#very excited about this project

[dontcallmeeds]

Uhhh idk how to promote my Big Bang here and I literally use this for a few weeks every six months now….but uh???

Idk I’m project 090, we got: Steddie as lesbians, mommy issues, disordered eating, resolved angst, enemies to friends to lovers

It’s basically a runaway bride AU based on MARINA’s music…….

So uh, coming to you in fall of 2024??? Yeah it’s literally called shampain

[midnight-mourning]

Woohoo!

So excited about this project and so happy to be apart of it!

Everyone's put in a lot of work and I can't wait for it to be shared with the world ^-^

Advent Dates!

With December right around the corner, I thought I would share the release dates of each chapter!

Behold, the Advent Calendar Sheet!

It doesn't look awful, but Sun would definitely shred it.

It's made with canva, so excuse the inconsistencies in style.

Inside each box is a hint towards what the chapter may hold! It will be crossed off the night before each chapter is released. ^-^

While I'm here, I'll also mention the team I've whipped together for this project!

Our Artists!

@alynwrench, @monsteractialuna, @beetle-fettle, @gyxtar0luvs

And the beta-readers!

@midnight-mourning @monsteractialuna

Can't wait to show you all what we've been working on!

[floccinaucinihilipilificationa]

Hey hey hey may 31th anon! How's 2024 going? ☆ヾ(*´▽｀)ﾉ This year I have for you a leaked Sherlock season 5 image. Thinking of you!! And everyone!!

[torgawl]

sometimes i think about how crepus probably wasn't father of the year and i go a little insane. the way he pushed diluc into becoming a knight of favonious at such a young age; diluc receiving his vision so early in his life; how he saw his accomplishments as both his and his father's; crepus planning to gift or getting a delusion for his son despite his vision; and, the way diluc's namecard references him as crepus' creation, which is such an impersonal and cold way to put being someone's son. not only that but, again, referencing his strenght specifically. i'm not saying crepus was a bad father, diluc loved him dearly, but the projection he did of his own dream onto diluc's life and the efforts he went through to make sure diluc was "strong enough" doesn't appear to have been the healthiest thing.

we obviously have little to no information about diluc's relationship with his dad outside of a few mentions here and there but from his character story it just seems that even the praise crepus gave diluc was always because he did well in, somehow, living his father's dream and not necessarily because of who diluc was. it's a little bittersweet.

[chatlote]

It's my birthday again!

A year ago I started working on this comic about Akechi's birthday post-canon, and now I am almost done with all 18 pages!

I will release it both digitally and physically, and do an interest check about it soon <3

[marlynnofmany]

Singing the Return

(A followup to Singing the Approach)

Our ship touched down like usual, with the captain in the cockpit along with a pilot (it was Kavlae’s shift), talking to the locals about where to park. In a slight departure from usual, this landing pad wasn’t anywhere near the ground. It was on top of a cactus-tree-thing that thankfully (very thankfully) didn’t sway in the wind.

I waited in the cargo bay with Zhee. He was a little twitchy, flicking his antenna and shuffling his legs and generally not holding still. I wasn’t about to say anything about it, but I suspected Zhee wasn’t a fan of heights.

Luckily for him, the landing pad was broad enough that he didn’t need to get close to the edge. Unluckily for him, Captain Sunlight had suggested that he be part of the delivery crew today because he’d been there when we met the clients before, and they would be expecting him.

With the amount he was flexing his pinchers, you’d think he was the one the clients had offered to give a tour of their skyscraper cactus city.

As the bay door started to open, Zhee asked me, “Did you check if that belt has a full charge?”

“Yes I did,” I told him, pushing the button on my gravity belt to display a full line of power lights. “And Mimi even looked it over for loose wires or whatever. I’m all set.”

“Good,” Zhee said, angling his torso so that his front half was higher — the Mesmer equivalent of standing up straight. I was continually amused by how much praying mantises resembled centaurs, and how much this particular alien species resembled Earth bugs. This wasn’t the time to bring it up, though.

The door was open all the way now, and there was Captain Sunlight, come to lead the way out. I could see a cluster of many-limbed locals waiting outside in the bright sun. The landing surface looked like it was made of red rocks mined nearby. Hopefully they were stable on top of this cactus-tree. The captain waved us forward: Zhee with the crates on a hoversled and me singing my best approximation of the local greeting song.

