#wHICH is what makes her powerless

[rearranging-deck-chairs]

i was having a conversation in my head with you know an npc describing what my octopus 13 and missy actually look like bc i only describe them in pieces in my fic so you can make up your own image bc thats more fun but anyway so i was figuring out what i actually picture them like and got to ursula from the little mermaid and then i was like oh shes purple and evil and like camp thats actually pretty missy that works and then i was like well 13 is ariel clearly and that makes yaz the prince. do with this what you will

[poorly-drawn-mdzs]

The girls are plottinggggg

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[blueskittlesart]

any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before

i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig

from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.

the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.

as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.

I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.

The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.

In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.

[hanzajesthanza]

the scene i find most relatable in all of the witcher saga is ciri in the korath desert, and idk what that says about me, but… probably nothing good 😅🙃

[sydmarch]

anyway this is what i was actually trying to find. fucking thinking about this.

[please-picturemeintheweeds]

Re: the end of your Joever/renegade post, it’s almost like wondering at what point does the “rough patch” cease to be a rough patch and just how the person *is*. As in, this is just how they choose to exist or are most comfortable living as a person.

(Not villainizing him at all, it’s just alluding to what you and others said… at some point it stops being a single issue or issues to fix and starts revealing itself to just be fundamental differences in compatibility and outlook.)

Just got this and I know it was sent pre-TTPD tracklist, but yeah!! Like it makes so much sense to me that a relationship would take over a year to go from Renegade to YLM and then another year to reach breaking up for good. That honestly feels like the most normal progression in the world, and I’m sooo interested to hear how she describes this experience and gives voice to something that I think a lot of people have been through.

I’ve talked about it on here before but my current relationship is 6 years old, and Renegade literally sparked some very VERY serious conversations for us when it came out because it gave voice to things we were dealing with and we were able to address using the language she offered us in the song. That was a definite “rough patch.” We nearly broke up, and had a real epiphany about things that we both needed to change in order to continue, and the types of support we both needed in order to stay safe and healthy. I felt so seen by Renegade and then in midnights as well- labyrinth and The Great War come to mind - the decision to stick it out. When I heard about joever it hit me (and others, from what I’ve heard!) suuuuper hard because it was like wait. Whatever measures they took after Renegade and the Great War actually didn’t fix it; what does that mean for me!? I was soo shaken up because of how strongly I related to the struggle (as it was portrayed to us). But that gets to the point of this ask: the difference between a rough patch and something un-fixable. I’m certain this will come up on TTPD, and it’ll be a deep portal time travel exploration of how she came to that exact conclusion. I can’t wait.

[weareuniqueandimportant]

EH... THAT WAS A PRETTY WORTHLESS 5 HOURS... THE COMMENTS ARE ALL VIRGINS... SOMEONE NUTTED OR SOMETHING THINKING THAT WILL ASSERT SUPERIORITY ON HER OR SOMETHING LOL... ABUSER BIGOT LOSER CRYING STOP TAKING THE THING THEY TAKE SERIOUSLY SERIOUSLY WHILE TAKING THIS VIDEO SERIOUSLY... SHE'S WORTHLESS HERSELF... ONLY OUR FEELINGS MATTER NOTHING ELSE IS RELEVANT... THIS IS SO BORING AND BIGOTED... SHE'S SUPER LAME... HARUMI IS THE VICTIM TBH... THE MAIN CHARACTERS ARE ALL EVIL ALL THE BIGOTED THINGS ABUSER BIGOT LIKE THE SERIES... THEM OR OVERLORD THAT DOESN'T MATTER WHO'S THE ONE MANIPULATING HER... WHICH BTW IS WHAT THE MAIN CHARACTERS ARE DOING... AS IS EVERY SINGLE ABUSER FAN OF THIS EVIL CARTOON... WE WILL WATCH ANOTHER EPISODE ONLY ONCE THEY PUSH THESE LOSERS TO THE SIDE AND SAY THIS STORY ISN'T ABOUT THEM ANYMORE WHILE INTRODUCING SOME LOVELY BRAND NEW MARY SUES THAT REPRESENT EVERYTHING IN A WOMAN SHE CLEARLY DESPISES... SHE'S A MISOGYNIST HERSELF... INFACT A SEXIST BIGOT QUEERPHOBIC BIGOT ABLEIST SANIST PARAPHOBIC RACIST ALL THE BIGOTED THINGS ABUSER BIGOT... I CAN'T BELIEVE THERE'S ITEMPHOBIA TBH... AND THIS ENTIRE MESS WAS ALWAYS DESTINED TO BECOME ONE... THAT'S WHERE EVERYTHING BEGINS... CAPITALISM... THE COMPANY... THE WRITERS... THE PEOPLE THAT APPROVED THEM... WHATEVER THEY BASED THIS ON... THEY NEVER CONSIDERED ANY GROUP... THEY NEVER CARED ABOUT ANYONE... THEY DIDN'T PLAN ANYTHING FOR THESE LACKING CHARACTERS AND ONCE THEY ADD THINGS TO THEM THEY JUST KEEP GETTING MORE AND MORE SEXIST... HER FAVORITE SEASON IS ASS HER FAVORITE CHARACTER MOMENTS ARE ASS... TORWARDS THE END OUR EMOTIONS WATCHING WERE MURDERED THEY DIED THEY WERE NO LONGER THERE... WHAT HAPPENED WITH OTHER CAPITALIST CASHGRABS LIKE THOSE MARVEL MOVIES... THAT HAVE NOTHING WOKE ABOUT THEM TBH BESIDES THE BANGER THE MARVELS... A NARRATIVE ABOUT HOW YOU SHOULDN'T CHANGE ANYTHING BECAUSE ABUSER BIGOT DON'T WANT YOU TO...

