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eyrieofsynapses · 1 year ago

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why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

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magua-vida · 8 months ago

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SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================

#black tabby games #slay the queen #slay the princess #the thorn #stp the thorn #surprise astarion from bg3 #blood

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starboykel · 27 days ago

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an artist and his muse ⭑⚝²

pt1

artist! König x chubby!F!reader

!!content warnings: König is younger than canon, pistol mentioning, idk this is just fluff. Chubby reader. Extensive description of how to make a condensed milk cake. Maybe a bit out of character.

3,7k words — English isn't my first language, i apologize for any mistakes.

Since that day, you and König have been talking practically every day through the cellphone, König would often talk about his day and his new projects, sending you photos of the new paintings he was working on and recently, he started a new hobby: learn digital art. He would send you screenshots of his drawings, they were... Certainly something, it wasn't as great because he was used to work on a canvas with paint and such but, he was trying at least.

If he disappeared for 3-4 hours, you were sure he was just working on whatever his mind was thinking of, painting, digital art or even ceramic, yeah, he also started ceramic. He was trying to occupy his mind with something and it was obvious... You just didn't know he was trying to occupy his brain because you were everything in his mind.

König was having trouble painting because he couldn't focus on anything but you, his happiness was texting you everyday and looking at the selfies you send him anytime you were doing something mildly interesting, watching a movie, cooking, baking, oh god, baking, he could kill someone to taste those brownies you baked practically every weekend. He really wanted to ask you out on a date but he didn't have the guts to, you were such a pretty girl, who was he to think he had a chance with such a beautiful girl?

On your side... Well, it was the same. You were too shy to ask him out on a date, he was such a busy guy, he was painting and when he wasn't painting he was training his digital art and when he wasn't training he was doing ceramic, you didn't want to bother him. Your heart skips a beat every time he sends a photo of what he was working on, his face wasn't even on the photos but you were so in love it didn't even take too much to make you kick your feet and smile like a fool...

"Who are you talking to?" Suddenly, your father kicked you out of your thoughts, he was frowning and trying to peek on your phone as you were eating. You were already an adult but old habits never die to your father.

"M...my friend, his name is König." You reply, showing him the conversation, Anton takes a look and nods. "Your boyfriend?" He asks, you blushes slightly and shakes your head, "N-no, he's just a friend." You stutter. He gives you a look like 'yeah, sure' and then goes back to the living room, leaving you in the kitchen to finish your lunch.

You didn't have anything to do that day. You wanted to go out with your friends but they were all busy, you didn't have a photoshoot today, no modeling or something, so you would just enjoy the day, just being lazy... So you decided to bake a cake! Why not?

You looked for a recipe on the internet and found one you found interesting, 'Condensed Milk Cake'... Hmm, sounds good! And you have all the ingredients, luckily.

You grab the apron that was probably too old for its own good and protect your hair and start making the cake, it was therapeutic. In a large bowl, you pour the condensed milk, whisk in butter and the vanilla extract, over the bowl, sift four and the baking powder over the condenser milk mixture. After that, you grab the rice cooker, grease the interior with butter and pour in the batter, spreading it evenly in the rice cooker, you decide to top with some chocolate chips, put the cover on and cook for 20 minutes. After waiting, you pick a toothpick and poke the cake, it comes out clean so it means it is ready! You place a plate on top of the rice cooker pot and carefully invert. The scent of vanilla and condensed milk infested the kitchen. It was so good, you were proud of yourself, it looked delicious!

Your father walks in the kitchen, "What are you doing?" He asks, frowning slightly before he sees the cake, "Oooh, it looks good. Gimme a slice." He picks a knife and goes to cut the cake but oh no, your father didn't have the reputation of being the best cake cutter.

"Waaaaait!" You shouts, trying to stop him but your father was a man on a mission. He cuts a huge part out of the cake and walks away, you can practically see the evil smile on his face as he goes to his room, leaving you with less than a half of the cake... Goddamnit.

You sigh and decide to take a photo of the... Half cake you have, you grab your phone and try to get the best angle of it but yeah, a cake cut in half wasn't the most aesthetically pleasing thing ever.

Eating a slice of the cake while watching something was a pleasing experience at least, watching some old humoristic sitcom your father had on DVD since the 90s that he refused to get rid of was nice at best. You hear a notification coming from your phone and check it... It was König!

