#wHICH is what makes her powerless

[rearranging-deck-chairs]

i was having a conversation in my head with you know an npc describing what my octopus 13 and missy actually look like bc i only describe them in pieces in my fic so you can make up your own image bc thats more fun but anyway so i was figuring out what i actually picture them like and got to ursula from the little mermaid and then i was like oh shes purple and evil and like camp thats actually pretty missy that works and then i was like well 13 is ariel clearly and that makes yaz the prince. do with this what you will

[poorly-drawn-mdzs]

The girls are plottinggggg

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[blueskittlesart]

any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before

i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig

from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.

the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.

as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.

I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.

The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.

In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.

[hanzajesthanza]

the scene i find most relatable in all of the witcher saga is ciri in the korath desert, and idk what that says about me, but… probably nothing good 😅🙃

[sydmarch]

anyway this is what i was actually trying to find. fucking thinking about this.

[please-picturemeintheweeds]

Re: the end of your Joever/renegade post, it’s almost like wondering at what point does the “rough patch” cease to be a rough patch and just how the person *is*. As in, this is just how they choose to exist or are most comfortable living as a person.

(Not villainizing him at all, it’s just alluding to what you and others said… at some point it stops being a single issue or issues to fix and starts revealing itself to just be fundamental differences in compatibility and outlook.)

Just got this and I know it was sent pre-TTPD tracklist, but yeah!! Like it makes so much sense to me that a relationship would take over a year to go from Renegade to YLM and then another year to reach breaking up for good. That honestly feels like the most normal progression in the world, and I’m sooo interested to hear how she describes this experience and gives voice to something that I think a lot of people have been through.

I’ve talked about it on here before but my current relationship is 6 years old, and Renegade literally sparked some very VERY serious conversations for us when it came out because it gave voice to things we were dealing with and we were able to address using the language she offered us in the song. That was a definite “rough patch.” We nearly broke up, and had a real epiphany about things that we both needed to change in order to continue, and the types of support we both needed in order to stay safe and healthy. I felt so seen by Renegade and then in midnights as well- labyrinth and The Great War come to mind - the decision to stick it out. When I heard about joever it hit me (and others, from what I’ve heard!) suuuuper hard because it was like wait. Whatever measures they took after Renegade and the Great War actually didn’t fix it; what does that mean for me!? I was soo shaken up because of how strongly I related to the struggle (as it was portrayed to us). But that gets to the point of this ask: the difference between a rough patch and something un-fixable. I’m certain this will come up on TTPD, and it’ll be a deep portal time travel exploration of how she came to that exact conclusion. I can’t wait.

[fettery-fetterie]

GIRL HELP WDYM I REACHED 30 TAGS??????? OMG???? I WASN'T EVEN DONE YET

ANYWAYS 31st: and that compared to a relationship where the communication lines are basically none or very fucking weak then yeah it is an upgrade I think. Idfk I was never in a relationship I'm just picking from the ones I've seen in my life

[hauntingblue]

Can't believe I spent so much time thinking kiku and kinemon were dead... they really got me there...

[sidsinning]

Apothecary Diaries is pog as fuck bc serious political issues and dynamics from a woman's POV are rarely depicted in ANY form of media

It's always a man's world where women's issues surround him. Even if we get a female perspective once in awhile- it all comes back to how it facilitates his game in the end. She's a footnote in the overarching scheme of things. Misogyny exists. Back to the real plot.

Apothecary Diaries is strictly from a female perspective and how each class of woman has to act, what limits they have, what rights they have and don't have between each class, etc. These women have to behave a certain way under a patriarchy, which you would think makes it a man's story, but it never is. The women are THE focus of this show, their struggles are THE plot. The focus is about how the patriarch effects them.

Take the concubines for example. The show dives into how bearing a child affects their rank, how traumatizing it is to lose that child, the consequences of that, etc. We have barely seen the emperor who sired all these kids because this is not about him.

Jinshi's personal plot is secondary to Mao Mao's journey- he is mostly there to provide new cases for Mao Mao to solve and to learn more about the shortcomings of his class when taking care of citizens like Mao Mao.

Jinshi is not a bad person, but by virtue of his position in the higher classes, he cannot understand how harsh life as a poor WOMAN is specifically- he can only catch glimpses of it from what Mao Mao tells him and feel outrage but powerless in his wealth and luxury

Mao Mao is a fortunate commoner woman for what privileges someone in her class should and shouldn't have. She happened to be adopted by a knowledgeable man. She is allowed to read, write, learn, and has enough skill to be a poison tester and have a job EXTREMELY out of her class limit as an apothecary, also a job not traditionally meant for women

Mao Mao is not a "noT lIkE oThER gIrLs" protagonist, she is FOR THE GIRLIES. She only wants to help the women around her, and women are whom she has the closest relationships to. She sees a woman being harassed and can't let it stand. She sees a frail, traumatized woman dying from the recklessness of those who should be caring for her and spends day and night nursing her back to health, while also punishing the people who were so careless with her needs.

My girl has STUDIED UP on THE BODY to TEACH these upper class ladies on how to really HEAT things up in the BEDROOM

Sex depicted in Apothecary Diaries is both something women are not shamed to be enjoying, while at the same time being acknowledged as an unfortunately huge economic necessity to market themselves.

Like shit is just so real in this series???

Listen, I can go on and on about how GOATED the series and especially Mao Mao is but you get the picture

[yandere-romanticaa]

Something that I noticed is just how touchy Alastor is, despite the fact that he himself does not like it when other invade his perosnal space.

But when it comes to you, nothing is off the table.

You do not understand what the Radio Demon sees in you. You joined Charlie in her quest out of the pure desire to help out a friend and maybe, just maybe, make things right. You were in Hell for a reason and Charlie had a just cause - there was no reason for Heaven to turn down her proposal.

And Alastor did say that the only reason he was even bothering with you plebs was because of his own sheer boredom. And in no time, you became his abolute favorite plaything.