[creature-once-removed]

.

[hauntingblue]

Can't believe I spent so much time thinking kiku and kinemon were dead... they really got me there...

[yandere-romanticaa]

Something that I noticed is just how touchy Alastor is, despite the fact that he himself does not like it when other invade his perosnal space.

But when it comes to you, nothing is off the table.

You do not understand what the Radio Demon sees in you. You joined Charlie in her quest out of the pure desire to help out a friend and maybe, just maybe, make things right. You were in Hell for a reason and Charlie had a just cause - there was no reason for Heaven to turn down her proposal.

And Alastor did say that the only reason he was even bothering with you plebs was because of his own sheer boredom. And in no time, you became his abolute favorite plaything.

He was a strange mix of both polite and condescending, understanding but cruel. He always made a show out of messing with you - be it some snarky comment, a lingering touch which lasted for too long for comfort. He never touched you inappropriately, no, but his mere presence made you feel week in the knees. Whenever he would whisper wild horrors in your ears, it always set you on edge.

This demon could tear you down at any given moment. He could kill you, obliterate your pathetic little soul. You were weak and powerless. That was one of the many reasons why Alastor liked you so damn much.

[sidsinning]

Apothecary Diaries is pog as fuck bc serious political issues and dynamics from a woman's POV are rarely depicted in ANY form of media

It's always a man's world where women's issues surround him. Even if we get a female perspective once in awhile- it all comes back to how it facilitates his game in the end. She's a footnote in the overarching scheme of things. Misogyny exists. Back to the real plot.

Apothecary Diaries is strictly from a female perspective and how each class of woman has to act, what limits they have, what rights they have and don't have between each class, etc. These women have to behave a certain way under a patriarchy, which you would think makes it a man's story, but it never is. The women are THE focus of this show, their struggles are THE plot. The focus is about how the patriarch effects them.

Take the concubines for example. The show dives into how bearing a child affects their rank, how traumatizing it is to lose that child, the consequences of that, etc. We have barely seen the emperor who sired all these kids because this is not about him.

Jinshi's personal plot is secondary to Mao Mao's journey- he is mostly there to provide new cases for Mao Mao to solve and to learn more about the shortcomings of his class when taking care of citizens like Mao Mao.

Jinshi is not a bad person, but by virtue of his position in the higher classes, he cannot understand how harsh life as a poor WOMAN is specifically- he can only catch glimpses of it from what Mao Mao tells him and feel outrage but powerless in his wealth and luxury

Mao Mao is a fortunate commoner woman for what privileges someone in her class should and shouldn't have. She happened to be adopted by a knowledgeable man. She is allowed to read, write, learn, and has enough skill to be a poison tester and have a job EXTREMELY out of her class limit as an apothecary, also a job not traditionally meant for women

Mao Mao is not a "noT lIkE oThER gIrLs" protagonist, she is FOR THE GIRLIES. She only wants to help the women around her, and women are whom she has the closest relationships to. She sees a woman being harassed and can't let it stand. She sees a frail, traumatized woman dying from the recklessness of those who should be caring for her and spends day and night nursing her back to health, while also punishing the people who were so careless with her needs.

My girl has STUDIED UP on THE BODY to TEACH these upper class ladies on how to really HEAT things up in the BEDROOM

Sex depicted in Apothecary Diaries is both something women are not shamed to be enjoying, while at the same time being acknowledged as an unfortunately huge economic necessity to market themselves.

Like shit is just so real in this series???

Listen, I can go on and on about how GOATED the series and especially Mao Mao is but you get the picture

[seonghrtz]

teen!megumi ★ seeing you hurt is one of the things that has terrified megumi since he was a kid !

