#very nostalgic <3< /div>
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nostalgicfun · 10 months ago
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Feel free to share which is your favorite NOW in the tags, but this particular poll is about which you preferred as a child! ⭐ These are being grouped by a vague theme, so in a few days we'll do another one with more options!
Also, same rule as the last poll: REALLY popular choices (ATLA, SpongeBob, Scooby Doo, Pokemon, etc.) are overwhelmingly popular and have been omitted for the sake of seeing the results for other shows.
Notes: These are shows involving live action characters, no cartoons this time! The timeframe for these polls is generally "I was a kid in the mid-to-late 90s or early 2000s." Mister Roger's Neighborhood and Sesame Street are both multi-generational so they were not included to be fair to the show's with shorter runs 💖
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phthalosblues · 2 months ago
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POV you read the book of bill and then the 3rd journal and then lost legends and then the great gatsby and rewatched the show twice and are on your third rewatch in the past two months and watched a bajillion animatics and character analysises and actually read fanfic which you never do like ever and you’re starting to feel like you’re running out of content and might need to start drawing more
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violettierre · 1 year ago
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Oh wait ykw this whole barbie movie talk makes me remember the barbie centered stuff in my life hold up i gotta rant this.
Honestly i think all my peers or whoever grew up between early 2000s or late 90s knows the absolute power of barbie toys in that era, personally i had a wild history with em when i was like still in elementary school and my parents get me a barbie doll i just feel like a high class coolest kid in town and yet i also had this weird urge where within 24h that barbie or gonna be stripped and cut with scissors all limps cut to cubes and beheaded and i just take her head and clothes and throw the rest near my parents' mirror desk and that place around that time is where you find the gruesome crime scenes i commit on barbie dolls and then have to beg my parents to get me another one but i get yelled at for the wasted money and then cry and rant about the cruel world in my fairy notebook, but then once again wgen we go out and i see barbie dolls i have to male an entire speech and promise to my mom that i won't practice my serial killer career on it and she gets me one and again within 24h the remaining of another victim is found nesr their mirror desk beheaded and stripped and cut into pieces, and repeat the process, but you may wonder, what was i doing with the head and clothes ? First i cut her hair and then diy my very own aesthetic pencils from 2000s if anyone remembers those colorful pebcils with something on top of it like a heart ir a unicorn while i put barbie heads on regular pencils to act cool infront of my classmates who were too weirded out to make a remark and so did the teachers, meanwhile the clothes i collect i just cut them from different colors into cubes that were messy and out of line and then like glue each one into a string yk like these carnival decorations but very ugly and short and cheap version and hang them on top of my bed, cuz i thought i did something, but my childhood room was like really plain it had nothing colourful or toys in it just like a desk with school items and messy clothes and these normie stuff so back then when i added shit like that i thought i just decorated the coolest room you've ever been into, until my mom ripped it off cuz it was ugly and i had a mental breakdown and felt as if she just ruined my very own special career that i had just came up with and was like "YOU'RE JEALOUS OF ME" bit then i got a good beating with the special arab mom silicone slippers for talking back to my mom, so yah then the creativity dyi era was over. Psycho barbie fan era never was tho, cuz in the 2000s if you didn't have barbie or hello kitty or these merchandise stuff on in my school you're a loser and i didn't want anyone else to find out im a loser so i beg my mom once again to buy me any pink shit i see and after begging and crying and getting beaten with slippers for being noisy i just show up at lunch breaks in outdoors time as if im a celebrity trying to impress the crowd with my latest pink hair clip that costed me my dignity infront of my mom, my little brother, and the seller while no one gave a fuck so i got angry and punched my neighbor in the nose for ignoring me showing off my hairclip so she told her mom, and her mom told my mom, and i got another goid beaten.
You'd think i stopped as i got a little older but nooooooo, when i was pre-teen i was more babyish than before about these stuff, why ? Cuz they got a little sister more barbie toys than me cuz she never pull a dr. Frankenstein on them (what a loser) so like the older and more mature child i fool her to watch tv or something so i can play silently with her barbies, and in that time they got her the dreamhouse and all these extra mini barbie stuff that i never got for being such a good kid so i get jealous and lock her out if her room to play with them, then take a doll hostage to threaten her if she tries to snitch on me, like the good older sister i am <3 (she still snitched btw and i deserved the beating that time)
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bumfuzzled-bee · 2 days ago
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! Eight !
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silverwhittlingknife · 6 months ago
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hi Silver! o/ because that fanart made me wonder - would you happen to know when/where Dick's stuffed elephant plush Zitka turns up in the comics?
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GREETINGS CAM <3333 THAT ART WAS SO CUTE
Yeah, I think your instincts are right - it's a truly adorable bit of transformative fandom, but I'm 95% percent sure it's not comics canon. Barbara has canon plushies, but I don't think anyone else does.
