and cough a number under your breath.

Astarion playfully glares at you and you giggle in response.

You close the gap between the two of you and gently grab his hand, pulling him to sit down next to you at the edge of the water. Astarion pushes down the giddy feeling that arises- hoping you didn’t notice he flinched when you first went to grab his hand.

You look at Astarion and then your clasped hands- you definitely noticed.

You begin to pull away and he feels his body protest, grabbing your hand back and interlocking them again. Astarion drinks out of his wine, refusing to look at you- this is entirely too intimate. Entirely too much like the lovers he used to hate and envy in Baldur’s Gate, but he can’t bring himself to let go or stop the slight smile that creeps on his lips.

You drink out of your bottle of wine and put your feet in the water. Astarion glances at you and notes the growing grin. He feels a twinge of guilt when he thinks about his plan and how fragile your heart probably is. Astarion pushes it away. Astarion needs his plan to work and so far, it’s working.

The space between the two of you is silent- nothing but the ocean waves roaring in his ears. It’s not uncomfortable, but Astarion doesn’t necessarily know where to start. He wants to begin the process of seducing you, but he’s also unsure of how well that would play out- considering what he’s seen thus far in your memories.

“My dad taught me how to cliff dive,” you say in a melancholic voice, interrupting his thoughts “we would go all the time over the Summer when we lived outside of Daggerford.”

“I was wondering how you had managed to pull off such an impressive feat.”

You guffaw at him and then pout with a glint of humor in your eye. He rolls his eyes at you.

“Fine Darling,” he muses, “I suppose you are rather impressive in all facets.”

Your face is practically burning with his compliment. Astarion has decided he will leave out the bait and let you take it. If you give him any signal or specifically say “I want to have sex” then Astarion will pleasure you and you will see how useful he can be in return for all of your gifts- your blood, your protection.

Your company.

Whatever feelings Astarion felt over the last three days- he never wants to feel again. You have been the one and only person to be kind to him, protect him in 200 years. You treat him with respect and like a friend- not the monster he absolutely is and that you should hate him for being. It had been a very lonely three days without your company-besides, no one else is nearly as fun to converse with. Astarion hears the whisper of a previous conversation in the back of his mind.

“So what does boar taste like?”

“I don’t really have much of a reference, but better than rats and flies,” he scowled.

“Gods, how filthy was that palace?” you murmured under your breath.

Your comment had caught him off guard and he couldn’t help but bark out laughing. You had felt horrible for it- you thought he wouldn’t be able to hear you. In your defense, you had spoken very quietly. Astarion assured you that he found your observation quite peculiar and hilarious.

Astarion likes that you point out the small things and allow him to decide how much of the larger things he wants to tell you. You never push him and Astarion isn’t used to it, but he knows he never wants it to go away- to be treated any other way ever again.

“What else did your father teach you?” Astarion asks softly.

You smile, “My father followed Ilmater. He was a ranger. He dedicated his life to helping others.”

A daughter of Ilmater worshippers turned into a half-dead creature who is forced to kill by an evil vampire, Astarion thinks, I guess even the Gods have a sense of humor.

“What happened to him?”

The pause is pregnant and loud. Astarion notices the single tear that manages to escape your eyes. You clear your throat.

“He’s dead,” you whisper, “a group of Ravagers destroyed our village. They didn’t like that it was a mix of humans and Drows escaping from Lolth- and they especially hated us ‘filthy half breeds’. Made the women and the children watch as they beheaded their fathers and husbands.”

Astarion doesn’t know what to say to something that horrific. He just merely looks at you- waiting for you to continue speaking.

“He just kept telling my mom and I how much he loved us. How he’d always be protecting us,” you manage to choke out, “I can’t even tell you how many times I have prayed to Ilmater for help- only to be reminded how alone I am and that, despite being the God of Compassion, Ilmater doesn’t care.”

Astarion knows that feeling all too intimately, but he wants to hear more.

“How old were you? What happened to you and your mother?”

You are looking at him wearily now, so he gives your hand a squeeze.

“You don’t have to tell me anything you don’t want to Darling.”

“I want to, I’ve just never talked about it before.”

“Well then,” he states in a flattered tone, “I’m honored to potentially be the first and only keeper of your deep, dark secrets.”

