#verlag gerd hatje

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Shooting, 1961 / Studio with Nanas in progress, 1965 / Golem in progress, 1972 / 2 Maquettes for the Tarot Garden, Tuscany, 1979 / Sketch by Jean Tinguely and Niki de Saint Phalle on photo of Tarot Garden in progress / Niki in front of finished 'shooting painting', 1961

from Niki de Saint Phalle by Pontus Hulten, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Verlag Gerd Hatje, 1992

[charlieholper]

Nicky de Saint Phalle (verlag Gerd Hatje)

[banffcentrelibraryandarchives]

Artists’ Book Display for the week of September 16th, 2019

Artkards 1992 series by Todd Alden- Conceptual Clearinghouse, 1992

If you sleep on your other side it will go away by Pattie Belle Hasting- Atlanta: Nexus Press, 1991

Art in Everyday Life by Linda Montano- Los Angels, CA: Barrytown, NY: Astro Artz: Station Hill Press, 1981

Das Harburger Mahnmal gegen Faschismus = The Harburg Monument against Fascism by Jochen Gerz- Ostfildern, Germany: Verlag Gerd Hatje, 1994

Enabled him by David Thorne San Francisco, CA : Redress Press, 1990

[graphicbooks]

Neue Möbel by Gerd Hatje / Design by Hans Haderek / Published by Gerd Hatje Verlag / Available @modernism101 * * * * * #gerdhatje #neuemöbel #new #furniture #productdesign #furnituredesign #design #graphicdesign #graphicdesigner #graphicbooks #books #book #bookdesign #booksondesign #type #typography #typographic #typedesign #typeface #logo #logodesign #publication #publishing #grid #layout #designstudent #designstudio https://www.instagram.com/p/BwiLgAYBXXb/?utm_source=ig_tumblr_share&igshid=x7v2kux9ky19

[kunstkioskzh]

Lichtenstein, Roy. Diane Waldman, Verlag Gerd Hatje, Stuttgart. 1994. 4°. OLn. mit OU 393 S., Erschienen zur Ausstellung in New York, Los Angeles, Montreal, München, Hamburg, Brüssel und Ohio. Dt. Ausgabe, schönes Expl. #roylichtenstein #popart #kunstkiosk #kunstkioskimhelmhaus http://bit.ly/38SI9Ts https://www.instagram.com/p/B8B3OahFZVJ/?igshid=kjwlmyeunmz4

[joescanlan-blog]

Unbuilt Roads: Eight Days a Week

Originally uploaded on Joe Scanlan’s website.

In 1994, after several years of studying the history of calendars and their basis in the solar system, I designed a new calendar that was more “in tune” with my personal rhythms. Although it contained the same 365 days, the calendar was divided into fifteen months instead of twelve and sixty-one weeks instead of fifty-two, with six days in each week instead of seven. I have lived by this calendar for the past three years in combination with the standard one, occasionally adjusting those aspects of the new calendar that did not feel right. Consequently, the current 1997 version has eight days per week (instead of seven), and three weeks per month (instead of four). It still has fifteen months, with the extra ones coming between December and January, May and June, and August and September.

This calendar really suits me, and now I am interested in sharing it with other people, to see if it might also suit them. This is the part of the project that remains unrealized. Here’s why: the current seven-day week is based on the seven “planets” that are visible to the naked eye: the sun, the moon, Mars, Mercury, Jupiter, Venus and Saturn. In order to have an eight-day week, we need to have another planet made visible in the heavens, to correspond to the extra day. This requires either constructing an artificial planet (a satellite) and placing it in orbit in our solar system; or somehow altering either Uranus, Neptune or Pluto so that one of them would be visible to the naked eye from earth. Perhaps a giant lens or mirror could be built on one of them, the reflection of which would distinguish the planet from the other stars in the sky. This would make the global introduction of the eight-day calendar much easier, since its celestial logic would be evident to anyone looking at the night sky.

In exchange for fabricating an artificial planet, or for altering an existing one, the new planet could be named after its sponsor. I think Nike Corporation should underwrite the project since, like Pluto and Uranus, its name is derived from a Greek god. Likewise, Nikeday would be the name of the extra day in the week. It would come between Friday and Saturday and would be a versatile day, a work and/or play day depending on whether you made it part of the week or the weekend.First published in Unbuilt Roads: 107 Unrealized Projects, Hans-Ulrich Obrist, ed. (Ostfildern-Ruit, Germany: Verlag Gerd Hatje, 1997): 91–92.