Megumi has always loved you. Perhaps from the moment Gojo carried him to your house when he was younger. You were the mother figure he never had, the person he knew he could rely on in any situation, the person he didn't have to be mature with all the time. You were always his safe haven.

Megumi may not have known how to express his own feelings or how to verbally express his adoration for you ⸻ he wasn't like Gojo, who was always making declarations of love to you. Sometimes Megumi envied Gojo for the ease with which he could say 'I love you' to you. But it never seemed to matter to you whether Megumi expressed his adoration for you verbally or not, it wasn't necessary as you understood it through his actions. You knew Megumi like the back of your hand and he was eternally grateful for that.

That's why one of Megumi's worst nightmares was losing you.

If he lost you, what would become of him? How would he manage without your care? How would Megumi survive in this world without being able to hide in your arms?

So when Megumi saw your exhausted and bruised body being thrown across the battlefield, he felt his whole body tremble and a sense of despair consume him.

Desperate, Megumi ran towards you, leaving Itadori and Kugisaki to fight the curse. And when he saw you lying on the floor with your eyes closed, bruises all over your exposed skin and bright crimson blood dripping from your forehead and mouth, Megumi's legs went weak and he fell to his knees beside you. With trembling hands Megumi grabbed your shoulders and rocked you, hoping that you would open your eyes and say that everything was fine. But unfortunately this utopian fantasy didn't come true.

Maybe it was all just a dream. A nightmare of that night ⸻ the night you sacrificed yourself to save Megumi when he was still a child. And if it was just a nightmare, Megumi would wake up at any moment and run into your arms. You would hold him with such affection and love that he wouldn't be able to hold back the tears because he knew you were all right.

But Megumi didn't wake up.

And it wasn't a nightmare, it was reality.

Megumi's voice faltered and he held back his tears, you were there, in front of him, injured, on the verge of death, and he could do absolutely nothing, powerless in a critical situation.

"Hey, Fushiguro!" Yuji ran over to where Megumi was standing, "I think I'd better take Kamo-sensei to Shoko-san, Nobara's already called Kiyotaka-san.” The pink-haired boy looked at his friend and felt sad for him. Itadori had heard Megumi's story and how Gojo and Kamo had saved the little boy (and his sister) from the clutches of the Zenin clan. And Itadori also knew how much Megumi admired and loved the woman he called his mother, it was evident in his expression. "Come on, Fushiguro, we'd better go quickly if we don't want to lose her."

Without saying a word Megumi slipped his arms around your back and behind your knees and started to run with you in his arms to where the car was parked, waiting for the sorcerers.

The corridor was dark and cold. Megumi was sitting on the floor, leaning against the wall, his head down, holding back his tears. He couldn't cry, he had to be strong ⸻ be strong for you. Megumi had to stay positive, Shoko would save you no matter what.

"It's going to be all right." Gojo's voice echoed through the silent corridor. Megumi raised his head and met his sensei's crystal blue orbs. "Y/n is one of the strongest sorceresses there is, she's seen worse.”

"It's my fault." Megumi's voice was deep, "It's my fault that she's in this situation..."

"Don't blame yourself Megumi. It wasn't your fault."

"I should have paid more attention and listened to her instructions."

"Situations like this happen all the time when you're a jujutsu sorcerer, don't blame yourself for something you couldn't do. And Y/n is fine, she'll be fine, I know my wife very well. And I also know that she would hate to see you get hurt on her watch, so don't blame yourself for giving her life to save you." Gojo's hand reached for Megumi's head, ruffling the boy's ebony locks. "You better go to your room, I'll call you when she wakes up."

"I don't want to go."

"Don't be stubborn. Y/n will make me sleep on the sofa if she finds out I've let you sleep in the hallway."

"That's your problem, I'm not going."

"Come on, Megumi! I thought we were past that stage." Gojo sat down beside Fushiguro. "Are you going to get the silent treatment now?" A short laugh escaped Gojo's lips when he noticed Megumi's lack of reaction. "Okay then…”

The next day, Megumi woke up to a conversation next to him. He noticed Gojo and Shoko talking outside the room you were in.

"Finally awake, Sleeping Beauty?" Gojo smiled in the direction of Megumi who got up from the floor and stretched slightly, "She wants to see you."

"Is Mom awake?" He asked hopefully.

"Go ahead, I'll be right back with breakfast." Gojo gave Megumi a light squeeze on the shoulder before leaving with Shoko.

With a little trepidation Megumi slowly opened the bedroom door and saw you lying on the bed in the corner of the room, close to the wall. With light, quiet steps, the boy walked to the edge of the bed and stood, watching you. You were clean, not a drop of blood running down your face, and the bandages on your wounds were clean too. You were well. You were alive.