He was a strange mix of both polite and condescending, understanding but cruel. He always made a show out of messing with you - be it some snarky comment, a lingering touch which lasted for too long for comfort. He never touched you inappropriately, no, but his mere presence made you feel week in the knees. Whenever he would whisper wild horrors in your ears, it always set you on edge.

This demon could tear you down at any given moment. He could kill you, obliterate your pathetic little soul. You were weak and powerless. That was one of the many reasons why Alastor liked you so damn much.

[obsesssedblerd]

more sukuna with his baby daughter pretty please? 🥺 love the idea of a big evil scary monster being so soft also ily ❤️

Early Mornings

The sound of tiny hands pitter-pattering across the floor wake Sukuna up instantly, and he looks towards the ground to see his daughter crawling towards the bed you two share. When he remembers that she was, in fact, put in her crib last night, he scoffs at her. “How did you escape?” He asks tiredly.

The baby girl stops crawling once she reaches the bed, then smiles when she looks up at her father. She coos, reaching her arms towards him, requesting that he pick her up. Uppies, you called it. 

“That does not answer my question.” 

“Bwah?” she coos again, and Sukuna knows that she means, ‘please?’ from spending countless hours speaking with her.

She pouts cutely, and Sukuna rolls his eyes before giving in, reaching low enough to gently scoop her up in his arm. He carefully places her in between him and you, who is just beginning to wake up. Upon seeing your daughter, you gently smile, still a bit sleepy. “Hi, my sweet girl,” you greet quietly, using a finger to stroke her chubby cheek. “Did you sleep well?”

As the young princess giggles, you look over at Sukuna, who was watching you two closely. You’re always so beautiful, even first thing in the morning when you wake up. “The brat has escaped her enclosure,” he mumbles. 

“...Enclosure?” You snort. “Ryo, please, it’s called a crib. You make it seem like she’s a wild animal.” 

“She may as well be. I knew she’d be crawling around this age, but I wasn’t expecting climbing. That’s the only way she got out. She learns fast.” 

“I expected that,” you say, allowing your daughter to wrap her hand around your finger, her scarlet eyes glimmering with happiness. “She’s the daughter of the king of curses, after all.” The baby yawns, and you laugh quietly, reaching over to your bedside table to grab a spare pacifier. “Someone’s still sleepy. Just wanted to lay down with us, didn’t you?” 

Sukuna watches his daughter crawl across the space between you and him, and he allows her to move into the crook of his large, muscular arm. She curls up and settles there comfortably, and he feels his heart warm at the sight.

She just wanted to sleep with him holding her.

“Aw,” you sigh as the baby’s eyes begin to droop. You place the pacifier in her mouth, which she accepts almost immediately. When she falls asleep, you look at your husband, whose eyes are soft as he stares at the tiny bundle in his arm. “After a little while, I can put her back in her crib,” you offer. 

“No,” he says with a gentle shake of his head, his voice quiet so he doesn’t wake her. “She can remain here. It’s what she wants.” 

You smile sweetly. When it came to your daughter, Ryomen Sukuna was truly powerless.

[seonghrtz]

teen!megumi ★ seeing you hurt is one of the things that has terrified megumi since he was a kid !

Megumi has always loved you. Perhaps from the moment Gojo carried him to your house when he was younger. You were the mother figure he never had, the person he knew he could rely on in any situation, the person he didn't have to be mature with all the time. You were always his safe haven.

Megumi may not have known how to express his own feelings or how to verbally express his adoration for you ⸻ he wasn't like Gojo, who was always making declarations of love to you. Sometimes Megumi envied Gojo for the ease with which he could say 'I love you' to you. But it never seemed to matter to you whether Megumi expressed his adoration for you verbally or not, it wasn't necessary as you understood it through his actions. You knew Megumi like the back of your hand and he was eternally grateful for that.

That's why one of Megumi's worst nightmares was losing you.

If he lost you, what would become of him? How would he manage without your care? How would Megumi survive in this world without being able to hide in your arms?

So when Megumi saw your exhausted and bruised body being thrown across the battlefield, he felt his whole body tremble and a sense of despair consume him.

Desperate, Megumi ran towards you, leaving Itadori and Kugisaki to fight the curse. And when he saw you lying on the floor with your eyes closed, bruises all over your exposed skin and bright crimson blood dripping from your forehead and mouth, Megumi's legs went weak and he fell to his knees beside you. With trembling hands Megumi grabbed your shoulders and rocked you, hoping that you would open your eyes and say that everything was fine. But unfortunately this utopian fantasy didn't come true.

Maybe it was all just a dream. A nightmare of that night ⸻ the night you sacrificed yourself to save Megumi when he was still a child. And if it was just a nightmare, Megumi would wake up at any moment and run into your arms. You would hold him with such affection and love that he wouldn't be able to hold back the tears because he knew you were all right.

But Megumi didn't wake up.

And it wasn't a nightmare, it was reality.

Megumi's voice faltered and he held back his tears, you were there, in front of him, injured, on the verge of death, and he could do absolutely nothing, powerless in a critical situation.

"Hey, Fushiguro!" Yuji ran over to where Megumi was standing, "I think I'd better take Kamo-sensei to Shoko-san, Nobara's already called Kiyotaka-san.” The pink-haired boy looked at his friend and felt sad for him. Itadori had heard Megumi's story and how Gojo and Kamo had saved the little boy (and his sister) from the clutches of the Zenin clan. And Itadori also knew how much Megumi admired and loved the woman he called his mother, it was evident in his expression. "Come on, Fushiguro, we'd better go quickly if we don't want to lose her."

Without saying a word Megumi slipped his arms around your back and behind your knees and started to run with you in his arms to where the car was parked, waiting for the sorcerers.

The corridor was dark and cold. Megumi was sitting on the floor, leaning against the wall, his head down, holding back his tears. He couldn't cry, he had to be strong ⸻ be strong for you. Megumi had to stay positive, Shoko would save you no matter what.

