#various naruto characters

[diggity-didge]

The biggest jumpscare is reading a manga and then watching the anime and a characters hair color is COMPLETELY different than what you assumed it to be due to the shading/tone applied

[summerhighlandfalls]

Iruka doodles. He’s hard to draw

[coreytasticc]

Kui Ryoko crafting the most insidious villain with absolute exacting precision that, with one singular motivation; expounded upon in one single chapter, that is so vast in its concept it could be so easy to fuck up. But. Oh my god BUT. But. You should read Dungeon Meshi.

For 70-so chapters I believed that the appeal of Dungeon Meshi was simply its' simply delightful characters, that rounded themselves out when pushed, beautifully rendered. The jewel at the end. The Demon is the brilliant, perfect gem that pushes Dungeon Meshi over the edge from one of the best, to The Best.

Next to, not second to, Fullmetal Alchemist in quality and execution.

[pokemegha]

Happy Holidays!✨

[soaringpigeonshovel]

Hijacking this post to say that my pet theory is that to have 'revolutionary s*suke' at the forefront of your perception of sasuke you have to have entered naruto fandom before finishing naruto (probably because it was still in serialisation). Because reading the whole thing all the way through makes it pretty clear that s*suke's fatal flaw is his (completely understandable and fair, trauma-induced) decision to view everyone else as pawns. He's right about the system, but he can't be the one to fix it because he doesn't actually care or even really perceive the common individual. His sudden desire to be Hokage immediately after planning to massacre everyone in the village is a culmination of his fatal flaw, ie: that he wasn't a revolutionary for the people, he was a revolutionary against some fuckers. Which, again, completely just and reasonable, speak your truth king, but sasuke in power would have been a definite Bad End scenario for the average poor sod. Indeed the ideal scenario for s*suke is him getting to knock down the current corrupt system and then fuck of into the wilderness to pet crows and kick people he dislikes in the balls—which is pretty much what happens, bar the actual dismantling of the system because, yknow, b*ruto needed space to happen.

Wait this got away from me a little. What i wanted to bring this 'round to is that blaming any of team 7 for s*suke pushing them away is missing the point. He's traumatized. It makes him a bit of a dick in some situations. That's fine. Him not being perfect doesn't invalidate him being a victim or even a hero.

[orcelito]

Oh, that was MEAN!!!!!

Just finished ep 413, aka the end of the filler chunin exams arc. It did offer a reasonable explanation for how it wrapped up so quickly (third exam canceled bc of circumstances), as well as how so many of them managed to reach chunin (in lieu of the 3rd exam, detailed reports were given for each of their performances, which Tsunade used to promote them all)

THE ENDING THO...

Somehow I didn't realize that Ajisai was the girl that became the summoner Pain for the attack against Konoha. Not until they showed Konan giving the girls an S class mission (for their first mission as chunin????) & it started on the next scene with the guys lugging the body in. I just felt my heart Sink... it was rly sweet to watch Ajisai bond with Tenten & grow to accept that ppl from the big nations aren't all full of themselves and all. And then Ajisai is fucking DEAD!!! Konan, why?!?! And what happened to the other 2?!?! Implied dead too probably, considering they were on the mission together... aughhgh it's so sad

AND THEN FUU BEING CORNERED BY KAKUZU AND HIDAN..... which I actually hadn't realized that Kakuzu was from Taki as well, mostly bc I hadn't really registered his headband. So it was interesting to hear a bit about his past with what Fuu said about him. But it was also rly sad bc she was all "I'd like to become friends!" To him too. Which maybe it was partly an act, but she was also very focused on making friends throughout the time we knew her. Which makes me so sad 😭😭😭 bc she definitely did lose that fight, even though we didn't see it. Such a sweet soul, lost to plot progression... augh!

AND THEN!!!!!!!! The scene with the Konoha genin being promoted to chunin and Neji to jonin. Tenten and Lee being like "we'll always be a group of three!!!" And Neji being like "Yeah... I do hope so." BUT THEN KISHIMOTO KILLS HIM OFF FOR ROMANCE PROGRESSION!!!!! And not even good progression!!!!!!! Just to push Naruto and Hinata together. Just spit on his corpse why don't you, Kishimoto. Ngl im still mad he killed Neji. It was such an insult in so many ways.

Anyways I finished the filler arc, which means it's back to main shit now. I'll probably keep watching later tho. Oh no naruto and sasuke are dying!!! What else is new lol. They'll get better 👍

I Am looking forward to seeing Guy beat up Madara... I am episodes away from that iconic fight now... excited...!!!

[batsplat]

a silly one: top 5 or 10 naruto ships or dynamics whatever you prefer

ooh excellent ask. it's actually quite tough to make a selection! I do enjoy a lot of canon dynamics that I wouldn't like... necessarily seek out in fandom, but then the stuff I interact with in fandom, what I read fic for and so on, is SO broad and so eclectic that it becomes a struggle to narrow it down. I think I've skewed more towards canon dynamics/relationships I enjoy... there's no fandom I read as broadly for as naruto, including a lot of gen fic - and a lot of it is very team-based stuff, which I'm mostly going to leave out. also, proper niche things that exist only in my head like 'the rin/konan manifesto'. anyway. here goes

10. gaara x naruto: gaara was a top three character of mine when I was a kid (along with temari and itachi). he's very appealing to the edgelord seven year old and I did have his sand gourd as a bag, plus his arc was one of my favourite bits of the manga. his powers are cool as shit, that bit in the forest where he brutally murders the other team and temari goes 'bye bye' is excellent - and then of course there's his main character beat: how naruto can relate to him due to the monster trapped inside. naruto is very big on establishing parallels between its main characters and the various villains, which is all very shounen-y and kinda cliche but, well, it's fun. gaara is still the best execution of that trope, partly because he comes early enough that the central theme of 'isn't it lucky that naruto had friends!!!!' hasn't been done to death. the visual of naruto gradually being surrounded by loved ones while gaara stays alone does work... gaara was just a good character, genuinely creepy and functioning as this primal, unthinking evil, that is gradually revealed to be tragic and alone. the execution of the arc isn't perfect and naruto's power of love bit is already pushing it here, but the whole thing is more or less dramatically satisfying. now, as is so often the case, the whole thing does fall apart after this... gaara just becomes a complete non-entity where we have to assume he does all his character development off-screen, but when he comes back he's basically completely reformed and non-bloodthirsty. now, the problem with having a character whose only character trait is being bloodthirsty, you kinda need to be careful when you're taking away their one thing. don't accidentally make them boring! (it also doesn't canonically really fly to me - gaara isn't insane when we meet him because he has an attitude problem, he's insane because he literally cannot fall asleep and has a deranged monster whispering into his thoughts 24/7. like the attitude shift is a good start, but surely it'll take a bit more work than that.) the inclusion of this relationship on this list really is just about that initial arc and the promise therein, how well they bounced off each other to start with... (you'll find this is a bit of a running theme on this list actually.) I don't really ship them, don't really ship gaara with anyone except maybe rock lee and as far as I'm concerned it's naruto/sasuke 4 lyfe, but y'know. they're good foils. wish gaara had been struggling a little more with the 'not murdering people' thing when they next met. they could've been friends but in an interesting way idk