'Hallo, are you free tonight? I would be pleased to have dinner with you.'

You found it amusing how he always wrote it grammatically correctly, you could've never, sometimes you just forget how to write some words.

'Yeah, I'm free! Where do u wanna meet?'

'Meet me at the park, I am going to take you to the restaurant from there, at 7pm. Don't be late.'

You smile, he was always so assertive and direct sometimes, it was nice though, at least he wasn't confused about what he wanted and treated you well.

You start getting ready at 5pm, showering, doing your makeup, choosing the best clothing, fixing your hair, airdrying it and, oh god it's already 6:56pm! You run out of the house, forgetting to bring your lip oil.

You go to the park and look around for König, it was 7:04pm. You feel a cold hand on your shoulder, looking over your shoulder...

"Oh, hi Kö! How are you?" It was König! He didn't seem mad at you, good. He smiles and gives you a little pat on the head.

"I'm fine. Let's go to my car." Simple as ever. He takes your hand and leads you to the car, opening the car door for you. You two make small talk in the car on the way to the restaurant. He was wearing some nice clothes, a white button shirt that was rolled up to his elbow, black tailored pants with a belt and black shoes. It was minimalistic and he looked good on it. You could see some scars on his arms, that was interesting, maybe he wasn't always an artist.

The restaurant was nice, had a warm atmosphere and some relaxing jazz music playing. You order some alfredo pasta and chicken with some orange juice, he orders steak with onion, rice, salad, some rustic potatoes and... You lost track of the list after that, he was a bottomless pit. Oh, he ordered some apple juice for himself too.

"So, what do you like to do in your free time? When you're not doing paintings and such." You were the one to start the conversation, noticing that Konig was more of the quiet type and that, depending on him, the date would be mostly silence and eating.

"I enjoy... Uh... I enjoy television shows, I watch it when I'm... I'm not doing art..." He stuttered, not looking at you directly, you noticed that he was very nervous, his hands shaking, it was very different from the man you met before. Maybe you were starting to get under his shell.

Your soft smiles didn't help much. His mind was going a mile a second, his hand shaking and his body couldn't relax, he felt like everyone was staring at him, why wouldn't they? He's on a date with a cute girl while he looks like this giant freak, you probably don't even like him, you're just with him because you pity him youcangetsometingbetterthanhimyou—

"König?" Your soft voice slaps him out of his trance, his eyes focusing on your worried expression, "Are you okay? You seem... I don't know—" "I'm fine." He cuts you off, his hands still fidgeting underneath the table.

You were a bit confused and even a little shocked. He was so serious, confident before and now he's shaking like a wet cat. Well, he's trying to hide it but it's obvious, someone his size can't hide. You decide it's best to let him relax, stay silent for a while, let him recompose.

Well... His brain was going miles an hour, waiting for YOU to say something, to talk about something YOU like, maybe you could even forget he's there and just ramble away his anxiety... But that doesn't happen. He's waiting for you to talk and you're waiting for him to speak. Both so awkward, his anxious behavior getting into you, where you are scaring him? Why? What have you done? Did you do something that made him uncomfortable? Doeshenotlikeyouanymore-

Then, the waiter arrives after what felt not even a second, you swear you had just ordered not even 10 minutes ago. The waiter places your order in front of him and two of König's extensive list of food, the potatoes and the beef. The orange juice being placed in the middle for the both of you.

He awkwardly starts cutting his beef, the cutlery was so small in his hands that it made a task as simple as cutting a steak difficult. You eat your pasta, staring at nowhere as your mind is non stop thinking that you did something wrong. You both reached for the orange juice glass, his fingers touching yours before he flinched his hand away, just reassuring that he was scared of you on your worried brain.

The rest of the date was... Not cozy, just two looked like two pathetic wet cats that didn't know where their mama went and was scared of the world. He pays for everything, even if you insisted that you had money. You two step out of the restaurant, some significant distance from each other, and just... Staying there, waiting for the one another to say something.

"Look-" "I'm sorry-" You two speak up at the same time, eyes meeting in an anxious atmosphere, silence remains for a few seconds. "Hear-" "I apologize-" Interrupting one another again, the atmosphere getting tenser and tenser, you both take a deep breath, taking a step closer to each other. He let you talk first.

"I'm sorry, I'm not aware of what I did but I apologize for making you uncomfortable." You speak up, playing with the hem of your clothes as you try to sound not nervous.