"Megumi..." You spoke quietly and opened your eyes, startling the boy a little.

"Mom..." his voice was weak, surprised and relieved at the same time.

You raised your hand and brought it close to Megumi's face. The boy, who had expected you to stroke his cheek with your thumb, was surprised when you tugged at his ear.

"Mom!"

"I told you to stay out of danger, Fushiguro Megumi." You said seriously, but then stopped pulling on his ear and hugged him, "Thank you for saving me.”

"You scared me..."

"I'm sorry, my dear." You smiled and released Megumi from your embrace, "I wouldn't let you get hurt, not for a second time."

"I'm not a child, I can take care of myself." A pout formed on Megumi's lips.

"I know, I know." You laughed at the younger man's reaction, "And of course you know how to handle yourself, you're my son, but you'll always be my little boy.”

Without thinking, Megumi hugged you again. Sinking his face into the curve of your neck, he felt a motherly affection that he had never known until he met you, and he let the tears roll down his cheeks.

After all, you were his mother and he was your son.

© SEONGHRTZ, 2023ㅤ⸻ㅤall rights reserved. please do not copy / steal / translate / modify any of my works !

[emmafrostyyy]

y'all sleeping on Astarion/Lae'zel bc this moment is so...the way the flippant demeanor drops and he doesn't hesitate to call her out for sticking with her version of Cazador like their relationship is so underrated fr...

sitting down writing this bullshit like let me peel it like an onion a bit and elaborate why this pairing is fascinating to me

It's really interesting how during the most cathartic, life-altering moment in Astarion's questline, the reactions of the other companions are more about the moral wrongness/guilt of sacrificing innocent lives. Lae'zel doesn't do that and instead relates to his hurt.

She knows what's he's feeling, the lack of control, the unfairness of being powerless for too long. This is a woman who just found out her entire life purpose was built on lies, discarded and hunted by her own people after outliving her usefulness, and groomed to basically die for an insane power-hungry lich queen. She knows all too well that power isn't always real freedom. Her first instinct is to empathize with Astarion to steer him away from his hate and resentment.

Astarion/Lae'zel is so interesting to me because they're such a classic "can we make each other worse or make a better person out of the other?".

They both have genuine appreciation for violence and respect each other's ruthlessness. Astarion was used as a weapon of seduction while Lae'zel was of warfare. Sex with people is meaningless and not real intimacy for them, and while both have little understanding/experience of interpersonal relationships beyond the physical, they still feel and love very deeply. They have no frame of reference for things like friendship and warmth, but they badly want all of that and more, even if they don't know it yet.

In-game they can sleep with each other, which is basically the foundation of the normal Tav/Astarion romance. Lae'zel saw him during combat and got horny, who knows. Astarion who's used to luring people with his charms, takes up Lae'zel's blunt offer because she's a strong hardened warrior that can provide protection and be a worthy ally, and he doesn't know how to say no. Navigating the complications between one who wants to be seen beyond as a sex object, and one who comes from a totally alien culture with no concept of love/family/connections and only sex is honestly really compelling to me. It's a transactional, mutually beneficial thing with no emotional expectations. Once you get past the skeevy rockiness of their early relationship, I really like the idea of them slowly seeing something past the exterior and realizing they may have harshly misjudged the other, an unspoken friendship blooms, and in comes the realization that they are essentially loners longing for kindness and a comforting touch in the most desperate of situations.

Lae'zel is prideful, direct, has no sense of courtship talk, and doesn't hold back her thoughts the slightest--she's not sweet/agreeable and what you see is really what you get, which I imagine would be disarming for Astarion who's used to vacuous flattery and has difficulty trusting others. But she's also insanely protective, passionate, loyal, and an initiator-- every romance scene is triggered by her first and she's always showing effort towards her relationships, which would mesh well with Astarion who does need someone to nudge him.

She doesn't purposely suppress her feelings, she's just simply at loss at how to express them sometimes due to her wildly different upbringing. She stops the sparring match you agree to and an easy vulnerability slips instantly out of her: "I don't want to hurt you. I want to protect you, and for you to protect me." and "Thus far I've taunted you, devoured you, battled you. Now I want more than anything to soothe you." are romantic as fuck and Astarion of all people really needs to hear that tbh.

Astarion is also someone who struggles with reinforcing his boundaries, and a key theme in Lae'zel's romance is that she encourages and wants you to challenge her and learn to stand your ground. It's not gentlest method, but hey, relationships are about having to make an effort to learn each other's language.