"It's going to be all right." Gojo's voice echoed through the silent corridor. Megumi raised his head and met his sensei's crystal blue orbs. "Y/n is one of the strongest sorceresses there is, she's seen worse.”

"It's my fault." Megumi's voice was deep, "It's my fault that she's in this situation..."

"Don't blame yourself Megumi. It wasn't your fault."

"I should have paid more attention and listened to her instructions."

"Situations like this happen all the time when you're a jujutsu sorcerer, don't blame yourself for something you couldn't do. And Y/n is fine, she'll be fine, I know my wife very well. And I also know that she would hate to see you get hurt on her watch, so don't blame yourself for giving her life to save you." Gojo's hand reached for Megumi's head, ruffling the boy's ebony locks. "You better go to your room, I'll call you when she wakes up."

"I don't want to go."

"Don't be stubborn. Y/n will make me sleep on the sofa if she finds out I've let you sleep in the hallway."

"That's your problem, I'm not going."

"Come on, Megumi! I thought we were past that stage." Gojo sat down beside Fushiguro. "Are you going to get the silent treatment now?" A short laugh escaped Gojo's lips when he noticed Megumi's lack of reaction. "Okay then…”

The next day, Megumi woke up to a conversation next to him. He noticed Gojo and Shoko talking outside the room you were in.

"Finally awake, Sleeping Beauty?" Gojo smiled in the direction of Megumi who got up from the floor and stretched slightly, "She wants to see you."

"Is Mom awake?" He asked hopefully.

"Go ahead, I'll be right back with breakfast." Gojo gave Megumi a light squeeze on the shoulder before leaving with Shoko.

With a little trepidation Megumi slowly opened the bedroom door and saw you lying on the bed in the corner of the room, close to the wall. With light, quiet steps, the boy walked to the edge of the bed and stood, watching you. You were clean, not a drop of blood running down your face, and the bandages on your wounds were clean too. You were well. You were alive.

"Megumi..." You spoke quietly and opened your eyes, startling the boy a little.

"Mom..." his voice was weak, surprised and relieved at the same time.

You raised your hand and brought it close to Megumi's face. The boy, who had expected you to stroke his cheek with your thumb, was surprised when you tugged at his ear.

"Mom!"

"I told you to stay out of danger, Fushiguro Megumi." You said seriously, but then stopped pulling on his ear and hugged him, "Thank you for saving me.”

"You scared me..."

"I'm sorry, my dear." You smiled and released Megumi from your embrace, "I wouldn't let you get hurt, not for a second time."

"I'm not a child, I can take care of myself." A pout formed on Megumi's lips.

"I know, I know." You laughed at the younger man's reaction, "And of course you know how to handle yourself, you're my son, but you'll always be my little boy.”

Without thinking, Megumi hugged you again. Sinking his face into the curve of your neck, he felt a motherly affection that he had never known until he met you, and he let the tears roll down his cheeks.

After all, you were his mother and he was your son.

© seonghrtz, 2023. all rights reserved, please do not copy / steal / translate / modify any of my works !

[kaisturni]

hands on me | c. sturniolo

→ chris x fem!reader

→ plot; chris and y/n get into one of their usual screaming matches, but this one ends a little less usual than normal.

→ warnings; smut, fingering, swearing, f!oral (receiving), choking, unprotected sex (STAY SAFE), dirty talk, use of names (baby)

→ hi pretty lovies :) this is my first time writing a smut fanfic so PLSSS let me know if you guys like it, and if there are any requests, don’t hesitate to share! almost nothing is off limits ;) enjoy!

NOT PROOFREAD EEK

——————————————————————————

y/n and chris had been in a screaming match all day.

from sunrise to the middle of the night, it's taken both nick and matt holding the two back so they don't entangle and kill each other.

"whatever," nick breaths, "i'm so fucking done with you guys. i know you don't get along but this is ridiculous."

"yeah" matt agreed, letting out a sigh. "i for one am tired as shit, try not to murder the other while we're asleep," the other two brothers pace back into their respective rooms, slamming the door one after another.

"great!" y/n starts, "who am i supposed to sleep with now, guaranteed they both just locked their doors." she whispered to herself.

"god, who cares? you could sleep on the street for all i fucking care." chris yells, watching y/n stand outside of nick's door, not daring to make an advance inside.

the girl shot daggers at him, "whatever chris, tell that to your fucking brothers, they're the ones who let me live here." y/n huffs out as she shoves chris full force out of the way, preparing for a sleep on the boy's couch. but before she can even reach the end of the hallway, chris grabs y/n by the throat and slams her against the wall.

y/n hits the wall, exuding air on impact, hands gripping onto chris', which has her easily pinned on to the wall.

"did you seriously just put your hands on me?" he said lowly, closing the distance between him and

y/n. the girls heart was racing at a mile a minute, unsure of what her actions would cause next. she was so confident yelling at chris frequently from across the room, but suddenly powerless in his grasp, she was, briefly, at a loss for words.

"yeah," y/n managed to grunt out. she had never been this close to chris before, let alone feel his body inches away from her own skin. his eyes were dark and low, jaw tight and sharp, his features barely illuminated in the light. as much as she hated him, she found him punishingly attractive.

"and what are you going to do about it?" she dared to whisper to him, trying to keep as much confidence in her tone as she could, not letting him see how much she withered under his touch.

from a few heavy breaths, y/n's throat still in his hand, he shoved her into his room and shut the door behind him. he flipped the two around so she was again back against the wall.

"what am i going to do about it?" he taunted, less than an inch between their bodies, breaths mingling and eyes locked in contact.

"you have no idea what i could do to your right now," chris spoke lowly, uninterested in letting his brother's hear the way he is speaking to the girl he supposedly wants to kill.

"if only you just kept that pretty little mouth shut, maybe i could've showed you sooner," his words faded out, his hand around her neck tightened slightly, as he brushed his lips against hers, earning a barely audible moan from the girl under his grip.