9. shikamaru/temari: to some extent I do feel like I've aged out of enjoying this relationship in its canon form. I loved it as a kid, in large part because temari was the one token strong woman and it actually felt like this relationship was being conducted on like... even footing. growing up, I have gone off shikamaru in the sense that... well, idk, I think he can be written well and there's plenty of good elements to the character, it's just that he is also a specific flavour of wish fulfilment that threatens to appeal to some of the most annoying types of guy imaginable. it doesn't help that temari slips into irrelevance from shippuden onwards and eventually really is just shikamaru's wife, which. awful! still, they did have strong banter. there's a world in which shikamaru is actually forced to grow up and mature a little more, rather than being treated by the narrative as the super smart moral authority badass cool guy who is right all the time. what I really want from this dynamic is the politics of it all... when we're introduced to these characters, we have these two strategists who are already embroiled in sensitive political situations. while shikamaru mostly still gets to be a kid and is only loosely aware of his father's work, temari is playing a central role in attempting a coup of another village. shikamaru's father is jounin commander and clan leader of one of konoha's more influential clans, roles he is expected to inherit - but he balks at the responsibility and kind of wants everyone to leave him alone. temari's father is the kazekage, her brother is the jinchuriki who she's terrified will murder her every time he loses his temper... she's outwardly far more accepting of her duties, but you can't imagine that's an easy situation, right. there's a lot about their lives that feel very prescribed, from the supportive role they play to the jinchuriki to the lineage-based teams they were assigned to. idk, I feel like the basic potential of a romance between the pair of them is that it gives them the opportunity to... go against all that, to actually make their own choice for once because they've fallen in love with a smart arsehole. I'm also kinda interested in the logistics of inter-village romance, because you have to assume that's not been a common thing but it's barely commented on once it starts cropping up within naruto's generation. especially when it's two figures of shikamaru and temari's stature! I just want a bunch of fun political dramas between these two that aren't painfully heteronormative and lets temari level a forest or two, is that too much to ask for

8. sasori/deidara: look, I could have included any number of akatsuki combinations here. I think they're all fantastic, I enjoy them in canon, I have read a lot of fic for them. I think I read more itachi/deidara fic than sasori/deidara, but that's also just kinda dependent on where the fandom has gone with these characters. this is the gold standard akatsuki teammate pairing: memorable, charming, bonkers. like, they're artists, but they have this fundamental philosophical divide because one is in love with things being temporary and the other with things being eternal... which is expressed by having one blow everything up and the other making himself into a puppet to live forever... that's cinema right there. this dynamic immediately bangs in canon because they just have such easy antagonistic chemistry. they really are both the type of guy who would drive you absolutely insane with their stupid fucking art debates. they're just such vivid characters with such distinctive voices and worldviews... you kinda want to play around with them, right, like they're just fun!! I love them!! obviously also great for au's, like they are annoying grad students they just are... idk I luv them, both platonically and as a ship. how do they work out romantically.... well, probably they don't, unless in a heavily au scenario. they're also kinda on the opposite ends of the... idk what to call it, libido spectrum shall we say, where deidara has got this whole tongue situation and sasori is frozen in this arrested, sterile youth. you kinda need to get weird and freaky with these characters, right, and try to figure out how they would navigate their respective situations. but see, isn't that something that just gets the imagination going! one's a small waif puppet lurking inside a big hulking puppet, the other's got tongues in his hands, doesn't that just stimulate the creative mind. if sasori fell in love with deidara, he would want to make him into a puppet... limitless potential

7. sasuke x itachi: now, listen, this one's a bit of a mess. both of their characterisations become increasingly messy as the series goes on, which given how much of their characters are about each other becomes a kind of downward spiral into incoherency. I'm still not entirely sure what the series' moral stance on itachi's actions is supposed to be - which, look, I'm not saying you need to have a moral stance on everything, but you should try to have SOME kind of coherent framing of the whole ordeal that goes beyond 'wow, that sure sucked for everyone involved'. all this means you can kinda go one of two ways with this dynamic: either you ignore the shippuden twist, or you don't ignore it and let itachi have his 'reasonable motivations' for the uchiha massacre. I do tend to accept this twist... it does give a good explanation for why itachi left sasuke alive beyond 'he wanted to steal his eyes'. my stance on the whole thing is that itachi's heart might generally be in the right place, but he made a truly awful choice and the narrative will never be able to convince me otherwise. if you go from there, you do have a very compelling set-up for that sibling relationship. sasuke is the only person in the world who itachi loves unconditionally; he's protective of his baby brother in a way he simply will never be of anyone else. whereas sasuke has always been defined by itachi, first existing entirely in his shadow and then dedicating his entire life to killing him... itachi is devoted to sasuke and sasuke cannot escape itachi. that's good stuff! classic older sibling/younger sibling dynamic... it's just a dynamic that's so foundational to both of them that even in fics that aren't about that relationship specifically, it's basically unavoidably THERE. the canon is a mess, but the emotional truths that underlie it work

6. minato/kushina: from a storytelling standpoint, I hate naruto being minato's son. naruto's parentage reveal kills his underdog credentials dead in the water and it's very... well he was always gonna be an ultra special boy, wasn't he. like it does kinda destroy the character. unfortunately, I can't ignore his parentage because I do simply love them. yes, this is another relationship that suffers from that thing where all the writing of women is kinda awful. I don't mind their meet cute being kushina's damsel in distress moment when she's being kidnapped - but given how little screen time they have, kushina's badass status ends up being very much an informed trait. let's just take it as read that every woman in this series is done dirty. in any case, the appeal of minato is that he is fundamentally a wife guy. he is kushina's number one fan and wants to live his life being kushina's number one fan. he's also not from a super powerful clan, which I really like; he ends up embodying the democratic ideal that naruto was supposed to. he's also really big on the whole 'gentle smile, kills so so many people' thing, which is always fun imo. kushina gets introduced as this feral naruto-esque girl - and with that sort of thing there's always a massive danger of the girl being like... feminised beyond recognition and concurrently being reduced to housewife status. now there is a little bit of that with kushina, but in my head there really doesn't have to be. in a way, they're really too bland and boring for me to love them as much as I do... they're sweet, though, and I adore team minato. plus, I'm always a sucker for a tragic heterosexual arc