You laugh breathily while you roll your eyes at him. The smile on your face is replaced by an unreadable expression. You take a deep breath before you turn your gaze back to the ocean.

“I was 5. They sold us to a mine outside of Westgate. It was run by a group of fanatics that I can’t even remember the name of anymore,” you shake your head in disgust, “all I knew was that they were terrible people. They threatened us children to get our mothers to do anything they wanted. One of them raped my mother and ‘blessed’ her with a child.”

Astarion squeezes your hand as he feels you tense. You look at him with your teary, angry eyes and the intensity of your emotions- your grief- are written into every crack and crevice of your face. Astarion notes that you look uncomfortable, but he gives you a soft smile, encouraging you to continue. You take a big swig of your wine- he shortly follows.

“I don’t know what happened, but the baby… didn’t make it and mom developed a blood illness. It was the week before she had planned on breaking us out. I didn’t know she was dying- she told me she was going to be okay. I should have known- She gave me everything for the escape and had explained the plan to me so many times in that week she was dying that I can still recite it to this day.”

You chuckle to yourself before pulling your knees up to your chest.

“I asked them if I could have a funeral for her. They took me outside and made me watch while the pigs ate her. They told me that’s the only funeral a Drow deserves.”

“What a bunch of racist assholes,” he states.

“Oh, they were only the biggest.”

“You escaped a prison by yourself then or?”

“I did. I was 9 years old and probably one of the only people who has ever escaped that mine. I haven’t seen anyone from my village since. I went back to Daggerford one time and it was still decimated- no one ever came back to rebuild it.”

You both sit in the heavy silence. Your thumb begins to absentmindedly rub circles along his thumb- the gesture is simple, but it’s probably the softest touch he’s felt in the last 200 years that was not filled with the anticipation of sex.

“I’ve only ever had one failed escape,” you sigh harshly, “I was going to run away with Tessa because I didn’t want to go through the ceremony to be a Deathbringer, but Dahlia didn’t care what I wanted. She was too busy trying to win Obarhk’s favor.”

“How did you end up with Dahlia then? If you didn’t want to be a Deathbringer?”

You scoff and he sees the resentment behind your eyes.

“I was 13 and had been living on the streets for a while by then. I had my little tent and I had managed to convince one of the local inns to let me clean the rooms,” you scrunched up your nose, “it was gross, but decent work and they fed me once a day; let me use the baths. Sometimes they even gave me extra food and if it was cold out, they’d let me stay in a room if there was one available. I didn’t have to steal food anymore which was nice. I was actually very happy. I was saving my money so I could travel to the Underdark and hire a sword to go with me- to my grandparents- like my mom had told me to do.

“Then one day, a few of the other local boys, also urchins, had watched as I was given a decent amount of gold and a burlap sack of food. They followed me to my tent. I had offered to share and to give them some gold to help, but they didn’t want just some of it- they wanted all of it and all of me too. I thought I was going to die- the fight was brutal and they were so much bigger than I was, but I wasn’t as easy to take down as they had thought.

“Right as they had slammed my head into the pavement, right when I thought it was over- an Ilmater Priestess had appeared out of no where. She had killed them all. She came up to me, was kind to me, promised she would protect me, give me a home, teach me how to be stronger than anything else in the dark while she helps me travel to the Underdark. I was thrilled. I thought Ilmater had finally heard all my prayers. Then she took me outside of the city- I thought we were maybe going to a temple. I was so naive and stupid.”

Your voice breaks and you struggle to compose yourself- taking a shaking breath.

“She changed- the kind Ilmater priestess I had just been following to safety ended up being the Queen of Venom and a Sharran priestess nonetheless,” you spit out with disgust, “Dahlia stripped me of my clothes- she beat me, cut into my skin, threw me around. Dahlia kept telling me how ugly, wretched, small, and weak I was for hours- how she would be the only person to ever love me from now on. Then she chained me down to the floor, unmoving for I don’t even know how long in the dark. I just know when she finally came back, I was on the brink of death. She starved me and refused to give me water until I stopped asking her to leave. I stopped, but then I learnt how much worse it could be. I also began to accept that I would probably never be free again.”

“Are you free now?”

“Barely. A bit over a year ago I was assigned to the Faceless himself.”

