#urban mushing

[weaselle]

currently taking a break from building my website to do equipment research for my dog exercise company i'll be launching in a more official capacity this month, where i'll be upgrading from this

to something that can run up to six dogs at a time utilizing design elements from these

tho my first generation rig is going to use this as a base build, with probably 4 dogs

[wyrddogs]

Baby's first tire pull.

I'm getting a bike this week, and need to acquire a helmet, knee and elbow pads, wrist guards, a bike rack, upgraded brakes, and a connector, and then we will be ready to slowly and gently ease him into pulling the bike. I am not in any rush. He is still very young.

[lovotomii]

labour party issues a rehousing directive. you have to move to either telford or scunthorpe. you cannot kill yourself.

fucking hell. I'll hope that I can be rehoused in a nicely refurbished freehold '30s build in a nicer part of Telford then...

[circusgoth-dotcom]

i'm always finding the most randomly adorable pictures of this guy wtfff

[gettingnowherefaster]

"cheery yet energetic" "boy are they fun!" so true!!

[marzipanandminutiae]

Do you know much about historical cuisine? Saw yet another anime with friends and they went the whole 'modern food always tastes better' bit. I feel tired of the trope and am wondering how different historical cuisine would taste compared to modern times. So anything you happen to know as a historian would be cool to know!

That varies MASSIVELY based on time and location. Like. Much more than fashion does, even, I'd imagine (in a given sub-region- I can talk about Mainstream European and Euro-American Fashion of the 19th CenturyTM but the food was so different in different countries that were dressing the same, if that makes sense? just as an example).

Food is often more globalized in a lot of places nowadays, so the characters might have more diversity of flavors from the regional norm than they're used to. But this could be a good or a bad thing- a woman from 17th-century Japan might love pizza and much sweeter Western pastries, or she might absolutely hate them. Which is not to say regional cuisines haven't evolved, too- a museum here in Boston used to have tastings of 18th-century-style hot chocolate, and it was very different from the modern sort. But that's the largest blanket difference across the globe that I can think of, food-wise.

Not sure what anime this was, so it could have been Japan-specific, but I feel like this gets applied the most to the 19th-mid 20th century UK and United States. The whole Captain America line about "food's better; we used to boil everything," for example, and the general belief that everything was bland mush in those areas until the 1950s and then it was incomprehensible Jell-O mold horrors until approximately the 1980s. And of course, none of that's true- there were plenty of dishes that used spices and different cooking methods, many of which are still popular today. See also: Jonathan Harker, a Normal 1890s Englishman, getting so rhapsodical about paprikahendl that he simply must have the recipe for his fiancee to make. There also WERE bland mushes and fluorescent nightmares, but there's less than ideal food today, as well.

(Note that I'm much less confident talking about the whole English StodgeTM thing as we get into the 20th century. That is outside my history wheelhouse and there's a lot of different stuff embroiled in it relating to class and such that I don't want to talk out my ass about. All I know is that I've seen plenty of recipes from as late as the end of the 19th century, from England and some from urban Scotland if I recall correctly, that made ample use of spices. Nutmeg, mustard, black pepper, rosemary, caraway, and cayenne pepper were especially popular (not all together obviously). There was a belief among the middle and upper classes that strong flavors of garlic and onion were distasteful to ladies, but the fact that cookbooks and such feel the need to mention it implies that those elements WERE being used in cooking generally, in the UK, at that time. So wherever the idea that All British Food Is Beige And Tasteless came from, it wasn't mainstream late Victorian cooking for adults as far as I can tell)

(They gave kids a fair amount of the beige and tasteless because they believed their digestive systems couldn't handle strongly-flavored- okay now I'm getting off topic. Read Ruth Goodman's "How To Be A Victorian." Anyway!)

tl;dr- The answer to "is modern food better?" is "that's literally impossible to answer as a blanket statement, since it's massively dependent on the character's original time, place, social status, and personal taste- and where they end up in the present, of course."

