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#use english
littlemizzlinguistics · 10 months
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Studying linguistics is actually so wonderful because when you explain youth slang to older professors, instead of complaining about how "your generation can't speak right/ you're butchering the language" they light up and go “really? That’s so wonderful! What an innovative construction! Isn't language wonderful?"
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the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"
just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible
#due to the Great Data Decay academics write viciously argumentative articles on which episodes aired in what order#at conferences professors have known to engage in physically violent altercations whilst debating the air date number of household viewers#90% of the couch gags have been lost and there is a billion dollar trade in counterfeit “lost copies”#serious note: i'll be honest i always assumed it was english imperialism that made shakespeare so inescapable in the 19th/20th cent#like his writing should have become obscure at the same level of his contemporaries#but british imperialists needed an ENGLISH LANGUAGE (and BRITISH) writer to venerate#and shakespeare wrote so many damn things that there was a humongous body of work just sitting there waiting to be culturally exploited...#i know it didn't happen like this but i imagine a English Parliament House Committee Member For The Education Of The Masses or something#cartoonishly stumbling over a dusty cobwebbed crate labelled the Complete Works of Shakespeare#and going 'Eureka! this shall make excellent propoganda for fabricating a national identity in a time of great social unrest.#it will be a cornerstone of our elitist educational institutions for centuries to come! long live our decaying empire!'#'what good fortune that this used to be accessible and entertaining to mainstream illiterate audience members...#..but now we can strip that away and make it a difficult & alienating foundation of a Classical Education! just like the latin language :)'#anyway maybe there's no such thing as the 'greatest writer of x language' in ANY language?#maybe there are just different styles and yes levels of expertise and skill but also a high degree of subjectivity#and variance in the way that we as individuals and members of different cultures/time periods experience any work of media#and that's okay! and should be acknowledged!!! and allow us to give ourselves permission to broaden our horizons#and explore the stories of marginalized/underappreciated creators#instead of worshiping the List of Top 10 Best (aka Most Famous) Whatevers Of All Time/A Certain Time Period#anyways things are famous for a reason and that reason has little to do with innate “value”#and much more to do with how it plays into the interests of powerful institutions motivated to influence our shared cultural narratives#so i'm not saying 'stop teaching shakespeare'. but like...maybe classrooms should stop using it as busy work that (by accident or designs)#happens to alienate a large number of students who could otherwise be engaging critically with works that feel more relevant to their world#(by merit of not being 4 centuries old or lacking necessary historical context or requiring untaught translation skills)#and yeah...MAYBE our educational institutions could spend less time/money on shakespeare critical analysis and more on...#...any of thousands of underfunded areas of literary research i literally (pun!) don't know where to begin#oh and p.s. the modern publishing world is in shambles and it would be neat if schoolwork could include modern works?#beautiful complicated socially relevant works of literature are published every year. it's not just the 'classics' that have value#and actually modern publications are probably an easier way for students to learn the basics. since lesson plans don't have to include the#important historical/cultural context many teens need for 20+ year old media (which is older than their entire lived experience fyi)
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I remember discussing Tintin casting choices with a friend from Germany and remarked how it was odd he often has an English accent in adaptations rather than a Belgian one, and my friend just replied "that's because Tintin gives incredibly strong English boy energy (derogatory)"
Here in the UK there's a lot of weird classism tied into accents. Today accent diversity and representation in broadcasting is actively pursued but in Tintin's time there certainly was a preferred accent to have.
imagine this exchange happens between pages 28-29 in The Crab with the Golden Claws
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vimbry · 2 months
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(*1995 and largely icon, personally.
the choice is meant to be what you say now.
couldn't decide on where to comfortably separate the age demographics in the end, so made the focus more on the split of which generations were born into mainstream internet use.
no "other" option, because that would skew the poll out of people choosing terms in other languages/swapping between all of above/indecision
did originally have a wider variety of options such as badge, userpic, e.g. but simplified it down to terms used the most currently by users on this website).
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anna-scribbles · 4 months
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adrinette exes & marichat! part 3!
(part 1 / part 2)
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feluka · 8 months
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In front of the Journalists' Syndicate, Cairo, Egypt, on 15th January 2024.
The crowd chants:
مصر مشاركة في الحصار معبر بيننا و بين اهالينا الصهيوني متحكم فينا طول ما الدم العربي رخيص يسقط يسقط اي رئيس عملوها احفاد مانديلا و احنا فخوف و فعار و مزلة عايزين المعبر مفتوح
Translation:
Egypt participates in this siege! A crossing between us and our people! Controlled by Zionists! As long as Arab blood is seen as cheap, Any and every president must fall! Mandela's grandchildren have done it, While we are seized by fear, shame, and humiliation! We demand Rafah Crossing open!