Download Unbuilt Roads: “Eight Days a Week”

[annviscom]

Books From The Library

VisCom In Context 1 - Year 1 - Term 3

(5 May 2019)

Editorial Project:

Samara, T. (2002). Making and breaking the grid. Gloucester, MA: Rockport Publishers

Ambrose, G. (2011). The Fundamentals of Typography: Second Edition (2nd ed.). Lausanne, Switzerland: AVA Publishing SA.

Muelller-Brockmann, J. ( 2007) Grid systems in graphic design : a visual communication manual for graphic designers, typographers and three dimensional designers. (5th ed). Stuttgart: Verlag Gerd Hatje

Title Sequence Project:

Giesen, R. (2015). Chinese animation : a history and filmography.  Jefferson, NC : McFarland & Company

Cámara, S. (2006). All about techniques in drawing for animation production.  Hauppauge, N.Y. : Barron's

Hart, J. (1998). Art of the storyboard - storyboarding for film, TV, and animation. Oxford : Focal

[irinache]

Niki de Saint Phalle

Niki de Saint Phalle (born Catherine-Marie-Agnès Fal de Saint Phalle, 29 October 1930 – 21 May 2002) was a French-American[3][4] sculptor, painter, and filmmaker. She was one of the few women artists widely known for monumental sculpture.[5]

She had a difficult and traumatic childhood and education, which she wrote about decades later. After an early marriage and two children, she began creating art in a naïve, experimental style. She first received world-wide attention for angry, violent assemblages which had been shot by firearms. These evolved into Nanas, light-hearted, whimsical, colorful, large-scale sculptures of animals, monsters, and female figures. Her most comprehensive work was the Tarot Garden, a large sculpture garden containing numerous works ranging up to house-sized creations. Her idiosyncratic style has been called "outsider art"; she had no formal training in art,[1] but associated freely with many other contemporary artists, writers, and composers.[6]

Throughout her creative career, she collaborated with other well-known artists such as Jasper Johns, Robert Rauschenberg, Larry Rivers, composer John Cage, and architect Mario Botta, as well as dozens of less-known artists and craftspersons. For several decades, she worked especially closely with Swiss kinetic artist Jean Tinguely, who also became her second husband. In her later years, she suffered from multiple chronic health problems attributed to repeated exposure to glass fibers and petrochemical fumes from the experimental materials she had used in her pioneering artworks, but she continued to create prolifically until the end of her life.

A critic has observed that Saint Phalle's "insistence on exuberance, emotion and sensuality, her pursuit of the figurative and her bold use of color have not endeared her to everyone in a minimalist age".[7] She was well-known in Europe,[7] but her work was little-seen in the US, until her final years in San Diego. Another critic said: "The French-born, American-raised artist is one of the most significant female and feminist artists of the 20th century, and one of the few to receive recognition in the male-dominated art world during her lifetime".[8]

https://en.wikipedia.org/wiki/Niki_de_Saint_Phalle

Public art

Many of Saint Phalle's sculptures are large and are exhibited in public places. The Niki Charitable Art Foundation maintains an online map and catalog of all her extant public artworks, including a pizza oven in La Jolla, California.[78]

Le Paradis Fantastique (The Fantastic Paradise, 1967), Moderna Museet, Stockholm, Sweden (in collaboration with Tinguely)

Golem (1971), Kiryat Hayovel, Jerusalem[44][79]

Hannover Nanas (1973), along the Leibnizufer in Hannover, Germany

La Fontaine Stravinsky (Stravinsky Fountain or Fontaine des automates, 1982) near the Centre Pompidou, Paris (in collaboration with Tinguely)

Sun God (1983), a fanciful winged creature next to the Faculty Club on the campus of the University of California San Diegoas a part of the Stuart Collection of public art

La Lune (The Moon, 1987), Brea Mall in Brea, California

Fontaine de Château-Chinon (1988), at Château-Chinon, Nièvre (in collaboration with Tinguely), a commission by French President François Mitterrand