I got kinda invested in the investigation (it's hard to prove a negative!) and I ended up typing out an entire History of Elinore/Zitka, so, uh, if you're curious, meet me below the cut for:
Where does Elinore / Zitka - the animal - appear in comics?
Did Dick ever have a stuffed elephant toy in comics?
Where does Elinore / Zitka appear in comics?
We're gonna go in chronological order!
Dick's circus elephant friend was first created for practical reasons: in Batman 436, Marv Wolfman does a big expanded flashback to Dick's circus backstory as a way to subtly show us Tim before officially introducing him (so that we can have a technically-solvable mystery-of-Tim's-identity in LPoD). In this comic, there's an elephant named Elinore who loves Dick:
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Aww. Such a cute elephant!
Batman 436 comes out in August 1989. New Titans 60 comes out a few months later, in November, and guess what? When Dick visits the circus, he is suddenly surprised by an unexpected blast from the past! It turns out that even though it's been years, Elinore still remembers him!
Here's the part where Elinore remembers Dick:
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SUCH a cute elephant. I love her.
(Guess who else still remembers Dick even though it was so long ago. Guess which other character is about to be an unexpected blast from the past. Guess which character Elinore is directly paralleling guess guess guess sorry everything is about Dick and Tim in my mind but I can focus I swear)
Four years later, in 1993, Batman: The Animated Series retells Dick's origin story. They like and keep Wolfman's elephant, but they change her name to Zitka:
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Wolfman doesn't return to the elephant beyond those two appearances, and a few years down the line, New Titans gets cancelled and Wolfman's not writing Dick anymore anyway. So the animal gets abandoned for a while, until Devin Grayson, a fan of both Wolfman and B:tAS, revives the Wolfman-era Titans team in JLA/Titans and then the ongoing series Titans 1999.
Grayson then brings back the elephant in a flashback to Dick's past in Titans 16 (Jun 2000), where she imports the B:tAS name. Sometimes I'm skeptical of TV-to-comics imports, but honestly, I endorse this one. You lose the alliteration, which is a shame, but IMO Zitka is a better elephant name than Elinore.
Here's Dick with the newly-christened Zitka in Titans 16:
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Grayson also briefly references the elephant in Gotham Knights 20 and - in a final angsty callback - in Nightwing 88 (Feb 2004), where Zitka tries futilely to comfort Dick in the midst of his trauma conga line:
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... And... honestly, I think that's it for comic appearances? The two Wolfman comics plus the three Grayson comics.
Both Wolfman and Grayson are writing multiple titles - Batman, New Titans, Titans, Gotham Knights, and Nightwing between the two of them, spanning a big chunk of Dick's post-Crisis canon - and both writers use the elephant for heartwarming moments of nostalgia, which means if you're doing a post-Crisis readthrough for Dick, Elinore/Zitka feels memorable. But I don't think she actually shows up that much.
For post-2011, I am not as well-informed - throwing this out to the dash? anyone know? - but I feel like Zitka the heartwarming symbol of Dick's heartwarming circus past is, uh, thematically very at odds with the Court of Owls evil!circus vibes, so my instinct is that this story element was almost certainly dropped in the reboot.
Did Dick ever have a stuffed elephant toy in comics?
In WFA, yes; in main comics continuity, no. Technically, I have not read every comic ever published, so I could be wrong!! But I don't think so.
Below, find my rambling reasoning on the tonal vibes of pre-Crisis, post-Crisis, and post-2011, and why this particular story element doesn't seem right to me for the first two.
Pre-Crisis (...okay, mostly the Silver Age): stuffed animal, yes or no?
tl;dr no, requires too much background knowledge on the part of the reader, plus the elephant wasn't a thing until later
Elinore doesn't get created until post-Crisis, but also just generally, pre-Crisis callbacks are more along the lines of this reference in Batman 129 (published in 1960), where, wow, Batman and Robin are hunting jewel thieves - and it turns out Robin recognized this strongman! BUT HOW?!
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The comic goes on to recap Dick's entire origin story in flashback, on the assumption that you may not know it.
(BTW, if you'd like to know more about Haly's Circus throughout the years, nightwingology has a great post here summarizing a lot of fun plotlines and characters!)
Basically: Silver Age comics are very self-consciously episodic and kid-friendly; they're not generally gonna do overly-elaborate callbacks because they don't know what comics their kid readers may have randomly picked up or remember.
By the time of post-Crisis, comic books were being written for an adult audience buying from the direct market, i.e. readers who are collecting whole runs & don't need or want Dick's origin story to be recapped to us in full every time it's referenced. That's why in post-Crisis, we get stuff like "hey, neat, this particular soda brand is getting mentioned in several different books!!" or "in order to understand this story arc, buy SIXTEEN DIFFERENT COMICS in FIVE DIFFERENT RUNS and read them ALL ACCORDING TO A NUMBERED ORDER and also you better be following the individual plotlines and recognize these five minor characters who we don't bother to introduce!! Good luck!!" But the elaborate post-Crisis plotlines - and subtler worldbuilding like a stuffed animal callback to Dick's backstory - don't make a lot of story sense UNLESS you're imagining your readers as completionist adult fans.