I think he also would take pleasure "educating her on the matters of Fay-run" (I believe there's a whole banter with him teasing her and teaching her pet names) and would get a kick out of coaxing Lae'zel out of her shell with her shyness at showing public affection, and making her blush. Also it simply would be fucking funny to see Astarion who's used to easy seduction, trying to pass a persuasion check just to get a smooch and generally having to work to earn regular kisses from Lae'zel lmfaooo

Lae'zel also initially struggles to see her chains as chains. When she learns about Vlaakith's betrayal, she copes instantly through denial and shuts it down. Astarion is NOT having it and calls her out, he knows her well enough to recognize that she would value blunt honesty above all.

I imagine he also despises her lack of self-preservation, the way her entire identity is tied to duty and being in service of others, and doesn't understand her desire to still help/liberate the people that want her dead and are hunting her down. He wants to make this duty-bound soldier realize that looking out for herself, and putting herself first may not be the worst thing in the world.

They're so similar to each other but are also polar opposites in some ways that make a more equal, balanced romance I think. It's not a simple, one-sided, feel-good "she/he can fix her/him" fantasy because both of them have to earn each other's love, actually cut through the other's flaws, and actively motivate each other to be better versions of themselves.

They're not at all the other's ideal guiding hand. It's rough, jagged, and imperfect, but that's how healing goes. It's so far from being the healthiest relationship -- but even if their belief systems differ, their moral compass does often align. I imagine it's a slight relief for them to have a partner where there would be less shame and judgment when they expectedly, occasionally slip up and fall into their bad habits.

Also, man, the "You showed me the betweens and beyonds. Beyond war and peace, beyond passion and obsession, most importantly, you showed me freedom.", "First you were my wound, now you were my cure.", "But you saw something else in me - someone else I could be. Someone who could break the cycle of power and terror that started centuries ago.." lines really hit hard when applied to them.

Of course, they can also make each other worse, feed into the other's negative traits that will bring out the worst part of themselves. It's this duality of their pairing that is very interesting to explore, the way it can steer in either direction because it's an intense, fraught relationship at its core.

[seraphicsentences]

hlllo can you pleas do football!ellie ina rush and really needing her sport shirt that reader is wearing, but since reader is so unbothered to change she takes it off right there n it gets ellie thinking if she should even go!!!!!! maybe a little smutty smut ‼️‼️inluv with yur writinggg

hi baby yes i can thank you for the request sweet girl. sorry this took a little while i appreciate your patience. also yes i know i said i was going on a break yesterday and then proceeded to bang out this entire thing, my bipolar ass got bored. enjoy! <3

“BABE?”

“BAAAABE?” ellie calls louder as you hear her stumbling through your shared apartment, clearly in a rush.

“babe, have you seen my-oh there it is,” she swings into the room abruptly, stopping in her tracks when she sees her much needed football jersey, adorned by yours truly.

“hey els, what’s up?” you ask, propping yourself up on the bed, and shooting her a look so sickly sweet, savage starlight comic in hand.

ellie’s existence can be found in all aspects of you at the moment, from the clothes you’ve “borrowed” and your choice of fine literature, to the purpled bruises littering your jaw and collarbone.

ellie can’t help but let her buzzing pre-game thoughts slow at the sight of you, and fester around thinking mine, mine, mine.

“hey pretty girl, i just really need my jersey for practice. do you mind changing, pretty please? i’m late,” she says softly, leaning over the mattress to press a warm kiss against your forehead.

“aw, fine, i’ll just wear nothing then,” you joke, reaching over your head to pull off the top in one swift move, revealing your bare chest with marks to match your neck.

you watch knowingly as ellie quite literally shutters: caught up in the sight of what’s literally a physical manifestation of the guilty pleasure that is her possessiveness.

—and you revel in the power trip that this is. because how is it that mere nakedness, something that’s more you than anything else you could put on your skin, is enough to make ellie fucking williams crumble.

and so all you do is smirk when, without sparing even a glance away, ellie tosses the held-out jersey lazily over one shoulder and leans in to indulge herself with another kiss; this time a proper, messy one on your parted lips.

“on second thought,” she says, in between breaths, before diving down to swirl her tongue around your hardened nipples, greedily sucking and licking at them like your own fucking baby.

you’re nothing but powerless to her hypnotic ministrations, as much of a fool for her as she is for you, letting low moans out freely from the back of your throat.

moving back up to kiss you like she wants to consume your sounds, the aggressiveness of ellie’s actions leave you nowhere to go but fall backwards onto the bed, chest pressing up to brush your pointed nipples lush against ellie’s chest.

“fuck, baby,” she rasps into your mouth, slipping her hand between the two of you to knead at your breast, calloused fingers thumbing over your nipples. she watches in awe as you shudder at the sensation, hooded eyes begging for more.

“fuckin’ tease,” she mumbles with a smile, mouthing over her previously left bruises with a hot, flat-tongued lick. feeling the vibrations on your throat as you laugh at her, she gently nips at your skin, letting out a laugh of her own as she feigns annoyance.