Le Grand Oiseau Amoureux (Great Amorous Bird, 1988-1989), Mendrisio, Switzerland, depicts a Nana in a Yab-Yumembrace with a large standing bird[80][81]

Grand Oiseau de Feu sur l’arche (Great Firebird on the Arch, 1991), in front of Bechtler Plaza in Charlotte, North Carolina[82]

La Tempérance (1992) in Centre Hamilius, Luxembourg-Ville, Luxembourg (this work was in storage as the site was being demolished).[83]

Le Monstre du Loch Ness (Loch Ness Monster, 1992), Musée d'art moderne et d'art contemporain (MAMAC), Nice, France

Oiseau Amoureux Fontaine / Lebensretter-Brunnen (Amorous Bird Fountain / Lifesaver Fountain, 1989-1993), Duisburg, Germany (in collaboration with Tinguely)

Le Cyclop (1969-1994), Milly-la-Forêt, France (in collaboration with Tinguely and 15 other artists)[43][84]

Tympanum (1996) triangular mirror mosaic and mirrored pediment above the entrance to the Glasgow Gallery of Modern Art, Scotland[85]

L'Ange Protecteur (Guardian Angel, 1997) in the hall of the Zürich Hauptbahnhof, the largest rail station in Switzerland

Le poète et sa muse (Poet and His Muse, 1998), Mingei International Museum on The Prado, Balboa Park, San Diego, California

Big Ganesh (1998), San Diego Museum of Contemporary Art, the Hindu elephant-god Ganesh dances with a small mouse[86]

Miles Davis (1999), outside of Hotel Negresco in Nice, France

Nana on a Dolphin (1998), National Museum of Women in the Arts, Washington DC, US

Les Trois Grâces (The Three Graces, 1999), National Museum of Women in the Arts, Washington DC, US

Noah's Ark (1994-2001), Jerusalem Biblical Zoo, 23 works in a collaborative sculpture park with architect Mario Botta[74][87][44]

Nikigator (2001), Mingei International Museum on The Prado, Balboa Park, San Diego, California

Coming Together (2001), San Diego Convention Center[88]

Grotto (2001-2003), Herrenhäuser Gardens in Hannover, Germany[89]

Queen Califia's Magical Circle (2003), a sculpture garden in Kit Carson Park, Escondido, California[90]

Museums and collections

The Sprengel Museum has the largest holdings of Niki de Saint Phalle's work,[5] and other major holdings are at MAMAC.[91] Her archives and artistic rights are held by the Niki Charitable Art Foundation (NCAF) in Santee, California, near San Diego, which became active upon her passing.[65][13] The NCAF maintains an online catalog of artworks in museums and major collections.[91]

Bibliography (by publication date)[edit]

The World

Saint Phalle, Niki de (1987). AIDS : you can't catch it holding hands. San Francisco, California: Lapis Press. ISBN 0-932499-52-X.

Saint Phalle, Niki de (1994). Mon secret (in French). Paris: La Différence. ISBN 978-2729109783. – autobiography

Hulten, Pontus (1995). Niki de Saint Phalle : Kunst- und Ausstellungshalle der Bundesrepublik Deutschland (in German) (2nd ed.). Stuttgart: Verlag Gerd Hatje. ISBN 3-7757-0582-1.

Mazzanti, ed. by Anna (1998). Niki de Saint Phalle : the Tarot garden : [created on the occasion of the exhibition "Il giardino dei Tarocchi di Niki de Saint Phalle" at Orbetello, Polveriera Guzman in 1997] (1. Ital. ed.). Milan: Charta. ISBN 88-8158-167-1.

Longenecker, Martha [editor, et al.] (1998). Niki de Saint Phalle : insider, outsider world inspired art : the 20th anniversary exhibition of Mingei International Museum. LaJolla: Mingei Internat. Museum. ISBN 0-914155-10-5.

Saint Phalle, Niki de (1999). Traces : an autobiography. Lausanne: Acatos. ISBN 2-940033-43-9.