5. hashirama/madara: these two were in love with each other. obviously they were. there's three separate ships on this list that basically function as 'tragic backstories'; this series has a lot of strong tragic backstories. perhaps that's partly because those stories are already for the most part 'finished' by the time they are narrated to the audience, which means we're generally spared any of what this series considers character development. I'm pretty sure I've already posted on this blog before about my dislike for the entire uchiha curse situation and there's definitely quite a lot of annoying things about madara's character too, but luckily most of them don't impact the backstory too much. I love how sweet and innocent they are when they meet, how they're just immediately enamoured with each other, how fate and circumstance conspires to turn them against each other, how they eventually flip the script and irrevocably change the world with their idealism... I just love the kind of rivalry that produces a pair of giant gay ass statues guarding a waterfall. now, as stated above, I don't like the idea that madara ends up fucking it because there's something cursed about his blood. this kind of determinism manages to be both boring and kinda troubling if you think about the implications for more than two seconds. it also sets up naruto and sasuke breaking the cycle, without any indication of why those two specifically manage to break it - sasuke is fundamentally not in a place where he would be closer to breaking it than mr teenage political revolutionary madara. sasuke was accidentally radicalised, my man madara was already there from day one! this story works the best imo if you've got two fundamentally well-intentioned idealistic blokes who have also been traumatised by war and have never entirely been able to let go of the war in their minds... just gradually letting the peace they built slip away. fewer bloodline curses, more generational trauma. I understand bloodline curses can be metaphors for generational trauma, but it's really not here. it just doesn't work. I don't really read a lot for this ship because it's one of those where I have a very specific idea of how I think this dynamic works and the fic out there I've read doesn't quite meet me where I am. but I do love the backstory, do love the dynamic, do love the vibes. plus, cool power match-up

4. sand siblings: my kids!! they show up to konoha, they bully a bunch of the homegrown brats, then they start murdering children in the forest. love a good sibling dynamic and this one has such a fun and unique flavour... beleaguered eldest child temari, snarky and mean and confident but also way out of her league, annoying middle child kankuro who plays at being cocky while also having to reckon with his fundamental lack of power, and lonely youngest child gaara, who initially barely seems to see the other two as siblings at all. obviously, the real meat of this dynamic is that temari and kankuro are absolutely terrified of gaara, who despite his age functions as the de facto leader of their team. it feels quite rare in-universe to have teams that consist of siblings, with a bit of separation between the hierarchical military command structure and actual blood family that actually feels like quite a good idea. suna clearly don't believe in that shit and instead have decided to force these three into what just feels like a horrendous situation for everyone... it's essentially an extension of their childhood household - where temari and kankuro were taught to treat gaara with mistrust and contempt before eventually learning to fear him, while gaara is given little reason to expect any kind of familial affection from his older brother and sister. good and gritty abusive family dynamic... obviously none of these three kids are really to blame with how fucked up that relationship has become, but also all three have understandable reasons to be wary. their early canon dynamic is so interesting, where they're like... kinda comfortable around each other, are mostly quite distanced and professional when interacting amongst themselves and let more of their personalities show to outsiders than each other... kankuro and temari forming a little bit of a united front in containing gaara, but mostly they're just united in their fear of their baby brother... it's compelling! I am compelled! now, I've already given the sparknotes of my issues with gaara and temari's later development and the same broadly holds true of kankuro, plus their relationship in general. they just basically all seem quite fine with each other after naruto's done his talk no jutsu thing. the whole 'gaara becoming kazekage' thing was always a bit weird to me... even in the military dictatorship universe, gaara does not have the prerequisites for that to be a good idea in the slightest. if anything, it does kinda feel like temari should have gotten that job - and I'm not too fussed with her getting it, I actually like her mirroring shikamaru in taking more of a supportive role that allows her to have a little more freedom, but maybe kankuro...? idk, I know it's supposed to be meaningful and emotional because, oh, look at how they've accepted the jinchuriki, but this is the bit of the magic ninja manga that just completely breaks my suspension of disbelief. just ends up falling kinda flat to me. it also ended up unnecessarily preempting naruto's whole thing? weird weird choice, still don't like it, basically I like nothing about the sand siblings writing from shippuden onwards. do love them, though! long live dysfunctional siblings

3. naruto/sasuke: the thing about this pairing is that, look, they are basically canon. naruto is extremely down bad for sasuke and in turn he seems to be the only person sasuke still somewhat gives a shit about. that man certainly doesn't give a shit about sakura... I have read and enjoyed ot3 fic for team 7, I don't inherently think sakura/sasuke is an awful ship or anything, but the way canon does it is just. well. no. anyhow, it's kind of hard to give a concise summary on my take for this pairing in a way I've been doing for the other items of this list, because doing so would basically amount to 'summarise the plot of naruto'. it's the central dynamic of the entire series... their conflict, the different paths they end up taking, whether they can find their way back to each other or not. I've already complained about the actual execution of this arc before, but man are they conceptually compelling. it's sasuke throwing himself in front of haku's needles to save naruto, it's naruto throwing himself in front of a massive snake to save sasuke, it's them taunting and challenging each other throughout those early arcs... the rooftop fight as a furious, terrified sasuke tries to understand how he could have allowed naruto to catch him... the valley of the end, when naruto reaches out and points out all the similarities between them - and sasuke rebuffs him, telling naruto he understands nothing of loss... again, the whack morality of this series does limit the effectiveness of the storytelling because, not to get all edgelord 'sasuke was right' here, but low key... sasuke was right much of the time. he also never actually sunk low enough... the series' stance is that his dedication to his quest of vengeance was basically fine, but the issue was that he didn't go about it with the power of friendship. which, sure, but... idk man. the series kinda lost me when it tried to portray the uchiha massacre as some sort of noble deed. it really lost me with all the curse of hatred stuff. the series never sold me on why these two specifically manage to break the cycle, which is kinda impressive given how much naruto goes on about sasuke over the course of the series. but mooning over an uchiha boy is not enough! this list features multiple instances of a character mooning over an uchiha boy. where I'm at with this pairing is that I passively enjoy it when I'm actually engaging with the source material, don't necessarily seek out fic for them even though obviously it's just... there in a lot of stuff, but do very much conceptually enjoy them. I think it's cool that naruto's gay love changed the ninja world. that's very valid of him