"chris" y/n managed to breath out, suddenly feeling a sense of neediness and wanting from him. is it bad she could be so turned on from how rough chris was being with her? she had never seen this side of him before, the side of him that she didn't think existed to her. before this he was ready to take her head off and so was she. but now she could feel the heat rising in her legs, and shocking her stomach, anticipating what was to come next.

"what? don't act like you don't want it, you think i can't tell that you do? look at you." chris taunted, gently using his teeth to tug on her bottom lip. y/n felt like her heart was going to beat out of her chest.

unknowing what came over her, y/n remarked back "oh, i'd want this. just not with you," she could see the anger growing in his face as she continued, "anyone could do whatever you'd do better." she knew what the words she was saying would lead her. she almost hoped chris got the message.

"is that so? i'll show you you're wrong." chris swiftly tossed y/n to the bed, pinning her down, yet again cementing their faces inches away from each other.

"you'll be begging me to do this more often when we're done," beginning to leave sloppy kisses against y/n's neck. "i'd destroy you,"

"so destroy me," y/n dared.

chris smiled against her skin, wet kisses becoming dark hickies all over her neck and jaw. his lips slowly moved down to her covered chest, frustrated with the fabric, he tugged on her shirt, signaling to take it off.

y/n sat up in the bed ripping her shirt over her head, his eyes meeting with her bare chest. "no bra, huh?" he said before claiming her right nipple in his mouth, kissing, sucking, and biting on it, and doing it harder with each moan he earned from her.

"i never wear one" she admitted, eyes screwed shut in the unexpected pleasure that chris sturniolo was bringing to her.

"i hope that's not the only thing you never wear," he said against her skin, kisses continuing down her body until he reached her inner thighs, with only a thin layer of fabric separating her core and his lips.

y/n gasped as he yanked her to the edge of the bed, making her wet shorts visible to him even in the dim light. he smirked looking up at her,

"fucking soaked," he said what she already knew, throwing her head back and screwing her eyes shut in anticipation, "chris, please." she begged, thinking how pathetic it was that the few words she was able to get out gave chris everything he wanted to hear in that moment, but she didn't care. 

"since you're begging for me," he taunted, taking off y/n's barely there sleeping shorts, taking in how perfect her core was dripping under the light, practically calling his name. never would he had anticipating being in this moment, but god he knew he was lying if he said he didn't think about it.

he teased her by trailing small kisses and nibbles against her inner thigh, making her wetter by the second. before y/n knew, he was licking and sucking down her slit, arms pushing her legs further into her chest to get even deeper.

gripping the sheets with white knuckles, y/n found it impossible not to scream his name as he stuck his tongue inside her, moaning against her pussy as the vibrations drove her closer to her high.

"chris i'm gonna cum," she said panting, edging him to keep going, not wanting the pleasure to stop as she found her hands tangled in his hair. but before y/n managed to reach her high, he pulled his face away from between her legs. mouth dripping with all her juices, he brought his lips to hers, kissing her for the first time.

the two kissed each other hungrily, each fighting for dominance over the other, but chris ultimately won as he stuck to fingers inside of her, causing y/n to gasp, prompting chris to shove his tongue into her mouth.

"how am i supposed to hate you when i know your pussy is this good?" chris asked between sloppy wet kisses, his fingers continuing to pump in and out of her, wetness leaking onto his bedsheets.

y/n could feel the knots tying in her stomach, signaling she was close, “c-chris i’m so fucking close,” she said absolutely breathless, weakly gripping his moving wrist.

his two fingers slowed their pace, and she whined at the loss of contact. y/n couldn’t help but squeeze her thighs together, in order to do something to stop the aching between her legs.

“not so fast,” chris said, peeling off his hoodie and sweats, leaving him in just black calvin klein underwear. “spread,” he demanded.

y/n obliged without hesitation, aching and ready for him to be inside her. chris used his thumb to rub her clit in circles, causing her to arch her back and moan in pleasure, chris could feel his dick aching to fuck her, but he wasn’t going to let her have it easily.

“c-chris please,” she begged, “please what, baby?-

baby?

-tell me,” he said, knowing exactly what she wanted from him, “please f-fuck me- shit,”

as soon as those words left her mouth, chris removed his underwear, his length springing up, leaking with pre-cum and burning with desire.

he ran the tip on y/n’s slit, groans exiting from both of their mouths. without warning, he slammed his entire length into her, causing her to gasp at the feeling.

tears ran down y/n’s cheek as she moaned out chris’ name and profanities at the pace that he was pounding into her,

“you look so pretty when i fuck you, baby,” he growled in her ear, “look at you, doing so good at taking all of me,” he said before sensually connecting their lips.

y/n had no words to say, only muffled sounds in between kisses coming out of her mouth from being completely fucked out by chris, and it didn’t take long for her to feel her orgasm coming back.

“oh, chris, i’m gonna cu-,”

“wait, you cum when i say, okay?” he said lowly, before quickening his pace, feeling his own climax coming too.

“i can’t take it, please let me cum,” y/n pleaded, feeling completely buzzed from all the sensation going in her body.

“cum baby, i’m right there too,” he breathed out, feeling her walls clench around him causing chris to explode inside her, filling her up at the same time she reached her own high.

chris pumped a few more times in and out of her, both groaning as he pulled his dick out of her, then falling on the bed next to the sexed out girl next to him.

the two looked at each other for a moment, and chris softly kissed her, finding his way to be on top of her again. he pulled their lips apart and ran a hand through her hair,

“why do we do this? i’m tired of hating you, why do you act like that with me?” y/n said, staring at chris’ piercing blue eyes above her. he sighed, “i really don’t know,” he started, “i guess the way i feel about you just made me angry for some reason. it always made me mad how close you are with nick and matt, and i guess i kept it up too long,” he admitted, playing with the ends of her soft hair.

“you should’ve just told me,” y/n retorted, placing a gentle hand on the side of chris’ face, and he nuzzled into it. “i know, and i’m sorry. can we be done with that, please?” he asked her, cautiously.