So IMO a stuffed animal wouldn't be a pre-Crisis thing unless it was The Episodic Story Of the Week, and I don't think a stuffed animal is action-adventure-y enough for the fast-paced storytelling of the Silver Age. (Unless it, like, came to life and tried to eat you or something.)
Post-Crisis: stuffed animals, yes or no?
tl;dr: no, Dick's a manly tough guy, he's not gonna have a stuffed animal, that'd be lame, like something Tim might do
Part of the edgy grimdark adult vibes in 80s/90s comics is that some characters who used to be kinda silly & goofy & lighthearted - like Batman and Robin - get reimagined as Serious and Angsty and Edgy in a Tough Cool Manly Brooding Way. This massively affects characterization for Bruce, Dick, and Bruce and Dick's relationship.
(I obviously love this change & love the tense Bruce-and-Dick interactions, but plenty of fans of the earlier fluffy comics really disliked the edgy retcons of Miller / Wolfman / Starlin / et al.)
The upshot is that post-Crisis is a period when you could have a recurring reference like a stuffed elephant, but you wouldn't have a stuffed elephant, not for Dick. I think a toy like that would be too cutesy / childish / effeminate to give a male character in post-Crisis, unless you were poking fun at him.
Now, you could probably let Tim have a stuffed animal, because Tim is sometimes cool but also sometimes a tryhard loser who is faking being cool and not entirely pulling it off (see e.g. the Robin comic where he practices tough-guy faces in the mirror, or the Teen Titans comic where Conner discovers his cringy Enya CD, or when he's fanboying over Connor and it's awkward, etc etc.). A stuffed animal would be deeply embarrassing, and you'd have to be careful to compensate by having Tim do something cool afterward - but Tim's character concept allows for "he's kind of a loser sometimes."
But Dick isn't!! In post-Crisis, Dick's a tough / impressive / "cool guy" character, the kind of guy anyone would want to be, even in the flashbacks where he's Robin, and even in the stories where he's more lighthearted than angsty. It'd be kinda lame for Dick to have a stuffed elephant, so he wouldn't. I feel like Dick would be more likely to poke fun at it if someone had one, like when he's making fun of Wally for liking the Hardy Boys. Dick could have a Batman action figure, at most, and if he had one he would have it ironically.
Basically: in post-Crisis, a male character hugging a stuffed elephant feels more likely to be a punchline to me, not something poignant. (Even with Tim, Tim could have an embarrassing stuffed animal, but he couldn't hug it when sad - that's too far. Maybe Booster Gold might do this. Probably he wouldn't, but spiritually, he would. Sorry Booster ilu! <3)
Instead, Dick instinctively deals with his inner turmoil like the TORTURED ACTION HERO he is: by punching things and brooding and yelling and joining the mob and sleeping on rooftops and going on obsessive secret missions and acquiring Angsty Stubble!! Just like Batman!
(Technically I don't know if Bruce ever joined the mob but you know he would.)
Anyway as you know this is my favorite continuity and I am poking fun affectionately, but uh, yeah sdfsfdsfs. No stuffed animals.
Post-2011 / Infinite Frontier / Wayne Family Adventures: stuffed animals, yes or no?
tl;dr it's in WFA! Probably not anywhere else, but it could be.
Post-2011 stuff tends to be cutesier overall, most of all in the current Infinite Frontier era. So I don't feel like this would be tonally out-of-line with IF comics. Taylor tends to go for more meme-y references rather than fanfic references, though.
So the obvious best fit is WFA, which is aiming for a rough approximation of Silver Age family-friendly vibes - wholesome, episodic plots, Teaching Good Moral Lessons For The Youth, etc. - plus lots of Easter eggs for fanfic readers and some comic references.
And look, here we are:
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Aww.
Whew - that's everything I could find!