Now, I do agree that the trope is annoying the same way every single princess being totally shocked and appalled when her marriage is arranged gets annoying- not because it can't be true based on history and human behavior, but because fiction treats it as some kind of universal precept. Mix it up a little sometimes! Have a Regency character who comes to the present, finds out that her favorite local cheese isn't being made anymore, and loses her entire mind!

[roguestorm]

As a superhero comics fan I’m so mad at what Marvel movies have done to the superhero genre. Like. They’re so BLAND. The joy of a superhero movie should be going in, seeing something unexpected and polarizing and different from everything else you’ve seen. Individual superhero movies should lean hard into horror or disco or urban fantasy or science fiction!! That should not all be the same quip-filled bland action movies that all sort of blur together into an acceptable but unappealing mush. They should take risks and look different and feel different and really explode the possibilities of cinema! And yet they don’t, and everyone’s notion of what a “superhero movie” should be is twisted by the horribly bland stuff Marvel keeps putting out.

[literary-illuminati]

2024 Book Review #9 – The Devourers by Indra Das

I was recommended this as an example of a contemporary work where werewolves are actually treated as monstrous and horrifying instead of either romance fodder or one interchangeable variety of supernatural in an urban fantasy kitchen sink. In one sense that was a blatant lie (the monsters are only werewolves in the vaguest sense), but in another one I care about much more it fit the bill perfectly. Funnily enough it basically is a romance (or at least, the overarching framing narrative is), but for once I’m not complaining about that. Excellent read, though does require a bit of a strong stomach.

The framing narrative follows Alok, a history professor in Kolkata whose approached by a mysterious stranger at a festival. The stranger identifies himself as a half-werewolf, an immortal man-eating shapechanger. In between being mysterious and menacing and flirting with Alok, he hires him to transcribe and digitize two historical werewolf manuscripts – journals etched into parchment made from human skin. Those journals are the meat of the narrative, and it rapidly becomes clear they are written by the stranger’s parents; first the ancient norse werewolf who had wandered all the way to the banks of the Yamuna, then the human woman he fell into something like love with and raped as she travels alongside one of his former packmates and hunts him down.

The framing device is the emotional heart of this, and incredibly well interwoven with the manuscript sections. It’s fundamentally a romance, though one somewhat interestingly devoid of real conflict or plot (well, from Alok’s perspective. There’s a whole emotional journey with him going from ‘future food’ to ‘romantic partner’, he just only gets small glimpses of it). There’s I think one real argument or point of conflict between the two of them across the entire book? And maybe one or two points besides that where Alok or their relationship encounters genuine difficulty or danger. Despite that, and despite (or perhaps because of) the ambiguous ending, it all just very much worked for me.

It’s also interesting – and the book does really call this out – that the whole plot is essentially arbitrary. The inciting incident is just a werewolf being angsty and lonesome, and the entire story and all its stakes are strictly interpersonal with nary an epochal revelation or looming existential doom to be seen. It is a sign of how much of my reading diet is genre fiction that this felt like a massive breath of fresh air, I think.

Speaking of love – the book is deeply and intensely preoccupied with the closeness of and overlaps between love and sex and pain and violation and consumption and death. Werewolves consume souls and memories as well as flesh, knowing and even becoming (for a time) those they hunt. This extends to each other as well – regeneration means mating and fighting to the death is an impossibly thin an frequently crossed line, and intimacy and memories are shared by literally allowing someone to take a bit out of you. Izrail kills and consumes both his mother and his father, and this is the only way he ever truly knows either of them. Both he and his father have fallen in love with whole strings of humans across the ages, and each been the ruin of all but one of them. This extends into the use of language as well – I didn’t take notes as I read, but the example that sticks in my mind was the description of one werewolf pressing a mush of chewed flesh into the mouth of another so he might heal as being ‘like a gentle kiss’.

