#used to hate him for being too angry

[octopusoptimusprime]

heartbreaking: i am exactly like my father

[sharkylad]

Thinking about the fact that Mabel and Dipper didn't know they had two great uncles.

Yeah they are 12 and at 12 I had a shotty understanding of my family tree- But really? Nobody brought up their great uncle? Stanley? Especially since they'll be staying with his twin brother, Stanford?

Shermie never went to Stan's fake funeral, which to me means the twos relationship was strained on some level. If Shermie is older that means his view of Stan was poisoned in some way, that even as kids they weren't close. If the Shermie is younger then he never even got to meet Stan and all he knew about him was how he failed his family. Hell, people probably barely mentioned Stanley TO Shermie.

The fact that Stan had become a black stain upon the Pines family name makes me so vividly upset. Stanley faked his death and the family just- seemingly decided to strike him from the record. To pretend he didn't existed to spare themselves the sadness and shame.

Stanford and Shermie Pines. The only children worth mentioning of Filbrick and Caryn Pines.

It was never Stanford that was lost to the world. It was Stanley, ever since he had to leave New Jersy- it was always him that had to be struck from the record. Change his name, change his state, change his affiliations, destroy the remains of ghost that was Stanley Pines. Kill him so the family doesn't bring him up, doesn't ask questions, stops asking "Stanford" about his twin.

I just keep thinking about the fact that since the day he made one single mistake all the way up until Ford walks out of that machine- Stanley Pines was killed and did not exist. And Stan himself had no one to blame, he had to play the part in his own demise- He is the only one who ever knew Stanley was alive and has been for decades.

He lives in the multitudes of every personality he's ever taken, all in the hope that he himself can stop being Stanley Pines.

[batsplat]

do you know why vale seems to have a soft spot for pedrosa?

there's not any single one reason, I don't think, but here's are a few contributing factors that come to mind:

history! in large part because of the honda link, dani's the alien he's known the longest... valentino was the number one honda rider at a time at which dani was honda's rising star. photo on the right is from the 2001 honda celebrations at the last race of the season (when dani was sixteen); from oxley's valentino rossi: all his races: "that night vale celebrated in style at a raucous honda victory party, where he taught honda youngsters daijiro kato and dani pedrosa how to drink". they've known each other forever! valentino was getting teenage dani drunk! quite natural to be fond of someone you've seen grow up like that, even if they are being moulded to be your next big rival

circumstance! the way it basically works with valentino is that if you want to have a feud with him, you generally need to have a title fight with him when you’re already ‘established’ rivals (ignore marc, that’s its own thing, 2015 is a freaky season). biaggi and valentino were enemies headed into 2001 and then were worse enemies, he was cool with sete in year one but not year two, mostly *wiggles hand* the same with casey and jorge… feuds aren't build overnight. valentino and dani weren’t ever really direct title rivals - closest they got was 2006 and 2008, but in both cases valentino probably didn’t see dani as his main problem that year. there wasn't really any competitive necessity for valentino to get nasty... also with one or two notable exceptions, valentino did kinda have dani handled in their actual wheel-to-wheel fights, which let’s face it probably didn’t hurt

yapping! so this is just a theory but it’s one I believe strongly in. you know how valentino loves to talk, right? the thing about pressers and podiums is that you're always going to have a few regular attendees, if you will, corresponding to the front runners in any given year. now, unfortunately for valentino, there were periods of time where almost every other regular attendee was someone he had pretty active beef with. that doesn’t mean he always avoided yapping at them, but relatively speaking you want a guy you can build up some good repartee with to pass the time. dani was his guy… less complicated than casey and jorge, plus dani is polite enough to go along with it and maybe even enjoy chatting to valentino (it’s been known to happen). pressers can be boring and at podiums you're still full of adrenaline, valentino wants to share a joke with someone! my completely unscientific sense is that valentino does this a lot with dani around 2008-ish to 2012, then for two years marc is the number one yap victim, then for a while it’s a bit…? oddly valentino does seem to chat quite a lot with jorge in 2015... he likes to throw in a quirky behavioural pattern sometimes to keep you guessing. anyway then in 2016 he is Actively Ignoring two of these men so vale goes!! hi there dani!! and takes it from there (though the field is more mixed up post-2015 so he becomes more of an opportunistic yapper). in general, valentino will chat to pretty much anyone with A Few Exceptions, but he does usually have a bit of an order of preference

