#urbanspook
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I don't like this sketch but my boyfriend said Mona looks cool and I should post it
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she again.
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Eppee
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Twin, where have you been
#I'll leave this God forsaken analog horror alone soon#but I used to be into it despite how horrible it was#kinda like watching a car crash#anyway when I first saw the lady in game I immediately thought of Mona#mostly likely because her forehead is fucking huge#coming from someone with a big dome myself#mona lanius#urbanspook#no i'm not human
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Mona x Tina Toxic Yuri Headcanons because I’m a bad person 🫀🌸🔪🧁
Ya’ll can blame @dollsleeper for giving me the toxic yuri bug. I am officially a Tona shipper thanks to them XD
TW: references to sexual assault, stockholm syndrome, stalking and abuse
☠️ Mona didn’t think much of Tina when she first laid eyes on her, she was just another piece of meat to be used in her art, what really made her fall in love with Tina was when she heard her scream. She heard so many screams before her and always took twisted pleasure in hearing the screams of her victims but Tina’s screams just hit different, it was like a beautiful song to her and she wanted to hear it forever. Ironically, Tina’s screaming was what saved her life because it made Mona do what she never did with any of her victims… she hesitated in killing her. Mona would have many lesbian thoughts about Tina since that fateful day, she often wondered how soft her hair must be and how much she yearned to smell the perfume on her body again.
☠️ Mona became completely obsessed with Tina after hearing that beautiful scream of her’s and would end up stalking her for the next two years, memorizing her schedule, occasionally stealing her belongings but she didn’t make a move on her until after watching her interview. Mona took Tina’s “once’ve you’ve been to hell, you don’t come back” quote as a sign that Tina wanted to come back to her, like a piece of her was still with Mona since that day and she was beckoning Mona to take her back… It was the most romantic thing Mona ever heard in her life.
☠️ Mona actually tries to make sure Tina is as comfortable as possible. She took her beautiful, bloodstained lace bedsheets with her to put over the dirty mattress she has Tina placed on, she actually cooks her food even if they don’t turn out right most of the time, she’ll cuddle up with her if she looks like she’s cold, she’ll check to see if the pretty pink collar she picked out for her isn’t too tight, she even bathes her semi-frequently.
☠️ Tina is constantly trying to fight off the warm, fuzzy feelings that Mona gives her. She doesn’t want to admit how much she melts when Mona touches her thigh, she hates how good she feels when Mona says things like “you inspire me so much” and “you’re so pretty when you cry”, she finds herself actually blushing when Mona compliments her. Every day is an inner war to stop herself from falling in love with the woman who killed everyone around her, dismembered her and now keeps her hostage in what looks and smells like a lived in sewer.
☠️ Tina hates herself for finding Mona so pretty, she’s a monster, one who killed her sister, her boyfriend and her mother, mutilated her, keeping her alive just to treat her like some kind of toy or pet… and yet she thinks her long, black hair is so pretty, her eyes so beautifully haunting, the expressions she makes when she paints those horrible portraits are strangely charming, that course yet oddly soothing voice that makes her feel a strange combo of fear and comfort. She just can’t keep Mona out of her head and she hates it.
☠️ Mona loves to doll up Tina, dressing her up in pretty outfits and doing her makeup, trying out different hairstyles, she would even do her nails if she still had hands. Tina hates this but she’s learned not to fight back, having come to fear making Mona angry and besides, every day, against her better judgement she likes Mona’s games of dress up a tiny bit more. Mona knows this too, remembering the time when Tina blushed after Mona said she had good fashion sense.
☠️ Mona and Tina surprisingly have a lot of common. They both have a major sweet tooth, they both have a love for nature even though Tina is a deer girl and flower enjoyer while Mona is a rat and bug lady who collects molds, spores and fungus, they both have artistic talent and an interest in the arts (Tina being a knitter and sewer) and they even have a shared quirk in a tendency to play around with their hair when bored or anxious.
☠️ Tina is bisexual but she’s kept her sexuality a secret from her mother since she’s a conservative christian type and she feared she wouldn’t accept her if she found out, Jack and Flora both knew however. It can be surmised that Mona is pan since she has a very “a hole is a hole” mentality when it comes to sex but she wouldn’t identify as pansexual since she doesn’t really care for labels.