It is just an intensely gory book in general, really. Or not even gory so much as carnal, in the older broader sense. There’s blood and viscera and sweat and sex and piss and shit and tallow made from human fat and game animals eaten bloody and raw. All of it seamlessly intermixed in one richly detailed and incredibly pungent sensory world the book conjures up for you.. This is taken to an extreme whenever the primordial god-monsters that are a shapeshifter’s second soul appears on screen, but even beyond that – like when I say you need a bit of strong stomach to enjoy the book, I really don’t’ just mean in terms of violence.

This ties in a bit with the lack of grand, world-shaking stakes I mentioned but – the book makes excellent use of its period piece sections to really sell this feeling of the weight of history and of being caught up in the wake of events larger than you can perceive. The 17th century sections really nail the sense of the past as its own living, breathing world full of richness and contradictions, rather than just a slate for the present’s psychodrama. Also it’s possibly the first book I’ve ever read which really mentioned the surprisingly widespread and violent history of werewolf hunts in Europe, which I appreciated.

The shapeshifters (werewolves, rakshassa, djinn, ghuls) themselves are absolutely great. Horrifying and disgusting and sublime, with exactly as much detail given as the story needs without succumbing to rpg splatbook syndrome. The idea of werewolves as things which are deliberately created through a(n incredibly violent and traumatizing) ritual process is one I don’t think I’ve seen before? It works here, anyway – though instead of a hereditary curse or contagious infection, it leaves shapeshifters feeling like one of those elite, elevated fraternities who put new inductees through a hell of physical, social and sexual violence for hazing and indoctrination purposes (the usual modern versions being military units, sports teams, and just actual fraternities). Which ties into all those themes of the fine line between love and violence, I suppose.

Or well, not technically fraternity – werewolves are all functionally genderfuild (can take a big nap and wake up looking like whoever they ate last) and while their second selves can fuck I’m not sure either human genders or, like, genital arrangements apply to them. But 3/4 of the werewolves who get any lines are one caricature or another of masculinity and this absolutely informs how the condition and culture are presented. So like, I’ll just go with it.

Anyway, great book! And ‘abuse regeneration by sewing dozens upon dozens of bones and trophies taken from prey into your skin’ is a great look for a werewolf’s human form.

[flashfuture]

Also if you’re going to write Spideypool I’d say here is a reading list of Spider-Man and Deadpool’s comic interactions that I think are needed to understand them as characters. Because I read the fanfics it’s just varying movies mushed up but the comics are really good you guys and there aren’t very many !

Cable and Deadpool #24 this is their first meeting. It shows a standard Spider-Man interaction with Anyone but esp Wade. Spidey punches really hard a lot first and then asks questions (gets explanations yelled at him in hopes he stops punching) second 

Deadpool: Suicide Kings it’s only a five issue series. This is the entire basis for Team Red. I see you MCU Team Red fans and I am begging you to read Suicide Kings at least 3,4,5 

Amazing Spider-Man #611 is a really good issue to show that Spidey sees Wade as more of a nuisance than an active threat (and while you’re there keep on reading through the Grim Hunt it would be so good for Spider-Man fans to read the Grim Hunt)

Deadpool (2008) #19,20,21 Hit Monkey is gunning for Deadpool and Spider-Man is going to... kind of just be alright with it. If you think Spider-Man would ever be worried about Wade’s safety you are wrong he is more than happy to shove him in the way of a trigger happy monkey But he will break Wade out of prison so there is that ! 

Deadpool (2013) Annual #2 absolute staple Spideypool issue. This is the one where chameleon is fucking with Spider-Man and Deadpool dresses up like Spidey to save the day. I know a lot of you have seen panels but it’s fun read the whole issue 

Urban Avengers #1 is kinda in here somewhere don’t really gotta read it just know Deadpool joins the Avengers and that makes Spider-Man quit the Avengers. 