dani’s personality! now, obviously dani is very much capable of feuds, but he’s not that naturally combative a character. valentino generally needs a competitive justification for beef, though some personal animosity can help too… but he never really hated any of that trio of young riders to come through. valentino's known dani forever, he’s been around dani a fair bit because of their respective statuses in the sport, dani isn’t going out of his way to pick fights with valentino, so no reason not to get on! he does clearly quite like chatting to dani and seems pretty fond of him even towards the start of the alien era, at a time in which it was broadly expected that dani not casey would emerge as vale's primary challenger... god knows if the relationship would have soured if dani had assumed that mantle (probably at least a little lol) but failing that, valentino does just seem to quite like him. y’know, sometimes it’s like that

They Have Also Had Their Disagreements, But There Hasn’t Been Much Cause For It To Escalate Further. these disagreements have tended to be over racing standards, where dani is generally in the ‘you people are all insane’ camp and valentino is generally in the ‘ah it’s fine’ camp (though, obviously, there is nuance here… cf vale also criticising sic over the le mans 2011 incident that left dani with the broken collarbone). generally, they don't get into direct conflict over it, more of an underlying difference in positions (hey, aragon 2013 is an example)... but there’s been dani’s suggestion that valentino’s sepang 2015 stance is inconsistent with his generally laissez faire approach, and also some other isolated little scuffles over the years like say 2017 aragon (see below). pretty small scale stuff in the grand scheme of things and if you've been on-track rivals for that long it's kinda inevitable you'll eventually disagree about some stuff, but perhaps worth bringing up

went through all of the alien combos in my head and these two slot in just behind dani/casey as probably the two most consistently beef-free inter-alien relationships? dani/casey gets extra credit for surviving The Teammate Test. but, y'know, the thing about valentino is that he's a sociable, outgoing guy... he likes talking to people... he's actually interested in them... he's a decent conversationalist, easy to get on with, all that stuff. so if you expose valentino to this nice fella who at most was like... perhaps a bit more reserved towards the start of his time in the premier class (partly due to his mentor's approach), but really was generally pretty chill... well, if valentino isn't given any reason to hate dani, then default state is that he won't. good on them etc

[the-meme-monarch]

i was telling my sibling about the Would Hannibal Eat Them poll mini essays i was doing and it became “people gotta lay off mr suzuki man. him and yamada are friends. they were acting. why would suzuki even be responsible for yamada’s paycheck when they’re coworkers. suzuki isn’t his boss. and again it was An Act” which devolved into “people Really hate goro when julie was the primary abuser in their relationship” and like man i Hate to be number 1 goro defender but like. like you honor he Did do that. but so did she. and then “bro i fucking hate policeman”

[senseiwu]

Every time the crystalised discussion on twitter comes back and they get to Lloyd's issues with his father i want to freaking rip my hair out

"Lloyd's in the wrong" "Lloyd was an ass" (<something I literally just saw)

God forbid a child hurt by their parent BE HURT. BE UPSET.