2. kakashi/obito: the impact that finding out kakashi's backstory had on eight year old me needs to be studied. it was one of my absolute absolute favourite bits of the manga to read, just like half a volume that tells this little tragedy of team minato where you have so much of the story still missing but it's sad and horrible because it's kakashi!!! the immediate intrigue of having this naruto-esque uchiha who wasn't in the usual mould of prodigy, but instead only tapped into his potential at the moment of his tragic death. the way he changed kakashi's entire outlook on life!! he saved kakashi multiple times over in his moment of 'death'... idk it just tells you so much about kakashi so quickly and it does all feel like a logical explanation for why the character is Like That, so congrats there. and then, the reveal - well, I was always going to be up for that. tobi is just an inherently funny character, just continuously makes you go 'what is your deal' and 'why are you like this'. he's so whack that he really lends himself to just like... being kinda obsessed with kakashi, stalking him around and all that. really solidifies how basically the only bits of shippuden worth engaging with are the super akatsuki-focused ones. and then the reveal!! the tragedy of it all!! look, I'm always going to raise an eyebrow on a ship that relies on the death of a woman for the emotional whump, and I change my mind a lot about how to tackle the rin problem (I do love her, but mainly just the version of her that exists in my head - canon does not give us A Lot) (and in general I am very up for team minato content). all that being said.... I'm gonna be real, I love that backstory too. I don't think it's executed all that well, obito's emotional arc is a bit of a mess, but the twelve year old boy in my heart finds the scene where obito comes across rin being killed by kakashi and murders everyone there minus kakashi so extremely sick. and the fight between kakashi and obito is clearly the best thing that happens in that entire endless bloody ninja war. doubles down on the pathos with the sad music and all that shit, and it actually kinda works for me. I think kakashi should get to redeem his childhood rival turned deranged enemy and live happily ever after with him, as a treat

1. sakura/ino: in many ways not really the type of dynamic I usually go for, given the animosity between them is... y'know, not that serious and also a bit of a non-issue post time skip. like with many things in this world, I have this version of the story that exists in my head where their rivalry remains like... a major part of the story throughout. anyway they mean the world to me... this imbalance between them, ino with the clan heritage and the popular cool girl vibes protecting the shy little common brat with the big forehead... I like that they had a stupid argument over a boy and made it into this insane competition about who will be the best ninja. I like their chunin exam fight!! in-universe it's kinda mid-on-mid girl-on-girl, but in the version of this series that exists in my head and allows the women to actually be equally powerful to the blokes... idk isn't there something insanely romantic about them matching each other perfectly, about their mental tussle, how sakura overcomes the combat advantage ino holds due to her upper class status through sakura's sheer force of will/derangement... basically I think they should get to challenge each other and maybe also attempt to kill each other? my ideal sakura arc is one that really leans into her normie status and gives her some girl power wish fulfilment in spite of it. you can have her fully rebel against the status quo and have her sympathise with sasuke, you can have her go the tobirama-esque hardliner route, the prejudiced genius who will do anything to defend her village and reform it in line with her standards, or you can have her go the more academic route where she does a bunch of weird medical experiments idk. (the three genders: madara, tobirama, or orochimaru.) or, well, that's how EYE saw her development going - I just think there's space for something a lot more substantive than 'what if tsunade, but without all the genetic advantages and political power'. idk! with ino, my god... she's already linked to the interrogation department... they made her the obligatory girl medic when she should be working with the torture people... to me conceptually ino should always end up working in opposition to sakura whatever route you want to send her down. and you need to include as much mind fuckery as possible, because it's fundamentally fun and valid to have a ship where your two characters can do deranged things to each other in their brains. anyway, look, obviously all of this is straying pretty far away from the canon dynamic. sakura has that female main character thing of not being particularly well characterised and easy to project onto, which means you can kinda do whatever with her - and obviously I have now kinda been doing whatever with her for many years. I do think they're neat. I stand by them being neat

[platinumrosetail]

My art doodles:

My persona/mascot oc:

Oc outfit design, mythology version of my oc

Pokemon:

My mew oc

Genshin:

Minecraft:

Jttw/lmk:

Naruto:

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Mlp gen 5 genderbend opaline

Others

X reader stuff:

Mew!reader part 2 redesign, hoopa!reader

[friend-of-a-cat]

I've created a SK8 OC, but they only currently exist in a bunch of dot points in the Notes app on my phone because The Urge hit me the other day during a long car trip (I piled into my housemate's car because we were both going to our home city at the same time for different reasons) and I had nothing else to do. You bet they're in a polycule with Reki and Langa lmao. I don't even think I've ever made an OC and shipped them with canon characters before, at least in a romantic sense. Now is my time to shine.

[cherrysnax]

okay one last thing abt naruto, I rlly wanna read the manga but everyone and their mom says that once u do you’ll never go back to the show 😭

[evilkitten3]

#both sound very good topics mutual!#it’s hard to choose tbh 😂#but Izuna having a susan’oo! I need to read this

izuna it is!

so tbh i've gone back and forth on this in my head bc i really don't think everyone needs to have a susanoo (case in point, shisui. why would you give him that. it adds nothing and only makes him look like an idiot for not using it when danzou was trying to yoink his eyeballs), but ultimately i came to this conclusion for two reasons:

first, it's canon that a susanoo changes once you move from the regular mangekyou to the ems. to illustrate this, here's sasuke's susanoo in chapter 484 (i'm pretty sure it's 484, it's definitely volume 52, but unfortunately i don't own that one yet):

compared to his susanoo in 574, after implanting itachi's eyes:

iirc we first see sasuke's incomplete susanoo at the five kage summit in chapter 463 (according to the wiki; unfortunately i don't own volume 49 either), well after he awakens his mangekyou in chapter 402. the third databook states that one must be able to use both amaterasu and tsukuyomi before unlocking susanoo, although if that's true then it's only the case for itachi, as no one else has ever used tsukuyomi ever, while just about everyone has susanoo. however, the implication is that there's a learning process, which neatly slots into sasuke learning to both activate and extinguish amaterasu at different points in time (and with different levels of intent. stop putting your jutsu in people without asking, itachi, it's really weird).

my second piece of evidence is what madara says the first time we see his susanoo (chronologically, during hashirama's flashback): ���この前の傷が元で弟は死んだ・・・うちはを守るためにオレに力を残して！」 "my little brother died due to the wound from last time... he left me the power to protect the uchiha!"

now, we never see madara use susanoo pre-ems, so we have no idea what it looked like before izuna's power was added to it. my theory is that it looked similar to this:

but we really don't see much of the other face at all. the best image i could find was this one:

the back face is hardly ever seen by the viewer, and it's not visible at all in hashirama's flashback. i actually went back and checked just to be completely sure, and yeah, in every single susanoo panel in the flashback, the second face is completely obscured. when he first summons it after izuna's death, the angle is such that the second part is almost impossible to see at all

i think this serves two purposes - first and most obviously, as a physical manifestation of madara's deep-seated trust issues. he can't fully put his faith in anyone else. however, in spite of hating having people behind him, when izuna's life is threatened in their childhood, madara flings himself in front of him without hesitation.