“shut up,” she chuckles, suffocating your laughs with the press of her mouth, continuing to make out with you in the delicious way that it is to make out with her.

ellie pries a knee between your squeezed thighs, nudging it upwards in such kind offerance to your burning heat— to which you take, hips immediately grinding up in desperation.

but just as quickly as it was given to you is it taken away.

ellie sits up with a jolt, mussing with your hair as she replaces her shirt with the jersey hurriedly. she stumbles towards the door with a guilty look in her eyes, pausing only to ramble, “coach is gonna kill me, sorry babe. that’s what you get for being such a tease! i’ll make it up to you, you fuckin’ minx. i love you!" before sprinting out the door, shoelaces undone.

you lay there, frozen and topless with your panties soaked, and you curse ellie out, that little bitch.

[sorcerersandskillusers]

I want to talk about one of the most terrifying and interesting bsd characters who almost no fan remembers.

This character nearly tore down the ADA without ever getting involved herself, yet the entire fandom has ignored her because of her terrible anime adaptation.

Who am I talking about?

Nobuko Sasaki

If you haven't read Dazai Osamu's Entrance Exam, then you probably don't even know who this character is, in the anime she is watered down to the lovesick girlfriend of an actual villain, and you probably dismissed her immediately. But in the light novel, we get to see how dangerous and cunning she really is, to the point she nearly gets the better of Dazai and almost causes the ADA to be shut down. (Fukuzawa says he would have closed the agency if they hadn't caught her)

In terms of intelligence I'd put her on the same level as Mori, just slightly below the super human genius characters i.e. Dazai, Fyodor and Ranpo

The Azure Apostle

For those who don't remember, Sasaki was the Azure Apostle, a mysterious figure who challenged the agency with several horrifying cases, which would all lead to mass casualties if the agency failed to stop them. These were; uncovering an underground organ smuggling operation (which the agency failed to stop and which massively hurt their reputation) stopping a bombing of Yokohama port which could have killed hundreds of people, and preventing a commercial aeroplane from crashing into the city (this was not included in the anime)

Each of the people, who committed these crimes, had no Idea they were being manipulated and thought it was their own idea the whole time. There was no evidence that anyone else had been involved at all, and the agency had no way to connect her to any of the crimes. And she even makes the genius move of framing Dazai, the mysterious new member with suspicious knowledge of the underworld and a hidden past, as the true culprit.

In fact, she only made one mistake, challenging Dazai. If Dazai had been basically anyone else, they would have been cornered and arrested, but since Dazai's mind works on a level even master strategists can't imagine, he was able to turn the tables on her.

But even after Dazai sees through her plans, the ADA still has to act exactly the way she wants them too and stop the plane crash. Even when they know they're being manipulated, they still have to do exactly what she wanted.

Finally, after Dazai and Kunikida confront her and get her to admit to being behind all those crimes, even then they are powerless to stop her.

Even after being involved with so many massive crimes, Sasaki herself hadn't done anything illegal, so within the law the ADA is completely powerless to stop her.

They can't arrest her, and if they try then the agency will be put in even more danger as will many innocent lives. She has completely trapped the ADA, and even Dazai in a choice to follow the law and let her go or take justice into their own hands and prove they will stoop as low as she did.

In the end, there she has them in a perfect deadlock, let her continue her mission, or kill her themselves. Both are bad outcomes for the ADA.

In the end, Dazai has her killed by using a third party (Rokuzo) to shoot her, so the agency can't be blamed for her murder, though this ends her plans it deeply scars Kunikida and shakes his resolve in his ideals.

The trauma from this event still haunts Kunikida to this day, we see that when he is affected by Q's curse, Sasaki is who he sees.

So thats the Azure Apostle, a terrifying master mind who nearly brought down the Armed Detective Agency, but now lets look at the other side of this character.

Nobuko Sasaki Herself

We know several things about Sasaki as a character and her history from the light novel. That she was a brilliant criminal psychologist and was internationally recognised despite being so young

,that she was the ex-lover of the Azure King and the real mastermind behind his plans, and that she had very little motivation of her own.

That's not meant to be an insult to the character, she says herself that she never really had much direction in life, even with her incredible intelligence she never really had anything she wanted to achieve.

But the Azure King was the opposite, he had powerful drive and strong ideals, he wanted to punish criminals who couldn't be touched by the law and when he failed to change the law as a bureaucrat, she offered him an alternative.

A very important thing here is that neither of them were manipulating or forcing the other into this path, as far as we see they genuinely loved each other, each providing something the other couldn't, Sasaki her mind and the Azure King his drive.

When the Azure king died, Sasaki had no path of her own to follow, so she simply kept following his, even though she doesn't seem to have really cared about his cause.