[fisherrprince]

oh so alisaie’s exaggerated bully behavior is 80% fanon. saying this she casually picks up a large rock

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[dnangelic]

like it's just the way that outside of the BATB/POTO 'love what's ugly and ostracized' narrative itself cocteau was gay and everybody hated his gall about it, howard ashman was gay and had to conceal it and died of aids after finishing his work for disney's batb.... rather than have dark be homophobic and spitting in the face of his inspirational roots (the sole canon detail i can't stand) it's much much much more interesting for me to both read and write not someone who's meant to be a pervert (in humor) and an agape lover (in serious contextualization) only to turn and say 'no homo' to the crowd every single time but rather, instead of all that, someone who, simultaneously taking daisuke into account, is both extremely firm yet simultaneously insecure in the struggle to establish their identity not only in regards to themselves but also around others.

that applies to a lot, but i've been considering it especially in regards to dark's gender and daisuke's attractions. dark in my portrayal (while overall 500% nonbinary) is closer to someone bi-gender rather than agender; the feminine aspect to him isn't just theatrics, it's actively also part of his entirety to him, (compared to daisuke's passivity; the ten thousand canonical princess allusions,) and even if nobody ever recognizes it in a cognizant way, it is always, always there, the same way that erik blurs and obscures gender in leroux's novel (my second enormous inspiration, sugisaki's outright admitted primary) and sakurai occasionally discusses his relationship as both a performer and a person as well (my third enormous inspiration and sugisaki's secondary,) (see 1, 2.) simply put, the tragedy of (my!) dark does not ever derive from his being able to choose and sit comfortably and confidently with this sort of identity (in fact, it's one of the few things he can stubbornly, viciously decide for himself [alongside daisuke] as essentially a non-human, autonomous 'angel',) it's instead the way that his personality is so strong and 'anti-feminine' in the eyes of convention that said aspect of himself often gets disregarded for strictly masculine (and regardless, further self-contradictory and therefore isolating,) expectations.

dark himself alone does not care if others do not understand him; this is meant to be one of his far more admirable and impressive traits. he's staunchly independent: he knows who he is, what he's supposed to be, and he knows that if he actively presented himself more femininely (crossdressing to 'pass' essentially,) then people's behaviors WOULD be very likely to change around him, but he doesn't even do that because it goes against his overwhelming sense of pride. he never contorts, he never twists himself, what matters to him is that he and he alone understands himself and knows what he is, what he isn't. but he is, without proper support or acceptance, still alone. even bearing a strong character, the stifling loneliness and inherent, underlying self-sense of broken/wrongness of the 'other,' (god's luciferean problem child, the black sheep, the black-leather wearing punk,) is still inflicted on him. dark exists solely for himself, he exists solely for daisuke, which is simultaneously wherein the inversion and insecurities lie: if dark is canonically the live metaphor for all the aspects of daisuke's self that he attempts to and yet cannot possibly, conceivably repress, from his loves to his faults to his shames and his criminal sins as a thief, then the likes of daisuke's own personal confusions in regards to himself and his attempts at intimacy/socialization with others is the other, hidden side of dark's absolute self-confidence; it's every fear of perpetual isolation, misunderstanding, and abandonment for things outside of daisuke's own control.

queerness in relation to the self (transgender allegory) queerness in relation to others (non-hetero-romanticism) mental illness (depression, anxiety,) etc, etc, dark's thematic basis may at its most general simply be "a secret that feels wrong and that you feel you can't really tell anyone or else you'll get in trouble/won't be as liked as much" but it feels much better to give due respect to each of these primary roots.

[unma]

Watching SAOA clips and hearing Oberon talk makes me wanna rip out his tongue. Perhaps feed it to the pigs, but the pigs deserve better than that.

[byfulcrums]

See, the thing is, I do like the angst (I wouldn't be a JJK fan if I didn't). In fact, I love it! I love tragedies and stories that make me cry. However, all this feels so unnecessary and meaningless

It doesn't really make much sense, either. This might be me being petty, but (also based on proof that was previously stated as canon) Gojo should've won lmao

Before, the tragedy was so good. Satosugu and Itafushi parallels. Nanami and Nobara dying. Junpei. Yuta and Rika. Etc, etc, etc. It was well written, it was interesting, and I liked seeing it. Most of all, it was creative

Now it just feels like Gege is pulling all of that bullshit out of his ass to school their audience, or something