I’d practiced it on the way here. It was high-pitched but slow, like a songbird in slow motion. Or, more accurately, like a songbird trying to sing like a whale. This particular culture interacted regularly with their ground-bound evolutionary cousins, who wouldn’t have made it past the first climbing spike on these cactus towers.

The Tree-grabber in front stepped forward, chirping a reply song, then switching to the more recognizable trade language. “Greetings! We are delighted to smell you.” He waved his mousy ears happily, all four arms folded in front of him.

“And we you,” replied Captain Sunlight, whose people actually said that kind of greeting themselves. Her yellow scales were extra bright in this sun. “Would you like to inspect the merchandise?”

They would. Zhee did his part by prying open the crates with his mighty mantis arms — I don’t know why the supplier of these fruits insisted on packaging them this way, but it was good we had him along — and the Tree-grabbers all made a big deal of sniffing the fruits. The antigrav belts in the other crate got sniffed too, though thankfully they didn’t stink.

I could smell the fruits from where I was standing; that sour smell made my eyes water even at a distance. But no one was paying attention to me, busy as they were with signing for the delivery on the tablet that Captain Sunlight held out. Zhee put the lids back on. I wiped my eyes and admired the view. It was a nice scenic desert scrubland out there, with only the other cactus-trees in the way. I could see the entire sprawling city where the Ground-grabbers lived, and just barely make out the buildings on the distant Air-grabber mesa.

“Are you still interested in a tour?” someone asked.

I turned back and smiled without baring teeth. “Yes please!”

The lead Tree-grabber was returning the tablet to Captain Sunlight while the others moved the crates onto their own low-tech wheeled cart. Behind them, a hatch slid open in the red stones of the landing pad. Zhee towed the hoversled back toward our ship as soon as it was empty.

Captain Sunlight looked up at me. “Travel with care,” she said, which was a polite way of urging me not to trip and fall off the cactus.

“I will,” I told her. “And I have my phone if anything comes up.” That covered a lot of ground. We’d already discussed keeping an eye out for possible delivery needs: offworld items that I might tactfully suggest to the locals. They wouldn’t have thought to ask about the antigrav belts if the subject hadn’t come up in conversation the last time we were here.

“Then kindly follow me to the handpath,” said the many-limbed monkey-mouse. Dang, what was his name? I thought. He had a name. It translated as just a sound. Chirp, right, that’s what it was. I knew that. Totally professional over here. I kindly followed Chirp in the direction of the handpath.

Which was over the edge, because of course it was. Metal handrails like the kind I usually saw at swimming pools waited next to the steps. Chirp led the way.

I set the gravity belt to “catch me if I suddenly plunge downward,” and followed.

I like climbing, right? Big fan. I was all over the playground as a kid, and I never really stopped. It’s particularly fun when I get to be “the one who can reach things high up,” or otherwise be appreciated for climbing a tree or a spaceship or what have you. Occasionally I’ll meet someone else who enjoys being above the ground. Most species seem to prefer being on a safe, level surface.

Not these guys. Wow. I was glad that Captain Sunlight had insisted on the gravity belt, because this was intense. The entire city street system were basically ladders on the outside of skyscrapers.

“This handpath is designed with elders and the occasional visitor in mind,” Chirp called up to me. “Artificial steps and platforms placed regularly.” When I looked down, I saw that he was indeed standing on a platform already, which even had a railing around it. There were more ladders on either side, and other platforms that could be reached with the help of metal handholds.

“That’s very considerate,” I said. Other cactus-trees were close enough that I could watch the agile citizens scurry along the surfaces, using only the natural cactus spikes and small branches. Wild. “Do you have any handpaths inside?” I managed to make it sound casual as I stepped down onto the platform with a perfectly normal heart rate. There was a door here that I hadn’t seen from above.

“There are some,” he said. “Mostly for emergencies.”

I had to laugh. “That’s the opposite of where I’m from.”

“Really?” He perked up in curiosity. “How so?”

“We have tall buildings like this that we made,” I said with a wave toward the towering plants. “Nothing on Earth grows this big, but we can build it. And we do all our travel between levels inside, except for emergency escape ladders on the outside.”

“Fascinating!” Chirp said. “I suppose if you make the whole things yourselves, you can make sure the inside is strong enough to support as many rooms as you need.”