(sorry for the poor quality, that's what i could find. believe me, it's better than it would've been if i'd just tried to take a picture myself lol)

as much as madara dislikes having people stand behind him (and thus dislikes being in a position that would require such a thing, like being a leader), he puts his love for his family - especially his little brother - over his personal discomfort.

so to me, the double-sided susanoo is a representation of both madara's inability to trust others and his desire to keep what he loves shielded with even his own body.

side note: the seals the susanoo face i view as madara's original is making when he summons it in the fourth image appear to be the mirrored ram seal, which madara also uses to become the juubi jinchuuriki (so does obito) and after that to throw lightning out of his hands like he's emperor palpatine or something. the seal the rear face is making appears to be a version of the ox seal, although with the palms pressed together rather than being perpendicular and all of the fingers folded. possibly this is due to madara's susanoo's hands having six fingers rather than five, not sure.

so i've been thinking about the susanoo and i can't decide if i'd rather discuss why the anime changed itachi and sasuke's respective susanoo's colors or why the second susanoo on the back of madara's is definitely izuna's and was not there pre-ems

[frankencanon]

I'm curious to see how the results will change now that the top contenders from each poll are all being pitted against one another!

—

※ Why were these specific characters chosen?

All of the characters above were taken from the top six results of the two preliminary polls.

※ What do you mean by "best protagonist"?

Which character would you most prefer to have in the role of protagonist?

What sort of personality, backstory, attitude, skills, motivations, morals, and various other traits would you prefer for the protagonist of a shounen series to have?

(It's also fine to just vote for your favorite character however since "likability" is, afterall, a very important, very vital part of being a protagonist...)

—

The results are in...!!!

The Best Shounen Protagonists as Voted by Fans are... 🥁

Top 3:

1. Edward ‐ 1,886 votes

2. Luffy ‐ 1,653 votes

3. Mob ‐ 1,420 votes

Runners up:

4. Maka ‐ 534 votes

5. Gon ‐ 376 votes

※ The vote counts were estimated based on the total number of votes multiplied by each character's percentage.

[oraclesblog]

Sakura Blossoms

One of the most significant character moments for Sakura Haruno in the original series of Naruto remains one of the most misunderstood. This can, no doubt, be attributed to the fact that a large portion of shonen fans are incapable of understanding any form of writing that isn’t surface-level and doesn’t have to be spoon-fed to them. Many view this scene as an example of illogical decision-making by Sakura because she had an “opening” to stab her opponent, as shown here:

However, Masashi Kishimoto goes out of his way to provide two specific reasons as to why this approach wouldn’t work: a practical reason and a symbolic one.

Practically speaking, it is explicitly stated that had Sakura attempted to stab the Hidden Sound shinobi, it wouldn’t have worked.

It was also established very early on that there was a massive power imbalance between the two and that, no matter what Sakura did, the Hidden Sound shinobi would always have a counterattack because they were more skilled and had more experience. Hence, instead of using the Kunai to stab her opponent, as this particular Hidden Sound shinobi expected, Sakura decided to cut her hair—not only to catch her opponent off guard but because Sakura herself knew that stabbing her wouldn’t work; she’d simply be overpowered.

Symbolically speaking, the reason Kishimoto had Sakura cut her hair (the most important reason and the entire purpose of the scene in the first place) was to signify the beginning of her character arc. To understand this, we need to look at Sakura’s initial character traits and the perceptions she carried at the start of the series.

Initially, Sakura is introduced as a superficial, appearance-obsessed, boy-crazy girl who has a no real understanding of what it means to be a shinobi.

She even outright admits to already considering herself a full-fledged ninja despite having done nothing to earn that title.

This false self-perception is what leads Sakura astray compared to her teammates. She becomes disinterested in the idea of training to become stronger and doesn’t work for the skill she so desperately needs at this point in the story. In her mind, there’s no point in training if she’s already graduated the academy and become a “full-fledged” shinobi. Her own arrogance and naïveté on the subject even lead her to believe that she’s fully superior to her teammates on Team Seven.

However, as the story progresses, we see Sakura’s inexperience in battle and taijutsu, combined with her misguided priorities (particularly her obsession with Sasuke) and her arrogance regarding her own self-perceptions, make her overly reliant on her teammates. This not only makes Sakura a burden to her team but shows the consequences of her actions, behaviours, and beliefs.

The forest of death arc is so crucial for Sakura‘s character, as it pushes each member of Team Seven into moments of growth. For Sakura, it where she learns the true meaning of being a shinobi and the trials and tribulations that come along with it. Sakura is put in a situation where she’s forced to fight on her own for the first time in her life to protect her two teammates. As she does, her enemy grabs her by the hair, trapping her. With no escape, Sakura takes her Kunai and cuts her hair.

In this moment, Sakura is physically cutting off an aspect of her identity that aided in the superficial virtues of her character, both physically and emotionally. She is unbinding herself to the girl she used to be, freeing herself of her negative qualities and traits, and most importantly, her false self-perception regarding the identity of a shinobi. The act of haircutting within literature can carry various meanings, but the most common symbolism behind it is to mark a character’s transition into a new stage of life. In Ancient Greece, it was tradition to cut one’s hair as a sign of mourning, symbolizing a positive or negative change for the character. In Sakura’s case, she is “killing” her past self and mourning this loss through the act of cutting her hair, while also stepping in to a new sense of self with a clearer understanding of what it means to be a ninja and the harsh realities that follow it. That’s why this line:

Is so important because it serves as a representation, both figuratively and literally, that it’s Sakura’s turn to step into the role of a true shinobi—to be someone her teammates can count on and, most importantly, to say goodbye to the girl she once was.