“What changed?”

“I won the Deathbringer Tournament and Lady Thistle Thalaver, the fucking consort of all people, said that she wanted me to be assigned as her personal Deathbringer. Thistle made the point that we are close in age and it would make her happy to have someone she can talk to and protect her. News flash- I was more horrified by that than Dahlia. How the fuck does someone who is a literal husk of a person become the prize comfort pet of the Consort that is the reason you were even kidnapped to begin with,” you say, throwing your hands up in frustration, “Dahlia hated her. She was envious of her already and boy, when Thistle asked for me? I thought Dahlia might kill me and Thistle right there if Obarhk hadn’t stepped in.”

“She sounds like a sore loser.”

“ Oh she is, this grudge has lasted a little over a century or three supposedly. I can’t ever seem to get the exact date right, but Dahlia had allowed Obarhk to change her and became one of his Nightmasters because she had hoped to be his Queen and consort,” you shake your head, “it was childish- supposedly. Obarhk was going to go through with it initially, but then Thistle’s father had extensive debts to the guild and offered his only daughter as payment.”

“What a shitty father.”

“Oh the shittiest,” you agree pointedly.

“If she wanted you to help her gain his favor, why did she hide you away?”

“There are rules within the Guild for how recruits are to be treated. Obarhk plays with his cards very close to his chest and he has an absurd amount of political pull. He doesn’t want word getting out that the Nightmasks beat their assassin’s and thieves, but not their Deathbringers- it’s bad for recruitment. Guess they used to do that and damn near went extinct, not everyone is into becoming half-vampire” you shrug, “Dahlia had ‘presented’ me to gain Obarhk’s favor- not his consort’s. She lied and said I sought her out days ago, begging to get a chance to become a Deathbringer. When I was asked if it was true, I said yes, the alternative was whatever hell awaited me later. At least if I didn’t survive the ceremony, I would be laid to rest.

“Except Thistle won. Obarhk may not be particularly loving towards Thistle, but he won’t deny her what she wants if it’s reasonable. I was still under Dahlia, but now if I disappeared for days on end or came back beaten, it was noticed. A year ago, Lucia and Ghost found me bleeding out in a street with Dahlia over me- it was the first time she had done serious harm to me since the ceremony and the first time she was caught,” he watches you smile despite yourself, “Thistle wanted her to be tortured for what she had done- for creating the infamous ‘Hollow Deathbringer’ as I was called when I first started, but Obarhk doesn’t interfere with religious affairs and Dahlia claimed it was for her Sharran worship. So the solution was that I would report directly to him, Phultan, Lucia, and Lady Thalaver only. If Dahlia attempts to hurt me again, I am allowed to end her life and if I attempt to attack Dahlia, she is allowed to end my life. She isn’t allowed to send her assassin’s after me either or there will be consequences. That’s the same day I found out Dahlia had been lying to me- she is Obarhk’s spawn, not a Master Vampire. She never would have been able to get away with half of her threats if I had known, but I’m sure that’s partly why she isolated me from the Guild until I was old enough and skilled enough to compete.

“We’ve been in a very strange stalemate over the last year. Unable to find each other, but I don’t even know if I could kill her anyway. At least, not by myself.”

It was a lot to take in at one time. Your entire world is so heavily influenced by vampiric beings- no wonder you were so nonchalant about him being a spawn and him feeding from you.

Astarion will admit though, he isn’t necessarily thrilled to find out another sociopathic vampire might be hunting them- specifically you.

“Darling, if Dahlia ever darkens your door step ever again,” he leans toward you and speaks his next words with conviction, “I’ll rip her throat out myself.”

You smile at him and squeeze his hand.

“ Thank you Star, but you don’t need to do that. I don’t want you to get hurt.”

“Unfortunately, I don’t listen to hypocrites- Miss ‘I’m going to put Cazador’s head on a pike and we can parade it around the city’”

You gasp, “how dare you! I felt like that would be a fun leisure activity.”

“Oh believe me, it will be very fun,” he says with a malicious grin,” but someone needs to keep you humble, my dear.”

“Oh okay,” you roll your eyes, “because I’m the one who needs humbling here. Thank you for your service kind sir, I will never be able to repay you.”