“Yeah, definitely,” I agreed, laying a palm against the smooth cactus wall. “These are pretty soft at the core, huh?”

“Oh yes, that’s why the rooms are kept strictly to the outer layer,” Chirp said. “Come in; let me show you.”

He opened the door and I got ready to duck, since it was just under human height, then a rapid succession of shadows passed over us.

Chirp made an irritated click. “Air-grabbers, come to get in the way again!”

I looked, curious to see what they actually looked like. Both the Tree-grabbers and the Ground-grabbers had complained about them last time.

They looked a lot like I expected: bats with skinny arms held close while they flew. Everybody seemed to have six limbs on this planet.

And varying opinions about personal space. The Air-grabbers fluttered around the cactus towers, inspecting anything that caught their interest. They circled people carrying groceries. They poked their heads into open doors, only to get shooed back out. They arrowed in on the spaceship parked above. And they flew past me repeatedly, almost enough of them to run into each other. High-pitched voices floated on the breeze, but none of them addressed us directly.

“Inside,” Chirp said, opening the door. I followed him in. He shut it firmly, leaving the squeaking cloud of bats outside.

The ceiling was a bit low here, but at least this was a proper civilized room, not something carved directly from the wet cactus innards. Multiple desks, counters, and couches made it look like an info center, or some other kind of “just arrived from above” hub. I wondered if there was a lot of travel between cactus cities here. Several locals waited in line.

Then someone else rushed in after us, complaining in her own chittering language, and she pulled up short when she saw the tall alien bent over by the door.

“Hello,” I said.

“My greetings,” she said, edging sideways. “Pardon.” With a quick arm gesture that was probably polite — one to her chest and three outward — she hurried off to stand in line. Everyone else was staring.

I’ve been stared at plenty in my time, so this was only a little awkward. I waved. Small windows that I hadn’t noticed in the walls flickered with passing shadows.

Chirp said, “I apologize for the Air-grabbers. They hardly make a visit pleasant.”

“Is there any way to ask them nicely to leave?” I asked. “I assume you’re tried discussing it with their leaders?”

“Many times.” Chirp looked tired. “They don’t care. As far as they’re concerned, the air is their territory, and it’s our poor luck that we have to breathe it.”

“How rude,” I murmured, not wanting to cast judgement on an alien culture. But my present audience more than agreed.

“Yes, they are very rude,” Chirp said, working up to a proper rant. “Shouting at them does no good, since they just find it funny. Bad weather will make them leave, but that’s a problem for us too, and hardly something we can conjure up on a whim. Though they did seem to dislike the sound of the wind through the observatory when half the windows were left open; that we could probably do on purpose. Not very helpful here, though.”

“What kind of sound was it?” I asked, half an idea forming.

“A very high shriek,” he told me. “Almost too high to hear. The wind did some strange things with those windows.”

“I wonder if you could ward them off with noise,” I said.

“Maybe,” he said, not sounding terribly optimistic. “Like I said, yelling doesn’t help, and that’s loud too.”

Somebody else scrambled through the door, complaining. This guy didn’t even see me, just slamming the door and hurrying forward like he was ready to have words with whoever was in charge here. Maybe he was. More shadows passed over the windows.

“Can I try something?” I asked. “A quick loud noise? I’ll do it outside.”

He looked curious at that. “Go ahead. Just make sure not to startle anyone on the handpaths nearby.”

“Of course,” I said. Then I turned my back on the staring eyes, opened the door, and stepped out to where I could stand up to my full height.

No Tree-grabbers nearby. Perfect. I put two fingers in my mouth and let loose with the most ear-piercing whistle I could muster.

Startled bats changed course in midair, flapping and diving to get away, a cloud of chattering alarm and confusion. Judging by the shadows, some of the ones from above had lifted off as well.

I watched for a moment to see that they kept their distance, then I ducked back inside.

“That seemed to work,” I told Chirp.

Chirp was rubbing his ear. “I’m not surprised. Very loud. How well did it work?”

I waved him outside to take a look for himself. He perked up when he saw how far the Air-grabbers had moved back. “That’s the best result I’ve seen yet! I’m sure some of it might be from the surprise of it all, but even so.”

“You said the wind shriek was almost too high to hear,” I said. “Do you think the Air-grabbers can hear sounds that you can’t quite pick up?” Their ears were bigger, but what did I know?