“of course we can,” y/n smiled. chris smiled back at her, connecting their lips once more.

“okay,” he began grabbing her hand, “let’s go get cleaned up. we can have another fight in the shower,” smiling deviously at her after making the statement.

y/n rolled her eyes at the boy, and quickly followed him into the bathroom, locking the door behind them.

[marril96]

Reasons

Pairing: Agatha Harkness x reader

Summary: Agatha wants to know why you wanted to go on the Road.

You knew you were in trouble when Agatha left the rest of the coven huddled around a fire and joined you in the forest area, away from prying ears.

You needed some peace and quiet. The trials were emotionally tasking. Risking your life day by day, doing things such as drinking poison and performing a song while fire raged around you…

It was a lot.

But this was your life now.You knew full well what you were signing up for. Agatha had warned you, loud and clear.

The choice to come here was yours, and you would make it all over again if given a chance for what you wanted — what you needed — from the Road wasn't something easily attainable. You'd be damned if you were to give up now.

Some things were worth risking everything for.

"Y/N," Agatha said as she approached you, casual, hands in the pockets of her coat. Like she were on a walk in a park rather than a dangerous and deadly Road.

"Yeah?" You weren't really in the mood to talk, your batteries still low from the latest trial. It didn't help that you didn't feel fully at ease with the others. The kid was fine, but the other witches made you nervous. You didn't trust them. You didn't know them.

The only one you really knew was Agatha. Which was why you just stood there instead of moving away or feigning sleepiness as she walked over, something clearly on her mind. It paid off to have befriended her back in the day. It was by pure chance, an encounter neither one of you expected, but, in hindsight, you were both glad it had happened.

She had earned a listening ear, someone to confide in, who wouldn't judge her no matter what. Someone who would have her back even if the rest of the world were to turn against her.

You had earned a protector in a world that was dangerous for your kind.

"We need to talk," Agatha said. Her tone didn't reveal much; you didn't know what to expect.

You turned to her. "Is everything okay?"

"Everything's peachy."

"Is Jen talking shit about you again? My offer to punch her in the face still stands," you said. You'd nearly done so a couple days back, but Agatha had held you back. She could handle Jen, she'd said. Her words had meant nothing to her.

It didn't make hearing lies and slander about your friend feel any better, but if she said she was okay, then that was that. Agatha was centuries old; much older than you. She may have been powerless now, but she could still hold her own. She'd heard worse. She'd lived through worse. Some random witch's petty insults didn't bother her.

Agatha chuckled. "Jen is… Jen. But no, she hasn't said anything."

"Then what's up?"

"I need to ask you something."

"Why do I feel like I'm about to be interrogated?" you said, nervous. You forced a smile. "Are you back in your true crime mode? Are you gonna manhandle me until I confess?"

"That's cute," Agatha said, rolling her eyes, prompting you to laugh.

If you'd known Wanda Maximoff had cast a spell on her, you would have come and gotten her out of it sooner — or tried to, at the very least. That was the thing about friendships that lasted for centuries; a lot of time was spent apart. It wasn't unusual for one of you to disappear for a few years and then pop back into the other's life. You missed her when she was gone, of course you did, but she had her life, and you had yours.

It was only when she'd showed up at your door with Teen in tow that you'd finally found out why she'd gone radio silent for three years. And, much to your disappointment, the witch who'd done it to her was dead, so you couldn't even punch her for it, or call her a bitch to her face.

Such was life.

"What are you doing here?" Agatha asked.

"What do you mean?" you said, taken aback.

"On the Road," she clarified. "Why are you here?"

Because you wanted something you could never have without it. Simple as that. "You asked me to come."

"No, I didn't. I told you I was going. You demanded I take you with me."

Right. You'd hoped that little detail would slip by her. You should've known by now she kept track of everything; her mind was as sharp as her magic.

"I haven't seen you in three years," you said, hoping that would be enough of an explanation. "I wanted to hang out with you. And, like, maybe get some more power along the way."

"Anyone ever tell you you're a shitty liar?"

Yes. She did. Multiple times in the past. Which was why, whenever the two of you needed to swindle someone — for whatever reason — she was the one doing the talking and you just nodded along and smiled.

"You did."

"Yes," Agatha said. "I did. Because you are."

You sighed. "What do you want me to say?"

"The truth."

"There's nothing to say."

There was a lot, actually, but you didn't dare open up that particular can of worms. Once it was said, it could never be taken back. So why say anything at all?

"Oh, is there?" Agatha said sarcastically.

"Don't do that," you said.

She raised an eyebrow. "Why not?"

Because you're my friend. Because I don't want to ruin this. "Because I'm asking you not to. That used to mean something."

"It still does." Her voice was soft. Tender. Gone was the sarcasm, the defensive sharpness. It was just her now. Your friend.

"Then why are you asking?"

"Because I want to know."

"Leave it alone." You knew she wouldn't. She never did.

"Y/N," Agatha said, your name but a whisper on her lips.

You sighed. Was she really going to do this now? Why couldn't she just take you at your word and put up with a little white lie? Why did she have to be so damn stubborn?

"Why did you want to come here?" She wasn't demanding. She wasn't prodding. She was just asking.

She knew you couldn't resist her for too long.

The perks of allowing Agatha Harkness to be your close friend. She knew you too well for your own good.

A lump formed in your throat. Heat bit at the back of your neck like a curse about to swallow you whole. Your heart raced, a marathon booming in your chest.

There was a silence, long, drawn out. Then, in your quietest, softest voice, you said, "You know why."

She always did.

She always knew everything.

Secrets weren't secrets for long around Agatha Harkness.

You tried to tell yourself that you were being careful, that your emotions were in check at all times, but the truth was, your poker face was worse than your lying skills. You just pretended you were doing a good job, and Agatha went along with it.

To her credit, she never tried to take advantage. She never made fun of you for it, or played games. The deal was friendship, and that's what she gave you. Nothing more, and nothing less.

"I want to hear it from you."