He can tell that you are done with the previous conversation- he’ll have to thank you for sharing later and ask follow up questions. Astarion has a plan to execute.

“Well of course,” he lifts your clasped hands and kisses the back of yours, “ I live to be a hero for the common folk.”

“You’re lucky you’re a beautiful bastard.”

“Why thank you, my Dear. I am rather beautiful, aren’t I?”

You turn, facing him now and you move closer- giving him a light shove. One of your eyebrows is lifted in amusement- a lopsided grin on your face. This is most definitely the moment he has been waiting for.

He leans in, your faces near inches apart and he savors how your heart begins to race.

“I must admit, I was lying to you before,” he muses, “I maybe would like to do a little more than just drink wine with you tonight.”

“Y-you do?”

Astarion smiles at the way your breath hitches.

“Well of course, I believe you may be one of the most bewitching individuals I have ever had the pleasure of meeting,” he says while gently brushing your hair behind your ears, “but only if that would be okay with you.”

You look at him- there is lust in your eyes and you worry your bottom lip with your teeth. One of your canines graze your lip and a bit of your blood begins to paint your lips- Astarion fights the urge to smash his lips to yours. You search his face for deception.

“I want to. Very badly,” you pause, “but I need to be open with you. I’ve only ever been with one man before and it wasn’t my choice. That was over 10 years ago. I’m not sure if I’ll be able to go completely through with it or give you some wildly fun time… it would probably be vanilla at best even if I can get through it…”

You trail off and look at the ground, gently pushing his hand away from your face. Astarion frowns.

“If you want someone who you can actually have fun with, it might be better to go find Alfira again,” you whisper woefully, “I would absolutely understand. No harm, no foul.”

Astarion’s heart breaks for you. He gently guides your eyes back to his. You look sad and dejected -like you are ready for him to get up and walk away. You are expecting him to confirm what Dahlia has always told you- that you are an ugly, wretched, little thing. Unloveable at best and absolutely unforgivably intolerable at your worst. Astarion has slept with plenty of virgins before- he knows how to say all the right honeyed words to get them to bed, but this is entirely different. This is you and your first, consensual time with a man if you choose. If you don’t, then he won’t press the matter, but leave his door wide open. Astarion is not Cazador or Dahlia- he is not going to force you.

“I don’t care about any of that Darling,” Astarion assures you quietly, “I want you, not Alfira. We only have to go as far as you are comfortable with- if you want to.”

Your eyes are wide and searching for any hint of insincerity.

“We could even try multiple times if needed,” he says jokingly, but he knows that you can tell he’s serious.

You beam at him and your posture straightens up- a new found confidence in your eyes.

“Okay,” you finally say, “I trust you. I want to try.”

++++++++++++++++++++++++++++++

You would be lying if you weren’t feeling slightly anxious. The last person you had been with was Tessa and she’d been in the ground a little over 8 years now. The two of you had made a lot of groundwork in your last year together before she died. You had attempted to be with others before, but it never felt right so you could never go through with it.

This feels right. You just aren’t sure what your reaction will be, but you want him and Astarion wants you. You trust that he won’t hurt you.

Astarion pulls you up off of the sandy floor and gives you a smile, “I promise you, you do not want to try this in sand. I happen to know a very nice spot, but we are going to have to make a brief stop first.”

You smile enthusiastically and allow him to take your hand in his as he leads you back to camp.

The walk is a blur, you barely notice that Astarion had grabbed a blanket, taken you quite far from camp, and without warning, Astarion pulls you in for a breathtaking kiss.

You have to fight the urge to collapse completely into him, your arms snaking around his neck as you kiss him back. The kiss is slow, melodic and soft. Astarion’s strong arms hold you close to his chest as he picks you up before laying you down on the blanket.

You help him discard your clothes and your wet under garments. Astarion quickly discards his shirt and pants before he returns to kissing you sweetly, softly. You let your hands glide up his torso to his shoulders and let your hands fan out as you try to memorize every inch of his body. He groans with approval at the touch and when you go to touch his back- you find if you go a little too far over where there is raised skin, he tenses up.

You stop and look up at him- he doesn’t seem like he is all there.

“Star, are you okay? Are you sure you want this?”