Anyway as you can probably tell, I LOVE the elephant, so this was a very entertaining rabbit hole to go down, thank you <3
#dick grayson#anyone with more info feel free to chime in & we can crowdsource <3#i do think the toy elephant is awfully cute though <3#total digression but i was thinking about it as i was writing:#i'm fascinated by the ways that the post-crisis batboys & their stories can intersect with 90s masculinity and all its issues with stoicism#and i'm pro-queering and gender-bending - 90s comics were a total boys' club so i think it's neat that transformative fandom isn't#but i do love 90s masculinity and All Its Issues too & one of the things i find compelling about the dick-tim-bruce trio#& especially dick's place in it - is the unspoken hierarchy whereby bruce is manlier than dick & dick is manlier than tim#and so dick's in the middle as this somewhat softer-character who aspires to be a harsher & more stoic & ultimate manly-man character#caught in the middle between robin & batman & what each role represents#and like. batman is both manhood & the only desirable thing to be AND ALSO it represents this immense narrowing of possibility#because so much of stereotypical masculinity is about reducing the range of emotions you're allowed to have or express#and dick is both incredibly conflicted about bruce AND wants to be just like him & by extension is conflicted about masculinity writ large#so a lot of dick's interactions with tim veer between trying on a frat-boy-ish 'I'm The Manly Guy' persona vs. giving up on it#or trying on imitations of Bruce's Batman persona but also trying to backtrack out of it bc he doesn't like how it feels etc etc#ANYWAY i think what i am trying to say is that if tim had a stuffed animal dick would be entertained & poke mild fun at him#and call him 'teddy' for the next hour or something while tim got increasingly defensive about how the teddy bear was steph's#and/or about how the teddy bear was OLD and tim doesn't even care about it and also WHATEVEr i'm above this#and to an uninformed observer this might look like bullying BUT ACTUALLY#this ritual would IN FACT be very reassuring to both of them + tim would feel WAY better afterward than if dick had ignored it#because by poking fun at him dick shows he still respects tim enough to tease him thus subtextually exorcising the threat of wimpiness#plus allowing tim to defend himself & demonstrate that he can take a joke so they've both reaffirmed their masculinity to each other#& they don't have to be scared of the teddy bear and all it represents anymore#however also afterward dick would have a brief nostalgic flashback to when he was a kid & had a teddy bear & feel weird about the memory#because he would be unable to articulate to himself that what he misses is a past when he allowed himself to be vulnerable#anyway this wouldn't actually happen in comics but it's what would happen in my soul. you know.#ask tag#zitka
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shey-pancake · 1 year ago
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After a long long time, I finally reveal the scrapped ilustrations I did for the first version of my fnaf au S&AR. before I disconnected it from "Springtrap and Deliah"!!
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stranded-ziggy · 9 months ago
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Revolver Ocelot || Metal Gear Solid: Snake Eater
I hope The Boss is proud of him.
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preseriesdean · 2 years ago
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I figure our family's so screwed to hell, maybe we can help some others. Makes things a little bit more bearable.
SAM AND DEAN 1.02, “WENDIGO”
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sopuu · 5 months ago
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Whats your favorite soundtrack(s) from seasons 1 and 2 of mcsm? Mine are Sport central and Beacontown freewalk.
hoHH boy there’s actually so many i love-
there’s the most popular ones like Gold Protocol, Just Kids, Bad Luck Alley, Pama, Witherstorm Theme and the two tracks you’ve listed
then there’s the ones that are SO underrated like:
Make It, Milo, Beacontown Outskirts, Victory for Beacontown, Wonderland Theme, Shooting Gallery (Final Stage), Bowie Wallow, the track that plays during the three-headed ghast fight that i Cannot find anywhere for the life of me, Challenge Room, Freewalk Twisted, and ofc Parrot Party Protocol my beloved
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hella1975 · 9 months ago
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born to write fanfiction forced to go to pilates
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chateautae · 1 year ago
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hi 🥺
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nostalgicfun · 3 months ago
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Koosa! 🌈
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uncanny-tranny · 1 year ago
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I think as we grow up, we have to be really conscious of romanticizing the world we grew up in in order to scorn how the next generations are growing up.
Nostalgia isn't inherently bad, but especially in political spaces, be very wary of this idea that there is an Ideal Past we must Harken Back To.
It sucks to feel left behind, but such is the human condition. It isn't bad to feel nostalgic, but that doesn't mean that these new generations are inherently "lost" and "need to be saved (by you)", and I think that is very important to remember and try to be conscious of.
#politics#'the world you grew up in no longer exists' frankly... GOOD!#the world i personally grew up in was scary and lonely and traumatizing. no kid today should STILL be growing up like that#the whole 'nostalgia as a poltical means' is rooted in this idea that...#1) we all grew up in a hegemony 2) we all turned out the same 3) the way we grew up had more privileges afforded to us#and i personally like nostalgia! i like watching videocamera videos from 2005 and looking up super specific shit#but nostalgia does not a good world make#INSERT UMBERTO ECO'S FOURTEEN POINTS ON FASCISM#(though i don't always think nostalgia can lead to this in a political sense there is a fine line)#be very mindful of what motivates nostalgiaposting#is it because people miss childhood and how 'simple' it felt? or is there a different reason that motivates this type of posting?#are you romanticizing childhood to the point you are not remembering your childhood /at all/ but the *idea* of it?#and honestly it is SO jarring when my peers are nostalgic because it's like... we aren't even that old!!#it comes across like... the world is hard and it's getting harder and so we cannot chnage and must wistfully think of the past...#...and to me it comes across as almost... doomerist in how end-stage feelings of nostalgia and hopelessness seen#i feel compassion for the impulse to feel like your old life is over and you need to grieve it...#...but certainly that isn't the younger generations fault? especially because WE are now the ones rasing them and we still yet live#(even at our completely decrepit age of not even close to a mid-life crisis (sarcasm and lighthearted))
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mrsarcadian · 1 year ago
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when the world and i were young, just yesterday.