Every single chapter has been just "[X] goes to fight Sukuna, [X] dies" and then it just repeats and repeats and repeats. It's always the same goddamn thing. The blatant favoritism towards Sukuna is kinda ruining the entire series for me

[suffarustuffaru]

ok but im getting emo over heinkel again so im gonna talk about him again because yeah hes yet another sad character in a sea of sad characters and i love rezero for that but like he is a character consistently characterized by one loss after the other. it's a rollercoaster and its going straight fucking down and he is so miserable and absolutely alone and its both his fault and not his fault at all. but the way it starts is - its all out of his control. the more you think about the trajectory of his life the sadder it gets.

imagine you are heinkel and your parents are the sword saint and the sword demon and you come from a long line of knights and sword saints so thats almost definitely where youre headed, right? thats whats expected of you. you are nineteen years old and youre a knight in the royal guard, which was expected of you, and you have a wife and a beautiful baby boy, which was also expected of you, but at least you have so much joy and love for the latter while the former is just another chain on the astrea family line of people who are stuck to knighthood whether they like it or not. but your family is also just another chain because youre nineteen and your mother is still the sword saint and youre playing with fate here because either youre going to be the sword saint or your son will be.

your wife, the only equal you have, falls asleep one day and never wakes up. you are twenty-one years old and a single parent and then you are twenty-three years old and your son's fate is so much bigger than youll ever be. having the worlds love means that your love pales in comparison, doesnt it? everyone knows about your comatose wife because you keep searching so much for a cure that its just another thing to gossip about. every year that passes by she just continues to look the same as she did when she was awake and alive and loved you. (you dont know it yet but your son is going to reach the same age as her, because you dont find a cure for another sixteen years and you know that she wont love you anymore because who does? theres no one left because your son doesnt count.)

and everyone knows about you because of your family. because yeah, youre a good swordsman, but youre not liked by anyone in the knights. youre not a friend and youre certainly not a sword saint or sword demon. your son mind controls someone because he loves you so much that he would do anything for you and looks up to you like youre some hero, but youre just a wreck whos scrambling to keep what little you have. youre twenty-four and you lose your mom because you were too scared to go on the mission you were assigned on, because youre a coward and youre in over your head and you know, because everyone knows, that you dont measure up. you could never be prepared for this. in a long line of people who have to carry the weight of the world, you crumble easily. your mom goes on that mission and dies and your son becomes the sword saint like this was always going to happen. this is what being loved by the world means. you just killed your mom because you just couldnt suck it up and die on that mission instead. on top of that, your dad says that your five-year-old god of a son killed your mom. its just you and your son and the two of you both killed your mom but youre the worlds biggest laughing stock and your son is the up and coming hero and monster. but you still love your son. you really do.

right?

[itspileofgoodthings]

I know I’m talking to an empty theater here but the writing on that episode of Lark Rise to Candleford where Robert loses his tools (and so the means to feed his family) and is facing destitution and then runs into the young guy who’s in love with his daughter and then uses the moment not to take out all his angst and anger on Fisher but to ask him if he’s ready for all that marriage and staying and giving up his life on the road actually means thus forcing Fisher to admit that he isn’t ready for it—-

!!!!!!!!

[futuremrscameron]

the fact that there’s not more jjpope fics for s4 is weird like y’all the potential is there for those with eyes to see

[widevibratobitch]

so i am singing that vitellia in the end... but at what fucking cost.

'you gotta sing this softer'

'what'

'this is mozart'

'this is vitellia'

'this is mozart'

'im singing about how much i hate this mf and want him dead before the end of the day'

'this is mozart'

'i wanna murder a guy'

'this is mozart'

'...'

'softer. gentle. mozart'

'...ok'

[yuukei-yikes]

are any kano experts out there. do you think he'd apologize to takane for what he did to her in ep 7

[kenobster]

I agree that Anakin is, at the very least, a little fucked up... but I do not agree that he feels no remorse. Dude murders an entire village but he can't even say "I slaughtered them like animals!!!!" without sobbing like a baby about it lmao