A tear slid from the corner of your eye. Your cheek burned like a fireplace. Your mouth trembled, holding the words back, wanting to keep them trapped forever. But what would be the point, really? The truth was bound to come out eventually.

The truth had been out for a long time, written all over your face. A big, scarlet letter for all the world to know how you really felt. What you really wanted, but never felt like you could have.

"You." It felt almost freeing to say it out loud, as if a weight had been lifted off your chest, allowing you to breathe in a way you hadn't for years. "I came here because I want you."

Really, what else could you have possibly wanted? You were satisfied with the power you had. You got by. Your life wasn't in danger. There was nothing for you to ask for, that you didn't already have.

Except for one thing you thought — you knew — was unattainable.

Agatha Harkness. One of the most powerful witches you'd ever gotten to know. Rumored to be cruel and ruthless, heartless. A remorseless monster. A serial killer of witches. Your best — and only — friend. The love of your life.

"Go on," you said after a few moments of silence. "Make fun of me."

"Now, why would I do that?" Agatha asked, appalled at the suggestion. Offended for sbe thought you knew her better than that.

Which was exactly why you were so afraid. She hid her feelings expertly. Rather than admit vulnerability, she preferred to go on the offensive. A scorpion stinging with its venom where it hurt the most. She cared about you, and she trusted you, but there was no telling how she would react to something like this out in the open.

You saw how she treated people. You watched her murder witch after witch and discard the bodies as if they were nothing. You watch her climb over others to prop herself up, to rise to the top.

What was to stop her from doing the same to you?

What made you so different?

Why had she never treated you any different than one would a friend? Why had she always had your back, without you even having to ask? Why had she taken lives — many, many lives — to save yours?

Why did she trust you with her story, with memories of her son and the failed romance with Rio?

Why did she feel comfortable to bare her soul to you and let the tears flow freely, a salty river down her face each and every time she revealed a piece of her history?

"I just…" You were nervous. You were scared. You wanted to die.

"You know, honey, you didn't have to be so dramatic about it," Agatha said, perking up. Teasing you like she usually did; a bit mean, but with no real malice behind it. Playful. A cat throwing around a mouse it had caught. "You went on the Road to score a date? Really?"

It wasn't really a date you were after, but her point stood.

You were stupid.

This was a stupid idea, and it had backfired, and now she was going to mock you for it until the day one of you died.

"You do know all you had to do was ask, right?" she said, as if it was the most obvious thing in the world.

You snorted. "Yeah, right. Like you'd ever give me the time of day."

Agatha pressed her hands to her hips, elbows sticking out. "Who's to say I wouldn't?"

Now she was definitely taking the piss. "Come on," you said, putting on your fakest smile you knew would never fool her. "You're this amazing, badass, smoking hot witch."

She preened at the compliments. The surefire way to feel heart. She was nothing if not an attention whore.

"You-you're everything." Your everything, and more. So much more. "And I'm a nobody."

"Don't you ever say that," Agatha said in her stern, no nonsense tone. No more Mrs. Nice Girl. All daggers and sharp edges. She grabbed you by the shoulders, fingers digging in, and looked into sour eyes so intently it sent chills down your spine. "Don't you ever think you're a nobody."

"Everyone else thinks that," you said quietly.

It was obvious the others didn't think much of you. You could see it on their faces; the lack of respect, the underestimation. Jen had called you Agatha's pitbull to your face.

That was all you were to them. A pathetic witch whose only purpose was to speak up for Agatha. She may have joked about Teen being her pet, but it was clear to them all that that was your job. Agatha's witch familiar who was hopelessly in love with her and barked — but never bit — at every perceived slight against her.

"Who cares what they think?" Agatha said. "You're an exceptional witch, Y/N. They are nobodies."

"You're only saying that to make me feel better."

"Does that sound like something I'd do?"

No. It did not. She might use those words to manipulate some poor, unfortunate soul, but not you. Never you.

She always said it to you like it was.

"I mean, you do like to manipulate people," you joked. "And you lie better than I do."

Agatha rolled her eyes. "Everyone lies better than you do."

"True." There was no denying that.

She sighed, exasperated. "You really are an idiot."

And then her mouth was on yours, and she was kissing you, and your entire world exploded into fireworks and sparks and electricity, and, for a few short moments, you weren't in a dirty, creepy forest but rather somewhere warm and welcoming, and you never wanted to leave.

Agatha was everything you had imagined, and much, much more. Fire and ice all in one. Sugar and spice and everything nice and cozy and so fucking delicious.

Hers was the taste you never wanted to give up.

She tried to lean her head back, to take a break for breath, but you grabbed her chin and kissed her again, and again, and again. Hunger like you'd never felt before overtook you. Your nerves were on fire, legs weak underneath you, but you held on, forced yourself to remain standing. To remain kissing her for you never knew when you would get another chance.

If you would get another chance.

"Honey, I may be immortal, but I still need to breathe," Agatha said with a chuckle, right against your lips. Playful. Teasing.

Deciding it was enough, you backed away. Your lips were swollen, tingling. The taste of her, all of her, still on them, lingering like a ghost of your past. Forever imprinted on your mouth, a tattoo you hoped would never fade. You never wanted to lose it. Never wanted to forget what it felt like to be kissing her.

"Sorry," you said, blushing, nervous to hell and back.

Agatha looked you in the eye once again with the same fire as earlier. "Never apologize for taking what you want. You're a witch. The world is yours for the taking."

"I don't want the world," you said. "I just want you."

"Done." She said it so casually, as if it was the easiest thing in the world.

You didn't buy it.

You quirked up an eyebrow. "Really?"

"Really."

"Just like that?"

"Just like that."

"You knew I was…" Completely and totally in love with her. "...into you."

"You have a tell," she said simply. She always could read people like an open book.

"Why didn't you say anything?"

"Because I wanted you to ask for it."

"But why?"

Agatha sighed. "Y/N, what is it that I've been teaching you since the moment we met?"

"Fuck the rules?"

She nodded. "Fuck the rules."