Whatever trance he is in, he seems to snap out of and he kisses you sweetly before placing his forehead against yours.

“I assure you that I want this, that area is just… it has some sensitive spots.”

“Okay,” you whisper, “I’ll be mindful of that and try to avoid them. Is it mostly in the middle of your back?”

Astarion stares down at you and for a moment, you think he might start crying. Astarion’s face looks so raw and appreciative in that moment- as if you are the first and only person to ever take the time to listen. Maybe you are. Maybe this is just as much of a fear of his as it is for you.

“It is,” he says huskily,” I- thank you.”

You beam up at him and gently cup the left side of his face with your hand. He leans into the touch and you stroke his cheek bone with his thumb.

“Of course Astarion, I want you to feel safe too.”

Astarion kisses you with a neediness that wasn’t there before. The kisses are still soft and innocent, but a bit more urgent as his hands begin to slowly roam your body. Everywhere he touches leaves you feeling like you are on fire and you find that you never want it to stop. You are intoxicated and so wrapped up in his cologne, his lips- everything. Him.

Astarion’s lips leave yours and you breathlessly look at him. He smiles down at you and slowly moves his hands up to your breasts.

“May I?”

You shyly nod in approval. Astarion slowly begins to pinch and tease your sensitive buds with his fingers- you arch your back and cover your mouth as you whimper needily at the touch. It’s embarrassing how touch starved you are. Astarion pulls your hand away from your mouth and he stares at you through hooded eyes.

“None of that, my Dear,” he commands, “I want to hear every little sound you make.”

You blush and then are quickly squirming underneath him again as he gently takes one of your nipples between his mouth, sucking, licking, and teasing it while he rolls the other between his thumb and forefinger.

You are a complete mosning mess underneath him by the time Astarion’s fingers move from your breast to your throbbing clit- earning a loud, despairing whimper from you. You need so much more- you can feel your own slick coating the inside of your thighs, weeping in anticipation.

“My, you are a very needy lover,” he chastises you as he slides a finger in,” Gods you are so wet for me already. If I had known you wanted me this badly, I would have said something a long time ago.”

“Astarion-“ you gasp as he enters another digit inside you, causing you to arch your back keening as he teases your G-spot. His other finger continues to play with your now very swollen clit and with every moan you make, he praises you. The praise alone is enough to send you over the edge.

“You are being such a good girl for me,” as he enters another finger inside.

His mouth hovers over your clit, “I’m absolutely certain the Gods sent you to ruin me.”

“You taste like the heavens,” after his tongue has been flicking inside of you in tandem with his fingers.

You come undone underneath him- your hands have made purchase in his hair, and struggle to be as gentle as possible. He groans as you gently tug him up to your mouth, kissing him, tasting yourself on his swollen lips.

“Do you want to continue Darling?” Astarion whispers as he kisses up your neck, along your jaw, and slowly nips at your earlobe.

You need him inside you and you want him to be as close to you as possible. It’s like a Dam had broken open inside you and you never want it to stop flooding.

“Fuck- Astarion,” you pant, “please continue.”

Astarion kicks of his undergarments and dips his fingers between your folds and coats his cock with your orgasm. You are speechless as you watch him slowly stroke himself, looking at you.

Astarion puts himself in between your legs and you feel him tease your entrance.

“Before I start,” he says, “you need to tell me if it’s too much and if we need to stop. You will not offend me nor hurt my feelings. We can try again another time if you want.”

“The same goes to you.”

There was that look again. Astarion grabs your bottom lip between his teeth, the neediness has certainly grown since the last statement.

You feel him begin to guide himself inside you, slowly moving until he’s bottoming out- curse words and your name leaving his lips like a prayer. You feel the tears prick your eyes at the pinching and pressure as you adjust to his size. He slowly rocks himself in and out, barely making any movement, but enough to stimulate you more.

“Are you okay?” He says with alarm, wiping your tears.

“Yes- I promise,” you say between panting whimpers, you press your ankles into his lower back to keep him there. It’s beginning to feel better and you open up through the tadpole to show him you mean it. The thoughts were probably far hornier than you meant to show him and he smirks at you.

“Cheeky pup.”

Astarion begins to make his thrusts longer as your moans became louder and more euphoric sounding. You kiss him with fervor as he pumps in and out of you, keeping a slow pace.