What’s more is that we actually see how this character development impacts Sakura’s throughout the series. The Forest of Death scene is more than just words; it marks a transition she carries forward, not only becoming someone her comrades can rely on but also becoming someone who understands the deeper nature of things and people rather than viewing them through a superficial lens. This growth is especially evident in her desire to become stronger, seeking out training from a Sanin, and in the way she begins to see Sasuke after the Forest of Death. Instead of viewing him merely as an attractive classmate she has a crush on, she starts to see him for who he truly is—a traumatized boy falling prey to his own pain and going down a dark path. This new perception makes her want to help him, both physically and emotionally, rather than simply wanting to make him hers, as she did initially.

Ultimately, this scene is what gave Sakura the development to become the character she was at the end of the series—a strong kunoich and a true, full-fledged shinobi, as well as someone who can genuinely understand the pain and trauma of others.

[tentenarchive]

In Defense of Tenten - the Chunin Exams' Written Test and Her Mirrors

A common joke made about Tenten is how obvious her mirror and line contraption, used to share answers with Rock Lee during the written exam, is. In this post, I'll show how her solution is perfectly reasonable and why she wasn't disqualified by the ninja proctors.

Firstly, we have to stablish what the objective of this written test is: to cheat. The written test was designed to be too difficult for ninjas of their level to be able to answer, forcing them to cheat from each other. Such is stated by Ibiki in the end of the First Phase chapters:

Next, the proctors are all higher level shinobi, better prepared and used to seeing various tricks and jutsu. It's not an stretch to suppose they're aware of EVERY cheating attempt made by those Genin, but were responsible for judging if their technique is too sloppy, obvious or ineffective.

My theory is supported by this scene, where Izumo eliminates one of the ninjas doing the test, claiming he took "five strikes".

It implies the competitors are allowed five errors before being disqualified, and one of the eliminated Genin makes it clear to the reader the "five strikes" are five times being caught cheating.

Naruto is also implied to be caught almost cheating when Hinata offers him her test answers (it can be interpreted either as Naruto being closely watched or Naruto's nerves making him think like that, half the proctors' job is to scare the Genin) and even then he is not automatically removed.

Tenten's technique may be obvious for us, as readers who have been shown by the author himself how she did it, but it's a single and successful attempt, and it's not commentated by any other characters, meaning no one caught on her besides the proctors, and they would only disqualify her if she did it more than once (which wasn't needed, she found the mole with all the answers!).

A pettier criticism i've "how isn't anyone seeing the lines?" to which the answer is very simple: manga is a visual media and the author needed the audience to understand how she was manipulating the mirror. If you take in consideration Tenten's fight with Temari in the anime - which is filler, btw, and it's up to you reading this to decide if it's a fair assessment on their abilities or not - she's shown using invisible lines to manipulate her weapons after throwing them. The lines are, conveniently, only visible when the animation needs us to understand how the weapons are moving backwards. Any other frame they're invisible.

You can see in the panel how the lines fade out towards the bottom and only show where they're attached to the mirror.

Finally: that's exactly what Ibiki expected the genin to do. There have been a few posts, specially on twitter, asking "how are you supposed to pass if you don't have a kekken genkai??". Like Tenten. That's how.

Kankuro and Tenten are the only characters which Kishimoto showed us cheating that didn't use an exclusive DNA super power. Kankuro and Tenten both use hidden threads, one uses chakra lines for puppetry and the last manipulates mirrors. They also pass their answers to their teammates, Temari and Lee.

(Sakura is the only confirmed character to do the entire test without cheating. Congrats Sakura!! You could argue Hinata used her byakuugan to cheat like Neji, but if you think she did it by herself, I will give you the pleasure of congratulating Hinata too. Congrats Hinata!)

Tenten's method was practical, and used her specific skill set: summoning and kunai work (where do you think the mirrors came from? a scroll, that's for sure). It was probably set up before the test started, during the commotion Team 7 created with their arrival. We're not shown it because Tenten is a tertiary character and Kishimoto wouldn't invest 2-3 panels of set up for a 3 panel sequence pay-off that works by itself very well. She is smart, did great and made sure her teammate was not left behind.

Tenten is not even the most absurd method used in this exam, so, as a treat, i will show you, in order, the most obvious cheats shown in the manga from least to most!

Sasuke's Sharingan If you're a ninja from the Leaf Village, you know who Sasuke Uchiha is and what a Sharingan is capable of. Unfortunally for him, the Exam is being held at the Leaf Village and all the jounin and chuunin there are from the Village. Any proctor looking at his direction in a position in front of him could see clearly his eyes and know exactly what he was doing.

Neji's Byukuugan Like the Sharigan, you can physhically see when it's activated, with the downgrade of being noticible by people sitting at up to 95º from him, as the veins are visible on the sides of his face too. A fair trade for the ability to see better than the Sharingan, even if you're not able to copy, in my personal opinion.

Ino's Mind Transfer Jutsu The jutsu's hand signal is simple and can be missed, but it's still obvious for any Konoha ninja watching, it is a very recognizable ability. There's also the higher chance of Ino being caught since she needs to do it three times (once for getting Sakura's answers, twice to pass them to Chouji and Shikamaru). Besides, the "dropping dead on the table" thing can be disruptive in a mostly silent classroom.

Akamaru and Kiba's communication Akamaru is barking all the way through the exam, and while the balloon used for the text is the one for thoughts, it's also the same used for whispered conversations up to this point in the manga. The anime makes the barks happen in the real world, and not in their thoughts, and as far as i could find, Kiba can understand dog language but there's no psychic talk between them. By the noise alone he could be caught. I think he wasn't expelled just because a full conversation between dog and human is a novel enough ability to not be considered by most ninjas unaware of the Inuzuka clan's special abilities.

The Most absurd one: Kakuro and his Puppet He put an entire guy no one knows and has never been seen in a room where all the authorities are from the same village and have, at least, a vague knowledge of each other's existence. To increase the absurdity, somehow everyone let Kankuro use his own puppet to guide himself to the bathroom. I cannot express enough how unlikely it is that, in a real info gathering mission inside a single room where all the higher rank ninjas are exclusively from the same village, Kakuro's plan could work. Most decent sensors could also catch the chakra line's signature.

I'll give it to him, making the puppet talk helps with the disguise, but it only fools his fellow attendees, not the proctors. He's too confident that he didn't raise any alarms.

But Ibiki goes as far as insinuating he knows (and has known from the start) about the puppet's existence when Kankuro comes back from the bathroom.