"To be unapologetically me," you said.

"Because…?" she prompted.

"I'm a witch, and I've got nothing to be ashamed of. If I fuck up, that's fine. Shit happens. There's nothing that can't be fixed with a little bit of magic."

Agatha grinned, brimming with pride. "That's my girl."

That's what you really were now. Her girl.

A part of you wanted to pinch yourself to make sure that this was real. That it wasn't some dream or a hallucination the Road had inflicted on you as part of some fucked up trial.

The other part wanted to wrap her in your arms and never let go.

"Can I kiss you again?" you said, uncertain. Still not used to this new situation you'd gotten yourself into.

"You don't even have to ask," Agatha told you.

So you went for it. You kissed her. Once. Twice. Three times.

An infinite amount of times.

Later on, when it came time to get some shut eye, you kissed her goodnight, and she wrapped her arms around you. A protective cocoon, warm and safe.

And, in the morning, she was the one to wake you with a kiss of her own.

It was only fair.

*****

Tags: @werewolfbarbie @miss-moon-guardian @hermslore @uniquelesbianidiot @natashamaximoff1 @werewolfvpire @alsoknownasmel @swan-queen-is-magic @tardisesandtitans

[charminglygrouped]

For the past several years (and perhaps longer) in the P&P fandom I've seen a lot of people who want to rehabilitate Mrs. Bennet: like, sure, she's uncouth and seems greedy, but it's because she cares so much about her daughters' futures; her situation is actually really stressful and uncertain and she's powerless to change it and her husband makes fun of her, and so it's natural that it would cause her to be anxious all the time; maybe she doesn't have the intelligence or social awareness to understand that her behaviour is actually harming her daughters' prospects, but at least her heart is in the right place.

I'm usually not the type of person who argues that fandom is actually being too nice to a female character, but in this case I don't buy the counter-narrative (which I think is popular enough at this point to be fanon / a narrative in itself) about Mrs. Bennet.

For one thing, she was never really powerless in this situation. These people are rich even for gentry. Mr. Bennet's income was always good, at 2,000 pounds per annum (even though I can't believe he isn't neglecting some practices that could raise it higher). Mrs. Bennet had 4,000 pounds from her parents and a further 1,000 from Mr. Bennet. Invested in the 4 per cents (for example), this is 200 pounds per year in pin money that Mrs. Bennet could spend without touching the principle of her dowry, and without affecting Mr. Bennet's income. This is more than some people's entire yearly incomes.

The picture of Mr. and Mrs. Bennet that we get in P&P is not of people who are helpless against their circumstances, but of people who are extraordinarily neglectful. We're told that:

Mr. Bennet had very often wished, before this period of his life, that, instead of spending his whole income, he had laid by an annual sum, for the better provision of his children, and of his wife, if she survived him. [...] When first Mr. Bennet had married, economy was held to be perfectly useless; for, of course, they were to have a son. This son was to join in cutting off the entail, as soon as he should be of age, and the widow and younger children would by that means be provided for. Five daughters successively entered the world, but yet the son was to come; and Mrs. Bennet, for many years after Lydia’s birth, had been certain that he would. This event had at last been despaired of, but it was then too late to be saving. Mrs. Bennet had no turn for economy; and her husband’s love of independence had alone prevented their exceeding their income.

We also know that the "continual presents in money which passed to [Lydia] through her mother’s hands," plus her allowance and food, amount to about 90 pounds per year. Rather than saving up from the beginning in case the entail is not broken, rather than beginning to save once it's clear a son will not arrive, rather than making Jane's dowry the full 5,000 from her mother (which would be something) and saving up for the younger girls' dowries thereafter—which is what would be typical, and that's why Lady Catherine was so shocked that all the girls were out at once—Mrs. Bennet's housekeeping, dress, the girls' allowance, presents of money over and above their allowance, plus whatever Mr. Bennet is spending money on (and other expenses relating to servants, carriages, maintenance &c. which are unavoidable), add up to their entire income. The only reason why Mrs. Bennet doesn't overspend even that is that that's where Mr. Bennet puts his foot down.

Mrs. Bennet is actively harming her daughters' prospects, not even of marriage, but of living respectably if they don't marry, because she doesn't have the temperance not to spend all of the income that is allotted to her. It is the role of the woman in a marriage to take charge of the housekeeping, servants, cooking, furniture, and all expenses relating thereto (plus certain attentions to her tenants and any living in genteel poverty in the area, though presumably this will depend on her income and whether there's a parish church with a parson's wife who's doing some of these things). She's an adult who should be competent to manage these things in a reasoned way without needing to be dictated to.

It is supposed to be the role of the woman in a marriage to take charge of her daughters' education—and yet Mrs. Bennet did not hire a governess, and Elizabeth says that she didn't spend much time teaching her daughters anything (it's not clear to what degree she's educated herself). Granted, the girls did have masters—but, from the sounds of things, that was only if they requested them. No one was required to learn much of anything, which will probably further harm the marriage prospects of the girls who "chose to be idle."

I think the "point" of Mrs. Bennet is that she is one half of one type of bad marriage which the novel illustrates, in contrast with the Gardiners' marriage. These marriages are two possible models for the Bennet daughters to look to. At one point, Elizabeth's prospective marriage is explicitly compared to her parents', with her in the role of her father: Mr. Bennet says "My child, let me not have the grief of seeing you unable to respect your partner in life" (emphasis original).

We might wonder whether Elizabeth saw herself potentially in the role of her father, in a marriage that was very intellectually unequal, when she rejected Mr. Collins; or whether she also saw herself in the role of her mother, married to a man who insults and doesn't respect her, when she rejected Mr. Darcy. Ultimately, she accepts Mr. Darcy after she realises that he is nothing like her father; that he is diligent in attending to his responsibilities, and that he does evidently respect her mind.