He frowns slightly before sighing and nodding, "I'm the problem. You're not the problem, I've always been this... Social awkward, since I was a teenager. It's not your fault." He reassures, taking a step closer... Closer... Closer until he's right in front of you. He looks at you... "It's going to snow, you should go home." Before he lifts your chin and gives you a forehead kiss...

Then he turns around and walks away, you don't know that but he's panicking inside, his hands shaking and his heart beating like a drum, his face red as a tomato... That man saw you naked and is flustered because he gave you a forehead kiss! Men...

Well, you were blushing too, your mouth opened slightly in shock... The snow starts to fall, the cold feeling makes you feel even hotter inside, it has just started. You didn't know what to do so you do the same as him, you turn around and walk home... No, you can't do that. You stop in your tracks, turn back and start running towards him.

"König!" You shouts, making him stop and turn to see you. You don't know what you're doing and why but you feel like you need to do this. You reach him, panting, you weren't used to exercising. "I'm- I'm-" "You don't need to be sorry, it's okay." He cuts you off.

"No, that's not it, I-i... I-" You look up at him and you just... Can't finish your phrase, he's so handsome your heart beats and your brain stops.

He smiles softly and ruffles your already messy hair, "You shouldn't stay outside, you're gonna catch a cold... Wanna go to my place?" He speaks up, and honestly, he's being too damn bold, his heart feels like it's gonna explode out of his chest, he's trying to keep this cool guy persona but... That's not him.

You definitely didn't want to freeze outside so... "Y-yeah, sure." You nod. He takes your hand and starts walking to his car. This all feels too... Unbelievable... Damn, you're going to a guy's house after the first date? What are you? You silently judge yourself but König isn't like other guys... You hope.

The car ride back to his place was silent, some random song in German playing on the radio. His car was fine, definitely not the best or the most expensive but also not the cheapest, it was a nice car that had the necessary to live. When arriving at his place, the snow was already filling the streets with its soft whiteness, he opens the door and gets inside after you. The place was... Nice? It was a bit messy but it was comfortable.

"Make yourself at home. The TV has a little sound problem but nothing that will bother you, I'm going to take a shower, there's a few snacks in the drawers in the kitchen if you feel hungry." He welcomes you, giving you a faint smile before going to his bedroom.

You look around... Should you explore? Yeah, why not? As soon as the shower starts, you begin to wander around the house. The drawers were filled with snacks and the fridge with water, milk and egg... Nothing else. How did this man lived? Whatever. You go to the living room and turns on the TV, putting on your favorite show, yeah, the sound definitely has a problem but your ears would probably get used to it, it was some sort of faint static it could be heard on the background but whatever. As you wander through the house, the drawer closes to the door catches your eye, you open it and... A pistol and a dog tag. Your eyes widen slightly but then you frown, you take the dog tag and before you can read anything in it, a hand rips the dog tag from yours, your heart falls, your face going pale.

You gulped and looked at König, his face was dark, his eyes filled with disappointment, your eyes immediately went back to the drawer, not wanting to look at him, your hands shaking. He sighs and throws the dog tag back in the drawer and closes it. "Forgot to lock it."

You two stay silent for a while, before you murmur an "Sorry." Nervously. He shakes his head, "Don't be. It's okay to be curious... Just don't do it again." His voice was deep and dark, like if he was giving an order...

"... I'm gonna order some pizza. We can watch a movie, c'mon." He tries to sound more excited as he pulls you by the waist, leading you to the couch. You were still shocked, but trying to relax as you do breathing exercises. He tried to make small talk but you were still thinking about the pistol and the dog tag...

The pizza arrives not long after, he picks it up and goes back to the couch, placing the pizza on top of the living room mini table and putting on some movie on Netflix.

The silence was uncomfortable, the pizza munching sounds not helping. After half an hour, he pauses the movie and looks at you. "I have to explain something to you." He says in a serious tone. You look back at him and gulps, nodding.

He takes a deep breath, "I used to be a soldier, a lieutenant. I was in the army from 17 to 29, almost 30. I retired earlier because of my mental health, it was killing me from the inside." He puts his hand on his chest, "I had no choice. I've done a lot of things that shouldn't have been done and I regret it with my heart."