Parente, Janice [editor, et al.] (2001). Niki de Saint Phalle: Catalogue Raisonné: 1949–2000. Lausanne: Ed. Acatos. ISBN 2-940033-48-X.

de Gréce, Michele [et al.] (2002). Niki de Saint Phalle Monographie, Monograph, Catalogue raisonné. Lausanne: Acatos. ISBN 2-940033-63-3.

Landeshauptstadt Hannover, Fachbereich Umwelt und Stadtgrün, [editor] (2003). Niki de Saint Phalle : the Grotto ; [published on the occasion of the opening of the Grotto designed by Niki de Saint Phalle in the Herrenhausen Gardens in Hanover]. Ostfildern-Ruit: Hatje Cantz. ISBN 3-7757-1276-3.

Schulz-Hoffmann, Carla [editor] (2003). Niki de Saint Phalle : my art, my dreams. Munich ; Berlin ; London ; New York: Prestel. ISBN 3-7913-2876-X.

Krempel, Ulrich; Jackson, Rosie [translator] (2004). Niki's world : [Niki de Saint Phalle] (2nd ed.). Munich: Prestel. ISBN 3-7913-3068-3.

Saint Phalle, Niki de; Niki Charitable Art Foundation (NCAF), [editor] (2006). Harry and me : the family years ; 1950 - 1960. [Wabern-Bern]: Benteli Publishers. ISBN 3-7165-1442-X.

Jo Applin, "Alberto Burri and Niki de Saint Phalle: Relief Sculpture and Violence in the Sixties", Source: Notes in the History of Art, Winter 2008

Francblin, Catherine (2013). Niki de Saint Phalle : la révolte à l'œuvre : biographie (in French). Paris: Hazan. ISBN 978-2754104975.

Weidemann, Christiane (2014). Niki de Saint Phalle. Prestel. ISBN 978-3-7913-4975-6.

Pesapane, Lucia; Saint Phalle, Niki de; Niki Charitable Art Foundation (2014). Le petit dictionnaire Niki de Saint Phalle: en 49 symboles (in French). Paris: Réunion des musées nationales. ISBN 978-2-7118-6155-2.

Gether, Christian; Høholt, Stine; Jalving, Camilla (2016). Niki de Sainte Phalle. Ishøj, Denmark: Arken. ISBN 9788778751140.

A short, annotated bibliography is available at the Niki Charitable Art Foundation website.[92]

As of 2017, a definitive multi-volume catalogue raisonné is in preparation, and one volume has been published.[93]

Film

Daddy (1973), written and directed by Saint Phalle and Peter Lorrimer Whitehead

Un rêve plus long que la nuit / Camélia et le Dragon (A dream longer than the night / Camelia and the Dragon, 1976), written and directed by Saint Phalle

Niki de Saint Phalle: Wer ist das Monster – Du oder ich? (de) ("Who is the Monster, You or I?", 1995), biographical documentary (in German) by Peter Schamoni in collaboration with Saint Phalle

Niki de Saint Phalle: Introspections and Reflections (2003), posthumous documentary by André Blas

Niki de Saint Phalle and Jean Tinguely: Bonnie and Clyde of the arts (2012), posthumous documentary by Louise Faure and Anne Julien[92]

Niki de Saint Phalle, un rêve d’architecte (Niki de Saint Phalle: An architect’s dream, 2014), posthumous documentary by Louise Faure and Anne Julien[92]

A comprehensive listing is at the Niki Charitable Art Foundation website.[94]

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[kunstkioskzh]

Oldenburg, Claes. Eine Anthologie. Verlag Gerd Hatje, Stuttgart. 1995. Ausstellungskatalog Washington, Los Angeles, New York, Bonn und London #claesoldenburg #kunstkiosk #kunstkioskimhelmhaus #popart http://bit.ly/2yQDr91 https://www.instagram.com/p/B1BvpVAI_po/?igshid=1ogfhag1us73h

[kunstkioskzh]

Moholy-Nagy, Laszlo. Verlag Gerd Hatje, Stuttgart. 1991. Ausstellungskatalog Museum Fridericianum, Kassel #moholynagy #laszlomoholynagy #photobook #photobooks #kunstkiosk #kunstkioskimhelmhaus http://bit.ly/2OPwL5K https://www.instagram.com/p/B1BVpdcoQHX/?igshid=1m5d5ny0nrss6