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tenebrous-dream · 13 days ago
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the first style boutique/savvy game really didnt do anything to get as much love as it does
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e-adlirez · 8 months ago
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Thea Stilton Treasure Seekers Review/Ramble
Behold, an impulsive ramble about a possibly-obscure trilogy that's been translated to English during quarantine-ish, adding to the obscurity.
So the Treasure Seekers, huh? :3
Coming out a little prior but more or less over the course of quarantine and thus a lot of people not having ready access to it, the Treasure Seekers is what turned out to be a trilogy of what it says on the tin: the girls hunting down cool treasures as a result of going down the world's biggest and highest-stakes scavenger hunt written a hundred-ish years prior to the present time.
Gonna be giving MAJOR spoilers for the first book in the trilogy, and there'll (probably) be one post per book in the trilogy. If you haven't read the book, here's a copy on the Internet Archive you can read before skipping ahead to the review, enjoy, it's pretty good. If you've already read the book or don't care about spoilers, please proceed below the cut :3
The story begins with the girls on summer vacation in Scotland. Shenanigans get started when they meet this old hermit woman who has in her house a mysterious heirloom tapestry with a mysterious poem on it.
The tapestry has this poem that talks about a place with sweet winds, petals that will lead you to something beneath them, something about midnight and birds, and an alabaster garden created for the "jewel of the palace" (like me to you), that is guarded by a friend with deep feet. Sounds like a whole lotta cryptic shnit the theory heads would enjoy :D
Anyway so the girls go visit Beitris (the hermit woman) the next day to return something they borrowed from her only to walk into a holdup :D
Said holdup-ers are these two grunts led by this mysterious lady hiding her identity under a black fedora and thick-framed Ray Bans. The girls deal with that situation real quick and get the guys to scarper (if you're wondering how they did that, "the police are coming"), and once it all blows over, they find that the thugs only stole the tapestry despite ransacking the entire place like raccoons. Such a realization leads to a revelation on Beitris's end, so she entrusts the girls with the tapestry's backstory in a segment I will describe as LAAANNNEEEE LOOOORRRREEEEEE (said in a MatPat voice, we'll miss you king :'])
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The tapestry was a family heirloom passed down to Beitris by her grandmother Petra, who got it from her older sister Aurora Beatrix Lane, who is basically British Amelia Earhart. Wasn't into girly shnit, liked being outside and also archaeology, studied in the University of Cambridge as an Archaeology major and learned how to fly a plane, all while punting early 1900s gender norms into oblivion with her pants and motorcycle. Motorcycle queen, plane queen, archaeology queen, but then everything changed when this British Amelia Earhart did a British Amelia Earhart.
The context behind Aurora Beatrix Lane's disappearance is something relating to her work with her mentor Jan Von Klawitz, who was doing archaeology things with her and probably got up to some wild shnit, but we would never know because Aurora is very secretive about her plans and her destinations, and she only came home to the UK once, after her first trip, and that was when she gave smol child Petra the tapestry to guard because it led to "a very precious treasure", but she can't show it yet for the time being. The vibe was Aurora was planning on using the tapestry to show the treasure it hides once she's done with her archaeology shenanigans.
But then she did an Amelia Earhart but completely untraceable since she never revealed her destinations, so uh there's that :D
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Back to the present, this little storytime from Beitris has gotten the girls sucked into a rabbit hole. They are now hyperfixated like nobody's business and this Aurora Beatrix Lane is JUST LIKE THEM FR, and as a result they decide that y'know what they still have a few days before classes in Mouseford starts, and while they're at it, they're gonna find Beitris's tapestry and maaayyyybeeee find the alabaster garden. First destination: Girton College at the University of Cambridge, Aurora Beatrix Lane's alma mater.
The girls take a quick jaunt to Girton by train and then by bus to have a lil' chat with the dean, who reveals to them that they're looking for the central archive if they're gonna be looking for the deets on a student from a hundred years ago, but uh the archive is closed for the day, please come tomorrow. (Wonder why, maybe it's because they rode from Scotland to Girton by train which takes a shnitload of time. /nsrs but fr tho I wonder if the original Italian had them drive over there by car-- they did rent an SUV, and going by car would be way faster, like it'll only take a seven-hour drive faster) They come back the next day, are let into the archives, and oop, they find a well-preserved diary with Aurora's initials hidden in the Stanley Library.