All of this creates a very unique character, you can't say she was driven by revenge, because she wasn't really driven at all. It's more like she was running on momentum, she had chosen a path to follow and could not stop even though there was nothing pushing her down it any more.

She's a perfect antithesis of Kunikida and was the best possible villain a light novel about him could have had.

A man who brings his ideals into reality with his own hands against a woman who uses others to enforce ideals that were never hers to begin with.

Anyway, I made this because Sasaki is criminally underrated in this fandom, If you haven't read "Dazai Osamu's Entrance Exam" I highly recommend it, I've only put a tiny fraction of the amazing story here.

[keerysfreckles]

powerless — MV1

pairing: max verstappen x horner!fem!reader

summary: in which y/n horner gets into a terrible crash during the 2025 bahrain grand prix

warnings: use of y/n and she/her pronouns, cursing, kissing, not proofread, rushed writing

a/n: first f1 fic im scared 😖😖

masterlist !

⋆ ˚ ｡ ⋆ ୨୧ ˚

it was one thing to be an f1 driver for redbull racing. it was a completely other thing to be the daughter of the manager of said f1 team.

to say y/n horner was born into her current position is an understatement. her father, cristian horner, was more than determined to get his eldest daughter into f1 racing. he signed her up as soon as possible for karting when she just turned 8. she excelled through f3 and f2, and now rightfully had an f1 seat alongside max verstappen.

y/n and max got along probably the best out of the entire grid. their interviews together were full of non-stop laugher and red faces, and the duo worked well on the race track. when needed, one would let the other pass to help the team, and vice versa.

today was no different as y/n and max knew their plan for the upcoming race. it was the second to last race of the 2025 season, and redbull racing needed to get a 1-2 podium in order to safely secure the second position in the constructor's championship.

before every race, y/n rushes to give her father a hug. christian kisses the top of her head and wishes her luck moments before she gets into her car. the bright red number 97 was a high contrast against the navy blue paint.

every driver took their starting positon from their quali results. max had gotten pole positon, with lewis hamilton in second, y/n's redbull was in third.

"it's lights out and away we go! we are racing in bahrain," one of the commentators spoke into his headset, his voice blaring over all the speakers.

all 20 cars sped off towards the first corner, without anyone getting into any crashes.

the roaring of engines and both commentator's voices filled the bustling area. fans cheering, and managers and crew members celebrating, at any victories for one's team.

33 laps into the race, and only two drivers have gotten out. george russell after his tires locked up during lap 14, as well as sergio perez after he had an engine failure right after lap 28.

max, lewis and y/n were still the top three drivers of the race, with max leading, only thousands of seconds ahead of lewis.

the three were coming up to a tight turn, making all three cars go tire to tire. max was lucky to get away from the outside. y/n on the other hand wasn't as fortunate.

lewis tried turning his car, trying to make y/n go behind him once again, but he turned gis wheel too hard too fast, crashing his car into the the right side of y/n.

"what the hell is he doing?" cristian wonders out loud, watching one of the many screens in front of him.

y/n loses control of her car, immediately turning into the gravel. her car only spins more before colliding harshly with the wall. her front tires are barely hanging onto her car, the front wing is damaged and the sides of her car are severly smashed in.

"y/n are you okay?" her advisor spoke into his microphone, watching as no movement comes from y/n's car.

christian only worries more as he watches her advisor get no response once again.

"shit, is y/n alright?" max's voice us filled with concern, noticing y/n's car wasn't anywhere on the track behind him.

"safety car is coming around," max's fear only eased slightly at his advisors words.

a red flag is waved at the starting point of the race, causing all cars to slow down immediately. the safety car is quick to go towards y/n, with other crew members running over as well.

once all the drivers were off the track, none of them could tear their eyes away from the screens displaying y/n's car.

max chewed on the edges of his fingernails. he was insanely worried about his teammate and best friend, and he was now regretting never telling her any of his conflicting feelings, because it looks as if she might not make it out of this one.

he kept watching the men in bright orange vests try to get y/n out of the car. he couldn't see if y/n was moving at all, but he could only pray more once he noticed dark smoke coming out of the back of her car.

out of the corner of his eye he saw christian speaking rapidly to everyone around him, worrying for his daughter.

christian stops however, once realizing his other driver is walking – no, running – in the direction of the crash.

"max! what the fuck are you doing?" he yells towards the driver, but max just keeps running.

he doesn't stop, even though his knees are burning and his ankles could barely hold his body up once the smoke turned into fire.

he didn't care at the protests from the crew members, and now two or three firefighters. he was going to get y/n out of that car.

y/n on the other hand, was finally gaining consciousness. her head hit the wall extremely hard, and now she felt nothing but dizzyness, as her eyes blurred and limbs burned.

she turned her head side to side, seeing all the crew members surrounding her smoking car. she signals to them that she's okay, for the most part. she tries helping them, wanting to get out of the hot car as soon as possible.