Spider-Man/Deadpool is a 50 issue run with dubious canon nature. I say the best issues are #1, 1 MU (the heartmate comic), 2, 3, 4, 5. Anything after that is ooc at best and non canon at well not worse but it’s fun

[letaot-ze-magniv]

General guide to birds in Israel pt 2- cooler birds

This will be a long post. Link to part 1

White spectated bulbul/bul-bul me-mush-kaf

Usually referred to as just bulbul, this bisexual king is the roundest and my most favourite bird. IMPORTANT! BULBUL MEANS DICK! DO NOT TALK ABOUT YOUR LOVE FOR BULBULIM IN PUBLIC!

These birds are slightly larger then the house sparrow and are easily distinguished by their yellow butt. Their calls are reminiscent of frogs. They mate for life and are all bisexual and they cuddle each other. They are a menace to farmers because they are fond of fruit and tend to nibble just a little at a time. You can find them in all parts of Israel as long as there are nice trees nearby.

Eurasian blackbird/shakh-rur

These timid birds like to hide in bushes and trees. Their calls are beautiful and I love them. They are smaller then a pigeon. The males are black and the females are brown. They feed on seeds, fruits and bugs, and use their beaks to search the ground for worms. You can find them in Jerusalem and the north, they like cool weather and don’t fuck with sand.

Great tit/yar-ge-zi ma-tzui

Life isn’t easy for these tiny psychopaths, which might be the reason they developed such a temper. Their Hebrew name translates to “angry one”, and for a reason. They are very aggressive towards other birds. They also feed on the brains of bats. You can distinguish between males and females by the thickness of the black stripe on their belly- males have a thicker one than females. They are most common to the north of Jerusalem, but you can find them in some parts of the desert.

Palestine sunbird/tzu-fit bo-he-ket

No, that’s not a hummingbird, it’s the sunbird! Despite their remarkable likeness they aren’t even a little related. Sunbirds feed on nectar and are pollinators! The males have black feathers that shine in the sunlight (which is how they got their name) and the females are a muddy grey, but they’re just as lovely. You can find them in all parts of Israel, especially near lush flowery areas!

White wagtail/nakh-li-e-li la-van

First migrant bird everyone!!! (Some blackbirds migrate here but some nest during summer so shhhh) This lovely round bird starts it’s visits around October and leaves when it gets hellishly warm again. Due to global warming the wagtails visits are shortening, so appreciate them while you can. Like their name suggests, the wagtails wag their tails. A lot. You can find them near water sources during the cold-ish months of the year!

Eurasian jay- or-va-ni shkhor ki-pa

Eurasian jays can be found in other parts of the world, but I’m pretty sure the one we have in Israel is a different sub-species because the ones in Europe lack the beautiful black top that they’re named after.

The jay is a type of corvid, and in addition to being extremely social and intelligent, these birds can mimic other animals. Due to urbanisation, the jays learned to mimic car alarms, the ringing of phones and the cries of human babies. Jays are extremely fond of acorns, and burry them in the ground in preparation for harsher months. A single jay can remember between 4000 to 5000 hiding spots!

Syrian woodpecker/ na-kar su-ri

This picture is of a male woodpecker. The females have a completely black head. Woodpeckers can locate bugs that have burrowed inside trees and use their beak and long tongues to eat them, thereby helping the trees get rid of pests! Woodpeckers also love acorns, and compete with jays over them. To prevent concussions, the woodpecker’s tongue wraps around their brain, keeping it in place while they peck. You can find them in non-desert areas of Israel!

Lesser whitethroat/siv-khi to-kha-nim

Another migrant birds! These floofballs come here twice a year, once in spring and once in autum, although some whitethroats nest in the north all year long. During their migration you can find them everywhere in Israel, even in very urban areas! They get their Hebrew name, which roughly translates to miller’s shrubbery-liker, because their white chests look how a miller’s apron would look after a long hard day!

Super winged lapwing/sik-sak

The siksaks are water birds with ridiculously long legs that they use to stab their prey. They kind of look like they are wearing a tux! Their original Hebrew name was “sharoni mezuyan”, which translates to “one that lives in the Sharon and is armed with a weapon” but also “fucking sharoni”. You can find them anywhere in Israel as long as there is a near enough water source.