Y'know what that means, LANE LOOORRRREEEEE
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So two months into her accompanying Jan on his excavations, she notes that Jan's been acting a bit sus lately-- being very nervous, being extremely protective over his luggage, being weird about hiding some of the relics he's found, and also a weird-ass incident where while exploring a small village's old castle, Aurora found a hidden chamber with a tome inside that Jan immediately snatched and was like "I'll take care of it don't worry, don't worry about the protocol stuff I'll be fine I'll take care of it". And then he went back to "normal" after that. Hmmmm.
A month later, while Jan was talking with one of his collaborators on their train to England, Aurora stumbled into the tome again, suspiciously in Jan's personal luggage instead of being properly archived and catalogued like it should've been. She read it, saw a thing about the Seven Treasures of the World, and that caused her protagonist genes to kick in since now she's now very tempted to look into finding them and showing them to the world.
After that, she went to some libraries to investigate and eventually decided to confront Jan about the whole treasures thing and his first reaction was he was pissed, calling Aurora a snoop and everything poking into his things. Then after calming down he said "just pretend to not see", but oh no, dear reader, Aurora was not gonna pretend to not see. She ain't gonna pretend to not see the fact that her mentor was actually a treasure hunter and collector who'd been using his occupation as an excuse to snatch some nifty treasures and keep them to himself like every European country who's stolen artifacts from Asian countries ever, ohohohooooo noooo, she's gonna do something about it.
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The girls scuttle on over back to Scotland and Beitris, to find that uh oh dear, the thugs came back again and this time they were asking about the girls specifically. Beitris pulled the same trick the girls pulled to get them to leave. So NOW the thugs are looking for the girls for whatever reason and wanna know their deal. Anyway, the girls show Beitris Aurora's diary, tell her about the summary, and also that unfortunately some of the pages are missing, and the diary doesn't say shnit about the tapestry so far. Beitris helps by giving them a letter that Aurora sent to Petra about the tapestry and its treasure, but interestingly mentions that she should "only trust Robert".
Since I haven't mentioned him before, Robert Neville was Aurora's flight tutor, a flying medic, and was toootttallllyyyyy just friends with Aurora you guys they were totally just frie--
He is dead in the present time, but his nephew John Neville is a (former) lighthouse keeper for the Ar-Men lighthouse in the IÎe de Sein, Brittany, France. So the girls head on over there, land in France, insert a thing where Vi feels like she's being watched but is like "maybe it's just a me thing, I dunno".
They head over to the Île de Sein, find an old man who turns out to be John, are invited to his house, tell him about their situation, and John mentions that he himself has been researching like crazy too about Aurora ever since hers and Jan's simultaneous disappearance over the same place at the same time in the same terrible storm. And also the fact that Robert was totally devastated when he got the news and spent years looking for her. He gives them his notes that he's accumulated over decades of researching in his pastime (which amounts to just Aurora's trip to Mexico), and tells them that since Aurora was looking for seven treasures, they'll need to find out where her seven trips took place, which will not be easy because Aurora was extremely secretive, and she only made her first trip even remotely public.
First place is Mexico so might as well head on over-- oh god the holdup-ers are back to holdup.
The thugs snatch Aurora's diary and book it before the girls can do much besides get an impromptu ocean bath, and oh dear, the thugs' boss has them now, and it's not the mafia cosplayer lookin' woman. But that's something I'll address later :3
Nonetheless, they carry on since the thugs never stole John's notebook, and they use it to go to the Puuc Route in Mérida, Yucatán (sounds very specific until you realize that Mérida is the capital of the Yucatán, and one thing everyone and their mother knows about the Mayan ruins there like Chichen Itza) to find more clues.
They do some more research on the Puuc Route, find some clues about "an invisible place, guarded by the chattiest of creatures", discover that it means they have to go to Uxmal, get a dub against the unfortunately acrophobic thugs, and realize that yes, Aurora did in fact sneak another one of her diaries in there.
This one doesn't have as much Lane Lore to contribute besides a clue that the girls find leads to Kannauj, Uttar Pradesh, India, a city known for its perfumes :3 sounds like "sweet winds", doesn't it? Oh and there's also something about a place with two lakes, which turns out to be Lakh Bahosi, a bird sanctuary about an hour's drive away from Kannauj. The girls head on over and try to do some investigating, but it doesn't take them that long to find a pair of grunts struggling under the weight of a very familiar tapestry while their boss was struggling to supervise them with her heels constantly digging into bird sanctuary dirt.
Anyway so the girls concoct a little scheme to steal the tapestry and the thugs fall for it like fish for a fishing lure, and they managed to scatter with the tapestry. After getting to a private space in the sanctuary, they find a clue that leads them to a set of coordinates that they find is a beeg tree. Oh and the treasure seems to be a present that was made for someone close to Mumtaz Mahal, as in "the jewel of the palace", the woman the Taj Mahal was made for; and the tapestry has a set of coordinates that is leading them to a beeg tree, with deep roots/feet. Oh hell yeah it's all comin' together.