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dogmotifz · 11 months
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apparently not everyone is aware of james fitzjames inshallah so.
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Us, arriving to Austria to a tiny family hotel owned by an elderly lady
Us: speak only limited German
Lady: barely speaks English
Us:
Lady:
Lady: Czech? Slovak?
Us: Czech
Lady, to herself: Czech, that's a Slavic language right
Lady: understand Yugoslavian?
Us:
Us: yeah that works
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chocochococoffee · 1 year
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what happens when you change your web standards to be only english-speaker inclusive
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pcktknife · 6 months
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og dungeon meshi readers are so serious about this shit. thistles name was announced as sissel and 100 people fell to their knees in anguish. the anime marcille eyebag diminishment event sent people to the hospital. when they cut the scene of her taking her hair down? oh it was bad for us.
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zan0tix · 4 months
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I love perusing 2010s dirkjake fanart and this old prompt is actually so good i had to do my own one.
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kittyfrisk9 · 6 days
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IdeaDpxDc: A nice moment with a sleep demon.
Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.
Dead On Main.
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Danny accidentally absorbed some of Nocturn's powers (like in the Vortex episode), and now, with these new temporary abilities, why not take advantage of them? Like a kid with a new toy, Danny (or should I say Phantom: with a new design) has fun every night going from dream to dream.
The dream world is so strange! Without the constant threat of a dream entity trying to take over the world and all that. Now he has fun exploring the most unusual parts of his classmates' subconscious, or anyone's in general.
Even though he knows he shouldn't be doing this (after all, he's a responsible adult now), spying on other people's dreams isn't exactly something a mature person would do.
On the other hand, Danny is the responsible adult; Phantom is the one who uses his new powers recklessly. Plus, no one in Gotham knows who Phantom is, and at the end of the day, he's not hurting anyone. Point in his favor!
It was all fun and games… until he felt it: the unpleasant taste of a nightmare, distressing and desperate. Phantom knows he has to intervene, because, unlike Nocturn, he does not delight in the suffering of others.
So he goes. And what he sees shocks him.
Resonant laughter of a psychopath, the constant pain of flesh being beaten, and the devastating reminder that no one came to help. Phantom doesn't just see it, he feels it. Gross. What is this? Why would anyone be hurting a child? Then he understands: this is not just a nightmare, it's a memory, and someone is suffering from reliving it.
He absolutely will not allow this nightmare to continue.
...
Jason hasn't been having good days lately, mostly because instead of going to therapy, he's chosen to sweep his trauma under the rug and aggressively throw himself into crime-fighting. He's not good at dealing with his emotions, especially when he's been tormented by the same damn nightmare over and over again.
He knows the script by heart, he knows how it will end, but he still feels the same fear as the first time.
His head hurts.
"No, not again," he thinks in terror. Once again, he's tied up, unable to move or call for help. It's colder than he remembers. The walls have a grotesque tint, with laughter written in every corner. But the worst thing is the silence… until the sound of clashing metal begins to resonate.
Everything is a thousand times worse. He's sure the original scenario wasn't like this, but his terrified mind refuses to accept it.
The metallic sound resonates louder, each crash rumbling in Jason's chest. His breathing quickens, and then he hears it: that laugh.
A deep, distorted echo of laughter that seems to come from every direction. The laughter snakes around the grotesque walls, filled with the same letters that repeat his agony. “Ha… ha… ha…” fills the air, louder with each invisible step that approaches.
Then, he appears.
It’s not the Joker he remembers from that fateful night. This one is worse. Bigger, more deformed, with a smile that seems to tear at his own face. The colors of his suit are darker, more twisted. It’s as if his mind has amplified him, made him more monstrous.
“My, my, how little Robin has grown? But… something remains the same, doesn’t it? No matter how many times you live it, it always ends the same way. And to think that you were my greatest work of art!”
His voice is mocking, but behind the mockery is pure cruelty, a wicked amusement that lights up in those crazy eyes.
The Joker leans towards Jason, his face invading the small distance between them. The sound of metal continues to echo, and Jason knows what's coming next.
"Oh, I almost forgot…" he says, pulling out of nowhere an iron crowbar that gleams in the dim light of the nightmare. "It wouldn't be a good memory without this, would it?"
