#walk over there

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[batcavescolony]

*Talia visiting Damian*

Talia: Damian, how are you? *glares at Dick*

Damian: I am doing well mother

Dick: *from behind him* *mouthing: why the fuck are you here?*

Talia: oh that's great! I see you have a new pet? *Mouthing back: to see MY son*

Damian: this is Haley, Grayson's dog, she's staying with me while he goes on a mission.

Dick: *flipping Talia off where Damian can't see* yep, he's so good with animals

Talia: I'm aware *throws a knife at him*

Dick: *throws it back*

[kryptonian-in-winterfell]

I have made the pilgrimage

If you never hear from me again, I’ve fallen through a hole in reality and am now stuck in gay, spooky Windows 95

[novelconcepts]

I Saw the TV Glow is such a uniquely, devastatingly queer story. Two queer kids trapped in suburbia. Both of them sensing something isn’t quite right with their lives. Both of them knowing that wrongness could kill them. One of them getting out, trying on new names, new places, new ways of being. Trying to claw her way to fully understanding herself, trying to grasp the true reality of her existence. Succeeding. Going back to help the other, to try so desperately to rescue an old friend, to show the path forward. Being called crazy. Because, to someone who hasn’t gotten out, even trying seems crazy. Feels crazy. Looks, on the surface, like dying.

And to have that other queer kid be so terrified of the internal revolution that is accepting himself that he inadvertently stays buried. Stays in a situation that will suffocate him. Choke the life out of him. Choke the joy out of him. Have him so terrified of possibly being crazy that he, instead, lives with a repression so extreme, it quite literally is killing him. And still, still, he apologizes for it. Apologizes over and over and over, to people who don’t see him. Who never have. Who never will. Because it’s better than being crazy. Because it’s safer than digging his way out. Killing the image everyone sees to rise again as something free and true and authentic. My god. My god, this movie. It shattered me.

[ionomycin]

Maiden of Light

[an--artistic--autistic]

i am unreasonably proud and excited about this

[extravapalooza]

pages from 'a world of plenty', a cyanotyped and handbound artist book using cyborgs to explore transness, gender, nature, technology + their intersections (and my last uni project ever !!!) ... gonna be posting more of the pages soon ^_^

[speckled-jim]

s3 armand tryna sneak

[damiel-of-real]

new headcanon: papyrus allows mad mew mew to keep living in the house because he hopes she'll drive out the annoying dog. but then she just keeps engaging in looney tunes esque shenanigans with it and its just an overall far worse situation

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[imissthembutitwasntadisaster]

Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick

[burr-ell]

it's genuinely SUCH a choice for vex to be like ok hear me out. what if we keep having emotionally charged conversations where we confess our deepest fears and longings and also pork each other about it...but ok here's the thing, here's the thing: we CALL IT friends with benefits so no one really gets attached enough to be hurt! it's foolproof! and percy's like that doesn't sound right but i don't know enough about healthy relationships to dispute it

[carnivalcarriondiscarded]

so how about that update, huh

[nkjemisin]

ID: Photo of a street corner; cars are parked on one side, and buildings on the other. Centered is a large cherry tree in full bloom, covered in pink blossoms, lit from behind by the sun.

Already posted this on Bluesky, and I like it so much you get to see too. I don't usually take good photos. That's mostly bc I'm a) too cheap and lazy to bother keeping up with the latest tech, and b) too slow on the draw to catch good shots. I always get entranced by the ephemeral moment, start thinking the kind of weird-ass thoughts that sometimes lead to novels, and then I remember to grab my cellphone ten minutes later. Anyway, this is with a Samsung Galaxy S22, portrait mode. And I got lucky.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[hawnks]

You're jealous. It makes you lash out, makes you meet Keigo with claws and teeth and cruel, irrational accusations.

You pack a bag after your last big blow up, shame dogging your every move. A week. Maybe a little more. However long it takes you to stop feeling like a monster, to rein in these dark impulses that have taken hold of you.

He stops you at the door with a firm grip around your arm. Looming over you, leaning down until he's in your space.

"Why?"

How can you even respond. Why? Isn't he angry with you? Doesn't he see how unreasonable you're being?

You tell him the truth. "I'm embarrassed, Keigo."

His hold on you tightens. "So you're running away?"

"I'm not--" You let out a long breath. "I just need to calm down. Get a hold of myself."

"You can do that here. At home."

You tug. He doesn't release you.

"I don't want you to see me like this."

His expression turns stormy.

"You want to keep secrets from me?" You can't even question this before he's continuing, eyes amber bright and sharp as he pulls you further into his space. "You don't want me to see you what --jealous? Don't I have a right to know? Don't I deserve to be with you for this? We're lovers, and you still want to hide pieces of yourself from me?"

Trembling, you let yourself be drawn back into the penthouse. You couldn't fight him even if you tried.

He sets you on the bed, so he can push you down, curl up on top of you, all around you. Caging you in.

"There," he says. "You're not going anywhere. Would it help if I told you about all the times I wanted to kill anyone who touches you? How about how I want to lock you up, forever and ever? I can show you the collar I picked out, if that would make you feel better." He leans up so he can nibble your ear, whisper, "Or you could put it on me, if you want."