Jazz takes care of a de-aged Danny, and they lay low in Gotham. But just because Danny’s body is younger doesn’t mean his powers have lessened. In fact, they’ve only grown harder to control. Having the energy of a child makes containing his powers harder (just like when he first got them) until they realize that Danny’s powers are much easier to control when he can get rid of some of his excess energy. Jazz hears about a free gym open to all that is also meta-proof (more durable) from a wonderful woman at the library. (Lookin at you Babs)
The gym has a gigantic kids play area, along with classes for all ages and a training area complete with an American Gladiator style obstacle course for adults. Jazz will use the obstacle course sometimes when her boss has fully ticked her off. Stephanie and Cass volunteer there whenever they can. Jason always sends the alley kids there too because it’s close by and a safe place. Dick leads a class there whenever he can.
Dick actually holds the record for the obstacle course. Until Jazz gives it a go after a particularly trying day. She doesn’t realize there’s a record. She never would have used the course if she’d known. Training with Pandora and Fright Knight gave her plenty of advantages with how she can use her liminality and she definitely doesn’t need to stand out.
But again, she doesn’t know there’s a record. Or that someone saw her going repeatedly through the course (Stephanie) and decided to time her on her next go. (She doesn’t film without permission because she’s respectful of boundaries like that) She does post Jazz’s time in the Batfam group chat to take Dick down a couple notches though.
Or someone else (not Batfam, just a random citizen) takes a video of her doing the course and posts it on the internet and now they (Jazz and Danny) have to stay one step ahead of Vlad, the Batfam, their parents, and avoid the GIW. How hard can it be?
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nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all
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One of my favorite headcanons is that Leo grew up watching telenovelas with Splinter.
It just works so well - his bits of Spanish that he spouts randomly, his showy way of apologizing, and, of course, his love for dramatic betrayals all point to this being a very real possibility.
Plus, it’s very cute to imagine a tiny Leo at his father’s side as they both gasp in shock when the show’s eighth plot twist in just as many episodes happens.
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hc as julian gets older there are some things he's not allowed to consume anymore and geralt is constantly trying to save his life, like he always does ❤️ and it looks smth like this
inspired by me telling myself im not allowed to consume smth but consuming it anyways
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pathologic but it's a lost 1920s german expressionist film [id under cut]
[id:
image 1: a digital drawing of a fake poster, using bright colours and rough, painterly brushstrokes. the title, 'pest' (german for 'plague'), is written at the top in spiky black text. in the foreground a man dressed as a tragedian is staring intently at the viewer, his hands raised and splayed as if in horror. in the background, the town is framed against a red sky, with the polyhedron in yellow behind.
images 2 and 3: fake casting sheets for the film, with the names of the actors and the characters they are playing above a black-and-white portrait photograph of them. all the text is in german. in english it reads:
'Pest', a film by Robert Wiene
Alfred Abel as Victor Kain
Ernst Busch as Grief
Lil Dagover as Katerina Saburova
Ernst Deutsch as the Bachelor
Carl de Vogt as Vlad the Younger
Marlene Dietrich as the Inquisitor
Willy Fritsch as Mark Immortell
Alexander Granach as Andrey and Peter Stamatin
Bernhard Goetzke as General Block
Dolly Haas as the Changeling
Ludwig Hartau as the Haruspex
Brigitte Helm as Anna Angel
Brigitte Horney as Maria Kaina
Emil Jannings as Big Vlad
Gerda Maurus as Yulia Lyuricheva
Lothar Menhert as Georgiy Kain
Asta Nielsen as Lara Ravel
Ossi Oswalda as Eva Yan
Fritz Rasp as Stanislas Rubin
Conrad Veidt as Alexander Saburov and Tragedian
Paul Wegener as Oyun
Gertrud Welcker as Aspity
image 4: four digital sketches of set designs for various locations. all are strongly influenced by expressionist imagery, using extreme angles, warped perspective, and dramatic shapes. they are labelled 'street 1' (a street lined with houses), 'street 2' (a square with a lamppost and a set of steps), 'polyhedron exterior' (the polyhedron walkway), and 'cathedral interior' (the dais at the far end of the cathedral).
image 5: four digital drawings in a black-and-white watercolour style, showing fake stills from the film. all are similarly distorted and lit by dramatic lighting. the first shows katerina's bedroom, with katerina standing in the centre of the floor. the second shows the interior of an infected house. the third shows daniil staring out of the frame in horror, one hand on his head and the other raised as if to ward something off. the fourth shows an intertitle with jagged white text reading 'the first day' against a dark background.
end id.]
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