"i can't get out!" her voice is mumbled in her helmet.

she lifts her arms, but her legs are stuck, crushed in the plastic, rubber and metal.

y/n starts to panic, everything suddenly becomes so loud, and too bright. but one thing catches her eye in the chaos. a dark blue suit.

"max!" she yells, not caring if he truly heard her or not. her breath starts catching in her throat as sudden tears flood her vision.

y/n stops trying to get out of the car as she sits back down in her seat, for three seconds as she takes her helmet off. she throws it somehwere in front of her, and takes off her neck support, and balaclava.

max skids to a stop beside her, and is more than determined to get her out of the car. thankfully the fire has stopped, and now the only problem was how stuck y/n really was.

"max," y/n cries again, her words getting stuck in her throat. she simply grabs onto his arms, silently begging for help.

max tries his hardest to pull y/n out of the car. she assist as best as she can while trying to push with her legs. she moves a little, making other crew members grab her arms, and grab underneath her shoulders.

it's as if a weight is taken off christian horner's shoulders as he watches y/n finally get out of the car. he lets out a breath he didn't know he was holding, still watching the screen.

max doesn't let y/n go even when both of her feet are on the ground. she can't let go of her teammate either, her nails digging into max's racing suit, but he couldn't care about that.

her legs felt as if they would fall off, and she can't help but fall into max. himself and another crew member lead y/n towards the safety car. the girl leans her head against max's shoulder, breathing in his familiar scent.

max starts to leave in the direction he came, wanting to give y/n some space once she was in the safety car. however his decision changed when he felt a hand grip his wrist.

"stay with me, please," y/n looks up at max, and he knows he can't say no to her, especially not when she was just getting out of a small panic attack.

max adjusts hinself so he's sat next to y/n, and his hand never leaves hers. she rests her head on his shoulder again, and closes her eyes, trying to forget about the immense pain in both of her legs.

once again, christian horner lets out a huge sigh of relief, seeing his daughter walk out of the safety car and slowly make her way towards him. christian holds y/n close to his chest, for as long as possible until two medic workers come by, asking to check on y/n's conditions.

—

y/n sighs once she's layed down onto the small medical bed. she halfway pays attention while one of the workers checked how her legs were, as well as her head. luckily she didn't get a concussion. the only problem was the multiple large bruises already starting to form on her legs. the worker told her it may take a few days until she feels comfortable walking without any assistance.

just as y/n's eyes start to close, she hears the door open. she turns her head, and just becomes confused once she sees max step into the room.

"max?" she tries sitting up, but groans after realizing how much her legs really hurt.

max helps her sit up, and sits on the bed next to her. he laughs slightly as she immediately rests her head on his shoulder for the third time today.

"wait don't you have to be racing right now?" y/n sits up now, facing max with furrowed eyebrows.

"you'd seriously want me to race after seeing what you went through?" max chuckles.

y/n nods, "well, yes! you absolutely love racing. i don't want to be the reason you can't win today's race."

"i can't possibly race while you're in here hurting," max places his hand lightly over y/n's thigh and lightly runs his thumb up and down.

"yeah, but you never quit races," y/n tries again.

max shakes his head, "you're more important than a race y/n."

y/n can't help but feel her heart flutter at his words. she hates the flush feeling rising to her cheeks.

max leans forward and brings his hand to y/n's face, running his fingers lightly over her skin to brush away the few strands of hair that fell in front of her face.

"thank you," y/n's voice fills the silence, "thank you for getting me out of the car. i don't think i could thank you enough honestly."

max kisses y/n's forehead, "i would save you over and over again if it means i get to be next to you afterwards."

y/n smiles at his words, after grabbing his hand that's still on her thigh. she can't help the tears starting to blur her vision again, but max is quick to wipe them away with his thumb after they land on her red cheeks.

even after he wiped her tears, max kept his hand on her cheek. the air in the room suddenly shifted. y/n ran her fingers over max's, only stopping when max moved her face to face his.

before y/n can get any words out, max closes the gap between the two, pushing his lips against her own.

she was surprised at first, but kissed back. his lips felt soft against hers, and it started to deepend slightly before the girl pulled away.

y/n placed her hand against max's chest, "wait, you're not just kissing me because i'm all emotional, and i basically could've died today right?"

max chuckles at y/n's playful words, "no y/n, i'm not just kissing you because i'm youre savior."

"are you sure? bec–"

"stil liefde," shut up love max interrupts before kissing y/n again, and more passionate than before.