White breasted kingfisher/shal-dag la-van kha-ze

One of my favorite birds. The kingfisher is a magnificent bird of prey with brilliant blue feathers that always make my day. They are most common in the north and west of Israel, but they nest in smaller numbers in the south. They kingfisher’s diet consists of not only fish, but of crabs, frogs, slugs, bugs, and even the occasional rodent. Their varied diet helps them thrive even in drier areas.

[atopvisenyashill]

Do you have any fantasy book recs that you like like as much asoiaf? Or books with lots of world building as asoiaf? :)

i don't know that i like anything as much as asoiaf to be honest. also my brain turned to mush early this year (it's the depression) so i haven't read nearly as much as i used to the last several years.

naomi novik - even though she is frustratingly heterosexual, i think her books are magnificent and i'm fond of her prose. spinning silver is a standout for me

the queen's thief series by megan whalen turner - it's kidlit but it is honest to god like amazing kidlit. i cannot overemphasize how complex and intricate the plot is, i don't even think it reads like a kids or teen book, even on reread it feels like i'm reading just regular old fantasy. HOWEVER. after thick as thieves, imo, it takes HARD nosedive (i have like, suspicions why but i don't wanna put anyone on blast) and i found the ending to be a massive disappointment BUT i think i’m in the minority for that opinion so.

Stephen Graham Jones - more horror than fantasy but i adore him. especially mongrels, i think it's really underrated in terms of urban fantasy

Jo Walton - another great fantasy writer, Among Others changed my life

Austin Chant - Peter Darling is just a great, amazing Peter Pan retelling

Seanan Maguire - she'sfairly prolific and she writes all over the fantasy genre. Her Wayward Children series is divine and breaks my heart every single book

Yangsze Choo - she writes like, romantic fantasy (NOT fantasy romance), and I love her prose!

Faithless - comic series by Brian Azzarello. It's kind of weird but I think it's very fascinating

Bernard Cornwall - is he a old white man. yes. but he's a fun old white man idk

Jonathan Strange and Mr Norrell - LISTEN.

[lightthemaskedone]

Edit: OML I DIDNT MEAN TO POST THIS I meant to save this to drafts 😭 Alr Im gonna add some things

The new UrbanSPOOK episode sure was something huh? I wanna talk about a few things (there's a lot so bear with me)

SPOILERS AHEAD FOR URBANSPOOK: HELL (don't worry I wont display any of the paintings or images from the episodes)

First thing I wanna talk about is Mona and Bill eating some of their victims. I actually had this theory at some point that they were eating people because of Sean. His painting was "The Man In The Pipes", so at first I assumed he was stuffed down a pipe in the home, but then FAMILY was uploaded, alongside the painting of the supposed fetus shoved down Paul's throat. Im too lazy to check, but if I remember right, the painting's name was scribbled out except for the word "pipe" or something like that. I know pipe was in there at some point. Maybe the pipes Sean's painting was referring to was their esophagus, since the fetus's painting was referring to Paul's windpipe bc that's how he died. Plus, Sean's painting has more red than anything, just like the fetus painting did. We've seen the painter (Mona or Bill, whoever is making the paintings...probably Mona) would most likely have drawn out the pipe since she LOVES her detail in paintings.

Next thing is how much better this episode was compared to previous ones. The only bad thing in the new episode was the bucket, but besides that there weren't really any bad themes. I watched the new episode through Baz's reaction video, and he even showed a screenshot of Urban saying he would make this and episode 10 better than the previous episodes, so good on him!! And the new episode wasn't just theme-wise better, it was VISUALLY better too. The video footage style was amazing, and don't get me started on the last part where they went into Tina's house for the wellness check and caught the killers. Also major props to Tina's voice actress in this, she did AMAZING. She screamed her heart out at the last part, good lord 😭

A smaller part, but I wanna mention how this episode had one of the scariest parts yet I've seen in the whole series. At the end of the episode where Mona has her hands raised because of the cop, she's just...standing there. Neither of them speak after a moment, and the only sound is Tina's screams. Then a distorted smile can be seen on the screen...Mona is just staring at the cop with a smile. She doesn't care that Bill is dead. She doesn't care about Tina's screams. She's smiling like she didnt do anything. And she isnt moving a single muscle. That smile is the last thing Tina ever saw. Mona is happy and has no regrets.