“Now that,” Chirp said decisively, “Is an idea worth pursuing.”

“So there’s this animal on my planet called a dog,” I said. “And a certain kind of whistle that only they can hear…”

By the time my tour was over, I had a representative of the city very interested in having us deliver some offworld noise-makers that might help them keep the peace.

(The rest of the tour was nice; they had some impressive architecture inside those cactuses, and everyone greeted me politely. I didn’t fall off the side once.)

When I climbed back up the ladder to the landing pad, taking care not to focus on the long drop behind me, I was surprised to find a handful of Air-grabbers perched there in conversation with the captain.

Chirp made a disapproving grunt, but said nothing as we walked over.

“Ah, welcome back!” Captain Sunlight said to me. “It looks like our next visit will involve a delivery of fruit to the other above-ground city in these parts.”

The Air-grabber in front smiled with sharp teeth. “Ours is the best.”

“As you say,” Captain Sunlight agreed politely.

“We will need the items delivered directly to an entrance,” said the Air-grabber. “Not to the high ground. Is that something you can do?”

Chirp muttered something that sounded like “Knew it.”

“I’m sure we can manage that,” Captain Sunlight said. “Our ship has some very stable thrusters, and talented pilots. And, failing that—” She looked at me. “Someone experienced with antigrav belts and high places.”

I chuckled and turned off the safety. “That you do.”

~~~

There's an exciting mini-project coming out next week! Details here!

~~~

These are the ongoing backstory adventures of the main character from this book.

Shared early on Patreon! There’s even a free tier to get them on the same day as the rest of the world.

The sequel novel is in progress (and will include characters from these stories. I hadn’t thought all of them up when I wrote the first book, but they’re too much fun to leave out of the second).

[owl-bones]

one of the greatest temptations i feel is to write a mafia au nightmare x reader fic

but i am held back by the sheer number of scenarios i've developed in my mind about that and which i would want to commit to

[mbohjeezart]

Courtesy of Gem calling them the Arizona Dad Trio in her first HC10 stream

[sysig]

Simon Petrikov is a service top and you can fight me about it (Patreon)

[ferronickel]

So I uh... had Looking Glasses Parts 1 & 2 printed.

I've always intended to print out the comic, and as I was recently in a position to show it to a number of comics professionals, I thought now was as good a time as any. (Alas, it did not arrive in time for my trip, but it's here now!) It's so cool to be able to hold two years worth of work in my hands, I'm so happy with how it turned out!

I also made some other LG prints! I've really wanted a print of the B-movie poster ever since I made it. I'll have to set up an etsy or something if anyone wants some Looking Glasses art for their walls.

Here's the deal with the book. I printed fifteen copies, ten of which I'd like to give away to readers. I can't sell them, because they're fanfiction, and I can't ethically sell fanfic. Currently my plan is that if you're interested in a copy of the book, please fill out this form. I'll randomly pick from those people and ask that they pay for shipping (because this has already been an absurdly expensive endeavor). If you're sad about missing out on a copy of the book, don't worry, I will be doing a much larger print run when the comic is finished.

Interior shots of the books under the cut

[knockknockknockingonhootysdoor]

if the hexsquad need anything from hunter while he is at work, amity is the only one allowed in.

[secriden]

Everything about Style is just driving me feral with want to have THK right now, immediately.

The way he's all big, bold gestures and confident swagger; the way his introduction includes a literal arms-wide-open welcome. The overalls unbuttoned until nearly the middle of his chest and how he's the only one in the main cast to be (literally) this uncovered (everyone else has 2-3 layers on).

I wonder if this hints to how vulnerable his character is, narratively speaking: how he potentially is the one that starts out with the least information (apparently Kant doesn't tell him who Fadel and Bison are when he makes that deal with Style?); how he may be the least physically familiar with violence because he's just a mechanic (vs Kant's background with crime/the police. Also the way in the trailer Style is constantly in shock when Fadel does something violent around him); how he chooses with his heart even after he finds out the full truth about Fadel ("You know I know everything").

When he describes his life, it's so... innocent? We get a snapshot of what he thinks his life is about and it's: fixing cars, collecting vintage cars, bowling and hanging out with his best friend. Every other character's answers are layers of subterfuge and double meanings but Style's answers create such a contrast by being so unfiltered. This is a character that (at least at this point) is guileless and without agenda.