This isn't me defending Mr. Bennet, who is also a bad parent and a bad spouse. I do, however, find it a little disturbing when people suggest that Mr. Bennet is at fault for not controlling or curtailing his wife. His wife is a grown woman. Surely we don't actually believe that a situation where a man is legally in complete control over his wife, merely because he is a man and she is a woman, is in any way natural, moral, or just? (This also goes for people who suggest that Mr. Bingley needs to get his sister 'in line' 😬😬😬.)

Mrs. Bennet should be competent to manage her household and her daughters. Given that she's not, yes, Mr. Bennet, according to Georgian and Victorian ideas of the role of a man in a marriage, "should" have stepped in and started dictating to her. But I don't really think that's what Austen is suggesting went wrong here. The models of good marriages we have—the Gardiners, the Bingleys and Darcys after their weddings—are all ones in which the women were basically sensible people to begin with. In the latter two cases, we are told of particular ways in which the men stand to benefit from some mental quality of their future spouse (Elizabeth's good humour and ease in company; Jane's steadiness and determination).

The ideal which some Georgians had of a husband's role being to shape his wife's intellect doesn't seem to be what's being advocated here. If Mr. Bennet made a mistake, it was in marrying a silly, selfish, ill-tempered woman to begin with, not in failing to browbeat her into submission once he found out that she was silly, selfish, and ill-tempered. The idea is that you should choose your spouse carefully. But that message doesn't work if Mrs. Bennet is just a woman in a difficult situation who has her heart in the right place.

[dionysianivy]

𝐌𝐚𝐛𝐨𝐧

𝙏𝙝𝙚 𝘼𝙪𝙩𝙪𝙢𝙣 𝙀𝙦𝙪𝙞𝙣𝙤𝙭 🌾🍎🕯

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

What is Mabon?

Mabon, celebrated around September 21 to September 29, marks the autumnal equinox and the second harvest of the year. It’s a time of balance, as the hours of light and dark stand equal, symbolizing the transition between summer and winter. It's a time when witches and practitioners honor the changing seasons, express gratitude for the Earth's abundance, and connect with the energies of balance and transition. The term "Mabon" for this celebration is named after Mabon ap Modron, a character from Welsh mythology. It is often associated with the mythological theme of the abducted and imprisoned child who later becomes a hero, which parallels the changing seasons.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

Who is Mabon Ap Modron?

Mabon ap Modron, also known as Maponus, is a character from Welsh mythology. In some versions of the myth, Mabon is portrayed as a divine hero or a child who was abducted from his mother, Modron, and imprisoned. He is rescued after 3 years and plays a significant role in Welsh mythological tales. The name "Mabon" itself means "son" or "young man" in Welsh, and it is connected to the theme of rebirth and the return of the light.

⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠄⠄⠂⠂⠄⠄⠂⠁⠁⠂⠄⠄⠂⠁⠁

Hades × Persephone and the Autumn Equinox

Legend has it that on the last day of summer, Hades, the god of the Underworld, saw Persephone picking flowers in a field. He immediately fell in love with her and abducted her, wanting to keep her by his side as the queen of the dead. Upon discovering the disappearance of her daughter, Demeter, the goddess of harvest, set out to find her. Unable to locate Persephone, Demeter’s sorrow and despair were so overwhelming that the flowers, trees, and all vegetation withered, bringing all growth on Earth to a halt. The gods of Olympus, who were powerless to ignore the prayers of humans, reached a compromise with Hades regarding Persephone’s return. She would spend only six months each year with Hades in the Underworld. To avenge herself, Demeter decreed that during those six months, nature would mourn, and nothing would grow on Earth until Persephone ascended again from the Underworld.

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Magical Correspondences

Planets: Sun, Mercury

Season: Autumn 

Element: Water 

Time of Day: Dusk

Tarot: The Hermit 

Colors: Brown, Maroon, Red, Orange, Purple, Yellow, Gold

Herbs: Rosemary, Sage, Thyme, Chamomile, Cedarwood, Juniper, Mugwort, Dried Apple

Fruits: Grapes, Apples, Pears, Plums, Blackberry, Pomegranates

Vegetables: Carrots, Corn, Onions, Pumpkin, Squash

Runes: Dagaz, Inguz, Eihwaz, Jera

Crystals: Amethyst, Agate, Citrine, Tiger's Eye, Amber, Yellow Topaz

Trees: Apple, Oak, Aspen, Cedar

Goddesses: Pomona, Demeter, Epona, Inanna, Ishtar, Kore, Modron, the Morrigan, Persephone, Banbha, Autumnus, Hestia

Gods: Dionysus, Mabon ap Modron, Hades, Dumuzi, the Green Man, Hermes, Thoth, Cernunnos, Osiris, Freyr

Flowers: Marigold, Chrysanthemum, Aster

Animals: Deer, Dog, Wolf, Blackbird, Squirrel, Salmon, Swan

Magical uses: Abundance, Accomplishment, Agriculture, Balance, Goals, Gratitude, Grounding, Harvest, New Beginnings, Reflection

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Activities to do:

🍎 create your own Cornucopia

🍎 make a special Mabon jar

🍎 bake an autumn recipe

🍎 eat apple pie

🍎 harvest your garden

🍎 light a bonfire and dance or tell stories with your loved ones around it

🍎 do a guided meditation to welcome the new season

🍎 clean your garden

🍎 listen to Mabon music on Youtube or Spotify(there are plenty of playlist you can find!)

🍎 spend time with your deity/deities

🍎 grab some autumn flowers and bring them into your home

🍎 rest and relax♡

🍎 read about Mabon

🍎 clean your house to prepare for the season

🍎 take a walk outside to connect with nature and be grateful for the summer that has passed and warmly welcome the beauty of autumn

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Food and Drinks:

apple pie, apple cider, wine, grapes, root vegetables, apples, cornbread, baked good made from wheat or grains, cakes with cinnamon or nutmeg, roasted meat, pork chops, mashed potatoes, peach jams, fruit tarts, apples in all forms, pumpkin pie

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useful sources: Magie Blanche by Eric Pier Sperandio

gifs credit: Pinterest

Tip jar🍎🌾