Another thing I want to mention is how Bill Collins was one of the killers. We already knew that because of the morse code thingy from PIGS, but that raises some questions. 1: Where the hell is Jack Stryker?? For those who don't know, Im talking about Tina's boyfriend from WITNESS that randomly went missing while Tina and Flora were getting attacked. He had a painting, so he's probably dead and/or the painters ate him. 2: Who was the fourth/third face in the Collin's photo montage? In LIGHTHOUSE, we find out Bill Collins went missing, his family was found dead yada yada. I don't remember if Bill Collin's had three or four other family members, but ther was another photo amongst the others that probably shouldn't have been there. The baby was dead, yes, but she was found in the attic and not in the mush barrel with the rest of her family. Which means one of those photos is probably not Bill and another victim maybe?? 3: What's his motive? Clearly he had to have snapped or something to go kill a bunch of people. He's probably the reason all the cops and investigators related to the case died (Sean, Sarah, Ian, etc). As we've seen, Bill acted in a feral-like state while working with Mona, him barking while helping her in the murders and roaring at the cop in the video footage before being shot. So what exactly is his motive?? Maybe Mona will say in episode 10 during the trial or we'll just never know. I will say this, when it showed his human picture in LIGHTHOUSE after stating he went missing, it was the only photo that didnt look...real. It looked more like a drawing than an actual photo like all the other ones. Bill was clearly as dangerous as Mona, but why did he decide to work with Mona, especially after his family died? Maybe it was a last resort and Mona agreed to it? (but they probably teamed up with Fred too to get drugs from him, but we all saw how that turned out) So why did Mona decide to let Bill work with her, and why did Bill want to work with Mona? I really wanna know this in episode ten.

There are a few things Im still wondering. We don't know how some of the victims died and Im actually REALLY curious about that. Ian, Jimmy (who I think may be the fourth photo found by the Collin's flesh barrel), Sean (yeah I said earlier I predicted they ate him but we don't know how he died), the two girls in the lighthouse (I forgot their names but Im too lazy to check 🤯), and some of the victims found in the new episode inside of the Paint Factory. Maybe Mona will reveal how she killed them?? Maybe not?? Idk I guess we just have to wait for it to play out

That's all I really have to say. Oogily boogily 🤯🤯🤯

[hermaximalismhome]

HOME TYPE: Apartment

LOCATION: Bushwick, Brooklyn, New York

STYLE: Colorful, Industrial, Maximalist

BEDROOMS: 2

SQ FT: 747

PAINT & COLORS:

All Rooms — Benjamin Moore “Bancroft White (DC-01)”