"You're... A war criminal...?" You ask, the tone quiet and uncertain. He shakes his head, "No... No, not that I'm aware at least." He chuckles nervously, looking away, "I've... Killed a lot of men. My hands are filled with blood... But I've never wanted it, I never wanted to be a soldier, to kill people. I've always loved art, and I'm doing what I want, what I love now and I can't escape my past, it doesn't matter where I go. My soldier self is part of me, I can't get away from it." He vents, his tone getting sadder and more self aware.

You nod, taking a breath and sighing, "I don't know how it feels, how it is to have such a hard backstory... Are you in therapy at least?" You ask and he nods, "I take meds.. I don't want to talk about it."

Nodding, you sigh, "I understand... I'm sorry for sneaking in your things, I shouldn't have done that." You clench your fists and look at your lap, feeling trapped, disappointed at yourself... Until, he takes your chin and lifts your face to look at him. "It's okay." He says, softer, making your heart beat faster. He gets closer... Closer... Closer, until your lips touch his. You immediately kissed him back, wrapping your arms around his neck. He smiles on the kiss and takes you closer by your waist until your legs are on his lap. The kiss is soft, like a make-up kiss, warm.

You were the one to break the kiss, your eyes meeting his... And he panics, "Oh verdammt— es tut mir leid— I'm sorry, you're just so pretty and I'm so awkward, I'm-" He freaks out, immediately taking his hands out of your waist. You smile and giggle.

"It's okay, I liked it." You take him by the cheek, making him look at you. "You- you did?" He asks, not believing you. You nod and smile, "Yeah." "Y-yeah?" "Hell yeah!" You giggles and kisses him, you taking the lead now. This one was much more playful than intense as the last one, you break the kiss a few times because you were giggling and he starts giggling too. He pulls you closer as he lays down on the couch, you getting on top of him. You two start laughing, apparently for no reason at all.

After relaxing, you two just cuddled, he was warm and you even warmer due to your weight. It was comfortable and the closeness was making the heart of the both of you relax. Him giving you forehead kisses from time to time. "Hey... You wanna sleep here?" He asks and you nod, "Sure, why not."

The night falls and you were used to showering before sleeping and you definitely needed one... But you had no clothes to wear! He was okay with sharing the bed with you and you didn't want to smell bad. So you asked for some of his clothes, he at first laughed but then gave you a shirt and some boxers.

For some reason, the water of his shower was freezing cold and had no heating option, so poor you. His shirt was bigger than your, that was rare, that never happened with your exes, it was nice to now have someone that was bigger than you, it makes your heart warm... and the boxers a bit loose but fitted better than the shirt, you put your hair on a bun with a satin scrunchie and go to lay with him. The heater was on so that was nice. "Goodnight." You tell him before he turns off the lights and lays next to him.

..."Can we cuddle? You're warm and I like your weight on top of me..." He asks a bit shyly, your heart beating faster. You look at him and nod, snuggling closer to him, he pulls you closer, getting you slightly on top of him. "Goodnight." "Night..." And you both fall asleep.

When you woke up he was already up. You stretch and yawn, going to the kitchen after fixing your hair (or trying) and he was already there, eating his breakfast. His eyes light up as he sees you, "Morning. I made breakfast! Eat!" He says, sounding excited. You smile and join him, it wasn't the best but it was good enough.

You two spend the afternoon together, watching movies, chatting, playing in the snow. At night, you were ready to go home. He drives you to your place, and in the door, he kisses you goodbye.

You get in the house, very happily, smiling widely and your father notices, he smirks. "Just a friend, uh?" He teases and you chuckle. "Boyfriend now, dad." You correct him playfully and he rolls his eyes.

"I knew it.”

Sorry, this took too long!! I was in a creativity block and didn't know what to do but i hope this is fun to read!!! Love yall, stay safe, xoxo from Kel. Feel free to send me asks!

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demiromanticmickey · 11 months ago

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On today's "I am SO not normal about Dead Friend Forever": Discussing Catholicism and Colonization in this gay Thai slasher series

Some background on me: I am from a Latine Catholic family. Raised as a non-practicing Catholic (we didn't go to church or pray). Then my parents enrolled me in a Catholic school that I attended from 5th grade to the end of 7th grade. Today, I am not Catholic and have never really considered myself as such.

Ok, so in the flashback episodes of DFF, I have been noticing a lot of things. My findings under the cut.

Let's start with this crucifix and photo of the Virgin Mary and a baby Jesus.