They get to the tree, deal with the mafia lady for a little bit, find the treasure, and it turns out it's a very exquisite perfume bottle made of alabaster called "The Perfume of the Earth". They find a little note from Aurora explaining the treasure and its value and the significance of finding it, and now the girls have found the treasure Aurora had been searching for, and now's the time for a villain reveal?
So I haven't talked about him yet and have glossed over this guy for the entire ramble. See the mafia lady, Cassidy? Yeah she's not the big boss here. It's this guy who has a whole secret base in Denali National Park, Alaska, and has been overseeing everything behind the scenes. And by everything, I mean everything: He was alerted to the whole thing with Cassidy's first raid of Beitris's house, found out about the girls' involvement, and for a good half of the book, was trying to figure out what the girls' motives are for interfering with his line of work and what they might know about this whole thing he's looking for, which is the alabaster garden.
This guy has been keeping tabs on the girls through Cassidy and her thugs, who've been stalking the girls ever since France. He and Cassidy figured out in Paris that the girls are Mouseford students on vacation, and he was the one who gave the orders to snatch the journal from there. He was the one who told the goons to tail them to Mexico, and he was the one who managed to look up the girls' names, backgrounds, reasons for being in Scotland, all from the comfort of his base in Alaska. And only then, only then did he go to India himself to supervise and put a cap to his goons' buffoonery.
Who is this guy? Well, he is a treasure hunter who just wants to enjoy the treasures Aurora Beatrix Lane has hidden from his great-grandfather a hundred years ago. That's right, meet Luke Von Klawitz, the current heir to the Klawitz legacy and the treasure trove Jan Von Klawitz left behind in spite of his disappearance. Unfortunately Jan was better (and old enough) to secure a family legacy of greedy artifact hoarding.
So while the girls were in Lakh Bahosi, Luke was too with the goons and Cassidy (who is not his right-hand man and more just... a subordinate trying too hard to impress him), being the babysitter with these guys on leashes, as he tries to keep their stupidity under control. He intercepts the girls as they're about to leave Lakh Bahosi, blocking their path, and asks about the alabaster garden. The girls obviously don't spill and prolly would've gotten themselves blackbagged and interrogated had a friend they made prior to Lakh Bahosi not shown up in her dad's truck and came in clutch. (It sounds cliche and like it came out of nowhere but trust me it makes sense in-universe-- after the girls left the friend's family restaurant that they were hanging at, Luke's goons came over to interrogate them about the girls and where they went. Subtlety, who is she?)
The girls bring the perfume to a nearby university so it can be brought to a museum, send the tapestry back to Beitris, and return home to Whale Island, to read the last bits of Aurora's second journal and presumably to
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So that's the book :D I put in a LOT of spoilers, but I'd say that reading the book is still worth it because you'll be able to get the connecting tissues that tie the organs of this story together. H-hopefully this all made sense . .'''
First things first, if you're not used to how Scholastic kids' novels are written, then uh, you might wanna get used to it, because the English translation of Thea Stilton is very... that. It's not beating the kids' book allegations in English, unfortunately. On the brighter side, though, it's pretty good for Scholastic standards! The pacing's very fast, but it feels about right-- gives me the same energy as diving deeper and deeper into a rabbit hole and going to all sorts of places because of the hyperfixation responsible for consuming their sanity for all of a week or so. The dialogue isn't nearly as atrocious as the worst it's capable of being (oh trust me we'll get to that). The tapestry puzzle and how the girls work towards solving it is very coherent and logical for the situation they are in at the beginning, and it's very satisfying to see everything come together and for things to slowly make more and more sense in the poem despite it being as vague and puzzle box-y as it was.
The Lane family lore is very well-thought-out, and Aurora Beatrix Lane is the perfect spiritual predecessor to the girls, what with her love for adventure, love for travel, strong moral compass, and the strong compulsion to elbow drop every single feminine social rule under the sun. I can totally buy her being someone the girls would totally hyperfixate on researching, because she feels like that kind of compelling character-- a passionate young archaeologist who decided to put her own safety on the line for the sake of what she believed in and to dunk on Klawitz and his selfish (and very illegal) goals of hoarding the treasures of the world to himself.
As for the villain, I'll be real gamers, Luke Von Klawitz is probably the most intimidating if not terrifying villain in the entire franchise. He has drones spying on every corner of the world for him, he has goons he can contact at any time and have them do his bidding (to mixed results it seems), he has cutting-edge technology that he uses for terrifying means, all in the safety and comfort of his secret underground base in Alaska where he has his little basement filled to the brim with historical artifacts he's kept all to himself to enjoy. Lemme run this through you again:
He was able to learn the girls names, the university they're studying in, and why they were in Scotland in the first place, all without ever meeting them face-to-face or having his goons interrogate them directly. All he needed to learn all of this was the (not very helpful) research by Cassidy, and a few commands put into his world-connected supercomputer.