“You can speed up now,” you whisper between kisses, “you feel really fucking good inside of me Star.”

Astarion moans against your mouth, the kiss becoming sloppy as he teases your bottom lip between his, pulling slightly. You feel his hips begin to snap slightly harder against yours and you cry out as he begins to hit that perfect spot faster and slightly harder.

“You are so beautiful,” he says while grazing the sensitive skin on your neck, “and you feel so fucking good around my cock.

“I’m not sure I’ll be able to stand any of our other companions looking at you sideways ever again.”

“Then give them a reason not to.”

That seemed to be enough for Astarion as he immediately goes to work leaving hickeys along your neck, your shoulders. You will have to ask him how he’s able to do it so gently.

Astarion’s thrusts inside you are getting sloppier and you have your hands dug in the earth as he slightly lifts you off the ground to get more leverage. You moan his name in between curse words and whimpers as another powerful orgasm rips through your body. You feel him stutter as you tighten around him and finish inside of you. Astarion’s pace moves to a slow rhythm before coming to a halt.

Vampire and half-vampire perks- the whole kid thing? Basically not even remotely possible.

Astarion lays gently on top of you, kissing your neck lazily.

“How was that, Darling?” Astarion asks as he looks into your eyes with concern and worry.

You gently grab his face with your hands and leave a chaste kiss on his lips.

“It was absolutely perfect,” you say, your brain foggy and swimming in the throes of bliss and your deep fondness of the man above you, “you are absolutely perfect.”

************************************

You had fallen asleep quite some time ago in Astarion’s arms. The concept of what happens after sex (normally) was quite foreign to him. Usually he was dragging people to their death after sex, but now he gets to sit and enjoy you- have you all to himself. After it had all been said and done, you had curled into one another, practically nose to nose and just talked. You caught up with each other about what the other missed over the last three days, picked the next ideal type of book to read, and how disasterous the Crèche is likely going to be considering Shadowheart is insisting on going. Lae’zel is positively miffed about it. You laugh and he asks about Minthara. You tell him about the vision she showed you, but he could tell you were holding something back. You don’t push him- he won’t push you.

You tell him about your mother- a former Lolth sorceress who didn’t align with the Spider Queen’s ideals. She was shunned by her parents when she denounced Lolth and she moved to the surface- meeting your dad. Your mother was practical and pragmatic- calculating and protective. Your father, on the other hand, was like a warm breeze on a perfect sunny day.

Astarion tells you about what little he remembers of his life as a Magistrate and his parents. You both ponder what they could possibly be doing in the world right then- pretending there is a possibility that you could find them together when this was all over- even just so he can know.

Astarion’s head is swimming with confusion. It was all very different than when Astarion had gone out hunting for Cazador.

You and him had spent at least a two and a half weeks getting to know each other extensively, spent quality time together over mutual hobbies, and you’ve even seemed to meld together as a fighting duo. You are friends- Astarion expected it to be maybe slightly different, more enjoyable than usual.

Astarion was quickly proven wrong.

This was eons different. Despite the feelings of it being tainted to some degree due to his past, it had been jaw dropping, sweet, simple, and, dare he even say it, intimate. Astarion finds that he actually craves more of you this way, but he also still wants you the way you had each other before. The shame and self-loathing are choking him. There is no way you’ll see him as something other than sex now.

Right?

Astarion honestly isn’t sure and that terrifies him. You were so kind to him tonight while you were in his arms. You respected his boundaries; you avoided that part of his body even though he didn’t tell you not to; you wanted him to feel safe with you too. You took the time to talk to him and play with his hair while he spoke about his parents, becoming a bit emotional.

Vanilla is hardly the word to describe what just happened between the two of you- it was wonderful and frightening. Astarion questions if it’s selfish to want more, to abandon his plan all together.

Astarion stares down at your sleeping face as your limbs are tangled with his. He wants to stay, but he wants to run away from you too. Except Astarion needs your protection- that’s what this was all for, wasn’t it?

That’s what compels him to leave soft kisses on your forehead and to hold you a little tighter- it’s why tears fall from Astarion’s cheeks onto the blanket beneath you when he thinks about the day you’ll end up letting him go.