Screenshot from ep. 5.

The camera lingers here a bit so we're obviously meant to pay attention to the phrase. I put the screenshot through Google translate's image translator and the translation it gave me was, "Think good, do good, be a good person." I didn't think much of it when I first watched the episode other than it was supposed to establish that the boys attend a Christian or Catholic school.

But then there was this image posted on Be On Cloud's Instagram (also from ep. 5): X

Zooming in, we can see there's another picture of Mary in the background. Watching the classroom scenes, it's easy to miss because the series itself is more washed out than the official photos posted. But this emphasis on Mary led me to believe the school is a Catholic one. So out of curiosity, I looked up the schools the writers and directors attended because I felt I was onto something here. And boy, was I!

Source: MDL

Ma-Deaw, if you didn't know, is one of the directors of Dead Friend Forever (he also directed Manner of Death and Inhuman Kiss , and lots of other things).

One Google search later (X) and I learned "Montfort College" is a Catholic school. It started out as a primary school that later added a secondary school as well.

Now let's take a closer look at some of the details of this school:

First, the school's motto "Labor Conquers All Things". This reminded me of the phone conversation Tee had with his uncle:

On my first watch, this sounded familiar to me but I couldn't really place why. It wasn't until I saw this other Tumblr post (X) that pointed out it's similar to a bible quote from the New Testament. The quote varies a bit depending on which version of the bible you're using but it's along the lines of, "He who does not work, neither shall he eat".

This is meant to discourage "laziness". Nevermind the fact that people deserve to eat simply because we get hungry and need food to survive. The idea that we only "deserve" things based on productivity is an extremely colonial one. — Reminder also that Tee is being forced into this "work" in the first place. He's just a high school kid. I don't need to like his character to understand how fucked up his situation is.

Then there's the patron of the school. St. Louis de Montfort was a French Catholic priest most known for his study in Mariology. What is Mariology (X)? The study of Mary, the mother of Jesus. I didn't know that was a thing but it's unsurprising considering how prominent images of Mary were in my own religious upbringing. And she's what started me down this rabbit hole in the first place. Mary is a big deal to the Catholics. I'm going to be paying even more attention now if more Mary imagery pops up.

The Garden of Eden and Original Sin

Now I want to draw attention to these images:

Screenshots from ep. 7

Here we have Non and Phee biting into an apple as they leisure around this lush green field. We know they've visited this location more than once because they're wearing different outfits in the screenshots. And I think it's important to note that it's Phee holding the apple and offering it to Non.

The use of the word "bait" in the bts of ep. 7 is quite interesting too. (X)

The Garden of Eden was the paradise in which Adam and Eve resided. In this garden, there were many trees to eat from. The one tree Adam and Eve were forbidden by God to eat from was the Tree of Knowledge. A serpent (Satan), first tempted Eve into taking from the tree to eat it's fruit. And then Eve gave the fruit to Adam. That is Original Sin. And because Adam and Eve ate from the Tree of Knowledge, all humans thereafter are born sinful and bad, and can only find salvation through God.

Of course in the scene between Phee and Non, the sin the apple represents is being gay. And it's after this, and after the bracelet scene, that Non becomes involved with Por's film and his tragedy begins.

Zoomed in screenshot from ep. 5

And I wonder if the bracelet scene is the last time Phee and Non visit this forest location. It would parallel how Adam and Eve were cast out of the Garden of Eden once they sinned.

Final Thoughts

You give me a story that criticizes Western religion and how it's used as a tool for oppression and colonization, and I'm gonna eat that shit up. I am gonna eat it up. Every. Single. Time.

I really wasn't expecting anything like this from Dead Friend Forever. This level in attention to detail is unmatched. I don't think I've watched a more well planned out show. And no matter where DFF goes from here, these seven episodes will always hold a special place in my heart. 💗

#dead friend forever #dff the series #pheenon #barcode tinnasit #ta nannakun #dff meta #dff spoilers #tabarcode #dff*#*#i just love it here #this is my comfort show idc

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skyacya · 1 year ago

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Hello! I got into transformers recently and I've been scrolling through Tumblr for awhile to find TF related content. I happen to come across your blog and dare I say your illustrations are stunning!🧡 The color choices and the line work is absolutely amazing.

You can say I'm a little motivated to draw some robots now—but as someone who only drew humans in the past and someone who just joined the fandom. I've come to the realization that drawing robots is much harder than it looks🤲..