Are you intimidated yet? I sure hope you are :D this guy's got a lotta potential is what I'm saying. He's a bit of a brat who wants what he wants and wants it immediately, but he's also a bit of a chess master who looks over things in the background while his minions do all the work for him. Really the only thing holding him back is the incompetency of his goons, and technically it's not even that they're very stupid-- Cassidy and her grunts Stan and Max are very good at swooping in out of nowhere to wreak havoc, dip in and get out before anyone can do anything about it. They're decent if not good at the job they're usually assigned: low-level grunt work. Unfortunately they're not good at much else, which drove Luke insane this entire book, haha.
The girls' dynamic with Cassidy, Stan and Max was refreshing in the sense that the girls aren't always getting punted by them, and the goons aren't always taking Ls just from physical contact with the girls. Cassidy and the goons always had the element of surprise on their side, being able to show up out of nowhere and do their thing before the girls have time to even blink; but once the girls figured out their whole shtick, it was easy to learn that they are easily outclass-able by five mouse Oxford students in braincell count and thus act accordingly. They force the girls to think fast and come up with some snappy plans on the spot, and the girls force Luke to realize he hired Tweedle Dee, Tweedle Dum, and Tweedle Dummy as goons :D
Now uh, I have been complimenting this thing the entire time, but there is one little thing I have an issue within this book, and that is the whole... Power of Friendship thing they've got going on throughout the book.
Yes, unfortunately, the Friendship Curse has claimed this hardcover series too, and while it's not the worst here, it's still... it's still a bit atrocious :D
For instance, the conclusion Cassidy and Luke come to for the girls' reasons for interference is "friendship". Literally, Cassidy literally says to Luke, "It seems they did it out of friendship, Sir", and then Luke responds with an evil cackle and is like "FRIENDSHIP? THE POWER OF FRIENDSHIP DOESN'T EXIST IN THIS WORLD! AIN'T NO WAAAAYYYYY THEY'RE NOT FIVE SCHEMERS WHO WANNA GET THE TREASURES THEMSELVES", which is like... I don't get that vibe from Luke anywhere else in the book? Luke values efficiency and getting what he wants-- he's not hired Cassidy to be all buddy-buddy with her, he hired her for a job and she has to work to fulfill said job. He just wants competent employees, and y'know what, that's valid. Not a single part in that have I seen "ew power of friendship". It's very villain for the sake of villainy kind of energy, which I don't think fits Luke with the other bits of information we get of him? He's following his great-granddad's footsteps-- not a single minute of that did that mean "the spirit of friendship doesn't exist get yo head outa the cotton candy"
Then there's... how this applies to the girls.
inhales
WHY DID THEY MAKE VIOLET THE GROUP'S FRIENDSHIP PROPHET GRAAAAHHHH
I probably would make a full-blown rant about this at some point, but one thing I never liked about any of the hardcovers was how Violet of all people is the group's assigned friendship prophet. She'd occasionally make a comment about how uh something something the power of love is the strongest of all, and every single time I don't like it :D
Sure fine you can chalk it up to character development since her early months in Mouseford, but in the earlier books it's heavily established that she's the pragmatic one, the braincell keeper, the one who keeps the girls' group ADHD on track or the one who reminds them that "hey we've been at this for a really long time and it's now 2AM, we should really turn in now". Being a friendship prophet is a Colette thing, not a Violet thing, and I'm not trying to insult Colette or anything like that. I would be far more okay with it if Colette was the one to go on about the "power of love" because she's literally the HOPELESS ROMANTIC! She's the one with her head in the clouds, the one most likely to fangirl about ships in movies, the one who chooses to ship Romeo and Juliet and pretend to not see the entire second act of said play for the sake of believing in love.
If Colette had a line where she gushed about the power of friendship, I would've just chalked it up to "that cheesy-ass statement is something she'd totally say ngl", as opposed to the jarring whiplash I get from seeing Violet of all people call upon the Power of Friendship.
Again, probably will rant about this at some point (lemme know if you're into that idea), but yeah -m-
Literally just chuck the power of friendship bits and replace them with something more practical/realistic/grounded/whateveryouwannacallit, and it's basically perfect! Even the bits where the girls make friends on their journey is believable! Those don't have to be altered at all! Geuh it drives me insane, almost to the point of wanting to do something about it....
Well, that's enough rambling for today. I can't use up all my steam on this first book-- I plan on making ramblings for the second and third books, after all.
See ya Stilton fans, and for the newcomers from Twitter, welcome :D I hope you enjoy your stay :D
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