I'm so excited to see Style pursing Fadel. I'm so excited to see Fadel try to remain stoic and unmoved in the face of Style's unabashed interest and enthusiastic flirting. I'm excited to discover why Style goes from attraction to being willing to risk it all for Fadel.

But also -- in a very different way than what Kant will doubtless be to Bison -- I'm excited to see how Style will become an escape for Fadel. Fadel, who just wants to sleep for 25 hours (he's so exhausted) and live a normal life, maybe open a restaurant that isn't just a front and a cover for the illicit job he maybe no longer wants, who enjoys solitude but wants to find someone to spend it with (he sounds so desperately lonely, my heart breaks for him).

Someone uncomplicated, who lives life fully, who isn't afraid to go for what he wants and who wears his heart on his sleeve.

In less than 5 minutes, this interview shows us the ways they could fit together like missing puzzle pieces, and I am so, so excited to see it fall apart and come together.

[drawsmaddy]

[ID: A digital illustration of Vax'ildan and Keyleth from Critical Role. They're stood very close together with their hands on each others faces and arms. Vax's dark lipstick is smudged and some has transferred to Keyleth's mouth, implying they were just kissing. They're both looking towards the viewer with expressions of surprise, with an exclamation point drawn over their heads. Behind them is a dark background. End description.]

Finally found the time for something very self indulgent <3

[stardestroyer81]

🥪 Introducing... Door2Door! 🥪

Door2Door stars twenty year old possum Gigi Dempster, who lives in a rather ramshackle, podunk town in Vermont called Bendersville. After sending numerous job applications all over town with no word back, she finally lands herself a delivery driver position at an unassuming locally-owned sandwich restaurant named Dine 'n Dash. With no prior experience in the art of crafting a mighty fine sandwich or running a delivery route, Gigi is strapped in to experience the whirlwind of a first time food service job firsthand, and in an unpredictable town like Bendersville, quite literally anything can happen.

(For more information on what Door2Door is— as well as a handful of progress images— please consider checking underneath the cut!)

At last, witness unveiling of my latest project I've spent the last month conceptualizing, Door2Door! What once came about as a silly idea of basing a project after an inner-city delivery driver inspired after a certain gameplay section in Spongebob Squarepants: Revenge of the Flying Dutchman, it has since blossomed into one of my dearest passion projects yet!

Though, before I get into any further detail behind Door2Door and its creation, I must stress— none of the above five images hail from a lost late nineties/early 2000s Cartoon Network show, and if by chance any of them were enough to fool you into thinking they were, then that just means I achieved what I set out for! 💙✨

Now, about a month ago, I'd been watching a retrospective on the critically un-acclaimed Spongebob Squarepants: Revenge of the Flying Dutchman, a game I had growing up. It's important for me to mention that I had seen and personally played the aforementioned gameplay section before, though for some reason seeing it again struck me with a brilliant project idea.

Anyone who's been following me for at least a year knows that I've designed a cavalcade of candied characters for my own arcade game concept, Rascal, and initially my idea for Door2Door— which I also called Project JJ (In reference to the sandwich chain Jimmy John's)— was to give it a plot simple enough to translate into an arcade game.

The idea was that you played as a plucky delivery driver who rides through the streets of a seedy city to deliver a food order to the... er, order-ee. But your progress would be impeded by a fiendish gang of mobster alley cats who are after your sandwiches, so there would have definitely been a large cartoony element to the gameplay loop.

I drew concept art for Door2Door's protagonist, then known as Marcy, though I really wasn't vibing with either drawing. For one, making the protagonist a cat seemed a bit overdone, and I already have a cat character who's name rhymes with Marcy, so that had to go. More so, I also couldn't settle on a good spriting style, which prompted me to rethink the whole project.

Well, there is a general aura of cartooniness to Door2Door, I thought, why not just embrace that vibe whole-heartedly and reshape the project into a long-lost late nineties cartoon?

I did like the idea of having an excuse to drawing more animation cels, though if I was going to make Door2Door into something resembling a cel-animated cartoon, I was prepared to go the full distance in nailing that aesthetic, in the form of how characters are designed and the way I go about drawing each screenshot.

For those unfamiliar with cel animation, essentially it can be described as a traditional form of animation and involves objects— usually characters— being hand-inked and painted on clear celluloid sheets and placed over painted backgrounds.