If it's not too much to ask, would you mind sharing some tips or experiences on how you started drawing them? Thank you🦐

Man, you have no idea how much seeing this made my day (〃´∀｀)! But sure!

The general idea I use is to break down characters into their most basic shapes, fx Transformers Prime and Animated has super strong shape language especially compared to G1 where everyone are squares

Before drawing a new character, I like to practice my muscle memory by isolating these basic shapes on top of a reference image. To get that proper giant alien robot feel it's especially helpful to practice big, squareish shapes (though depends on the character, some have more fluid shapes similar to humans).

With the overall shapes you can draw your desired pose much easier because you don't need to think about details yet.

When you have the pose down, you can continue on with the details. These are also just shapes broken down into smaller shapes. You just continue to break everything into shapes until you have achieved the level of detail that you want. Everything is shapes

When adding details, it's a good idea to have a bunch of references ready. I usually just go through an episode/chapter with the character I want and take a shit ton of screenshots

⊹⊹⊹⊹Some general tips I have are:⊹⊹⊹⊹

Find inspiration from different artists you like and see how they break down the characters (and try doing the shape practicing to get used to the feeling of drawing bigger shapes)

This is a strange addon tip but hear me out, a lot of R18 tf artists are insanely talented, like to an unlawful degree. Welcome to the rust sea of sin, I would add recommendations but I am a coward

Varying lineweight is especially useful to separate bigger shapes from details, otherwise it can quickly look busy and messy (look at Alex Milnes art before coloring, there it is very visible)

Alex Milne also uses full black in certain less visible/high contrast areas to create focus on the more important details. It helps to create a more balanced drawing. Also helps to hide areas you aren't confident about such as joints lol

Don't be afraid to exaggerate the lines, robots have a tendency to look stiff

Do not fear the shapes, the shapes mean no harm.

And lastly, thank you for your kind ask! There are many ways to begin drawing robots and I hope this may help in your journey down the rabbithole of giant sexy gay alien robots (ʃƪ˶˘ ﻬ ˘˶)♥♥

#transformers #help how do i draw robots #maccadam

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perfectwitchcrown · 2 months ago

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Allusions in Make the Exorcist Fall in Love

So far in Make the Exorcist Fall in Love there’s been a lot of allusions to various texts. I thought it might be fun to compile all the ones people have noticed so far as far as I've seen. Some of these are more speculative than others and I will update as I go along. Also, I read Ekuoto as free first read chapters on Mangaplus so unfortunately I can’t go back and check much so this is largely through memory, so if anyone has anything else to add I would greatly appreciate it! All I’ve got is a few screenshots and a dream. If I get anything wrong feel free to correct me! I’ve organized this in order of allusions I’m confident about to allusions I’m less so confident about.

CW: reference to sexual violence

Dante's Divine Comedy and Vita Nuova: Dante Alighieri

This one is pretty obvious since there are characters directly named after the characters figured in Dante’s Inferno. It’s been a long time since I read it, but other details are also taken from the text, such as the frozen center of hell where Satan is located.

Lmao Leah from the Bible (who is probably Leah’s namesake) also shows up in Dante’s Divine Comedy apparently in Purgatorio.

Ok also super important to Dante retellings r Beatrice, who’s used as a symbol of divine love and is instrumental to Dante's journey through hell, purgatory, and paradise, so of course Ekuoto Dante advises Priest to fall in love lmao. So far though there hasn’t been a direct Beatrice in narrative (which there might never be one since the text has already made the Dante-Virgil connection an active choice of Virgilius's to reference the Divine Comedy rather than just an allusion by the author).

To be so real though I figure that Vergilius is probably also intended to be the Beatrice in this narrative.

The points I would draw attention in support of this would be these: 1. Beatrice is the woman who Dante has been in love with since early childhood but unable to ever be with because they both married others. Ekuoto Virgilius and Dante have known each other since childhood, and have something going on. 2. Beatrice is, like Virgil, one of Dante’s guides (through part of purgatorio and paradiso) 3. We still don’t know what Virgilius’s name was before he took that one on. Beatrice does not have a masculine form in current use and I tried finding some sort of nickname that would work and was unable to do so. However. Beatrice’s name is rendered in Japanese as ベアトリーチェ, and Beato is at least a surname. Then again, I’m not sure anyone has both a first name and last name except for Imuri so far???