ENTRYWAY

Coat Rack — ​UTIL

Flowerpot — &Tradition

Taiwanese Mailbox — Yun Hai Selection

Small Rectangular Mirror — HAY

Wall Ledge Shelves — Lichen NYC

Super Stripe Mini Rug — Verloop

Stripe Dog Bed — Dusen Dusen

KORSNING Rug — IKEA

LIVING ROOM

Sofa — Modern Hill

Shlf One Layer — KIOSK48TH

Shlf Three Layer — KIOSK48TH

The Blot Rug — Mush Studios

The Dandi Pillow — Mush Studios

Tubo Bookend — Bi-Rite Studios

Fenestra Bookends — MoMA Design Store

Sowden Tin — HAY

Sowden Water Bottle — HAY

Pillar Candle — HAY

PC Portable Lamp — HAY

Hemisphere Clock — Design Within Reach

Kirby Vase — Areaware

XL Globe Floor Lamp — Urban Outfitters

KITCHEN

Aluminum Float Shelf — Bestcase

Great Jones x Fellow Kettle — ​Great Jones

Great Jones x Zander Schlacter Dutch Baby — Great Jones

Bodum Programmable 12-Cup Coffee Maker — MoMA Design Store

Salt & Pepper Grinder — Mohd

Toaster — Mohd

Arcs Case — HAY

DINING ROOM

Memphis Dining Chairs — ​Betsu Studios

Daphne Concrete Dining Table — Urban Outfitters

Frame TV — Samsung

Frame TV Wall Mount — Samsung

BEDROOM

Bookcase Miniature — Memphis Milano

Shiva Vase — BD Barcelona

Super Lamp — Memphis Milano

The Dune Rug — Mush Studios

BLOQUE 7 in Sottsass Red — Bonne Choice

Aria Headboard — Urban Outfitters

Roma Wavy Wall Mirror — Urban Outfitters

Credenza — CB2

Bed Frame — Keetsa

Stripe Knit Throw — ​Verloop

Object Poster — Gustaf Westman

SOWDEN PL1 Portable Lamp — MoMA Design Store

Shaped Pillar Candle — H&M Home

A thing on a table in a house — Apartmento

Wallpaper* City Guide — Wallpaper

IDROTTSHALL Rug — IKEA

HOME OFFICE

Shogun Lamp — ​Artemide

Pier Shelving System — Design Within Reach

Uten Silo Large — Herman Miller

Perpetual Ring-A-Date Wall Calendar — Home Union NYC

Anya Sconce — Urban Outfitters

Striped Canisters — Dusen Dusen

Everybody Kitchen Timer — Dusen Dusen

Everybody Tissue Box — Areaware

Pesa Candle Holder — Hem

Molino Grinder — Hem

Handmade Storage Boxes — HKLiving

Eames Construction Toy — MoMA Design Store

Scape Trays — Areaware

Stacking Planter Chrome — Areaware

Strata Plant Vessel — Areaware

Recess by Mush rugs — Mush Studios X Urban Outfitters

[cosmica-galaxy]

What accents do you think your characters would have if y/n had a translator that allowed them to hear their voice and stuff?^^

does the mimics have any accents?^^

Hm...you know? I've never thought about that! I always just allow people to voice the characters in their head with whatever they imagine fits the character. But, if I have to give my OWN personal opinions, here they are. Buddy = Markiplier's accent and mannerisms. He just fits how I envision Buddy talking, especially Darkiplier's voice. Pal = Canadian or Australian. He's a lovable, huggable, and very friendly type of mimic, so why wouldn't he have a Canadian or Australian accent? Fiend = Definitely German. He's a rough-around-the-edges type of mimic, so his mannerisms will definitely be similar to rough German. If he had a secondary choice for an accent, I think it would be of Russian origin. Just helps his intimidation. Fellow (Drill Mimic) = If his kind could talk...100% Brooklyn or Boston accent. When I think of drills, I think of construction. When I think of construction, I think of urban areas. The most iconic urban areas where I live? New York and Boston, obviously! Comrade (Clock Mimic) = Definitely a variation of British. Since the clockmen are obviously inspired by Britain, it would only make sense to speak with a British accent. Definitely the more "formal" type of accent too. I think "Trans-Atlantic" or Yorkshire variations fits him the most. Of course, you can envision however you imagine them as. These are just what come to mind when I think of their voices and their appearances mushed together.

[circusgoth-dotcom]

i funking love pennywise

[darkwood-sleddog]

Nothing big to say but I found your blog through the dog breeding post and you and your beasties are SO COOL. I have never really known what to think of the city sled dog breeds that we meet, and I love seeing them get chances to do what they're made for. :)

Thank you for this sweet message! I do have some pretty cool dogs in my opinion and they love what they do (even if that “do” is stealing my spot on the couch every night). Mine aren’t city dogs, but I know a couple NYC mushers that have urban mushed in Central Park.