Above, I've provided a visual for what a standalone 'cel' from Door2Door would look like, coupled with a hand-painted background. When overlaid on top of one another...

... you would get this! This is exactly how cartoons were animated up until the era of digital inking and coloring... but that begs the question. How am I achieving a hand-drawn and painted aesthetic if everything I've shown so far has been drawn digitally?

I have my ways! It involves a lot of studying how individual cels of animation look, and taking note of recurring hallmarks; grainy textures, paint blemishes, drop shadows, etc. Above, I've assembled a small gif of my process in composing a screenshot for Door2Door, from lineart to final product!

So, that all should loosely explain it; Door2Door is what would happen if I were in charge of a late nineties Cartoon Network show, and what you've seen here is merely the beginning. Going forward, I will be posting art of Door2Door's main cast with some additional character information and concept art for each one, though for the time being, enjoy all five art pieces I've supplied for this post— they are perhaps the biggest works of mine yet this year! 💙🏳️‍⚧️✨

[soup-scope]

hey y’all the relationship between warden and vega fucking fascinates me

cause honestly i have absolutely no idea on how to characterize it

like yes he calls them ‘darling’ yada yada but he almost takes a paternal(?) role when it comes to nurturing them????

he rescues them, he feeds them, he tries to reconnect them with the demonic habits they were shamed out of expressing, he teaches them and tries to subtly influence their behavior towards a possible corruption arc and just

this isn’t me trying to make their relationship weird or smth i’m just saying i have absolutely no idea how vega and wardens relationship actually works between them… not every listener and character are destined to end in a romantic relationship so that’s why i’m thinking that the relationship between warden and vega won’t become romantic and more of that weird friendship you have with your 50 year old coworker who smokes 2 packs a day.

[adhdtsukasa]

totally not what i intended to post today but also whatever, we ball. pinocchiop is my favorite vocap and i'm very autistic about both him and wxs, so, to honor the song campaign clues that we got today, allow me to present to you the reincarnation apple wxs cover line distribution i did some time ago — and why, in my humble opinion, it fits wxs much more than it fits niigo,

(the lyrics where the color changes each word are where the characters both sing at the same time but my notes app doesn't have the option to do a gradient)

i'm in no way expecting it to be an official line distribution because i did it based on my personal interpretation of the lyrics — and i feel like dedicating almost a whole big part of the song to each member might mess up with the game cut, but i also really would like to see them have solos of those parts — but they're here to help me explain my point better my point. so!

what i like about wandasho covers is that they are performers — and it should give them more creative liberty when it comes to their covers. that's why the reincarnation in this song could be simply treated as them getting into roles, reliving countless lives as actors. even though the accuracy of the lines sung is always nicely welcomed, the covers don't have to always be 100% fitting. and that's fine. especially in wxs' case, because that is a yet another story that they want to tell us.

people often say that the storyline fits niigo but i... don't see it at all? i mean, yeah, ena as the artist and kanade as the savior, that much is obvious (and i guess you could also say that mizuki as a revolutionary, but that is kind of a reach?). but what about the part describing the inventor that matches rui's backstory so well? what if you put main story tsukasa in the artist's place and draw the similiarities? what if you think about emu as the savior, comparing the savior's unconditional love to her wanting to save wonder stage and make everyone smile? the only match that doesn't fit quite well is nene and the revolutionary, but you can't have anything i guess. and then the adventurer part, which is a call back to the our happy ending set (i set out in search of an ideal — emu deciding to go with wxs in order to expand her knowledge and horizons) (and then you know, the end has come with the reincarnation apple)... and then lines like i'm not smart enough and i don't have a great cause could resonate with how people viewed emu and rui in the past.

"oh but isn't the start of the song a bit too dark and depressing for it to be a wxs cover?" kami no manimani starts in a similiar way and yet it still is a wxs cover.

and, putting lyrics aside, it just doesn't feel like a niigo song from the instrumental alone. i'm not a music expert so i don't have strong arguments for it, but for me it sounds absolutely like a wxs song. it even reminds me of sekahaji in a way.

does that mean you're in the wrong for wanting niigo to cover it? nope! i just simply want to explain why it fits. and i don't want people to complain that it doesn't make sense for it to end up as a wxs cover. because i will cry.

tldr: reincarnation as a metaphore for acting save me