☠️ Shockingly, Mona hasn’t gone too far in forcing herself upon Tina. She could easily subject her to her darkest, sexual fantasies like she has done to so many others and you better believe she’s had some real devious thoughts and yet the worst she’s done to her is groping/squeezing her breasts and thighs on a regular basis or licking her face. Tina of course is horrified and disgusted by these acts and yet… why does her face and nethers feel so warm when she does it? And why does she whimper and mew the way she does when Mona bites her neck and shoulders even when she draws blood? And why does she always kind of look forward to when Mona cuddles up to her even when she’s soaking in blood?…
☠️ Bill is VERY jealous of all the attention Tina gets from Mona and is always thinking about murdering and getting rid of her so that he can be Mona’s “favorite” again but has enough smarts left to know that he would be severely punished, maybe even killed if he did so he has no choice but to grit and bare it. His patience will always be tested when Mona talks about her while they’re out murdering like when Mona finds some kind of accessory or article of clothing and will ask Bill “do you think Tina would like this?”. Bill will scare the shit out of Tina when Mona isn’t around in a vain attempt at revenge against her.
#mona x tina#tona#toxic yuri#headcanons#mona lanius#tina rosenburg#bill collins#urbanspook#urbanspook the painter#the painter#also yes the dividers are suppose to represent mona and tina respectively and the general vibes I get from them❤️❤️❤️
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*slur* ✌️😜✌️
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So I decide to just post this here..
love the new episode!
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u/BENOS101 made the joke
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于是我开始造谣
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I’m sorry
#art#fanart#slashers#artists on tumblr#vincent sinclair#bo sinclair#lester sinclair#house of wax#urbanspook#Mona D Lanius#Mocent#Vinna#Vincent x Mona
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HELL ending be like
#urbanspook#urbanslug#mona lanius#bill collins#the painter#my art#digital#doodle#artists on tumblr#fanart
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I do not like Urbanspook's The Painter. It is a bad example of analog horror, filled with baseless shock value content with no good payoff. Characters are brought in then killed off, the kills can be ridiculous, and it honestly just feels like a powerpoint. But I have to give Urbanspook credit where credit is due. Mona is fucking wonderful. It is rare to find female antagonists in horror media that aren't either pretty or killing for a sympathetic reason. They aren't allowed to just be sleazy and ugly in the same way male characters are allowed to be. And even when they are ugly or self serving, that later gets taken away from them. For example, Carrie was ugly in the book, fat and pimply and described as generally unappealing. But the movie? She's literally so pretty. They wouldn't allow her to be ugly. And it upsets me. It upsets me so much that media doesn't allow for flawed, ugly, morally corrupt and sleazy women in horror. In comes Mona. Mona isn't pretty. Not conventionally. She has a receding hairline, big unnerving eyes, extremely thin eyebrows, possibly a cleft palate or at least a deformed lip. Hell, when I first saw her, I thought she was a man. She's pale and oily and ugly. And she's not just allowed to be ugly, she's also allowed to be proud of it. Her self portrait exaggerated her features. Her hairline is even more receded, her eyebrows are straight up gone, her eyes are small and beady. She doesn't prettify herself, she makes herself worse. She isn't moral either. She doesn't kill as revenge for whatever tragedies happened to her, she doesn't go after those she deems guilty. She goes after the innocent. She goes after the weak, the soft. She's sleazy, and gross, and evil. And she's ALLOWED to just be evil. Her paintings are horrid and ghastly and offensive. They don't paint a beautiful, serene scene of the murders committed, they make them seem just as vile as they actually are. She is a breath of fresh air to me, and I absolutely adore her. Despite the flaws of the original material, she sticks out to me as a diamond. The woman that was allowed to be a disgusting, sleazy, horrible menace to society. Mona my beloved.
#urbanspook#urbanspooks the painter#urbanspook mona#analog horror#analog horror the painter#horror#Mona Lanius#Mona Lanius my beloved
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Scariest crap I've ever seen
#my art#digital art#digital drawing#cartoon style#digital sketch#digital illustration#clip studio paint#urbanspook#mona lanius#bill collins#analog horror
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Dumbass bitch can't even make cookie dough 💀
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