"Book of Tobit"

I wasn’t familiar w this one so I didn’t notice it until I saw posts pointing it out, but the Asmodeus flashback was a retelling of the book of Tobit. Other people have already done analysis of this so I’d recommend checking other’s out. Unfortunately I failed to save the link to any of them so I can’t pass any along :’) Belfagor arcidiavolo: Machiavelli

Another one that I wasn’t familiar with but have seen people referencing. As above, I recommend checking out other’s analysis. "Those Who Walk Away from Omelas": Ursula K. Le Guin

The Brothers Karamazov: Fyodor Dostoevsky

Ok major spoilers and I also highly recommend this book, but also, its super long so I don’t blame anyone who chooses not to read. This book is about the most disgusting father alive and his three, maybe four, sons: Dimitri, Ivan, Alyosha, and maybe Smerdyakov (rumored to be an illegitimate son). Most of the action follows Alyosha, who is the youngest and probably the most idealistic character in the novel, at least in the beginning. Alyosha starts out as a novice in the local Russian Orthodox monastery under the purview of Father Zossima, an elder who really emphasizes love in religious practice. There's a series of chapters that cover a theological debate between Ivan and Alyosha.

In this theological debate, Ivan is arguing not that God doesn’t exist, but that the foundation of the world as understood by Christianity is something he fundamentally rejects.

Quotations from the Signet Classics edition:

“I don’t accept this world of God’s. Although I know it exists, I don’t accept it at all. It’s not that I don’t accept God, you must understand, it’s the world created by Him I don’t and cannot accept” (Dostoevsky 266) - “If all must suffer to pay for eternal harmony, what have children to do with it?....I understand solidarity in sin among men. I understand solidarity in retribution too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their father’s crimes, such a truth is not of this world and is beyond my comprehension” (Dostoevsky 276)

“Imagine that you are creating a fabric of human destiny with the object of making men happy in the end, giving them peace and rest at last. Imagine you are doing this but that it is essential and inevitable to torture to death only one tiny creature—that child beating its breast with its fist, for instance—in order to found that edifice on its unavenged tears. Would you consent to be the architect on those conditions?” (This quotation, although from a different translation, is the one that inspired Omelas - I think the bowling alley theological discussion between Virgilius and Priest bears some similarities to this conversation. Its not a debate about the existence of god, but rather a debate whether or not the world envisioned by Christianity is inherently unjust or not. Demian: Hermann Hesse

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas”

Potential references but tbh they��re a bit of a stretch:

“Book of Martha”: Octavia Butler

"Book of Martha" is an Octavia Butler short story in the Bloodchild collection about an ordinary woman who is visited by god one day who tells her to choose one thing to change about people to try and make the world a better place. It’s a very short read and I’d recommend reading it before you read the next sentence where I’ll spoil the end.

She eventually decides that the thing to focus on is people’s dreams. Specifically, to give them the things they desire most within their dreams, in the hope that people will be less violent to each other in real life. A stretch, but Octavia Butler comes from similar recommendation circles as Ursula K. Le Guin (feminist science fiction authors with overlapping periods of activity) so I don’t think it’s impossible for the most recent chapters' use of dreams to hold some sort of inspiration from this short story. Again, this one is a pretty big stretch, as the idea of dreams to escape reality is pretty common.

The Monk: Matthew Lewis

Ok! So! Demon seduces a person is like not at all an original story (The Daemon Lover, Cazotte’s The Devil in Love, etc etc). BUT! The Monk is specifically a story that’s like. What if there was this extremely virtuous young man who has never lived in the outside world ever because he was raised in the church as an orphan and then the devil sent a demon girl to seduce him.

I have not finished the book yet so I can’t comment in depth on it other than to say the concept is similar but the execution so far is very different (It's a fairly misogynistic text. Ambrosio turns evil in ways that I doubt Priest will because thematically they’d go completely against the story. Also, The Monk is veryyy lurid in terms of Lust is Evil!!! And will turn you into a murdering maniac!!!! Because evil women are out there seducing you!!! Whereas so far sexual desire in Ekuoto has been handled as a perfectly natural thing, but complicated by religion, patriarchy, trauma, etc.)

This is all I have so far but I'd be interested to see if anyone else has any other ideas!

#make the exorcist fall in love #ekuoto #exorcist wo otosenai #meta

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