That's when the pain begins. Jason doesn't want to scream, and he won't. Even though that abominable creature is just a representation of his killer, he won't give him the luxury of listening to him suffer. The blows continue, and Jason bites his tongue. It's just a nightmare, it's not real… it's not real.
It's not real.
It's not real.
It's not-
"Hey… Are you okay?" he hears him ask. His shocked gaze turns to where the clown should be and discovers that he's gone. In his place, there's a handsome young man: short, slightly messy black hair, expressive purple eyes, and a body almost completely shrouded in dark shadows.
The mysterious man had a cosmic air about him, surrounded by a mix of special effects of stars and galaxies. Something magical.
And new.
Jason honestly doesn't know what he's seeing, or why he's seeing it. "What?" he says, unable to find another word to describe his situation.
The entity laughs at his stunned state, a reassuring echo very different from the joker's laughter. Then he snaps his fingers, and suddenly he's no longer in that ugly room. He's now in a field of flowers, beautiful and vibrant, looking out at a starry sky.
Okay, this is the part where he asks his brain how he went from being in a nightmare to being with a handsome guy under the stars, hands free and untethered.
"Relax, you're not crazy," the being says as he lies back in the grass. “You were in pain, and I didn’t like it, so I got you out of there. Don’t worry, that abomination won’t bother you again.”
Jason blinks twice, bewildered, not understanding anything. “You… saved me?”
“You could say yes.”
“Why?” He shakes his head. “No, wait, that’s not the question. Who…?” Looking back at the being, he decides to change his question: “What are you?”
He seems to have taken the being by surprise.
It clasps its hands together as it looks up at the sky, trying to act normal. Jason narrows his eyes. “You can call me Void.”
“Did you just make up that name?”
The being looks away, seemingly embarrassed at being found out. “Yeah…” And suddenly exclaims, “Ah, ancients! I'm not supposed to be doing this, much less with one of the bats."
That last sentence had given away more than it should have.
"Hey, how about we admire the night view and then pretend this never happened?" Void suggested with a hopeful smile, turning to Jason.
Maybe it was the soft scent of the flowers, the calm atmosphere, or just the tiredness after so many nights of endless nightmares, but Jason, without thinking too much about it, walked over, lay down next to Void on the grass, and said, "No."
He needed a break.
...
And that's how Jason befriended a dream demon. And how Danny pretended to be a dream demon until Nocturn's powers wore off. He couldn't let the bats find out his identity.
After that, they spent more time together, fell in love, there was drama and there was closure. In the middle of all that, Danny started having tea with Alfred in the dream world, and at other times, he had fun bothering the other bats in their dreams.
But that's another story.
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Note: Sorry, I don't know English, so please use a translator. I apologize if you don't get the idea.
Part 2
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sleeparalys1sdemon · 3 months
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don’t worry about it mom
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erabu-san · 4 months
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Sethos, since the first day I saw you on my screen
You became the star guiding me through night desert
You became this constellation shining the most among this starry sky
And my eyes keeps drowning in yours that I could become blind by how bright they are.
Sethos, be my C6.
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baseheadattack · 4 months
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happy queer year everyoneeeeee :3 i wanted to experiment with colours while drawing this but i completely forgot to make it pride themed they are all GAY and TRANSGENDERRRRRR beclaws i said so okay bye bye its sleep time
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corviiids · 4 months
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as part of my pitch re: this post please see below my original concept donut steal for an "if phoenix wright had to catch kira death note" au. best regards
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more about this, probably:
this is probably the last case of the game where it transpires that all the other apparent murders in the game have been somehow set up as part of kira's master plan (kira has found creative ways to get around the fact that you can't use the death note to force one person to kill another person and also around rule 10 of the death note that a written death cannot cause other deaths. if you have further queries regarding this matter please do not hesitate to contact me via email best regards)
framing L involves setting up an elaborate murder scene with preset evidence where L is in precisely the wrong spot at the wrong time. L of course anticipated this
the detective character is soichiro, but the real detective character for most of the game is his son light who is a very helpful young man and in fact is the one making most of the contributions
L is ostensibly a detective character too but he mostly just shows up, licks some evidence, blinks at you, and fades out. until he gets arrested
the prosecutor is still miles edgeworth. consider the following:
edgeworth: we have security footage of the defendant holding the murder weapon, at the time of the murder, standing directly in front of the victim, using the weapon on the victim, and then the victim dies
phoenix: okay... but... what if there was a magic notebook
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