If Kankuro was able to finish the test and not get disqualified, even if he had what I consider the most obvious cheating attempt from the named characters shown, it's fair game for Tenten and all the other important cheaters. Besides, it's a single attempt at cheating, even if it required an entire prep work for it, so it doesn't matter if all the high level ninja's are aware, that's not enough to kick him out.

I cannot leave out the meta reasons why these characters weren't removed from the class: they're important to varying degrees to the story and they need to advance through the first phase to keep readers engaged.

Regardless of how absurd I think Kiba's and Kankuro's methods are, they need to go all the way to the fight tournament after the Forest of Death, where they have important roles to fill: Sasuke and Naruto are main characters and are prioritized by the narrative; Ino and Sakura will have an important character developments and flashbacks during their fight; Neji has an entire arc that only concludes all the way in his fight against Naruto; Kiba is the rival for Naruto in the surprise fighting tournament and he is one of the few characters able to match Naruto's silliness so he can win in a silly way; Kankuro and Tenten are both part of the two strongest cells present in the event, the Sand Siblings and Team Gai, both introduced as real threats to Team 7, and having anyone from these cells lose would undermine the narrative created around then. All of them would get through anyway.

Tenten losing against Temari in future parts of the Chuunin Exam has narrative importance too, a fight I will cover in the next In Defense of Tenten, but in short Tenten was introduced as a threat alongside Neji and Lee, her abilities and experience surpassing Team 7's. Having her lose against one the Sand Shinobi serves to show how big their gap in power is: if someone more experienced and well trained than them can't win against them, Team 7 has no chance. It's part of the build up for the future Naruto and Gaara fight, and the suspense about their real strength (since the fight doesn't exist in the manga, only the result is shown).

Conclusion: people are overly critical of Tenten because she's seen as a "lolcow" in the Naruto fandom, in part by the bad adaptation of her fight with Temari to the anime, which poisoned any feat of hers before and after it; but also because Naruto and Boruto don't give satisfying ends to any of the original female cast besides Hinata (she marries the man she loves and becomes a housewife away from the battlefield, an honorable decision i will never shit on, she never wanted to be a ninja and is a kind mother and wife, good for her!) so all female characters are seem as weak and useless when compared to their male peers. Naruto is a work riddled with undercover misogyny, never out right stated but always preventing the girls to achieve any meaningful resolution or permanent development.

That added to the ever expanding powerscalling abilities and fights make characters with simpler and down to earth abilities and feats outdated by its own universe. Knowing how big the Naruto fights and jutsu get in the future make people look down on crafty solutions like sealing scrolls, kunai and mirrors, when that is a perfectly respectable solution within the series and matches the powerlevel presented this early in the story.

Tenten is not weak, or bad, or useless. She's misrepresented by the most popular media consumed: the anime, and further misunderstood by the fans of said work. Large fandoms can be allergic to text interpretation and infighting is stimulated to the point fans of smaller characters are bullied off social media and forums (i.e. the forum where I got the list of all chapters Tenten is in is filled to the brim with comments about how OP should move the topic to "fan works" since no one would want to read about it in the canon work page, or how the mods shouldn't allow him to have a thread). I respect Tenten's feats, as well as other small characters', and refuse to be fed the same "uselessness" narrative this fandom always had, because i actually enjoy Naruto, even if i have many problems with it, and I take it seriously.

She did great.

[sassykinzonline]

when people talk about naruto's repression they kind of miss a crucial element which is that it actually makes complete sense.

firstly from the power perspective, simply put, by its very nature he requires repression to function on a most basic level. this is opposite to the sharingan, which thrives on huge displays of emotion. im going to assume that the reason this is missed is because it runs counter to the personality traits each character is known for: the "emotionless, calm and cool" one actually is constantly accessing and expressing the most powerful of emotions, and the "expressive, empathetic and emotionally honest" one is actually warring with letting true emotions come to the surface. comparatively, when you look at starfire and raven from teen titans, you see that their personalities reflect their power. starfire is bright and expressive because thats how she best accesses her powers, and raven is subdued, controlled and calculated in order to control her powers. this means that contrary to popular belief, naruto isnt starfire-- naruto is raven. there are actually a few moments where you are subtly shown just how calculated naruto's displays of emotion are, and how they are reinforced in such a way (context is naruto being saddened that his request for parental affection was rebuffed):

which brings me to my second point: socialization. this part is straightforward. from itachi actively causing and incentivizing hatred and anger, to various mentors/people of influence (eg. kakashi) remaining silent at clear expressions of violent anger-- these negative emotions are not punished or discouraged when it come to the context theyre in. why? they are beneficial to the agenda of various characters. the revenge plot only starts being punished when its disadvantageous to the state. remember that there is a monetary value attached to the murder of itachi uchiha, and this is actually a common way to earn money. when you look at naruto, there is never a single instance when naruto is encouraged or even tolerated for having these emotions. the only exception who does this leaves him due to their own parallel struggle (side note: this is why naruto distinctly says the reason for his obsession is that this person accepted him more than anyone else, given this person is the only one who saw naruto's pain and anger and actually blamed his aggressors for it). naruto, raised implicitly to know that everyone seeks to be a tool of the state, and that in his case this is not just a choice but a requirement for his humanity. iruka's acknowledgment of naruto comes with an indication of possession, implying conditionality. people like kakashi, hiruzen, and others in positions of influence witness the abuse he faces, and ignore it or groom him into accepting the idea that he should appeal to his abusers for eventual acceptance. naruto meets gaara, someone with the same condition as him, but with radically different circumstances. whereas naruto's condition symbolically papers over his pain over time, gaara's is self-protective and defensive against his pain. gaara also occupies a position of power as the member of a royal family, and has siblings who are afraid of him but do hold some level of affection towards him. gaara's feelings of loneliness, while rational, come from a different place than naruto's. for gaara, he is surrounded by community that he doesnt know how to access. naruto has no community, he needs to find a way to forge one, but even when he does it is superficial. this dynamic is repeated in his introduction to killer bee, who from an early age is granted family and institutional protection. this isnt to say that the treatment of jinchuriki is ethical or healthy, but that naruto's situation is actually uniquely oppressive. kushina is the closest naruto gets to someone who validates this pain, but she cannot truly relate to him because she is never cripplingly alone (again, not to say her life was not difficult or oppressive or traumatic) and the object of her affections returns those feelings consistently and early on. naruto's trauma is thus compounded over and over by the conflict his need for his specific love interest causes: naruto is only tolerated as a weapon of the state, and in order to be an effective one he needs to love and be loved, but his love interest who allows him these negative emotions is an enemy of the state, leading to further isolation/tension from the state and pushing him towards the love interest.

as such, i actually think naruto does remarkably well at balancing this conflict and tension in a way that keeps him functional. though, obviously and eventually the compounding of his trauma and the repression of his pain is something that needs to be addressed. the only person who is capable of doing this in a way that puts naruto's wellbeing first ("when i saw you in pain...i also felt pain" and the subsequent frequent moments of protection and defence) only reunites with him at the end of the manga, so you never get to see that actually happen.

im assuming the reason why a lot of this is missed is partially because through framing this repression as positive through the majority of the manga (aside from naruto's own personal thoughts), the reader is never really forced to decide how they feel about the concept unlike the inherent conflict of the radical revenge plot. the other part is the grander, underlying allegory in the naruto story which is the varied manifestations AND expressions of trauma. through readers' responses and attention to certain individuals in the naruto story, you can learn how they relate to and look at trauma. to me, naruto himself is actually the example of a trauma victim who shows a brave face and thus isnt recognized. naruto is the woman who puts on makeup to cover the bruises to go to work a day after she is assaulted. who tells herself that she must have some part in it, so it isnt abuse. maybe she grew up in a family where no one answered when she cried, so she learned to keep it moving and stop crying.

lastly, on a greater scale, people also forget a crucial aspect of "yin/yang" is that things with a large properties of one, by nature will also come with a small amount of the opposite. thats what the smaller inner dots represent.

a more surface level example of this is that naruto's face is brash, large, and masculine-- these are yang traits and they are predominant in his appearance. however, looking closely at his rounded cheeks and eyes and the soft nature of his eye colour, there are subtle yin elements. naruto's "positivity" or "optimism" is fueled by a certain level of negative repression.

[tgcg]

part 2 of something specific

CG: I’M GOING TO NEED TO WATCH THROUGH IT AGAIN TO REALLY HONE DOWN WHAT I THINK OF IT, BUT FUCK IT, I MIGHT AS WELL SHARE MY THOUGHTS NOW SINCE WE’RE FRESH OFF OF WATCHING IT.

CG: SO, THEY’RE ACTUALLY A REALLY FASCINATING EXAMPLE OF RED ROMANCE. I’D GO SO FAR AS TO SAY VERY SUBVERSIVE OF ALTERNIAN UNDERSTANDINGS OF THE SORT, COMPARED TO WHAT YOU’D USUALLY SEE IN FICTIONAL MEDIA. IT’S LEVELS ABOVE THE TYPE OF DYNAMICS I WOULD TYPICALLY SEE IN MY NOVELS, DISREGARDING THE QUALITY OF VACILLATIONS AND YOUR QUOTE-ENQUOTE “POLYAMORY” PRESENT. BECAUSE SAKURA’S POSITION IN THIS IS PRACTICALLY POINTLESS, BUT I DIGRESS.

CG: ACTUALLY — THAT WAS KIND OF FUCKED UP, BY THE WAY. WHY IS SHE WRITTEN SO POORLY?

TG: remember when i told you about misogyny

CG: I WILL NEVER FUCKING GET THAT. OUR MOST POWERFUL FIGURES WERE GENERALLY GIRLS. HOW THAT TRANSLATED SO FUCKING TERRIBLY IS BEYOND ME!

CG: AND HOW THE SHIT DID THE UNIVERSE *I* HAD A DIRECT HAND IN CREATING END UP BEING SO MIND-BOGGLINGLY BACKWARDS ABOUT ROMANCE?

CG: DID NOT EVEN AN ERRANT TRICKLE OF MY INFLUENTIAL THINKPAN OOZE MAKE IT THROUGH THERE? AT ALL?

TG: not even a droplet my man we decided to be equally anal about other stupid shit i guess

CG: NO KIDDING!

CG: ANYWAYS.

TG: if yall managed to get through that door and reign supreme over the human race for lip smackin eternity you know mens and womens would be macking on each other in various gender arrangements with gleeful wild abandon 

TG: itd be a goddamn utopia

CG: FUCKING EXACTLY! BUT INSTEAD I’M HERE. DOING THIS. WITH A GOD, UNIVERSE PENDING. INSTEAD OF BEING A GOD REIGNING OVER A UNIVERSE MYSELF.

CG: *ANYWAYS*!

CG: THEY START OUT WITH A RIVALRY, SURE, BUT THERE’S ACTUALLY NOTHING BLACK ABOUT IT. THEIR FEELINGS FOR EACH OTHER ARE STRICTLY POSITIVE, IF HIDDEN BEHIND A MORE AGGRESSIVE FACADE. THE VIOLENCE OF THEIR RELATIONSHIP BOTH COMES FROM THE SOCIETY THEY WERE RAISED INTO, AND SOME OF THEIR MAJOR CHARACTER FLAWS AND INSECURITIES. NARUTO IS FIERCELY DEFENSIVE OF ANYONE WHO JOINS HIS CIRCLE BECAUSE HE’S DESPERATE FOR CONNECTIONS, AND REFUSES TO LOSE THEM AT ANY COST EVEN IF THEY LEAVE SUPPOSEDLY OF THEIR OWN ACCORD. SASUKE SEPARATES HIMSELF FROM THE PEOPLE HE LOVES OUT OF FEAR – AND DESIRE FOR REVENGE AGAINST HIS BROTHER CONVINCING HIM THIS IS NECESSARY.

CG: LIKE, EVEN WITHIN THE FIRST MAJOR ARC IN THE LAND OF WAVES YOU CAN SEE THAT THEY CARE ABOUT EACH OTHER SO DEEPLY THAT SASUKE WOULD DIRECTLY SACRIFICE HIMSELF AND HIS POTENTIAL FOR NARUTO’S. AND BELIEVING SASUKE TO BE DEAD IS THE FIRST CATALYST TO NARUTO’S POWERS BEING RELEASED. THAT IS *REALLY* EXTREME. ESPECIALLY BY TROLL STANDARDS, BUT I UNDERSTAND KILLING PEOPLE IS A MUCH FUCKING LARGER DEAL PSYCHOLOGICALLY FOR HUMANS. THAT KIND OF REACTION TO DEATH WOULD ONLY BE RESERVED FOR A CURRENT OR POTENTIAL QUADRANTMATE… AND IS OTHERWISE ONLY EXPRESSED BY TROLLS WITH DISEASES.

TG: oh yeah like the friendship disease right

CG: UGH.